Rejuvenate and Expand Your Interior Spaces by Opening Walls

In past blogs Patti Says a lot about selecting paint colors. Pondering paint colors and the elusive nature of selecting just the right color. https://patriciandesign.com/5677-2/

Walls surround your world. Walls encapsulate and enclose your personal spaces. They can also frame your world and dramatize a focal point. They add effective dimension when punctured.

A current study we have in front of us is about those specific things. Walls – opening them, their color and the context of the color decision. Months ago we examined a wall in a kitchen soon to be remodeled. Re-painting it was the most obvious and least complicated of the options. We also looked at creating a dimensional recess to house art or an accent color or something to take the curse off of its up-close, massive, solidness. It was like the 10,000 pound elephant in the room!

The wall encapsulated close quarters. It divided the space between the kitchen and the parallel hallway.

What we were looking to change was atmosphere. This involved improving the dated and worn cabinets and counter-tops, updating the lighting, enhancing the back-splash and  addressing the closed, isolated feeling of the room.

Smoke and mirrors might be the answer. Like a magician appearing and disappearing behind a veil/dimension of smoke –  or when the physical space is not negotiable, mirrors will give the illusion of added space. They are VERY effective tools, but neither was the right solution for this room’s current condition. Yet, we knew we needed dimension, depth and something to help expand the space.

Hmmm…the window over the sink offered an exciting option to open out to the patio. We did that – save that for another story. However, this large elephant of a wall was still so confining.

Sometimes small spaces can be  cozy. Some people prefer tight spaces while others find them to be claustrophobic. This was not exactly claustrophobia instilling, yet it certainly spoke to all of us as an imposing, confining factor that needed attention.

After discussing all the colors and recessed options someone has the brilliant idea to ask – “What about removing the wall?” That seemed a bit radical considering that it only opened to the hallway and it served a purpose of defining the access to the kitchen and opposite bedroom quarters. To open it entirely might have given an orientation to the kitchen that suggested that the island seats be positioned facing that point-of-arrival. Hence looking directly into the far hallway wall.  That was not the desire. Rather, we decided to cut a large opening in the wall exposing the far hallway wall while maintaining the orientation of the kitchen toward the outdoors and island seats facing into the kitchen not out into the hall. It worked!

The space was instantly enlarged. Opening the space onto the patio and this opposing generous puncture of the Great Wall of Kitchen changed everything! The light borrowed from the skylights in the hallway was significant and the sensation of enlarging the space was undeniable. Except the footprint had not changed.

The physical feeling of a space is what counts. It was proven here that it wasn’t about enlarging the space but feeling like it was enlarged.  Like mirrors, the illusion of space is so important. But, unlike mirrors this space was physically opened creating the sensation of enlarging the space by adding actual dimensional reality . The benefits were immediate. It actually conveyed a palpable feeling of relaxation. It was freeing and created an entirely new experience of enjoyment.

 

A passing idea for a stenciled surround was entertained…

Tight spaces give some people comfort. Contrarily, open spaces give comfort to others.  Personal reactions to space, color, texture, temperature all  enter into the equation of good design. What tasks are being performed also play a part in determining what solutions are best.

This dark, isolated kitchen benefited from changing the cabinets to a white traditional raised panel style detailed with crown molding which added a refreshingly light element.  The house was a decades old vintage bungalow and had been dealt a disservice to have had the kitchen remodeled years ago in a not-so-sensitive, style-of-the-day fashion. But, in addition to the more traditional timeless approach to the design, opening the space resulted in additional natural light borrowed from the hall’s skylight and an enlarged interior over-the-sink window brought more coming in from the patio. Now colors…

 

So we know that picking colors is contextual.. .what’s in and around the room are all part of the equation. Any walls that are seen beyond (through doorways, around corners) contribute to the layering of colors and therefore, participate as well. The floors are multi-colored mottled slate. The tile chosen to enhance the backsplash and also serve as wall-covering was a blue and white Talavera accented with a soft aqua mosaic. The ceiling mimicked the floor as the beams were a smoky grey with caramel-color stained knotty pine boards between – we embraced these existing design features as their unselfconscious non-trendy nature suggested a more grounded, permanent place – one with organic finishes that might have resulted from local availability sourcing and craft – and probably did all those decades ago.  See what Patti Says in another blog about this very project: https://patriciandesign.com/trust-and-custom-designs/

The fact that all of these elements contribute to the equation, for deciding a color, is key to our study today.  After discussing the options for treating this newly opened wall, we found ourselves doing the paint sample potpourri on the walls!

Taking cues from the aqua accent mosaic which was derived from those tones found in the slate floor, we directed the color choices toward smoky aquas and grey blue tones.

Sometimes white is actually a color, rather than the absence of color. The wall was currently frosted with smooth crisp drywall mud as an aftermath to the demolition and framing of the new opening. The stark white was clean and fresh. Like matting around a painting – this might just be the way to go.

And at this point, we must introduce the idea that was also in the works and that was to have a painting commissioned that would POP through the opening providing a spectacular backdrop to the kitchen and dress the dimensional contribution that the opening into the far wall of the hall presented.

We knew that yellow was a great color POP for this cool kitchen pallet. A recurring bowl of lemons kept proving that to be true. Lemons became the fresh, culinary subject that seemed to be the perfect fit. So we enlisted our master muralist Federico Leon de la Vega to meet the challenge. Armed with the blue and white scheme and the accents of aqua he created a miniature to test the concept.

Isolating the image and framing it is always an important component in the formatting of scene. Whether to spotlight a sculpture on a pedestal, or properly and effectively matting a painting in a frame, this aura is important to highlight art. The same became true as we considered the painting being “framed” by this opening. The wall itself became the mat.  So to get an idea of what this might look like, a quick digital manipulation did the trick.

The final decision seems to be that we will keep the wall with the opening white, as though a matting around a painting, while painting the perpendicular wall a smoky aqua. Another opportunity for layering these two colors occurs when the smoky aqua wall is layered over a receding laundry room wall soon to also be painted white.

Watch for the completion of this wonderfully unique little kitchen to be unveiled with all the dramatic before and afters!  Meanwhile, look around your interior and see if opening a wall might be an option to expanding your sense of space. The transformation can be rejuvenating!

What’s YOUR Favorite Color? A Little Project for Fun!

Pick a color. What’s your fav? Do you HAVE a favorite color? I was asked the other day that very question and I was really at a loss…I looked at her, furrowed my brow and cocked my head.  I wanted to have an answer – a simple answer that stated a definitive preference for a color – my most favorite. Rather than producing a quick sure pick, I faltered as she stepped in and said – I’ll bet it’s purple!

Well, actually I can definitively say that purple is NOT my favorite color, but the funny thing is I can love purple, in certain context. The real answer is that I love nearly any color in a certain context.

When I ponder the question a bit more, I can assertively say bright pinks, cornflower blues, golden yellows, chartreuse and brilliant orange. But the truth is, I love so many colors that I am hard-pressed to select just one! It sounds like a Lilly Pulitzer color board.

So I thought of a little exercise. I decided to pick a color at random. Then overwhelmed with the myriad colors that might produce one random pick, I fine-tuned random and said to myself, perhaps a color of the season. To me that was currently and boldly orange. So the idea was that I would walk in and around my house today and capture things that were orange.

This screaming orange hibiscus just came in from the patio to escape the chilling temperatures that have swept down in the last couple of days…happy to transition indoors for the winter!

Try it. Pick a color – not necessarily your favorite – but certainly one you like and walk inside and outside of your house and see how many examples you can find, of that color, in your immediate world. Photograph things that have that color – all or in part, even little details – anyplace that color occurs.  It’s fun and very interesting to see what you discover!!

Autumn is loaded with vibrant colors, but orange is one of the most fiery.

So I selected orange as my color today. I dashed around the house and collected a variety of things that were orange. I was actually astonished at how many I discovered.

This dramatic Hopi – influenced kachina by Gregory Lomayesva sports stylized antlers in a flat but brilliant orange.

Festive ceramics by Ann Marie Werner Smith – here a graceful orange bowl that sits on the counter…it pops against the contrasting granite.

It is interesting because I know my world is not heavily orange, but I found so many wonderful splashes of it throughout my interior and even startling exterior, in the way of the leaves on the Bradford Pear tree.

From fresh mini pumpkins and flowers…

A succulent orange flowering Kalanchoe is our seasonal centerpiece on the kitchen table.

A variegated Croton plant has lacy veining of bright orange, pink and yellow contrasted against it dark green background.

to artwork with swaths of orange streaking through them.

A lovely little oil painting by Jeff Otis depicts a very autumnal New Mexico river scene.

At the last minute, while waiting in the Bejing airport, I found this precious little painting of birds and berries. The background is a vibrant orange. Notice the fresh blues adjacent to the orange. This is a detail of the much larger piece.

Peggy Zuris really knew color. Her bold and confident brush strokes applied in luscious swaths placed adjacent colors perfectly juxtaposed creating uplifting renditions of daily life. This little chicken is a detail of a fanciful rural scene.

The balance of color was so interesting. Where I found orange, I nearly always found blue – unless it was a stand-alone like the glass bowl of oranges – or my coral necklace with its nuggets of bright orange coral.

Fresh oranges with their intricately textured rinds fill a glass bowl on the kitchen counter.

Nuggets of coral look like candy corn tightly beaded on this delicious necklace I wore too Santa Fe today!!

Colors balance and contrast.

Even the coasters that attracted my attention last weekend at a bar. I was so taken by them that I brought them home and had them sitting on the kitchen counter. They were intriguing and offered interest and visual stimulation to my graphic art sensibilities.

I began this story earlier today, then took a break and tootled up to Santa Fe where I came across a couple more bright orange pieces…

And on the way home, I was even blinded by an orange fireball glowing beneath the stormy sky silhouetting the dark mesas and glistening off the wet pavement. It’s intense heat contrasting with the cold, damp asphalt that was a result of our first seasonal snow seen here spitting at the windshield.

Gather your collection of photos of your color today. Ponder how they and the color make you feel. Do you get joy from the color and the things you have discovered? Was this not your thought-to-be favorite color and if not, might it be one of them? How do YOU answer the question, what is your favorite color and having determined that, ask yourself:  Do I wear it a lot? Would I paint my walls that color? Do I have upholstery that color? When is a favorite color an accent? Is the joy in the little spots of punctuation? Are they intense, but small, elements of joy without over-doing it? I see a collection of abstract images, details of things – some of which can be cropped more – to create an abstract collage of wall art. Voila!

Color – an amazing facet of design and it’s most versatile component. It’s been a fun test and a compelling story. So what’s YOUR favorite color?

Patience and Reward for Design Processes

Patience. Good design requires patience. Do you have it? The design process can either take the route of “all planned before anything starts” (everything drawn and detailed, all finishes selected, all fixtures and furnishings, fabrics and accessories decided and specified, for perfect inclusion into the design) or the process of “design-as-you-go”. The “all planned” design process allows for exact pricing and budget planning. But if the process takes too long, some of the things specified might no longer be available – that has happened more than once! The other “design-as-you-go process” is more random.  There can be and often is a combination of these two approaches, but the second requires more patience and less precisely scheduled time.

The luxury  of  time, experimentation, trial and error, wait and see, what if, all are elements of the “design-as-you-go” process. It is decidedly the more fun and more participatory process. It starts and evolves before your very eyes, with the in-the-field options, to change, modify, massage, delete, add, think and re-think, all available while the action takes place, it is like creating an art piece one stroke at a time. Artistic expression rarely progresses in a straight line.

All of the above can be said of the pre-planning process too. You can illustrate, render, draft, erase, alter and change all the while – but you are doing it prior to commitment, prior to actually  seeing the actual design unfold in real time.

Changes and additions can arrest the process – whether in pre-construction planning or live-in-the-field. However, live-in-the-field is much more int-eruptive and possibly costly. Changes and additions can cause scheduling delays which can domino throughout the otherwise planned program. This can result in not only cost considerations, but disarray and a prolonged inability to use the space.

As I visited one of two parallel kitchen remodels nearing completion  that I have previously mentioned, the owner mused “It’s a painful process.” But as we stand there enjoying the transformation he continues “It is almost hard to remember all the phases we’ve been through to get here. Kind of like childbirth.” We laughed at the fact that the world would be filled with “only children” as no mother in their right mind would go through that pain again!! He and I both never having experienced it for ourselves – yet, “they say” that it’s true. All very much worth it in the end!!!  The ultimate reward!

This BEFORE shot of this kitchen shows dated, anemic face-framed radius flat panel cabinets, granite tile counter-tops and back-splash.

 

Not quite finished, cabinet pulls are being installed, final painting details are underway and the transformation is being unveiled. New cabinet doors add a classic raised panel detail painted white, with new concrete-like engineered Italian counter-tops, and striking Talavera tile back-splash punctuated with mini mosaic Spanish tile accents. A new window opens to the outside patio with the counter-top passing through and the window closing directly on the top.

Residential design – those private, personal spaces always involve knitted brows, vacillation, additional worry and more indecision than commercial designs. Not to say that commercial designs don’t involve interested parties, if not actual owners, the investment in the personal pocketbook and  personal emotion is not the same. Furthermore, there are greater personal thrills and disappointments in the residential projects.

Well, back to patience. It’s a virtue and I often struggle to practice it. I tend to be overly eager for instant gratification.  But patience is very important when creating something of value and timeless appeal.

Design takes patience during the various stages of design details. We are not talking about building a rocket ship – but imagine the design and engineering required for that!. Let’s just talk about something simple, like custom drapery rods. The client thinks – fast and easy. While on vacay they experience a lovely accommodation that features hand-forged drapery  rods. “Cool” they say. Filing that away among their thoughts of interesting interior details. A couple of weeks later, they are in front of an art booth and meet an iron-worker who offers all manner of custom iron work. So they recall the cool drapery rods and inquire as to whether he would do something like they described. “Sure,” he sings and whips out his portfolio of photos among which are very cool twisted iron drapery rods with swirly finials adorning the ends. They’re sold! They invite him over to see their windows and get started. At this point, their interior designer knows nothing of this idea or the contact and engagement.

Remember, they are thinking fast and easy. So they expose their idea and plan that is already underway asking their interior designer on advice for drapery fabric.  With this opening, the designer asks about the rods. Come to find, they aren’t sure how far past the windows they have been measured to go, they haven’t considered that the 5/8″ solid stock might want to sag after a while spanning 8 feet and they have no idea how they are going to hang the draperies…”Oh” we need rings?  So it seems that the conversation with the iron-worker has been rather cursory. Questions that needed to be asked and answered at the outset had not been thoroughly considered.

Fortunately, these details will now be addressed, issues solved and finished product all as it should be with proper extension past the actual window opening, matching rings to the iron rods, and a stout enough rod so as not to require a center support – an element to be avoided if at all possible. Whew – caught that one before it was too late!! (Watch for the installation of the hand-forged rods and custom draperies in the next few weeks).

Paint colors often wait until other decisions are made. I have mentioned previously that we usually pick things that have fewer options. There are more paint colors than anything else in our design world with fewer fabrics and even fewer rugs. In that order, we might pick the rug first, fabrics to build upon it and paint colors to bring it all together. Not necessarily – but that is a pretty good example.

Starting with an existing hardwood floors well preserved by decades of wall-to-wall carpeting, we discussed the desire to create a colorfully transforming interior and opening of the space to better connect the kitchen with the living area.

 

As we met to hang artwork, discuss iron drapery rods, custom chandelier and finishing touches, the clients remarked that this was so exciting to be nearing the end of this dramatically colorful transformation that so nearly has transported them back to Guatemala where so many fond memories have been established over the years.

Well, back to patience. It’s a virtue and I often struggle to practice it. I tend to be overly eager for instant gratification.  But patience is very important when creating something of value and timeless appeal.  Go forth and design your dreams with all the patience to make them come true!

 

 

Adopt a Pet…Adopt a Piece of Home Decor

Are you drawn to pet adoption events? Do you wander over when you find the dog adoption people parked, out in the open, along the side of the road, in the corner of a parking lot or even at the pet stores themselves? I don’t. I avoid them like the plague. I know that given just one sweet look or mournful expression or happy eager wag, I would have a problem.

I rescued my Rockford about 30 years ago. He had been kept chained to a tree in a backyard with a choke collar that he had very much outgrown.

I absolutely cannot allow myself to be tempted knowing that my resistance would be weak and my resolve would be challenged. I don’t need a dog at this time in my busy, crazy  life. However, I would certainly go that route, if I were in the market.

Little Mini was passed from house to house until the fit was just right!

We all know that adopting a pet – dog or cat…or other…is such a wonderful gift – to them and to the lucky new owner! And I feel the same way about furniture and home decor. Yes, I see a direct correlation between “thrifting” and pet adoption. Funny?

Whether it is a early start on the garage sale circuit (not my bag, but very worthwhile) or estate sales (also not my thing as I get too emotional, about the family not wanting the treasures) or scouting consignment shops and thrift stores (less emotional because the context of the pieces are not so personal) it’s all about treasure hunting. It’s a growing trend for sure!

But like pet adoption, I see salvaging a previously owned piece, over buying new, just like giving a fresh start to a neglected, even forgotten, treasure. And, as you know, they say “One man’s trash is another man’s treasure.” and I so believe that statement! That same phrase could be said about your newly adopted pooch!  Your new “treasure.” As well as that fabulous hand carved chair – your new treasure!

Bring it home, get it cleaned up, play with it around the house and get it some new clothes – oh – am I talking about the new four legged family member or that awesome new chair??!! Interesting similarities are shared by the adopted pet and the adopted furniture find!

All dressed up and ready for a party!!!!

From Victorian through mid-century modern, reupholstering gives a fresh new outfit to that fabulous piece that has been left sporting a shabby suit.

Threadbare but still fabulous – what a great save!

See beyond the existing condition  – “You can’t tell a book by its cover.”  And you will see beyond the surface focusing on the lines, bones and details.

This Winged Victory of a sofa was ripe for re-purposing!

 

New suit and shoes and this was a great save!!!!!

Discovering great pieces is soulful. Eclecticism is interesting. Balance is better achieved when you have a mix of interesting things.  Buying all new is not as creative and can result in a monotonous look that is immediately dated. You’ll know what year THAT room ensemble was created!!!!! Furthermore, re-purposing, recycling, up-cycling trends provides an opportunity to employ the talents of the local upholsterers and refinishers – support local talent!

To a void that pitfall – be brave and seek your pieces. Assemble them with care and embrace unique things. If you love them – make them part of your world. Find potential and then enhance it. Context enhances. Mix new with old and give new life to old pieces. It will be a satisfying and rewarding experience.

What you see in a thrift shop is one thing – seeing beyond it to a new context that celebrates it and features it with other things you love is the personal magic that makes YOUR interior uniquely yours.

This tired but handsome piece came to us in need of a face lift!

 

Multiple fabrics add pizzazz! Find just the right fabrics and you have a custom masterpiece! And the lumbar pillow for this one is still on it’s way, for a third pattern providing even more interest!!!!!

Give new life to old pieces and it will be a rewarding experience. Then go out an adopt a dog!

 

 

 

 

Finishing Touches FINISH the Job!

Finishing touches are always the beast to tame at the end of the hunt. Yes, you’ve hunted, you’ve searched, you’ve gathered, you’ve assembled and stood back and observed your work. What’s needed? What’s missing? When is it finished?

Just the word finish sets up a mental block for many. It’s like decisions period. Once you make a decision, you’ve lost your choices. Losing choices can be a dilemma in itself!   So, from Pinterest to HGTV and the internet at your fingertips the choices and options are endless, but what do YOU want to do, to call it “done? It’s all in the details…

Schumacher  offers details right down to the trim on the draperies! This bold key design makes all the difference!

And inasmuch as you can’t seem to GET it done, you WANT it done – just can’t seem to get there from here. How do you decide what you need to add for those incomplete finishing touches – to be FINISHED?  Know though, that to have the feeling that it is finished is a good thing. Yet, that doesn’t mean you can’t change it – sooner or later!

We interior designers have jobs because our clients need to do things, change things, finish things. It seems that with all the options presented on TV and the internet, people are jumping in with inspired ideas, making decisions, buying things and doing things – then coming to a screeching halt! “HELP!” is the cry when everything seems to be too much – or not enough – or too uncertain and overwhelming – or not just right.

As if your own self-imposed frustrations and pressures are not enough, your partner rants…”Just finish it – will you? Be DONE with it!!!” Not everyone loves a DIY project. Most people don’t even like the disruption of a professional team coming in and tackling the job. Alas, “you have to break an egg to make an omelet,” some wise person once said.

Whether you’re changing paint colors for the third time in a month or tossing throw pillows around the room, to no satisfactory avail,  there’s something missing…something is not quite right…it’s not there yet.

Have you removed everything from the walls and lined them up waiting for inspiration as to how and where they should be placed and grouped – maybe re-framed?

What about a mirror to add depth? Is it an installed mirror – the illusion of space without calling attention to the mirror itself or should I hang a framed mirror that makes the statement in its entirety? Do I lean it against the wall or is that a trendy affectation?

Uttermost is one of our favorite sources!

Studied nonchalance is an art form.  How to achieve that intentionally unpretentiously naturally relaxed look is a challenge.  Just writing about it here is an effort in describing that which is supposed to be effortless!!!!

Perhaps it is a monotony of height. Do you need a tall piece among other lower elements in the room? Maybe a tree in the corner is the answer or a statue of some vertical art statement, to add interest and height. Perhaps you might consider hanging something, from the ceiling – a mobile or origami bird or even a light fixture, to draw the eye up from the otherwise low furniture pieces.

Robert Allen presents perfect fabrics for colorful pillow accents…and there’s that tall plant for height!

Speaking of light fixtures…how does your almost finished, but not quite there yet, room look at night? Are there dark pockets and corners that would benefit from some concealed up-lights – indirect lighting can be quite effective and enhance a spooky, dismal space.

LOVE this before & after! Check out John Cullen Lighting for some great ideas and inspiration!! https://www.johncullenlighting.com/

Spooky is the season and, with the holidays approaching, the need to get things finished before guests arrive or you leave to visit… or just the hectic nature of the baking,  gift-buying and wrapping, shipping and other communications aspects of the season are upon you – pressure you to want to get things finished!

Brunschwig and Fils by Kravet offers an amazing collection of prints – mix and match!!!

Have you consulted with a friend? Do they rise to the invitation of critiquing your present state of affairs and offer design ideas that further serve to confuse you? Better yet, ask two friends and get two different options for finishing your space and then what? Pick one and the other’s feelings are hurt that you didn’t take their advice – even if they are not aware that your decisions moving forward were offered by another friend.

From the rug (thank you Company C for your “Colorful Living!” to the table accessories and all the things, pieces, fabrics, details in-between – finishing touches FINISH the job!!!

A designer is a problem solver, a tie-breaker, a marriage counselor, a creative who extracts your needs and – evaluating all options – offers the best solutions to get your job finished!

Seasonal Shifts in Design – When Do YOU Make the Transitions Between Seasons?

I am often asked, “When should I make seasonal changes and how?” This can come from retailers debating their front window displays to individuals wondering when, to change the wreath on the front door and on into their interior decor, to reflect the seasons.

The answer is a combination of things. It’s personal – probably starting with where you live. And for me, it is more than just decorative accents, it’s food and drink and clothing for sure. Clothing though might have real, practical adjustments for temperature, but fashion design and seasonal changes are part of the fun!

So to kick-off fall, I shifted into my seasonal drinking modification  – dark drinks – moving from citrus embellishments to the delightful, succulent, marinated cherry at the bottom of a well crafted Manhattan. The perceived warmth of darker drinks is real for me. I would never select a Manhattan in the summer. But I must admit, a vodka martini with a twist is a 365 fall-back beverage for any festive situation.

The rich warmth of a well crafted Manhattan…

Clothing and the opportunity to make design statements that reflect the seasonal shift are also fun to embrace! Along with the Manhattan last Friday night, I transitioned into a felted wool tunic with a local artist’s hand-woven black chenille over-sized scarf. Still sleeveless – as the shift is still a bit of a struggle to let go of summer, it was a decidedly seasonal reality nod!

Truth be known, the wide expanse of floor to ceiling folding glass panel doors were wide open right behind us as we sat at the bar allowing a direct connection with the crowds gathered on the patio beneath the high-hat heaters. Truly a straddling of the seasonal shift – not quite ready to let go of al fresco dining???!!!

Seasonal shifts in weather will be a sure way to respond to a want to change decorative elements. And even being a bit pro-active can be a good thing – but when is too early – too early?

Most of us cringe when we hear Christmas music in October or see the merchandise out that early – combining Halloween costumes and candy corn with Christmas trees and all the ornaments. Awful!!!!!!

Across the country, we have experienced a delay in the autumnal shift this year. Summer kept clinging. Warm weather belied the calendar. But when the weather shifts…and the temperature drops…we want to hunker down and cozy up. Perhaps in addition to the decorative items, you might simmer cinnamon sticks on the stove or light candles with spicy scents. How about a hearty beef stew for dinner?

Here we are in mid-October and summer was here yesterday and gone today with the incoming storms, cool drizzle and cloudy skies.

I just got off the phone with Victoria up and over in Fairfield and she bemoaned the fact that last week she was attending classes in shorts and today she is bundled up in a Patagonia fleece jacket not wanting to leave her bed! The seasons have shifted like a slap in the face!

Color is a key element in expressing the seasons. Between summer and fall, golden yellows bridge the gap. Leaves on our red bud tree change from brilliant lime green of summer to brilliant lemon yellow as fall sets in…lime to lemon – a brilliant color statement!

From late summer sunflowers to early autumn chrysanthemums, the brilliant golden yellow satisfies the transition between seasons.

As fall proceeds, the darker tones of rust and caramels suggest the waning season…crunchy, dried leaves and final wisps of foliage going dormant for the winter.

I’m hanging my Black-eyed Susan wreath today out on the front door! I might even leap to the addition of a funky black cat that I have to welcome Halloween. But it has not been a gradual expression of acknowledging the change in seasons, it has been summer…bam – fall.

DIY – I made this and one for Mom a few years ago – they last. Get a grapevine wreath, select your favorite leaves, fruit and flowers, grab your glue gun and wire clippers – Voila!

What spurred this subject for this week’s blog was seeing my neighbor’s witch’s legs a few days ago sticking out from the elegant planter by her front door. I first thought – what a riot! Then I realized, it’s mid-October and I have yet to accept that!

I am very reluctant to release summer. I’m a warm weather one for sure. I cling to the last vestiges of sunlight as it tracks around out house…less evident, less accessible…shorter days…darker mornings and evenings… NO!!!!!!! I resist, but must succumb. There’s no escaping it. The seasons change and time marches on….The happy fuchsia and pink vinca in our front yard might not make it another day with night temperatures threatening to drop.

The happy pinks and greens of vinca out by the mailbox are about to get nipped!!!

Decorative accessories punctuate the landscape of autumnal interior design. From real pumpkins and gourds, squashes and mums, to their artificial counterparts made from many media. Glass and pottery, papier-mâché and straw-like wraps, silk flowers and faux fall leaves, the possibilities are endless.

This year some outstanding hand-built pottery figurines caught my eye. Artist Robyn Chlad of Tucson, Arizona has designed and created a collection of wonderful statuary luminarias that are an extraordinary design decree for this and all seasons! Kachina-like, these art-pieces make a fabulously functional statement!

This proud raven holds a berry in his beak!

At first I was attracted to their vertical shape and fine detailing. The characters had personality – rigid in their cylindrical forms, yet very animated of expression and fine features.

Chlad has depicted regional animals with a bit of folkloric whimsy (in the jackalope – half jack rabbit/half horned antelope) to  present a collection of irresistible characters to gather at your dining table, or greet you on your entry console, perk-up your powder room, collect on your cocktail table, grace your patio, or animate your kitchen!!! How fun are they?

A caped coyote – the masked bandit!

They each are pierced with designs, to allow the light to glow from inside, that depict the landscape or regional architecture in and around which these creatures roam. Illuminated by electrical lamps, battery bulbs, or candles, they are fantastic!

 

Functional art – these pottery luminarias are exciting art pieces to add a joyful glow to your shorter days and darker hours….

The raw terracotta clay contributes to their natural beauty and complimentary color with a fall palette.  It is a strong statement, yet the surfaces are smoothly burnished and have a soft read. The touches of matte glazes add just enough adornment enhancing the statues with soft earthen color accents.

 

Embrace the seasons and have fun selecting your personal design statements as you transform between seasons!!!

Urban “Pieced Work” – an artistic narrative

We are excited to have the opportunity to bring a design installation(s) into a new project that will serve to support the brand with a twist. A nearly completed new smokehouse is coming to Albuquerque. This home-grown eatery blends family history and southern roots with southwestern barbecue flavors including indigenous  wood and iconic chile blends. But this is not about their cooking profile. It is about how we have arrived at a design theme that will define and further the identity in this new, specialized smokehouse department of this larger local brand.

To accomplish this task, we examined the concept the owner had  to remodel an existing facility that had been a popular gathering post serving this community for decades. The fringe barrio location was of a demographic primarily comprised of Mexican/Americans. Decades past it was home to a heavily black community. The fabric of these cultural combinations suggested a mosaic of color and vibrant heritages.

The spark of cultural references lead to discussion of the popular artistic expression of urban mural painting.

 

When we began the dialogue, the decision to have a mural painted by local neighborhood kids, with a mentor to design and supervise the work,  seemed to be the direction we were headed. After subject matter debate and development, I veered off on another tangent that might take a less subjective approach, be weather-proof and more durable for a patio location – mosaic.

This new more impervious and durable medium still offered the opportunity to engage the community, but with less focus on a specific subject and more about geometric color and texture. We discussed the details of installation so as to keep it simple for kids to participate using whole tiles – minimize cutting, if any, for starters.

Inspiration came from several other installations such as the Albuquerque Convention Center’s on-going mosaic mural project wrapping many sections of the buildings with intricate scenes of New Mexican lifestyle and cultural diversity. The colorful mosaic is an elegant and sophisticated contribution to our city’s cultural aesthetic.

Helen Atkins, manager of consignment art at PATRICIAN DESIGN’s downtown boutique gallery and the lead on their current restaurant mural project, has worked on several phases of the Convention Center’s mural project.

We have incorporated mosaic into several of our own design projects such as last week’s blog https://patriciandesign.com/trust-and-custom-designs/about a residential kitchen installation.

Here, in another installation, a fireplace surround of mosaic adds movement, color and textural interest to the room.

Ultimately, one of Helen Atkin’s personal photographs cemented the approach. It was decided that a geometry of different sizes and disparate glazes and designs of tiles pieced together in a colorful, textural  panel would be our design theme.

Helen Atkins, a recognized artist in many media, captured this in passing while visiting New Zealand. It’s crisp, yet irregular composition was intriguing and pleasing. It became the springboard for the concept for a geometric mosaic panel to anchor the theme of this new New Mexico eating establishment.

The idea became more exciting as we began gathering material from local tile distributors and our own personal inventories of favorite treasures saved for a special project. Here it was.  It seemed such a strong design element and therefore offered a new direction for the actual brand of this establishment. We embraced the idea and brought it into the interior and distributed murals throughout the space.

Still under construction, we will not divulge the identity or locations of this project just yet. But suffice it to say, the murals are an exciting part of this interior design scheme.

As we further discussed the plans to implement this project, school started and the ease of coordinating the assistance of neighborhood kids became more difficult. Helen lead the project as primary installer, coordinator and supervisor. She enlisted the assistance of a couple of people – one experienced and the other not at all.

We have named this series, Urban Pieced Work – an artistic narrative. Here we are interpreting generations old sewing patchwork using ceramic, glass and pottery pieces rather than the traditional fabric patches. The original folk art needlework has been in the American vernacular for ages.  In these installations, this up-cycled  use of discarded or discontinued tiles is similar to patchwork fabrics, re-purposed to make clothing, wall decor, window treatments and bed dressing when times were tough – often referred to as “pieced work.”

My paternal grandmother in New Mexico made this twin quilt for my bed when I was a child in Virginia.

 

My same grandmother made this and was given to me by my cousin, her only other granddaughter.

Mosaic is often, like fabric patchwork, a practical art form that puts scrap, shards and fragments to good use in an artistic fashion. Note though that more sophisticated mosaics have been designed more intentionally for centuries not merely as salvaged material. These masterpieces both in contemporary work and antiquities represent many periods in history and movements in artistic expression.

 

This mosaic version connects with the history of the restaurant’s roots and southern heritage. The panels’ mural nature speaks to the urban murals found throughout the community.

Located strategically throughout the interior, these murals have become a strong design element and anchor for this facet of the brand.

 

Another shot of the spectacular cultural story murals at the Albuquerque Convention Center.

We have woven a meaningful artistic statement throughout the interior and also on the exterior of the building. In addition, we will be inserting a graphic version into the signage and logo design.

 

Urban Pieced Work – an artistic narrative, of a New Mexican Smokehouse, will provide pleasing design visuals throughout this new interior, provoke conversation and interaction, weave an element of history and context with the southern roots of this exciting new eatery!

Join the conversation and watch for the first succulent flavors to come out of the smokers later this year.

 

 

 

 

Trust and Custom Designs

Trust. When asking any kind of advice, you generally ask those you trust. That’s not to say that you might not question the advice. There is never only one way to accomplish something, therefore, advice can be as different as the number of advisers you ask!

From a design standpoint, to offer and create custom elements, it’s often the case that the client will say, “Can you show me an example of that?”  If something is new and different, created specifically in context and for this project, there IS no example. There might be similar things, or close approximations of the design – or not – but not the actual design. Trusting your designer to extract your wishes, taste, preferences and applicability to the space is key to creating something very special.

So, I can show examples of mixed pattern Talavera on a wall. I first did this in Tucson about 13 years ago to create a wallpaper-like full wall installation.

As I referenced this casita installation for my clients, while planning their kitchen remodel, I also came upon a restaurant in St. Louis this last spring that used a similar approach in an Italian theme…Talavera? Mexican? Italian? Oh well…another example I brought to the conversation.

For this new kitchen remodel project, we were working with existing conditions, the layout and the mottled green, rust, aqua, charcoal slate floor. All else was up for grabs. However, because I really feel strongly about context, I mentally gathered elements from other parts of the home and intentionally embraced the floor.

This fireplace was given a face lift last year to add the stone hearth and mantle with the decorative Talavera tile detailing.

I believe to abandon existing design themes reads like a designer show home – each room done by a different designer, without any cohesive design continuity. Pair the idea to make an effort to lace the rooms together, with the effort to adopt certain fixed materials and you have compelling diagram of creative remodeling guidelines.

When it is either not practical to replace an existing design element or when the existence of the that design element makes for an un-self conscious part of the composition, it can be priceless.  The slate floor was of smaller 12″ format tiles than might be more popular today, but it’s unusual color and very organic feel was worth the challenge. Turning a questionable design element into an asset is success!

 

 

Once the flooring was determined to be key in the new design, extracting features (specifically colors) from it became the next task. We had already discussed bringing the blue and white Talavera in from the living room, but my client was not feeling the joy of pairing it with this wildly mottled slate floor.

To meld the design elements together, I selected a concrete-like engineered countertop (which came in two colors both of which were seen in the mottled slate – and provides fodder for a future story). This provided a solid anchor for the design between the mottled floor and the multi-patterned Talavera.

But what might be the one more thing to make this design be even more unique and more cohesive? I set forth to find the impossible, an aqua, handmade tile that would complement the Talavera in the light irregularity and “hecho a mano” feel.

The perfect handmade aqua tile from Spain (photo reads more blue) from DAL tile was the perfect accent.

The absolutely ideal accent appeared unexpectedly as I thought I would be searching farther and wider for this perfect piece. By cutting it into 1″ pieces we would have the artistic accent woven through the patchwork of Talavera, thereby inserting the aqua and adding interest and unexpected detail.

By not planning a symmetrical grid of the accent mosaics, but by creating random lines the unexpected quality of the installation continues.

At this stage, the grout could be grey or white – specifically off white (of which there are many). Opting for the white, to allow the tile to read in its patchwork pattern, without added confusion with a grid of grout competing for attention. We then made a last minute switch on the white grout to a creamier one after seeing the many colors of off-white Talavera up on the wall – leaning more creamy than merely off-white. Could I have shown an example of this design scheme? No, this was created specifically for this project, this client and the space that deserves such attention to detail.

We’re not finished yet. Watch for this transformation to be unveiled in coming weeks complete with before and afters!

Entrepreneurs! Getting Started with Design!

Starting out with your first brick and mortar business, the tasks are many. After homing in on your business specifics, selecting a name, designing a logo, deciding colors…you have your license and your business plan, you’ve found a place and then you need to present your business to the world!

A few weeks ago, we began a new project that is just what I have described…an exciting first-timer in the business world, having worked for others is now ready to do her own thing, be her own boss, make her own decisions and assume the risks necessary to take this leap into entrepreneurial adventure.

It’s exciting and scary, daunting at times and fun too. And it should be fun. Finding something that you enjoy, something you believe in and believe that you can do as well as, if not (hopefully) better than, anyone else in your market.

With inventory determined, name and logo designed the last task was to create the space to present her concept. We won’t divulge that today, the project is yet to be presented, but the framework is on what I want to comment.

We began compiling some finish options…paint, upholstery, privacy curtains, carpet and a little brushed aluminum bling!! We want to reinforce her brand with key colors and finishes.

Knowing the terms of the lease agreement – what is the landlord’s responsibility, what is grandfathered-in, what can be changed, any spending allowances amortized into the lease…these are all things that are necessary to determine how to go about designing the interior. It is necessary to establish costs within the over-all start-up budget. Having helpful, knowledgeable, creative people around you with whom to assemble your team is imperative.

We arrived at the site to find a very clean slate. Located in a retail strip center, it was a white box.

We instantly decided the flooring would be a combination of polished concrete and broadloom carpeting, some lights stay and some go, spots will be added, colors will reinforce her brand.

Toward the back, a break-room kitchen area needed demolition. This pocket would become fitting rooms.

There was existing ceramic tile on the floor that also needed to be removed. These were things that our client could attack herself – saving money and getting to know her space.

We learned that the restrooms were grandfathered in and did not require any additional improvements – other than cosmetic.

We learned that we could make changes and additions to the lights and only needed a permit for electrical portion of the work.

Many of these discoveries were of pleasant surprise to our client who had been miss-directed a bit and was in a state of frustration and near defeat. Gathering good information is imperative, in order to save time and money, make good decisions and know your options. Get out there and get busy!!!!!

Soon to bee completed, watch for this transformation in coming weeks.

Relocating – Making a new house a HOME

Thirteen or so years ago we designed the interior of a home for a young family complete with a toddler. The desire was to bring color and modern accents while still selecting durable materials and hopefully timeless elements.

Fast forward these many years later and this same family now with two beautiful daughters is relocating to another city, another state and a new home. This home was well furnished and much, of what was shown, stayed with the house. The trick was, after having adopted so much from the previous owners, how would they make this house their home?

The point of arrival – the front door – was a tasteful charcoal grey, but by changing it to a bit lighter smoky green, it made a significant difference.

It’s tough to be up-rooted anytime in your school years…these girls missed the only home they had ever had, friends, activities, groups and familiar environs. This challenge was to help all four of them – parents and kids – get settled and assist in making this new house their true home.

As I flew to consult with them, I imagined the scene having seen photos to get somewhat oriented. I made the natural assumption that paint would make new statements to alter the previous owner’s selections and introduce the new family’s preferences. However, despite the change we made to the front door, it wasn’t all about paint once I arrived.

In the previous residence all those many years ago, we punctuated the interior with paint accents. Good design transcends trends and the years. Who would think that this interior was created thirteen years ago?

 

The dining room in the new home was painted entirely charcoal – trim and walls. Oppressive was an understatement and before I even got there they painted all the trim white to match the rest of the home.  However, they left the fireplace charcoal – waiting for a discussion as to how to proceed.

 

 

Notice the dining room furniture having moved from one home into the next. We decided to paint all the wood trim surrounding the fireplace area white to match the rest. But it produced a startling brightness that will be absorbed once a new painting is selected for above the mantle.

They inherited the chandalier with the home and although it is quite different from their previous dining room fixtures, they are making it their own by mixing their chairs, table, rug and sideboard.

The framed lounge chair found a home in the new living room alongside the large sectional that they acquired from the previous owners of the house.

Here in the previous home, the painting over the fireplace has a prominent position, yet also has a place of prominence in the new home along with the chair and a half and the arm chair in the foreground.

 

Checking out a sample of a rug to add further color to the otherwise neutral scene.

The simple placement of custom throw pillows initially designed for the banco in the kitchen are now colorful accents in the living room, on the newly acquired sectional left by the previous owners, are a remarkable save.

 

These pillows had seen their share of spilled milk and ground-in cereal over the years. But with periodic cleaning, they maintained their appearance perfectly.

Here the pillows are the perfect accent on the camel-colored sectional that came with the new house. The painting has been a family favorite for years.

The rest of the collection of throw pillows from that original breakfast nook are being re-purposed on the sectional in the lower level media room/office.   They add the necessary splash of color in this neutral scene.

The fully upholstered chair-and-a-half also transferred from old to new. Previously in the family room, now in the music room/office. The master bedroom transferred completely. The girls’ rooms have a mix of their things and some new features. All in all it is beginning to take shape.

It pays to buy good materials that maintain well and take proper care of them. Not only will they offer years of enjoyment, in this case they bring the familiarity, to the new house, that is beginning to make it feel like “home.”

Sure, some might like the opportunity to start new without remnants of the previous life – but in this case, they cling to that which was comforting, familiar and theirs. Moving to a new home and being able to mix existing pieces so well with new ones to make this new house a home is a design success story!