DIY…Do It Yourself Beachfront Getaways or DWI…Designing While Intoxicated!!

Not as the title suggests…tequila shots and all – but another kind of intoxication…an intoxication from unexpected beauty, sensory overload, inspiration as seen in the following photographs.

Those of you bundled up against the elements this time of year…freezing your booties off in the icy winter climes. Enjoy this escape into your unbridled imagination of design and lifestyle gone wild!

Thought a beachfront condo was out of reach? Think again. With all the DIY out there on the internet today, anything is possible. As evidenced by the inspiring framework of architecture that I have encountered just this week alone, consider the possibilities and have a little fun!!!

Very simple things trigger design concepts. Beyond the fascination I have had with these beach structures, this particular photo was bathed in late afternoon light. The glow of the orange towels was emitting a warmth that was so tropical, had it not been on a tropical beach, finding the same boldly colored and textured structure in a snow storm would have elicited a startling, contrasting feeling of the same tangible warmth.

This make-shift west-facing beachfront was so beautiful, in its simplicity, that it spurred ideas of bold fresh color, basic found-material furniture possibilities, fabric design and organic architectural solutions for patios both commercial and residential.

Imagine raw elements  incorporated  with concealed structural support to convey the feeling of spontaneous simplicity.

Then there’s that general calling that speaks to “the natural integrity of the materials.” You realize it is a grounding.  It is a starting point of reference to all the embellishments, layers, machinations and manipulations that are possible.

Wood is wood until it is stained, painted,  appliquéd…when does it lose its “natural integrity?”  Even raw, man-made cinder block – CMU – concrete masonry units have their own natural character. Then stained in the aggregate or applied color, thickly coated…it alters it’s state – losing its material’s natural integrity.

What ignites design thrills? The fireworks of ideas that burst onto the scene illuminating so much that was previously obscured. It doesn’t have to be a remote and seemingly inaccessible tropical beach…it’s everywhere. Look around. See texture and color, shape and frame. Urban, suburban and rural settings in any climate all offer inspiration that can be isolated and appreciated. Design inspiration can be intoxicating.

Why is designing so exciting? Why is it often such a rush? You never know when an idea will appear or from where.

The world around you is a constant stimulation of ideas, inspirations and possibilities. You are thirsty for  whatever is out there…whatever is waiting to be discovered, implemented… quench those longings.  It is all about the freedom to allow ideas to be spawned from anything around you or in intertwined with your own imagination.

What fun to have come upon these simple structures on a glorious and sparsely populated beach. What fanciful design ideas and story-lines were prompted by the imaginary occupants, their creativity, resourcefulness and problem-solving simplicity.  Lest you think they house the homeless adventurers, they are actually sun-shades for creative surfers and affluent sun-bathers seeking a primitive beach experience.

How might these primitive structural solutions play into a future project? Watch for design trends to incorporate more organic materials and nature’s inspirations!

I’m ready to explore the possibilities. Are YOU?

COMFORT & JOY with ART

A few years ago I gave a talk. The title was  something like “I Need a Piece of Art to Go with My Red Sofa.”  It was a defensive argument giving liberty to those who sought artwork for decorative purposes rather than an esoteric rationale. As an interior designer surrounded by artistic influences and drawn to the limitless styles, pieces, concepts and movements of the art world, I see and appreciate both sides of this controversial coin.

Federico Leon de la Vega’s Pomogranates

In my opinion art should bring joy. And that is not to discount art as a social commentary, honest statement of artistic philosophy, opinion, or personal expression. As an interior designer, my simple philosophy is that joy is a goal of interior habitats – function and joy simultaneously. For me, there is a synonym for beauty in there. Oh – and how apropos – it’s Christmas time and the carol God Rest Ye Merry Gentlemen specifically identifies bringing “tidings of comfort and joy.”

In this  month’s December 2017 issue of AD “Architectural Digest” Living with Art, architect Luis Laplace offers that he doesn’t really know about beauty in art. He sounds modest and self-effacing.  “I say I don’t know beauty. When I see that something works, then I see beauty.”  I say that is saying a lot about context. But inasmuch as I can see context being so perfect to showcase a piece that it validates it somehow, it seems lacking in the department of honest personal appreciation or criticism. Surely he must find beauty in art before it is placed.

I can see admitting that something having potential is a valid “wait and see” position to take when allowing a piece to be placed to its best advantage, prior to judging it too harshly – but that seems reserved for pieces about which one is trying to give them the benefit of the doubt! It sounds a bit like tap-dancing…making excuses. Excuses for not having an initial opinion or spontaneous reaction – much less appreciation – much less, joy.

Festive boat bringing JOY at the San Diego harbor parade last week.

Another comment that Laplace makes in this article “High Art” is that “We never use art as a decoration,” he declares. “We design for installation and rotation.” And I am sure in his world, that is exactly what he does. But let’s get down to earth and acknowledge that it’s a chicken and egg thing – the luxury to design expressly for the presentation of magnificent rotating works of art versus finding joy in a piece to decorate your world – with or without rotation. He makes decoration sound like a bad word. And perhaps he thinks it is – but why? Adornment, decoration, enhancement, emphasis – all superlatives, in my estimation.

Federico Leon de la Vega’s Script on Blue

In a completely opposite place on the planet both figuratively and physically, Robert Downey Jr, in this same issue of AD, expresses an explanation for their selections and design direction. “We didn’t set out to do something conspicuously whacky.” He obviously gets great joy and a kick in the pants out of his approach which he cements, with the following comment: “We just enjoy a bit of whimsy and fun.”  And then a negative nod to separate him from the more cerebral art enthusiasts – “We definitely don’t like boring.”

But that is a direct comment on the joy thing and one of my oft borrowed quotes “One man’s trash is another man’s treasure.” Here, a tangible example that I created for my grandson, Liam a few years ago. Debris he and I collected while on a walk one day, I assembled into a collage and had it framed for him with the plaque to remind him to look at things and regard things from all angles.

From what one person derives joy, another might find boring and uninteresting. And that oddly seems to return to the Luis Laplace comment about not seeing beauty until it is placed and then can be recognized. Hmmmm…Yet, I am saying that it might be of value to study things and  think about things differently than face value at a quick glance…spontaneity is valid and so is “love at first sight,” but often things are missed because their context s not serving them well. That space above your red sofa might be just the context and proper setting to showcase the “whatever it is” piece which might be far less interesting otherwise.

Which is why, in this time of international commerce delivering things from all over the planet with an almost instant gratification speed, we still have difficulty making decisions about what to chose to have in our world. Which fabric, which furniture, which art…the choices are at our fingertips and delivered to our doorsteps without leaving our living rooms, but fear of costly mistakes, second guessing trends and how to make good investments still remain the dilemma shared by most. Fear of trusting your own joy. Or, better yet, discovering and defining your personal joy.

Which brings me to the last quote I extracted from the December  2017 issue of AD by an artist, Brian Donnelly, speaking about his own residence and art collection, and that is  “I don’t buy art to put in specific places. I just collect what I love and hope to find a place for it.” Sounds like spontaneous joy to me!!

Closing with best wishes for a Merry Christmas and “tidings of comfort and joy.”

 

 

When is Too Much, Not Quite Enough?

Perhaps – when you are an avid collector, limitless treasure-hunter and lover of basic Americana (comprised of the appreciation of indelible graphic design and branding mixed with a healthy dose of green chile cheeseburgers, bodacious bbq and good fun) – it’s never enough! We’re in Hatch, New Mexico at Sparky’s once again!!!! The sensational roadside attraction – Sparky’s burger bastion MUST know when too much is not enough!

Nine and a half years ago Teako made a statement and the word has been spreading ever since!

The opening of this fun and funky establishment started out with a few outrageous signs and vintage mascots like the Colonel Saunders on a bench, Ronald McDonald as the un-official greeter

and a dedication to signature green chile cheeseburgers and mouthwatering bbq. Now both sides of the street (and scattered around town) are towering, larger-than-life icons of days gone by and travelers from all over the world stop to experience this unique site.

But inside, the treasures also abound! With each visit we discover new surprises and exciting additions. Because its Christmas, we were enticed by the “Say Queso” photo scene. We donned funky antlers and cozied up to the decked-out tree, with a backdrop of sparkle and ornament, beneath dangling snowflakes,

flanked by a towering toy soldier and Jolly Old Saint Nick himself!

The stockings were hung in clustered abundance over the entryway to the dining room. No such thing as too many or too much here!!!

The walls are plastered with iconic paraphernalia.

Patina etched tin painted and pitted, with pocks of rust and tarnish – weathered through many storms adding further character to the familiar and not-so familiar pieces, until finding safe haven here in this magical collection.

Camp art un-selfconsciously curated on every square inch of interior space.  A nostalgic presentation and preservation of graphic design and branding.

If you’re a “picker,” a graphic designer, a nostalgia buff, burger and bbq connoisseur or just a kid looking for a memorable bite on the side of the road,

Sparky’s unintentional museum, of the colorfully entertaining and eclectic, will not disappoint! It is a must-see landmark in this our Land of Enchantment.

Be enchanted at Sparky’s! Thanks for the memories!!!!! Keep ’em coming!!!

 

 

Loved Loving Vincent!!!!

Last night was a crystal clear starry starry night as we strolled down the quiet urban sidewalk, between the building facades, on our way to what we soon came to realize was an event we would never forget. Once settled in our seats and after way too many previews, the magic began and we were instantly mesmerized by the millions of brushstrokes of over 100 artists recreating the world immediately before and for a year after the death of Vincent Van Gogh.

There, in a cozy theater downtown, we experienced a wondrous film, Loving Vincent. We embarked on a extraordinary journey and were lost in this fanciful world of brilliant color and bold movement as the movie unfolded with an animation unlike we had ever experienced. It was a though we were watching Van Gogh paint this film. The rough deliberate strokes were actually moving as the scenes unfolded – the scenes were alive with the movement of the animation.

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This remarkable delivery vehicle to convey a portion of Van Gogh’s world brought colors dancing – even screaming – across the screen in familiar swirls, and deliberate marks that were so identifiably his. What the artists were able to accomplish was astonishing. The focal surface of the theater was busy with the seemingly live brushstrokes of Vincent Van Gogh. Borrowing from his actual paintings, the viewer is transported into the world of his interpretation from street scenes where he experienced the corner with the yellow house to capturing individual’s who appeared throughout the film such as The Zouave in his red hat distinctive of his French military service, to the bearded postman, Joseph Roulin, who was so key in the intimate, mysterious and different story line, the expansive scenery of Provence and the intimate details of daily life.

As a true Van Gogh fan, it  was love at first sight – do you remember where you were when first introduced to his magic? Having grown-up in Washington, D.C. I was fortunate to have had family visits and school field trips to the magnificent National Gallery of Art where, upon each visit starting at a very young age, I would scour the gift shop for postcards of my favorite images – taking home with me memories of the beautiful influences that have continued to shape my appreciation for color and composition, balance and light, contrast and context, subject matter and the power of observation. I must credit my  mother and grandmother for instilling in me this awareness of things of beauty and their importance in our lives.

Fast-forward a bit…way back when…dare I admit…when first studying art history in college, the bible was HW Janson’s HISTORY OF ART. A daunting tome filled with the overview of all that is art as we knew it at the time. Van Gogh and his impressionist colleagues were sprinkled throughout latter portion of the book.

There his genius was once again presented to me stirring a wild appreciation for his rebellious disregard for conventional painting styles. He possessed and fed his own passionate, if not desperate, need to apply paint to surfaces, capturing life and telling stories from his unique and insightfully perceptive vantage point.  The Impressionists have always stirred a passion for the boldly colorful, adventuresome, romantic and sensitively sensual expressions of life for me.

Years later my husband and I were fortunate to attend the National Gallery’s exhibit Masterpieces from the Van Gogh Museum Amsterdam.

It was the fall of 1998 and we were thrilled to be walking toward the oh so familiar edifice with great eagerness for what awaited.

The line wrapped the building, but moved along with efficient, orderly procession as the anticipation grew with each forward step.

Inside we purchased the audio tour tapes and, with headsets on, immersed ourselves for the next few hours in the dazzling world of this remarkable artist.

His unique undaunted expression of the scenes, people and details around him, through his own unschooled techniques, was awe-inspiring.

Tormented and tested he discovered his passion and for a very few years carving out an indelible place that will live, breathe and be enjoyed forever.

The people in their joys and sorrows, fashion of the time, landscapes of bountiful beauty, interiors of keenly observed detail all expressed through his sensitive eye and brought to generations of viewers – a priceless gift to the world.

The take-away…embrace bold expression, fear not color in your world, appreciate the details, and go see this film, Loving Vincent, before it leaves a theater near YOU!!!!

Getting Smashed with Good Design!

Here I was walking along, on this sun-washed Sunday morning, when I came upon what appeared to be giant frog’s eggs in the middle of a field – like ET had laid enormous translucent eggs on earth – I looked up, I looked around and there they sat – tumbled on the grass…the scene was surreal and beautiful in the early morning’s light.

Upon closer inspection, guys were hauling many more of them from a remote truck, onto the field.

I started taking photos and was approached by a man who asked if I had ever seen them before. No, I certainly had not. And inasmuch as this is NOT intended to be an endorsement or advertisement – the bold name, on the side of each, stated KNOCKERBALL!

I was so excited to come upon this other-worldly landscape that I began to fantasize about the many effects of good design. I shot inside the transparent globes, along the edges, down the rows and with great mountain backdrops.

 

The shape, color and structural detail was fascinating and fun! The taught cords inside created another layer of interest.

The kind man who was coordinating this event explained that they set-up soccer-like goals and wear these globes crashing and smashing, running and rolling across the field – unfortunately, I had to leave before the action began. It must be a blast!

I have since learned that “bubble ball” and “bubble soccer” are other names for this new fangled game and related equipment. They are not always rented for game days, but are also purchased as singletons and used to roll down hills and other antics. So fun! Check out this site: https://knockerball.com/what-is-knockerball/

Play with good design. Get smashed with good design. Discover good design. Get excited about good  design – wherever you find it!!

Regional Design Fun!

So many regions, so little time!!!! All the design directions available based upon where you are and what you love – just think!! Regional design provides a strong connection to the surrounding environs. From selecting artwork to color schemes, decorative accessories and even room scents, creating regionally specific interiors is a fun way to go. Often reserved for second homes, the novelty of focusing  on the design theme specific to the region does not always reflect real life.

Real life is usually comprised of a variety  of experiences, tastes, acquired objects, interests etc…designing around a specific regional theme is more deliberately focused and therefore not as eclectic as a person’s true life experiences and resulting accumulation of possessions and reflection of varied interests.

Seaside design would incorporate decorative accessories, fabrics and colors to represent the surroundings such as nautical themes and the elements of the natural scene incorporating seashells, seascapes, etc…

Therefore, the primary place of residence in such a locale would reflect that context but not necessarily be completely designed around it. The second home would have the novelty of centering the design exclusively on that seaside theme.

Here is a stunning example of the Americana By the Sea Bungalow! A spritz or burning of Votivo’s White Ocean Sands in this scene – oh heck – why? Just open the windows and breathe in the salty sea air!!!

While in the metropolitan Washington area, one can’t help but notice the architectural influence of colonial times and the interiors which reflect the same.

Steeped in the history of our relatively young country and the pre-colonial decorative arts that came across the water to the New World, the antiques, reproductions and embellishments are telling.

This whimsical casita in Santa Fe illustrates the colorful folk-art of both old and New Mexico, bold paint colors, graphic transitions, and the enchanting architecture of adobe charm. As a second home, the extravagance of collecting and displaying in a fanciful setting is a fun, on-going project!

A corner cabinet by acclaimed folk-art painter Barbara Peabody makes a bold statement housing additional collectibles from Old and New Mexico. A giclee print of a fabulous watercolor by Susan Weeks – the art of decoratively detailed cowboy boots.

Where do YOU live? What themes from your area do you incorporate in your interior design? Get out there are soak it in, gather ideas, start collections, buy local and have fun!!!!!!

DIY – Inspiration is All Around!

DIY is so in vogue. Where it used to be chic to hire someone to do everything in your world, now practicality rules! The savings and fun of doing things yourself is huge. There are so many inspirations on-line. Ideas overflow-ith and the possibilities are endless.

Where do you get YOUR inspiration? It’s all around us. I had been contemplating a shower/wedding gift. I always prefer to find something unique rather than picking from a registry at Nordstrom’s or William Sonoma…but this one was a challenge.

Recently, my inspiration came from taking a morning walk through the desert.

The decorative graphic on the invitation was a floral arrangement of soft pastels and antlers. Yes, antlers. This bride-to-be is a hunter. A long, lanky, beautiful, feminine, crack shot! I’ve known her since she was a toddler. I had been picturing that graphic in my mind in an effort to divine some special gift that related to that theme…something uniquely memorable and lasting.

As I walked through the rough desert grasses and around piles of dead tumbleweeds I regarded them with a new-found appreciation. They had such an interesting structural framework that I realized that they clearly resembled antlers.

They became the springboard for a floral arrangement that would replicate the theme of the invitation and, with that, I began selecting them and carefully carrying their rotund prickly selves back to the car.

Next step – what else will make this a successful rendition of the theme I was trying to emulate? Off to the craft stores! I selected delicate, creamy-white wooden roses, soft pink mini silk roses and some fill from both Michael’s and Hobby Lobby. The PERFECT ceramic vessel presented itself in an soft, oval shape glazed in a powder blue, but with edges and character that offered attractive, desirable, intentional imperfection.

As I have mentioned in past stories, a successful designer has a good team. Building a team to realize your dreams is the key to that success and I called on my very special and exquisitely talented floral designer to assemble my gatherings into the image of my intent. Melba has made my dreams come true for years. She gets into my head and interprets my words and elements to create a finished product that has hit the nail on the head over and over again.

I pulled out the many materials that I had purchased. She evaluated each, talked to me about my concept, and studied the combinations that were laid out on the table.

This piece exceeded my expectations. The fine branches of the tumbleweeds were the delicate punctuation amidst the flowers.

When she actually ordered real, bleached deer antlers that became the statuary of the piece, I was thrilled! Not only was the finished arrangement perfection, I didn’t think it was realistic to expect to get real antlers and incorporate them into this design in such short notice. She had less than 2 weeks! It was spectacular.

DIY inspiration is all around – even in dead, dried tumbleweeds. Creativity begins with a concept and progresses with the fun of making it uniquely yours. Team DIY!

 

 

The Art & Architecture of Gingerbread Houses

Art and architecture meet all the time. Sculptural forms, building models, buildings themselves, sketches…but at this time of year, the fanciful world of gingerbread houses takes the spotlight and, in this recent scene we encountered, offered a beautiful fund-raiser while at it!!!

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As we pulled away in the pre-dawn hours of the  morning…we felt the chill in the air and the glow over the mountain sending us on our way.

We traversed across the terminal and before cutting over left to the escalator, we spied—at the same time—a wondrously tall Christmas tree adorned with airplanes and ribbon…and surrounded by an amazing collection of ginger bread houses on display in some sort of fund-raiser fashion.

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Upon closer inspection, the fantasy became tangible. The individual structures took on a form of expressive life in their individual attention-getting style. Each one was quite unique incorporating rivers and ponds, vehicles and foliage of all manner.

It is a Christmas tradition to create a gingerbread house full of fantasy and fear, hope and salvation. From the simple joy of baking traditions for Christmas, to the many versions of fairy tales that save children from the wicked ones in the woods creating and story-telling surrounding these magical edifices makes gingerbread houses a staple of the winter holidays – all the while offering architectural design and  construction projects for all ages. Below, see the Hanukkah version of this adorable house.

I just read a great piece by Tori Avey in which she summarized the history of gingerbread. http://toriavey.com/?s=gingerbread

She references architectural design with the fact that: Elaborately decorated gingerbread became synonymous with all things fancy and elegant in England. The gold leaf that was often used to decorate gingerbread cookies led to the popular expression ‘to take the gilt off of gingerbread.’ The carved, white architectural details found on many colonial American seaside homes is sometimes referred to as ‘gingerbread work’.

Having been raised on the east coast, describing houses with ornate “gingerbread” detailing was part of our vocabulary. I now see it in Rocky Mountain Victorians and California seaside cottages. It always conveys a quaint, welcoming feeling.

Avey further states: Gingerbread houses originated in Germany during the 16th century. The elaborate cookie-walled houses, decorated with foil in addition to gold leaf, became associated with Christmas tradition. Their popularity rose when the Brothers Grimm wrote the story of Hansel and Gretel, in which the main characters stumble upon a house made entirely of treats deep in the forest. It is unclear whether or not gingerbread houses were a result of the popular fairy tale, or vice versa.

Recently the record for world’s largest gingerbread house was broken. The previous record was set by the Mall of America in 2006. The new winning gingerbread house, spanning nearly 40,000 cubic feet, was erected at Traditions Golf Club in Bryan, Texas.

Everything is bigger in Texas!!!

The house required a building permit and was built much like a traditional house. 4,000 gingerbread bricks were used during its construction. To put that in perspective, a recipe for a house this size would include 1,800 pounds of butter and 1,080 ounces of ground ginger. Sounds more like a gingerbread resort!

So as we walked around this wonderful display at the ABQ Sunport and marveled at the colorful creativity, I knew this was the story for today.

The cartoon in the paper that morning also found  humor in the subject.

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And to further galvanize that thought, we arrived in San Diego to find Keira proudly presenting their half-eaten, already picked apart gingerbread project in the center of the kitchen table. T’was the joy of gingerbread houses—post construction, eating them!!!

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Oh the Faces! Spanish Market

The sky was grey and the air had a decidedly seasonal still-cool yesterday which called for a cozy indoor activity – offered this weekend in the handsome Hotel Albuquerque, host of the Winter Spanish Market. Yes, the decades old traditional Spanish Market held in Santa Fe outside around the Plaza, on warm summer days in July, has begun a new tradition in Albuquerque in the opposite season indoors. http://www.visitalbuquerque.org/abq365/events/detail/28th-Annual-Winter-Spanish-Market/31793/

The collection of world class artists’ booths beneath the enormous hand-tooled tin chandeliers suspended from the spacious ballroom sparkled with festive illumination and colorful creations.

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A variety of Mariachi bands played to the crowds as the curious and collectors wove in and out of the rows of talented exhibitors.

Fine tin-work, dyed and cut straw assemblies, weavings and jewelry presented an incredible variety of work. Fine crafted furniture and spectacular wall pieces were displayed by master carvers. It was a collection of world-class art and fine craft.

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Crazy interpretations of his beloved traditional retablos are Charlie Carillos commically contemporary interpretations of vintage cars with saints at the wheel. Humor that is received with mixed reviews. But his talent is undisputed. Here he entertains at his booth with his colorful delivery.

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By startling contrast, the rich warm colors and traditional reverence that Catherine Robles-Shaw displays in her incredible carvings and painting techniques, wonderful detail and soulfully expressive faces. Her rich hues are Old World in their sensitivity to tone on tone and dark earthen colors outlined and enhanced with ribbons of gold.

Daughter, Roxanne Shaw-Galindo, a respected santero in her own right has continued to carve her own niche in this exclusive world of bultos, retablos and other manner of fine carving and painting.

The mystic powders carefully sought and gathered from ancient land forms and mineral-rich geology diluted with water and even the precious red of the rare cochineal all contribute to the luminous, translucent colors that read so differently from other media.

And further contrast is Frank  L. Garcia with his primary colors of electric blue, yellow and  red shining off of his wood surfaces. Uplifting and extracting smiles from all who pass his booth.

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Oh the faces!! Each santero has his or her own style.  Like fingerprints, the santeros each have cultivated a unique “look” to their work and expressions of their subjects.  The eyes say so much. Mournful, cheerful, pensive or stony stares, the characters are exclusively their own. Despite the similarities bound by tradition, each artist presents a specifically unique style which conveys incredible personality. These signature expressions, as individual as fingerprints, represent so distinctly each  inimitable artist. Despite the similarities bound by tradition, the methods and materials, each shine with startling individuality!

Here santero Ruben Gallegos poses with Mary Anne Green an avid collector and fond owner of several of Gallegos’ work.

Lee Valdez hunches over his soon-to-be cross carefully carving the rope detail around the edges. Light pencil lines define the decoration that he follows with remarkable precision – and look – he is sporting two pair of glasses stacked atop one another – which he says works just fine.

Behind him displayed on the wall are several other crosses in all manner of carving and decorative woodwork. One piece in particular is a yellow pine cross that is riddled with dark cinnamon colored worm holes – splattered actually – creating a spectacularly natural design. And further marks of nature that Lee captures are a knot hole and adjacent burled wood that he places dead center in the intersection of the cross. The four end pieces are carved from a piece of butternut wood providing the perfect natural contrast to the yellow pine yet complimenting the dark flecks of the worm holes. Quite a find, in this amazing piece of wood he spied in a hardware store, and remarkable sensitivity to isolate and assemble the various pieces to create the whole.

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A striking woman caught my eye. Her thick curly black hair and handsome silver cross strung on a multi-strand necklace of turquoise made a big statement amidst all of the art and drama. Meet Vanessa Baca.

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As we visited briefly I learned that she is a fellow blogger and I am sure it was fate that we met as her foodinbooks.com is a wealth of observations centered around great books and fabulous food within described. She writes with great depth of description and observation AND she breaks it down and teaches you how to prepare that about what you have just read!

Sean Wells painting as we watched, represents her art in her own striking appearance. Dark hair whipped and twisted with a stylish flair and topped with screaming orange flowers.

Wells’ images are equally colorful, happy and festive. If not her fine retablos, You might recognize her Fanciful Day of the Dead wine bottles and famous, collectible Lottery Scratchers! Find her on Etsy!

It was an inspiring day of extraordinary art in a genre that is so historically and regionally rooted with original methods and patient execution paired with the artistic imaginative people who practice and study this fine work. Thanks so much Mary Ann for a rare treat!

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Today YOU can go see this final day of  the 28th Annual Spanish Market 2016! Get over there!

 

ART on the Curb

Silly little doodles in unlikely places. In some cases they might be considered undesirable graffiti, but I stepped over this beautiful little statement the other day and was compelled to take a photo as it made me smile.20160924_112705

Brush strokes now weathered and faded, chipped and primitive in their simplicity the colors were so pleasing and the floral motif quite nice.

It’s as though a child with a beginner’s eye took a single brush with bold steaks capturing the essence of a daisy. But then it looked like wind-swept clouds dancing in the suggestion of daisies floating across the sky above the sea.

Upon closer inspection, the aggregate stained blue is grounded by a collage of straw and leaf particles suggesting the beach’s detritus. This little composition has so much detail, so much suggestion, so much to offer if you take the time to look down…look closely…

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We often see things in clouds…they move slowly morphing from the identifiable image into others or nothing. This miniature fantasy freezes the floating image on the texture of the concrete to create the composition of this most amazing piece.

Inspiration comes from many avenues. It is sparked by a suggestion, ignited in a flash by something in passing – a word, a phrase, an image, a cloud…

I now will start a folder of art in unlikely places…little details…a future tapestry of observations. Take a moment to see these little studies as you step through the world.