The Presidential Department of Décor

Presidents’ Day – and what is the more significant focus for interior design on this day that celebrates the preeminent leaders of our country and the world? Well, the relatively modest (by some country’s standards), but significant home in which they reside, the White House.

Many years before I had a glimmer of interior design in my purview, I remember the buzz of my mother and her peers surrounding the exciting and noteworthy changes that Jackie Kennedy was bringing to her White House. The exhilarating tone of that time was super-charged with the young, beautiful Camelot couple who made such an indelible impression on all they touched. I sat on my father’s shoulders on November 17, 1962 at the dedication of Dulles airport – Washington’s “jet airport” watching and listening to President Kennedy describe this “distinguished ornament of a great country.” At the same time he recognized the value and beauty of historical properties that warranted restoration and protection. Back then it was a little too much for me to digest, but their sensitivity and appreciation regarding the importance of good design and their influence on the world of fashion and design was astonishingly profound. Everyone was touched by their style and discriminating sense of all things surrounding art, architecture, fashion and interiors.

Having graduated from Mount Vernon College in Washington DC in the first graduating class that was a model for FIDER accreditation in Interior Design, I was surrounded by architectural history and American decorative arts. From the State Department to the Winterthur Museum in Delaware, Washington, DC to Williamsburg – we had an exhilarating education that mere books cannot convey.

Aileen Mehle wrote in Architectural Digest of the first ladies and their very public opportunity to leave their mark on many elements of popular interest not the least of which is the most famous residence on earth. “As the wife of the most powerful man on earth, she commands the attention of the world, placed under a sometimes unforgiving microscope, dissected. From the top of her hairdo to the height of her heels, she is fair game. People want to know: What does she eat, drink, think? Does she like red, pink, mink? How and who does she entertain? Above all, what in her eyes is it like to be the chatelaine of the White House, the most famous house in the land? What mark will this woman make on her surroundings? What evidence of her personal taste and style will she leave behind, hoping that her loving imprimatur will last longer than the few years it was her temporary residence?”Image

Mehle narrowed the field of focus by highlighting two of the most effective first ladies in what I like to reference as the Department of Décor. She stated that “Jacqueline Kennedy and Nancy Reagan were two of the most remarkably caring first ladies of the 20th century. Previously they had both enjoyed brilliant lifestyles.” She notes that both women “were chic and stunning, refined and impeccable. They brought these personal traits to bear almost from the moment they walked through the door of 1600 Pennsylvania Avenue. How lucky (for their eras and posterity) that they cared so passionately about history. That the White House looked much more authentically beautiful and harmonious when they left than when they arrived is a testament to their exquisite stewardship.”

Jackie enlisted the internationally recognized French interior designer Stéphane Boudin, regarded as a “master of the grand and the opulent” regards Mehle. “He was the star of the renowned Paris decorating firm Jansen” and it was with his brilliant guidance that they transformed many of the more relevant rooms of the White House into exquisite statements of period elegance with timeless good design.

Catrin Morris reviewed Jackie’s fine work and quotes the White House Museum, as stating that the then new First Lady’s appreciation of antiques and fine art prompted her to “not merely redecorate but to restore the White House to a grander, more authentic period look appropriate to its role in American life.”

Decades later, Nancy Reagan, a stellar woman well recognized for her exquisite sense of style Mehle observes “left her own individual mark on the second- and third-floor private quarters of the White House, the Yellow Room, the Treaty Room, the Lincoln Bedroom and the Queens’ Bedroom.  Ted Graber, a personal friend and noted decorator in the Hollywood scene was selected by Nancy to work to create an atmosphere bringing “beauty, color, graciousness and comfort.  Image

It was during her reign as matriarch of the White House’s Department of Décor that I had the good fortune and extraordinary opportunity to have a private tour behind the scenes of the White House. It was in the middle of my career and the wives of a visiting NFL team had just been through earlier that day and although velvet ropes cordoned off many areas beyond which tours could not step, we were escorted by a longtime family friend to get behind the scenes and experience an intimate exploration of the stately rooms. President and Mrs. Reagan were not in residence that weekend. I remember touching Dolly Madison’s tea service and remarking how incredible that felt. Priceless decorative arts – significant artifacts of history were not only on display but presented in a way that suggested that the past Presidents and their wives were still present as following Presidents and their families passed through the halls. This melding of an ongoing, living history is quite unique and inspiring to witness first hand. From the Oval Office where a dutiful agent sat behind an outer desk granting us access to peek inside this dauntingly important headquarters to the spotless stainless steel subterranean kitchen…we explored it all.

Although our tour was limited to a daytime excursion, at that time, any guest privileged enough to stay overnight Mehle offers “might sleep in the Queens’ Bedroom, where five visiting queens have slept in the canopy bed. All was pastel—the Turkish rug, the striped silk taffeta on the bed and at the windows. The 19th-cen-tury painting and mirror over the antique mantel was a gift to the U.S. government from Queen Elizabeth when she was still a princess. Nancy kept intact the cerulean-blue fabric that covered the walls of the adjacent Queens’ Sitting Room.” Such extraordinary history of our fairly recently established great country preserved and made available for view in this exceptional context!

Mehle also tells readers that “many of the furnishings were authorized gifts from the Reagans’ devoted friends and others who loved and respected the White House. In nearby rooms, she kept her own collection of Battersea boxes, blue-and-white porcelain and jade on small tables. Paintings by Cassatt, Cézanne and Peale adorned other spaces in the private quarters.” Said Graber, “She was responsible for its same elegance and easy charm she herself epitomizes.”

Alas, despite the discriminating efforts of these extraordinary First Ladies, much of their fine work has since been modified as is the prerogative of those who follow. Historians have recorded the periods and transitions while history will determine and confirm the contributions of all who have the key responsibilities for the contents and presentation of the treasures within these walls. Beauty may be in the eye of the beholder, yet in the final analysis, good design reads through and hopefully transcends attempts at transient change for mere ego. The value of sensitivity is priceless.

Valentine’s Dinner at HOME!

Creating a romantic and interesting table for a special Valentine’s dinner offers so many opportunities for presenting your heart-felt feelings. With a little effort to select some key pieces to dress the table and by selecting some simple yet scrumptious delights, you will have a wonderful memory to cherish. Here are some suggestions and a couple of easy menu ideas too!

We’ve heard the truism of “The way to a man’s heart is through his stomach.” But the same can be said in reverse as there is something irresistible about a man in control of his kitchen. Pairing the two is the ultimate love cuisine when a couple cooks together sharing the tasks, sipping cocktails and enjoying the process.

The recipe for a romantically successful Valentine’s Dinner at home is so easy. Realize that you don’t have to drive – thereby eliminating that concern after enjoying your cocktail and bottle of wine over dinner. Not to mention the after dinner sip of brandy or bubbly.

Starting with cocktails and hors d’ oeuvres, go to your favorite online foodie place for recipes for things such as stuffed ripe red cherry tomatoes – luscious and sensuous. For the carnivores, a rich and savory pate with toast points is a delectable treat. Maybe shrimp cocktail – easy cooked shrimp with a spicy valentine red cocktail sauce. It’s fun to have your appetizer someplace other than at the dinner table. If you use different places to enjoy the different phases of the evening, it will create more interest. So perhaps around a coffee table or at a bar counter-top.

Consider taking a walk after the cocktail hour before you progress into dinner. Whether freezing or mild, as long as it is not terribly windy, the temperature shouldn’t matter. Strolling under the darkness of night – perhaps moonlight – is a great way to transition through the phases of the evening.

Candles are a must. There cannot be too many. They don’t have to match. They can be tall tapers, multi-height columns, squat votives or all of the above…Obviously, on the dinner table…but don’t forget other end tables and cocktail tables, fireplace mantles, window sills, bookshelves, counter-tops, bathroom counters or shelves. Watch what’s above – or use artificial candles to avoid burning an upper shelf or art above them. Any light fixtures should be on dimmers. Avoid over-head lighting as it is generally not flattering, casting unpleasant shadows that can ruin the mood. Lighting is like a paint color – it bathes the space with ambient light and also task specific spots – getting the right balance controls the mood.

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WE LOVE New Mexico’s own Besito Caliente ! This spicy sauce of hot little kisses is great on grilled meats, drizzled over cheeses for hors d’oeuvres or a dash in a special cocktail concoction! You tell us how YOU enjoy this tasty condiment from the sunny southwest’s Land of Enchantment!

Main courses are easiest by minimizing time in the kitchen. Grilling is perhaps the least complicated. To make it special, select something that is a little different from your norm like lamb chops or bone-in rib-eye steaks. Potatoes are classic in many forms baked, twice baked, mashed with various herbs, but don’t forget something fast and festive like quinoa. It is a fabulous grain-like nutritional bead that cooks in less than 15 minutes! Vegetarians might grill a shish-kabob of goodies like zucchini, mushrooms, cherry tomatoes, sliced turnip…limitless possibilities – great with quinoa too! Salads fit the bill and can be varied according to your taste, sweet cranberry or strawberry laced greens or garlicky Caesars – the possibilities are endless. By putting the salad on the main dinner plate you eliminate the need for a veggie on the plate. If you prefer the more formal setting of a separate dinner salad, the veggie can also be an easy piece of the program with steamed Brussels sprouts or broccoli which take so few minutes, slathered with butter and voila!

Of course you can make the cooking more complex and complicated – but here the idea is to DO IT and not be intimidated or worried about making things too difficult to tackle! Focus evenly on a simple but romantically fun themed table dressings, menu items, and schedule for the evening and it will be easy and successful!!!

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Find fun table dressings to create your Valentine’s dinner scene.

So pick up some red plates or smaller dishes or bowls for salad or dessert to layer on your existing white ones, find some fun cocktail glasses, wine stems, clever cocktail napkins, a great serving platter for hors d’oeuvres, heart-shaped confetti or rose petals to sprinkle on the table and dare I say, between the sheets?Image

Find a great vase in which you cluster fresh flowers for the dinner table and perhaps another primary surface like the cocktail table or bar. Buy or make a great card and/or a memorable gift.

An extra thought for this holiday…Can you think of someone with whom you would not usually exchange Valentines’ but who would be cheered by your gesture? Pick out a simple token to mark the day for someone you know.

Mad About Mosaics!

When in doubt – go for the gusto!  The easy options were just that – too easy and after envisioning all of the obvious options it hit me. I adore color and texture and the varied effects of bits and pieces making a whole. Fragmenting and reconstructing, creating and melding, mixing and matching…mosaic is magnificent. Taking disparate shards and creating a scene, combining a collage of materials and making a mosaic of their complimentary shapes and textures.

Architecturally, walls are faced with murals of mosaics on grand scales that pull the public eye into fantasies of fine, fragmented details.

Inspired for years with this colorful, playful and loose art form, I recently attacked my fireplace surround. Why not break convention from the traditional use of material such as tile, stone, perhaps glass and use ALL of these materials in a bold collage of color and make a statement that lasts!

Mostly broken tiles from a variety of sources along with simple glass stones, broken ceramics, and even treasured polished Atlantic beach stones that my father collected and took to the glossy, glassy high polish of his tumbler that spun in the garage day and night with the different frits to gradually transform the smooth pebbles into those highly polished prizes. This sort of project can be an intensely personal collection of fragments and memories.

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We’ve done it before at the beach with shells and stones and simple candles, then again in the foothills of the Sandia Mountain with stones and crystal votive holders. Now we find ourselves with an abundant centerpiece for a magazine spread – but for practical purposes, we tone it down – waaaay down – so that guests can visit across the table without spreading the foliage like a stalking through the jungle.

Large centerpieces are spectacular and provide a dramatic focal point for dining talbes or buffet tables…but when dining, it is tough to wrangle around the massive spray of flora between you and your would-be or wanna-be conversation partner.

In a pinch – go outside and discover what is in your yard. Here we found a simple fan palm frond – two really – and placed them opposite each other in the center of the table and added an old-fashioned Mexican dulce sugar mold as a long candle holder – now used often for candles as they are the perfect size for votive candles.

In YOUR yard it might be an oak or maple branch in the fall, photinia – a good green-leafed bush for all seasons, pine boughs, holly sprigs, long banana leaves, or round sea-grape leaves. The idea is to just scatter leaves, and add dimension. The stones and single candles in the previous scenes were dimensional. In this case, the wooden sugar mold sits atop the fronds – but in either case do not block the view and are easy to enjoy while conversing across the table.

Play with centerpieces and see what fun you can have!!

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Small Water Features for DIY Projects

Vintage celadon vessel makes perfect table-top water feature!

Vintage celadon vessel makes perfect table-top water feature!

 Small Water Features for DIY Projects

Large vessels make focal points for fountain features. Large containers or bored stone boulders are perfect sculptural elements for the glistening appearance of running water, the gentle sounds and refreshing effects. While we have had great fun creating dramatic site installations for outdoor living scenes, we realize that there is great merit in the smaller versions that DIY buffs can create for their interiors or patios.
First, find an interesting container. I found a pair that are footed and are dolphin figures to boot – what luck!! This celadon glazed ceramic has a nice diameter of about 12” and is raised up by its three dolphin figurine feet. It’s a perfect aquamarine theme for this table-top water feature.
Select your container and then gather things that you enjoy. You might already have pieces of glass, tokens, stones, shells, coral, miniature figurines…use what you have or collect more for this specific use.
Get a small pump at the local home-improvement store or hardware store. This should be relative to the size of your container. This one is a little smaller than my fist. The cord will drape out of the container, up over the rim and behind the fountain to plug into your electrical source. This will conceal adequately if you place your fountain on a surface that backs up to a wall where the electrical outlet is located.
Arrange your collectibles on and around the pump to conceal it from view placing the more interesting pieces at the surface.
I use distilled water to insure no residue from harsh mineral that might be present in your tap water. Fill the container to the appropriate level. It will cover much of your collectibles in the bowl. Here I have used a couple of vertical slices of local travertine to add height, texture, color and interest. Once your first turn on the pump – or plug it in as this one does (no switch), you will be pleased at the calming, refreshing results.
Send photos of your finished products!!!!!

Shown here…Nestled into the landscape, this brilliant blue glazed fountain with interesting textured exterior is tall and splendid amidst the greenery as its water recirculates and flows into a bed of stones.

Tangerine Dreams – a Fresh Design Scheme for Inside and Out!

Inspiration is often a pleasant surprise. It happens with a spark that ignites a theme and the project evolves. In a very dramatic transformation of a simple yet dated living room, we skinned two walls with stacked white stone. The slivers of horizontal texture brought a clean-lined organic feel to the space. Existing sage green carpeting was a cool contrast against the clean bleached stone – we also painted the walls white to mimic the tones in the stone. The perfect punctuation in this sage and white scheme became the fresh pop of orange. Call it melon or coral our color is that somewhat rosy version to slightly soften the contrast. See more of this project at PATRICIAN DESIGN http://bit.ly/YQCyrE

Roll the footage along over the course of this last year and the finished product receives rave reviews. We are encouraged to take the scheme outdoors and continue this project now called Tangerine Dreams. Once outside the orange can be released to express brighter versions melding the coral tones with other shades more bold and brilliant.

Existing white patio furniture provided an open invitation to continue the thread of white that was introduced inside with the white stone wall. Making things look intentional and incorporating existing elements is a cost-effective approach. But the trick is not to let it appear as though the scheme was sacrificed for savings.

So with the lush green foliage of the desert’s semi-tropic offerings that were already mature in this landscaped yard – all we needed was to introduce floribunda of orange to carry through with the tangerine themed color scheme. We planned and prepared, planted and potted for the perfect patio party! Pillows, placements and pottery also brought orange tones sprinkled throughout the design.

A new water feature will replace a lemon tree lost in the last freeze. A brilliant orange trumpet bush will nestle against the towering ceramic urn of luminous green tones where cascading water will re-circulate from beneath the stone bed.

See more photos of this project in our facebook album at http://on.fb.me/13TVGUm and watch for future posts as the plantings mature and the work continues.P1060999

Lighting as ART – Louis Poulsen’s Collection of Fine Designs

The WOW factor of lighting is a key element in design – both interior and exterior.  Perking up dark corners, illuminating structures and landscaping, highlighting objects of importance, providing task light and spreading ambient light through the darkness, all have their place in the drama of design.

Lighting can often be seen but the source not identified. The effect is all that we want to achieve…like subtle shadows through trees at night or lighting a pathway while concealing the source beneath low plantings or rocky outcroppings, concealed recessed lighting or well-placed “up” lights also provide the drama without announcing the identity of the fixture – shhh – keeping it a secret. Yet, other instances scream for the light fixture to make a statement.

Ask a movie star. Lighting is known by all in the public eye to be a most important feature to enhance or destroy one’s appearance. Celebrities pay the big bucks to insure that they are properly lit for filmed interviews or still shots. So please when planning YOUR interiors, don’t put a primary light source over the top of your head casting downward…lest you look like a vampire. In vogue as they are, the bloodless dark-circled look is not what most people are trying to present when hoping to have an enhanced appearance during a cocktail conversation or on a hot date over the dinner table. Supplemental ambient light will dilute the singular direction of the light washing your faces with a softer, more even illume.

However, when intentionally used as a fixture of design, we want the coolest look with the best output for the function. Precise engineering paired with the decorative aspects of a well designed fixture result in an exciting art piece.  Yes, a piece of art!

Recently we were visited by our regional representatives from Louis Poulsen Lighting – to be reminded of their outstanding classic collection of timeless designer fixtures bringing the best of the best into commercial and residential interiors worldwide.  It got our juices going – salivating for the next opportunity when we will incorporate a magnificent lighting fixture into an interior project.

Two photos taken here in our shop feature the pierced perforations and organic cut-out designs of the “Aeros” by Ross Lovegrove and Louise Campbell’s “Collage” pendant. Two spectacular fixtures which compliment if not carry an interior design.

See more fun on facebook at http://on.fb.me/16cD99r

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Context in ART – Buying Reproductions Vs Original Art – The Next Layer of This Conversation

A couple of years ago, I did a workshop entitled “I Want to Find a Painting to Go with My Red Sofa.” And I want to do it again…because the interesting thing is that this same subject surfaces on a regular basis. It is an age-old argument about art for art’s sake and the reality that context is design. Context is ART. Whether you are in accord with the context as a compatible nod or against it as a decidedly bold statement to the contrary, art and design occur in context for or against it like yin and yang. However, buying decorative reproductions versus original art is the next layer of this conversation.
Have you read this in my blogs before? Context is a subject about which I am particularly passionate. How to begin to invest in art for the sake of your interior’s design or for the sake of investment or why…that is the question. Let’s address the “why?”
Why invest in original art when there are so many outlets for reproduction work such as posters – framed or unframed, copies framed nicely in a design-trendy or classic fashion, prints on canvas or paper that “read” like paintings, and the intriguing term being tossed about “giclees.” Wikipedia says Giclee “is a neologism coined in 1991 by printmaker Jack Duganne[1] for fine art digital prints made on inkjet printers. The name originally applied to fine art prints created on IRIS printers in a process invented in the late 1980s but has since come to mean any inkjet print. It is often used by artists, galleries, and print shops to denote high quality printing but since it is an unregulated word it has no associated warranty of quality.” The problem with the latter of these repro options is that the prices can be frighteningly high under the guise of the inflated value based upon an artist’s signature, fresh applications on the gliclee or some limited edition – and sadly most are not worth more than the surface upon which they occur.
So “why invest in true “original” art?” Perhaps it is because if you stop to think about it, you are making a connection with someone who has captured a moment, or a feeling or an impression that attracts you and different from a reproduction, you get a “feeling” that you have camaraderie with this particular artist and this particular piece. The most common experience for most is when traveling you see something that connects you to a particular experience or scene…you want to “take home” a memory of this experience – this event – this place. Having an “original” piece of art makes you feel a connection to the place. It’s yours and yours alone – it is a one-of-a-kind – often spontaneous and is an exclusive object that happened just that one time – and now, just for YOU. This intimacy, this nostalgia is very special.
Intimacy evokes emotion and emotion is so much a part of art appreciation – from the inception on the part of the artist to the viewer who responds to the piece. Positive or negative, the emotion of response is THE primary element in the expression and appreciation of art.
Wait, this is getting too personal…let’s continue with the generic, “one.” If one were to experience a moment of connectivity with a piece of art – a painting, let’s say, that so grabs the attention, speaks directly and strikes a chord – all these sensations that represent those feelings that draw one into a piece and say “buy me, have me, own me – take me home – that’s what it’s all about. And, it’s fun. It’s exciting. It’s satisfying. It’s spontaneous. It’s stimulating. It’s pleasing. It’s rewarding. And, it can be challenging too.
So, is it a crime to want to find and buy a piece of art to go with one’s red sofa? Is it against all objectivity and intrinsic value to pair the two? I think not. It is not the only way to select art, but it is a valid way. If context is such an important element in design and art…then, having a piece work well, be compatible with another contextual piece will create a harmony that works – it is perfect for some in those instances. So let’s not be such snobs. Juxtapositions can work, contrast can work and other manner of objectivity obviously works, but subjectivity is equally valid – not to necessarily value a piece in the chronicles of art history, but in the value that it means to one in one’s personal world.
So, as an investment, it comes right down to the fact that anything is worth what someone will pay for it – right? Ask Steve Martin in his book An Object of Beauty, where he so effectively paints a picture of the art world and it’s fleetingly changing whims, trends, values, and those that chase them.
Buy original art because it makes you happy – because you want to.

I Want a Painting for My Red Sofa

I Want a Painting for My Red Sofa

I met her again after a couple of decades, yesterday.  There in the open bay of her studio in Santa Fe on this gloriously warm and sunny morning in late October – the unseasonably lovely weather was providing an extended opportunity to enjoy being connected to the out-of-doors while working inside the cozy fire-pit. Yet, I imagine that there are many days when chilly outside that the crisp contrast is a welcome refresher to the intensity of the fire’s heat generated inside. But today was perfection.

Brilliant glass pumpkins of various colors of colorfully translucent glass were gathered in a welcoming autumnal display, catching the sunlight on the table out front. Piled beside them by surreal contrast were real, fresh-picked, enormously miss-shaped, world-class, organic deliciously edible pumpkins grown by a local champion.

Stepping through the large garage door opening revealed massive metal furnaces glowing and humming. The artist, her back to us was interacting with one of the units. As we watched, she thrust the rod into the intensely orange aperture twirling it gently with her fullest attention.

She then retracted the rod now displaying a wad of glowing goop and turned toward us to sit on her bench and continue to twirl the rod, grabbing the orb with clamps, pressing and twirling, to create before our very eyes, a perfect paperweight complete with inner swirls of orange and red. It’s like a being in a candy factory, molten glass like taffy is gooey and proves a most challenging medium.

Elodie Holmes has mastered the art of manipulating molten glass. After nearly 3 decades of owning her own studio, she has worked toward achieving perfection in her medium. Her work is sought by collectors as they wait anxiously for the completion of the firings that present her spectacular one-of-a-kind dimensional sculptures.  As we spoke, I remarked that this reminded me of my first experience watching glass blowing in Williamsburg as a child. She looked up and said “me too!” And we discovered that we had both come from the Washington DC area and had transplanted to New Mexico’s Land of Enchantment decades ago pursuing art and an incredible interaction with the beauty of nature uniquely found here.

As an interior designer, seeing her work and watching the fascinating process, I appreciate the art of it all, the decorative sophistication of color and form and attention to detail required achieving the results – and the satisfaction of both the artist and her fans realizing those astonishing results!

I found Elodie in her studio today as a result of super sleuthing for a set of drinking glasses that I had enjoyed while visiting a friend. After a couple of phone calls, I traced her studio and spoke to her gallery manager, Marci. I stressed that I was looking for drinking vessels and she assured me that they offered some exquisite interpretations. Upon arrival, as I walked from the studio space into the small gallery/retail space, I saw what I was remembering…there they were – be speckled glasses tall and short, twisted and bulbous – their shapes are fun, comfortable to hold and colorful to delight.

Proudly, I bring these uniquely beautiful little glasses to our boutique gallery at PATRICIAN DESIGN to offer Elodie’s work among our other fine New Mexico artists. I love living with art. I love using art functionally. So always attracted to things that bring art to daily use, I am continually on the hunt for those special pieces of functional art – here now these beauties allow drinking by design.

ImageSee more at the studio tour:  http://www.facebook.com/media/set/?set=a.10151069695516619.421546.232272436618&type=1

Sgourakis’ NOOK Chair Catches Dreams

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Australian designer Henry Sgourakis has created the NOOK chair and I couldn’t help but recognize the woven elements of our Native American dream-catchers! It is believed that dreams that people have while sleeping, are sent by sacred spirits as special messages. According to their Legend, the hole in the center of the Dream Catcher is the pathway through which good dreams are permitted to reach the sleeper. As for the bad dreams, the web “catches” them and they disappear with the first light of dawn. Some believers try to determine what messages are being passed onto them and what the messages represent. Perhaps unknowingly, Sgourakis dreamed of this message and has captured an ancient web of comfort for the design of his chair – as he says of his design “In a world where technology seems to almost dictate our existence and when our childhood feels like a different lifetime, it is important to me to remember the past and carry those memories into the future, the beauty of this hand-crafted piece does just that.”

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Detail of the NOOK chair