Fabrics – Texture, color, pattern, design & style – The Art of Transformation

Everyone loves “Before & Afters.” The transformation of an object or a space is the magic of interior design.  One of the most valuable elements in our design wheelhouse is fabric. Fabrics have the ability to transform. Like paint – color – altering to enhance a piece or the entire environment, fabrics offer not only color, but texture, pattern, design and style.

I love a good find. Call it antiquing, thrifting, scouting, treasure hunting…the hunt is the intrigue. Exploring random sources to find the perfect piece. Once found – knowing what, if anything, is needed to transform it.

Reupholstery is a life-saving treatment. To salvage a tired piece with good bones and great lines is a service to good design. Pairing old pieces with new fabrics is rejuvenating. Inserting fabulous fabrics into a design scheme is a fine art that gives aged pieces a new life and contributes to the uniqueness of the composition of a space.

Of the design elements, paint is the one with the seemingly limitless choices. Fabrics are next. The worldwide variety of textiles, creatives, fibers and the combinations thereof are vast. Searching for just the right fabric for a specific piece is part of that treasure hunt.

You have heard the term “run of the mill.” Even for many, having never thought of this as a fabric metaphor – this phrase is used commonly to describe the common. It means ordinary – a common, mass-produced product’s run of a manufacturing mill. Using common fabrics is a cop-out when it comes to creating unique designs – especially when there are so many incredible fabrics from which to choose.

Personality comes into play when selecting a fabric. Along with function (how durable/cleanable it needs to be), the taste and preferences of the user, and the context in which it might occur – personality of the pieces plays a major role. For example, reading the personality of a chair – its lines and scale.

The personalities of fabrics are as endless as the textiles themselves. Fabrics evoke moods, seasons and even attitude. For commercial use, as well as heavy-use residential – workhorse fabrics have evolved. Not long ago, durable fabrics looked durable, less attractive and limited. And without turning this into a continuing education course about fiber content, it is obvious once you investigate the options, durability for wear, ultraviolet tolerance, mildew resistance, and antimicrobial properties – are all woven or applied to fabrics allowing amazing installations in commercial interiors that you would not hesitate to have on your living room sofa! 

Voila! The finished sectional is further detailed with custom throw pillows to bring together the caramel and blue tones of this color scheme. Warmly greeting guests upon arrival.

Residential interiors can now enjoy what commercial interiors have realized for years. By incorporating the durability and cleanability which allows for the wear and tear – without showing those signs of real life – residential and commercial interiors incorporate fabulous fabrics that defy their strength – beauty and style conquer!

Sustainability of the fiber sources is an increasing topic of conversation. That and the fiber contents regarding the health/safety of the materials and treatments, if any, used (Okeo Tex certification, for example).

With all this information regarding the myriad options, enhanced durability and the unique opportunities that textiles provide to dress your great pieces – treasure the history, family hand-me-downs (if not heirlooms) and give them new life!!!! Its ART!!!

Adopt a Pet…Adopt a Piece of Home Decor

Are you drawn to pet adoption events? Do you wander over when you find the dog adoption people parked, out in the open, along the side of the road, in the corner of a parking lot or even at the pet stores themselves? I don’t. I avoid them like the plague. I know that given just one sweet look or mournful expression or happy eager wag, I would have a problem.

I rescued my Rockford about 30 years ago. He had been kept chained to a tree in a backyard with a choke collar that he had very much outgrown.

I absolutely cannot allow myself to be tempted knowing that my resistance would be weak and my resolve would be challenged. I don’t need a dog at this time in my busy, crazy  life. However, I would certainly go that route, if I were in the market.

Little Mini was passed from house to house until the fit was just right!

We all know that adopting a pet – dog or cat…or other…is such a wonderful gift – to them and to the lucky new owner! And I feel the same way about furniture and home decor. Yes, I see a direct correlation between “thrifting” and pet adoption. Funny?

Whether it is a early start on the garage sale circuit (not my bag, but very worthwhile) or estate sales (also not my thing as I get too emotional, about the family not wanting the treasures) or scouting consignment shops and thrift stores (less emotional because the context of the pieces are not so personal) it’s all about treasure hunting. It’s a growing trend for sure!

But like pet adoption, I see salvaging a previously owned piece, over buying new, just like giving a fresh start to a neglected, even forgotten, treasure. And, as you know, they say “One man’s trash is another man’s treasure.” and I so believe that statement! That same phrase could be said about your newly adopted pooch!  Your new “treasure.” As well as that fabulous hand carved chair – your new treasure!

Bring it home, get it cleaned up, play with it around the house and get it some new clothes – oh – am I talking about the new four legged family member or that awesome new chair??!! Interesting similarities are shared by the adopted pet and the adopted furniture find!

All dressed up and ready for a party!!!!

From Victorian through mid-century modern, reupholstering gives a fresh new outfit to that fabulous piece that has been left sporting a shabby suit.

Threadbare but still fabulous – what a great save!

See beyond the existing condition  – “You can’t tell a book by its cover.”  And you will see beyond the surface focusing on the lines, bones and details.

This Winged Victory of a sofa was ripe for re-purposing!

 

New suit and shoes and this was a great save!!!!!

Discovering great pieces is soulful. Eclecticism is interesting. Balance is better achieved when you have a mix of interesting things.  Buying all new is not as creative and can result in a monotonous look that is immediately dated. You’ll know what year THAT room ensemble was created!!!!! Furthermore, re-purposing, recycling, up-cycling trends provides an opportunity to employ the talents of the local upholsterers and refinishers – support local talent!

To a void that pitfall – be brave and seek your pieces. Assemble them with care and embrace unique things. If you love them – make them part of your world. Find potential and then enhance it. Context enhances. Mix new with old and give new life to old pieces. It will be a satisfying and rewarding experience.

What you see in a thrift shop is one thing – seeing beyond it to a new context that celebrates it and features it with other things you love is the personal magic that makes YOUR interior uniquely yours.

This tired but handsome piece came to us in need of a face lift!

 

Multiple fabrics add pizzazz! Find just the right fabrics and you have a custom masterpiece! And the lumbar pillow for this one is still on it’s way, for a third pattern providing even more interest!!!!!

Give new life to old pieces and it will be a rewarding experience. Then go out an adopt a dog!

 

 

 

 

Urban “Pieced Work” – an artistic narrative

We are excited to have the opportunity to bring a design installation(s) into a new project that will serve to support the brand with a twist. A nearly completed new smokehouse is coming to Albuquerque. This home-grown eatery blends family history and southern roots with southwestern barbecue flavors including indigenous  wood and iconic chile blends. But this is not about their cooking profile. It is about how we have arrived at a design theme that will define and further the identity in this new, specialized smokehouse department of this larger local brand.

To accomplish this task, we examined the concept the owner had  to remodel an existing facility that had been a popular gathering post serving this community for decades. The fringe barrio location was of a demographic primarily comprised of Mexican/Americans. Decades past it was home to a heavily black community. The fabric of these cultural combinations suggested a mosaic of color and vibrant heritages.

The spark of cultural references lead to discussion of the popular artistic expression of urban mural painting.

 

When we began the dialogue, the decision to have a mural painted by local neighborhood kids, with a mentor to design and supervise the work,  seemed to be the direction we were headed. After subject matter debate and development, I veered off on another tangent that might take a less subjective approach, be weather-proof and more durable for a patio location – mosaic.

This new more impervious and durable medium still offered the opportunity to engage the community, but with less focus on a specific subject and more about geometric color and texture. We discussed the details of installation so as to keep it simple for kids to participate using whole tiles – minimize cutting, if any, for starters.

Inspiration came from several other installations such as the Albuquerque Convention Center’s on-going mosaic mural project wrapping many sections of the buildings with intricate scenes of New Mexican lifestyle and cultural diversity. The colorful mosaic is an elegant and sophisticated contribution to our city’s cultural aesthetic.

Helen Atkins, manager of consignment art at PATRICIAN DESIGN’s downtown boutique gallery and the lead on their current restaurant mural project, has worked on several phases of the Convention Center’s mural project.

We have incorporated mosaic into several of our own design projects such as last week’s blog https://patriciandesign.com/trust-and-custom-designs/about a residential kitchen installation.

Here, in another installation, a fireplace surround of mosaic adds movement, color and textural interest to the room.

Ultimately, one of Helen Atkin’s personal photographs cemented the approach. It was decided that a geometry of different sizes and disparate glazes and designs of tiles pieced together in a colorful, textural  panel would be our design theme.

Helen Atkins, a recognized artist in many media, captured this in passing while visiting New Zealand. It’s crisp, yet irregular composition was intriguing and pleasing. It became the springboard for the concept for a geometric mosaic panel to anchor the theme of this new New Mexico eating establishment.

The idea became more exciting as we began gathering material from local tile distributors and our own personal inventories of favorite treasures saved for a special project. Here it was.  It seemed such a strong design element and therefore offered a new direction for the actual brand of this establishment. We embraced the idea and brought it into the interior and distributed murals throughout the space.

Still under construction, we will not divulge the identity or locations of this project just yet. But suffice it to say, the murals are an exciting part of this interior design scheme.

As we further discussed the plans to implement this project, school started and the ease of coordinating the assistance of neighborhood kids became more difficult. Helen lead the project as primary installer, coordinator and supervisor. She enlisted the assistance of a couple of people – one experienced and the other not at all.

We have named this series, Urban Pieced Work – an artistic narrative. Here we are interpreting generations old sewing patchwork using ceramic, glass and pottery pieces rather than the traditional fabric patches. The original folk art needlework has been in the American vernacular for ages.  In these installations, this up-cycled  use of discarded or discontinued tiles is similar to patchwork fabrics, re-purposed to make clothing, wall decor, window treatments and bed dressing when times were tough – often referred to as “pieced work.”

My paternal grandmother in New Mexico made this twin quilt for my bed when I was a child in Virginia.

 

My same grandmother made this and was given to me by my cousin, her only other granddaughter.

Mosaic is often, like fabric patchwork, a practical art form that puts scrap, shards and fragments to good use in an artistic fashion. Note though that more sophisticated mosaics have been designed more intentionally for centuries not merely as salvaged material. These masterpieces both in contemporary work and antiquities represent many periods in history and movements in artistic expression.

 

This mosaic version connects with the history of the restaurant’s roots and southern heritage. The panels’ mural nature speaks to the urban murals found throughout the community.

Located strategically throughout the interior, these murals have become a strong design element and anchor for this facet of the brand.

 

Another shot of the spectacular cultural story murals at the Albuquerque Convention Center.

We have woven a meaningful artistic statement throughout the interior and also on the exterior of the building. In addition, we will be inserting a graphic version into the signage and logo design.

 

Urban Pieced Work – an artistic narrative, of a New Mexican Smokehouse, will provide pleasing design visuals throughout this new interior, provoke conversation and interaction, weave an element of history and context with the southern roots of this exciting new eatery!

Join the conversation and watch for the first succulent flavors to come out of the smokers later this year.

 

 

 

 

Relocating – Making a new house a HOME

Thirteen or so years ago we designed the interior of a home for a young family complete with a toddler. The desire was to bring color and modern accents while still selecting durable materials and hopefully timeless elements.

Fast forward these many years later and this same family now with two beautiful daughters is relocating to another city, another state and a new home. This home was well furnished and much, of what was shown, stayed with the house. The trick was, after having adopted so much from the previous owners, how would they make this house their home?

The point of arrival – the front door – was a tasteful charcoal grey, but by changing it to a bit lighter smoky green, it made a significant difference.

It’s tough to be up-rooted anytime in your school years…these girls missed the only home they had ever had, friends, activities, groups and familiar environs. This challenge was to help all four of them – parents and kids – get settled and assist in making this new house their true home.

As I flew to consult with them, I imagined the scene having seen photos to get somewhat oriented. I made the natural assumption that paint would make new statements to alter the previous owner’s selections and introduce the new family’s preferences. However, despite the change we made to the front door, it wasn’t all about paint once I arrived.

In the previous residence all those many years ago, we punctuated the interior with paint accents. Good design transcends trends and the years. Who would think that this interior was created thirteen years ago?

 

The dining room in the new home was painted entirely charcoal – trim and walls. Oppressive was an understatement and before I even got there they painted all the trim white to match the rest of the home.  However, they left the fireplace charcoal – waiting for a discussion as to how to proceed.

 

 

Notice the dining room furniture having moved from one home into the next. We decided to paint all the wood trim surrounding the fireplace area white to match the rest. But it produced a startling brightness that will be absorbed once a new painting is selected for above the mantle.

They inherited the chandalier with the home and although it is quite different from their previous dining room fixtures, they are making it their own by mixing their chairs, table, rug and sideboard.

The framed lounge chair found a home in the new living room alongside the large sectional that they acquired from the previous owners of the house.

Here in the previous home, the painting over the fireplace has a prominent position, yet also has a place of prominence in the new home along with the chair and a half and the arm chair in the foreground.

 

Checking out a sample of a rug to add further color to the otherwise neutral scene.

The simple placement of custom throw pillows initially designed for the banco in the kitchen are now colorful accents in the living room, on the newly acquired sectional left by the previous owners, are a remarkable save.

 

These pillows had seen their share of spilled milk and ground-in cereal over the years. But with periodic cleaning, they maintained their appearance perfectly.

Here the pillows are the perfect accent on the camel-colored sectional that came with the new house. The painting has been a family favorite for years.

The rest of the collection of throw pillows from that original breakfast nook are being re-purposed on the sectional in the lower level media room/office.   They add the necessary splash of color in this neutral scene.

The fully upholstered chair-and-a-half also transferred from old to new. Previously in the family room, now in the music room/office. The master bedroom transferred completely. The girls’ rooms have a mix of their things and some new features. All in all it is beginning to take shape.

It pays to buy good materials that maintain well and take proper care of them. Not only will they offer years of enjoyment, in this case they bring the familiarity, to the new house, that is beginning to make it feel like “home.”

Sure, some might like the opportunity to start new without remnants of the previous life – but in this case, they cling to that which was comforting, familiar and theirs. Moving to a new home and being able to mix existing pieces so well with new ones to make this new house a home is a design success story!

 

 

Decorative Wallcovering – Fun with Tile

When you think about finishing a wall, you probably think about paint colors…you might think about a wallcovering – wallpaper, or even a mirror – I’ve previously noted how mirroring an entire wall can exponentially expand a room – a dimensional effect/illusion that suggests the room extends well beyond its actual size. But another wall treatment, with which I LOVE to play, is tile!

All over the world, the art of designing and creating decorative finishes with tile has been evolving for centuries. All cultures have utilized mud and clay, glazes and fire to bake beautiful patterns and colors onto geometric slabs. Shapes of rectangular, square, octagonal, dots or diamonds – the geometric shapes are many and the designs are limitless.

As is true with other wall treatments, I prefer not to stop on an outside corner. I believe that the color or material should suggest a built mass – part of the architecture. To stop on an outside corner suggests a veneer. It proves that the finish on the element is not a structural/integral part of a built mass. When you paint into an inside corner and stop, it allows the mass the read as though solid and not merely superficially treated. The same is true with tile. Don’t stop it until you get to an inside corner – if possible. There are situations that force a finished edge on the flat plain of a wall – but avoid outside corners at all cost!!

This entire shower is tiled floor to ceiling, around the pony wall, bench…no door…it reads like a built environment of stone tile.

Think of the surface as an architectural element. Tile from floor to ceiling, inside corner to inside corner – wrapping corners, if needed, along the way.

Take a backsplash…customarily used to do just that – catch splashes at the back wall of a wet area (sink) countertop…bathrooms and kitchens, behind sinks and between upper and lower cabinets – but why stop there?

The entire back wall of this kitchen is mosaic marble tiles in a herringbone pattern.

Think of it as a true wallcovering – wallpaper. Commit to the entire surface. Here are more effective examples…

The backsplash and entire adjacent wall were covered in glass mosaic tiles. It “reads” like wallpaper.

here again, the classic blue and white Talavera tile backsplash is continued along the entire wall from floor to ceiling.

We are currently working on a couple of kitchen projects that will soon be completed. They both use tile liberally. Each quite different from the other. Stay tuned for the finished products!

In bathrooms, the area around a mirror can be more than merely the backsplash. Embed the mirror into the tile surround or tile the entire wall and hang a mirror on top of the tile surface.

This mirror is flush with the surrounding tile, suggesting that it is embedded into a tile wall.

 

Planning this transformation, the mosaic vase was the inspiration. Then loose tiles were scattered on the countertop and the concept began. Note, the existing mirror was attached to wall with light fixture mounted above it and a medicine cabinet off to the side.

 

The transformation involved removing the medicine cabinet, taking the floor tile up the wall and wrapping it floor to ceiling. It was also cut into smaller squares to use behind the sink as a “full-wall backsplash.” Then punctuated with glass and glazed tiles to create an updated design. Relocating electrical to flanking the mirror for a pair of new sconces and a new countertop, faucet and sink with existing cabinets painted resulted in a cost-effective design.

 

Here a mirror is mounted on top of the fully tiled wall. Inside and outside of the shower enclosure the tile is a true wall treatment.

I recently received this advertisement in my email. It was such a spectacular collection that it caught my eye and I share here one of the patterns and context shots as the backdrop to a range.

Mosaic assemblages can be fun! Here is a fireplace surround.

The addition of three-dimensional pieces adds interest.

 

This exterior fireplace surround tolerates the elements – an all-season installation.

Here is a mosaic mural of a dynamic geometric abstraction  discovered in New Zealand. We are using this inspiration to establish a theme in a current restaurant project. An interpretation of this in the form of geometric tiles of various sizes, colors and patterns  will  be used to create a cohesive repeated design element through various areas of the restaurant – both inside and out. Watch for this completed project in coming months.

Commercial restrooms can benefit from full-wall tile treatments too. Not only does it look complete, but it is an ease of maintenance consideration.

Three dimensional tiles add interest to this cactus motif!

 

Fun with color and texture, tile are also easy too keep clean – terrific for public restrooms.

Murals are also terrific ways to use tile as art in your  interior/exterior designs!

This is embedded into the stucco for an integral installation.

When using outside though, remember to consider the range of temperature and moisture to which  it will be exposed. Porcelain is the most durable in areas where the temperatures get to and below freezing. Freezing and thawing can destroy tile. Many murals are made from clay that is not suitable in cold climates!

Inset into the tile wall treatment is this stunning glass mosaic abstract mural.

Tile – it’s a nearly limitless medium. So consider the possibilities for your next project! As a piece of art, an accent wall or an entire installation – full-wall treatments make a statement! Have fun with tile!

 

 

Quilting – An At-Home Workroom of Color!

It’s not your grandmother’s quilting these days…computers have radically altered the landscape of this generations old art form.  Two days ago I found myself in an in-home art-studio/workroom that blew me away!

Initially a craft born out of necessity, as creative survivors accustomed to “making something out of nothing” re-purposed scraps of material to patchwork new articles of clothing, homegoods and ultimately art for the walls. This clever, resourceful, utilization was celebrated in Dolly Parton’s song turned movie, about her true-life “Coat of Many Colors.” https://en.wikipedia.org/wiki/Dolly_Parton%27s_Coat_of_Many_Colors

The intricate designs and refinement of pattern details was obviously all done by hand, but with the development of machines and now computers for this purpose, the possibilities are endless.

So as I turned the corner, to see a would-be remodel of combining two bedrooms and expanding to the north of the existing shell, I was astonished to see this remarkable, expansive workroom – all white – punctuated with colorful creativity. Colors, textures, patterns…this extraordinary, rather Renaissance, woman had carved out a generous space to explore this phenomenal art and craft.

As an artist, Sue Watrous’ paintings and sketches are quite photo-real. On a few of her pieces, she has deconstructed the elements in the painting cutting them from fabric of many grey-tones defying the fact that they are textile assemblages.

This original pencil drawing – yes, photo-realistic, is amazing.

Then to create the same image as a patchwork quilt is remarkable!!

Yes, look closely, you can see the patches of fabric that are assembled in the many grey tones to create this amazing piece.

Her joie de vivre is derived from this magical space and the creations that she imagines and brings to fruition.

Upon entering her amazing domain, I felt as though I was entering an operating room – everything in perfect order, clean and spare – like a clean-room at Intel – I should gown-out or suit-up!!!

I might be exaggerating because it was white and clean, but warm and welcoming with the rainbow spectrum of thread spools and quilts both finished and in progress displayed on the walls and on the other many surfaces.

Self-taught, she nonchalantly references the many computerized machines strategically placed around the  room. There is an order to the layout and her approach is meticulous. Despite the fact that there is an active quilting community here – they are too busy quilting to teach – so Sue jumped into this after having seen a presentation at a show about five years ago. Years ago she quilted – but at this juncture, she knew at once that she wanted to enter this exciting and challenging realm, of computerized art assist!

Like the shoemaker who has no shoes, her quilts have yet to adorn the walls or bed dressings throughout the rest of her home. She doesn’t sell her work – but her family all has homes riddled with choice pieces.

Her paintings are placed amidst her interior, but not her quilts. Today I focused on a large wall to be the future home of a near-to-be- completed quilt.

She tells me that the fabrics are like paints – she is painting with fabric.

 

And although she is not yet dying her own pieces, she told me of meeting a textile artist who spun her own thread from her own llamas, dyed it, designed and fabricated her own work.  Sue has created most if not all of her patterns and designs and I am confident that before this is over, she will be donning rubber gloves and dunking material in dye vats to find a new layer of creativity.

 

 

 

 

A Dozen Tips for Planning a Kitchen Update

As we know, kitchens and bathrooms lead the features that often make or break a house sale. Investing in such improvements can not only enhance your living experience, but also serve you well when it comes time to sell. There are a few basic tips to follow as you embark on this could-be, (but need-not be) daunting project. Here are some important things to consider for all facets of the experience!

  1. To begin, note what things about your kitchen you would like to improve – both functional and aesthetic.
  2. Gather inspirations – make a hard-copy file or at least collect in a folder in your computer things that inspire you in your quest for your improved kitchen. Use kitchen design magazines, Pinterest posts or remodeled kitchen ideas that you Google-search. These ideas are a great springboard to narrowing your design direction and conveying your concept to your design professional.
  3. Based upon your “inspirations” what is your color scheme? This direction will impact options and decisions for finish materials such as flooring, cabinets, countertops, back-splashes, wall finish and window treatments.
  4. Is it merely a facelift? New cabinet doors and drawer fronts? Perhaps new countertops and back-splash. Or is it a complete gut and replace?
  5. New appliances – replacements or additional components?
  6. Sketch the layout of your new kitchen, if applicable. Make sure the available space accomplishes what you are imagining.
  7. Imagine the finished product. Illustrations of the “after” design are the best way to accomplish this.
  8. When in this process should you consult with a design professional? Perhaps after number 3 once you have gathered examples of your preferences…I let the list continue beyond number 3 to give you an idea of where in the process you might feel the need to have some qualified assistance!! An experienced designer will see things you don’t, know things you might not have considered and ideally maximize your budget by avoiding costly mistakes or missed opportunities.
  9. For example, don’t miss opportunities for additional storage – this is a critically creative design detail that results, in great benefit, to the finished product.
  10. In fairness to you and your contractor, try to establish a budget. Do a little homework. Gather rough costs for lineal feet of cabinets, appliances, design consultation and construction costs (a good resource are the home-improvement stores). Give yourself some latitude as this cannot be a finite budget at this early stage of the planning.
  11. With your design pro, discuss contractors that fit the bill to what you are trying to accomplish. If you are only tackling cosmetic improvements, a general contractor might not be needed. For example, new wall finish, countertops and appliances or new cabinet fronts, a new light fixture…these are individual sub-contractor projects. But as soon as you get into moving plumbing and electric, adding or removing walls, puncturing the envelope with windows or skylights – you had better hire a general contractor to take responsibility for the scheduling, coordination, licensing and permitting of the work.
  12. Once your scope of work is determined, you might need to get familiar with great carry-out in your neighborhood!!! That and a few great restaurants too, as you might be without your kitchen during a portion, if not all, of the process once the work begins!!!

Here are a few projects that we have documented with pretty effective “before and afters” to help you consider some of the above referenced tips.

These peachy pickled white-washed red-oak cabinets had classic lines and were in excellent shape after 30 years! The original owners were ready for an update.

 

Purely cosmetic (except for replacing the lighting) we saved the cabinets in their entirety, painted the boxes, doors and drawers. By shooting the fronts remotely, quality control was insured and caused less imposition at the residence.

 

Black accent pieces were already in play. The new black finish was a dramatic transformation. Using a special tinted varnish, proper prep and several coats results in a very strong new finish. All other finishes were replaced with a conscientious effort to coordinate with the existing flooring. The result “reads” as though it was all done at the same time. The floor tile looks good as new!

 

Similarly, we saved the cabinet boxes, but differently from the previous project, we added a few updated cabinet features and replaced the door and drawer fronts to a more classic raised panel detail.

 

Again the transformation was exciting, but by saving the perfectly good cabinets, we had far less disruption to the home-owners. Enhanced cabinet details for improved drawer glides, additional storage, new counter-tops, new lighting, and as is true with all of these projects “cabinet jewelry,” in the way of new door and drawer pulls and handles, adds the finishing touches.

 

This very dated kitchen from the early 70s, had a new owner – a single man – and he definitely didn’t want this provincial look!

 

In this case, a general contractor was in order. We opened walls, re-designed all the lighting, replaced all cabinets with new custom cabinets, appliances, flooring, counter-tops and back-splashes. The transformation is astonishing!

 

 

DIY…Do It Yourself Beachfront Getaways or DWI…Designing While Intoxicated!!

Not as the title suggests…tequila shots and all – but another kind of intoxication…an intoxication from unexpected beauty, sensory overload, inspiration as seen in the following photographs.

Those of you bundled up against the elements this time of year…freezing your booties off in the icy winter climes. Enjoy this escape into your unbridled imagination of design and lifestyle gone wild!

Thought a beachfront condo was out of reach? Think again. With all the DIY out there on the internet today, anything is possible. As evidenced by the inspiring framework of architecture that I have encountered just this week alone, consider the possibilities and have a little fun!!!

Very simple things trigger design concepts. Beyond the fascination I have had with these beach structures, this particular photo was bathed in late afternoon light. The glow of the orange towels was emitting a warmth that was so tropical, had it not been on a tropical beach, finding the same boldly colored and textured structure in a snow storm would have elicited a startling, contrasting feeling of the same tangible warmth.

This make-shift west-facing beachfront was so beautiful, in its simplicity, that it spurred ideas of bold fresh color, basic found-material furniture possibilities, fabric design and organic architectural solutions for patios both commercial and residential.

Imagine raw elements  incorporated  with concealed structural support to convey the feeling of spontaneous simplicity.

Then there’s that general calling that speaks to “the natural integrity of the materials.” You realize it is a grounding.  It is a starting point of reference to all the embellishments, layers, machinations and manipulations that are possible.

Wood is wood until it is stained, painted,  appliquéd…when does it lose its “natural integrity?”  Even raw, man-made cinder block – CMU – concrete masonry units have their own natural character. Then stained in the aggregate or applied color, thickly coated…it alters it’s state – losing its material’s natural integrity.

What ignites design thrills? The fireworks of ideas that burst onto the scene illuminating so much that was previously obscured. It doesn’t have to be a remote and seemingly inaccessible tropical beach…it’s everywhere. Look around. See texture and color, shape and frame. Urban, suburban and rural settings in any climate all offer inspiration that can be isolated and appreciated. Design inspiration can be intoxicating.

Why is designing so exciting? Why is it often such a rush? You never know when an idea will appear or from where.

The world around you is a constant stimulation of ideas, inspirations and possibilities. You are thirsty for  whatever is out there…whatever is waiting to be discovered, implemented… quench those longings.  It is all about the freedom to allow ideas to be spawned from anything around you or in intertwined with your own imagination.

What fun to have come upon these simple structures on a glorious and sparsely populated beach. What fanciful design ideas and story-lines were prompted by the imaginary occupants, their creativity, resourcefulness and problem-solving simplicity.  Lest you think they house the homeless adventurers, they are actually sun-shades for creative surfers and affluent sun-bathers seeking a primitive beach experience.

How might these primitive structural solutions play into a future project? Watch for design trends to incorporate more organic materials and nature’s inspirations!

I’m ready to explore the possibilities. Are YOU?

COMFORT & JOY with ART

A few years ago I gave a talk. The title was  something like “I Need a Piece of Art to Go with My Red Sofa.”  It was a defensive argument giving liberty to those who sought artwork for decorative purposes rather than an esoteric rationale. As an interior designer surrounded by artistic influences and drawn to the limitless styles, pieces, concepts and movements of the art world, I see and appreciate both sides of this controversial coin.

Federico Leon de la Vega’s Pomogranates

In my opinion art should bring joy. And that is not to discount art as a social commentary, honest statement of artistic philosophy, opinion, or personal expression. As an interior designer, my simple philosophy is that joy is a goal of interior habitats – function and joy simultaneously. For me, there is a synonym for beauty in there. Oh – and how apropos – it’s Christmas time and the carol God Rest Ye Merry Gentlemen specifically identifies bringing “tidings of comfort and joy.”

In this  month’s December 2017 issue of AD “Architectural Digest” Living with Art, architect Luis Laplace offers that he doesn’t really know about beauty in art. He sounds modest and self-effacing.  “I say I don’t know beauty. When I see that something works, then I see beauty.”  I say that is saying a lot about context. But inasmuch as I can see context being so perfect to showcase a piece that it validates it somehow, it seems lacking in the department of honest personal appreciation or criticism. Surely he must find beauty in art before it is placed.

I can see admitting that something having potential is a valid “wait and see” position to take when allowing a piece to be placed to its best advantage, prior to judging it too harshly – but that seems reserved for pieces about which one is trying to give them the benefit of the doubt! It sounds a bit like tap-dancing…making excuses. Excuses for not having an initial opinion or spontaneous reaction – much less appreciation – much less, joy.

Festive boat bringing JOY at the San Diego harbor parade last week.

Another comment that Laplace makes in this article “High Art” is that “We never use art as a decoration,” he declares. “We design for installation and rotation.” And I am sure in his world, that is exactly what he does. But let’s get down to earth and acknowledge that it’s a chicken and egg thing – the luxury to design expressly for the presentation of magnificent rotating works of art versus finding joy in a piece to decorate your world – with or without rotation. He makes decoration sound like a bad word. And perhaps he thinks it is – but why? Adornment, decoration, enhancement, emphasis – all superlatives, in my estimation.

Federico Leon de la Vega’s Script on Blue

In a completely opposite place on the planet both figuratively and physically, Robert Downey Jr, in this same issue of AD, expresses an explanation for their selections and design direction. “We didn’t set out to do something conspicuously whacky.” He obviously gets great joy and a kick in the pants out of his approach which he cements, with the following comment: “We just enjoy a bit of whimsy and fun.”  And then a negative nod to separate him from the more cerebral art enthusiasts – “We definitely don’t like boring.”

But that is a direct comment on the joy thing and one of my oft borrowed quotes “One man’s trash is another man’s treasure.” Here, a tangible example that I created for my grandson, Liam a few years ago. Debris he and I collected while on a walk one day, I assembled into a collage and had it framed for him with the plaque to remind him to look at things and regard things from all angles.

From what one person derives joy, another might find boring and uninteresting. And that oddly seems to return to the Luis Laplace comment about not seeing beauty until it is placed and then can be recognized. Hmmmm…Yet, I am saying that it might be of value to study things and  think about things differently than face value at a quick glance…spontaneity is valid and so is “love at first sight,” but often things are missed because their context s not serving them well. That space above your red sofa might be just the context and proper setting to showcase the “whatever it is” piece which might be far less interesting otherwise.

Which is why, in this time of international commerce delivering things from all over the planet with an almost instant gratification speed, we still have difficulty making decisions about what to chose to have in our world. Which fabric, which furniture, which art…the choices are at our fingertips and delivered to our doorsteps without leaving our living rooms, but fear of costly mistakes, second guessing trends and how to make good investments still remain the dilemma shared by most. Fear of trusting your own joy. Or, better yet, discovering and defining your personal joy.

Which brings me to the last quote I extracted from the December  2017 issue of AD by an artist, Brian Donnelly, speaking about his own residence and art collection, and that is  “I don’t buy art to put in specific places. I just collect what I love and hope to find a place for it.” Sounds like spontaneous joy to me!!

Closing with best wishes for a Merry Christmas and “tidings of comfort and joy.”

 

 

When is Too Much, Not Quite Enough?

Perhaps – when you are an avid collector, limitless treasure-hunter and lover of basic Americana (comprised of the appreciation of indelible graphic design and branding mixed with a healthy dose of green chile cheeseburgers, bodacious bbq and good fun) – it’s never enough! We’re in Hatch, New Mexico at Sparky’s once again!!!! The sensational roadside attraction – Sparky’s burger bastion MUST know when too much is not enough!

Nine and a half years ago Teako made a statement and the word has been spreading ever since!

The opening of this fun and funky establishment started out with a few outrageous signs and vintage mascots like the Colonel Saunders on a bench, Ronald McDonald as the un-official greeter

and a dedication to signature green chile cheeseburgers and mouthwatering bbq. Now both sides of the street (and scattered around town) are towering, larger-than-life icons of days gone by and travelers from all over the world stop to experience this unique site.

But inside, the treasures also abound! With each visit we discover new surprises and exciting additions. Because its Christmas, we were enticed by the “Say Queso” photo scene. We donned funky antlers and cozied up to the decked-out tree, with a backdrop of sparkle and ornament, beneath dangling snowflakes,

flanked by a towering toy soldier and Jolly Old Saint Nick himself!

The stockings were hung in clustered abundance over the entryway to the dining room. No such thing as too many or too much here!!!

The walls are plastered with iconic paraphernalia.

Patina etched tin painted and pitted, with pocks of rust and tarnish – weathered through many storms adding further character to the familiar and not-so familiar pieces, until finding safe haven here in this magical collection.

Camp art un-selfconsciously curated on every square inch of interior space.  A nostalgic presentation and preservation of graphic design and branding.

If you’re a “picker,” a graphic designer, a nostalgia buff, burger and bbq connoisseur or just a kid looking for a memorable bite on the side of the road,

Sparky’s unintentional museum, of the colorfully entertaining and eclectic, will not disappoint! It is a must-see landmark in this our Land of Enchantment.

Be enchanted at Sparky’s! Thanks for the memories!!!!! Keep ’em coming!!!