DIY – Inspiration is All Around!

DIY is so in vogue. Where it used to be chic to hire someone to do everything in your world, now practicality rules! The savings and fun of doing things yourself is huge. There are so many inspirations on-line. Ideas overflow-ith and the possibilities are endless.

Where do you get YOUR inspiration? It’s all around us. I had been contemplating a shower/wedding gift. I always prefer to find something unique rather than picking from a registry at Nordstrom’s or William Sonoma…but this one was a challenge.

Recently, my inspiration came from taking a morning walk through the desert.

The decorative graphic on the invitation was a floral arrangement of soft pastels and antlers. Yes, antlers. This bride-to-be is a hunter. A long, lanky, beautiful, feminine, crack shot! I’ve known her since she was a toddler. I had been picturing that graphic in my mind in an effort to divine some special gift that related to that theme…something uniquely memorable and lasting.

As I walked through the rough desert grasses and around piles of dead tumbleweeds I regarded them with a new-found appreciation. They had such an interesting structural framework that I realized that they clearly resembled antlers.

They became the springboard for a floral arrangement that would replicate the theme of the invitation and, with that, I began selecting them and carefully carrying their rotund prickly selves back to the car.

Next step – what else will make this a successful rendition of the theme I was trying to emulate? Off to the craft stores! I selected delicate, creamy-white wooden roses, soft pink mini silk roses and some fill from both Michael’s and Hobby Lobby. The PERFECT ceramic vessel presented itself in an soft, oval shape glazed in a powder blue, but with edges and character that offered attractive, desirable, intentional imperfection.

As I have mentioned in past stories, a successful designer has a good team. Building a team to realize your dreams is the key to that success and I called on my very special and exquisitely talented floral designer to assemble my gatherings into the image of my intent. Melba has made my dreams come true for years. She gets into my head and interprets my words and elements to create a finished product that has hit the nail on the head over and over again.

I pulled out the many materials that I had purchased. She evaluated each, talked to me about my concept, and studied the combinations that were laid out on the table.

This piece exceeded my expectations. The fine branches of the tumbleweeds were the delicate punctuation amidst the flowers.

When she actually ordered real, bleached deer antlers that became the statuary of the piece, I was thrilled! Not only was the finished arrangement perfection, I didn’t think it was realistic to expect to get real antlers and incorporate them into this design in such short notice. She had less than 2 weeks! It was spectacular.

DIY inspiration is all around – even in dead, dried tumbleweeds. Creativity begins with a concept and progresses with the fun of making it uniquely yours. Team DIY!

 

 

Disruption Reaps Results

Merriam Webster defines to disrupt: to interrupt the normal course or unity…So think about it when you take on your DIY projects…like reupholstering a chair.  Pick or find the chair, take a course, cut away at the fabric, pull out the staples, rip it down to the bones, (poor chair – you’ve really interfered with its unity), then put it back together. Voila!

To do something as seemingly simple as repaint, you will need to remove things from the walls and move things away from the walls, drape furniture, mask elements like molding, ceilings or other adjacent surfaces that will not be painted – or at least not with the same  color. All of that is quite a disruption.

Expand that disruption when you remodel – open a wall, replace cabinets, change flooring – each on their own sounds simple, but be prepared for disruption. Your normal course of unity will be in disarray, displacement – maybe even chaos.

However, I often reference the phrase “You have to break an egg to make an omelet” right? That sums it up. To make something wonderful, you are going to have to interrupt the normal course of unity – hence break the unity of that beautifully in-tact orb of an egg.

So do not fear disruption – go ahead – disrupt your life a bit, to effect change, that will achieve refreshing results! It is THE hardest part of the Creative Process (see pattisays April 29, 2017). https://patriciandesign.com/the-creative-process-of-interior-design/

 

 

 

The CREATIVE PROCESS of Interior Design

At the outset of a design project, certain first steps are common. It is after those initial steps that things can take two very different directions. First you have the desire or need to make some changes/improvements. You decide with whom you want to work to design and implement.

If you take the time to plan every aspect of a project, make all the selections, get all the details down on paper—well notated and drawn so as to convey every intent, you may begin and proceed without hesitation. The project can be scheduled and run accordingly. Easy peasy—with that prior proper planning.

Whoa—is that real life? Well it works for many. It works for those too busy to delve into the many possibilities, to be open to the evolution of the process, to enjoy the adventure of creativity. I’m talking about the projects not requiring permits – fabrics, finishes and furniture. New cabinets in a kitchen, switch out the counter-tops, get new updated back-splash…rearrange, replace, recover furniture…paint walls, hang art, mostly cosmetic enhancements in this case.  Clearly some just want it done—and have no interest in the creative process.  However, do you ever have a second thought? Does one decision affect the next? As you experience the design and implementation process, might you change you mind…have another idea? It happens all the time. It is more realistic, fun and feels like a true artistic endeavor.

But is your intent to create an art piece? Is it to experience an artistic endeavor? Or do you just want some new pieces, finishes, an update? These are two very different situations that require different processes.

True design is centered around the unique requirements and desires of the client. It is responsive and reactive. It is also proactive and filled with anticipation. The design process is one of balance and equation. If…then…

This process is intuitive and educated. It is based upon expectation and perception. Like tipping back in a chair…back…back…until you might fall and then—you catch yourself and all is right with the world—exciting but measured.

Why do you hire an interior designer? With all the information available at your fingertips, why do you need to pay someone to do what you like? If you know what you like, you have the time and you have gathered a folder of ideas, why do you need a designer? Might it be to sort through options? Or to decide between choices of fabrics, groupings, arrangement, scale, style? Merely to hold your hand while you make those decisions? Do you have 5 photos of sofas? Do you have a million pictures of materials? Have you picked up or ordered clippings of fabrics? How do you decide among these many options? How do you know you are making the right/best decision given your options? What is timeless? What is trendy? What will last? What is practical? Which direction should it go? What goes with what? Ha—its funny if you start looking at your options and asking those questions…and there are a gazillion more during the process.

The idea behind hiring the right professional, is that they will help make the best decisions that will narrow your search and selections resulting in a distilled version of the gazillion ideas your have pinned, clipped, saved, collected and visualized. Not to mention they might and should bring other new ideas to the mix. The end result of responsible design consultation should provide a design you would not have had, that you like better than your efforts alone and eliminate costly mistakes saving both time and money.

The most difficult part is to recognize that not everyone receives information and processes it the same. One person’s mental image of a design concept might not be the same as another’s. Conveying ideas is an abstraction that can only be somewhat helped with illustrations and models. From quick sketches to well rendered illustrations, dimensional drawings to actual models, nothing will ever exactly convey what will be the finished product.

A sketch like this TV cabinet suggests a possible solution to an a/v issue…

Finished similarly to this piece of finely crafted knotty alder.

And this tired, yet fabulous contemporary sofa – can you visualize it in an elegant, classic navy stripe with new wooden feet? Watch for this transformation in a coming blog!!

It’s all conceptual. It’s not real—until its real. How’s that for a profound observation? Both designers and clients need to be very clear on this prior to committing to a design process. Visualization can be tricky. It effects expectations.

Communication is key. Choosing good, descriptive words…tangible samples of materials… illustrations…models…not all projects warrant the latter examples. The cost of the communication tools must be weighed against the value to the project.

 

So the creative process is fun and adventurous. The permutations are endless. So many choices, so little time. But if you make one decision, you narrow your steps. With each decision you build toward the finished product. And the beauty of giving yourself permission to “create” means that you can change your mind at any time, massaging the process as you proceed.

It takes patience and resilience. Art is creativity—opening the mind to possibilities.

Creativity is defined as the tendency to generate or recognize ideas, alternatives, or possibilities that may be useful in solving problems, communicating with others, and entertaining ourselves and others. (page 396) What is creativity? – California State University, Northridge https://www.csun.edu/~vcpsy00h/creativity/define.htm

The entertainment factor (above) is an interesting point—because it relates to the previously mentioned—fun! This creative process can be and should be FUN!!!

Being prepared to make alterations, fine-tune, add details and work toward that place that determines completion. Like a painter in front of a canvas…knowing when to stop. It can be over-worked. It can be compromised by going too far beyond that which is good. This does not merely refer to clutter or busy design…each is applicable and depending upon the definition and eye of the beholder (again perception) it can all constitute good design. One man’s clutter is another man’s complex design. But who makes those decisions? The critics for one—if the work is out there to be critiqued by the professionals, but the bottom line is the end user. If it solves the issues, serves the purpose, satisfies the desires—that is success. YOU (the end user) determine the success or failure of your design project.

But that determination of success or failure is a shared responsibility. It is a team effort of communication, contribution and patience with the process. The creative process has few limitations. Budget for one is important and physical restrictions—but other than those—designing is as though a living organism’s path. Designing is the abstract – to tangible way of navigating the fluidity, growth and development of the creative process.

So be free to explore and enjoy the possibilities. They are endless. Seeing the design materialize with the additions, and deletions, changes and modifications is part of the exhilaration of it all. It wants to be exciting and feed that thrill of anticipation and fulfillment of desire.

Create—and enjoy—it is good for your life.

 

 

 

 

 

 

 

 

 

Valentine Expressions

You know…we designers design for our clients and ourselves around themes, we design around events, we design around seasons and of course we design around the trends…it all keeps the commerce of products and materials in motion.  And at this time of year, we see focus on wine clubs, pajama grams, stuffed teddy bears in enormous sizes, hearts, hearts, hearts…and roses natural red or gilded, it’s Valentine’s Day!!!

But it’s fair to note that all seasons have valid design consideration. Setting the scene, enhancing the moment – either for you, your family or a romantic encounter, the holidays and especially this one, evoke a desire to create a scene that conveys love and romance.

To that end , my blog is brief. Enjoy that which brings you joy. Revel in the happiness that presents itself. Create beauty where you can. And as we are want to say….art and good design can almost always bring a better scene to anyone’s place on this precious planet.

So be it a candy heart with a common message of joy, a product acquired to create a scene, a piece of jewelry to promise, a token to send love, a greeting of friendship, a message to offer support, it is all about connecting.

I decided to paint a bowl for my sweetheart. Yes, I had passed this guy’s booth, encouraged others to partake, had appreciated his talent, but never ventured forth. This year, I enjoyed sitting alongside Victor in the shade, with the waves lapping the beach, and soft music wafting through the  air…allowing a moment of focus on an artistic expression, a blank canvas (my bowl) to say Happy Valentine’s Day to MY Valentine.

Here is the finished result.

Connecting. We at PATRICIAN DESIGN support local artists and hope that the next time that you need a gift, want to send a message, or desire a creative addition to your personal space, that you will consider local talent to fulfill that need. OR do it yourself DIY!!!

Wear ART – Shop Local – Support LOCAL artists –  Need we say more?

Ok…we provide the greatest FREE gift wrap to get you on your way!!!

XXX000 Happy Valentine’s Day – (it’s Tuesday – better get prepared!!!)

PATRICIAN DESIGN

The Art & Architecture of Gingerbread Houses

Art and architecture meet all the time. Sculptural forms, building models, buildings themselves, sketches…but at this time of year, the fanciful world of gingerbread houses takes the spotlight and, in this recent scene we encountered, offered a beautiful fund-raiser while at it!!!

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As we pulled away in the pre-dawn hours of the  morning…we felt the chill in the air and the glow over the mountain sending us on our way.

We traversed across the terminal and before cutting over left to the escalator, we spied—at the same time—a wondrously tall Christmas tree adorned with airplanes and ribbon…and surrounded by an amazing collection of ginger bread houses on display in some sort of fund-raiser fashion.

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Upon closer inspection, the fantasy became tangible. The individual structures took on a form of expressive life in their individual attention-getting style. Each one was quite unique incorporating rivers and ponds, vehicles and foliage of all manner.

It is a Christmas tradition to create a gingerbread house full of fantasy and fear, hope and salvation. From the simple joy of baking traditions for Christmas, to the many versions of fairy tales that save children from the wicked ones in the woods creating and story-telling surrounding these magical edifices makes gingerbread houses a staple of the winter holidays – all the while offering architectural design and  construction projects for all ages. Below, see the Hanukkah version of this adorable house.

I just read a great piece by Tori Avey in which she summarized the history of gingerbread. http://toriavey.com/?s=gingerbread

She references architectural design with the fact that: Elaborately decorated gingerbread became synonymous with all things fancy and elegant in England. The gold leaf that was often used to decorate gingerbread cookies led to the popular expression ‘to take the gilt off of gingerbread.’ The carved, white architectural details found on many colonial American seaside homes is sometimes referred to as ‘gingerbread work’.

Having been raised on the east coast, describing houses with ornate “gingerbread” detailing was part of our vocabulary. I now see it in Rocky Mountain Victorians and California seaside cottages. It always conveys a quaint, welcoming feeling.

Avey further states: Gingerbread houses originated in Germany during the 16th century. The elaborate cookie-walled houses, decorated with foil in addition to gold leaf, became associated with Christmas tradition. Their popularity rose when the Brothers Grimm wrote the story of Hansel and Gretel, in which the main characters stumble upon a house made entirely of treats deep in the forest. It is unclear whether or not gingerbread houses were a result of the popular fairy tale, or vice versa.

Recently the record for world’s largest gingerbread house was broken. The previous record was set by the Mall of America in 2006. The new winning gingerbread house, spanning nearly 40,000 cubic feet, was erected at Traditions Golf Club in Bryan, Texas.

Everything is bigger in Texas!!!

The house required a building permit and was built much like a traditional house. 4,000 gingerbread bricks were used during its construction. To put that in perspective, a recipe for a house this size would include 1,800 pounds of butter and 1,080 ounces of ground ginger. Sounds more like a gingerbread resort!

So as we walked around this wonderful display at the ABQ Sunport and marveled at the colorful creativity, I knew this was the story for today.

The cartoon in the paper that morning also found  humor in the subject.

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And to further galvanize that thought, we arrived in San Diego to find Keira proudly presenting their half-eaten, already picked apart gingerbread project in the center of the kitchen table. T’was the joy of gingerbread houses—post construction, eating them!!!

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Resourceful Creative Festive Fun

When it’s time sensitive and just can’t wait – what do you get? A BONUS BLOG!!!  Yes! A mid-week blog for the holidays! It began beneath a brilliant blue sky yesterday as the air, with a teeny bit of a  chill, was contrasted by the then warm sunshine glistening through a deciduous denuded Honey Locust making it’s lonely leftover pods look like birds silhouetted against the sky.

Scattered all over the ground were the same fallen wonderfully twisted mahogany-colored pods writhing amidst the dried leaves.

The color was so rich and warm it was irresistible. As I bent over to inspect one, I was captured by the unique quality of each pod and the amazing contours of their graceful, elongated shapes.

Almost as though they were varnished, they had a semi-gloss that was naturally beautiful. This is art in nature. This is inspiration. I can see this as a magnificent drapery fabric – a grand wall of these intertwined ribbons of organic seed pods.

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However, on a more current and immediate note – I saw a centerpiece or multiple centerpieces as it turned out. I gathered the pods in my fist as though a wonderfully wild bouquet. I then needed a bag (thank you Becky) as I kept dropping them, in an effort to force the ever growing collection.

Here is the quickie result of the awesome autumnal centerpiece. I had a faux wreath of berries and leaves, tossed in a few recently harvested local apples, (thank you Vigils), some leaves gathered from the driveway as the Bradford Pear – which, a little late this year due to our unseasonably warm Indian Summer this fall, has only started to drop its gloriously radiant leaves. And Voila!

I stood back and looked over my shoulder and saw the collapsed plastic bag still spilling pods out over the counter-top.

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I was about to call all my friends and ask “Do you want a piece of this fabulous, festive, fall, focus of attention? And I quickly realized I could expand the joy for those of you with grand tables  needing a longer statement down the center.

So flanking glass vases provided the extension I needed. Now this was quick – adding gravel, sand or moss in the vases would add interest and depth, maybe pheasant feathers, other dried flower pods and grasses – this was just a start based upon an irresistible inspiration scattered before me.

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So keep your eyes peeled for opportunities when you least expect them and make something out of nothing. Save unnecessary expense when you find your design accessories for free!!! Happy Thanksgiving!!!

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Designing with Balance and the Creation of the Can Wall!

Given the opportunity to improve upon a recently completed taproom, we instantly realized that painting the entire interior would be the best quick-fix. But that instant gratification was not enough to give this needy/hungry interior some meat to get it off and running.

Atmosphere in interiors is so much a part of the brand, the identity, and the success of a business. Popularity is based upon a certain comfort level, the clientele who gravitate there and the product that they are effectively providing. Whether that is food or drink or both, the atmosphere, (including lively enjoyment by clientele), service and food/beverage – all contribute to a successful establishment.

This does not mean high-end, elegant, fancy or even simply hip – although the definition of hip can vary from spare unpretentious and un-self-conscious funky, to studied funky, to affected stylized, to trendy hip and happening,…but, it does NOT always have to represent expensive interior design.

Yet a strip center generally lacks pizzazz and to install a taproom into that generic scene takes some creativity. That does not mean money – it means just what I said, creativity.  And creative interior design is all about ingenuity and balance.

Balance in interior design is key. This interior was filled with hard, cold surfaces – concrete floors, silver-grey laminate table tops, brilliant silver table bases, grey chairs, polished white granite bar top, silver laminate bar face, silver metallic wall sconces, glistening silver under-scaled chandeliers, white walls with cobalt blue accent wall. Brrrrrrr….makes me chilly just recounting the scene. And this was summer! Imagine this setting with crisp cold wind blowing outside and snow blanketing the mountain – not the place you want to gather for a beer in the wintertime!!

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To instantly soften and add warmth, we painted all walls a dark taupe. The soft, mousy grey/brown color pulled from the existing slate wainscoting to tie the two wall parts into a unified “read.” It gave the silver elements (especially the sconces) a contrast – which results in “interest.”

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The back bar was bland even with the new paint color and to add dimension and animation we mirrored the rear center section. This illusion added depth and interest to carry the ceiling through and add a mirrored storefront and exterior reflection which created an illusion of space and character where there had been nothing.

But unlike most back-bars, this area was conspicuously naked. A couple of stainless shelves housing stemmed wine glasses, and growlers felt spare. Plus the right side of the back bar was closer to the bar and the patrons were a mere few feet from a plain, painted sheet-rock wall. Yes, there was a large format TV screen above, but straight ahead – it was just blank wall.

In the wee hours of the morning, as I tossed and turned for a variety of reasons, I jumped from thought to thought, project to project, and personal concerns pelting all the while in a seemingly endless stream of insomnia. Yet, it was during the angst that the idea of the taproom being named “Silver”…silver…beer cans are silver/aluminum…beer cans crushed and nailed to a wall…texture, silver (theme of the taproom) interest – maybe?- all converged into one of those light-bulb moments of revelation.

And yet you might say – “silver…aluminum…more cold and hard. Why would this be an asset to this interior?” I felt that the texture and dimension of the cans would add more interest than the perceived cold and hard of them. The pockets of folded shadows and the relief off from the wall, paired with the over-all massive full-wall of pattern, would all contribute a positive design element to the scene.

As I pictured the wall of circularly flattened aluminum cans in my in my  mind’s eye (a tool that I employ daily while envisioning concepts and finished products well in advance of their fruition), I furthered the concept to encompass possible bar games. Yes, derived from this perfect grid of circular aluminum discs, I began creating games in my head. A bar is often animated by bar games and this was just another opportunity to interact using this unique wall-scape. Since that initial concept, I have created 3 different versions of the animated interaction in the form of games, on this fantastic Can Wall.

So with great patience, Enrique planned the layout with literally laser precision in a perfect grid. We counted the expected number of cans vertically and horizontally aligning with the brilliant red light beams. The previously crushed cans were laid out on a table – well a handful of the 3,200 that we had prepared for the wall. It was determined that punching the nails into the cans prior to installation would expedite the process of affixing them to the Can Wall. Labor intensive from start to finish, this wall was a great accomplishment for a devoted few.

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As the cans were laid out on the table – initially upside down exposing the crinkly open side (devoid of tops), I instantly LOVED the complexity of the depth, texture and shadows. A tight, random application of them would have resulted in a fabulously complex matrix of design. But upon closer inspection, the “texture” was really raw, with sharp threatening edges that were not possibly reasonable within close contact with people brushing by. So, lacerating the staff was not an option – even for a really cool textural metallic wall treatment. Perhaps this application will surface in a more appropriate location away from human flesh in the not-too-distant-future!

Like hubcaps fastened to the broad side of a country barn at dusk, the reflective silver discs pop in the flanking darkness.

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The process is nearing completion and I will save for another blog sharing the fun and games emanating from the Can Wall,  and the entire finished project complete with new warm white pendant discs over the bar and soon-to-install enormous perforated drum light fixtures suspended from the ceiling, over-sized photo images of the brewery behind the scenes and tantalizing signature dishes in the unique category of the Nexus New Mexico Soul Food.

 

Meanwhile, the take-away here is…balance cold and rigid with warm and textural – along with all the other opposites that attract – when designing be balanced.

 

 

 

50 Tips Patti says will help assist with design dilemmas!

These observations have proven valuable and will be the subject of upcoming posts for the weekly blog…almost weekly blog. A compilation of themes prompted by real clients and personal answers & ideas for YOU from Doorstep Design Delivery by PATRICIAN DESIGN!!

  1. Use dimmer switches whenever possible.
  2. Do not be afraid of color.
  3. Treasure family heirlooms.
  4. Know why you are installing window treatments.
  5. Mirrors can be your friends.
  6. All leather is not alike.
  7. Layering adds dimension.
  8. Trends can be your downfall.
  9. Eclecticism is personality
  10. Odd numbers of elements make better groupings.
  11. Rugs are wonderful.
  12. Discover new ways to use existing pieces.
  13. Fresh flowers are joyful.
  14. Focal points speak volumes.
  15. Minor changes can make major differences.
  16. Ceilings are opportunities.
  17. Find alternate uses for common things.
  18. Collections can be cool.
  19. Treat yourself to statement pieces.
  20. Enjoy connecting interiors with the outdoors.
  21. Prioritize to plan effectively.
  22. Deconstructing parts can result in creative assemblies.
  23. Balance is key – opposites attract.
  24. Pillows are easy seasonal punctuations.
  25. Plants bring life.
  26. Mobiles and kinetic sculptures add animation.
  27. Even small water features can be soothing.
  28. Incorporate old with new schemes…conversely new with vintage interiors.
  29. Do not fear dark walls in small spaces.
  30. Everyone benefits from a bit of bling.
  31. Test samples do not always satisfy actual finished effect.
  32. Avoid stopping finishes mid-surface or on outside corners.
  33. Textures tantalize.
  34. Scale is critical.
  35. Faux fur has come a long way.
  36. Matching might be monotonous.
  37. Find treasures at second hand shops.
  38. Collect ideas – inspiration abounds.
  39. Zones matter regardless of size.
  40. Punch it up often.
  41. Music and sound are design elements.
  42. Masking unwanted sounds is an art.
  43. Form should follow function but sometimes they are simultaneous.
  44. Context is critical.
  45. When white is an intentional wall color.
  46. Appearance retention is key.
  47. Beware of light sources solely from above.
  48. Fish tanks relax – as art, architecture or furniture.
  49. Daylight vital – circadian rhythm count
  50. Wabi Sabi has value.

 

Good design enhances life. Consultations no longer are dependent upon personal interviews. Technology has facilitated communication between designers and clients.Custom solutions in the form of samples and sketches can be delivered to your doorstep! Doorstep Design Delivery from PATRICIAN DESIGN.

Please contact us regarding cost-effective, quick fixes for your design dilemmas. email@patriciandesign.com or 505-242-7646.

Visit our website www.patriciandesign.com

Painting Party Pairs Art with Uninhibited Partiers

By total coincidence but perfectly timed for the segue from the  last couple of  week’s topics,  we attended a couple’s cocktails and canvas painting party last week.  Artistic expression and the fear of taking the leap has been facilitated by these social gatherings centered around painting and wine. You’ve heard of them, if not yet participated in one. This clever pairing has taken the country by storm. The model is to have an instructor teach a group of friends to copy a pre-selected subject and create their own interpretation on a canvas all the while losing inhibition by imbibing in a glass of wine or cocktail. Actually multiple glasses of wine and cocktails! The more the merrier! P1140371 - Copy

And merry it is. It’s fun and freeing. It’s creativity within boundaries but with enough encouragement and pretty much lack of judgment to produce some very successful finished products.  And this is where we found ourselves last Sunday afternoon. Operative word there, we. P1140384

Yes, I had attended several of these fun-filled events in the past – all women – always entertaining. But this was quite different as it was designed to be couples – husbands painting right alongside their more willing spouses were encouraged to let loose and copy the sunflowers.

Unlike other like-kinds of parties that I had attended, this gal started off each person’s canvas with a faint charcoal-transfer outline of the preliminary placement of the centers of the sunflowers. This was intended to get everyone started on the right track but also said loud and clear – this is what we are painting and deviating from the plan, changing the format or grouping was not encouraged. P1140376

That said, it was just fine that we all pursued the same clutch of gorgeously impressionistic floral explosions with bold brush strokes and colorful blotches of paint tying it all together for a happy theme. Most if not all of the men and perhaps a couple of the women had never tried their hand at painting. This might have been the first attempt at artistic expression that they had ever experienced. I know that was true for my husband!

The setting was fabulous in a private dining room of our local Greek restaurant with brilliant sunlight streaming in through the entire wall of west-facing windows illuminating large format photos of Grecian isles, ancient structures, classic white buildings with cascading brilliant pink bougainvillea set against the piercing blue sky and surrounding sea. A big screen TV mounted high in the far corner featured the very muddy Preakness followed by the Blues and San Jose dashing about on the ice. P1140374

But the attention soon turned to the canvases in front of each budding artist. Primed with cocktails, we donned aprons, selected our seats and set to work in front of our table-top easels. The paints are acrylic, water-based – easy to apply and also to clean-up during or after the session. . As the first splotches of color were applied, the comments began to fly around the room. From whining about how difficult it was to complaints about the blossoming results, the room became animated with commentary. P1140386

People began getting up and viewing others’ progress. Compliments and comparisons were a flurry as the instructor made her way around the room aiding those in duress and adding touches here and there. It was hysterical. Everyone was having a blast, creating their own interpretation of the offered subject and seeing it take shape before their very eyes by their very own hand and all the while amidst lively conversation and milling about the room. Seeing the finished products all so similar yet each very different is the marvel of this exercise.

One enthusiastic participant went out into the dining room and requested participation from restaurant patrons in the way of their leaving their tables and coming into the gallery of all of our redundant sunflowers and voting for their favorites – this added to the hysteria as they made their picks, voiced their critiques and the “artists” received their accolades. P1140402

Dinner followed taking this group of new-found friends to the dining room where everyone ordered from the menu and continued the convivial conversations into the evening. But I learned today that Don doesn’t care if he ever picks up a paintbrush again – he didn’t discover a hidden passion nor exceptional talent. He has no love for the process nor the results, but thoroughly enjoyed the party!!! Woo Hoo!! P1140406 - Copy

 

 

 

 

A Joyful Fireplace for All Seasons

Where were YOU last Sunday morning? As the day dawned, the clouds over the mountain yawned – breaking open to expose various shades of sky beyond their shroud blanketing the morning. Soft grey waves curled over the crest and wrapped around the peaks on violent wind gusts thrashing the new green growth below.P1140149

Imagine…birds are chirping over the roar of Mariah in protest or defiance of this late blast of Mother Nature interrupting what had been spring’s warm welcome. Hooray hooray it’s the firsts of May and the forecast is a high of 50 degrees after overnight lows of a chilly 37 degree rain. This now after having seen record-breaking 70s in February and 80 degrees several days since.

Ah…the fluctuations of spring. With this awakening comes the want, on this Sunday morning, to climb back under the covers and hunker down.  P1140158 However, while the wind wildly whips our towering 30 foot plus blue spruce tree and all the other new green growth from tentacles of wisteria vines to our precious peach tree and fragile red buds, we ascend to the kitchen and talk about building a fire.

Yes, building a fire. With only one fireplace, I have not succumbed to the instant gratification of igniting fake logs or worse a digital image of a burning fire. Albeit I am not the one venturing out into the elements to retrieve the wood from the stack of fragrant local pinon on the side of the house. Nor am I the one shoveling the ashes to make way for a well-ventilated new pile perfectly placed to assure a good burn.

But I did painstakingly sit cross-legged in front of the fireplace for hours that turned into days breaking tiles in sturdy zip-lock freezer bags with a hammer and fit myriad shards into place creating this wild art-piece that is the focal point of our family room.

We didn’t have a mantle nor did we have a surround. We had found a tin mantle to affix to the wall at one point and later three resin plaques to mount beneath it on the painted sheetrock face creating an attempt at dressing that end of the room. But it never was quite right, never brought joy and every changing season resulted in compounded frustration for this unsatisfactory situation. The shoemaker who has not shoes was I, the designer with a sadly neglected fireplace with no design. P1080268

After more than 15 years, the day came when I enlisted Enrique Jimenez to finally make yet another of my dreams come true. With barely a breath of space on the window side of the fireplace protrusion available for a mantle return, he took the measurements and delivered a few days later a nearly fully assembled mantel and trim.20130731_181349

Once painted glossy white by dear John, the space surrounding the firebox opening begged for a finish material. I considered the usual suspects –  granite slab, harlequin glazed ceramic and glass mosaic when the whacky thought hit me – go nuts with fragments of color using treasured pieces I had collected over the years. From a shard I picked up off the street on Peace Valley Lane P1070814 the weekend of Matthew’s graduation from Stuart to little flowers and birds leftover from samples we commissioned for a donor wall at the Albuquerque Community Foundation by artist Meg Butler to chucks of Mexican Talavera and brilliant colors from other pieces and places the palette and random pattern began to take shape.

So the hours and days sitting cross-legged on the floor paid off as this multi-seasonal mosaic of color makes me happy and brings as much great joy in May as it does in December. It is a fireplace for all seasons and a happy finished product and satisfying solution to years’ old dilemma. 20160507_092036_resized

So here’s to the first day of May (last week) that came in with a chilly blast belying spring’s arrival giving us the opportunity to have a cozy Sunday by the  flames of a real fire flashing from the happy mosaic of our a bit frantic, but friendly, family room fireplace.