DIY – Inspiration is All Around!

DIY is so in vogue. Where it used to be chic to hire someone to do everything in your world, now practicality rules! The savings and fun of doing things yourself is huge. There are so many inspirations on-line. Ideas overflow-ith and the possibilities are endless.

Where do you get YOUR inspiration? It’s all around us. I had been contemplating a shower/wedding gift. I always prefer to find something unique rather than picking from a registry at Nordstrom’s or William Sonoma…but this one was a challenge.

Recently, my inspiration came from taking a morning walk through the desert.

The decorative graphic on the invitation was a floral arrangement of soft pastels and antlers. Yes, antlers. This bride-to-be is a hunter. A long, lanky, beautiful, feminine, crack shot! I’ve known her since she was a toddler. I had been picturing that graphic in my mind in an effort to divine some special gift that related to that theme…something uniquely memorable and lasting.

As I walked through the rough desert grasses and around piles of dead tumbleweeds I regarded them with a new-found appreciation. They had such an interesting structural framework that I realized that they clearly resembled antlers.

They became the springboard for a floral arrangement that would replicate the theme of the invitation and, with that, I began selecting them and carefully carrying their rotund prickly selves back to the car.

Next step – what else will make this a successful rendition of the theme I was trying to emulate? Off to the craft stores! I selected delicate, creamy-white wooden roses, soft pink mini silk roses and some fill from both Michael’s and Hobby Lobby. The PERFECT ceramic vessel presented itself in an soft, oval shape glazed in a powder blue, but with edges and character that offered attractive, desirable, intentional imperfection.

As I have mentioned in past stories, a successful designer has a good team. Building a team to realize your dreams is the key to that success and I called on my very special and exquisitely talented floral designer to assemble my gatherings into the image of my intent. Melba has made my dreams come true for years. She gets into my head and interprets my words and elements to create a finished product that has hit the nail on the head over and over again.

I pulled out the many materials that I had purchased. She evaluated each, talked to me about my concept, and studied the combinations that were laid out on the table.

This piece exceeded my expectations. The fine branches of the tumbleweeds were the delicate punctuation amidst the flowers.

When she actually ordered real, bleached deer antlers that became the statuary of the piece, I was thrilled! Not only was the finished arrangement perfection, I didn’t think it was realistic to expect to get real antlers and incorporate them into this design in such short notice. She had less than 2 weeks! It was spectacular.

DIY inspiration is all around – even in dead, dried tumbleweeds. Creativity begins with a concept and progresses with the fun of making it uniquely yours. Team DIY!

 

 

What is Custom and Why Do You Care?

A client and I had a discussion the other day about “custom” design. What is custom and why do you care?  As we regarded her newly reupholstered furniture that had been delivered and placed in the living room, we began remarking about the “custom” nature of it all. A specifically designed audio/visual cabinet is currently being “custom” fabricated to add to this scene. Unique pieces of furniture with specifically selected fabrics to create an exclusive, personal scene. This “custom” collection/combination of existing pieces, recent “finds,” new pieces and designer fabrics doesn’t occur anywhere else on the planet. How personal can you get?

Here’s a peek…the beginning of the assembly of this “custom” scene. Crisp Scalamandre stripe on a fabulous find, paired with a rich navy and cream hounds tooth woven…rugs, lamps, pillows all still to come…

Creating a custom scene is like composing music or a painting. It is an art-form of balance. Balancing scale, color, texture, form…the many nuances…details….is the art of it all.

With all of the options on-line and in furniture stores, how do you begin to compose your scene? Where do you start? What do you keep and what do you replace? Why might you want to engage an interior designer?

Perhaps you need assistance getting started. A professional interior designer can help. So can several talented friends – but there is never only one way to do anything (too many chefs) and the right guidance can simplify the process and make the decisions much easier.

Too many chefs?

You need someone you trust, with whom to consult on the many design decisions. From floor finishes to ceiling treatments, window coverings to upholstery, furniture pieces and placement to decorative and functional accessories, lighting to audio/visual – a professional designer has the tools, colleagues and experience to assist you to realize your “custom” scene.

However, if you don’t have the desire or the patience with the creative process, you need not participate – you can go on an extended vacay while all is designed and completed. Voila! Or, you can expeditiously go on-line and buy what you like and hope it works well together and that it fits, that it wears well and results in the scene you want and need to bring you comfort and joy. Or not.

The same is true for commercial interiors. The scene should be an exclusive, custom design that reflects the unique culture, qualities, values, mission and brand, enhances productivity and satisfies the needs of the owner/occupants.

An accounting firm merged two existing, well-established firms. Old and new, grounded and progressive – the remodeled “custom” interior represents their newly defined culture.

A designer interviews the client in order to extract their desires. These many impressions of the desired design are often tough to identify and articulate by the client perhaps, but those illusive concepts, ideas, and desires are exactly what the designer gathers to cull the options, offer ideas and compose the “custom” scene.

For more on this, please visit a previous blog on the Creative Process https://patriciandesign.com/the-creative-process-of-interior-design/  and Custom Design Details https://patriciandesign.com/4680-2/and Custom Collection  https://patriciandesign.com/2017/02/

 

 

Touch IT – Feel IT – Tangible Textures!

I am so all appreciative of texture and color and sheen and lack thereof…that I KNOW that it is impossible to make any decision about fabrics or any other textile for that matter, rugs, weavings…via a monitor or screen.  We are all becoming so dependent upon the instantaneous access of information through the internet – finding sources on-line and virtually ALL of our purchases –  that we are forgetting the tactile necessity of determining value, applicability, and certainly true visual appeal with tangible samples.

Yes, we can order memo samples and those of us in practice for the past few decades KNOW that we have to order samples every now and again – that is IF we have our own source library or a number of showrooms close at hand to do the instant gratification portion of the search.

Most clients LOVE to come to the library and see the many options, play with the samples and participate in the design of their project.  It is a one-stop experience that sets the stage. We then have all the many distributors and showrooms, mills and factories from which we can order additional materials. But the resource library of tactile samples of fabrics, flooring, wall-coverings, flooring, rugs is exciting.

There are those who prefer fewer choices – just show me a couple of options and I’ll be fine. Quite the opposite of the one who wants you to prepare a dozen scenarios for their consideration. Yes, they pay for that luxury, but the ones who appreciate the hunt -who appreciate the searching through samples to compile their favorites – THEY are the ones who really get into the Creative Process ( see recent post on this very subject).

Living on an island – as we often feel we are – we HAVE to compile a significant source library in order to have the samples available for on-sight instant compilation for a project. Yet  having all the resources close at hand, as in the showrooms of larger cities, we still have to drive there to do the work. I must say, I am spoiled with such a comprehensive source library at my studio where I go any time of day and do research to gather myriad samples to satisfy a project’s needs.

It’s taken decades to evolve. It takes a lot of concentration to keep it in order and up-to-date.  That is invaluable. This isn’t to say that after spending several hours  searching, culling, sorting and weighing possibilities against for-sure options, that I don’t have to occasionally call the many mills and distributors and ask for special pieces that have eluded me on my search. I might have gathered several coordinating/contrasting and fabulous samples, but lack that one blue and white striped pattern that I have visualized since the inception. It is then that I reach out and say – “I can’t find the right blue and white stripe – please send me what you have for upholstery weight.” And the samples begin to arrive and usually the  missing link in the design puzzle will be found – sooner or later. IT is out there.

But the value of the well-organized and well stocked library is an invaluable tool. Yes, it is a tool – THE primary tool for a designer after their own imagination’s creativity. It fills the blanks of that creativity with actual materials that complete the design. And having a resource library on-site in our own studio saves much time and offers a plethora of options, materials, finishes, inspiration and those priceless tangible sample at our fingertips  that MAKE an interior design.

 

What is a Picture Worth as You Plan Your Design?

We’ve all heard the expression “A picture speaks a thousand words.” And today, as I set forth to use it, I investigated its origin…seems the original quote might have been “A picture is worth ten thousand words” as stated by Fred R. Barnard in the 1920s. Either way, it conveys the same – seeing is believing and seeing is more literal in most people’s eyes. Words can describe and attempt to convey an intent or, in my world, a design concept. But to sketch it – well that’s the best way to show the intended idea. There were other unsubstantiated references to an old Japanese phrases, but suffice it to say – it is such a truism that it is referenced often.

Here is an illustration of a courtyard that we have proposed. Our custom designed hand crafted iron gate inserted into the existing low wall, water feature, flagstone and plantings are all new proposals. Can you picture it? If I had arm-waived with a verbal description would it have been as helpful? It’s a small space, so it would have been easier to convey than other more complicated design concepts, but for the sake of an example, this works. I’m thinking that your answer would be – “Yes, I get it! The illustration sets the stage and really helps me visualize the intended finished product!” It is exciting and more stimulating than a rigid CAD drawing and evokes more emotion in most, if not all, clients.

I realize as I write this that it directly reflects the observations in Federico Leon de la Vega’s comments about the value and actually critical importance of handwriting as he expressed in his TED TALKS last year.

 

Therefore, I prefer the artist’s rendering – to support and promote the talents thereof and also for the much better rendition of the concept! So as technology advances in the realm of illustration, I intend to continue to support the skills of the artists that so effectively express our designs.

Let’s get together and plan your next design project, find solutions and create the images that will springboard the work and ultimately represent your new reality!!!