Fabrics – Texture, color, pattern, design & style – The Art of Transformation

Everyone loves “Before & Afters.” The transformation of an object or a space is the magic of interior design.  One of the most valuable elements in our design wheelhouse is fabric. Fabrics have the ability to transform. Like paint – color – altering to enhance a piece or the entire environment, fabrics offer not only color, but texture, pattern, design and style.

I love a good find. Call it antiquing, thrifting, scouting, treasure hunting…the hunt is the intrigue. Exploring random sources to find the perfect piece. Once found – knowing what, if anything, is needed to transform it.

Reupholstery is a life-saving treatment. To salvage a tired piece with good bones and great lines is a service to good design. Pairing old pieces with new fabrics is rejuvenating. Inserting fabulous fabrics into a design scheme is a fine art that gives aged pieces a new life and contributes to the uniqueness of the composition of a space.

Of the design elements, paint is the one with the seemingly limitless choices. Fabrics are next. The worldwide variety of textiles, creatives, fibers and the combinations thereof are vast. Searching for just the right fabric for a specific piece is part of that treasure hunt.

You have heard the term “run of the mill.” Even for many, having never thought of this as a fabric metaphor – this phrase is used commonly to describe the common. It means ordinary – a common, mass-produced product’s run of a manufacturing mill. Using common fabrics is a cop-out when it comes to creating unique designs – especially when there are so many incredible fabrics from which to choose.

Personality comes into play when selecting a fabric. Along with function (how durable/cleanable it needs to be), the taste and preferences of the user, and the context in which it might occur – personality of the pieces plays a major role. For example, reading the personality of a chair – its lines and scale.

The personalities of fabrics are as endless as the textiles themselves. Fabrics evoke moods, seasons and even attitude. For commercial use, as well as heavy-use residential – workhorse fabrics have evolved. Not long ago, durable fabrics looked durable, less attractive and limited. And without turning this into a continuing education course about fiber content, it is obvious once you investigate the options, durability for wear, ultraviolet tolerance, mildew resistance, and antimicrobial properties – are all woven or applied to fabrics allowing amazing installations in commercial interiors that you would not hesitate to have on your living room sofa! 

Voila! The finished sectional is further detailed with custom throw pillows to bring together the caramel and blue tones of this color scheme. Warmly greeting guests upon arrival.

Residential interiors can now enjoy what commercial interiors have realized for years. By incorporating the durability and cleanability which allows for the wear and tear – without showing those signs of real life – residential and commercial interiors incorporate fabulous fabrics that defy their strength – beauty and style conquer!

Sustainability of the fiber sources is an increasing topic of conversation. That and the fiber contents regarding the health/safety of the materials and treatments, if any, used (Okeo Tex certification, for example).

With all this information regarding the myriad options, enhanced durability and the unique opportunities that textiles provide to dress your great pieces – treasure the history, family hand-me-downs (if not heirlooms) and give them new life!!!! Its ART!!!

Color Scheme Tips

Color schemes are limitless. The permutations are endless. Color is exciting and fun. It is personal. Colors evoke feelings, memories, emotions and are key to a comfortable interior.

How often have you been asked or pondered on your own…”What is your favorite color?” Some people hesitate to answer, while others blurt-out readily with their fav.  But what color you choose to wear versus what you enjoy in your interior surroundings and how much might be quite different.

Several weeks ago, I launched a weekly post on our PATRICIAN DESIGN Facebook page called “Color Schemes.”  The idea is to inspire design ideas by pairing artwork with designer fabrics. When planning an interior there is always a focal point complimented and surrounded by supporting elements.  Whether a key painting will command the space or an expansive window with a view will direct the focus to a scene of outside colors and textures – that key element will greatly influence a successful interior color scheme.

Annette Donald creates colorful cubes in her creative take on our beloved chile ristras. A serrano chile oil painting, on canvas, by Federico Leon de la Vega is quite representational. Paired here with Romo and Ralph Lauren fabrics, Sherwin Williams paints…fresh and festive!

Here is the example of a November Scheme and you can scroll back each Monday for the past few months to enjoy a variety of the Color Schemes! https://www.facebook.com/PatricianDesignABQ/photos/a.243005986618/10157154423221619/

We embrace the The Nature of November with its unique colors and textures. As the air becomes chilly and the leaves fade…warm, soft colors bring us indoors. Featured here an elegant fused glass ribbon wall piece by Lisa Checnoff.

There are four primary considerations that I discuss with my clients when determining which colors to choose, emphasize, avoid, use as accents and where. To establish these selections, we evaluate personal preferences, contextual implications, seasonal influences and even trends. 

PERSONAL:  In planning an interior, I always want to know what colors make our clients happy, comfortable, stimulated, vexed or relaxed. These personal insights reveal important information for selecting types of materials too.

By examining what might be one’s favorite color, the discussion will navigate the distinctions, if any, regarding preferences for clothes versus interior furnishings. Interestingly, they are not always the same – although, by mere comfort and familiarity, they often are.  Simply asking about a favorite color is not enough.

Brilliant golden yellows and blues – splash color! Featured here are fabulous photo-realistic acrylic paintings by Sheri Mays paired with amazing fabrics of the same exciting palette.

CONTEXT:  The context of the interior might dictate or at least steer the direction of the design. The luxury of having multiple personal environments offers the opportunity to have different color pleasures exercised in different places. The ski condo might be woodsy and textural with browns, greys, stone and wood punctuated with a pop of color versus the seaside retreat with its crisp whites and cool blues and greens punctuated with pastels or bold contrasts. Therefore, the location of an interior might direct the desired color palette.

Inspired by this spa-aqua pottery bowl by Penny Roberts and the custom glass tile mosaic we recently combined to face a newly remodeled kitchen wall – the cool seaside/spa feel balanced with ambers and warm dots of color – pink, fuchsia, orange and golden yellow. Durable brushed cotton solids come in myriad colors and are perfect for pillows or upholstery.

SEASONAL:  This one is tricky because it plays on the perceived climate outside – even if the interior is maintained at a constant temperature. It takes a concerted effort to plan a color scheme – including textures and finishes in anticipation of changing seasons and relative temperatures. I previously mentioned that a window with a view might be the focal point of a room…imagine the effect the changing seasons might have on the selection of interior colors and textures versus a consistent tropical scene, for example?  

Perhaps you love purple – ever pair it with golden yellow? Here, functional, fantasy pottery designed and crafted with the most precise attention to detail by Jen DePaolo inspires our boldly brilliant scheme.

TRENDS:  Inasmuch as I avoid being steered by trends, it is impossible and not advisable – in design – to avoid them. Clients are influenced by them and bring that would-be preference to the table.  It is essential to continue to have “colors-of-the-year” and other market-driven colors change to stimulate the economy with buying and selling, replacement and updating.  It’s our socio/economic norm.  It also serves as an encouragement to re-fresh. But to limit that influence, in favor of long-term personal pleasures, is best.  The pressure of this marketing color influence contributes to our being a disposable culture. Not time here for a lecture on such things – but rather to instill an appreciation for and confidence in personal selections an decisions – in this case,  color.

Patinaed pearls and stunning glasswork by Margaret Hidalgo Vanderheyden inspire the soft, greyed lavenders and blues of this cool scheme.

An interesting and on-going test for evaluating a successful interior is when designing in one season – it has to work in all others. For example, when I meet with clients in the heat of July with lush foliage and color, warm temperatures and long days, that same interior has to succeed when it is frigid outside, barren, and with darker, shorter days. What might the challenges be in creating a successful scheme and what might be the solutions to make it work?

Having noted all of this and knowing the different reactions people have to color, isn’t it interesting when an interior is so successful that it appeals to many, if not the majority, of those who experience it?  This is more applicable to commercial or public spaces – from doctors’ offices to hotels.  However, the challenge and success is in knowing the many things to be considered and implementing a balance of them throughout all aspects of the interior.

Anne Marie Werner-Smith’s brilliantly glazed pottery here with Margaret Hidalgo-Vanderheyden’s lovely fused glass crosses along with coral and dyed stone necklace and woven table runner from Chiapas reflect the changing colors of fall leaves…

Appreciating color is a gift to designers. It truly is an imperative to appreciate all colors and have the sensitivity to discern the nuances between various values and the effects of selections and combinations from the infinite choices.

I hope this has given you ideas and inspiration to move forward with YOUR color schemes! Sign-up for our weekly email of Color Schemes with classic blue and white and stunning neutral greys coming!! And follow the posts on Facebook every Monday.

CONVERSATIONS ON DESIGN – SPECIFICALLY, PRO TIPS ABOUT COLOR

This past week alone I have consulted with a commercial client about reception seating and color, a home-owner, in a mountain setting, about durable floor finishes, bathroom remodels and color, a couple in a new home downsizing from one of 20 plus years about furniture arrangement and color, a couple from Las Vegas buying a second home by their daughter and grandkids about color, and a woman stopped in the shop yesterday visiting from Santa Fe and said that she didn’t know we were also a design firm -picked up a brochure and told me inasmuch as she had “a pretty good handle on design – she always struggled with color.”

See a common thread here? The comments were from that where she admitted to always struggling with color to another wanting her seemingly tract home to feel like a woodsy cabin with color, others wanted their spaces  lighter while others wanted to make a corporate statement that would support their brand and not go out of style in the coming few years. They all had steered toward neutrals – but not in a good way – because they were uncertain about committing to COLOR.

The whites and greys are their own beautifully valid color scheme. https://patriciandesign.com/project/modern-make-over/   I have written before about when white is a color or when it is the absence of color.  https://patriciandesign.com/white-by-design/

I also continually stress that all design decisions are based upon context. Many of you reading this, with whom I have consulted, will recognize much of these observations and tips. I stress select color to compliment your context!

Interestingly, the mountain home has existing painted doors and trim. To change those elements would be costly. How can we woodsy-up this interior without those seemingly necessary key elements?

I asked her for her priorities and “comfort colors.” As a result, we will change the flooring for look and durability, building from that add color and various textures to enrich the space – stacked pebbles at the fireplace, a slab hearth, a wooden mantle and a light neutral will be the main backdrop splashed with strong elements of color (notice them on the mantle). The very vertical fireplace will be a bold golden yellow color to intentionally work with the honey tones of the pine architectural elements.

By contrast, a magnificent home (also in the mountains with great wooden details), had too much of a good thing for the owners’ other interior furnishings. In this case, the seeming sacrilege of painting the solid wood doors and trim was in order.

To paint all the solid wood doors and trim in this home was a leap of faith. But the goal was to add back stacked stone to carry a theme from the now naked fireplace to the kitchen bar and over to the entry door wall. Having it in three places will commit to an architectural theme for this finish selection. New colorful rug and fabrics for throw pillow will enliven the space and bring focus to individual accents throughout the interior.
The grey hand woven grey rug was not providing the needed backdrop for this new scheme so we gathered rug and fabric samples to “punch-up” the scene.
After the new rug arrived, we assembled the fabrics for another study of our options to detail the design.
Before, this little powder room was a bit bland. The quality, solid wood, raised panel, pine doors were too rustic for the owner’s preference – but painting was not an option – until we discussed it. What was a possible sacrilege became a beautiful solution to changing the design direction of this interior. Mirror and sconces remained while vanity, sink and colors were transformed!
The AFTER of the little powder room is still in the process, but it is clear that the transformation is startling with the newly painted doors and trim and the fresh POP of turquoise on the walls. Layers of color and emphasis changed. It is not about painting wood, it’s about creating balance. The massive, solid wood front door and antique and art pieces throughout will be emphasized as key features

Another such interior was over-burdened with stained wood and to paint it all out white was a major commitment yet, the results will make for a lighter backdrop still revealing the bones and their texture, but freeing the owners to showcase their other pieces of fine woodwork, art and furnishings.

PRO TIPS

  • The trick with design decisions is to determine and understand the primary purpose and intended “read” of the space. What is most important and where do you want your focus?
  • Once you have evaluated the space, identified its primary purpose and selected what you want to emphasize; see what is either in the way of, or competing with that emphasis, and clear all else away. Add back the things that you consider most important either for function or joy (form).
  • If the architecture is most important, determine what about it and work from there to complete the space. If a piece of art is most important – place it to its best advantage and build around it so as not to compete, but compliment. If a view is most important – the same is true – clear away and frame with the most important and/or effective pieces.  Pick your priority, yet take everything into consideration.
  • With regard to color…it can emphasize the architecture or be inserted for a bold statement(s) of art or fabric on furniture, rugs…When using color, the idea is still to have balance in the context of where you are placing it. It can be a backdrop or a foreground accent.
  • Consider existing conditions that will not be changed – such as flooring. Select colors that include the compliment to that material. Whether in direct opposition for contrast or to meld in   a way that creates a subtle transition – the consideration of existing materials is important.
  • The effect of considering existing materials can result in their appearing as though part of the plan rather than being inherited unintended.  This is generally a desirable result. Therefore, if you have a material that will not go away – make it intentionally part of the plan.

The corporate color issue was about updating their image and connecting with their clients in an intimate and comfortable manner- an environment that carried the trust of years of experience and embracing a new generation of financial management. They developed a marketing plan moving forward to identify a theme, feel of confidence and carry it through the entire experience. In a recent Facebook post you will see this project in the process and notice that the carpet was an existing condition and that it was used deliberately to make the new materials appear to all have been coordinated from the start. Long time clients and new are comfortable with the changes!   https://www.facebook.com/PatricianDesignABQ/

It’s OK to play it safe with neutrals – but in this case, it was time for a updated “brand” for this business. The unusual eggplant and chartreuse carpets inherited in the move to a different suite required some deliberate coordination, to have it all “read” as though designed afresh!

The want-to-be woodsy cabin project will have new, durable porcelain tile floors imitating variegated slate and from that palette of colors pull paint colors to add whimsy and visual impact along with other new additions of stacked pebbles at the fireplace and wood encasing the now sheet-rock mantle.

The stacked pebble stone, engineered stone, new wood mantle and splash of colors against the neutral will make a dynamic statement. Notice new color chips leaning on the mantle.

The couple downsizing and wanting more light and a less heavy southwestern feel panted their entire ceiling of beams and tongue and groove including support columns in white. The wood still “reads,” in all its hand-hewn texture and knots. The white is no less natural than the dark chocolate that had been their previous faux finish. Albeit the tongue and groove had a clear lacquer that we concealed behind the new cloak of white for a uniform backdrop.

The dark chocolate opaque stain of the pine members was no more valid than painting them an other color. We selected a white to open and refresh with a neutral backdrop to allow other elements to be more focal.
Painting currently underway!! Watch for before and afters of this refreshed interior.

The couple with the second home had history in Hawaii and wanted a beachy, fresh theme for their new desert home. The flooring was a mottled light brown glazed tile and we selected a noticeably light, subtle sand colored wall paint to contrast and POP the existing off-white doors and trim throughout the home. Accents in recessed niches and doorways will become a soft turquoise while an interior laundry room gets a splash of citrusy yellow. The layers of color will be visible from different angles and vantage points. With the golden oak kitchen cabinets being painted out to match the existing off-white trim – the scheme will be fresh and beachy! Their artwork presents these colors and will being their personal touch to the arrangements. Watch for this project in coming weeks.

Do you have ideas about certain features in your interior that do not quite seem to come together? Do you feel the need to refresh? Are you looking for a new color scheme? Please do not be afraid of color and do not be confused about current trends. White and grey is a soothing combination. Trimmed with black, you get a defined contrast. Insert organic greens and the combination is sharp and now – and yet potentially timeless. HOWEVER – colors too have their place and selecting those and their combination that will speak to today and not be out-of-style tomorrow, as certain trending combinations might – select colors to compliment your context.

Here are a few other Patti Says blogs and PATRICIAN DESIGN projects about color selection:

KEMP BEFORES  https://patriciandesign.com/rejuvenate-and-expand-your-interior-spaces-by-opening-walls/

Friends Don’t let friends pick paint colors  https://patriciandesign.com/5677-2/

Johnson’s PHX https://patriciandesign.com/spanish-style-brings-interior-spice/

Color forcasting  https://patriciandesign.com/color-schemes-and-the-complex-simplicity-of-it-all/

Bay area bungalow https://patriciandesign.com/project/bay-area-bungalow/

Celebrate the LOVE of COLOR!!!!!!!!!!

Before & After – A Startling Transformation

Last August 11, 2019, I left you hanging with a radical bathroom remodel that was in the throws of being transformed. The title of the blog was Everyone Loves Before and Afters. https://patriciandesign.com/everyone-loves-before-and-afters/  Here today, I am excited to present the finished product and a little more to the story…

Everyone DOES Love “before and afters.”  The original blog identifies the material process of the project, but as important as the material applications are the emotional aspects of design and precede the material selections.

The home is a bungalow style home from the 1950s. Charming architectural elements and traditional details set the stage, sensitivity, and the emotions behind any design decisions we were to consider. See the first phase of this home’s updating design in the primary living space at this link:  https://patriciandesign.com/project/classic-blue-white/   The kitchen was also re-finished. Maintaining the same design layout and appliances, the new finishes resulted in a startling transformation. https://patriciandesign.com/project/kitchen-transformation/

The challenge in this project was to retain the character and traditional charm that the couple so enjoyed about their home, while introducing new, modern design features and trends melding with traditional design elements. New custom cabinets for the vanity and linen storage/display unit along with the re-design of the shower – eliminating the tub and making a “doorless” access and a pocket door connecting to the adjacent guest room were the three key construction components.

Dated finishes done in the 80s, by previous owners, were common and bland. The tub and shower were enclosed with by-passing glass doors in aluminum tracks and frames.
This bathroom was the dated and fussy room that we presented last August. The tired and dull finishes needed replacing and refreshing.  It was to be a complete make-over to compliment other recent improvements in the home.

Once the general concept for the remodel is determined, the “what if” stage begins. The stage where ideas are tossed about and decisions lead to other decisions. The options are massaged giving way to different combinations and considerations.

After all the options are discussed the plan is adopted – a combination of everyone’s input. Hopefully not design by committee, but in this case the couple, in whose house we were working, and the me, the designer. After the design is determined, the input of the general contractor and/or the sub-contractors can come into play. They are generally given the opportunity to evaluate existing conditions and voice opinions and procedures or details that their expertise can bring to the project. Everything is considered until a cohesive plan is developed.

New cabinets were locally fabricated to not only insure excellent craftsmanship, but to customize the fit (left to right) and provide specific drawer configurations for the desired new height of the cabinets with an additional sink.
The tub was removed, and the new shower enclosure was clear glass and given a wider footprint to allow for a jog which eliminated the need for a door. The shower valve was relocated from beneath the shower head to the opposite “pony” wall, making it easier to operate the temperature and flow without getting wet first!

Other than the shower reconfiguration, new cabinets, and pocket doorway into the guest room all else was superficial cosmetic design features. This is where the layers of embellishment come into play.

During the process, there were certainly hesitations about the combination of patterns and finishes being proposed…however, you know you’re on the right track when the happy homeowner has fun accessorizing and creates the perfect towel/robe hooks!
DIY – finding these blue, wooden, open-work plaques, our creative homeowner bought polished chrome and glass doorknobs and attached them securely to the plaques – Voila!

In keeping with the traditional design direction previously adopted in updating the interior, the flooring was selected for its natural stone mosaic authenticity. With a warm grey selected for the custom cabinets and white herringbone patterned subway tile on the rear wall of the shower enclosure made for a fresh modern look.

A mix of patterns – a balancing act – the art of design. Do not be afraid.

But wait! These traditional elements and modern trends were further embellished with a second layer of curvy turquoise mirrors installed over the full-wall mirror – suspended between is a polished chrome sphere of open bands providing ambient light and additional task light for the vanity area.

Layer upon layer until the composition is complete!

Classic blue and white screen-print on paper with an overall pattern of vines and leaves fills in the voids creating a not-too-busy backdrop – adding further dimensions to the design.

Natural stone slab of a white crystal-like granite – looks like a stone quartz crystal.

Drapery fabric in a traditional floral on linen with whimsical, modern “martini glass” sheers soften the window and diffuse the incoming light.

The resulting completed interior is a radical transformation from the dull beige and peach of the previous scheme. Fresh and crisp – with just enough busy to be playful – the new owners claim that they smile every time they enter or even walk by.

Remember the first photo? The BEFORE & AFTER transformation is extraordinary.

Creativity Ignited

These are amazing times that are truly testing our creativity and ingenuity. We are challenged to alter our work-modes to operate remotely, utilize time very differently to balance work and family, find new ways to communicate and share and even radically re-direct manufacturing for purposes far different from their original intent…these are all very stimulating, creative challenges.

Isabel works from “home” in Denver managing the daily business of PATRICIAN DESIGN.

Where do the masses flock now that they are confined? Craft stores, home-improvement warehouses and on-line instant gratification pick-me-ups.  

Don – in his Home Depot orange shorts was a joke that we enjoyed for several years coining the phrase “Everywhere we go – we got o Home Depot!” From China to Albuquerque we took photos of Home Depot, often in his orange shorts! Couldn’t keep us away!

While most people are home-bound and businesses are fallow – wondering how they will survive this down-time and loss of income and the means to play catch-up with their debts – there are those who have been able to re-invent their talents to manufacture items very different from their norm that are in high demand at this time.  Re-purposing has taken on a whole new meaning. Where we were re-purposing an old door into a headboard or bicycle parts into wall art, we are now transforming entire production facilities that made widgets of all manner into plants of workers learning how to manufacture masks and ventilators… gowns and gloves.

The creativity is so broad-reaching it will change the way each of us behaves moving forward. It will change policy and priorities in government. It will alter thinking and spawn new ideas and procedures everywhere. It will have global impact and consequences unlike anything we have known. It will prove uniting and divisive, for differing reasons.

Less public displays of affection between casual connections with more formal respect for personal space are certain outcomes. Perhaps a combination of suspicion and respect at the start…but how long will it take to wear-off? When will the guard be dropped and behavior relax? What will be the definition of our new normal? Circumstances – certainly do – alter cases…

Interior design is tactile. It is comprised of textures and colors difficult to replicate over the computer screen. Before off of this we recognized that viewing fabric collections over the on-line portals was a way to get possible candidates for consideration – but more often than not, there were greater numbers of rejects once the actual samples arrived.

There is much we can do remotely. We can send drawings, send photos of fabrics (providing we have felt them and know them, in order to honestly recommend them), do video walk-throughs to view a space and make recommendations remotely. We can place orders and arranging shipping and receiving, coordinate sub-contractors and make things happen.

Many tradespeople such as upholsterers, seamstresses cabinet-makers can continue to work in the privacy of their own workrooms providing the have the material. Many fabric sources are still shipping orders. We have two sofas and two benches currently being upholstered – the fabric having been ordered, shipped and delivered all last week. With several other fabrics on their way, our seamstress will be very busy creating custom throw pillow, bed dressings and draperies. We can keep many of our talented, local people busy.

Artists in their studios are eager to express their thoughts and feelings and even bring YOUR interests to life in paintings, pottery, jewelry, sculpture…self-quarantined by their own habits – now is the time to commission a custom piece – pottery centerpiece, focal painting, personal jewelry piece, pet and people portraits by sending photographs!

The dynamics and demographics of our communities will be radically changed as a result of this crisis. Remember how upset many were over Walmart coming into towns displacing, if not eradicating small local businesses? Well, watch what’s happening with large national businesses today and their smaller, local counterparts. We will lose so many and replaced by whom? What? How? How will this change the look and feel of Mainstreet?

The interior design profession is so intimate and personal. It is about hands-on…to be there to move furniture, adjust groupings, share the experience of balancing textures, temperatures of color, size and scale… it’s hard to do  from your laptop on a remote beach.

So while the ads on TV promote the home decor sites for instant furnishings and decorative accessories – remember that they don’t always look as you expected once they arrive.  Many offer returns, but often with freight and re-stocking charges.

During this unusually  unprecedented time when anxiety instigates spontaneous purchases, designers can still consult to advise and direct, offer ideas, consult about choices and decisions. They can help make decisions and assist in finding the right pieces and making the best purchases.

So call them. Show them your finds. Discuss your choices and ideas. Get their opinions and make better decisions due to their experienced advice.  It might and should save you money and headaches in the long-run.

The current normal…snafu?

Discovering Extraordinary Ambiance on the Side of a Dusty Road.

After experiencing and pondering the value of incorporating nature’s elements into architectural planning in the previous blog, I find myself winding into the countryside from sea level to a mile high into jungles and ultimately pine forests, across vast expanses of rivers and towering bridges spanning grand abysses…and stopping at a modest panaderia (bakery) on the side of the road.

You can’t tell a book by its cover as this simple little rural structure – standing alone – looked curiously intriguing and quaint enough, with an unpaved parking area transitioning to well-tended pea-gravel. Traffic cruised by, on the way across the bridge.

Those that knew, turned in. We pulled off the road and were told that this couple had a wonderful bakery and were promised an exceptional treat! Fresh empanadas that would bring remarkably satisfying mid-morning joy.

Very tidy and thoughtfully eclectic, this little destination bakery is a precious find.

Oh, were we in for a surprise! At the entry, I stopped to shoot the whimsical cup of coffee mosaic set in a field of stone and concrete. I thought – what a fun design element to greet arrivals and set the stage. But I had no idea to what extent I was about to be elated. What unfolded so exceeded my expectations that I wanted to stay all day!!!

Happy stone and tile-work adorned the pathways. From the textures of stone and brick, tile and wood – it was an organic fantasy – an unexpected design experience.

Simple, yet spectacular – simply spectacular!!!!!

 Ceilings of colorful floral blooms – perhaps wisteria – suspended from their vines and other plantings intertwined with the structure.

Spotless and meticulous the eclectic elements were a harmonious creation.
Stone walls, wooden slats, vines and adobe all worked together to define the spaces.

 The wafting aroma of fresh baked goods – it was more than delightful.  From warm savory clouds with mushroom filling and another with chile-laced sausages – and an array of sweet strawberry, cream and pineapple empanadas to corn muffins, banana muffins and more! All nestled beneath colorfully woven cotton tablecloths.

Light and delicious – the best empanadas ever!! With a tiny sprinkles of granulated sugar, for a sweet crunch, before sinking into the fabulous fillings! Muffins challenged any others and savory treats were so satisfyingly delectable. Little buttons of banana slices on top denoted which were the banana muffins!!

Rich Mexican coffee with a touch of freshly ground cinnamon and luscious hot chocolate were served in custom-glazed “barro ware” complimenting the fresh-from-the-oven confections.

The exhibition baking kitchen overlooked the serving line. The buffet of pastries thoughtfully explained by our gracious and welcoming host, Jesus!

Carmen presents fresh strawberry tarts just from the oven!!!
A combination of old and new – tradition and technology meet in this cozy kitchen.

Fragmented spaces open, yet enclosed, offered intimate pockets in which to pause and enjoy.

Color-pops insert themselves effectively around the interior and exterior spaces.
Inviting seating areas semi-concealed offer private repose.
Tucked away – more areas to enjoy…

Clever use of clean blond wood shavings on the floor of the main covered patio created a wall-to-wall carpet of fresh aromatics complimenting the inviting aromas emitted from the ovens.  Rocking chairs and rigid sturdy versions, with a fun little rope swing, all surrounded  by tropical plantings made a cozy area to gather.

Soft underfoot and subtly fragrant – the wood chips make a great shag carpet!!!

As I meandered around exploring all the interesting spaces, textures, colors and plantings, I marveled at the sensitivity with which this had all been crafted and assembled. It was artful interior design with an exterior feel – open air and charming, with a decidedly handcrafted, Mexican sense of place.

Slices of handsome tree trunks make perfect stepping “stones” with graduated heights.

It was an eclectic collage of furniture, structure and organics – living and static – that was welcoming and artful, delightful and so pleasing, that it was a treat for all the senses.

The cool morning air of the mountains mingled, with the comforting fragrances, creating an atmosphere inviting gentle conversations of people gathered around good food and artfully relaxed surroundings.  

Peek in places and through doorways to find worlds of design waiting to be discovered!!!

Upholster a Rock?

Some fabrics are just so fabulous that they can carry a design scheme. You could wrap a rock with them and feel that they are accomplishing the design statement to set the theme, mood and encourage interest, if not confidence in comfort! Stimulating the senses is a major part of design.

Often, a throw pillow can make an effective accent. We joke often when we find exclusive fabrics in the hundreds of dollars a yard and say “Perhaps a throw pillow?” Knowing that the projects affording such luxury for miles of drapery panels are few and far between!

Duralee offers statement furniture pieces of unpretentious luxury and comfort with a collection of fine fabrics that will satisfy any budget. Birds take flight from this delightful Duralee pattern.

Sight Sound Smell Taste and Touch – you know. Colors and textures catch one’s attention. They set the mood.

Upon entering a space you take-in the colors and textures and if fabric is in play.With further tactile examination fabric contributes greatly to these two sensory perceptions – sight and touch.

This playful Donghia organic has fuzzy tactile balls sprouting from the linear twigs. From the “ground” to all the intertwining and overlaying weaves, the complexity of textiles is exciting. Come see these exceptional designer fabrics in our studio.
Many fabrics have multiple colorways. If you see an intriguing fabric that’s not “your color”, its worth asking about the entire collection.

Juxtaposition can also be an effective technique. When placing a modern pattern on a vintage piece, you breathe new life into the forgotten history – refreshing and capturing the best of both worlds!

You might not have a lot of confidence in someone who wants to wrap a rock to make a design statement. However, my point is, when you love something you want it regardless of the delivery system! Find fabrics that you love and insert them into your rooms – home or office. It’s like your favorite flavor. Sweet or savory – slather it on a piece of cardboard and you’ll be significantly satisfied. You need not struggle with how to do it – just make it happen. So to get a little taste of an exciting textile, make a table runner, simple dining chair seats, select a backing and make a throw or an accent pillow. Bring the joy of exciting textiles into your interiors.

Here are a series of fun fabrics from our source library – tools of the trade. We LOVE fabrics and must touch the texture, feel the weight and evaluate the colors. Seeing images on-line do NOT do justice to the many incredibly creative textiles are available to enhance interiors.

Cute critters march across this sophisticated yet whimsically novel woven.

 

Other considerations not necessarily in evidence are the wear-ability/durability of a fabric and the resistance to ultraviolet rays, mildew and other elements. Wool is inherently flame retardant, for example. And exteriors have come alive as these amazing performance textiles will often fool you in disbelief that they have the properties to withstand the radiating ultra-violet rays of the sun and damp conditions which invite mold and mildew. These incredible fabrics are truly indoor-outdoor in appearance and extraordinary performance!

High-performance luxury weaves such as jacquards, piques, tapestries, matelassé, ottomans, damasks and sheers defy their extraordinary performance properties.

Roy Hamilton a recognized designer in many media, brings fresh patterns to Chella.  Roy Hamilton, designer of exclusive ceramics, sculptural and textural interior elements and fabrics for over sixty years.

Call for an appointment to explore our source library for the most unique fabrics in the world!

Floor-to-ceiling shelves of samples await your exploration for commercial and residential application!! You can order most textiles by the yard!

Remodeling Process and Presenting the Same Accessories in the New Scheme

It’s true. If you think designer’s projects go more smoothly than the ones they do with and for you, you’re wrong. It’s true – they don’t! It’s about Murphy’s Law and I have been remodeling our master bath for months. Starting in November and as recently as this weekend personally installing (DIY) the stone surrounding our mirror, it is still not finished. But it’s close.

The full-wall mirror was re-used. During the removal and transportation to be cut-down, the edge cracked and had to be cut down…we lost an inch or so – no big deal EXCEPT that it then affected the dimensions of the new stone surround that had already been determined. Oh well…we now will have to cut the tile – had intended not to have to do that. One of the many little surprises and delays. We had to order more stone and will now engage the installer to cut the ones that would not fit the new and slightly non-parallel conditions .

It’s actually fun to tile…until you have to cut it. It is like frosting a cookie and then pressing it onto the wall. It goes quickly and gives instant gratification. But when things are not perfectly parallel, something has to give. That’s when we cut. (Or call someone to cut!!!)

The effect, of having almost all of the mirror surround finished, gets us that much closer. The effect is great and is beginning to feel like the intended design.

The shower before and after is providing the open expansive look that our little shower enclosure didn’t provide. Despite the facts that the footprint is nearly the same and the old enclosure was all clear glass – albeit framed in gold finished aluminum – this new single panel of 1/2″ clear glass and white-on-white floor and walls looks clean and open. Not a snail design – but, no door. Prepared to add a white shower curtain on a custom curved aluminum ceiling track once winter returns – but for now we’re enjoying the refreshing and comfortable atmosphere.

We elected to use stacked stone on the rear wall of the shower as our house sits at the base of the majestic Sandia Mountain and selecting stone seemed more grounded and contextual than other decorative options – of which there are a million from printed concrete, glass mosaic, embossed porcelains…the list goes on…

Decorative elements are beginning to “read” against the new finishes. The same Portuguese ceramic footed rectangular container holds a bouquet of white washcloths. Yes, I think that the rolled terry towels look like rosebuds and I have always enjoyed the softening effect they provide amidst all the other hard surfaces. Plus they are handy on the countertop for clean replacements.

Footed Italian porcelain has had wash cloths in it for years and stays on the new counter top in a slightly different location.

Behind the terry rosettes, notice the pair of Heisey open and lidded pair of stemmed glass vessels that I use for make-up brushes and cotton balls respectively.

The same crystal wide-mouth vase holds and dispenses the facial tissues. I love the effect of the white-on-white coiled folds of the tissues. They are soft and read interestingly through the cut crystal.

I’m a LEO and find myself discovering and enjoying subtle references to lions. Our front door knocker and this cache pot that I’ve had for over 20 years as examples.

Nothing in this new scene is new. These accessories are all the exact items that were scattered on the countertop previously! Funny how the exact same decorative accessories work so well in this new interior!

A silly little collection of found things in a family inherited vintage pressed glass bowl including a glass marble, square frosted glass coke-bottle-colored mosaic tile, various sea shells and fragments, a squashed bottle Coca Cola bottle cap from Mexico, a hemp cord DIY necklace with a shell pendant…

Another glass tray that was also on the previous countertop presents my fragrances, a few products, a bobble-head turtle, my Waterford ring stand stacked with costume glass rings, my tragic, yet miraculous jade bracelet (save for another story), a fossilized bone – in – stone I found as a child, my  white framed sunglasses which might seem selected for the new color scheme – when, in fact, they are a result of my love for white framed glasses and these that I bought even though I didn’t like the would-be “reader” small lenses – I kept. I don’t like the way they look on – so have relegated them to the master bath for emergency dashes to the outdoors, on the upstairs deck when my other sunglasses are downstairs!

Still to complete…the stone mirror surround, hang the glass shade for the new pendant light fixture, install the towel/robe plugs, install the polished chrome drawer bar handles to match the new square door and drawer pulls, clear all the remaining stone pieces, thin-set and grout bags and boxes from the tub deck, install the new window sills…

Re-evaluate your existing accessories (and/or furniture) before feeling the need to change everything when you remodel. Watch for the completed before and after shots of this remodel soon to come. Well, relatively soon!!

Designing with Your Story in Mind

Is your story important? Does anyone care about your story? And what does this have to do with interior design?

Whether you are marketing yourself or your business, your story has merit. It is about identity, branding and connecting. It is about letting people in a bit. It is about sharing history, experiences and process. It is about your unique reason for doing what you do.

For the past several months, I have been working with a client on a combination of interior design, graphic design, exterior design…it is all intertwined. A successful design laces together all these design elements. And that brings me to “the story.”

Even Facebook features a section to tell “your story.”  Yet, my client resisted presenting/using the story of this new business venture as a part of the design. He told me that was “so seventies.” That he had read that it was a dated concept that was no longer relevant. I begged to differ. For months I begged to differ! We agreed to disagree.

I believe that this is similar to many interpretations of design. What might be considered “dated” is often the manner in which it is used or done – not the thing itself. Whether a color,  a font, a style of furniture, a wall tile or wallpaper, an architectural detail or form…so many design elements are considered dated due to their context. Often, this is fair to observe. But, mix it up a bit and use things differently or with other different elements than the original trend presented and – Voila! You have a perfectly valid, even fabulous design – think outside the box!

The idea of a “story” is not unlike the “mission statement” which became a standard feature decades ago in every company’s presentation on printed media, lobby plaques, conference room walls, break rooms… Some say it is passe, but when something is good and has meaning – re-consider. Like “the story”, “the mission statement” identifies goals and intent…when paired with the story, it provides an overview of the who, what, why that inquiring patrons want to know.

So back to the story…about “the story.”  When a business or any concept is respected or liked, revered or praised, it is natural for people to wonder “How did they get started?” “How did they come up with this idea?” “What is their history in this business?” These are common questions that clever ideas or designs invite. So why not satisfy that interest, create a buzz…Let’s give them something to talk about!!!

In this world of disconnection, making connections seem all the more important. What used to be a natural exchange – of communication, ideas, sharing – is now something that has to be inserted with greater intention.

So this new business, for which I have been designing, is a barbeque establishment. There are a million. They have certain things in common. Without my enumerating them here – can you envision some common denominators that you might connect with barbeque joints? As is true with any venture, I asked: “What makes this one different? Better barbeque? Maybe. Cool interior? Hopefully. Are those the only unique traits? Is that the memorable take-away?  It certainly isn’t a bad one – the idea is to have great food – and a fun environment, but what else might contribute to the experience of this barbecue being unforgettable? What might you have, to tell your friends, to spread the word?”

My opinion was a  combination of an intriguing brand and “the story.” But before I go further, they coined a word to express their beer brewing prowess – exbeerience!  This will enter into the story as we go along.

Now maybe my opinion about their story was so worthy of consideration because there was so much to this story. That certainly helps. It happens to be a great story with layers of interesting twists and turns – riddled with history and significance. Plus, it had a local interest angle that has the potential to create a buzz far beyond their actual location.  

To begin to tell the story, I encouraged the development of a unique logo for this specific branch of the brand. Taking the lead to design it,  and incorporating it into interior/exterior design was part of my vision for a complete design package and presentation. Extracting from the story to create the logo seemed natural. The private persona was becoming public.

As we developed the logo, featuring a wood-carved graphic of an original log cabin/smokehouse, the story was recorded and edited down to a summarized version.

It was available for printed material, social media, and as art to be presented on walls. Yes, it was intended to become a decorative element too.

The Story became a focal piece in the interior along with authentic, original photos of the log smokehouse and an interpretation of patchwork quilts entitled Urban Piecework made from leftover ceramic and porcelain tiles, glass and clay assembled in wall-mounted panels throughout the interior and exterior spaces. 

Photos of the original smokehouse in North Carolina will soon be presented to further reiterate the story on the interior walls.
Urban Piecework commands the interior with bold mosaics reminiscent of patchwork quilts – an intriguing backdrop installed both inside and out.

Connecting with patrons, followers, clients, friends, family and acquaintances is valuable. As a business, it wraps who and those elements that are important to you in a familiar cocoon of context. It can instill a level of comfort and confidence in addition to sparking additional interest that might have taken longer to establish, without the introduction of your story.

The final multi-dimensional and multi-textural wall-piece featuring the story and mission is a striking 4’x6′ multi-textural panel. It offers patrons an opportunity to get a few questions answered as they enjoy their “exbeerience” at BLUE.

It was a privilege to promote, extract and produce this story and contribute such an important and valuable element to this business’s marketing and solidifying it’s new, exciting chapter of their brand.

Consider your story. Own it. Share it. Celebrate the uniqueness of your story. Design with your story in mind.

Focus on an Artist, Patricia Forbes and the Art of Custom Design.

Collecting art, investing in art, loving art, designing with art…one aspect or all of the above, art in interior design has many facets. I have written previously about and presented a workshop about “I want a piece of art to go with my red sofa,” a kind of raspberry in the face of curators, collectors, critics and appraisers who would never take or condone that approach. But the desire and need exists and as a interior designer it is wonderful to work with artists who can and want to respond to cues, take on commissions and create for specific parameters.

Contrary to opinions from the high-brows, this is not to say that these artists lack artistic integrity or meaningful self-expression. Their value is as any other – determined by what the market will bear. The basis for this writing is that we work with many artists who love their work. And creating it (even under direction) brings them and their patrons joy.

Featured here is the up-lifting, colorful and texturally abstract work of Patricia Forbes. We have enjoyed commissioning her for specific interiors over the years and are never disappointed in the quality and creativity of her pieces.

For scale, diminutive Forbes poses by her Vertical Stick series.

With so many mass-produced art offerings at the trendy home decor stores, it is refreshing to encounter new clients who are at the start of their nesting years, establishing their own domains, selecting things that bring them comfort and identity and who’s appreciation lies in acquiring original art.

Designing an interior is about comfort and personal identity. It is about surrounding oneself with things that work – both functionally and aesthetically. Individual’s requirements, in either of those departments, can vary greatly – but suffice it to say, each person or couple or family unit creates a home environment based upon their likes and needs (and budget).

Enter the interior designer. When calling on the assistance of someone outside the intimacy of the home, the client is hoping for and expecting a successful custom-tailoring of their requests based upon the experience of the professional.

When designing an interior, it is exciting to use existing pieces already owned by the client. It is gratifying to arrange and place those items in ways not yet imagined – thereby justifying the investment in design consultation. After an intense session of rearranging furniture, artwork and decorative accessories the “ta-da” moment is one of near instant gratification and satisfaction.

When an interior needs a little something to pull it together, fill a gap, create an accent or establish a focal point, it is great fun to engage the creativity of an artist to custom design a piece to fit the need. Approaching an artist for the express purpose of acquiring a piece of their work to enhance a space is  an exciting venture. It is a personal connection between artist and patron that creates a communion, a bond.

Here I took inspiration from a single panel that Forbes had constructed and requested a series of 9 panels grouped in a grid to make a larger statement on the wall. The interest created from a grid of images adds movement and dimension to this series already complex with sculpted texture and applied layers.

Color, texture, size, style, subject (or not) all are aspects of art that are to be considered for the personal  interests of both artist and patron. If the patron has selected an artist to approach about a commission it is as a result of experiencing their work and appreciating it. The artist, in response, is to accept the parameters of the request and enjoy the challenge and process of creating the intended/desired finished product.

The intensity of this rich red wall was decided early in the design process. As we built layers of existing elements and introduced new pieces, the desire for a custom installation became apparent. This Urban Elements series was a collaborative effort between Forbes and me to provide a bit of an edgy, industrial vibe to this eclectic urban loft. Note too that the end table and coffee table were locally crafted for the project by Kirt Kirkpatrick

Forbes’ creativity is rooted in pattern, color and texture. Primarily non-objective, her pieces are compositions of movement and dimension. Working with a layering technique, she builds her action with a collage of papers and fibers, paint and stain. Action is key when describing Forbes’ artwork.

She creates for herself, but when called upon to collaborate on a project, her eager curiosity for what might result is enthusiastic and ever-promising. About her style and self-expression she states “When I have created a joyfulness and vibrancy in the work, I know I ahve created an experience I wish to share.”

When asked…

1. How/when/why did you start your abstract technique of layering colors and textures?

Forbes has always been drawn to color as a means of her personal expression, once she “experimented with acrylic materials that would hold a texture and  started playing with those using combs and rubber spatulas and sticks to mark in the materials” she was hooked.  “Metallic and interference paints call to me — so I began to combine the over the textured backgrounds, and  then discovered that with acrylic one could imbed paper.  It was really experimentation and discovery of what these amazing materials could do…”

2. What is the most satisfying aspect of your art  for you personally?

The element of surprise is what gets Forbes excited! “When something comes together almost unexpectedly and I wonder how I did that — it’s always a search for the right combination of elements, colors, textures, feelings.”  When they all come together she experiences great satisfaction.  “It’s like turning over pieces to see what fits. Sometimes I have to turn over a lot of pieces to get the right combination — sometimes wondering whether to continue.  Seems like it is always worth continuing the work to a happy conclusion.”

3. Why do you enjoy commissions to create specific pieces for interiors/patrons?

Forbes expresses genuine gratitude for her patrons. “I feel honored and appreciated when someone likes and appreciates my work and invites me to do something special for their home or office space.”  

4. What pleases/satisfies you about this custom commission process?

The process of working together with  her patrons is positive creative challenge. “I enjoy the collaborative aspect and going through the process with a client or designer and receiving their feedback as the work progresses.”

The satisfaction for a designer in partnering with an artist is designing and realizing a vision to complete a space. Bringing visions to reality.  I often say that my team provides tremendous support in making my dreams come true. From artists and craftspeople to seamstresses and all manner of contractors, it is truly a team effort to achieve great results!