Hidden Talent Exposed

Hidden talent – that remarkable artwork that appears (seemingly) out of nowhere, on a par with great masters of the medium. I considered this element of surprise – looking back several decades to a local painter, Wilson Hurley, who had more than one very different, distinguished career and diverse life experiences before he delved deeply into his passion for painting in his 40s. Once exposed, his paintings revealed his extraordinary talents and he become a nationally recognized treasure for his sweeping landscapes and a variety of other subjects.  

On that note, I have just gotten off the phone with a very good friend, in Florida, Houston Evans. I have recently learned that he is a passionate weekend photographer! An amazing photo appeared in a Facebook post and I was astonished by the enchanting image, color and composition. I was instantly captivated – and curious. Upon closer inspection, his stylish swashbuckling  signature made me realize that this hobby was subtly becoming more than that – yes, he had his mark digitally mastered and is probably THE perfect brand for his diverse and stunning work.

“Star Power” is the luminous celebration of a pineapple.

As I quizzed him about his interest in photography, I learned that he attributes his eye for art, color and design to his mother who’s side of the family has spawned other talented artists, in his generation. He has been posting on Instagram for quite some time – hundreds of images. I didn’t know. I didn’t “follow.” He is modest about his photos and does it for his own amusement, pure pleasure and personal enjoyment – that he likes to share. “I don’t do it to imagine it on someone’s wall.” Yet this observer believes that there is where it absolutely should be! Many walls…many places! #houstonevansphotography

He plays with the medium and all the tools and tricks of the trade. He enjoys the freedom of experimentation. The results are controlled, yet spontaneous. From high resolution to fuzzy pixels that require distance to assimilate. Up close for precise detail and soft smears for imagination to take hold, the variety of clarity or lack thereof are a part of the experience and expression.  

“Makin’ Hay” has an enhanced pointillist treatment – a Van Gogh-esque subject with a twist.

From my interior designer’s perspective, his bold images would be key focal points in the drama of architectural spaces – interiors from Miami to Honolulu and on around the world!!! I can see the towering orchids in hotel lobbies, bars, restaurants and swanky condos everywhere!!! I am eager to find a project, for which his work would be the key to the scheme, unveiling a spontaneous design resulting from the inspiration of the image.

“Oblique Orchid” screams floral superiority as a commanding focal image.
“Shooting the Bird” speaks to paradise revisited!!!

In the beginning, the photos stood on their own merits. Evans keeps his originals – some of which remain just that – in their original form, while others are tweaked or more radically manipulated to create stunning subjects and compositions.

This brilliant, fresh simplicity of “Aqua Eye” observes the droplet’s reflection in the center of the cheery chartreuse petal.
Coming upon a cool caddie “Daddy Long Legs.”

I can see his limitless fantasies contributing to the imaginative narrative of Meow Wolf, gracing hotel lobbies with larger-than-life orchid explosions and commanding condo walls with magical statements of tropical color, subject and form. Translucent installations of LED illumination could result in magnificent walls of design influence.

“No Flies on Me” is a fantasy of oozing colors and form melting and melding around the psychedelic dragon fly.

The digital age is advancing with such a pace that we are all caught-up in photos of food, whacky selfies and sunsets on fire…but having an artist’s eye, to truly see the potential and master the tools that are now available – using them to create valid and valued masterpieces of art, is extraordinary.

“Copy Cat” reflections mirror a chorus of color from sky to watery impressionistic likeness.
This “Roadside Attraction” must have been a startling scene to distract dazzled drivers.

I truly believe that his work is exceptional – full of heart and soul – and spectacular fun!!!!!!!! I’m thrilled to learn of these images and now enjoy the continued progress of his discoveries and creations. Let’s see where this goes!!!!! He just might be coming out of hiding!!

Yes, his selfie – “Prickled!”

A Designer’s Eye

Hidden genius can be found amidst seemingly redundant arts and crafts.  Walking by you might not notice. Passing by many beach stands, they begin to look alike – very repetitive. The colorful wares and handcraft are striking and eye-catching and full of fiesta, yet if you pay attention you will notice the nuances. Discovering the true designer/artist.

An escape to the tropics and especially to another country offer a reprieve from the cold and add an exotic element to getting out-of-town. Discovering the many indigenous art forms that come from all over Mexico is fun and exciting. Getting to know the makers and the distinctions in their work is another exciting level of appreciation.

As is true with so many things, detail and design matter. I buy a smattering of things for my gallery/gift boutique. I like to support the local vendors and makers that produce these fantasy-filled folk-art pieces.  From fabrics to stuffed animals, painted pottery to murals and mosaics, the art is abundant and deserves to be examined.

As an example, I am focusing on Victor Rivera. Victor is an artist and more so, an incredibly gifted designer.  His sense of pattern and imagery is exquisite. It reminds me of my mother’s love of Marimekko and Lily Pulitzer in the 60s and 70s. Her appreciation was a tremendous influence on me. The joy of color and pattern was a exhilarating celebration to wear and accessorize your home. Victor seems to possess a like-kind of innate sensibility and talent for devising and executing sensational color, pattern, motif and resulting design. He is currently creating, from a modest beach stand, what I believe is clearly different from others doing what might be thought to be similar work.

Like Maija Isola – a peer of my mother’s, having been born in the 20s her designs transcend the many decades in which she influenced color, pattern and bold imagery. Her work continues to live and influence the evolution of Scandinavian artistic direction and its impact on the world of design.  https://www.marimekko.com/com_en/world-of marimekko/design/designers/maija-isola

Similarily, architect Josef Frank contributed greatly to the design world through his architectural work and also his love of his limitless artistic expression through color and pattern. https://www.architecturaldigest.com/gallery/josef-frank-fabrics-london-exhibition

Watching Victor select his brushes, for the various applications and control on his designs, is fascinating and amazing.

The sense of pattern and design is a different category of artistic talent, in my observation and estimation. A master, of pattern, form, design detail and art, is an artist. However, the focus on the repetition and integral connection of patterns – for this purpose in a one-dimensional application – is an intensely different pocket of an artistic brain.

And this brings me back to Victor. I want someone in a position to embrace and promote him, in the world  of fabric design and influence, to catapult him to the level to which he can and should aspire. Shout-out to Alegreea and the fabulous designers at Pineda Colavin!!!!!!!

His hummingbirds begin with a pencil drawing and basic “fill” colors at the start.
Working on both clay and wood prefabricated bowls by other artisans, his many layers of colors and details take shape.

With myriad, mostly monotonous, Mexican street/beach artists, Victor is a beacon of light that stands out among the throngs. Once you stop to notice – the work he is creating is astonishingly  unique and beautiful. His designs are laced with meticulous detail, outstanding color combinations captivating and beautiful.

He will paint expeditiously simple works to satisfy the tourists and keep an inventory at the ready for spontaneous purchase – but when he has quiet time and is caught-up on his table of offerings, he creates amazing pieces that are truly remarkable. It is important to note though, that his more expeditious pieces still have a color combination with strokes of accents that still are above and well beyond the common.

He will paint commissions all day long – but left to  his own devices, his creativity is boundless. And, referencing back to the Scandinavian designers, his floral designs are outstanding!

Taking time to examine the world around you and the beauty of detail that awaits, is a joyful experience of great discovery and satisfaction! Not to mention great fun!!!

Fun with Victor, art and design!!!!!

Upholster a Rock?

Some fabrics are just so fabulous that they can carry a design scheme. You could wrap a rock with them and feel that they are accomplishing the design statement to set the theme, mood and encourage interest, if not confidence in comfort! Stimulating the senses is a major part of design.

Often, a throw pillow can make an effective accent. We joke often when we find exclusive fabrics in the hundreds of dollars a yard and say “Perhaps a throw pillow?” Knowing that the projects affording such luxury for miles of drapery panels are few and far between!

Duralee offers statement furniture pieces of unpretentious luxury and comfort with a collection of fine fabrics that will satisfy any budget. Birds take flight from this delightful Duralee pattern.

Sight Sound Smell Taste and Touch – you know. Colors and textures catch one’s attention. They set the mood.

Upon entering a space you take-in the colors and textures and if fabric is in play.With further tactile examination fabric contributes greatly to these two sensory perceptions – sight and touch.

This playful Donghia organic has fuzzy tactile balls sprouting from the linear twigs. From the “ground” to all the intertwining and overlaying weaves, the complexity of textiles is exciting. Come see these exceptional designer fabrics in our studio.
Many fabrics have multiple colorways. If you see an intriguing fabric that’s not “your color”, its worth asking about the entire collection.

Juxtaposition can also be an effective technique. When placing a modern pattern on a vintage piece, you breathe new life into the forgotten history – refreshing and capturing the best of both worlds!

You might not have a lot of confidence in someone who wants to wrap a rock to make a design statement. However, my point is, when you love something you want it regardless of the delivery system! Find fabrics that you love and insert them into your rooms – home or office. It’s like your favorite flavor. Sweet or savory – slather it on a piece of cardboard and you’ll be significantly satisfied. You need not struggle with how to do it – just make it happen. So to get a little taste of an exciting textile, make a table runner, simple dining chair seats, select a backing and make a throw or an accent pillow. Bring the joy of exciting textiles into your interiors.

Here are a series of fun fabrics from our source library – tools of the trade. We LOVE fabrics and must touch the texture, feel the weight and evaluate the colors. Seeing images on-line do NOT do justice to the many incredibly creative textiles are available to enhance interiors.

Cute critters march across this sophisticated yet whimsically novel woven.

 

Other considerations not necessarily in evidence are the wear-ability/durability of a fabric and the resistance to ultraviolet rays, mildew and other elements. Wool is inherently flame retardant, for example. And exteriors have come alive as these amazing performance textiles will often fool you in disbelief that they have the properties to withstand the radiating ultra-violet rays of the sun and damp conditions which invite mold and mildew. These incredible fabrics are truly indoor-outdoor in appearance and extraordinary performance!

High-performance luxury weaves such as jacquards, piques, tapestries, matelassé, ottomans, damasks and sheers defy their extraordinary performance properties.

Roy Hamilton a recognized designer in many media, brings fresh patterns to Chella.  Roy Hamilton, designer of exclusive ceramics, sculptural and textural interior elements and fabrics for over sixty years.

Call for an appointment to explore our source library for the most unique fabrics in the world!

Floor-to-ceiling shelves of samples await your exploration for commercial and residential application!! You can order most textiles by the yard!

Cool Rides Hot Design!

Racing through the Albuquerque Sunport several times this summer, I had seen in swift passing the blindingly brilliant bling of the Low Rider exhibit that had been set-up at the end of June. Last week I had an opportunity, while waiting in the arrival area, to peruse the many amazing rides that commanded the concourse.

This powerful art exhibit of the unique Latino culture of Low Riders represents great personal pride and emotional attachment on behalf of the owners and artists (often one and the same).

These finished products are almost like songs…from memorials to love interests, family and friendships – they express heartfelt emotions to present and share with the world.

Once stereotypically  thought to be limited to the bad boys taunting law enforcement with their wild paint jobs, gleaming chrome, bold moves, wild suspension, blaring music in a defiant statement of cultural expression, these amazing art pieces have since been recognized by distinguished museums worldwide for their exquisite attention to detail and the stories they tell.

In this exhibit, these moving statements of artistic expression are all home-grown. Yes, each made here in New Mexico it makes it all the more relevant.

Visitors to the Sunport have this wonderful opportunity – up close and personal – to examine the seemingly flawless machines adorned with sensational color, pattern and design. “Kids” of all ages will appreciate this show!

Each as though a canvas for the artist…motorcycles, kid’s versions and cars adorned with glitter, shine, polish and paint colors all contributing to the each unique statement. From airbrush to tedious handwork and limitless patient detailing results in exciting assemblages.

There are also decades of photos featuring the evolution of the culture here.  

By highlighting these fine, local examples the City hopes to elevate the art form on its merits and dismiss some of the stigmas attached with the stereotypes.  

And we all will have a little fun imagining the thrill of taking a ride in/on one of these beauties!!!

Enjoying Creativity – How Do You Exercise/Express Your Creative Juices?

Have you ever had a moment or period of time when you longed to create something just for fun? It might be to crochet a blanket or knit a scarf.  It might be to build a model plane or learn how to cast a bronze. What have you longed to create?

It seems that everyone needs a creative outlet even though they might not recognize it as creativity. When speaking to a guy  about his interest in working on cars, he didn’t consider his work “creative.” To work on a car for purposes of enhanced performance, restoration, maintenance or repair all takes a certain amount of creativity. The thought process of problem solving and taking action requires creative thinking.

Gardening, painting, sculpting, carving, pottery, collage…there are so many outlets for relaxing creativity. The idea is to not do it under pressure. Lest one defeat the purpose of the relaxing aspect – just for fun – pure joy.

Yesterday I spoke to an architect who said that her creative juices needed exercising. Despite the fact that her daily work required lots of creative thought, it was not pure pleasure. It was not all fun. She wanted/needed another outlet. So she set forth, to do some creative design time, purely for her leisure. She started creating desert floral collages, in a size that could be shared, as greeting cards. She brought them to show me, with a modest timidity, and was most surprised and thrilled when I received her work with great enthusiasm!

Rebecca has found the medium of paper to be quite satisfying, It is clean and precise, crisp and conveys her intent. She loves flowers, lives in the high desert and communes with cacti and appreciates all flowers – and with that her exciting, yet quiet, introspective, personally satisfying, creative expression has found an outlet.

With positive feedback from several people, she wants to launch a re-sale card line! Now the creative process goes another step. She needs to establish a brand – at least a name for her card line. Will she want a logo? What about her entire experience can she list in words and cull and distill to result in the perfect identity?

There are two parts to this situation and the first is to recognize the need for and find an outlet for the relaxing exercise of expressing creative juices and the second is receiving positive reinforcement for your efforts. Inasmuch as the second might seem  unnecessary, it is a great affirmation and valid “feel good” feeling to create for the fun of it and have your work appreciated!

It need not be commercial  – but “selling” your idea or creative project is even MORE flattering.  Although, it is usually not for compliment much less profit.

Creativity can be relaxing, if it is not in a demanding framework. It’s therapeutic. In pondering this subject, I wanted to know more. Seems that this is a complex topic that deserves more investigation. So,  I did a bit of reading…I found the Handbook of Creativity edited by Robert J. Sternberg from the Cambridge University Press 1999. In the first section – The Concept of Creativity: Prospects and Paradigms by Robert J. Sternberg and Todd I. Lubart it states “If one wanted to select the best novelist, artist, entrepreneur, or even chief executive officer, one would most likely want someone who is creative.”

It is true for those of us doing hiring – looking for that spirit that can see beyond…create…are desirable traits. Yet everyone has a certain creative element in their person. It is the degree to which they have it and in what capacity or direction which might be more applicable or desirable, for consideration  in a certain position over another.

The Concept of Creativity  further states that “Creativity is the ability to produce work that is both novel (i.e., original, unexpected) and appropriate (i.e., useful, adaptive concerning task constraints) (Lubart, 1994: Ochse, 1990; Sternberg, 1988a; Sternberg & Lubart, 1991, 1995, 1996).

The aforementioned seems obvious.

So is creativity a divine gift?  One that makes it difficult to study much less quantify or discern from another? That is not the purpose of his blog…but to not mention that query would be leaving something that one might ask – out.

As a professional designer, creativity is part of the daily job description. Yet you will find most designer’s exercise creative outlets that are different from their work. This spring I too launched a greeting card line. It was spawned from hours on the road between San Diego and Albuquerque, with the practice of harnessing myriad ditties that continually race thorough my thoughts. A sudden lightning bolt on one of those trips suggested that I doodle to accompany my ditties. Hence, DATE NITE CARDS were born in March of this year.   Little ditties and doodles to bring a smile, start a conversation, set a date, make new friends, rekindle the spark, celebrate friends, love, anniversaries, romance…

Designing with Your Story in Mind

Is your story important? Does anyone care about your story? And what does this have to do with interior design?

Whether you are marketing yourself or your business, your story has merit. It is about identity, branding and connecting. It is about letting people in a bit. It is about sharing history, experiences and process. It is about your unique reason for doing what you do.

For the past several months, I have been working with a client on a combination of interior design, graphic design, exterior design…it is all intertwined. A successful design laces together all these design elements. And that brings me to “the story.”

Even Facebook features a section to tell “your story.”  Yet, my client resisted presenting/using the story of this new business venture as a part of the design. He told me that was “so seventies.” That he had read that it was a dated concept that was no longer relevant. I begged to differ. For months I begged to differ! We agreed to disagree.

I believe that this is similar to many interpretations of design. What might be considered “dated” is often the manner in which it is used or done – not the thing itself. Whether a color,  a font, a style of furniture, a wall tile or wallpaper, an architectural detail or form…so many design elements are considered dated due to their context. Often, this is fair to observe. But, mix it up a bit and use things differently or with other different elements than the original trend presented and – Voila! You have a perfectly valid, even fabulous design – think outside the box!

The idea of a “story” is not unlike the “mission statement” which became a standard feature decades ago in every company’s presentation on printed media, lobby plaques, conference room walls, break rooms… Some say it is passe, but when something is good and has meaning – re-consider. Like “the story”, “the mission statement” identifies goals and intent…when paired with the story, it provides an overview of the who, what, why that inquiring patrons want to know.

So back to the story…about “the story.”  When a business or any concept is respected or liked, revered or praised, it is natural for people to wonder “How did they get started?” “How did they come up with this idea?” “What is their history in this business?” These are common questions that clever ideas or designs invite. So why not satisfy that interest, create a buzz…Let’s give them something to talk about!!!

In this world of disconnection, making connections seem all the more important. What used to be a natural exchange – of communication, ideas, sharing – is now something that has to be inserted with greater intention.

So this new business, for which I have been designing, is a barbeque establishment. There are a million. They have certain things in common. Without my enumerating them here – can you envision some common denominators that you might connect with barbeque joints? As is true with any venture, I asked: “What makes this one different? Better barbeque? Maybe. Cool interior? Hopefully. Are those the only unique traits? Is that the memorable take-away?  It certainly isn’t a bad one – the idea is to have great food – and a fun environment, but what else might contribute to the experience of this barbecue being unforgettable? What might you have, to tell your friends, to spread the word?”

My opinion was a  combination of an intriguing brand and “the story.” But before I go further, they coined a word to express their beer brewing prowess – exbeerience!  This will enter into the story as we go along.

Now maybe my opinion about their story was so worthy of consideration because there was so much to this story. That certainly helps. It happens to be a great story with layers of interesting twists and turns – riddled with history and significance. Plus, it had a local interest angle that has the potential to create a buzz far beyond their actual location.  

To begin to tell the story, I encouraged the development of a unique logo for this specific branch of the brand. Taking the lead to design it,  and incorporating it into interior/exterior design was part of my vision for a complete design package and presentation. Extracting from the story to create the logo seemed natural. The private persona was becoming public.

As we developed the logo, featuring a wood-carved graphic of an original log cabin/smokehouse, the story was recorded and edited down to a summarized version.

It was available for printed material, social media, and as art to be presented on walls. Yes, it was intended to become a decorative element too.

The Story became a focal piece in the interior along with authentic, original photos of the log smokehouse and an interpretation of patchwork quilts entitled Urban Piecework made from leftover ceramic and porcelain tiles, glass and clay assembled in wall-mounted panels throughout the interior and exterior spaces. 

Photos of the original smokehouse in North Carolina will soon be presented to further reiterate the story on the interior walls.
Urban Piecework commands the interior with bold mosaics reminiscent of patchwork quilts – an intriguing backdrop installed both inside and out.

Connecting with patrons, followers, clients, friends, family and acquaintances is valuable. As a business, it wraps who and those elements that are important to you in a familiar cocoon of context. It can instill a level of comfort and confidence in addition to sparking additional interest that might have taken longer to establish, without the introduction of your story.

The final multi-dimensional and multi-textural wall-piece featuring the story and mission is a striking 4’x6′ multi-textural panel. It offers patrons an opportunity to get a few questions answered as they enjoy their “exbeerience” at BLUE.

It was a privilege to promote, extract and produce this story and contribute such an important and valuable element to this business’s marketing and solidifying it’s new, exciting chapter of their brand.

Consider your story. Own it. Share it. Celebrate the uniqueness of your story. Design with your story in mind.

Focus on an Artist, Patricia Forbes and the Art of Custom Design.

Collecting art, investing in art, loving art, designing with art…one aspect or all of the above, art in interior design has many facets. I have written previously about and presented a workshop about “I want a piece of art to go with my red sofa,” a kind of raspberry in the face of curators, collectors, critics and appraisers who would never take or condone that approach. But the desire and need exists and as a interior designer it is wonderful to work with artists who can and want to respond to cues, take on commissions and create for specific parameters.

Contrary to opinions from the high-brows, this is not to say that these artists lack artistic integrity or meaningful self-expression. Their value is as any other – determined by what the market will bear. The basis for this writing is that we work with many artists who love their work. And creating it (even under direction) brings them and their patrons joy.

Featured here is the up-lifting, colorful and texturally abstract work of Patricia Forbes. We have enjoyed commissioning her for specific interiors over the years and are never disappointed in the quality and creativity of her pieces.

For scale, diminutive Forbes poses by her Vertical Stick series.

With so many mass-produced art offerings at the trendy home decor stores, it is refreshing to encounter new clients who are at the start of their nesting years, establishing their own domains, selecting things that bring them comfort and identity and who’s appreciation lies in acquiring original art.

Designing an interior is about comfort and personal identity. It is about surrounding oneself with things that work – both functionally and aesthetically. Individual’s requirements, in either of those departments, can vary greatly – but suffice it to say, each person or couple or family unit creates a home environment based upon their likes and needs (and budget).

Enter the interior designer. When calling on the assistance of someone outside the intimacy of the home, the client is hoping for and expecting a successful custom-tailoring of their requests based upon the experience of the professional.

When designing an interior, it is exciting to use existing pieces already owned by the client. It is gratifying to arrange and place those items in ways not yet imagined – thereby justifying the investment in design consultation. After an intense session of rearranging furniture, artwork and decorative accessories the “ta-da” moment is one of near instant gratification and satisfaction.

When an interior needs a little something to pull it together, fill a gap, create an accent or establish a focal point, it is great fun to engage the creativity of an artist to custom design a piece to fit the need. Approaching an artist for the express purpose of acquiring a piece of their work to enhance a space is  an exciting venture. It is a personal connection between artist and patron that creates a communion, a bond.

Here I took inspiration from a single panel that Forbes had constructed and requested a series of 9 panels grouped in a grid to make a larger statement on the wall. The interest created from a grid of images adds movement and dimension to this series already complex with sculpted texture and applied layers.

Color, texture, size, style, subject (or not) all are aspects of art that are to be considered for the personal  interests of both artist and patron. If the patron has selected an artist to approach about a commission it is as a result of experiencing their work and appreciating it. The artist, in response, is to accept the parameters of the request and enjoy the challenge and process of creating the intended/desired finished product.

The intensity of this rich red wall was decided early in the design process. As we built layers of existing elements and introduced new pieces, the desire for a custom installation became apparent. This Urban Elements series was a collaborative effort between Forbes and me to provide a bit of an edgy, industrial vibe to this eclectic urban loft. Note too that the end table and coffee table were locally crafted for the project by Kirt Kirkpatrick

Forbes’ creativity is rooted in pattern, color and texture. Primarily non-objective, her pieces are compositions of movement and dimension. Working with a layering technique, she builds her action with a collage of papers and fibers, paint and stain. Action is key when describing Forbes’ artwork.

She creates for herself, but when called upon to collaborate on a project, her eager curiosity for what might result is enthusiastic and ever-promising. About her style and self-expression she states “When I have created a joyfulness and vibrancy in the work, I know I ahve created an experience I wish to share.”

When asked…

1. How/when/why did you start your abstract technique of layering colors and textures?

Forbes has always been drawn to color as a means of her personal expression, once she “experimented with acrylic materials that would hold a texture and  started playing with those using combs and rubber spatulas and sticks to mark in the materials” she was hooked.  “Metallic and interference paints call to me — so I began to combine the over the textured backgrounds, and  then discovered that with acrylic one could imbed paper.  It was really experimentation and discovery of what these amazing materials could do…”

2. What is the most satisfying aspect of your art  for you personally?

The element of surprise is what gets Forbes excited! “When something comes together almost unexpectedly and I wonder how I did that — it’s always a search for the right combination of elements, colors, textures, feelings.”  When they all come together she experiences great satisfaction.  “It’s like turning over pieces to see what fits. Sometimes I have to turn over a lot of pieces to get the right combination — sometimes wondering whether to continue.  Seems like it is always worth continuing the work to a happy conclusion.”

3. Why do you enjoy commissions to create specific pieces for interiors/patrons?

Forbes expresses genuine gratitude for her patrons. “I feel honored and appreciated when someone likes and appreciates my work and invites me to do something special for their home or office space.”  

4. What pleases/satisfies you about this custom commission process?

The process of working together with  her patrons is positive creative challenge. “I enjoy the collaborative aspect and going through the process with a client or designer and receiving their feedback as the work progresses.”

The satisfaction for a designer in partnering with an artist is designing and realizing a vision to complete a space. Bringing visions to reality.  I often say that my team provides tremendous support in making my dreams come true. From artists and craftspeople to seamstresses and all manner of contractors, it is truly a team effort to achieve great results!

“COLOR IT FABULOUS” – A Color Game to Play and Learn!

After last week’s Color of the Year observations, I furthered the subject regarding the importance, influence and value of colors.

I don’t know the science behind how individual’s eyes perceive and translate color… rods and cones and the anatomy of the eye as it speaks to the brain…but what I do know is that COLOR and the context of COLOR MATTERS even if it is not perceived exactly the same by everyone. 

My parents were coincidentally both apt to notice, remark about and describe color specifically.  To them, and ultimately to me, colors were something to regard and absorb, for better or for worse, and all colors deserved acknowledgement and specification. 

I distinctly remember their descriptions, “Parrot Green, Sapphire Blue, Lemon Yellow, Fire Engine Red and Brown as a berry” – a compliment which indicated that you had tanned sufficiently! I think it was a result of our island home-away-from-home that prompted many of these titles. We, for sure, had no parrots making their presence known in Virginia! But for some reason, colors in the islands prompted unusual appreciation and scrutiny. This parrot green was like grass green but a bit more intense – saturated – not a dark green and certainly not a spring green – just a brilliant, clear, secondary green! The result of true, primary blue and yellow mated to make GREEN!

Color is a communication tool to convey – color. But what color? What type of color? What specific color? Is your version of a color the same as mine? Do we “read” color the same way? Do we express the description of color the same way? How might you explain a color to a person who is blind?

I’m writing this today from the tropics and it seems worthy to note that colors are abundant here in brilliant evidence through all seasons. Whereas in a decidedly changing seasonal and climate, colors come alive in spring, progress through changes and pretty much crash for the dormant winter months. Contrarily, the topics meld their rainbow of blooming floribunda, bounty of fruits and palette of these brilliant colors year round. 

Maybe it is because we straddled both worlds. The lush, verdant, colorfully blooming and always reliable tropics countered by the decidedly and distinctly changing seasons through dormancy in the northern climes. There must be an appreciation for the change. The lovely, yet possibly monotonous climates that produce blooming color all year round might dull the senses to the seasonal reemergence and staggering beauty of new growth and blooming abundance and mute the verbal expression and appreciation thereof. 

For example, my color antenna is always up and running. As I struggled with my pair of carry-on luggage monstrosities clearly in excess of 75 pounds (good thing there is only a size and not a weight limit!!), I came upon 2 art pieces in the Houston Hobby airport. The colors beckoned me. Although I had noticed them in swift passing, I couldn’t help wanting to see more. So I stopped and dashed back, disassembled my cumbersome haul and quickly took photos of these two paintings on exhibit, in the concourse, in order that I could enjoy them a bit later. Initially attracted by the color, they arrested me allowing and inviting an opportunity for  further examination of their subject matter and detail later, when I had the luxury of time. 


The wildly organic plant life, featuring an animated orchid that tangled and writhed on the painting’s surface in a variety of verdant green’s set against a perfectly selected fiery orange table surface, was brilliantly alluring and seemed to set the stage as a  precursor to my soon-to-be-destination in tropical Mexico.  ARTIST: Lucas Johnson Still Life with Schomburgkia

A bit further down the corridor of the concourse another piece caught my attention. Similarly with its colorful invitation, but with entirely  different subject matter which upon closer inspection was quite intriguing, a patchwork quilt of batik fabrics and collage with applied letters beckoning the viewer to wonder what might be beneath was magic. The woman or child and beloved pet in the center of the action nestled under a cozy and colorful quilt, wrapped in a cloak of starry darkness which might suggest clinging to each other against the foreboding imaginings of the night.


The intense collection of the brilliant colors contrasting against black was dramatic, mystic and inescapable in this powerful piece, It Helps to Think We’re Sleeping Underneath the Same Big Sky by artist Joo Young Choi.

Watercolor artist extraordinaire, Susan Weeks,  captured this crate of mangos at an exotic market somewhere very south of here. Peru? Ecuador? I don’t remember. Susan gets around. And, Susan sees color and detail and renders it with remarkably exacting precision. 

As I greet the day, I’m taking my stash of mangoes out onto the balcony to be seen and photographed in context.  Reminded of how Susan rendered this succulent sweet fruit, with the delightfully “hairy pit” (nods to Tricia), I celebrate this colorful collection of nature in a sensational setting! These gorgeous tones of warm golden yellow, baby iguana green and yes, 2019’s rosy warm coral (Pantone’s “Living Coral”) are nature’s color scheme. The orbs are sensuous and the colors are excitingly bright and luscious. 

Mango colors of rosy coral and warm, golden yellow are paired in this arched interior entry.

Here a similar scheme featuring one of our favorite Company C rugs illustrates the bold, effective power of color selection.

Try this exercise with color. I have no idea what your eyes see and your brain translates, but walk around and look at things in your world. Notice color. Notice individual items…book bindings to fresh fruit. Evaluate each color’s effect. Does it evoke any emotion…good or bad? If you wanted a painter to paint a wall that color and you didn’t have the paint selected, how would you describe that color in an attempt to get it on the wall as you desired?

In a more thorough test, you might be prepared with actual paint – like tubes of acrylic from the craft store. Get a print-out of a color wheel to illustrate the primary, secondary and tertiary colors. https://bit.ly/2SVKUMg Buy red, blue, yellow and white and use them to attempt to create the color being described. This could be a party game – but you would need to also have paint chips from the home improvement store or paint store to use as the prompts that would have to be described and used to match the success or failure of the person attempting to create the color.

Noticing color brings appreciation to the details and nuances of our color-filled world.  The little exercise/game, to try to convey a color to another person based upon similar life experiences and references, is interesting.  Please share your thoughts and experiences, dilemmas and frustrations with this project through the blog’s email.

I hope this encourages you to go forth with a new-found appreciation of color and how it adds layers of depth and interest to all that you see. Examine the natural world, or man-made creations in film, set-design, architecture, graphic advertisements, fashion design or interior design. See why color matters!

Designing is like Cooking…

Designing is like cooking – I guess cooking is a form of design. Yes, it certainly is. Whether it is graphic design, fashion design, architecture, musical composition, poetry, landscape or interior design – artists of all media – the art of creating, designing, composing, it is all about the right ingredients in the right amount to balance the scene. Proportion.

Even though I will be focusing on interior design, the”scene” could be the sheet music, the canvas, the poet’s screen or paper…the “scene” is the window that frames/encompasses the finished product. To compare these artistic endeavors, to the art of cooking, is so obvious to me.

Everyone must cook something. Whether it is merely heating up beanie weenies, with a sliced dill pickle tossed in, chased with a gin on the rocks, it is a composition that must result in a tasty scene – for someone. Having said that, we must also note that “beauty is in the eye of the beholder.”  The more successful compositions appeal to a greater number of aficionados.  

To cook, one must combine the right ingredients, in the right proportions, to combine to result in the best finished product. When I design, as with cooking, it is often “create as you go”…it is important to add an element and taste…re-think…evaluate…

Assembling ingredients and considering the balance of them in the finished product. 

At a glance, the significant distinctions between cooking and interior design is that in cooking, the finished product might be gorgeous, but taste terrible. Interior design is all visual – on the surface…or so you might think…until you evaluate function. A beautiful cake needs to taste as good as it looks. An interior must function as well as it looks.  Both are dependent on the subliminal factors that result in a truly successful finish product.

Successful is also in the eye of the beholder…25+ years ago my mother and I went shopping for a leather sofa. She, at 5′ 3″, was a bit on the “vertically challenged” side of the ergonomic spectrum. Therefore, actually sitting in the contenders was important so that her feet comfortably rested on the floor and her back against the back – no propping up with throw pillows to make the fit. So we searched and sat and searched and sat until one day, like Goldilocks, we found one that was “just right.”  

A few weeks later, having waited anxiously for this perfect sofa to arrive, Mom excitedly called me and said “they’re delivering my sofa today!” I told her I would be by after work to see it. But before I could finish my day and see this long-awaited focal piece, she called again exclaiming “It’s the wrong sofa!” To which I replied “hang on – I’ll be right there.”

Sure enough, I watched her as she sat on her beautiful new leather sofa and looked like Lily Tomlin doing Edith Ann! Her legs shot straight out and even with a scoot forward, her feet dangled in mid-air. We knew something was wrong. It looked like the right sofa, but we didn’t have the intended dimensions of what we ordered. So all we could do was go back to the showroom and hope the sofa that we thought we had ordered was still on the floor and go from there…

With great relief, we found the showroom model…Mom crossed the room and took a seat. A very comfortable seat. Everything fit just right. So what was with the sofa that was delivered earlier today? As it turned out, it was the right sofa, only hers was brand new. The one on the floor had been sat upon for months and by a thousand fannies…the answer was simple prompted by a simple question. Would they exchange the brand new cushion filling for the broken down stuffing that was in the floor model? And with that – voila! Her new sofa was modified to be the perfect fit – old, broken-down cushions and all!!!!! She still sits comfortably on that sofa today.  Function. The outside looked great – the ingredients were a bit off. Ingredients make the difference.

I used this example with a client recently when she had a chair reupholstered. Per her request, the stuffing was not changed – but the upholsterer thought that the collapsed appearance was not good and would reflect a lack of attention on his part. So he plumped and made more firm the stuffing inside his new, tighter envelopes.  She was not pleased and thought all was lost. I assured her that it was an easy fix and asked that it be redone. He is in the process of modifying the fill to accomplish the comfort she remembers. The chair looks great – but the ingredients/details are not creating the function that would make it a truly successful design.

As a designer, we often (especially in bidding environments) are faced with “or equal” substitutions to our design selections. The specifications have to be within a certain tolerance, but the results can radically change the complexion, success, look and effectiveness of the design. Imagine how this could affect a recipe?  Well,sometimes great new recipes come from unintentional substitutions….take these cookies I baked last weekend.


Barbara Bush’s popular Cowboy Cookies – unplanned, I had a wild hair to bake cookies. I can count on one hand how often that has happened in the last 20 years!! So having had these fabulous cookies recently (thanks Feath), I rummaged through the pantry for the ingredients. Well, I had wholewheat flour, not all purpose, I had a few butterscotch morsels and a few more white chocolate chips. I had no chocolate chips nor coconut. I had steel cut oats not rolled oats. Too lazy to run to the store, I thought that the worst that could happen was that my cookies would be terrible and I would have wasted the ingredients and a couple hours of time…However, I am pleased to report that they are wonderful and resulted in a new oatmeal cookie worth sharing. Substitutions can work, but the harmony of ingredients is the key.

Another issue that can challenge a good design is when there are too many chefs in the kitchen. The ingredients can become imbalanced and substitutions can be made that alter if not spoil the intended results. In some projects, the”lead” shifts. The contractor, subs, and owner can all insert changes that alter the design. This usually occurs without regard for the design as a whole. Each person has their field of vision, their focus of expertise or special interest.  Sweet, salty, acidic…each has its place – balance. A disregard for any of the ingredients, poor substitutions or imbalanced quantities – will alter the results.

Yin and Yang – the balance of our known universe – is all at the root of the balance of good design. Balance and the relationships of scale (which are also forms of balance). Rough/Smooth, Shiny/Dull, Dark/Light, Soft/Hard are all ingredients of good design. The balance of these are the equation of successful solutions. And this doesn’t even include the magic of color its balance and compliments.

Many people are good cooks. They have an innate sense of what works. Many people have an innate sense of good design. They often take it for granted. They might not be able to articulate it – but they can create it, they know it when they see it and they employ the rules of balance whether they realize it or not. In both of these cases, theses innately talented people often need reinforcement or encouragement – validation  – affirmation.

From dinner guests to friends coming over to see the new furniture arrangement, talented cooks and decorators can get the job done – as with all professional chefs and designers – with the support and contribution of the talents around them.

Urban “Pieced Work” – an artistic narrative

We are excited to have the opportunity to bring a design installation(s) into a new project that will serve to support the brand with a twist. A nearly completed new smokehouse is coming to Albuquerque. This home-grown eatery blends family history and southern roots with southwestern barbecue flavors including indigenous  wood and iconic chile blends. But this is not about their cooking profile. It is about how we have arrived at a design theme that will define and further the identity in this new, specialized smokehouse department of this larger local brand.

To accomplish this task, we examined the concept the owner had  to remodel an existing facility that had been a popular gathering post serving this community for decades. The fringe barrio location was of a demographic primarily comprised of Mexican/Americans. Decades past it was home to a heavily black community. The fabric of these cultural combinations suggested a mosaic of color and vibrant heritages.

The spark of cultural references lead to discussion of the popular artistic expression of urban mural painting.

 

When we began the dialogue, the decision to have a mural painted by local neighborhood kids, with a mentor to design and supervise the work,  seemed to be the direction we were headed. After subject matter debate and development, I veered off on another tangent that might take a less subjective approach, be weather-proof and more durable for a patio location – mosaic.

This new more impervious and durable medium still offered the opportunity to engage the community, but with less focus on a specific subject and more about geometric color and texture. We discussed the details of installation so as to keep it simple for kids to participate using whole tiles – minimize cutting, if any, for starters.

Inspiration came from several other installations such as the Albuquerque Convention Center’s on-going mosaic mural project wrapping many sections of the buildings with intricate scenes of New Mexican lifestyle and cultural diversity. The colorful mosaic is an elegant and sophisticated contribution to our city’s cultural aesthetic.

Helen Atkins, manager of consignment art at PATRICIAN DESIGN’s downtown boutique gallery and the lead on their current restaurant mural project, has worked on several phases of the Convention Center’s mural project.

We have incorporated mosaic into several of our own design projects such as last week’s blog https://patriciandesign.com/trust-and-custom-designs/about a residential kitchen installation.

Here, in another installation, a fireplace surround of mosaic adds movement, color and textural interest to the room.

Ultimately, one of Helen Atkin’s personal photographs cemented the approach. It was decided that a geometry of different sizes and disparate glazes and designs of tiles pieced together in a colorful, textural  panel would be our design theme.

Helen Atkins, a recognized artist in many media, captured this in passing while visiting New Zealand. It’s crisp, yet irregular composition was intriguing and pleasing. It became the springboard for the concept for a geometric mosaic panel to anchor the theme of this new New Mexico eating establishment.

The idea became more exciting as we began gathering material from local tile distributors and our own personal inventories of favorite treasures saved for a special project. Here it was.  It seemed such a strong design element and therefore offered a new direction for the actual brand of this establishment. We embraced the idea and brought it into the interior and distributed murals throughout the space.

Still under construction, we will not divulge the identity or locations of this project just yet. But suffice it to say, the murals are an exciting part of this interior design scheme.

As we further discussed the plans to implement this project, school started and the ease of coordinating the assistance of neighborhood kids became more difficult. Helen lead the project as primary installer, coordinator and supervisor. She enlisted the assistance of a couple of people – one experienced and the other not at all.

We have named this series, Urban Pieced Work – an artistic narrative. Here we are interpreting generations old sewing patchwork using ceramic, glass and pottery pieces rather than the traditional fabric patches. The original folk art needlework has been in the American vernacular for ages.  In these installations, this up-cycled  use of discarded or discontinued tiles is similar to patchwork fabrics, re-purposed to make clothing, wall decor, window treatments and bed dressing when times were tough – often referred to as “pieced work.”

My paternal grandmother in New Mexico made this twin quilt for my bed when I was a child in Virginia.

 

My same grandmother made this and was given to me by my cousin, her only other granddaughter.

Mosaic is often, like fabric patchwork, a practical art form that puts scrap, shards and fragments to good use in an artistic fashion. Note though that more sophisticated mosaics have been designed more intentionally for centuries not merely as salvaged material. These masterpieces both in contemporary work and antiquities represent many periods in history and movements in artistic expression.

 

This mosaic version connects with the history of the restaurant’s roots and southern heritage. The panels’ mural nature speaks to the urban murals found throughout the community.

Located strategically throughout the interior, these murals have become a strong design element and anchor for this facet of the brand.

 

Another shot of the spectacular cultural story murals at the Albuquerque Convention Center.

We have woven a meaningful artistic statement throughout the interior and also on the exterior of the building. In addition, we will be inserting a graphic version into the signage and logo design.

 

Urban Pieced Work – an artistic narrative, of a New Mexican Smokehouse, will provide pleasing design visuals throughout this new interior, provoke conversation and interaction, weave an element of history and context with the southern roots of this exciting new eatery!

Join the conversation and watch for the first succulent flavors to come out of the smokers later this year.