Inspiration Aroused in a Fantasy Pleasure Ground

Like gardens? Like ornate, ornamental, architectural fantasy structures? Do magical forms and colorful design elements arouse your creative juices?

Memorial Day and the holiday weekend offers festivities with family and friends, time to honor in memory those who have performed with honor to preserve and protect our freedom, reflective moments away from the rigors of the work-week, and in our case this weekend an extraordinary encounter with one of the country’s most magnificent “pleasure grounds!” Yes, an introduction to Tower Grove Park (thank you Ali-bali) and the awesome written description of its inception and extraordinary design in the 1860s was our sensational, design stimulating, multi-sensory, experience.

Perhaps these photos will provide ideas for your fence or railing detail or even a backyard gazebo!

 

If you would like to enjoy the language of the beautifully written original intent of this property in a manner and style that is not often experienced, please follow this link and be enchanted with great vision, joyful optimism and intimate appreciation.

https://www.towergrovepark.org/mcadams1

Art and nature intertwine in these magnificent verdant grounds of Tower Grove Park with its wonderful gardens, charming Victorian pavilions and significant statuesque monuments. Conceived and donated by the visionary, Henry Shaw, in 1866. The writings of David MacAdam (found in the above referenced link) reference taking “ramblings” in the park – originally designed for driving in and through but with emphasized encouragement to go afoot to observe closely, in one’s casual time, these wondrous fields and arbors, around ponds and through gardens.

He writes “A visitor who takes a summer ramble in the park starting from the east entrance and noting the objects of interest we have mentioned, must certainly admit it is a most interesting and agreeable place. Every few steps will open a different view, ornamental structure or some work of art.”

Peeking from pockets of this enchanted scene are fanciful pavilions each with a singular identity.

We hear that winter scenes in the park present a wonderland of snow frosted evergreen trees, quiet pavilions, sculptural dark trunks, statuesque bronze figures and serene blankets of white dotted with the dormant shrubbery that comes alive once again each spring.

MacAdam further notes, “The artist of the graceful and cultivated style pursues, then, a middle course between the picturesque and the formality of the purely artificial, aiming always to preserve the harmony of natural forms and scenes.”

While the landscaping is magnificent, the architectural detail is captivating – conjuring up fairy tale scenes of dancing and romance. MacAdam writes further, in thoughtful detail, about the concept of encouraging the public to experience this grand property with all of its engaging ornament and ultimate beneficial consequence.  “To do this thoroughly they can hardly avoid walking a part of the distance, and the attractions of the place should induce them to do this contentedly, recollecting that one of the objects for which it exists is to invite persons of sedentary habits to healthful exercise. ”

I was so excited about the fretwork and fancy  details – the sunlight dappled across the frames of these sturdy yet delicate structures.

Inspiration around every corner with design elements that are timelessly graceful. Grill-work and column lines present powerful progressions.

It was as though these structures were attempting to emulate giant confections of fondant and frosting, carving and detail just shy of excess.

Realizing these structures are over a century and a half old, preserved by the enjoyment and appreciation of their patrons – which are all the people of St. Louis.

“The worrying command, “keep off the grass,” writes MacAdam “when the feet are aching to tread the carpet of youth’s memories, does not harass the visitor by springing out on his eye as he turns each curve. Music too is thrown in free in summertime, and thus all elements of pleasure and beauty are woven together in lightness and brightness for the general good. It is on the fact of this freedom in the use of a public park, the hopefulness it indicates in human nature, an the equal consideration it shows for all classes, is based in faith of those who believe in its refining and elevating influence. Such a place does not sermonize dogmatically, nor does nature. She exhibits a truth instead of voicing a doctrine. It unfolds fair spectacles, without restraint or an air of patronage, for all who care to see, and it thus tends to refute the selfish theories of either extremes of society, to reconcile  divergent elements, to encourage the gentler ideas and tastes, and to promote innocent recreations and purer manners. The poor are forced to see that wealth beyond their control, and without their asking, has created a resort free for the enjoyment of all, and the rich, by the equality in its use, are reminded of the artificial origin of class and the everlasting kinship of man.”

It was a glorious afternoon of optimism, inspiration and enjoyment. Happy Memorial Day weekend to all and may you find art and inspiration around every corner!

Aging in Place Isn’t for Sissies – Finding/Providing Dignity and Comfort for All

Aside from tedious wills and other legal asset planning and consultation, the design decisions for aging in place are more than challenging.  With the best laid plans available at the time, we look into the far distance to a time when we might not be getting around so well. It is with these faint thoughts sneaking into our reality that jars us a bit. Thoughts for the future about downsizing, getting rid of “things,” making modifications for accessibility and ease of maneuvering. This might mean re-redesigning a bathroom, moving to a lower level, selling a multi-story and settling into a single level. Yet, not everybody has the luxury of aging in place.

I’ve studied it through initial interior design courses, continuing education, and on to incorporating applicable features for clients and even family in homes and offices. It’s amazing how abstract anything can be until it touches you personally. In one class for example, we were asked to get into a wheelchair and ascend and descend a ramp – one of adequate slope and one not-to-standards which proved much more challenging. We were asked to access a restroom and navigate the space including making a side transfer to a toilet from the chair.  We noticed heights of things difficult to reach from a seated position, angles of mirrors, and the strength required to do many basic actions. And shy having this actual challenge in real life, these exercises were sobering and valuable when it came to considering facilitating maneuverability and accessibility in life/design planning.

Whether an aging scenario, a progressive disease, a vital young  person being impaired by an inconvenient injury, or worse a permanently debilitating catastrophe, the reality of those situations is enormous. Some injuries are temporary while others are life-changing, but all require consideration while they and related limitations exist.

Anticipation. We can maybe imagine and anticipate such scenarios, but it is easy to dismiss and put aside for another day. That day came a couple of weeks ago for me. My mother was hospitalized which, in hindsight, was over-kill that nearly killed her. The life-changing things that followed were remarkable and came on so quickly. No time to carefully plan – just figure out  how to fix things, how to make due, how to work-around the issues.  We had always intended for her to “age in place.”  Her home was designed, by her, for her and took into consideration many things based on speculation 20+ years ahead.

Once this change of events unfolded, all of my senses were heightened. I saw everything differently. I was keenly aware of my surroundings even more than I am as a normal course of responding to my design instincts. I became critical and incensed.  I wanted to assign criminal fault to such things as color choice and lighting.

I learned that not all situations are the same level of good or bad. They are dependent upon the eyes  thoughts and reactions of the individual. Beauty, as we know, is in the eyes of the beholder. But many things I encountered transcend that very true phrase. Sensitivities are so very important. Aging in place is tough. It is not for sissies. But it exponentially worse with dementia. Being moved to an aging facility other than your own home is another story completely.

With all the professionals with whom I have spoken whether neurologists, gerontologists, physical therapists, occupational therapists, or home health nurses, each have common denominators on the subject that crosses between disciplines. But I can also see how individual’s design sensitivities, or seeming lack thereof, play a significant roll in their ability to thrive and even survive. I am not over-stating this imperative.

Dementia has triggers and although some may be similar among individuals, like “sundowners” (an anxious reaction to fatigue and end of the day dimming of light), or other confusing or anxious moments brought on by physical discomfort, change of environment or sleep deprivation – there are endless other triggers that are unique to that individual. Understanding what those unique triggers (and pleasures) are is key to affecting the quality of life that results from effective or ineffective design decisions.

In the past two weeks, I have seen hospital interiors that were so busy and confused of materials that it seemed impossible that they were selected in the first place and more so that they were approved, purchased and implemented as well as assisted living facilities that ran the gambit from dated and irresponsibly neglected to posh and resort-like.

A hospital is supposed to take the curse off of the fears and trepidation that often accompany a visit while instilling confidence and comfort.  Without identifying the facility I ask you: In the mainstream of our society, does this combination of materials evoke confidence and comfort? What words correlate to confidence and comfort…at the least, order and cleanliness. Those would begin to establish confidence and comfort.  This scene at the lobby of a prominent local “Women’s” hospital is confused and harsh. Large black backdrop to the logo/signage (not shown) is heavy and reads more like a high-tech or machinery or mining facility –  contrary to an uplifting, soothing, comforting, welcoming environment of healing finishes and colors. Sadly, other areas had similarly jarring effects.

More interesting, by means of comparison, was the research that took me to a wide variety of well-regarded “upscale” assisted living facilities in the area. These were the facilities that were highly rated and referenced when asking around the community for recommendations.

This first one is managed by one of the world’s leading management companies. I will be contacting them regarding what we found when touring last week. The horror of this discovery was in being greeted by the point-of-arrival – newly remodeled to suggest upscale appointments, lovely living spaces, patio, dining room and even an attractive and believable bar area for cocktails and gatherings. Quite sophisticated and then…we were slapped in the face with the brutal reality that we soon discovered. The corridors of the rehab/healthcare and assisted living areas were dark and poorly lit. Colors were warm earth tones that further contributed to the drab, somber aura of depression. Not relaxing, uplifting or soothing – just plain dull, depressing and dark. Many more disturbing details were observed that are not applicable here.

By dramatic contrast was a light, sunny interior which benefitted from much natural light and even in the corridors which were reliant upon artificial lighting they read with a soft welcoming glow. The creamy walls and white trim paired with the soft light was easy, soft and comfortable. The over-all “read” was residential with enough hospitality to add interest but not to diminish the at-home feeling of the building and grounds. The interior and exterior spaces for both assisted living and memory care were clean, and pleasingly comfortable. The exterior spaces and were grand and  inviting with lots of beautifully maintained grassy areas, planting beds and trees for shade. Exterior spaces mean a lot when you are retired to this limited world view.

A fairly new facility caught our attention with pleasing new finishes and color, light and spacious, residential, but also with a bit of hospitality flair – however, with all the very practical hard surfaces, in much of the living spaces, it lacked comfort. Crooked lampshades and missing outlet covers suggested that attention to details was being replaced with smoke and mirrors of the overall effect. We were initially thrilled and then a bit suspect of this facility after our tour.

If one wanted fresh and stimulating, a brand new gorgeous property sets the stage for a would-be modern resort. Bright bold colors and contemporary furnishings, wonderful spaces, stunning modern light fixtures and great finishes belie the true identity of this assisted living and memory care facility.  Exterior spaces here also green and nourishing with juvenile plantings due to its new construction. It appears that the mature plan will be quite pleasing. A frail 90+ year old might feel too diminutive in this facility but the family would feel excited and uplifted. The questions is for whom is it designed? The upcoming generation of retirees perhaps – if not for sure – fabulous – or the current elders that come from a different age and era for whom it might likely be overwhelming with the modern approach, scale and finishes. Plan for the future though – it will be here before we know it!

A frightening comparison occurred when we visited a well-regarded faith-based retirement community of many facets and facilities. While a new structure of independent living apartments sports fine finishes, comfortable dining venue and an exceptional indoor pool, the assisted living wings were absolutely irresponsible in this observer’s opinion. Although these areas were decades old, poor color choices of spicy, yet muddy hues, drastically discolored plexi lenses over surface-mounted fluorescent lamps of many colors made for a freakish, scary interior that felt  both institutional and garishly executed and neglected by those who should care to say the least – an insult to most peoples’ sensitivities. We could not fathom how this had for so long been unaddressed – paint alone would have gone a long way to improve the existing conditions.  In no way could this interior be considered conducive to wellness or stimulating betterment. Even if you take personal opinion out of it, the lighting and colors did not feel fresh and clean. In the two previous examples, the first being quite traditional and the next being very contemporary, both had a freshness and quality of light and pleasing colors and finishes that were completely lacking in this last example. This interior to us was beyond our first  accusation of the drab interior being criminal in its negligence of good design practices given the management and money to do MUCH better. This facility headed toward intentionally and dangerously derelict in its duty to provide an environment that promoted improved health and wellness.

Of the first and the last examples, it seems that they are just providing pockets of space, claustrophobic and dreary – if not down-right depressing – yes, true, the latter littered with disorganized debris on the walls, both with odors of tired food and other unpleasing combinations.  We knew that if we had any fraction of sensitivity to light or colors or an awareness of order in our minds, that these two interiors would lead swiftly to our demise. While by stark contrast, the other examples were convincing enough to us that a fate being placed in either would be quite satisfactory even pleasingly uplifting.  And all of this comes back to knowing the individual and their sensitivities, history, interests and likes and dislikes – and some human sensitivities that transcend all. Yet some facilities deny anything to those with even limited capacity and lower the bar to treat all – including staff – like it doesn’t matter – it doesn’t make a difference. That is NOT an environment in which I want to spend any of my precious, allotted time or assign that of a friend or loved one.

I went back with the intention of photographing all of these examples…but with residents parked in every applicable shot – I felt invasive and obviously not cut-out for this kind of investigative reporting…

Like the 3 bears…one was awful, one was over the top and the one in the middle was just right. A new facility just opened and presented this third, middle offering. A stereotypical palette of oranges, neutrals and browns, and faux stone was acceptably common. It was new and fresh, had white subway tile with dark charcoal grout in the bathrooms, and “friendly” faux stone detailing around the residentially inspired exhibition kitchen. The footprint of the facility was small and would be considered intimate and easy to navigate – but we thought, for our purposes, too small and the white subway tile with dark charcoal grout in the bathroom would not have been an asset – nor would the pedestal sinks – providing no surface in your private bathroom. So just when we thought it was just right – those interior disappointments along with the exterior living spaces of gravel and concrete pavement – it didn’t fit the bill.

Some facilities presented photos of the residents in their prime, back in the day – familiar nostalgia that was tastefully utilized. While others attempted a similar but disappointing effect with cluttered and disorganized paraphernalia of times gone by… Too much use of “cutes and quaints” craft store furnishings and decorative accessories looks like a cheap rendition of formality and refinement – missing the mark by miles. Theme areas invited some and completely turned off others making the percentage of the enjoyable spaces fragmented and limiting. Knowing this, it is apparent that designing for an individual’s personal environment is easier than designing to appease or please a group. Obvious differences are males versus females, age, lifestyle, interests, and over-all likes and dislikes. Due to the price tag on these units, the residents are well-heeled, have had decades of lifetime experiences circling the globe and collecting treasures either passed down or acquired over the years. A simple, tasteful balance between opulence and casual elegance, luxury and down-to-earth comfort would appeal to most in this bracket.

The recipe is pretty easy and loaded with common sense. Grand entries and intimate interior spaces, plenty of natural light, spacious common areas and visual and accessible connections to well landscaped exterior areas furnished for visiting and entertaining. Clean durable surfaces easy to maintain and being well maintained, soft neutral colors punctuated with fresh accents, excellent variety of artificial light, planned placement of postings, art and decorative accessories – policed for order and consistency.

For those with sharp minds and bright intellects it is more challenging to provide the convincing interiors that will satisfy their discriminating requirements. While dementia residents have hidden pockets of memory, clouded remembrances of comfortable familiar things and yet no less of a need to find a safe, pleasing place to call home.

I apologize for not having more photographs of the examples I reference, but I hope that my purpose and observations aid in the work to be done to place disabled individuals in environments that most satisfy their sensitivities and as a result promote the BEST quality of life. We are their advocates in many cases and must strive to view the world through their glasses.

Go on your own, in advance of the need – I encourage you. Know that interior designers and others involved with the interaction in or improvement of interior spaces will have epiphanies about what lies ahead for their clients, their own families or themselves – this is an important dialogue.

I might, with encouragement, provide more up close and personal critiques of specific areas of these facilities in an effort to offer further assistance and insight in emphasizing the positive and calling out the negative for improvement. Many of these residents are trapped to a certain extent – not having made this decision for themselves. It seems imperative that we raise the bar to insure safe, clean, sensitive, environments of dignity and comfort for all.

 

 

 

Would A Love Letter Be The Same Without Handwriting?

After having seen Federico Leon de la Vega’s presentation at TEDX Talks in September and after having seen some of the work in progress over the past couple of years, it was a treat last week to be in his studio to see the collection exhibited up close and in person!

Presented on fabulously enormous canvases and a few smaller studies, these bold graphic statements compile a contemporary collection that is quite astounding. The premise is quite provocative.

The idea that handwriting is a basic human means of communication having evolved into the very personal flowing script of cursive that each individual can call their own – in their own style – it’s almost as personal as a fingerprint. It is an extraordinary human function that should be protected, revered and certainly not lost to the fast-paced technology of the digital age!

Making one’s mark on a surface…a piece of paper…to convey a thought, idea, instruction, story, a doodle on a paper towel – a love letter.

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With Valentine’s Day approaching, it brings to mind the idea of love letters. We read them throughout literature and listen to them in songs. We hear of them being saved over time by recipients in treasured boxes tied with ribbon to be read over and over or merely saved for others to find long after…

These magnificent oil paintings convey the art of handwriting. They celebrate the simplest marks of hand to canvas with brush and paint looping in circles and jutting in spikes – the primary strokes of handwriting. These primary strokes are the foundation of mastering the control needed to make the continuous flow of letters that become each person’s personal interpretation of the alphabet in cursive style and an exclusive means of communication.

Style – handwriting conveys personal style. Look at yours. Is it always the same or do you mix it up? Do you stay consistent or do you express different styles of your own handwriting for different purposes?  Look at your friend’s handwriting – would you recognize it anywhere?

federico-signature

It is thrilling to walk among these great canvases with their color and  bold strokes. It is arresting to realize that they are so simple yet so complex in what they are saying. We must recognize the value of handwriting. We must not let it be dropped from our schools’ curriculum. We must continue to see the importance of the pure, mind to hand, raw emotion.

Powerful spikes require starting and stopping – control.

Loose loops also require control to maintain uniformity.

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After control is learned, expression can take over resulting in that personal style that becomes each individual’s identifying handwriting.

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Federico reminds us in his talk, about how we might have attempted to write a love letter for the first time and how many times it was crumpled because it wasn’t quite right. The failed attempts of recording our feelings as we strive to say the right thing, to express our deepest emotions. Yet once accomplished, those words hand-written mean so much more than the same words conveyed by type or digital communications.

“From my heart to my mind, from my mind to my hand, from my hand to the paper I place in your hand,  so you may fold it and keep it near to your heart. No delete!”

The digital world is all around us. We cannot escape it, nor should we. However, the human evolution and the brain’s development that mastered the art of handwriting is a place that could be diminished and lost if we do not continue the art and practice of personal expression through this extraordinary medium.

All we need is love – sent via a personalized handwritten letter from the heart. Here’s to a Happy Valentine’s Day !!!

An Artist in the House Inspired by Rhapsody in Blue

An artist in the house is a rare treat. Yes, you who are artists and those of you who have an artist in the family are spoiled by  this continuum of creativity bursting about you. As a designer I am of an artistic nature. I think in artistic expressions, react to artistic stimuli, and make decisions based upon aesthetic sensitivities that I inherently have.

But these weeks being visited once again by our dear friend and respected artist Federico Leon de la Vega and having him painting on the patio and in what we fondly refer to as the estudio-garage, we are surrounded by the unique scent of solvents and products peculiar to his trade of oil painting and the genius of his ability to express his observations on canvas.

Canvases scattered about with partially  completed masterpieces, ideas started and left to dry or waiting for further inspiration while others begin and take shape in varying degrees of completion. A mountain standing on end about 4′ long by 3′ tall, a lemon rind un-peeling in an abstract interpretation of the bright yellow fruit. A still life of citrus lemons and blue pottery creating a classic combination of color.

But in addition to this wondrous collection of colorful and dramatic paintings surrounding us is Federico’s ongoing project of  Mind Your Calligraphy which continues to grow and expand on this very compelling subject. As any of you who have watched the YouTube video by the same name know by now, this fascinating, universally important subject about cursive touches so many imperatives in our lives. ejercicio-preparatorio-2-federico-leon-de-la-vega

Based upon his passionate observations on the subject and translating those observations into paintings illustrating the concepts and precepts that frame this topic, Leon de la Vega is compiling an exciting body of work and references to bring this more to the fore. His recent invitation to speak at the TED-X Talks in Albuquerque this fall are a further step in bringing this essential topic to the attention of those who can make a difference.

Here are two new paintings depicting inspiration from handwritten music scores. Federico met with a client who has a great love of music by his magnificent glossy black grand  piano commanding attention in the corner of his sunroom.  The two began discussing how handwritten music scores, like cursive, allow the individual the quick personal freedom of jotting ideas on paper that can later be transferred to printed, digital means. And in fact those simple personal writings of notes on paper become quite valuable as they are uniquely and spontaneously penned by the hand of the artist. What could be more personal? The two men focused on Gershwin as they further discussed their mutual enjoyment of music, the unique appreciation and connection of expression through handwritten musical creations. Resulting from this conversation, the composer became the focus of these two abstractions of Rhapsody in Blue.  Gershwin diptych

 

 

 

The Artistic Expression of Cursive Handwriting – A Priceless Piece of Evolution

So for those who take the leap and delve into their artistic expression (reference last week’s pattisays…) – those who DO IT instead of critiquing “I could do that” –  are exploring vast depths of their awareness, sensitivity, and personal signature through a piece of art. But that same freedom of expression has been cultivated in society beginning with scribbles,  and the fundamentals of handwriting. From scribbles, scribble to basic block alphabetic B_after to the loop de loops of beginning cursive, ejercicio-preparatorio-2-federico-leon-de-la-vegathe lessons encourage and open doors to very personal and individualistic communication.

Most of us are all painfully aware that cursive is no longer taught in many schools. We are so seduced by technology that we are not selective about  what to save and what to advance beyond in this evolution. This conscious evolution may have a devastatingly regressive cost.

What is the danger?

The classic final question and answer in Beauty Pagents is something like “What is your wish for the world?” or  “What is the most critical issue facing  the world today?” Some might say “Global warming.” The truthful seemingly naive response we have heard for decades is “World Peace” or parodied version “Whirled Peas.” All kidding aside, this certainly is an important and noble quest – the root of which in today’s technology is “Nuclear War.” Yes, if we have nuclear wall everything else is moot. Education, clean air and water, whirled peas, nada. Well, shy nuclear war, another great issue facing our world today is the loss of the brain to hand expression via tool we take so for granted, handwriting.

Handwriting is a tool, yes. A tool to communicate private notes, grocery lists, love letters, instructions to the sitter and thank you notes for deeds so appreciated. Not to mention rough drafts for non-digital scratchings of the most intimate and possibly important historical communications on the planet.  A good friend is examining this troubling fact through his own artistic expression. Please visit the video Mind Your Calligraphy https://www.youtube.com/watch?v=4mO7ctV05Js where Federico Leon de la Vega

explores the neurological results of this modern-day tragedy that has the potential to change civilization as we know it. Not to mention loss of certain very specific brain functions of human evolution!

The artist must train not only his eye, but his soul. Wassily Kandinsky

Without the basic form of  flowing handwriting – the motion with an ease of fluid, natural motion to convey one’s thoughts, ideas, emotions, needs, and desires, we erase a portion of the brain’s function. We erase the personal expression offered  and made available by the human connection between our thoughts and our hands – our tools. The control our hands to artistically pen calligraphy – unique to each individual  – is a priceless piece of evolution.

Returning to the artistic expression…Plein air painting and field studies for scientific research might be the last vestiges of our need to communicate and connect through nature. If not free from technology,  perhaps in concert with the tools of technology. Taking a digital camera, phone or tablet into the field while painting on-site or using the technology to process what is discovered and/or captured in the scientific field studies might be those last vestiges.

We know why, so let’s think about what influence we might have to continue the art of cursive. How to perpetuate the evolution of that which is oh so personal a form of expression and that has such a powerfully effective and essential connection to our brains.

Like Kandinsky observed – it is the soul of a person that is expressed through artistic media. And there is nothing more intimate than the seemingly simple connection through individualistically personal script. f4426e761a5ab09c179a23e22301df58-1000