Disruption Reaps Results

Merriam Webster defines to disrupt: to interrupt the normal course or unity…So think about it when you take on your DIY projects…like reupholstering a chair.  Pick or find the chair, take a course, cut away at the fabric, pull out the staples, rip it down to the bones, (poor chair – you’ve really interfered with its unity), then put it back together. Voila!

To do something as seemingly simple as repaint, you will need to remove things from the walls and move things away from the walls, drape furniture, mask elements like molding, ceilings or other adjacent surfaces that will not be painted – or at least not with the same  color. All of that is quite a disruption.

Expand that disruption when you remodel – open a wall, replace cabinets, change flooring – each on their own sounds simple, but be prepared for disruption. Your normal course of unity will be in disarray, displacement – maybe even chaos.

However, I often reference the phrase “You have to break an egg to make an omelet” right? That sums it up. To make something wonderful, you are going to have to interrupt the normal course of unity – hence break the unity of that beautifully in-tact orb of an egg.

So do not fear disruption – go ahead – disrupt your life a bit, to effect change, that will achieve refreshing results! It is THE hardest part of the Creative Process (see pattisays April 29, 2017). https://patriciandesign.com/the-creative-process-of-interior-design/

 

 

 

A Joyful Fireplace for All Seasons

Where were YOU last Sunday morning? As the day dawned, the clouds over the mountain yawned – breaking open to expose various shades of sky beyond their shroud blanketing the morning. Soft grey waves curled over the crest and wrapped around the peaks on violent wind gusts thrashing the new green growth below.P1140149

Imagine…birds are chirping over the roar of Mariah in protest or defiance of this late blast of Mother Nature interrupting what had been spring’s warm welcome. Hooray hooray it’s the firsts of May and the forecast is a high of 50 degrees after overnight lows of a chilly 37 degree rain. This now after having seen record-breaking 70s in February and 80 degrees several days since.

Ah…the fluctuations of spring. With this awakening comes the want, on this Sunday morning, to climb back under the covers and hunker down.  P1140158 However, while the wind wildly whips our towering 30 foot plus blue spruce tree and all the other new green growth from tentacles of wisteria vines to our precious peach tree and fragile red buds, we ascend to the kitchen and talk about building a fire.

Yes, building a fire. With only one fireplace, I have not succumbed to the instant gratification of igniting fake logs or worse a digital image of a burning fire. Albeit I am not the one venturing out into the elements to retrieve the wood from the stack of fragrant local pinon on the side of the house. Nor am I the one shoveling the ashes to make way for a well-ventilated new pile perfectly placed to assure a good burn.

But I did painstakingly sit cross-legged in front of the fireplace for hours that turned into days breaking tiles in sturdy zip-lock freezer bags with a hammer and fit myriad shards into place creating this wild art-piece that is the focal point of our family room.

We didn’t have a mantle nor did we have a surround. We had found a tin mantle to affix to the wall at one point and later three resin plaques to mount beneath it on the painted sheetrock face creating an attempt at dressing that end of the room. But it never was quite right, never brought joy and every changing season resulted in compounded frustration for this unsatisfactory situation. The shoemaker who has not shoes was I, the designer with a sadly neglected fireplace with no design. P1080268

After more than 15 years, the day came when I enlisted Enrique Jimenez to finally make yet another of my dreams come true. With barely a breath of space on the window side of the fireplace protrusion available for a mantle return, he took the measurements and delivered a few days later a nearly fully assembled mantel and trim.20130731_181349

Once painted glossy white by dear John, the space surrounding the firebox opening begged for a finish material. I considered the usual suspects –  granite slab, harlequin glazed ceramic and glass mosaic when the whacky thought hit me – go nuts with fragments of color using treasured pieces I had collected over the years. From a shard I picked up off the street on Peace Valley Lane P1070814 the weekend of Matthew’s graduation from Stuart to little flowers and birds leftover from samples we commissioned for a donor wall at the Albuquerque Community Foundation by artist Meg Butler to chucks of Mexican Talavera and brilliant colors from other pieces and places the palette and random pattern began to take shape.

So the hours and days sitting cross-legged on the floor paid off as this multi-seasonal mosaic of color makes me happy and brings as much great joy in May as it does in December. It is a fireplace for all seasons and a happy finished product and satisfying solution to years’ old dilemma. 20160507_092036_resized

So here’s to the first day of May (last week) that came in with a chilly blast belying spring’s arrival giving us the opportunity to have a cozy Sunday by the  flames of a real fire flashing from the happy mosaic of our a bit frantic, but friendly, family room fireplace.

 

 

 

 

 

 

Stage Sets, Christmas and Cozy Fires

Old movies provide an extraordinary view into periods of history, social norms, and the interior design of the times. Watching old movies exposes lifestyles and context like a text book. Whether capturing modest environments or posh extravagances, they depict with accuracy – if not exaggeration – exciting opportunities to transport the viewer into another world.

From my perspective, I drink in all of this creativity as I scan the sets, peek around the actors and study the minutia of the many varied interiors. I marvel at the sensitivity and attention to detail and decorative arts required to create effective set designs.

When movies are in color they illustrate such interesting decisions for artistic contrast and combinations; but in black and white, the imagination must fill in the blanks. The emphasis on the chiaroscuro adds a very  different focus. Scenes in color are often exaggerated realism stretching the art. While black and white scenes are rich with tonal values, shading and bathed with the art and drama of lighting.

Perfect for this season the 1942 classic film Holiday Inn, with Bing Crosby and Marjorie Reynolds shown here by the fireside, allows the viewer to feel the cozy setting,  the warmth and take in the details of the room all without benefit of color. It’s fun to wonder what is the color of the walls, fabrics, accessories and other accents could be. The possibilities are endless – but probably not really  – if one is to design with accuracy for the time period.  movie Holiday Inn Bing Crosby Marjorie Reynolds   Try it with this still shot from the movie…imagine the colors…it’s fun!

Tis the season to light fireplaces and enjoy the flickering light, golden white colors sparked with jewel-toned color bursts, the visual and physical warmth that come in many forms. Step into the scene and feel the temperature, textures…see the colors and combinations.

I recently said – as sexist as it might sound – that I would never have a gas-log fireplace as long as there was a physically capable, self-respecting man around to fetch the wood and haul it home and stack it up, go outside in the frigid air to lug in the logs and of course clean it out from all the wonderful timber turned ashes.  Spoiled? Yes. I love a REAL fire in a fireplace – you bet…the crackle and smoky aroma of distinctly different species, real fire dancing and real wood “combusting” – natural elements that create a concert of sensory experiences and evoke so many memories. Is it working? Can you imagine it?

Fantasy mirroring reality, with the creativity of set design replicating accurate portrayals of life, provides another tool for historical markers and study outside of a museum setting. Perhaps you will find yourself scanning the sets and peering around the actors to see what you can discover surrounding and beyond the action.

And as this movie has so emblazoned in our holiday  traditions…I’m dreaming of a white Christmas. Thank you Bing.

Good Design Transcends Trends – Black Kitchens Then and NOW!

Black kitchens are sexy – as noted in the recent article “Cook in the Dark” by David A. Keeps, in the Wall Street Journal, last weekend September 13-14, 2014.20140919_162130 - Copy And in 2008 when we created a dramatic statement using black custom cabinets contrasted against raw-meat colored granite to many it was quite daring, even astonishing – but everyone LOVED it! image001 (1)Yes, it was a man’s kitchen – but as his female friends can attest, it is genderless in its stunningly composed design. This particular interior remodel featured this striking kitchen and we celebrated the black further by painting all the base trim, doors and molding in a semi-gloss black. Contrasting creamy travertine floors and walls are punctuated by the black trim and monolithic two-sided black marble fireplace and flanking cabinets.

On the heels of that project, we found ourselves celebrating a stone fireplace installation from the 70s. Many thought it needed to go – but rather, we found the same slate stone in large format floor tiles and finished all of the floors throughout with this stunning natural material. All of a sudden the fireplace was at home in a new context. A completely new kitchen – enlarged with many added functions – was designed with black cabinets20140515_094950 and iridescent mossy green granite counter-tops flecked and riddled with gold and black fissures. The slate stone flooring was mimicked in the backsplash with the same silvery slate along with a black and grey stone madras-like mix.

I was there in that second interior today as the client prepared with great focus and determination for a significant reunion of friends coming from all over the country – some not having been together for 40 years! A new commission of a martini alongside a copy of Flying magazine (the client is a private pilot), by celebrated artist Susan E. Roden – delivered today, sparkles with highlights of silver leaf next to the brushed stainless accoutrements. The bright red pops against the neutrals and black anchors of the dark toned bar and obsidian kitchen.20140919_170106

So it’s been fun to read the Keeps’ article and hear of this new craze in dark kitchens – we always knew they were sexy. Clients love being ahead of the trends. But as is always the case – when the trend takes hold, the industry provides a new array of offerings for designers to incorporate. New materials, new finishes – the challenge is to think a bit off from the norm and create before the palette is presented on the industry’s silver platter. Remember though – that good design always transcends trends!

Mad About Mosaics!

When in doubt – go for the gusto!  The easy options were just that – too easy and after envisioning all of the obvious options it hit me. I adore color and texture and the varied effects of bits and pieces making a whole. Fragmenting and reconstructing, creating and melding, mixing and matching…mosaic is magnificent. Taking disparate shards and creating a scene, combining a collage of materials and making a mosaic of their complimentary shapes and textures.

Architecturally, walls are faced with murals of mosaics on grand scales that pull the public eye into fantasies of fine, fragmented details.

Inspired for years with this colorful, playful and loose art form, I recently attacked my fireplace surround. Why not break convention from the traditional use of material such as tile, stone, perhaps glass and use ALL of these materials in a bold collage of color and make a statement that lasts!

Mostly broken tiles from a variety of sources along with simple glass stones, broken ceramics, and even treasured polished Atlantic beach stones that my father collected and took to the glossy, glassy high polish of his tumbler that spun in the garage day and night with the different frits to gradually transform the smooth pebbles into those highly polished prizes. This sort of project can be an intensely personal collection of fragments and memories.

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