Renwick a must see when next in DC.

As we explored the hidden pockets at the Renwick Gallery (see last week’s blog) where upcoming exhibits were concealed by various obstructions and drapes, we made some interesting discoveries. We peeked behind a barrier where another exhibit was in the process of being installed. There we spied a variety of objet d’art and standing amidst, in the center of the disarray,  was what appeared to be a draped Grandfather’s Clock. My cousin who had previewed the show informed us that it was in fact the drape that is the art – it is not a drape – not fabric – but an exquisitely crafted art piece  of its own accord. P1150073 The ladders and other tools of the installation unintentionally supported the amazing trompe l’oiel effect. It was not a piece under cover at all – but the cover formed to suggest that there was a statuesque clock beneath it WAS the art!

At the opposite end of the staircase that we ascended is a rotund space dedicated to the history of the Renwick. 20160618_114404_resized Here we found the story. It is a story of passion for the arts, dedication to preserving and presenting, offering to the public these rare opportunities and during its life it has been confiscated and re-purposed for wartimes, protected by Jackie Kennedy and preserved under the official order of Lyndon Johnson that it be returned to its original purpose to be “Dedicated to Art” as a the unique exhibit space it was designed to be. 20160618_114310_resized

Read along the wall and you will learn about Powers’ Greek Slave 20160618_114122_resized and look up and you will be dazzled by a permanently exhibited Chihuly chandelier dangling with droplets of green glass that looks like it was dispensed from a frozen yogurt machine – soft and spiral, layers of iridescent and luminous forms.

The exterior is also fascinating to examine up close. It has whimsical and interesting details of relief and components, modern wave patterns all topped off by an unfortunately “tacky” sign beneath the upper pediment of the entry facade. P1150085 Oh well…

Please make the Renwick a must see when next in DC.

WONDER at the Renwick

At 4 years old my teeny cousin, Katherine whom I nicknamed Katie-belle, took my hand as we ventured forth with great discovery stepping down into the carport of our beach house. With commiserating whispers, like the two adventurers that we were that night, we exchanged queries about where we were headed and what we might find and she said ” I Wonder…”

“So what?” you might say. What’s such a big deal about that? Well the concept of wondering, being able to ponder with amazement at what might result, was astonishing to me coming from the mouth of such a young child.

When we returned upstairs to join the group, I was eager to share my amazement about her simple phrase, “I wonder.” I exclaimed  “She wonders!” Repeating it incredulously about 5 times!

Today she is a dedicated grown-up pursuing exciting adventures in education as she navigates the University system and teaches students with a creative approach that captivates and engages beyond their expectations.

What is wonder? What is wonderful? Yesterday I visited the Renwick Gallery in Washington, D.C. . The current exhibit is called WONDER. P1150084It truly is a wonderment for all ages. This architecturally magnificent building designed in 1859 by James Renwick, in the then chic Parisian Second Empire Style, is the elegant backdrop for a most progressive and creative collection of present day modern artists’ works. Diverse examples, of spectacular displays using simple materials,  brought to life in forms unexpected – of grand proportion and thrilling magnitude. Although my learned and previewer cousin had introduced me to the exhibit in advance, it captivated and engaged beyond my expectations.

This grand yet intimate edifice welcomes and encourages close observation of both itself and its contents. The spectacular main staircase, centered upon entry, presents a brilliant coral red carpet installed with a curvy,  serpentine migration up to the second level. Ooh – if copying is cool and emulating is the greatest form of compliment – I will be looking for an opportunity to specify a similarly whimsical installation. P1150052

Glittering overhead, spanning the entire length of the staircase, is a rectangular chandelier of mirror-like stainless steel punctuated with little LED lights blinking in random patterns. P1150066 The glitz and bling make such a striking, formal, contemporary statement in this expansive volume that it startles with joyful contrast. The artist, Leo Villareal of whom I had heard in advance, was originally from Albuquerque – where we now call home. A remote desert origination transplanted into the fast pace of the urban centers of the east coast resulting in this shiny experimentation with light, form and wonderfully reflective surfaces. Villareal melds basic high-tech coding to use his own algorithm of the binary system 1s and 0s communicating to the lights when to turn off and turn on – yet sequences that are never exactly repeated .P1150064 It’s not just your linear code of characters that is read on a screen –  here it is an artistic experience shared by all who look up in this gallery’s exciting exhibit.

Straight ahead, through the massive opening to the next exhibit hall, was the wispy fishnet-like rainbow of woven warm-colored fiber representing both  wonder and danger. Artist Janet Echelman’s inspiration is from a map of the energy released across the Pacific Ocean during the Tohoku earthquake and tsunami on March 11, 2011.  A natural disaster so devastating that it shifted the earth on its axis and cost us a fraction of a second in time. Surreal? Sci-fi? No, it really happened.  Beauty and grace depicting a horrific event. P1150063 Large scaffolding at the end of the room suggests the manual installation that was required to suspend this wondrous drape catching light and glowing with golden aura. P1150068

The lower level still had wonders to explore starting with the magical woven willow saplings – creations of artist Patrick Dougherty. He has wound these great lengths of supple branches to form Hobbit – like holes of imaginary forest habitats. P1150056 We were at once drawn into these cozy nurturing cubbies of what appeared to be nature – not forms created by man. Nature. Organic and raw, elegant and graceful winding toward the far reaches of the very high ceilings. Like a sculptor who says that the stone dictates what it wants to be and how he carves it – Dougherty knows that the long willow branches have a true will and bend their own way challenging him to work with them toward that goal of partnership with nature. The beauty is in the end result.  People of all ages wandered in and out, peeking through window-like openings pretending to be exploring an enchanted forest of wonder.

Next – stacked index cards- really? P1150061 Have you ever experienced Tent Rocks?  8-24-12 Placitas lunch, Tent Rocks Heather, Tricia, Zeke 044Have you ever looked upward and around and through the magnificent forms created by nature eroding the earth’s strata revealing layers of color and creating spires of rocky towers? It is a magic land just south of Cochiti in a very unexpected pocket of nature’s magnificence in our Land of Enchantment. And the spires that artist Tara Donovan created with stacks of index cards – an overwhelming accumulation of millions of index cards suggest grey spires replicating nature’s wonders in the canyons among the spires of the Tent Rocks. P1150062 It’s as though a photographer captured this natural formation in black and white.  Donovan’s interpretations are tones of grey as a result of the stacked white index cards with slivers of shadow sucking away light in between each of them. Clustered and staggering in height, the “Untitled” towers are inviting to walk amidst and pass between, winding around them like a  tourist or explorer or perhaps inhabitant in ages past and present as they have stood for ages.

Snap out of it and see what is glowing like a fine fiber sail in the sunset in the next room. Stretching upward and crossing midway are thousands of incredibly fine threads woven from small hooks on the base. P1150059How could a human working only by hand – without computer generated machines digitally fabricating such perfection create this finished piece that we are studying with such wonder? How can this fine tedious seemingly impossible count of thousands of threads be executed with such grandeur and grace by one mere mortal? gabriel-dawe-plexusa1-wonder-renwick-gallery-washington-designboom-03 The artist Gabriel Dawe transcends our ability to comprehend the exactness of his beautiful accomplishment with extraordinary patience, precision and creative foresight to imagine the end result and bring it to fruition.  It is a wondrous, luminous sculpture of rainbow colored threads inspired by the skies of his native Mexico and current home in East Texas. The fine weavings also inspired by his Mexican heritage are interpreted, stretched and exaggerated here reflecting the light and spectrum of color from its base to ceiling. P1150060

We missed a couple of early installations of WONDER but were thrilled by today’s adventure. We had many opportunities to wonder…wonder how the artists conceive of their fantastic ideas and actually build their dreams to share with the world. We wondered what it takes to spark that creativity and passion that requires commitment and demands such unfailing determination. We wondered about those who collect these talents and curate these exhibits for the joy of so many. We wondered about the practical side of marketing these concepts to support the artists and this amazing  accommodation started so many years ago by a true visionary William W. Corcoran.

My next blog will trace the history of this wonderful architectural treasure, the Renwick, and share more of the day’s discoveries that you might visit and experience as you tour my birthplace – our Nation’s Capital.

 

 

 

Fe Fi Fo Finishes

I have resisted faux wood porcelain tile, without good reason, just for the sake of installing something new. I have believed that it is great for a Long John Silver’s fast-food place attempting to convey the look of a wharf, fish shack etc…it is also good for a grocery store produce department – again, trying to depict a grower’s market with barn-wood floors while all the time being easy to maintain and virtually indestructible. But for a home (unless it too needs to be indestructible), chic restaurant, office lobby – I find it way too cold and faux. wood grained porcelian tile generic

Furthering the disdain for the material is poor specification and poor installation. Having grout joints accentuate the tile making even less believable than it already is – is the worst.

But as usual, if you wait long enough the trend will either fizzle or bloom and bloom it has- check out these really fun porcelain pieces of plank in colors – yes colors on purpose to exaggerate the idea!!! Now this is a trend with which I could have a little fun!!! 20160604_075109_resized

The first generation of the faux wood porcelain planks took themselves too seriously and so did the designers who used them (except in the smart applications aforementioned and perhaps an ultra contemporary beach house desiring an ease of maintenance flooring material). Not to mention, they were not the finest examples. But with all embracing this trend and using it everywhere – walls, floors etc…I found myself in boxes of cold wood-like tile – fun? I think not. wood-grain-porcelain-tile-floor-wall-bathroom-atlas-concorde-etic

The evolution of the product has advanced its aesthetic and applications. Inserting shocking contrasts weathered-wood-look-porcelain-tile-kitchen-floor-abk of grain and color just for the sake of design. Yay!!

So yesterday we had an all-day continuing education marathon. It was comprised of several independent  courses on a variety of interesting subjects well delivered by entertaining and informed speakers, a trade show of great design sources, a lovely lunch, and finishing with a festive cocktail hour. During the course of cruising the trade show along all the vendors’ displays, I stopped at a familiar one presenting tile of all manner – including wood-grained porcelains. I engaged in conversation with one of the reps and specifically about the tired over-use of this trend. We were in perfect harmony regarding our agreement on this subject.  While there I did admit a straying from the natural integrity of the materials that I generally embrace when recently I specified a vinyl wood flooring material in a residential application. This particular installation was prompted by the desire to have the look of wood flooring but with the resilience, durability and soft cushion that this unusual product offered. We had wet area conditions right off the pool area where traffic patterns to the restroom and kitchen were constantly traveled by adults, kids and dogs. The pliable product installed with a tight tongue and groove detailing and the remarkably beautiful faux wood-grained finish had great color, texture and dimension. To further belie the true content of the material, we placed stunning hand-knotted wool rugs on top of it making it more believable to the eye of the beholder. We have successfully fooled everyone to date while offering a water and dog toenail impervious, super easy to maintain floor!!!

So there is a time and place for nearly everything…just don’t settle because the trend is set-forth. Take each material and make decisions for the right materials in the right places – and never shy away from having a little fun!!! modern-porcelain-floor-tile-uonuon-14-ora-italiana-1