Adopt a Pet…Adopt a Piece of Home Decor

Are you drawn to pet adoption events? Do you wander over when you find the dog adoption people parked, out in the open, along the side of the road, in the corner of a parking lot or even at the pet stores themselves? I don’t. I avoid them like the plague. I know that given just one sweet look or mournful expression or happy eager wag, I would have a problem.

I rescued my Rockford about 30 years ago. He had been kept chained to a tree in a backyard with a choke collar that he had very much outgrown.

I absolutely cannot allow myself to be tempted knowing that my resistance would be weak and my resolve would be challenged. I don’t need a dog at this time in my busy, crazy  life. However, I would certainly go that route, if I were in the market.

Little Mini was passed from house to house until the fit was just right!

We all know that adopting a pet – dog or cat…or other…is such a wonderful gift – to them and to the lucky new owner! And I feel the same way about furniture and home decor. Yes, I see a direct correlation between “thrifting” and pet adoption. Funny?

Whether it is a early start on the garage sale circuit (not my bag, but very worthwhile) or estate sales (also not my thing as I get too emotional, about the family not wanting the treasures) or scouting consignment shops and thrift stores (less emotional because the context of the pieces are not so personal) it’s all about treasure hunting. It’s a growing trend for sure!

But like pet adoption, I see salvaging a previously owned piece, over buying new, just like giving a fresh start to a neglected, even forgotten, treasure. And, as you know, they say “One man’s trash is another man’s treasure.” and I so believe that statement! That same phrase could be said about your newly adopted pooch!  Your new “treasure.” As well as that fabulous hand carved chair – your new treasure!

Bring it home, get it cleaned up, play with it around the house and get it some new clothes – oh – am I talking about the new four legged family member or that awesome new chair??!! Interesting similarities are shared by the adopted pet and the adopted furniture find!

All dressed up and ready for a party!!!!

From Victorian through mid-century modern, reupholstering gives a fresh new outfit to that fabulous piece that has been left sporting a shabby suit.

Threadbare but still fabulous – what a great save!

See beyond the existing condition  – “You can’t tell a book by its cover.”  And you will see beyond the surface focusing on the lines, bones and details.

This Winged Victory of a sofa was ripe for re-purposing!

 

New suit and shoes and this was a great save!!!!!

Discovering great pieces is soulful. Eclecticism is interesting. Balance is better achieved when you have a mix of interesting things.  Buying all new is not as creative and can result in a monotonous look that is immediately dated. You’ll know what year THAT room ensemble was created!!!!! Furthermore, re-purposing, recycling, up-cycling trends provides an opportunity to employ the talents of the local upholsterers and refinishers – support local talent!

To a void that pitfall – be brave and seek your pieces. Assemble them with care and embrace unique things. If you love them – make them part of your world. Find potential and then enhance it. Context enhances. Mix new with old and give new life to old pieces. It will be a satisfying and rewarding experience.

What you see in a thrift shop is one thing – seeing beyond it to a new context that celebrates it and features it with other things you love is the personal magic that makes YOUR interior uniquely yours.

This tired but handsome piece came to us in need of a face lift!

 

Multiple fabrics add pizzazz! Find just the right fabrics and you have a custom masterpiece! And the lumbar pillow for this one is still on it’s way, for a third pattern providing even more interest!!!!!

Give new life to old pieces and it will be a rewarding experience. Then go out an adopt a dog!

 

 

 

 

Finishing Touches FINISH the Job!

Finishing touches are always the beast to tame at the end of the hunt. Yes, you’ve hunted, you’ve searched, you’ve gathered, you’ve assembled and stood back and observed your work. What’s needed? What’s missing? When is it finished?

Just the word finish sets up a mental block for many. It’s like decisions period. Once you make a decision, you’ve lost your choices. Losing choices can be a dilemma in itself!   So, from Pinterest to HGTV and the internet at your fingertips the choices and options are endless, but what do YOU want to do, to call it “done? It’s all in the details…

Schumacher  offers details right down to the trim on the draperies! This bold key design makes all the difference!

And inasmuch as you can’t seem to GET it done, you WANT it done – just can’t seem to get there from here. How do you decide what you need to add for those incomplete finishing touches – to be FINISHED?  Know though, that to have the feeling that it is finished is a good thing. Yet, that doesn’t mean you can’t change it – sooner or later!

We interior designers have jobs because our clients need to do things, change things, finish things. It seems that with all the options presented on TV and the internet, people are jumping in with inspired ideas, making decisions, buying things and doing things – then coming to a screeching halt! “HELP!” is the cry when everything seems to be too much – or not enough – or too uncertain and overwhelming – or not just right.

As if your own self-imposed frustrations and pressures are not enough, your partner rants…”Just finish it – will you? Be DONE with it!!!” Not everyone loves a DIY project. Most people don’t even like the disruption of a professional team coming in and tackling the job. Alas, “you have to break an egg to make an omelet,” some wise person once said.

Whether you’re changing paint colors for the third time in a month or tossing throw pillows around the room, to no satisfactory avail,  there’s something missing…something is not quite right…it’s not there yet.

Have you removed everything from the walls and lined them up waiting for inspiration as to how and where they should be placed and grouped – maybe re-framed?

What about a mirror to add depth? Is it an installed mirror – the illusion of space without calling attention to the mirror itself or should I hang a framed mirror that makes the statement in its entirety? Do I lean it against the wall or is that a trendy affectation?

Uttermost is one of our favorite sources!

Studied nonchalance is an art form.  How to achieve that intentionally unpretentiously naturally relaxed look is a challenge.  Just writing about it here is an effort in describing that which is supposed to be effortless!!!!

Perhaps it is a monotony of height. Do you need a tall piece among other lower elements in the room? Maybe a tree in the corner is the answer or a statue of some vertical art statement, to add interest and height. Perhaps you might consider hanging something, from the ceiling – a mobile or origami bird or even a light fixture, to draw the eye up from the otherwise low furniture pieces.

Robert Allen presents perfect fabrics for colorful pillow accents…and there’s that tall plant for height!

Speaking of light fixtures…how does your almost finished, but not quite there yet, room look at night? Are there dark pockets and corners that would benefit from some concealed up-lights – indirect lighting can be quite effective and enhance a spooky, dismal space.

LOVE this before & after! Check out John Cullen Lighting for some great ideas and inspiration!! https://www.johncullenlighting.com/

Spooky is the season and, with the holidays approaching, the need to get things finished before guests arrive or you leave to visit… or just the hectic nature of the baking,  gift-buying and wrapping, shipping and other communications aspects of the season are upon you – pressure you to want to get things finished!

Brunschwig and Fils by Kravet offers an amazing collection of prints – mix and match!!!

Have you consulted with a friend? Do they rise to the invitation of critiquing your present state of affairs and offer design ideas that further serve to confuse you? Better yet, ask two friends and get two different options for finishing your space and then what? Pick one and the other’s feelings are hurt that you didn’t take their advice – even if they are not aware that your decisions moving forward were offered by another friend.

From the rug (thank you Company C for your “Colorful Living!” to the table accessories and all the things, pieces, fabrics, details in-between – finishing touches FINISH the job!!!

A designer is a problem solver, a tie-breaker, a marriage counselor, a creative who extracts your needs and – evaluating all options – offers the best solutions to get your job finished!

Seasonal Shifts in Design – When Do YOU Make the Transitions Between Seasons?

I am often asked, “When should I make seasonal changes and how?” This can come from retailers debating their front window displays to individuals wondering when, to change the wreath on the front door and on into their interior decor, to reflect the seasons.

The answer is a combination of things. It’s personal – probably starting with where you live. And for me, it is more than just decorative accents, it’s food and drink and clothing for sure. Clothing though might have real, practical adjustments for temperature, but fashion design and seasonal changes are part of the fun!

So to kick-off fall, I shifted into my seasonal drinking modification  – dark drinks – moving from citrus embellishments to the delightful, succulent, marinated cherry at the bottom of a well crafted Manhattan. The perceived warmth of darker drinks is real for me. I would never select a Manhattan in the summer. But I must admit, a vodka martini with a twist is a 365 fall-back beverage for any festive situation.

The rich warmth of a well crafted Manhattan…

Clothing and the opportunity to make design statements that reflect the seasonal shift are also fun to embrace! Along with the Manhattan last Friday night, I transitioned into a felted wool tunic with a local artist’s hand-woven black chenille over-sized scarf. Still sleeveless – as the shift is still a bit of a struggle to let go of summer, it was a decidedly seasonal reality nod!

Truth be known, the wide expanse of floor to ceiling folding glass panel doors were wide open right behind us as we sat at the bar allowing a direct connection with the crowds gathered on the patio beneath the high-hat heaters. Truly a straddling of the seasonal shift – not quite ready to let go of al fresco dining???!!!

Seasonal shifts in weather will be a sure way to respond to a want to change decorative elements. And even being a bit pro-active can be a good thing – but when is too early – too early?

Most of us cringe when we hear Christmas music in October or see the merchandise out that early – combining Halloween costumes and candy corn with Christmas trees and all the ornaments. Awful!!!!!!

Across the country, we have experienced a delay in the autumnal shift this year. Summer kept clinging. Warm weather belied the calendar. But when the weather shifts…and the temperature drops…we want to hunker down and cozy up. Perhaps in addition to the decorative items, you might simmer cinnamon sticks on the stove or light candles with spicy scents. How about a hearty beef stew for dinner?

Here we are in mid-October and summer was here yesterday and gone today with the incoming storms, cool drizzle and cloudy skies.

I just got off the phone with Victoria up and over in Fairfield and she bemoaned the fact that last week she was attending classes in shorts and today she is bundled up in a Patagonia fleece jacket not wanting to leave her bed! The seasons have shifted like a slap in the face!

Color is a key element in expressing the seasons. Between summer and fall, golden yellows bridge the gap. Leaves on our red bud tree change from brilliant lime green of summer to brilliant lemon yellow as fall sets in…lime to lemon – a brilliant color statement!

From late summer sunflowers to early autumn chrysanthemums, the brilliant golden yellow satisfies the transition between seasons.

As fall proceeds, the darker tones of rust and caramels suggest the waning season…crunchy, dried leaves and final wisps of foliage going dormant for the winter.

I’m hanging my Black-eyed Susan wreath today out on the front door! I might even leap to the addition of a funky black cat that I have to welcome Halloween. But it has not been a gradual expression of acknowledging the change in seasons, it has been summer…bam – fall.

DIY – I made this and one for Mom a few years ago – they last. Get a grapevine wreath, select your favorite leaves, fruit and flowers, grab your glue gun and wire clippers – Voila!

What spurred this subject for this week’s blog was seeing my neighbor’s witch’s legs a few days ago sticking out from the elegant planter by her front door. I first thought – what a riot! Then I realized, it’s mid-October and I have yet to accept that!

I am very reluctant to release summer. I’m a warm weather one for sure. I cling to the last vestiges of sunlight as it tracks around out house…less evident, less accessible…shorter days…darker mornings and evenings… NO!!!!!!! I resist, but must succumb. There’s no escaping it. The seasons change and time marches on….The happy fuchsia and pink vinca in our front yard might not make it another day with night temperatures threatening to drop.

The happy pinks and greens of vinca out by the mailbox are about to get nipped!!!

Decorative accessories punctuate the landscape of autumnal interior design. From real pumpkins and gourds, squashes and mums, to their artificial counterparts made from many media. Glass and pottery, papier-mâché and straw-like wraps, silk flowers and faux fall leaves, the possibilities are endless.

This year some outstanding hand-built pottery figurines caught my eye. Artist Robyn Chlad of Tucson, Arizona has designed and created a collection of wonderful statuary luminarias that are an extraordinary design decree for this and all seasons! Kachina-like, these art-pieces make a fabulously functional statement!

This proud raven holds a berry in his beak!

At first I was attracted to their vertical shape and fine detailing. The characters had personality – rigid in their cylindrical forms, yet very animated of expression and fine features.

Chlad has depicted regional animals with a bit of folkloric whimsy (in the jackalope – half jack rabbit/half horned antelope) to  present a collection of irresistible characters to gather at your dining table, or greet you on your entry console, perk-up your powder room, collect on your cocktail table, grace your patio, or animate your kitchen!!! How fun are they?

A caped coyote – the masked bandit!

They each are pierced with designs, to allow the light to glow from inside, that depict the landscape or regional architecture in and around which these creatures roam. Illuminated by electrical lamps, battery bulbs, or candles, they are fantastic!

 

Functional art – these pottery luminarias are exciting art pieces to add a joyful glow to your shorter days and darker hours….

The raw terracotta clay contributes to their natural beauty and complimentary color with a fall palette.  It is a strong statement, yet the surfaces are smoothly burnished and have a soft read. The touches of matte glazes add just enough adornment enhancing the statues with soft earthen color accents.

 

Embrace the seasons and have fun selecting your personal design statements as you transform between seasons!!!

Urban “Pieced Work” – an artistic narrative

We are excited to have the opportunity to bring a design installation(s) into a new project that will serve to support the brand with a twist. A nearly completed new smokehouse is coming to Albuquerque. This home-grown eatery blends family history and southern roots with southwestern barbecue flavors including indigenous  wood and iconic chile blends. But this is not about their cooking profile. It is about how we have arrived at a design theme that will define and further the identity in this new, specialized smokehouse department of this larger local brand.

To accomplish this task, we examined the concept the owner had  to remodel an existing facility that had been a popular gathering post serving this community for decades. The fringe barrio location was of a demographic primarily comprised of Mexican/Americans. Decades past it was home to a heavily black community. The fabric of these cultural combinations suggested a mosaic of color and vibrant heritages.

The spark of cultural references lead to discussion of the popular artistic expression of urban mural painting.

 

When we began the dialogue, the decision to have a mural painted by local neighborhood kids, with a mentor to design and supervise the work,  seemed to be the direction we were headed. After subject matter debate and development, I veered off on another tangent that might take a less subjective approach, be weather-proof and more durable for a patio location – mosaic.

This new more impervious and durable medium still offered the opportunity to engage the community, but with less focus on a specific subject and more about geometric color and texture. We discussed the details of installation so as to keep it simple for kids to participate using whole tiles – minimize cutting, if any, for starters.

Inspiration came from several other installations such as the Albuquerque Convention Center’s on-going mosaic mural project wrapping many sections of the buildings with intricate scenes of New Mexican lifestyle and cultural diversity. The colorful mosaic is an elegant and sophisticated contribution to our city’s cultural aesthetic.

Helen Atkins, manager of consignment art at PATRICIAN DESIGN’s downtown boutique gallery and the lead on their current restaurant mural project, has worked on several phases of the Convention Center’s mural project.

We have incorporated mosaic into several of our own design projects such as last week’s blog https://patriciandesign.com/trust-and-custom-designs/about a residential kitchen installation.

Here, in another installation, a fireplace surround of mosaic adds movement, color and textural interest to the room.

Ultimately, one of Helen Atkin’s personal photographs cemented the approach. It was decided that a geometry of different sizes and disparate glazes and designs of tiles pieced together in a colorful, textural  panel would be our design theme.

Helen Atkins, a recognized artist in many media, captured this in passing while visiting New Zealand. It’s crisp, yet irregular composition was intriguing and pleasing. It became the springboard for the concept for a geometric mosaic panel to anchor the theme of this new New Mexico eating establishment.

The idea became more exciting as we began gathering material from local tile distributors and our own personal inventories of favorite treasures saved for a special project. Here it was.  It seemed such a strong design element and therefore offered a new direction for the actual brand of this establishment. We embraced the idea and brought it into the interior and distributed murals throughout the space.

Still under construction, we will not divulge the identity or locations of this project just yet. But suffice it to say, the murals are an exciting part of this interior design scheme.

As we further discussed the plans to implement this project, school started and the ease of coordinating the assistance of neighborhood kids became more difficult. Helen lead the project as primary installer, coordinator and supervisor. She enlisted the assistance of a couple of people – one experienced and the other not at all.

We have named this series, Urban Pieced Work – an artistic narrative. Here we are interpreting generations old sewing patchwork using ceramic, glass and pottery pieces rather than the traditional fabric patches. The original folk art needlework has been in the American vernacular for ages.  In these installations, this up-cycled  use of discarded or discontinued tiles is similar to patchwork fabrics, re-purposed to make clothing, wall decor, window treatments and bed dressing when times were tough – often referred to as “pieced work.”

My paternal grandmother in New Mexico made this twin quilt for my bed when I was a child in Virginia.

 

My same grandmother made this and was given to me by my cousin, her only other granddaughter.

Mosaic is often, like fabric patchwork, a practical art form that puts scrap, shards and fragments to good use in an artistic fashion. Note though that more sophisticated mosaics have been designed more intentionally for centuries not merely as salvaged material. These masterpieces both in contemporary work and antiquities represent many periods in history and movements in artistic expression.

 

This mosaic version connects with the history of the restaurant’s roots and southern heritage. The panels’ mural nature speaks to the urban murals found throughout the community.

Located strategically throughout the interior, these murals have become a strong design element and anchor for this facet of the brand.

 

Another shot of the spectacular cultural story murals at the Albuquerque Convention Center.

We have woven a meaningful artistic statement throughout the interior and also on the exterior of the building. In addition, we will be inserting a graphic version into the signage and logo design.

 

Urban Pieced Work – an artistic narrative, of a New Mexican Smokehouse, will provide pleasing design visuals throughout this new interior, provoke conversation and interaction, weave an element of history and context with the southern roots of this exciting new eatery!

Join the conversation and watch for the first succulent flavors to come out of the smokers later this year.

 

 

 

 

Paper Airplanes – Happy Joy

This week, upon arrival at the Denver airport, as I navigate this architecturally dramatic facility, I’m funneled with the masses making our way, from the gate area, to the trains, to the terminal. When suddenly, gracefully overhead as we ascend the escalator, large versions of paper airplanes hover above. Probably steel, but with the familiar fold and form of the simple paper origami originals, they were a whimsical attention divergence.


When I arrived at the top of the escalator, I realized that they were also above the escalator across the way so I walked over there (to the surprise of the masses with whom I had been funneling along). A couple in the crowd even called out “hey” or “ma’am” …I turned to see some were concerned that I had lost my way and expressed concern that I follow the pack. I waved to these helpful strangers indicating with my phone in hand that I was stopping to take a photo of these wonderful suspended planes.

This ignited a curiosity that led me to investigate a bit more. I have since learned that they are part of the Denver International Airport’s Arts & Venues Denver: Public Art Program 1994. There are 140 of these suspended would-be-paper (steel alloy) planes and they are the work of artist Patty Ortiz titled Experimental Aviation. A well-recognized artist and curator of contemporary art with decades of art management experience she “believes that art intrinsically is a social object and when placed as an action in relationship with the viewer ad participant that art carries a profound interconnectedness within real experience.” And there I was experiencing the simple loveliness and joy that these airplane sculptures conveyed, in context with the often monotonous air travel experience.

Kids who love paper airplanes never seem to grow up. I’ve written about this before, in the blog about Federico Leon de la Vega’s TEDx Talks a couple of years ago. Watch his Talk and see the final scene as the planes fly through the audience. https://www.youtube.com/watch?v=H9j_pLgCr1U

Paper airplanes are timeless tools of communication set flying from one person to another often with a secret note inside. Unfold and discover the message. Like passenger pigeons of days gone by…but unlike their obsolete and ultimately extinct message-delivering cousins, paper airplanes are timeless.

Never taking up the art, it has fascinated me forever. Origami seems to be originated from the Japanese word for folding – ori – and paper – kami = Orikami. Japanese art is so fine in all of its forms. And back to the paper airplanes, San Francisco hosted a competition Origami-Palooza complete with education and presentation of many facets of origami work including the Paper Airplane Challenge. Last month “The Paper Airplane Guy,” John Collins, the world record holder for paper airplane distance was there to assist in honing your paper airplane folding skills to insure greater success with your paper airplane flying! https://japancentersf.com/events/origami-palooza-great-paper-airplane-contest/

My happy observation of this past week and my advice with it – grab a piece of paper and try your hand at folding and flying a paper airplane!!!!!

Southwest Style – What is it?

Arriving for the first time in our American Southwest, one might feel like they have entered a different country, if not a different world!! To fly from anywhere else where there are rolling green hills, or green fields or dense green wooded landscapes, not to mention tropical environs and cruise over America’s Southwest, it looks like the moon – or some barren planet. Everyone remembers their first impression. Whether exotic or scary, lonely or seemingly uninhabitable, once you get on the ground and explore the beauty and variety of what’s here, you’re bitten – even smitten.

In all fairness, this is a completely defoliated winter shot!! Many now know how lush this magnificent Sandia Mountain can be at the top, in the summer. Yes, I said lush.

No other region has the distinct architecture and tri-cultural identity of what has become the elemental design style and flavor of this magical place. From “sea to shining sea” New England to Southern California you will find nuances of regional distinction – but not to the degree that the American southwest is set apart. Architectural influences from colonization have been the standard guiding style nationwide. Yet the ancient, practical elements, of civilization that long preceded the Europeans discovering the New World, is at the roots of this enchanting design style.

Tri-cultural architecture and interior design results from the remarkable history combining Native Americans carving out of stone walls, building with mud (adobe) bricks, devising simple, practical designs to capture heat and insulate in cold while minimizing solar gain in the warm weather months, with the conquering Spaniards and their colonial influences, and finally the pioneers from the east with their colonial English influences.  Now more often replicated, with frame construction and stucco facades, this unique melding is the core of Southwestern architectural design.

When one hears the term “earth tones” setting a design trend in the 70s, it suggests the brown, tan, orange palette that was terribly limiting. Certainly to label it earth tones, it became a curse of a color scheme. Sadly to link it to a representation of southwestern design was misplaced and unfortunate. And how sad to think that it was so broadly accepted – like lemmings following blindly – everyone adopted this as a truism. So often the case with trends.   The 70’s also spawned a diametrically opposite color scheme of blues and greens to refresh that which had been so mired in the “earth-tone” movement.

However, real earth tones are limitless. Earth tones are all colors…look down…look around. Even if you confine your interpretation to the dirt beneath your feet – the colors are vastly more than the brown, tan, rust, orange that became the rage. Soft pinks and grays, pale blue and whites…look at dirt. It might be more clay, might be more peat – from soft terracotta to dark espresso – dirt is earth and the colors and tones are limitless.

Tom Glover captured the beauty of the natural landscape through his artistic photographic medium that Georgia O’Keeffe and others have depicted through their artistic media.

 

Georgia O’Keeffe saw it and captured it in her own enduring style.

Nature offers color. Natural dyes have riddled that art world through time. Synthetic dyes took it a level further. But nature is at the core of all we have in this world.

http://www.quilthistory.com/dye.htm

Turquoise being a natural mineral in the American Southwest became a signature accent color punctuating the soft earthen tones of the adobe design palette.

Artist Victoria Martinez Rodgers paints a valley apple orchard and the turquoise wall is the perfect backdrop.

Color was always there for those who cared to notice. The great painters of this region presented it well. Their recordings of everything from the many colors of the rugged windswept landscapes to lush green mountain forests with shimmering golden aspen groves – and bosque cottonwoods screaming with yellow brilliance capture and convey so much more.

In autumn, bosque cottonwoods explode with color sending a streak of brilliant yellow all along the Rio Grande. Federico Leon de la Vega create this commissioned oil painting from a photo provided by his clients.

There are the natural and also synthetic dyes that were woven through the magnificent textiles of the Native Americans – blankets and articles of clothing were not limited to buckskin animal hides.

Ernest Blumenschein was the founder of the Taos Society of Artists capturing the color and textures of the realities that he encountered in this Land of Enchantment.

Sunsets everywhere play a part in the imagery of the landscape – here we see vast landscapes with brilliant fiery skies and those exciting corals and lavenders, soft pink and blue wisps provide inspiration for wall colors and backdrops to our richly embellished interior designs.

Yet spare, understated neutral interpretations also offer elegant representations of southwestern style.

So what do you visualize when you think of Southwestern Design? Please don’t say a turquoise wooden cutout of a howling coyote! Death by Southwestern Style – the overdose resulting from overdone clichés and trends that have spoiled the real art and beauty.

It doesn’t have to be all about cow skulls and pelts…but these cow hide butterfly chairs are pretty  cool!!!

Perhaps you see a Mexican influence which is also part of the melding of the regional style – like food, we have a fine line sometimes with certain traditional dishes that when adopted and adapted by American Southwest kitchens took on a unique identity all its own – differing between Texas, New Mexico, Arizona and California. We all enjoy bringing art and craft from our southern neighbors into our designs.

Borrowing, sharing, combining so many design elements such as adobe architecture, colonial wood trim detailing, fired brick technology, Mexican Talavera tile and pottery,

Native American textiles and so many other handcrafts

The owners of this interior have an intimate relationship with each of the artists that they have collected down to this magnificent mount of a buffalo. They knew him and his name and why he was put down.

from punched and tooled tin, paintings and pottery – southwestern interior design is rich with color, texture, artistic detailing and true soul. The connection to the earth is undeniable and nature always plays a key role.

So how might you introduce southwestern influences into YOUR design scheme? You could tile the wall(s) of a powder room in Talavera Tile. Maybe just a mirror surround?

You might paint an accent wall – or all walls in a room or some other bold color inspired by a regional image

Mango watercolor by Susan Weeks splashes coral against the golden yellow wall with a lime green lighted cabinet showcasing old, traditional, low-fire Talavera tableware. classic Talavera blue and white tile frame the bar opening and on through out the kitchen.

and collect art pieces such a punched tin crosses, wood and straw,

landscape or still life painting, hang a blanket or drape a bed with a beautiful woven textile…introducing different styles speaks to last week’s story about eclecticism. Don’t be afraid to mix things that you like. What brings you joy?

 

 

 

Eclecticism in Design – What Does it Mean? What Does it Say?

Looking back (to both sides of the turn of the 20th century), eclectic interiors were only cultivated by the very rich. Those who had the discretionary income to take vacations abroad, had diplomatic ties or nomadic adventuresome types who took precious time off to explore different locations and  cultures other than from whence they came. Others of means might have merely hired decorators to create interiors that suggested such adventure and access, without leaving their drawing rooms. Expensive eclecticism catapulted status.

Leaf through decades of Architectural Digest – THE authority on design for examples and inspiration of fabulously eclectic interiors among all the varied styles they have documented for us!

A surge in eclecticism occurred with the many military personnel and their families who were stationed overseas and were able to transport containers of belongings along the way.

Recognize a meter tray? A meter size diameter of solid brass tooled with hand detailing and pressed/formed/hammered designs. From table tops to wall hangings, they are statement pieces!

They brought back fine and fun arts and crafts from around the globe. These homes were distinctively punctuated with art that was recognizable in those circles – you could tell where people had been stationed by the decorative elements in their homes.

A souvenir from 1970s South Vietnam! Ceramic elephants were the rage!!! From stand-alone accents to end tables and bases for larger cocktail tables supporting glass slabs, these animated novelties of artistic expressions continue to bring joy decades later!

As the original owners handed down these nostalgic treasures, the history of the discoveries was diluted if not lost but the appreciation for many of the collectibles remained and was passed down to younger generations starting their homes. Inherited interiors spawns eclecticism.

Antique collection Rose Medallion passed down in a family.

Many homes have been assembled with the elements gifted by others resulting in a nostalgic, familiar collage of decorative accessories.

Vintage pink glass salad plates, family antique chairs, and a china cabinet of new and old collectibles used and mixed with love and affection.

Pier One capitalized on this decades ago. Their slogan was something like “we shop the world so you don’t have to.” In lieu of experiencing great world travels, the buyers sought exotic, interesting, affordable, mass-produced items and eclecticism expanded exponentially. They actually set seasonal decor trends with their ability to influence the market with their sweeping design reach to international artisans and fabricators, massive buying power, focused design team and extensive marketing campaigns.

Some, in order to create that sense of eclecticism, haunt thrift stores and antique markets. “Thrifting” is today’s trend for gathering eclectic “finds.” From antiques to current cast-offs, the sport can be quite satisfying, cost-effective and can result in some amazing acquisitions!

“Thrifted” antique table and eclectic crystal decanters contrast sweeping contour of limestone hearth.

Eclecticism means varied interests and experiences, an appreciation for what is good and fun rather than merely coordinating. It suggests independence, personal taste and style, with a freedom from convention and changing trends. A successful eclectic interior still requires balance and proper placement and distribution of the varied objects. Have what you like. Be surrounded by things that make you feel good, productive and bring you joy.

Have You Listened to Your Heart on a Quest to Create ART?

When do you know when to listen to a sign? What opportunity changes your life? From romance to career changes and all manner of life’s opportunities – what catches your attention? What switches on inside and makes you take notice? Having someone cross your path and not realize he/she is your soul-mate. We’ve seen many movies with this elusive thread woven through the plot. One of my favorite songs, about such would-be near-misses, is “If He’s Ever Near”  in which Karla Bonoff pines…

They say just once in life
You find someone that’s right
But the world looks so confused
I can’t tell false from true

And love’s so hard to find
In this state of mind
Oh I hope I’ll know him
I hope I’ll know him
If he’s ever near

…her yearning hits a cord.  What is a sign? How do you know? What action do you take? It’s not always particularly obvious.

Recognizing opportunities is what separates many successful people from the rest of the world. Taking chances, when those signs make their appearance, is the other factor. Risk-taking is a scary leap into the unknown, but so often results in great reward when it is a true calling and approached with dedication to seek and meet the challenges.

Seems from many with whom I’ve spoken, a true calling is pretty clear. It taps into a passion and ignites a level of excitement and enthusiasm that is hence to fore unmatched. It becomes an irreversible path forward. Like an involuntary propulsion. Thrilling for some – terrifying for others. Which type are YOU? Perhaps you find yourself in the middle – healthy respect for the trepidation, but curiosity for what’s in store!!!

Twice this week I have met with artists who are each taking an enormous leap into a new life direction. One who might not be ready for me to blog about her adventure has leaped from a 30+ year life in Mexico… to a year-long reunion in Arizona with family tapping into the vibrant art scene in Sedona…then a soul-searching move to New Mexico where she invested her savings to start a new independent life…and after exploring her options and searching introspectively for her personal needs, happiness and goals has decided, after yet another year, to sell her new home and return to Sedona to pursue what she firmly believes is her calling. She took leaps, explored options, followed leads and returned to what she initially thought was the right place for her, but which had contingencies that masked her true indicators. She did not want to have imagined constraints rule her decision. Now she realizes that it is her choice, her viewpoint, and ultimately her quest for joy. Her focus and grace have inspired me on many levels and I hope to share her story once she’s ready!

Yesterday I was visited by a Renaissance artist whose enthusiasm and self-effacing manner bring sunshine to every event!  Kim Jackson has a new-found passion!  Having mastered her profession in the arena of photography (http://www.kimjacksonphotography.com)  she had an encounter that looks like will change her life path with new-found joy.

Sprinkled at my reception desk, I was presented with an array of amazing little jewels. Kim spread a collection of painted rocks and miniature paintings in a scattering like pebbles and fallen leaves. Only these jewels were painted with such detail and expression that I was arrested – awestruck.

Her own words about this turning point in her life is enchanting.

Last summer I was gifted a painted rock by a 4 year old girl about to lose both of her dogs – the rock read “Love”.

I was touched and photographed it to share with my instagram followers, which lead me down the #paintedrock hashtag. The first artist’s post I clicked on – she does amazing mandala dot art – shared what kind of paint she used and gave other general tips. By that afternoon I had a rainbow of colors and was painting my first rocks.

Kim was there to capture the family on the eve of having to put their two dogs down. The little girl presented her with a simple yet profound object and message that resonated so strongly with Kim that it sparked an idea that lead down a path…

 My rock art (art rocks) style has evolved in the last 10 months, and at the beginning of May 2018 I painted my first 2D “little dessert” and bird paintings – supposed to be gifts for Mother’s Day. With encouragement from a fellow artist I have approached galleries and received warm reviews on both the stones and little paintings. 

Although Kim’s photography still plays a significant and pleasurable career role in her life, this quest to explore other of her creative energies and talents is proving to be an exciting and potentially lucrative path.

Thanks to the support of my husband Billy, I feel extremely lucky to be given a chance with a second artistic medium – something I never dreamed I would be able to do. I’ve lived my entire life thinking that I could not paint well. While feeling blessed to make a career out of my photography, this is an exciting new direction, I am excited to see where it leads.

I see Kim as a precious stone, of many facets. Although she will still pursue her love of photography and capture people’s lives and many story chapters, Kim will make room for this blossoming career move into the exploration of creating art directly from her heart to her hand.

This sentiment has been so profoundly stated by Federico Leon de la Vega as he references a similar heartfelt expression regarding the (very personal and possibly evolutionary level) value of handwriting. https://www.youtube.com/watch?v=H9j_pLgCr1U

Federico prepares a prp for his TEDX Talk. “From my head to my mind, from my mind to my hand, from my hand to the paper, I place in your hand, so you may fold it and keep it near your heart.”

Some things cross your path unwanted and certainly change your life. For the undesirable things, I recently read this phrase  by Glennon Doyle “Your wound probably is not your fault, but your healing is your responsibility.” Well, you might very well have caused your wound – but either way, taking charge of the healing is your responsibility. Which makes me realize that which we have all been told so many times –  that your destiny is in YOUR hands.

As this relates to art – do not be afraid to explore your creative tendencies. Do not feel you are not worthy or good enough. Experiment. There are so many examples of late bloomers in life. A prime example are the magnificent Portraits of Courage by George W Bush. He dabbled and played with a wide variety of subjects before he hit on portraiture. His abstractly artistic interpretations of people too shape and he discovered that these seemingly primitive paintings had intriguing representation, expression, character, beauty and appeal. The path led him to a powerful platform for veterans, fund-raising opportunities, heightened awareness and acknowledgement of sacrifice.

https://www.bushcenter.org/exhibits-and-events/exhibits/2017/portraits-of-courage-exhibit.html

As stated on the website, this exercise has become significant:

A VIBRANT COLLECTION OF OIL PAINTINGS AND STORIES BY PRESIDENT GEORGE W. BUSH HONORING THE SACRIFICE AND COURAGE OF AMERICA’S MILITARY VETERANS — AND HIGHLIGHTING THE WORK OF THE BUSH INSTITUTE’S MILITARY SERVICE INITIATIVE.

A great article on the accidental painter is here in The Artists’ Network

“These portrait paintings aren’t great but they are gutsy, because it is gutsy to show your artwork period, but it is really gutsy when you know the work isn’t perfect and you do it anyway, because it matters to you.

We could all learn a little bit from this–to embrace our abilities as they are right now, and then to simply let the work go…”

It’s not about a perception of being great or even good enough – most artists never really believe that they are. It is about following your passion – in this case, artistic expression. You might be surprised at what happens next! Believe in the power of ART!!

 

 

 

Discovering Patterns

This week began with a juicy fabric presentation. I say juicy because it got my design juices working and I was inspired to take photos and imagine the opportunities to insert these wonderful colors, patterns and textures into upcoming projects.

Take the chicken and the egg scenario. Do YOU often find that exciting design elements invite thoughts of projects for which to use them?

A fun exercise is to take your camera and search for patterns to photo…patterns are everywhere from cast shadows to fabrics, signs and graphics to fallen leaves.

Seeing these exciting new fabrics – you had no intention of changing all your throw pillows, but these stimulating samples might make you consider changing your entire collection!

The opportunity to offer unique fabrics for clients who would otherwise never be exposed to the samples – not know of the possibilities – is exciting. Being able to make this introduction is a treat.

This first batch was of clean, sophisticated, woven, geometrics in blacks, whites and charcoal tones.

Whimsical patterns and textures, with splashes of color, offer more possibilities.

Now see these rich woven patterns and colors in this next series. An explosion of color and pattern  with a decidedly native direction – prime for New Mexico and design projects looking to evoke the elements of the southwest and other opportunities inspired by indigenous art.

With all this freshly implanted in my ever-swirling brain of design fragments waiting to be assembled, I traveled north this weekend for an enchanting New Mexico wedding that further fed the theme of indigenous art, pattern and design.

The lobby of Buffalo Thunder was riddled with magnificent pueblo pottery. The designs were wonderfully intricate and I saw them as stand-alone elements that could easily be fabric motifs. Here on pottery – but so fascinating to consider as possible inspirations for fabric patterns and designs.

Anasazi Buffalo Pot – Acoma Pueblo

Suggestive of a court jester, this expressive piece tells a figure story. The bold patterns make a powerfully beautiful statement. Who loves bold stripes? Do you wear them? Do you upholster with them?

Evening Star by Katherine Wall from the Jemez Pueblo

Cut-outs on lobby lounge chairs, with geometric upholstery, atop bold zig-zags of the area rug proves combining patterns creates a fine line between exciting juxtapositions and pairings – and risking possible disturbing disruption of order. Comedian Steven Wright uses dry wacky wit delivering hysterically funny observations to convey a sense of the obvious with a twist. I’m paraphrasing one I remember from years ago… “You know that feeling that you get when you lean way back in a chair…way back on the back legs…back so far that you are just about to fall…I feel like that all the time.” That’s like that feeling with challenging design. It goes just far enough to get your attention…designers get that feeling as they push the theoretical limits of design – all the time!

Ok- this is not perhaps THE most outrageous example of this theory – but a fun, eye-catching combination nonetheless!

Buffalo Thunder resort was the jumping off point to then venture beyond into the thrilling landscape of La Mesita Ranch.

Mixing different colors of brick make this random patterned walkway very pleasing and interesting.

The setting was natural, organic and inspired.

Simply lovely centerpieces

See a lovely, intense example blooming blue and white and much more in Nantucket on the cover of the new June 2018 issue of Architectural Digest.  http://www.theenglishroom.biz/2018/05/29/nantucket-beauty-by-markham-roberts/

So look for patterns all around. Discover exciting opportunities to mix patterns and textures.

Be brave – play with patterns!

 

 

Bring Elegant Functional Pottery into Your Daily Life

Powerfully, pretty, porcelain, pottery graces the urban storefront window this month, of the east gallery of PATRICIAN DESIGN, with elegant, functional inspiration.

The opening of this the second  installation of the Resilience exhibit features a collection of porcelain pieces that is intended to be an entirely functional  ensemble of art.

It’s been refreshing to have these well established artists paired with exciting emerging artists presenting their expressive talents, in the form of something that you can use and enjoy, to enhance the aesthetic connections in your daily life.

Resilience, conceived by Helen Atkins, an exciting emerging artist herself, is the manager of consignment art at PATRICIAN DESIGN.

Her concept was to “explore the experience of local female artists at various junctures if their careers.”

As a recipient of the Makeshift Grant Project, “Resilience” is funded by the downtown Albuquerque Arts & Cultural District and the Albuquerque Community Foundation. The name of this project suggests that the strength and flexibility of clay as it is formed is an analogy to similar characteristics in the course of a woman’s life. Strength and flexibility – resiliency and tenacious fortitude are the features the two share  and which are celebrated with this show.

In addition to this relevant topic of women, the functionality of this collection is what is even more expansive. No gender specific appeal to this wonderful work, the idea that pulling in from the disposable practices of everyday life, strikes a universal chord.

To pull in and focus on what  you have and use in your daily life is the beginning. Evaluating between pure function and added beauty being introduced as an enhancing element is the trick. Then discovering individual pieces that bring enjoyment  while contributing to the function as well as the aesthetic of the scene,  from an interior design standpoint, is wonderful.

Your “scene” should be exclusively personal to you and your life experiences.  It is personal and wonderful to incorporate handmade artwork in all aspects of a design project. To appreciate the detail and have the opportunity of taking that artwork all the way to daily tableware is pure joy. These and other potters that we feature at PATRICIAN DESIGN offer just that – the opportunity to incorporate art into the simple functions of eating and drinking.

Artist  Kathryne Cyman is a master of the 400 year-old Japanese process of Arita pottery.  Please read more about Kathryne’s journey at http://art.unm.edu/kathryne-cyman/   Showing alongside her capable student Jordyn Bernicke, the two present simple, elegant, affordable pottery pieces for you to bring into your  daily life.

Imagine the soft, delicate yet durable cup in your hand from which to sip and relax. Even to toss o.j. on the run – the basic action of drinking from a handmade vessel, in a color and finish that makes you smile, is an enhancement to the day.

Sensory perceptions ignited by the feel and the look of a beautiful piece of pottery is restorative.

We are privileged to have this exhibit and to meet these fine artists. We are privileged as a community to have this program at UNM.  It appears that the natural beauty of New Mexico, life lived close to the earth and celebrated by Native Americans for generations is a parallel practice to the Arita process by the artisans in Japan.

This exhibit proves that to admire the techniques that produce beauty is to acknowledge the importance and value of including these elements in our daily lives.