“COLOR IT FABULOUS” – A Color Game to Play and Learn!

After last week’s Color of the Year observations, I furthered the subject regarding the importance, influence and value of colors.

I don’t know the science behind how individual’s eyes perceive and translate color… rods and cones and the anatomy of the eye as it speaks to the brain…but what I do know is that COLOR and the context of COLOR MATTERS even if it is not perceived exactly the same by everyone. 

My parents were coincidentally both apt to notice, remark about and describe color specifically.  To them, and ultimately to me, colors were something to regard and absorb, for better or for worse, and all colors deserved acknowledgement and specification. 

I distinctly remember their descriptions, “Parrot Green, Sapphire Blue, Lemon Yellow, Fire Engine Red and Brown as a berry” – a compliment which indicated that you had tanned sufficiently! I think it was a result of our island home-away-from-home that prompted many of these titles. We, for sure, had no parrots making their presence known in Virginia! But for some reason, colors in the islands prompted unusual appreciation and scrutiny. This parrot green was like grass green but a bit more intense – saturated – not a dark green and certainly not a spring green – just a brilliant, clear, secondary green! The result of true, primary blue and yellow mated to make GREEN!

Color is a communication tool to convey – color. But what color? What type of color? What specific color? Is your version of a color the same as mine? Do we “read” color the same way? Do we express the description of color the same way? How might you explain a color to a person who is blind?

I’m writing this today from the tropics and it seems worthy to note that colors are abundant here in brilliant evidence through all seasons. Whereas in a decidedly changing seasonal and climate, colors come alive in spring, progress through changes and pretty much crash for the dormant winter months. Contrarily, the topics meld their rainbow of blooming floribunda, bounty of fruits and palette of these brilliant colors year round. 

Maybe it is because we straddled both worlds. The lush, verdant, colorfully blooming and always reliable tropics countered by the decidedly and distinctly changing seasons through dormancy in the northern climes. There must be an appreciation for the change. The lovely, yet possibly monotonous climates that produce blooming color all year round might dull the senses to the seasonal reemergence and staggering beauty of new growth and blooming abundance and mute the verbal expression and appreciation thereof. 

For example, my color antenna is always up and running. As I struggled with my pair of carry-on luggage monstrosities clearly in excess of 75 pounds (good thing there is only a size and not a weight limit!!), I came upon 2 art pieces in the Houston Hobby airport. The colors beckoned me. Although I had noticed them in swift passing, I couldn’t help wanting to see more. So I stopped and dashed back, disassembled my cumbersome haul and quickly took photos of these two paintings on exhibit, in the concourse, in order that I could enjoy them a bit later. Initially attracted by the color, they arrested me allowing and inviting an opportunity for  further examination of their subject matter and detail later, when I had the luxury of time. 


The wildly organic plant life, featuring an animated orchid that tangled and writhed on the painting’s surface in a variety of verdant green’s set against a perfectly selected fiery orange table surface, was brilliantly alluring and seemed to set the stage as a  precursor to my soon-to-be-destination in tropical Mexico.  ARTIST: Lucas Johnson Still Life with Schomburgkia

A bit further down the corridor of the concourse another piece caught my attention. Similarly with its colorful invitation, but with entirely  different subject matter which upon closer inspection was quite intriguing, a patchwork quilt of batik fabrics and collage with applied letters beckoning the viewer to wonder what might be beneath was magic. The woman or child and beloved pet in the center of the action nestled under a cozy and colorful quilt, wrapped in a cloak of starry darkness which might suggest clinging to each other against the foreboding imaginings of the night.


The intense collection of the brilliant colors contrasting against black was dramatic, mystic and inescapable in this powerful piece, It Helps to Think We’re Sleeping Underneath the Same Big Sky by artist Joo Young Choi.

Watercolor artist extraordinaire, Susan Weeks,  captured this crate of mangos at an exotic market somewhere very south of here. Peru? Ecuador? I don’t remember. Susan gets around. And, Susan sees color and detail and renders it with remarkably exacting precision. 

As I greet the day, I’m taking my stash of mangoes out onto the balcony to be seen and photographed in context.  Reminded of how Susan rendered this succulent sweet fruit, with the delightfully “hairy pit” (nods to Tricia), I celebrate this colorful collection of nature in a sensational setting! These gorgeous tones of warm golden yellow, baby iguana green and yes, 2019’s rosy warm coral (Pantone’s “Living Coral”) are nature’s color scheme. The orbs are sensuous and the colors are excitingly bright and luscious. 

Mango colors of rosy coral and warm, golden yellow are paired in this arched interior entry.

Here a similar scheme featuring one of our favorite Company C rugs illustrates the bold, effective power of color selection.

Try this exercise with color. I have no idea what your eyes see and your brain translates, but walk around and look at things in your world. Notice color. Notice individual items…book bindings to fresh fruit. Evaluate each color’s effect. Does it evoke any emotion…good or bad? If you wanted a painter to paint a wall that color and you didn’t have the paint selected, how would you describe that color in an attempt to get it on the wall as you desired?

In a more thorough test, you might be prepared with actual paint – like tubes of acrylic from the craft store. Get a print-out of a color wheel to illustrate the primary, secondary and tertiary colors. https://bit.ly/2SVKUMg Buy red, blue, yellow and white and use them to attempt to create the color being described. This could be a party game – but you would need to also have paint chips from the home improvement store or paint store to use as the prompts that would have to be described and used to match the success or failure of the person attempting to create the color.

Noticing color brings appreciation to the details and nuances of our color-filled world.  The little exercise/game, to try to convey a color to another person based upon similar life experiences and references, is interesting.  Please share your thoughts and experiences, dilemmas and frustrations with this project through the blog’s email.

I hope this encourages you to go forth with a new-found appreciation of color and how it adds layers of depth and interest to all that you see. Examine the natural world, or man-made creations in film, set-design, architecture, graphic advertisements, fashion design or interior design. See why color matters!

What’s YOUR Favorite Color? A Little Project for Fun!

Pick a color. What’s your fav? Do you HAVE a favorite color? I was asked the other day that very question and I was really at a loss…I looked at her, furrowed my brow and cocked my head.  I wanted to have an answer – a simple answer that stated a definitive preference for a color – my most favorite. Rather than producing a quick sure pick, I faltered as she stepped in and said – I’ll bet it’s purple!

Well, actually I can definitively say that purple is NOT my favorite color, but the funny thing is I can love purple, in certain context. The real answer is that I love nearly any color in a certain context.

When I ponder the question a bit more, I can assertively say bright pinks, cornflower blues, golden yellows, chartreuse and brilliant orange. But the truth is, I love so many colors that I am hard-pressed to select just one! It sounds like a Lilly Pulitzer color board.

So I thought of a little exercise. I decided to pick a color at random. Then overwhelmed with the myriad colors that might produce one random pick, I fine-tuned random and said to myself, perhaps a color of the season. To me that was currently and boldly orange. So the idea was that I would walk in and around my house today and capture things that were orange.

This screaming orange hibiscus just came in from the patio to escape the chilling temperatures that have swept down in the last couple of days…happy to transition indoors for the winter!

Try it. Pick a color – not necessarily your favorite – but certainly one you like and walk inside and outside of your house and see how many examples you can find, of that color, in your immediate world. Photograph things that have that color – all or in part, even little details – anyplace that color occurs.  It’s fun and very interesting to see what you discover!!

Autumn is loaded with vibrant colors, but orange is one of the most fiery.

So I selected orange as my color today. I dashed around the house and collected a variety of things that were orange. I was actually astonished at how many I discovered.

This dramatic Hopi – influenced kachina by Gregory Lomayesva sports stylized antlers in a flat but brilliant orange.

Festive ceramics by Ann Marie Werner Smith – here a graceful orange bowl that sits on the counter…it pops against the contrasting granite.

It is interesting because I know my world is not heavily orange, but I found so many wonderful splashes of it throughout my interior and even startling exterior, in the way of the leaves on the Bradford Pear tree.

From fresh mini pumpkins and flowers…

A succulent orange flowering Kalanchoe is our seasonal centerpiece on the kitchen table.

A variegated Croton plant has lacy veining of bright orange, pink and yellow contrasted against it dark green background.

to artwork with swaths of orange streaking through them.

A lovely little oil painting by Jeff Otis depicts a very autumnal New Mexico river scene.

At the last minute, while waiting in the Bejing airport, I found this precious little painting of birds and berries. The background is a vibrant orange. Notice the fresh blues adjacent to the orange. This is a detail of the much larger piece.

Peggy Zuris really knew color. Her bold and confident brush strokes applied in luscious swaths placed adjacent colors perfectly juxtaposed creating uplifting renditions of daily life. This little chicken is a detail of a fanciful rural scene.

The balance of color was so interesting. Where I found orange, I nearly always found blue – unless it was a stand-alone like the glass bowl of oranges – or my coral necklace with its nuggets of bright orange coral.

Fresh oranges with their intricately textured rinds fill a glass bowl on the kitchen counter.

Nuggets of coral look like candy corn tightly beaded on this delicious necklace I wore too Santa Fe today!!

Colors balance and contrast.

Even the coasters that attracted my attention last weekend at a bar. I was so taken by them that I brought them home and had them sitting on the kitchen counter. They were intriguing and offered interest and visual stimulation to my graphic art sensibilities.

I began this story earlier today, then took a break and tootled up to Santa Fe where I came across a couple more bright orange pieces…

And on the way home, I was even blinded by an orange fireball glowing beneath the stormy sky silhouetting the dark mesas and glistening off the wet pavement. It’s intense heat contrasting with the cold, damp asphalt that was a result of our first seasonal snow seen here spitting at the windshield.

Gather your collection of photos of your color today. Ponder how they and the color make you feel. Do you get joy from the color and the things you have discovered? Was this not your thought-to-be favorite color and if not, might it be one of them? How do YOU answer the question, what is your favorite color and having determined that, ask yourself:  Do I wear it a lot? Would I paint my walls that color? Do I have upholstery that color? When is a favorite color an accent? Is the joy in the little spots of punctuation? Are they intense, but small, elements of joy without over-doing it? I see a collection of abstract images, details of things – some of which can be cropped more – to create an abstract collage of wall art. Voila!

Color – an amazing facet of design and it’s most versatile component. It’s been a fun test and a compelling story. So what’s YOUR favorite color?

TRENDS DIE – What’s New for 2018?

I was surfing for fodder about the new color trends to kick-off this first mindful missive for the New Year and the color trends were all over the place – no consistency at all. From Ben Moore selecting Caliente AF290,

“Caliente is the signature color of a modern architectural masterpiece; a lush carpet rolled out for a grand arrival; the assured backdrop for a book-lined library; a powerful first impression on a glossy front door. The eye can’t help but follow its bold strokes. Harness the vitality.” 

—Ellen O’Neill, Benjamin Moore & Co.

to Sherwin Williams in a totally opposite direction proclaiming Oceanside SW 6496 their color of the year.

“A collision of rich blue with jewel-toned green, a color that is both accessible and elusive… A complex, deep color that offers a sense of the familiar with a hint of the unknown, Oceanside, bridges together a harmonious balance of blues and greens that can be found in what’s old and new.”

What? Are we straddling now?  Do we have one foot in one color trend while the other stretches across the color wheel and causes us to nearly do the splits trying desperately to hang on?

The walls of my east gallery space were a spicy version of Caliente for nearly 20 years! Bold at the time and unheard-of for  gallery walls – it was not to be changed for nearly 2 decades!!!

Whew – that was a run. I even named the retail space “Caliente.” And the color-band between the crown and picture molding at the back was a version of Oceanside – a lighter value of the blue-green hue.

The Grand Re-Opening July 2016 presented a dramatic transformation to a pale aqua resulting in a diametrically opposed feeling – a cleansing from what was crowded and hot to spare and cool.

But I digress…

Annoyed by the seeming authority, but weak contrasting rationale that I encountered with the wide range of picks and opinions, I left the paint companies and clicked over to the Pantone site. There I encountered their authoritative, ethereal color forecast of the year – Ultra Violet!!!!!

Yikes – they were coming at me from every conceivable direction!!! How on earth is any eager apartment dwelling or home-owning individual supposed to know how to go forward in sprucing up their space without fear?

Then  I came upon a piece by Mehgan Nesmith Ugh, What’s With These Generational Color “Trends”? From observing the broad reaching trend surrounding millennial pink to snippets from other sources,  I scanned the paragraphs amused, but still not satisfied. Until I arrived at paragraph 6 and there it was – the true fact that keeps the world moving forward – for better or worse – TRENDS DIE.

Yes they do and for good reason. I’ve said it before, take care in making costly selections that will stay with you past their prime. Trends are there for a reason. Designers dabble in creativity every day of the year to come up with things to tantalize, inspire, evoke, and entertain – and most importantly, SELL. Some of these trends stick. Then they are no longer trends, they transition and become classics. But to transcend the fleeting status of trend, “it” must have something very solid about its being.

And when it comes to interior design, with all the style trends for furniture, fabrics, architectural elements, finishes and decorative accessories – colors race through history like no other design element has or will. Colors rule and when they are good, they are very very good, but when they are bad, they are horrid!!!!! Thank you Mr. Longfellow!!

Take the massively graceful modern art piece suspended from the ceiling of the East Wing of the National Art Gallery in Washington, D.C. – classic – both in form and color. Red and black. Strong and simple. Bold and brilliant. Imagine if it were this year’s Pantone pick Ultra Violet  Aghhhh!!!!!!!

Actually, methinks I protest too much. The shade of purple picked, by Pantone, is heavy on the blue rather than the red.  The blue cast gives it a calm. Not whacky like Barney screaming purple – but, rather a royal shade.  Nonetheless, it is better served as an accent – don’t buy  wallpaper in it. Go ahead and paint the walls and have your fun – but know that you can change it without peeling off hundreds, if not thousands of dollars of wall-covering or re-upholstering your sofa like Meghan was tempted to do!!

It’s a color that stands alone – plays better by itself than with friends – like the child’s report card where the box that says “plays well with others” is not checked.  In my estimation, it will read well with clean, crisp white.  However, like Ms. Nesmith aptly says in her piece “if you are  still curious about that Gen Z yellow, buy a vase!”

That’s how we play with  colors and create a bit  of collision, unexpected off-key harmony, intrigue and suspense. But it is not for the faint of heart and the chance of tiring of it is paramount. Trends die and colors are tricky.

So Happy New Year and Happy New Colors in your world to refresh and renew!! Thank you Meghan, for your lively contribution to today’s story.

 

 

The Importance of Color in Design – How to Begin

This last week I was inspired by a rainbow that appeared over our great Sandia Mountain and within 3 minutes I nearly tripped over a bed of flowers presenting the same rainbow of colors. With this pairing of color coincidence, I felt compelled to write this week’s blog about color.

Color can be difficult. It is so critical to effective design decisions whether graphic design, fashion design, interior design or architecture.  It might be used for a logo to brand a business , a room scheme or the exterior of a monumental building…how do you begin to select a color or a color scheme?

Well first you have to consider your client. What are their needs and desires? Once narrowed, the search for the perfect colors to convey their project’s personality begins.

Computers aid designers in finding fine nuances between colors. Exploring the range of values in a hue – the range of light to dark of a specific color and the adjacent colors that meld from one to the next has become easier.

It all comes down to the color wheel. It’s a circle illustrating the colors of the spectrum. The relationship of these colors are the building blocks of all the colors. Sir Isaac  Newton – the same of the apple and gravity fame – devised this understanding of the rainbow of colors back in the 1600s using a prism to identify the components.

As children we are taught about the rainbow of colors comprising ROY G BIV – the easy to remember name that represents the colors RED ORANGE YELLLOW GREEN BLUE INDIGO VIOLET

Decisions regarding the selection of colors and the resulting schemes are identified by the following relationships:

Complimentary –  two opposite colors on the color wheel

Monochromatic – three different values of the same color

Analogous –  three adjacent colors on the color wheel

Split Complements –  one color and the two adjacent tertiary colors of its complement

Triadic – three evenly spaced colors on the color wheel

Tetradic – two complimentary pairs of colors

As I pursued this topic today, I encountered an interesting site by a guy Jason Cohen. If you are curious to know more on the subject,  check out  https://blog.asmartbear.com/color-wheels.html

This last week, over the course of 2 days, I encountered several examples of these colors all around me. From the rainbow to the flowers and myriad balloons. It didn’t hurt that it was during the International Balloon Fiesta http://www.balloonfiesta.com/ which is one of the most colorful events in the world.

 

Unless we have a limitless budget affording custom design materials, it is best to begin with the materials that offer the fewest colors. I have mentioned this in the past, there are more paint colors than there are carpet colors, fabric colors, or solid surface materials. Therefore, selecting your color scheme based upon the selection of a material with fewer color options is the best start…you build from there…paint being the easiest component to finish the scheme.

Color affects mood, perceived temperature, individual’s reaction to seasonal cues, and all manner of context. Pastels in springtime and warm tones in the fall – color makes powerful suggestions and should be used as a tool with that power in mind. The power of suggestion. What are you suggesting? What are you trying to convey?

With your best intentions, colors will change with light sources, time of day, adjacent colors and people’s own perceptions. It is not a perfect science when you consider all those variables. Take caution to select colors based upon the conditions that will occur in the final location/presentation. Without fear, pick your color schemes and beware, but don’t be afraid!