TRENDS – How Does One Decide?

TRENDS…we HAVE to have them…it makes us think, makes us shift…not to mention keeping viscosity in the economy. The shift is the element that moves the economy forward. Without that shift, we would be stagnantly content. And who wants to be stagnantly content – except the “Settlers” from the Direct TV ads?  DIRECTV_Commercial_2015_The_Settlers-520x245

Yet if you Google design trends they are all over the place. The intrigue is when they land on an actual theme that becomes THE TREND.

So as we advance into the new year and winter fades to spring – what lies ahead? I’m finding lots of nostalgia – features on milk glass and floral patterns and fancy geometric patterns, a recall to wallcoverings in floral prints and botanicals…Rose-wallpaper-Bari-J-WallAppeal-pattern-pink-yellow-zoom

The trick is how to invest in these elements and not have them become passé by next year. It’s all about balance – unless you have the desire and pocketbook to change out your interior annually! The desire to add something new to your personal spaces, or as my mother has always said “punch it up” is an art unto itself. How does one decide?

Information is so accessible. Access to ideas is endless. But HOW does one decide? How to make the decisions, the right combinations, what to keep and what to change…? The internet and TV…Anthropologie to Pottery Barn, Pinterest and beyond…You pin a gazillion things – but how do YOU decide?

But it gets kind of funny  – because for as many sites as you visit – there are oh so many professed “trends.” Therefore,  sifting through is the challenge and distilling what seems to take the lead. Pastels, patterns and florals is my finding…but is this just spring? Will this fade with the next season? Or is this a “look” that will last for a while? And do I embrace it all or pick and chose? How does one decide? Elle Decor 2016 design trends table

Pantone the color experts are even all over the place. Their designers were “inspired by the contrast of urban design and lush vegetation.” Whoa, really? That sure is a wide swath of possibilities!  And to say that these colors  are unisex is as though attempting to blurr the lines. A guy might wear a pastel pink, Rose Quartz, shirt – but would he upholster his sofa with it? Fashion and Home Decor often parallel their trends – and then they must veer off that same course for practical if not socially directed reasons.  Redford-3-Seater-Sofa-Peony-Pink

But the rationale is so amusing…for example,  Pantone writes: “Colors this season transport us to a happier, sunnier place where we feel free to express a wittier version of our real selves.” Yes, we all long to escape the doldrums of the short, dark, cold days of winter – hence the positive effect of transporting us to a happier, sunnier place is obvious – every year for that matter. That’s why tropical destinations are the prime vacations for winter getaways. Even most avid snow skiers manage to sneak in a run to the white sand beaches for some sun and fun alongside their plans to hit the slopes, get frost-bitten and nestle by the big fires.

I guess I’m looking for a more cerebral explanation for the color movements. And yet, maybe there aren’t any – so let’s not pretend then. What does it mean a “place where we feel free to express a wittier version of our real selves.” Wittier like a guy upholstering or painting his man cave with Rose Quartz or Peach Echo? That’s witty all right!!!!! That’s not the cerebral that I meant. But it is an interesting rationale. Color is giving us permission to express our REAL selves. I guess that’s one way.

Yet, here are 5 different color series for the upcoming year…and as you can see – it’s all there – it’s all covered.  Pantone color-trends-2016

 

So as you climb out of the dark, cold recesses of winter and squint your eyes at the bright, colorful luminosity of spring in bloom, where will trends take you on your journey to “punch-up” your interiors?

 

Red – A GIFT of LOVE and the Little Bug Behind the Magic

A little bug selectively bred on a cactus in Mexico way back in the 1500s, for its use as a magnificently unique red dye, soon became recognized, by European traders who discovered it while bartering  in the Aztecan markets, as the most dazzling rich red on the planet. The result was the realization that this red bug juice was a rare trading commodity that rivaled even gold!  Yes, a squished bug that oozed a red color that was so extraordinary that it was nearly valued above all. This indigenous American discovery spread worldwide and altered the course of history for art (obviously), cultural  influences, certainly its trading value and even science.

Before I continue with this brief summary of this extraordinary discovery and my personal  comments on the subject, try this little experiment.  Think of all the things that you associate with red. Think of all the things that are special and standout because they are red. Do this yourself – make a list or maybe make it a game of it at a party – have everyone make their own list and then share the lists – see how many make the same observations and how many identify different items.  More on this later…

This story behind  today’s blog is derived from a book by Amy Butler Greenfield, A Perfect Red Empire, Espionage, and the Quest for the Color of Desire which influenced a collective of international experts, in a variety of fields of expertise, to produce an incomparable exhibit  at the Museum of International Folk Art in Santa Fe that astonished the world.  The book that compiles photographs of worldly treasures and narrative describing the making of and content of this extraordinary exhibit is A Red Like No Other – How Cochineal Colored the World. It was my Valentine’s gift and it truly is a treasure – a gift of love. A red likeno other - book

Cocheneal, this little bug and its unexpected authority and influence, is the center of this universal love affair. A love affair with a color so seductive and so powerful that it evokes passion and emotion with everything that bears its true hue. The forward of this book by co-editor Carmella Padilla states that “everyone has a visceral knowledge of red. Therein lies its power. ” Red is imperative. And if you didn’t realize the depth of this statement, you will be amused, challenged,  amazed and intrigued beyond belief to read about the history and processes behind this exhibit .

Carmine  – this regal bug juice, so purely red, the prized pigment – is something all artists revere. They know the importance of this hue as they strive to create their projects. The quest for the perfect colors and the balance of colors in painting and in other art forms is an ongoing progressive journey. I feel remiss to not have known about this earlier. How can you take art history for semesters on end and not be introduced to this? It’s been an exciting discovery for me to learn of this viscose bug extract, carmine, and this recent journey I have taken to read of its history has been truly thrilling.

As I write this, by stark contrast to the wonderfully cerebral documentation and observations in this book, I find myself watching the endearingly inane movie Nacho Libre out of the corner of my eye.  And  what surprises me all of a sudden is that the color red is so effectively inserted into the scenes. nacholibre

The director, Jared Hess,  knowingly or not recognized the value of the color pop and punctuated many artful scenes that would have lacked depth and interest had he not had the eye to do so. My heightened awareness amuses me – especially in the context of this crazy, silly movie. The creatively artful incorporation and placement of red is so apparent in this nutty, fun film.  Ana de la Reguera lips Nacho  LibreHer lips, his costume, the children’s masks, a sunspot on a bus, the fighting ring ropes, structural elements in the arena are all so subliminal yet so vivid. Consistent and repeated use of the contrast with the bold red color in combination with turquoise is also a key element in this film.Nacho Libre masks

So back to the party where everyone is listing things they associate with red. If you can get a copy of this book and whip it out after everyone has read the lists, I promise everyone will find it captivating on so many levels and subjects – great lively conversation, fun, fascination and amazement will ensue!!

 

 

 

 

What is art? Enjoying The Art Forger

I just finished a book. So? Well…with great books piled on many surfaces around my bedroom, the time never seems to avail. I’ll have the best intentions – like selecting one to take on a trip, but I work for hours in the car or upon settling in on a plane, I tend to open the in-flight magazine and flip through the articles – generally discovering some tasty tidbits and then nod off for the rest of the flight – whether for 45 minutes or 4 hours! No better chance upon arrival at the destination, as relaxing is generally not my primary activity anywhere!!

So the recent completion of The Art Forger was a silly accomplishment by most people’s the art forgermeasure.  I followed B. A. Shapiro’s protagonist, Claire, as she navigated the mystery of a missing Degas. Set in a relatively small footprint of NYC, the story is one that could only effectively happen here in this city of superlatives. From the best of the beset to the worst of the worst  and the enormous middle ground of mediocrity which again is superlative due to its sheer density of people, texture, concentration of multi-cultural influences, exceptional urban scenarios and unique prospects.

 

 

I have imagined Claire and her extraordinary artistic talents living in a one horse town someplace in the  middle of nowhere. This story would not take place or it would have to have had many more chapters and be quite convoluted. In NYC the seemingly faceless masses live, thrive, struggle and prosper in a dense infrastructure of architecture and opportunity. It provides a setting and gathering of people breathing the aspirations of personal dreams and collective shared frustrations and weary survival efforts in a remarkably competitive urban microcosm(s).

The story centers around Claire’s innate and learned talent for reproducing paintings. With which talents, she actually works for a company who pays her to copy originals for sale. Degas bathers She is not forging as that would mean that the copies were intended to be marketed as, or represent, or be sold as though the original. Hers are legally sold as reproductions – until the plot thickens…Where a love interest, temptations of wealth and fame, innocent confusion and clever problem solving are woven between the past and the present and ultimately begs the question about the value of art – how is it established and when is it talent versus celebrity? The chicken and the egg thing or the Emperor’s New Clothes, either way,a mystery that boils down to what the market will bear.

With just enough technical information regarding the processes required to create an effective reproduction or, more importantly, a convincing forgery – the story weaves clever innocence with selfishly profitable and ego-feeding intents. It includes petty jealousies and fiercely loyal friendships which provide a believable combination to embody Claire’s world.

In the end, without giving anything away, as an interior designer and more specifically, a gallery owner representing the varied talents of a variety of media, my enjoyment of the story and ultimate amusement for placing value and awarding varying degrees of talent was satisfied. The nod to the OTC (Over the Couch) acronym that derogatorily describes art purchased for the express purpose of matching one’s decor was spot on! And I even gave a talk once entitled “I Want to Buy a Painting to Match My Red Sofa” as a valid niche for some. There is an endless  equation of context, timing, association, validity, originality, creativity, exposure, personality, and marketing. Which leaves me thinking, once again, about the base question – What is art? That too could join the classic bumper stickers  “What is reality?” and “Why be normal?” Hmmm…..something else to ponder…

And next I intend to immerse myself in what I expect to be my Valentine’s present tomorrow – A red likeno other - book A Red Like No Other – but unless I am on a roll, it might take me a while.

Whales Up Close and Observations on the Spirit of Joy Series

How can I say that I am too busy to write this week? As Saturday approaches,  I realize that I have not stopped long enough to focus on any one thing, of the many that are bombarding me from all angles, about which I might formulate a theme for my story. I have to apologize, for once again, missing my Saturday deadline and hope that this was worth the wait!

Oh, to be so entertained by an onslaught of inspirational design elements as I have seen in the past few days only. And yet not only design – there was more. So I would like to start with an insert about Saturday as I (instead of writing my blog) took one last kayak cruise of the year.

A few people had gathered at the edge of the sand, pointing and remarking that they thought they had seen a whale. I looked in that direction and noticed that a few boats had gathered – often a sign that whales are spotted. I quickly pushed off in my single kayak through the gentle surf out onto the beautiful Banderas Bay and experienced for the first time whales from that most intimate vantage point. Up close and personal, it was thrilling to say the least. The beach was crowded with onlookers oohing and ahhing as they blew mists of water into the air and rose up from and back down, under the bay’s glistening surface. I paddled out and maintained a safe distance, but close enough to hear and feel the graceful power. Hump-backed and for which they are aptly named, the dark, sleek black bodies of the mother and calf were magnificent as they broke the surface and greeted the encircling boats full of eager spectators wanting to catch the show. And a show it was as the mama rolled onto her side and raised her unbelievably long, towering fin to slap the water sending spray high into the air. She slapped again and everyone thought that once was a rush and two was a treat and three and then four and I lost count at 30 times she slapped the water as though to say – “You want a show? I’ll give you a show!” She must have known that it was too dangerous to breach at that point, for a grand finale, as the close proximity of boats could have had deadly results. And I was right on the water with them. Unforgettable. The pity is that I was without camera and have only the memory of this life affirming event . An event that was awesome and outrageous and yet brought a surreal, serene sense of calm, peace and palpable, tingling joy. Friends on the beach greeted me upon my return in awe of what they had witnessed and welcoming me warmly, with enthusiasm, over my good fortune to have been out there for such an amazing display.

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This photo taken a week earlier – a bit choppier seas, with Tricia in the single and I with Victoria in the double, sets the scene of the Bay surrounded by the Sierra Madre range.

Now, having shared that incredible experience, I have decided to focus on one of the many design inspirations that I have encountered this week, but I hope you will visit our PATRICIAN DESIGN facebook page to see the collage of colorful art and texture that I have compiled to represent the many images that I have seen and offer to further stimulate your imagination.

https://www.facebook.com/media/set/?set=a.10153225877316619.1073741934.232272436618&type=3

My focus at this seaside gallery of  delights today, as we  bring to a close a magical month,  is a collection of precious little figures made from synthetic foam, wood and steel. These humble little animations represent three shared events, a group hug, the “wave” at a stadium event and a gathering for solemn prayer lead by a figure of distinction – the one in the red scarf.

 

The spirit of collective participation is conveyed. The spirit of humble expression is conveyed. They present a sense of simplicity of some of life’s joyful moments. These simple figures are happy and content. They are intriguing and relaxing to study from many angles.

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Form and movement, color and  texture the Spirits of Joy by Federico Leon de la Vega are a wonderful representation of life’s simplest and most basic moments of sharing joy. To see art in such a distillation, such a unpretentious media, execution of mechanics and form is true pleasure. It is not overwhelming or startling, it is not outrageous or provoking – it is moving and modest.

I hope that they bring a sense of joy to the start of your week and create an indelible memory to which you can return in your quiet thoughts to bring you peace and joy.

 

The Colors of an Exceptional Cooking Class Cocina

To experience this glorious morning, on the open patio of a tiny commercial kitchen, in an otherwise residential neighborhood paralleling the river Cuale, in the very foodie coastal city of  Puerto Vallarta, is a treat beyond measure—but I will try to share. I will attempt to take you to this special place full of unselfconscious art and function.

The cobblestone streets are dusty and send fine particulates of powder into the atmosphere causing a fairy-dust-like twinkle in the bright morning light. We bump along in a taxi turning and curving along the circuitous route that surely would lead most to believe what they say—that “this place is so hard to find, it has to be good!!!”

The front is shut and  obviously closed for  business. The taxi driver brings this to our attention, “is closed” he says simply— assuming that he will be continuing along the bumpy calle along the rio back to the bustling scene of the awakening city and return us to our point of earlier departure. PA15821103517

“No,” we tell him “we’re taking a cooking class” “leciones en la cocina” we attempt to convey and with that he beams a broad smile and says “really?” and stops the cab along the wrong side against the opposing traffic on the little street in front of the café.

We notice Lola peeking through the door at us as she unlatches the locks motioning us through and welcoming us as we enter the quiet little checkerboard floored dining room. 20140125_204143At night this place buzzes with animated conversations and is alive with color and funky memorabilia, art and posters, collages of collectibles all on brilliantly painted walls creating an eclectic artistic interior of fun and festivity. But on this morning, the room is dormant save the three other guests waiting to participate in the morning’s class.

After brief introductions we are escorted through a doorway to a narrow concrete staircase. PVR 2011 after girls 1 050 Red Cabbage stairsDaylight streams from above and we ascend past more brilliantly painted walls to a second floor open to the sky onto a patio rimmed with potted herbs and flowering plants. P1120475 To the right we realize that the rest of the space is undercover, yet always exposed to the elements from that one open east-facing orientation.

Inasmuch as I love cooking and eating and all things related to culinary pleasures, this is not the focus of this story, but rather, it is to describe this artfully inspired space and all the raw style and primitive grace we encounter in this wonderfully entertaining class of good and indigenous fresh foods and their fabulous flavors.

The space is charming and intimate and spotless. The colors are screaming from every direction including  a whimsical pink door surround seen over the wall of the patio. P1120522 The surrounding area is quite run-down and depressed, yet this jewel of a creative kitchen space shines boldly amidst the  impoverished surrounds. P1120524

The sky is perfect blue and sharply contrasts against the wavy pink paints dividing between pale and happy bubble gum of the stucco wall. A functioning drain-pipe of clean white PVC bisects the wall beneath which is a profusely blooming rose-colored azalea in a clay pot. P1120523

Panning into the covered portion of the space, the radiant coral color wall wraps to the back and transitions with gracefully wavy detail to a paint remarkably resembling the sky blue—of the actual sky—that we encountered out front which slams into a dazzling yellow-gold wall half painted and half tiled with the same luminous yellow color. And I have only described the backdrop!

 

Against these boldly painted and tiled walls are layers of other things that add even more dimension and interest to the kitchen. Blue and white tableware, glazed clay vessels, and a mysteriously faded poster of Frida Kahlo. More of the sky-like blue is hanging in the form of various sized and shaped enamel cooking pots on the coral wall.

 

The crisp white aprons of the two chefs pop against the background of multi-colors branded with the embroidered red and black logo of Frida with a red cabbage balanced atop her head. P1120487

It seems from the murmurs coming from the eager students that this enchanting environment represents the promise of a flavorful feast of color and texture. The food matches the interior. The stuffing for the dark rich green roasted poblano peppers is a colorful collection of shredded carrots, red cabbage, zucchini, tomatoes, raisins and pine nuts creating a seemingly woven fabric of colors and texture. P1120491

 

The finished product, Chiles en Nogada, represents the Mexican flag of red green and white. Plated here on red glass for an artful presentation. P1120518

Myriad handmade condiment dishes and traditional serving pieces contribute to the collection of color we are experiencing in this spectacular sensory bombardment. And I mean that in a really good way. The intensity of the colors and layering, the structure and accessories right down to the food and its presentation results in an artistic expression that goes way beyond the sterile experience often connected with the laboratory of a commercial cooking experience.

 

So we say—why be status quo when you can be individually fabulous, cooking and creating in an unconventional environment that reflects the animation and joy of the flavors that comprise the artful meals?! Thank you Lola for imagining and realizing the Red Cabbage and bringing so many artful, entertaining years and delicious meals to the community of fortunate residents and happy visitors—happy that they were able to find the place!P1120530

 

 

Table Dressings From Nature – Inspirational Fun!

 

It could have been a sculptural piece of drift wood or a gnarly tree branch from the woods or a twisted piece of metal from a salvage yard…but the idea is to see things in a different way and once again—as I have done this before— to make something from nothing. And in this case, with no effort or manipulation—just the natural beauty of the found object.

The tide was out making the beach so wide it was like a great runway of wet sand. Scattered on the surface were the leavings of the waves – pieces of shell and polished stones. There amidst the beautiful debris was what looked like the suggestion of an abandoned boat hull—a dried, darkened palm sheath. I instantly knew, this would be another beginning of the tropical table-scape that I am so fond of creating when we are at the beach. P1110860

“Creating something from nothing,” my father would often say. He was a great believer in that idea that one man’s trash was another man’s treasure. We loved to beach comb together whenever we found ourselves at the tide’s edge. Sometimes it was tropical and the coral was bleached white and pocked with texture. Fine mesh pieces of purple sea fan and perfect little green “hat” shells would be nestled among the dense collections of heavier piles of white coral.

Then other scenes would find us on northern beaches of the Maryland coast where there was no coral but the ocean would wash multi-colored surf-polished stones onto the shore blanketing the sand particularly at the very edge where the water would curl between the beach and the ocean’s depths. Tiny purple and pink clam shells would peek, being abruptly exposed and quickly bury themselves back into the wet sand moistened with  each incoming wave.

On this day, the warm breeze is tropical and the beach is expansive offering rare treasures scattered broadly but sparingly on the pristine surface of sand. It is here that I encountered my centerpiece.

Don of course is saying—”what are you going to do with that? It’s too big. Leave it here.” And I assure him that it is in fact a treasure and that it will be magnificent in the center of our dinner table where we are entertaining 11 for festivities this coming weekend. He, as always, acquiesces knowing that it is futile to stand in the way of my wildly enthusiastic creativity. P1110861 P1110871

Over the next couple of days, he and I both collect white stones and shells on our daily beach walks. At my instruction, we only collect white unless it is a particularly interesting shell. The idea is to have the stark contrast with the dark hull of the palm sheath.P1120142

Our dining table is a handsome slab of travertine marble. Laminated to a double thickness and finely finished with a smooth full bull-nose edge, it is the perfect organic surface to build this also very organic centerpiece.

It needs something…the neutral tones are lovely. Yet, the dark espresso brown of the palm sheath with the white of the stones, against the creamy surface of the travertine invites something more. I realize that it can only be enhanced with another layer of organic material – here in the form of the fresh verdant green palm fronds – the perfect punctuation! P1120102

Oh would that I had collected more flat oyster shell halves…they work so well for votive candle bases…but alas, parrot green cocktail napkins will have to do for this last minute detail.

Our woven palm place mats, in their natural dried flaxen color, compliment the rest of the organics on our table. And as night falls, the sun drops beneath the sea’s horizon and twinkle of scattered candles finish our scene. Salud!

 

 

 

 

 

 

 

Taking Pause to Value the Art of the Written Word

I awakened in the painter’s house with slivers of sunlight glistening through the bamboo shades, exotic chirping happily piercing the silence and cinnamon scenting the air from the open grill preparing the best French toast on the planet. P1110818

This place exudes thoughtful reflection and invites savoring the simple things of beauty and  meaning. P1110821

From intense and intimate conversations centering around the passions of life to convivial arguments and relaxed exchanges, those gathered at the estudio-café tables examine the events of the world from their own individual vantage points. P1110829Today the primary focus was a topic with which everyone seemed to view from the same perspective. All were in avid agreement as they discussed the recent exhibit in Mexico City from where the artist, Leon de la Vega, has recentlyjust returned. This significant event was an important auction where part of the proceeds were to benefit the Mexican Institute of Neonatology toward research on children’s learning and therapy and no less to benefit the artist expressing his concerns for the current state of affairs with the lost art of writing by hand. Federico's invitation P1110815

With the advancement of smart technology comes the dumbing of the people tethered to it.  Everyone…all of us…are victims and if we are to save the core of our humanity we must preserve our handmade, organic, communications. We have computer aided drafting and graphic programs, texting and video all of which negate the tactile, made-by-hand written or drawn creations of the human touch. To have a computer consistently come between the hand of man and his end results is a gap that will never be regained once lost.  Recovering this lost art, in so many forms, is critical to mankind. This all sounds pretty heady. But once you enter these spirited conversations you realize that the demise of past civilizations is not unlike this self-destructive path to which  we now bear witness. The beautifully insightful, well-crafted video in Spanish introduces Leon de la Vega’s collection and explains these observations which are universally recognized by those who are interested in taking pause to realize what is happening around us. You won’t need a translator.

In response to these observations, as the video explains, Leon de la Vega has embarked on an exploration of  communications by hand, incorporating them into sculpture, stylized images and abstracted interpretations. writing series P1110818

He is inserting into and embellishing on his artistic expressions in the form of calligraphy—which in its finest examples— has proven to be both art and literal communication through the ages. P1110838

But if one examines the very personal and expressive beauty of fine penmanship,  we realize that our schools are not even teaching basic cursive  to our children. Our schools are forced to chose between computer classes, music, art and even the basic direction to form the written word.  The  collection was very well received in Mexico City last month and a second exciting and thought-provoking exhibition/auction of work will take place in early February, also in Mexico City.

 

Stage Sets, Christmas and Cozy Fires

Old movies provide an extraordinary view into periods of history, social norms, and the interior design of the times. Watching old movies exposes lifestyles and context like a text book. Whether capturing modest environments or posh extravagances, they depict with accuracy – if not exaggeration – exciting opportunities to transport the viewer into another world.

From my perspective, I drink in all of this creativity as I scan the sets, peek around the actors and study the minutia of the many varied interiors. I marvel at the sensitivity and attention to detail and decorative arts required to create effective set designs.

When movies are in color they illustrate such interesting decisions for artistic contrast and combinations; but in black and white, the imagination must fill in the blanks. The emphasis on the chiaroscuro adds a very  different focus. Scenes in color are often exaggerated realism stretching the art. While black and white scenes are rich with tonal values, shading and bathed with the art and drama of lighting.

Perfect for this season the 1942 classic film Holiday Inn, with Bing Crosby and Marjorie Reynolds shown here by the fireside, allows the viewer to feel the cozy setting,  the warmth and take in the details of the room all without benefit of color. It’s fun to wonder what is the color of the walls, fabrics, accessories and other accents could be. The possibilities are endless – but probably not really  – if one is to design with accuracy for the time period.  movie Holiday Inn Bing Crosby Marjorie Reynolds   Try it with this still shot from the movie…imagine the colors…it’s fun!

Tis the season to light fireplaces and enjoy the flickering light, golden white colors sparked with jewel-toned color bursts, the visual and physical warmth that come in many forms. Step into the scene and feel the temperature, textures…see the colors and combinations.

I recently said – as sexist as it might sound – that I would never have a gas-log fireplace as long as there was a physically capable, self-respecting man around to fetch the wood and haul it home and stack it up, go outside in the frigid air to lug in the logs and of course clean it out from all the wonderful timber turned ashes.  Spoiled? Yes. I love a REAL fire in a fireplace – you bet…the crackle and smoky aroma of distinctly different species, real fire dancing and real wood “combusting” – natural elements that create a concert of sensory experiences and evoke so many memories. Is it working? Can you imagine it?

Fantasy mirroring reality, with the creativity of set design replicating accurate portrayals of life, provides another tool for historical markers and study outside of a museum setting. Perhaps you will find yourself scanning the sets and peering around the actors to see what you can discover surrounding and beyond the action.

And as this movie has so emblazoned in our holiday  traditions…I’m dreaming of a white Christmas. Thank you Bing.

Open Your Cupboards to the Eclecticism That You Have Collected

When I first moved to New Mexico I was enchanted (well…it IS The Land of Enchantment) by so many new things that were woven throughout people’s homes, flea markets and quaint little shops in various pockets of town. I began to collect and seek these vessels and fabrics to incorporate into my new world. Interestingly, these treasures were not and still are not featured – much less celebrated, in more trendy, stylish shops that might do well to focus on these regional functional art-forms as a means to honor our unique multi-cultural influences. We, at PATRICIAN DESIGN, enjoying offering interesting hand-built pieces in our shop for a truly one-of-a-kind collection of home decor, wearable art and  unique gift items.

The first piece of this new influence I bought back in the late 70s. It was this fabulous squat casserole,   P1110590   to which  I have added many various colors and textures that I enjoy using throughout the year.  Christmas is notoriously red and green accented with the bling of silvers and golds. Chanukah is blue and white…but I enjoy all of the colors to celebrate every occasion! So  the many hues of the season can be found in the collection of colorful containers and serving pieces, accents and textiles that I often meld to create the festive celebration of the seasons. P1110594

Everyone who knows me – both clients and friends – know that I love color, pattern and texture. I love contrasts and combinations. Design by eclectic assembly of things that you love and that evoke memories, things that make you smile and feed your soul, results in the most successful and interesting design.  The rich color of terracotta and history of it as a medium for making cooking vessels goes back to Old Mexico and Spain across the water. Spanish terracotta is steeped in centuries of tradition and the Mexican versions closer to home are similarly beautiful and generations old. Other cultures such as Italian and Portuguese also have crafted beautiful terracotta – as is often true, the common features, textures, and colors all share a common denominator of warmth, hand-built art, craft and natural, raw beauty.  P1110596  Notice here, the brilliant colors and intricate open-weaving of the Brazilian lace.

Raw clay colors contrasting with brilliant and rich glazes, fabulous fiber art, wood and other organics all radiating the joy of life and the festivities around food, friends  and family of these varied cultural traditions and  rich indigenous heritages. Functional art at its finest – most honest and humbly celebrated in useful daily pieces – show them, open your cupboards, let them sing.

Holiday Tablescapes KISS Theory!

For the fast switch , KISS is the name of the game – keep it simple and sensational! The Thanksgiving weekend creates a great opportunity to get a jump on Christmas. Yesterday neighbors were out precariously placing lights along their rooflines, lining walkways and blanketing shrubs. We noticed this as we were out walking, observing, not quite ready to dive in to the next holiday ourselves.

But I did think that this was a great opportunity to illustrate a continuation of my favorite seasonal design practices and that is going outside to nature to get inspiration and actual elements for my creations. And the most remarkable aspect of this exercise is that it is all in our own yard. Look around and you will be amazed at what is out there!

For Thanksgiving I had been inspired by the blazing colors of the Bradford Pear that was – is still – screaming with color at the front of our house. 20151126_093537The rich maroons transitioning to corals and rosy tones into brilliant golds and even bright yellows  were irresistible. It’s similar to a maple tree with its magnificent range of fall colors but with precious little round heart-shaped leaves. 20151126_093558

20151126_095436 - CopyI created a tablescape using short-cut branches in a pair of squatty square glass vessels flanking a large square hand-blown glass platter. In the center on the platter, I gathered acorn squash which we will be enjoying baked with brown sugar and butter later this week, and added some ornamental gourds for their interesting shapes and colors. 20151126_093945 After scattering some of the leaves around the arrangement on the neutral linen table runner, the result was boldly colorful, organic and spicy scene bursting with autumnal warmth.P1110503So as I pondered this setting this morning, two days later…the leaves on the table were getting crunchy, the branches were dropping leaves and the water in the containers was a bit cloudy…time to clean it up! Since it seems that everyone is already transitioning to Christmas themes, I thought why not do the same?! The alternative of merely cleaning it up and leaving it barren was a bit anticlimactic after enjoying the spectacular beauty of this recent  holiday table. So here again nature was calling to venture forth and scour the yard for the next seasonal statement.

Now remember, this is just a quick transition…I can take it leagues and layers further as the weeks progress by adding holiday runners, ornaments, some bling and other accoutrements. But for today, the switch is quick. I ventured out into the yard and cut some bushy mugo pine and smoky blue spruce branches,  P1110558 a few holly sprigs from the bushes in front and jammed them into the same freshly refilled square glass vases. In the center, the neutral linen runner remained and on the glass platter I kept the acorn squash, traded the gourds for electric green granny smith apples and a couple of pomegranates ( I had bought three last week and had already picked my way through the many juicy morsels of one – leaving two to do the red thing in my centerpiece today).P1110556

I scattered a few pine cones and Voila – my instantly transitioned tablescape said “Christmas is on its way!”