Commercial Finishes – What They Say – What They Convey

When planning a commercial project, how do you separate your personal taste from an objective view of the program for the business? This situation has occurred twice in the last year with my practice. Well, there can be blurred lines. There can be design elements that work in both environments. There certainly are offices that mimic residential living rooms – contemporary or traditional – modern or historic, but it should directly relate to the type of business and the brand of that business. What does the space say with regard to conveying the intent of the business?

The selection of materials comes first. The bones of the building – what’s exposed, what’s concealed, flooring, wall treatments, etc…The first project was a medical related business – corporate office for a product line. The neighboring space was a physician’s office and treatment suite. The common space had existing concrete floors. The woman leading the design decisions for the medical corporate offices wanted to continue the concrete into her waiting area and throughout the offices with area rugs in each room. A small-scaled water feature, in the form of a grey box, is located adjacent to the seating and a distressed chest and metal sculpture are also part of the scene. Her selection of chairs were heavy, gold tapestry, over-stuffed and tufted. They were placed around a round table in the center of the room. All I could see was a setting for a Victorian séance. It in no way reflected the clean, crisp, fashionable brand that they had established to represent their rejuvenating medical product line. Rugs invited tripping hazards and the look was in no way speaking the language, of the intent of the business or its brand. It spoke directly of the woman’s home, from which she replicated her eclectic taste in the office.

Next door, nearing completion, the physician’s group was being strong-armed into going the same route with the concrete floors. We love concrete floors in so many applications, but here – in these two spaces, they were existing, did not take the stain well and looked dark and dirty in the final polished presentation – NOT the fresh look of a sleek medical group. Not the finish to convey confidence and cleanliness. Treatment rooms had vinyl flooring for necessary maintenance, corridors and physician’s office had carpeting, but the docs rejected the contrasting finished product in the entry and restrooms and went back to the light tile flooring that was originally specified regaining the professional appearance of the intended design.

Faux wood porcelain boards are a fantastic contribution to the design offerings for both residential and commercial finish materials. Shown here on the exterior of a building by the ocean, the artsy peeled bark variegation of the pattern is striking and makes a commanding design statement.

 

It is carried through into the interior and back outside on the rear dining patio.

The idea is that a wooden building by a seaside is traditional – this is a stunning twist on that which was once a customary building material revisited with an invincible, high-design version. The use of wood for such a place would have been historically accurate.

The same is true when faux porcelain planks are used on the floors in the produce section of a grocery store – replicating a produce market or barn where fresh produce is collected and sold. Some high-traffic food-service establishments, bars or breweries often want the look of wood floors – to convey a context or scene – but are not durable and therefore not advisable. A home – almost anywhere including the obvious – in the woods or by the shore, with wood flooring might not be practical, but by using the wood planking porcelain, the look is conveyed while the durability and maintenance is made effortless.

Recently an owner wanted the “look.” That sleek modern look of grey porcelain planking. His business was one that dealt with automotive repair and restoration. In evaluating his brand and the nature  of the business, real wood floors would never be the material of preference. So to use even a durable, invincible, porcelain version seemed out of place.

Concrete would be more the material of a garage environment. To make a corporate statement, concrete can be dressed-up. Porcelain tiles simulating concrete is an appropriate faux finish option – either way, preferable to creating an interior of grey weathered wooden planks. Watch for the completion of these projects in the coming months.

Adopting the use of materials merely because you like them or they are in vogue is not always the best approach. Consider the context, the intent, the statement materials make – how they “read,” what they say – what they convey.

 

Inspiration Discovered in Familiar Materials Used in New Ways

While at the stop light, I found myself behind this gorgeous fire truck and by the time I thought I should take it’s photo, it was pulling away and I was making a U-turn! So I quickly grabbed the phone, fumbled for the camera icon, and snapped this shot over the dash through the windshield as it powered up the street.

I have zoomed in on this spotlessly, shiny, magnificent machine for the effect of today’s story subject. This wonderful, patriotic, service – truck struck me not only because it was colorful and sparkling, but much of the high contrast and bling came from the diamond tread wrapping the handsome body.

Earlier in the week a client casually mentioned how cool it would be to use some of this material as an interior design element! Little did he know that his simple off-the-cuff comment inspired me to investigate and plan to do just that! I was minutes from presenting to this very client when this photo op occurred. Serendipitous perhaps?

What sparks the imagination? How do things evolve? What fun it is, as a part of the Creative Process, to explore the possibilities of unexpected materials used in new ways. In this case, the material is perfect to promote the theme of the brand – a successfully growing business related to cars and the repair and restoration thereof.

I won’t reveal the business just yet – it will be a dramatic unveiling soon-to-come. Suffice it to say, I am enjoying the process, with a great team, of expressing and furthering their well-established brand, in the development of the interior and exterior design.

Back to the diamond tread. You’ve seen this used on fire trucks, tool boxes, tailgates, flooring, trap doors…and much more. It comes in glossy aluminum as shown here with its brilliant, bright, bling – also in stainless steel (a bit more expensive), and a dark carbon version. It comes in large sheets – a couple of different sizes and thicknesses.

I have also discovered here, while on the search for materials for this project, a dark iridescent porcelain tile with a bas relief pattern simulating this amazing tread. This material like other faux finishes has it’s practical purposes – but like porcelain wood or porcelain stone – it is NOT the real deal. I have elected not to present this, for use on this project.

So stay tuned to the exciting insertion of this sheet metal in our new interior design. Just enough  – not too much – right where it will be effective – and make the best statement.

The takeaway is that the excitement of introducing different materials effectively – not gratuitously – but with a purpose – is part of the fun of design. The daily inspiration that comes from new projects and people, ideas and opportunities!!!

And in light of our holiday weekend – a perfect time to feature the shiny red truck that inspires and represents the outstanding individuals in the service and rescue fields – Happy Labor Day!

Drama, Discretion and the Element of Surprise – Concealing & Revealing

Have you ever had someone ask you to cover your eyes and then there is an anticipatory pause as you stand there anxiously or they guide you – no peeking – in your temporary darkness, to a point where they say “you can look now!” and you do so with great anticipation? The elements of surprise and discovery are put into play to create drama. Hopefully, the unveiling is met with the positive reaction that the presenter had in mind.

Recently I was called to the home of a wife and mother with a dog. Only she was in evidence and present for this meeting.

Her initial contacting our office and brief correspondence prior to meeting was done via email regarding her introduction and retaining me to assist her with her newly acquired home. Her first concern, conveyed even before we met in person, was one of achieving a “cozy” interior.

The home’s contents were partially dismantled as the original owners were in the process of boxing up and moving out. In all fairness, despite the unfurnished state, it was devoid of mystery or interest. It did offer a commanding view of the mountains seen very closely through an expansive north facing wall of glass. But as magnificent as the unrestrained scene was, the drama might better have been revealed by invitation rather than seen in its entirety, from outside the un-obscured glass front door and large flanking sidelights straight through the house and without interruption. This presented an exciting opportunity.

By invitation, I mean selecting who sees into your home and how far. Who sees the intimacy of the interior and the would-be personal vantage-point of the dramatic scene. The opportunity was to control this drama and give it even greater impact by concealing and revealing.  The opportunity to create a design which offered privacy,  bit of mystery and discretion – with the ultimate revelation of the startling glass wall and jaw-dropping view.

This sketch by architect Matthew Frederick illustrates the effective use of “denial and reward” to enrich the approach to the ultimate unveiling of the destination.

 

This home I’m describing offered little or none of these characteristics to entice the guest/viewer and, with that, certainly defied the word cozy.

The objective, as originally stated by my client, was to achieve a cozy interior. Presented with all hard surfaces of stone, tile, steel and glass, the problem seemed obvious, offering possible solutions was my task.

When I suggested a partial-height point-of-arrival wall be constructed inside the entry to stop the view and allowing one to assess and receive the guest and/or conduct a transaction, I was instantly met with “Oh, but it’s that view that my husband loves! He wouldn’t go for that.” And I’m thinking…but seeing all from outside the front of the house straight through and out the other side?

First roadblock. He who has strong opinion and, in his absence, is inserted into the conversation, without benefit of thoughtful exchange, strongly suggested that further evaluation of this option seemed moot. This through-space seen in its entirety, without interruption from outside the front door to the back of the house, was totally transparent and the representative (she) of the team was referencing his seemingly over-riding preference, in contrast to her stated concerns…cozy. Not to mention private.

To create a successful design, it is important to consider contrasting elements. All hard surfaces begged for softening counter-balance.  Transparency suggested the need for partial obscurity – at least at the point-of-arrival.

Wouldn’t it be interesting to obscure some of that magnificent view from anyone who approached the door and rather invite those so chosen to discover the mystery and drama once they’re brought into the space?  This addresses both privacy and drama with greater sensitivity while beginning to address cozy, by concealing the living space from public view.

Un-obscured glass on the back of the house is the private drama.  Seeing the view from inside and connecting the outside to inside, for personal enjoyment is unique. By allowing only family and guests be given that vantage point, from the interior and private backyard exterior to the inside, is the privacy bonus. Drama and privacy achieved.

As with most things in life, you get more punch from the element of surprise. To have guests arrive, be received and then invited to proceed, to experience the drama, is far more effective than seeing it all without the heightened expectation or even unexpected surprise.

 

 

 

Color Schemes and the Complex Simplicity of It All

Color schemes are many. Color schemes evoke a mood or convey an atmosphere. They certainly can and often are responsible for imagined temperatures and/or seasonal sensations. What constitutes a pleasing color scheme? What constitutes pleasing? It all comes down to balance, layering and subsequent interest. It takes a enlightened eye and usually cannot be achieved by accident.

We are nearing completion of a living room that incorporates many design elements. Family heirloom antiques add a vintage touch along with the architectural style of the bungalow home.  Contrasting these pieces is a sleek-lined, modern, sofa that we found and reupholstered. And while not driven or influenced by current color trends, we selected a scheme derived from the existing Persian rugs. By extracting the blue and white from the patterns to refresh the interior – a classic, timeless color combination – we blended a wonderful scheme. Finding the common denominator(s) blue and white, we sought to anchor all with this consistent theme. Differing patterns provided additional layering and interest.

Then, just last week while dashing through the DCA terminal for SWA, my eye caught the attention of several magazine covers all featuring blue and white schemes!  Always in vogue, but not always featured as the cover story, this coincidental (or not) collection of blue and white photo images was a riot! I was forced to snap a few shots to send to my happy blue and white client.

If I described a new master bath remodel project as all white, I wonder what might come to mind. All whites are not created equal and the variation is startling when you see them in context, adjacent to one another. So here is the easiest example. A fan-deck from Sherwin Williams shows a collection of whites. They “read” very differently from one to the next. Yet taken one at a time – isolated from the rest – each would seem to be just plain white. Notice too how they differ from the white paper upon which they are printed – it is the spacing between the color chips – and even the white fabric upon which they were placed for the photo!

But there is really no such thing as “just plain white.” Once seen next to another, their unique qualities of hue come into play. A yellow white is creamy, while a cool white reads blue. It’s the context that makes the  color more legible. Without that they could be assumed and accepted to be merely “white.”

So, in this recent color scheme nearing completion, whites in context show their many colors. At first glance and if asked, one would say “the room is all white.”

Upon closer inspection (photos taken from a different angle seconds apart), that simplicity is replaced by a more complex, heightened level of awareness. This complexity is what adds interest and results in a better finished product than a true monochrome. What was a collection of white materials, in this master bath, is truly revealed as shades of white varying from ever so soft celadon to cream and grey to what might be read as actual “white” white.

 

Don’t trust your eye when it comes to color. Discover how paint on walls changes all through the day. Artificial light-sources alter the way a color appears.  Context with other colors alters the way one perceives color. Color is fun! Colors are fun! When designing interiors, enjoy the process of layering and the varying effects colors have on each other. Simplicity is usually not really simple. That term can be deceptive. Making it look that way is an art. Encourage the enjoyment of discovery.

Design Inspirations in the City Different

Do YOU know the way to Santa Fe, to play off of a song by another title? Up the hill and beneath a brilliant blue sky, the thunder clouds scatter with dramatic splendor. Past the cedar dotted landscape with punctuation of piñon the seasonal monsoonal green is blanketing the desert. A thrilling view passing swiftly, outside the window, like a series of paintings capturing  surreal scenes – always picturesque.

It’s July in The Land of Enchantment and a weekend getaway, in Santa Fe, promises stimulating design treats and artistic inspiration! Every visit is familiar – yet new. Around every corner, there is detail and color, decoration and un-selfconscious art.

Just when you think the Santa Fe market is saturated with myriad fabulous dining options, Paloma hits the ground running, on Guadalupe Street, to shake things up a bit!

The joy of experiencing the very new restaurant of an amazing friend was exhilarating! Marja Martin, la propietaria of this great new venue Paloma, brings limitless talent, outstanding vision and distinctive creativity to everything she touches.

The quite well-seeded Santa Fe dining scene is recipient of her newest endeavor. Already a well-established and well loved caterer, her artistic sensitivity and smart culinary concepts – that have been her signature – now result in a presentation of stunning unpretentious decor and exceptional  flavors. She’s giving patrons bold flavors and creative combinations inspired by true dining experiences, with our many-faceted Mexican neighbor’s to the south. The result is fun and transporting, in its authenticity.

Walking home, to the lovely casita of dear friends, the gates and doorways, patterns and particulars – uniquely New Mexican in their expression of design offer photographic treats. It’s magic. It’s exciting. It should be on everyone’s list to take the time to explore.

It’s as though history and current trends collide to create a patchwork of texture and color all to stimulate the senses. Exotic flavors and international everything all presented in the confines and context of this extraordinary place.

Interior design and exterior design bombarding from every pocket including this provocative little prose to ponder at Sonder. Get out there are feed your senses!

 

Exterior Design – Celebrating Summer

As summer blazes on and we continue to enjoy the freedom offered by expanding our living spaces into the out-of-doors, I’m contemplating the variety of versions of outdoor living that are made possible by different climates. While friends in the tropics of coastal Mexico are complaining about the inescapable sweltering heat and humidity these summer months, the rest of the upper regions are rejoicing in the mere fact that the bitter cold is replaced by warm air and things are growing and green and flowering and alive!

Various water features come to life springing forth suggesting the refreshing sight and sound of a trickling brook,

bumble bees light on flowers that would be disintegrating clumps of dead growth in winter,

comfortable enjoyment of TVs on patios that become desolate, barren, outdoor rooms in winter.

The reverse is trending too however, where organic materials, (stone, woven reed rugs, plants, wood, bamboo) are used bringing nature inside the home.

This connecting nature indoors the home is a refreshing, rejuvenating  approach to design – in stark contrast to the crisp geometric inorganic feeling of other design trends. Taking it a step further is the seamless transition of the two.

Interior stone flooring flows out onto the patio…telescoping patio doors open allowing seamless transition between indoors and out.

“Transteriors” was coined by landscape designer Jamie Durie and his team who have enjoyed the broadening of his brand to link his exterior designs to the adjacent interior spaces with a celebration of sustainability and organic appeal. The brief mention in last month’s June 2017  edition of vmsd (Visual Merchandising + Store Design) was a validating article reinforcing my appreciation for the different climates and the design options and limitations we experience from zone to zone.

I’m returning this weekend to a project that I designed a few years ago in the Sonora Desert – it seems to have stood the test of time and is still referenced as a “Tangerine Dream” of indoor/outdoor living.

We didn’t have the luxury of telescoping doors opening glass walls to connect the inside with out, but we maximized the colors, materials, plants and design scheme to allow the transitional lifestyle flow. Stone and tropical plants inside speak to the same materials outside. Colors correlate and, in this case, the climate allows enjoyment outdoors all year around…with some minor limitations and yes, decided temperature changes.

But nothing like what occurs in the snowy climes where outdoor living – except some frigid winter sports – is all but closed for the season.

Advancements in technology and ideology have made transterior design much more viable –  allowing for amazing options for furniture, fabrics,

kitchens, fireplaces, flooring (take that same material from inside right out onto the patios – if its frost-proof), lighting and more from which designers can create exterior living spaces. These outdoor rooms so emulate the interiors that the transition is often difficult to see.  Not being able to discern the line between indoors and out is often the optimal effect – but not always…

Seasonal changes with interior/exterior design, like a change of clothes with the seasons, can also offer the expansion and exploration to entirely different spaces when the warm weather arrives that emphasize the design distinctions rather than trying to meld the two.

So venture out of your cozy bear’s lair the next time the crocuses begin to peek through the soil and the birds start to sing, whip out your rattan or faux wicker, teak lounges, hammocks, fabulous fabrics and potted palms and design your tropical summer retreat in your own backyard!

 

 

 

Windows – to Dress or Not to Dress

Last week I had a meeting with clients who have purchased a swanky little tract home, in a trendy new subdivision, which comes with a package of choices – a buffet where a smorgasbord of features and finishes are offered, but no custom deviation is allowed. They came to me stating that they intended to take possession, with the package that they selected with the project’s coordinator, and then promptly replace carpet and change paint colors prior to their move-in a month later. Wow.

So in our initial walk-thru of the construction site, they explained that they had pre-wired for motorized blinds in most of the windows. They had already met with a window dressing consultant and this was the status of that decision process. I was curious as to how they had arrived at this decision, so offered an example of a previous consultation that I had had – which I have referenced in prior blogs.

Years ago a woman called and wanted a consult to discuss draperies. When I arrived at her home, I encountered large east-facing sliding doors flanked by equally large towering side-lights.  The primary living space, where this wall of glass was located, had soiled, tan, wall-to-wall carpet, furniture poorly placed in disarray and toys scattered everywhere. All surfaces were over-flowing. I knew at once that no matter how much we threw at those window, it was not going to improve the appearance of this environment.

So I asked her the three basic questions regarding window treatments. ONE, do you need privacy? TWO, do you need light control? THREE are you after a decorative element? She responded to each. “There is nobody behind me – the lots drop down off the bluffs without privacy issues, the overhang of the patio provides plenty of light protection and I was hoping for draperies to improve the decor.” At which point, I objectively assessed the situation. I told her that spending a significant amount of money on draperies and without need for other window treatments, noting her soiled carpet and fragmented space, I would suggest replacing the carpet with hard-surfaced flooring and began to work with her to rearrange her furniture and discuss bins for the scattered toys.  She enthusiastically told me that her brother-in-law was a tile installer and so I suggested that we find a tile and let him replace all the carpeting in this common area from front door through kitchen, down the stairs and throughout the great room. I assisted her in the selection of the tile and also recommended a fresh paint color. The next time I visited, I saw the dramatic transformation. With the new clean flooring, rearranged furniture and toys stashed in bins, she had transformed her space into a clean, fresh and easier to maintain interior. I could have sold her thousands of dollars of draperies – but it would have blown her budget and it would not have been the right thing to do. Instead they had less than $500.00 consultation to get them on course.

The right thing to do is what clients count on when they engage services for advice.  There is never one solution, but there are responsible versus irresponsible options. Window treatments are one of many considerations when planning an interior design.

Regarding  these new clients, after our discussions, they may end up opting not to dress all the windows. They might use the money elsewhere like painting the walls, taking their floor tile out onto the patio and entry slab – many things that they are considering as they plan this new interior.

We have recently been inching our way through another project to re-do a (excuse me for saying) dreary living room. It too is the primary living space for this home.  I say “inching” as we began with a concept based upon rearranging the furniture. Then we began discussing the possible color schemes and styles that might transform the room and transition well from their periphery spaces.  Wonderful, existing, family antique, furniture and rugs set the stage. We had the good fortune of things falling fairly quickly into place. I’ll save the design process of this project for another time, but as it relates to this subject, we are regarding window treatments as one of the final layers of design detail. Here we had existing wide blade blinds that were still perfectly functional. They could be drawn-up to the top, used down either with blades closed to provide compete privacy – or opened to varying degrees offering filtered light and a modicum of privacy. We felt that as things progressed and having removed the original valances, that the windows could stand being enhanced.

The choices are many. We considered full-length drapery panels, short curtains, top treatments such as upholstered cornices or fabric valances – pleated, swagged or shirred and more… We weighed all options and decided upon the structure, tailoring and fabric coordination that upholstered cornice boards would contribute to the scheme.

These boxed, stepped cornices add so much to the soon-to-be finished project. Yet right when we think that this is the crowning detail, sheers are considered to soften the blinds and further filter the light softly streaming through the windows. Here we are in the process of experimenting with the sheers which still need to be hemmed and finished.

In this case, my wonderfully talented client will be doing some of her own sewing on these finishing touches –  and perhaps some pillows – a bonus to her and their project! Stay tuned for the amazing finished product…complete with clever re-claimed “finds,” dramatic re-upholstery, fireplace modifications, custom audio-visual cabinet and finishing accessories!

 

 

Everyone Needs a Little Country Sometime

I would like to share a treat of a house in a magical setting along a quiet waterway in the lush rural lake community of Edgerton, Wisconsin. A most talented friend has created a riverside home from a modest rambler. What was a dated structure with limited interior appointments, low ceilings, tiny high windows, and ordinary fixtures is now a soft, sophisticated, space outfitted with treasures gathered in the countryside, filled with history, character and antique charm.

Hands on and knowing exactly what she wanted to achieve, she began collecting interesting fixtures and hardware, furniture pieces and finishes. She hired a remodeling contractor, but worked closely with him and his architect to detail every facet of this home. Unwilling to compromise certain features, she enlarged all window openings, reconfigured the entry, gutted the kitchen, redesigned the bathrooms, ripped out the ceiling exposing structure – increasing volume exponentially – and added a garage.

Exposed beams, new white-washed tongue and groove boards applied to raised ceiling, a found wooden column used for structural support, new crown molding, bead-board wainscoting, re-designed fireplace surround, and creatively concealed storage closets, have re-shaped the entire character of this interior so dramatically that all who entered, not having yet seen this incredible transformation, were awed.

Hearing their comments as they passed through the spaces was amusing in their commonality. Everyone was amazed at the amount of work done, creative elements incorporated, fun finds she had collected to transform this modest house into this cozy cottage. Her two cats have wonderful vantage points to watch the activities in the rooms below as guests gathered to celebrate the weekend’s family wedding festivities.

Daylight streams through windows and floribunda gardens around the house are now communing beautifully with the interior.

Ever-so-soft blues, with whites of every shade, create a soft backdrop to collections of fine china to vintage scales and myriad eclectic antiques.

Outside a recently completed multi-tiered pond emits soft trickling background sound which wafts inside through the many open windows. Not to be reticent about being hands-on, this tenacious designer personally packed 23 loads of boulders and large stones into her truck, off-loaded and placed around the periphery of the pond. She planted tiny creeping vegetation among the stones, water plants, multiple trees and perennials to establish instant-gratification landscaping in her expansive backyard, which is a lush verdant botanical expression that grows abundantly right down to meet the river.

A great get-acquainted bonding of disparate family and friends occurred when we collected buckets of roadside flowers to make arrangements for the reception venue.

Wild bouquets punctuated with spectacular domestic flowers from the gardens surrounding the cottage provided fun activity and contributed to the charm of the scene.

Everyone needs a little country sometime.

It’s Not Quite Right. How Do I Fix It?

You know things are not quite right…at a glance, it all looks good – but something is not quite right… too loud, too quiet, bland, boring, just not interesting, not working, not quite right – but you can’t put your finger on what is bothering you or why. I  could be talking about  blind dates – or the significant other that everyone thinks is terrific, but you know that it’s not what you want or need right now. Can you fix this?  The similarities are astonishingly comparable to observations you might make, or discomfort you might feel, in your interior environment. Replay that list of disappointing observations you might find, in a would-be he or she, and apply it to you interior. See how  funny/similar it can be!!

Fixing people is not quite as easy as making changes in your property. But the similarities, in evaluating, being uncomfortable and not being able to put your finger on the exact problem and making  the decision(s) necessary to rectify things, are.  Identifying the problem is often the roadblock.

Maybe you’re just tired of it and you want it refreshed. Do you want something new? Do you want to change it around – rearrange? Can you do that?  Do you need to start over or can you salvage the best parts and improve others?

Having scrambled all of these people-personality traits and interior features, let’s focus on the subject at hand – interiors. This conversation occurs  often. Someone will bring to my attention something that either bothers them, or an idea that they think will improve their space. More times than not, I realize that the objective view will notice that the items identified or ideas offered are not at all what is wrong or, by changing, will improve the space.

Case in point, an appointment scheduled to discuss large windows in a great room. The client thought that the room needed draperies. It would have been an expensive installation regardless of the cost of the fabric – just due to the area to cover. I have used this example before, because it is so prime. My first questions were:  Is this for sun-control? To which she answered that no, she faced east and had a generous overhang on her patio. Is it for privacy? No, she assured me that nobody lived east of her and that was not a concern. Is it as a decorative element? Her answer was cautiously enthusiastic that yes, she thought that a decorative drapery treatment was just what she needed to improve the look and feel of the space.

I scanned the room seeing the tired, stained carpet, poorly arranged furniture, toys strewn about and piles of papers on every surface…and I knew that draperies were not going to improve this scene. Because it was their primary living space and they were obviously hard on it, I suggested that she trade her carpet for tile and a large area rug, I helped her rearrange her furniture, suggested toy bins, and advised against the draperies.  She had the good fortune of a relative in the flooring business and so I helped her select the tile and carpet to be cut into a rug and her installation was quickly completed, at far less cost to her than window treatments would have been.  With paint to refresh, the end result was so successful that she could not stop talking about how the transformation made her feel so good and that she just couldn’t see it – hadn’t bee able to decide what needed to be done.

Feeling good about your interior spaces. Your private space needs to make you feel good for so many reasons…security, comfort, relaxation, motivation, joy, inspiration, identification…Times change and styles change, some things are classic and some are fleeting and trendy. Your interior responds to your place in time. Refreshing it is a natural response to changing times and life stages.

Recently I was asked to look at the walls in a kitchen. They were a medium sage against a natural blond wood ceiling. We had just lightened the walls of an adjacent room. She said “I think I want to change my wall color – don’t you think it’s too dark?” So I looked around and pondered…it’s a cozy room, the color is neutral and contrasts well with the wood ceiling…I wondered, is it too dark? How will it change if we select a new color – specifically a lighter color? I knew that they enjoyed spending time in this space, more-so in the winter as they had many wonderful outdoor areas to spend time in the warmer months.

So I thought about the room in winter…the dark walls gave it a close, soft, comfortable, cozy feel. But upon gazing around the room, I noticed that the cabinets had a modern, flat, radius  design, worn in several places, were blond wood (when the rest of the doors and trim throughout the house were raised panel and all white), and in no way seemed to reflect the interior design theme of the rest of the home.

I offered that maybe the cabinet doors and drawers should be replaced with new raised panel versions. The boxes and hardware were in fine condition, the replacing of the doors and drawers would be less costly and intrusive than replacing all of the cabinetry. She expressed shock at this observation. I was suggesting keeping the wall color, refreshing the cabinets, painting them white and voila – a new, brighter kitchen without lightening the walls. It would retain the cozy feel, but with a fresh look! And I have since considered that the island might be another color – yet to be determined.

We have recently done a similar fix to existing cabinets – and the result was amazing.

Salvage what makes sense and spruce up/replace what needs it. Need help deciding how to know what to do and what not to do? Call your favorite interior designer!

 

What is Custom and Why Do You Care?

A client and I had a discussion the other day about “custom” design. What is custom and why do you care?  As we regarded her newly reupholstered furniture that had been delivered and placed in the living room, we began remarking about the “custom” nature of it all. A specifically designed audio/visual cabinet is currently being “custom” fabricated to add to this scene. Unique pieces of furniture with specifically selected fabrics to create an exclusive, personal scene. This “custom” collection/combination of existing pieces, recent “finds,” new pieces and designer fabrics doesn’t occur anywhere else on the planet. How personal can you get?

Here’s a peek…the beginning of the assembly of this “custom” scene. Crisp Scalamandre stripe on a fabulous find, paired with a rich navy and cream hounds tooth woven…rugs, lamps, pillows all still to come…

Creating a custom scene is like composing music or a painting. It is an art-form of balance. Balancing scale, color, texture, form…the many nuances…details….is the art of it all.

With all of the options on-line and in furniture stores, how do you begin to compose your scene? Where do you start? What do you keep and what do you replace? Why might you want to engage an interior designer?

Perhaps you need assistance getting started. A professional interior designer can help. So can several talented friends – but there is never only one way to do anything (too many chefs) and the right guidance can simplify the process and make the decisions much easier.

Too many chefs?

You need someone you trust, with whom to consult on the many design decisions. From floor finishes to ceiling treatments, window coverings to upholstery, furniture pieces and placement to decorative and functional accessories, lighting to audio/visual – a professional designer has the tools, colleagues and experience to assist you to realize your “custom” scene.

However, if you don’t have the desire or the patience with the creative process, you need not participate – you can go on an extended vacay while all is designed and completed. Voila! Or, you can expeditiously go on-line and buy what you like and hope it works well together and that it fits, that it wears well and results in the scene you want and need to bring you comfort and joy. Or not.

The same is true for commercial interiors. The scene should be an exclusive, custom design that reflects the unique culture, qualities, values, mission and brand, enhances productivity and satisfies the needs of the owner/occupants.

An accounting firm merged two existing, well-established firms. Old and new, grounded and progressive – the remodeled “custom” interior represents their newly defined culture.

A designer interviews the client in order to extract their desires. These many impressions of the desired design are often tough to identify and articulate by the client perhaps, but those illusive concepts, ideas, and desires are exactly what the designer gathers to cull the options, offer ideas and compose the “custom” scene.

For more on this, please visit a previous blog on the Creative Process https://patriciandesign.com/the-creative-process-of-interior-design/  and Custom Design Details https://patriciandesign.com/4680-2/and Custom Collection  https://patriciandesign.com/2017/02/