Da Vinci, The Genius

When you hear the name da Vinci, Leonardo da Vinci, its undeniably familiar. You might instantly call-up a synonym – genius. But what do you really, other than the Mona Lisa, recognize? And what do you even know about her and the painting itself? For the past several months now nearing the end of its run, the exhibition Da Vinci, The Genius, at the Albuquerque Natural History Museum, presented by Grande Exhibitions of Victoria, Australia in collaboration with the Museo Leonardo da Vinci , Rome and the French Scientific engineer Pascal Cotte is an amazing consolidation of information on this singularly remarkable man.

An artist or even designer are such understated titles for this man of extraordinary inventions, concepts, engineering, art and science, because he was the true Renaissance Man! He touched so many things to advance countless trades and disciplines many of which are the basis of machinery and equipment in use today. But as brilliant as the universal exploits of this amazing polymath are, this would be a tedious blog if I focused on the many pulley systems, gadgets, mirrors, SCUBA suits and even flying machines that he created in his lifetime.

Rather, I would like to use this fascinating field trip that I just experienced to examine how I as a designer have been influenced by da Vinci – specifically, the spectacular rendition of the Golden Mean – nature’s perfect ratio that occurs in nearly everything around us. This common mathematical ratio is used to create subliminal perfection and pleasing compositions that mimic the perfect ratio found in nature and specifically, for my purposes, in design.

If you remove this square from the rectangle, you’ll be left with another, smaller Golden Rectangle. This could continue infinitely.

I have written about this previously in greater depth. It is a subject that has no limits as the application of this ratio helps assure good compositions whether you realize it or not. For graphic designers it is a must. For interior designers and architects it the formula for so many aspects of their work. People in art and design have employed the use of this perfect ratio for thousands of years. If you apply it – it is foolproof.


But back to the exhibit…there he was – the iconic man rendered in gold on black. You’ve seen it. But to know him is to see the perfection in the proportions that da Vinci used to create this perfect figure.

Right there in a commanding focal point was da Vinci’s drawing of Vitruvian Man. The accompanying video explained the relationship of all the dimensions as they related to the perfection of the Golden Ratio. Time and time again it is evident in the sections of this perfect anatomy.

Da Vinci correlated that the perfection of the proportions should be applied to represent the perfect human anatomical body and that it was an analogy for the entire workings of the universe.

His magnificent study of knots became sought-after for luxury fabrics used in 15th century fashion – many of which costumes and finery he designed. Interpretations as lover’s knots – the bond between them was a popular notion of his time and afterward.


It is an exhibition worth seeing. Even if you have stood in front of the real Mona Lisa and have visited sites exhibiting his vast creations and noted observations, this exhibition is worth a visit!

HOME – An Artist’s Perspective

It was quite by accident that we ran into SAAM! Truly, our destination and plan for the afternoon was to catch a bite at the hip and artsy Jaleo tapas restaurant and head to the Bible Museum to see some cool film of all of the buildings in downtown DC that feature biblical quotes on their facades – or something to that effect. But as we sat there in this trippy Spanish-themed interior, right next to the window, we

watched the staff bring in umbrellas from the sidewalk seating areas as the wind picked-up and the sky darkened. Our plans soon began to change. We dawdled at the table well past our tantalizing tapas feast and watched the rain come down in sheets.

As the time past, it became apparent that the Bible Museum was too daunting a task to embark on after the storm subsided. So we dashed between the drops to the nearby Smithsonian American Art Museum – SAAM!

Having never been there before and not having planned this outing, we entered without a clue as to what we might find – except perhaps the portraits of the Presidents – cool enough. Yet inasmuch as the exhibits were wonderful and many faceted, I want to focus on one inspired installation that pertains directly to architecture and design.

Considered to be perhaps the most compelling architectural artists around today, Do Ho Suh takes nostalgia for “home” to a whole new dimension. He figured out that he didn’t need to wait for enchanted ruby red slippers – no, he re-creates memories of “home” and makes them transportable all over the planet. And by whole new dimension, I mean we walked through fine translucent fabrics – taught and stitched – over concealed stainless steel frames creating hallways of houses where he had formerly lived around the world.

With great attention to detail, he stitched door hardware, radiators, and wood trim details. It was remarkable.

This interactive immersion was thought provoking. I think it is impossible to pass through this presentation without experiencing a few fleeting personal memories of the your own past homes. As Dorothy taught us,”There’s no place like home.”

It was as though the sheer polyester fabric was misty or ethereal as though not really there – a very effective medium to suggest a thought or memory. How fascinating to render a structure with such a diaphanous, fragile sense – tangible yet not.  “Almost Home.” There, but not quite.

The time it must have taken to create this tedious textile architectural art-piece, of delicately painstaking work, surely proves his love for these past dwellings.

This presentation will be the most comprehensive of Do Ho Suh’s work ever shown on the East Coast. And wait – there’s more! After having navigated the Twilight Zone of Do Ho Suh’s recollections, I was even more strongly drawn to this large-scale piece of stitched textile work mounted on the wall! It was a colorful and beautifully complex collection of images of people and homes in various states of movement and fantasy.

 

Colorful threads intentionally strewn from the stitched images of human figures, some sporting houses on their heads, another running with memories flying behind his head…taking the home (s) through life’s stages – memories…home is where the heart is…taking their memories with them…

People parachuting with houses floating through the air…pitched roofs and domes – all manner of interpretations of “home.”

There is a stitched reference to Seoul and a house on a jetty suspended above a wild, choppy sea.

Live – dwell – reside – inhabit…Be quick – it’s only there until the 5th of August.

TRENDS DIE – What’s New for 2018?

I was surfing for fodder about the new color trends to kick-off this first mindful missive for the New Year and the color trends were all over the place – no consistency at all. From Ben Moore selecting Caliente AF290,

“Caliente is the signature color of a modern architectural masterpiece; a lush carpet rolled out for a grand arrival; the assured backdrop for a book-lined library; a powerful first impression on a glossy front door. The eye can’t help but follow its bold strokes. Harness the vitality.” 

—Ellen O’Neill, Benjamin Moore & Co.

to Sherwin Williams in a totally opposite direction proclaiming Oceanside SW 6496 their color of the year.

“A collision of rich blue with jewel-toned green, a color that is both accessible and elusive… A complex, deep color that offers a sense of the familiar with a hint of the unknown, Oceanside, bridges together a harmonious balance of blues and greens that can be found in what’s old and new.”

What? Are we straddling now?  Do we have one foot in one color trend while the other stretches across the color wheel and causes us to nearly do the splits trying desperately to hang on?

The walls of my east gallery space were a spicy version of Caliente for nearly 20 years! Bold at the time and unheard-of for  gallery walls – it was not to be changed for nearly 2 decades!!!

Whew – that was a run. I even named the retail space “Caliente.” And the color-band between the crown and picture molding at the back was a version of Oceanside – a lighter value of the blue-green hue.

The Grand Re-Opening July 2016 presented a dramatic transformation to a pale aqua resulting in a diametrically opposed feeling – a cleansing from what was crowded and hot to spare and cool.

But I digress…

Annoyed by the seeming authority, but weak contrasting rationale that I encountered with the wide range of picks and opinions, I left the paint companies and clicked over to the Pantone site. There I encountered their authoritative, ethereal color forecast of the year – Ultra Violet!!!!!

Yikes – they were coming at me from every conceivable direction!!! How on earth is any eager apartment dwelling or home-owning individual supposed to know how to go forward in sprucing up their space without fear?

Then  I came upon a piece by Mehgan Nesmith Ugh, What’s With These Generational Color “Trends”? From observing the broad reaching trend surrounding millennial pink to snippets from other sources,  I scanned the paragraphs amused, but still not satisfied. Until I arrived at paragraph 6 and there it was – the true fact that keeps the world moving forward – for better or worse – TRENDS DIE.

Yes they do and for good reason. I’ve said it before, take care in making costly selections that will stay with you past their prime. Trends are there for a reason. Designers dabble in creativity every day of the year to come up with things to tantalize, inspire, evoke, and entertain – and most importantly, SELL. Some of these trends stick. Then they are no longer trends, they transition and become classics. But to transcend the fleeting status of trend, “it” must have something very solid about its being.

And when it comes to interior design, with all the style trends for furniture, fabrics, architectural elements, finishes and decorative accessories – colors race through history like no other design element has or will. Colors rule and when they are good, they are very very good, but when they are bad, they are horrid!!!!! Thank you Mr. Longfellow!!

Take the massively graceful modern art piece suspended from the ceiling of the East Wing of the National Art Gallery in Washington, D.C. – classic – both in form and color. Red and black. Strong and simple. Bold and brilliant. Imagine if it were this year’s Pantone pick Ultra Violet  Aghhhh!!!!!!!

Actually, methinks I protest too much. The shade of purple picked, by Pantone, is heavy on the blue rather than the red.  The blue cast gives it a calm. Not whacky like Barney screaming purple – but, rather a royal shade.  Nonetheless, it is better served as an accent – don’t buy  wallpaper in it. Go ahead and paint the walls and have your fun – but know that you can change it without peeling off hundreds, if not thousands of dollars of wall-covering or re-upholstering your sofa like Meghan was tempted to do!!

It’s a color that stands alone – plays better by itself than with friends – like the child’s report card where the box that says “plays well with others” is not checked.  In my estimation, it will read well with clean, crisp white.  However, like Ms. Nesmith aptly says in her piece “if you are  still curious about that Gen Z yellow, buy a vase!”

That’s how we play with  colors and create a bit  of collision, unexpected off-key harmony, intrigue and suspense. But it is not for the faint of heart and the chance of tiring of it is paramount. Trends die and colors are tricky.

So Happy New Year and Happy New Colors in your world to refresh and renew!! Thank you Meghan, for your lively contribution to today’s story.

 

 

Loved Loving Vincent!!!!

Last night was a crystal clear starry starry night as we strolled down the quiet urban sidewalk, between the building facades, on our way to what we soon came to realize was an event we would never forget. Once settled in our seats and after way too many previews, the magic began and we were instantly mesmerized by the millions of brushstrokes of over 100 artists recreating the world immediately before and for a year after the death of Vincent Van Gogh.

There, in a cozy theater downtown, we experienced a wondrous film, Loving Vincent. We embarked on a extraordinary journey and were lost in this fanciful world of brilliant color and bold movement as the movie unfolded with an animation unlike we had ever experienced. It was a though we were watching Van Gogh paint this film. The rough deliberate strokes were actually moving as the scenes unfolded – the scenes were alive with the movement of the animation.

http://lovingvincent.com/

This remarkable delivery vehicle to convey a portion of Van Gogh’s world brought colors dancing – even screaming – across the screen in familiar swirls, and deliberate marks that were so identifiably his. What the artists were able to accomplish was astonishing. The focal surface of the theater was busy with the seemingly live brushstrokes of Vincent Van Gogh. Borrowing from his actual paintings, the viewer is transported into the world of his interpretation from street scenes where he experienced the corner with the yellow house to capturing individual’s who appeared throughout the film such as The Zouave in his red hat distinctive of his French military service, to the bearded postman, Joseph Roulin, who was so key in the intimate, mysterious and different story line, the expansive scenery of Provence and the intimate details of daily life.

As a true Van Gogh fan, it  was love at first sight – do you remember where you were when first introduced to his magic? Having grown-up in Washington, D.C. I was fortunate to have had family visits and school field trips to the magnificent National Gallery of Art where, upon each visit starting at a very young age, I would scour the gift shop for postcards of my favorite images – taking home with me memories of the beautiful influences that have continued to shape my appreciation for color and composition, balance and light, contrast and context, subject matter and the power of observation. I must credit my  mother and grandmother for instilling in me this awareness of things of beauty and their importance in our lives.

Fast-forward a bit…way back when…dare I admit…when first studying art history in college, the bible was HW Janson’s HISTORY OF ART. A daunting tome filled with the overview of all that is art as we knew it at the time. Van Gogh and his impressionist colleagues were sprinkled throughout latter portion of the book.

There his genius was once again presented to me stirring a wild appreciation for his rebellious disregard for conventional painting styles. He possessed and fed his own passionate, if not desperate, need to apply paint to surfaces, capturing life and telling stories from his unique and insightfully perceptive vantage point.  The Impressionists have always stirred a passion for the boldly colorful, adventuresome, romantic and sensitively sensual expressions of life for me.

Years later my husband and I were fortunate to attend the National Gallery’s exhibit Masterpieces from the Van Gogh Museum Amsterdam.

It was the fall of 1998 and we were thrilled to be walking toward the oh so familiar edifice with great eagerness for what awaited.

The line wrapped the building, but moved along with efficient, orderly procession as the anticipation grew with each forward step.

Inside we purchased the audio tour tapes and, with headsets on, immersed ourselves for the next few hours in the dazzling world of this remarkable artist.

His unique undaunted expression of the scenes, people and details around him, through his own unschooled techniques, was awe-inspiring.

Tormented and tested he discovered his passion and for a very few years carving out an indelible place that will live, breathe and be enjoyed forever.

The people in their joys and sorrows, fashion of the time, landscapes of bountiful beauty, interiors of keenly observed detail all expressed through his sensitive eye and brought to generations of viewers – a priceless gift to the world.

The take-away…embrace bold expression, fear not color in your world, appreciate the details, and go see this film, Loving Vincent, before it leaves a theater near YOU!!!!

George Washington for President!

While in D.C. last week, in this most unusual season of the American Presidential election, it seemed more than appropriate, if not imperative, to visit Mount Vernon – the estate of our first president, George Washington.

20161024_134051

This historic property has been painstakingly maintained and developed into an exceptional educational facility on unspoiled grounds with uninterrupted, breath-taking views. Experiencing the beauty of the surroundings is magnificent. Learning about the history and minute details of this extraordinary man’s life is fascinating.

20161024_133258

Did you know when Washington was elected our  first President in the initial forming of the United States, presidents were selected only through the vote of the Electoral college, rather than by popular vote? The 69 votes that Washington received in 1789, and the 132 he received in 1792 were all of the available Electoral College votes, and resulted in thereby making Washington the only president in United States history to have been elected unanimously.

Did you know that Washington’s presidency founded the United States Navy, established the nation’s official currency, created the State Department, and established the Supreme Court?

Gary S. Smith wrote in March 2010: While praising his military and political record, many scholars contend that Washington’s genius lies principally in his character. The only other American president who has been so highly extolled for his character is Abraham Lincoln. Since Washington, all presidents have been ultimately measured not by the size of their electoral victories or the success of their legislative programs, but by their moral character. His character helped sustain his troops throughout the travails of the Revolutionary War, convince delegates to the Constitutional Convention to assign significant powers to the presidency, secure ratification of the Constitution, and enable the new republic to survive in a hostile world….He took the standards of his age very seriously and diligently strove to be virtuous. To many, the crowning achievement of Washington’s character was his simultaneous resignation in 1783 as commander in chief o the American army and his retirement from the world of politics. Throughout the western world, his unprecedented relinquishing of power (which he did a second time when he declined a third term as president) was widely heralded. Unlike other victorious generals, he did not expect a political or financial reward for his military exploits. Washington’s character, Jefferson argued, probably prevented the American Revolution from subverting the liberty it sought to establish. The Virginian had a sterling reputation for integrity and honor, dedication to duty and his country, and remaining above the fray.

It is with such depth of character and broad view of his world that he was unanimously regarded as the only man who could effect change of the magnitude required to bring people together.

This many years after his death he still has a powerful effectiveness for bringing people together. The tour of this amazingly preserved property is intimate and familiar – even on one’s first visit. It’s partly scale and partly due to the well-versed guides that are scattered in every pocket of the place. They bring the historic home and it’s people to life.

While attending my Alma Mater, Mount Vernon College (no relation), in the interior design program, we toured this historic interior with rapt attention to decorative art and architectural details. One expects the facade to be white painted wood – but as you see it up close, you realize that it reads like beveled stone blocks. It is actually wood, shaped to replicate stone, with a sanded coating that gives a stone-like texture.

Interior finishes also reveal faux artistry upon closer inspection, with the paneled walls and doors painted with wood grain creating stunning matched patterns. Superficial treatments of faux finishes were elegant touches of the day.

Washington was truly a Renaissance man. He worked with the finest minds in agriculture and technology to develop new techniques for farming, implements and gadgets around the property. He recognized the toll tobacco took on depleting the nutrients in his fields paired with the time it took to grow and harvest and heavy taxes that were levied during trade and changed his operation to grow wheat which had limitless less expensive outlets for marketing and was easier on all counts of growing.

On the advice of his Scottish farm manager he created a distillery which produced more whiskey than any of its kind in his day. You too can purchase a bottle of Washington’s whiskey today for a mere minimum of $100 per.

His sensitivity to art and architecture, entertaining and hospitality, paired with the strength to lead the noble cause of freedom, managing troops, raising morale and keeping promises while always at the helm risking his life alongside his men and participating to the fullest in his every endeavor speaks to the moral character and brilliant creativity of this extraordinary man.

So,  to sum up this unprecedented level of discourse in the current election season and questionable characters on the part of our  candidates, I was left with finding levity in the Mount Vernon gift shop…

 

 

Surprise Seasonal Discoveries in the National Gallery of ART

So, in direct contrast to discovering art in unexpected places such as a simple series of brush strokes painted on a course concrete curb, (last week’s pattisays blog) this week, as fall leaves fill the air and pumpkins pop up on every surface, my observations are about discovering art occur in an actual art gallery, specifically the National Gallery of Art in Washington D.C.. Imagine that! The city has been abuzz for months in anticipation of the recent unveiling of the updated East Building.

It was in 1978, the year I left my home town of Washington that I.M. Pei’s exciting new modern edifice was presented to an anxious art-loving public. So very different from the West Building and all others in the historic vicinity, some people were astonished but most were thrilled. This sleek angular sculpture of a building was a statement in and around which to display the growing modern and contemporary collection. An art-piece of its own accord. Yes, the building was at once regarded as its own work of art.  We eagerly raced to touch the famous wedge of geometry that came to such an acute angle that it begged to be touched.

i-m-pei-east-building

Nearly 40 years later that same fine edge is silently showing its age missing little chunks of compound and lovingly discolored with all the hands from around the world that have touched and smiled at the towering stone form in contrast to the rotund, ornamented and domed Capital in the background. Both majestically iconic, but stylistically so very different.

20161020_145510_002-copy

20161020_145320

But wait – this elegant aging beauty has had a three year rejuvenation treatment! New stairways and elevators connect galleries making the flow of exhibits more enjoyable. The tunnel connecting East to West sparkles with light and all the subtle changes result in a seamless passage through and enhanced experience for visitors.

The glassy, crisp, stark, expansive lobby where the enormous Calder mobile is suspended defying its enormity and weight as it gracefully, almost motionlessly, moves silently with the subtle, indiscernible stirring of air is the fulcrum of the building. Exhibit halls tucked away but newly connected are exciting to frequent visitors who know the building so well.

20161020_120055

I naturally had to have a little fun and in keeping with the season made a couple of entertaining discoveries. Here Four Square and oil on Canvas by Franz Kline in 1956 is noted by The Art Story/Modern Art Insight “a fine example of  his gestural approach to painting. The viewer is led to ponder the canvas, seeing as either a close-up of a linguistic symbol, or perhaps, a set of open windows.”

20161020_141429

Really? Linguistic symbol or a set of windows? Well, maybe it’s the season…but I instantly saw a cat – a crazy black cat, an abstraction of James Dean’s “Pete” perhaps, which made me want a mask and to be that crazy cat and prance about for Halloween!

20161020_141522_001

In another piece, Portage, by William Kentridge of South Africa born in my birth year of 1955, a folded accordion-like book with torn  black figures of paper affixed to encyclopedia pages resulted in my seeing another black cat! I do think it was of human figures bearing weight, carrying, moving through various poses. Call me Halloweeny – but this one was decidedly a black cat. Don’t YOU think?

20161020_143546

It was fabulous, exciting, fun and emotional to see the colorful Matisse cut-outs once again in such close proximity with Matisse’s placement marks and rough cut pieces – crude yet refined – rough yet lovely. Seeing these incredible compositions up close again is breath-taking.

Oh, and might this be another seasonal mask?

20161020_143742

From awestruck to silly…to a quiet reverence at coming to the black and white photo of this enormous piece in Hotel Regina in Nice in 1953!!  Seeing it in the setting of its day and captured in a photo all those many years ago was one of many moments of reverence.

20161020_143238

Once again, pay attention to the little things, be surprised, let yourself be amused and enjoy discovering art wherever you might find it – unexpected and very much expected places!