You know…we designers design for our clients and ourselves around themes, we design around events, we design around seasons and of course we design around the trends…it all keeps the commerce of products and materials in motion. And at this time of year, we see focus on wine clubs, pajama grams, stuffed teddy bears in enormous sizes, hearts, hearts, hearts…and roses natural red or gilded, it’s Valentine’s Day!!!
But it’s fair to note that all seasons have valid design consideration. Setting the scene, enhancing the moment – either for you, your family or a romantic encounter, the holidays and especially this one, evoke a desire to create a scene that conveys love and romance.
To that end , my blog is brief. Enjoy that which brings you joy. Revel in the happiness that presents itself. Create beauty where you can. And as we are want to say….art and good design can almost always bring a better scene to anyone’s place on this precious planet.
So be it a candy heart with a common message of joy, a product acquired to create a scene, a piece of jewelry to promise, a token to send love, a greeting of friendship, a message to offer support, it is all about connecting.
I decided to paint a bowl for my sweetheart. Yes, I had passed this guy’s booth, encouraged others to partake, had appreciated his talent, but never ventured forth. This year, I enjoyed sitting alongside Victor in the shade, with the waves lapping the beach, and soft music wafting through the air…allowing a moment of focus on an artistic expression, a blank canvas (my bowl) to say Happy Valentine’s Day to MY Valentine.
Here is the finished result.
Connecting. We at PATRICIAN DESIGN support local artists and hope that the next time that you need a gift, want to send a message, or desire a creative addition to your personal space, that you will consider local talent to fulfill that need. OR do it yourself DIY!!!
Wear ART – Shop Local – Support LOCAL artists – Need we say more?
Ok…we provide the greatest FREE gift wrap to get you on your way!!!
XXX000 Happy Valentine’s Day – (it’s Tuesday – better get prepared!!!)
PATRICIAN DESIGN
It truly is a wonderment for all ages. This architecturally magnificent building designed in 1859 by James Renwick, in the then chic Parisian Second Empire Style, is the elegant backdrop for a most progressive and creative collection of present day modern artists’ works. Diverse examples, of spectacular displays using simple materials, brought to life in forms unexpected – of grand proportion and thrilling magnitude. Although my learned and previewer cousin had introduced me to the exhibit in advance, it captivated and engaged beyond my expectations.
The glitz and bling make such a striking, formal, contemporary statement in this expansive volume that it startles with joyful contrast. The artist, Leo Villareal of whom I had heard in advance, was originally from Albuquerque – where we now call home. A remote desert origination transplanted into the fast pace of the urban centers of the east coast resulting in this shiny experimentation with light, form and wonderfully reflective surfaces. Villareal melds basic high-tech coding to use his own algorithm of the binary system 1s and 0s communicating to the lights when to turn off and turn on – yet sequences that are never exactly repeated .
It’s not just your linear code of characters that is read on a screen – here it is an artistic experience shared by all who look up in this gallery’s exciting exhibit.
Large scaffolding at the end of the room suggests the manual installation that was required to suspend this wondrous drape catching light and glowing with golden aura. 
We were at once drawn into these cozy nurturing cubbies of what appeared to be nature – not forms created by man. Nature. Organic and raw, elegant and graceful winding toward the far reaches of the very high ceilings. Like a sculptor who says that the stone dictates what it wants to be and how he carves it – Dougherty knows that the long willow branches have a true will and bend their own way challenging him to work with them toward that goal of partnership with nature. The beauty is in the end result. People of all ages wandered in and out, peeking through window-like openings pretending to be exploring an enchanted forest of wonder.
Have you ever experienced Tent Rocks? 
Have you ever looked upward and around and through the magnificent forms created by nature eroding the earth’s strata revealing layers of color and creating spires of rocky towers? It is a magic land just south of Cochiti in a very unexpected pocket of nature’s magnificence in our Land of Enchantment. And the spires that artist Tara Donovan created with stacks of index cards – an overwhelming accumulation of millions of index cards suggest grey spires replicating nature’s wonders in the canyons among the spires of the Tent Rocks. 
It’s as though a photographer captured this natural formation in black and white. Donovan’s interpretations are tones of grey as a result of the stacked white index cards with slivers of shadow sucking away light in between each of them. Clustered and staggering in height, the “Untitled” towers are inviting to walk amidst and pass between, winding around them like a tourist or explorer or perhaps inhabitant in ages past and present as they have stood for ages.
How could a human working only by hand – without computer generated machines digitally fabricating such perfection create this finished piece that we are studying with such wonder? How can this fine tedious seemingly impossible count of thousands of threads be executed with such grandeur and grace by one mere mortal? 
The artist Gabriel Dawe transcends our ability to comprehend the exactness of his beautiful accomplishment with extraordinary patience, precision and creative foresight to imagine the end result and bring it to fruition. It is a wondrous, luminous sculpture of rainbow colored threads inspired by the skies of his native Mexico and current home in East Texas. The fine weavings also inspired by his Mexican heritage are interpreted, stretched and exaggerated here reflecting the light and spectrum of color from its base to ceiling. 
Her lips, his costume, the children’s masks, a sunspot on a bus, the fighting ring ropes, structural elements in the arena are all so subliminal yet so vivid. Consistent and repeated use of the contrast with the bold red color in combination with turquoise is also a key element in this film.
measure. I followed B. A. Shapiro’s protagonist, Claire, as she navigated the mystery of a missing Degas. Set in a relatively small footprint of NYC, the story is one that could only effectively happen here in this city of superlatives. From the best of the beset to the worst of the worst and the enormous middle ground of mediocrity which again is superlative due to its sheer density of people, texture, concentration of multi-cultural influences, exceptional urban scenarios and unique prospects.
She is not forging as that would mean that the copies were intended to be marketed as, or represent, or be sold as though the original. Hers are legally sold as reproductions – until the plot thickens…Where a love interest, temptations of wealth and fame, innocent confusion and clever problem solving are woven between the past and the present and ultimately begs the question about the value of art – how is it established and when is it talent versus celebrity? The chicken and the egg thing or the Emperor’s New Clothes, either way,a mystery that boils down to what the market will bear.
A Red Like No Other – but unless I am on a roll, it might take me a while.
