Easter Art Encounters

Toodling around Tucson today this Easter eve, we came upon some fun seasonal art!! From antique to modern masterpieces made today, it was quite a diverse array!

An antique Lalique French crystal bowl was an elegant vessel to present these hand-painted pastel wooden eggs.  Mixing refined with folk-art is a wonderful contrast in style!

Potter Robin Chlad designs and builds these  stunning three-dimensional crosses. Adorned with birds and flowers, no two are alike and the brilliant colors are fabulous!

We hopped past these adorable bunnies! So many colors of fine metal-craft each. What a whimsical collection by artist Jeffie Brewer!! And his subject matter is well beyond bunnies!!!!

Explosions of spring cactus are in bloom from nature’s statement in these vivid coral barrel cacti we encountered in a xeric garden,

to the artist Lucky Coleman’s fanciful  interpretations using brilliant combinations of glazes on dazzling sculptures of clay! The beauty of nature to the fantasy of an artist’s creativity, we witnessed magnificent blooms! A time of rebirth and new life  – spring is in the air!

Happy EASTER!!!! Happy SPRING!!!!!

 

For the LOVE of Fine China – USE IT – Inspired Table Settings

From the Diminishing Dining Room of last week’s observations, https://patriciandesign.com/category/dining-rooms/, I decided to further the conversation to encourage a new-found appreciation for having fun setting dinner tables!  I found fodder from Kentucky Fried Chicken served on formal silver platters to wipe-clean placements of dazzling designs to dress your tables.  A collection of tireless designers defend the use of fine china – own it, buy it, find it, inherit it, enjoy it, keep it and use it – don’t send it to the thrift shop!!!

Yes, the art of fine dining seems to be set aside in favor of ease and expediency, but this article from The Washington Post’s HOME section (thank you Feath – my clipping service) brings it all home to use and enjoy.  It is a celebration of art, design and playful creativity.

Not everyone loves to entertain, to create the “tablescape,” to even bother to put together an outfit to wear. Not everyone loves to get dressed in the morning – it is a chore, an obligation, a mere necessity. That’s unfortunate in my estimation. For those of us who do – love it – it is all about having fun with fashion or interior design is just that – FUN!

Last spring I began a series  of emails that I blasted to our mailing list called COOK + PARTY. It was (and will continue this next season) a collection of weekly recipes paired with table-top art pieces. In our gift boutique, we represent an incredible collection of artists who create fabulous tableware.  I paired a piece with a recipe each week to inspire and encourage everyone to use “functional” art in their daily lives and specifically for entertaining and even the family dining table.

https://patriciandesign.com/category/art-and-food/

Recent fodder revealed a great source for fabulous wipe-clean placemats from Caspari.  For decades a fine source for the best paper cocktail napkins, Caspari offers these bold patterns and colors, prints of fine china and fabulous fabrics – re-use and easy to clean – why not?

https://www.casparionline.com/catalogsearch/result/?q=placemat

A previous fall blog that I wrote illustrates the open-mindedness of looking around to find inspiration for seasonal table dressings.  The decision for your table-top inspiration can be spontaneous – just go outside and look around!

 

Among the refreshingly optimistic designers that were quoted in the Washington Post article:

https://www.washingtonpost.com/lifestyle/home/that-old-fussy-china-can-fit-your-casual-lifestyle-designers-talk-about-how/2018/02/21/46761538-0084-11e8-8acf-ad2991367d9d_story.html?utm_term=.3a6fde2e5124

Barry Dixon, from the verdant rolling hills of Warrenton, Virginia, specifically points out that this process of setting your table should be fun!  Don’t pull-out the same things each time – mix it up! Change it up by adding color and pattern differently with every new opportunity.

Seasonal flowers, yellow woven cotton place-mats, embroidered folk-art table runner, basket chargers beneath classic Limoges topped with ceramic napkin rings – it looks like spring!

Designer Timothy Corrigan tells us that many people find it too difficult to entertain with their best things because the onus of proper cleaning and put-away is too much! But Mr. Corrrigan points out the joy of using your best things every day – everyday is a celebration and what you enjoy should be used.

In another springtime setting…organic, rustic things with finery – black stones nestle fresh purple Campatula flowers antique Limoges and basket chargers –  makes an eclectic table settings – it’snot all or nothing…it’s the combinations and scene that is being set.

Hutton Wilkinson – way out in L.A. where casual chic is the practice of distilling what migrated from the more formal sister coast to the east – noted that he believes presentation is the key to success. It isn’t so much about what is served (don’t tell the chefs that), but rather on what it is served and how it is presented.  Imagine buckets of Kentucky Fried chicken served on elegant Georgian silver platters. That simple fast-food chicken becomes  magnificently irresistible. You can’t say you’re too busy to cook with that creative solution! Wilkinson believes that presentation helps food taste better in addition to looking beautiful! He advocates buying china because it’s beautiful – not merely serviceable. I agree…it’s not all about the mundane purpose of eating off of it – but rather the joy of eating off of it!!

Making your guests feel appreciated and treating them to a unique, pleasing experience is a gift to them.  A special treat to show that you care –  going that extra distance of detail and design.

Color combinations, textures,patterns – wonderfully pleasing tablescapes are a treat for the eye. (So special Marsha!)

So don’t say it’s too difficult…keep it simple with Real Simple – the source for easy, ingenious ideas and simple truths……the following link for proper place-settings will get you started.

https://www.realsimple.com/holidays-entertaining/entertaining/how-to-set-a-table

Patti says – “make it special every day.”

TAKE NOTICE – Or You Might Just Miss Something Extraordinary!!

The world is becoming so fast. Decisions are “snap.” Instant  gratification abounds. And as we get caught-up in it all, more and more…there is a pendulum swinging. People are taking notice and longing for a reprieve. There is a clinging to values that if not grasped, might be lost.

Slow Food, farm-to-table proximity, support local, shop small…sound familiar? And does it appeal? Why do you think? As Amazon gobbles-up Whole Foods and everyone finds expeditious shopping satisfaction in cyber-space at the click of a finger – why?

Last night, as the sun set and the lights penetrated the darkness with their warm glow, I found myself strolling around, taking photos and breathing in the moist night air. Seaside, tucked in a quiet corner of a significant marina in Nuevo Vallarta, I recognized the magic. I was experiencing such magic.

It’s actually all around us, but it often takes a change of venue to realize it. In your world there is magic all around, but you have to take notice!

As I strolled, I came upon the painting recently completed by a dear friend. As I learned of the intent and while studying this painting of “The Violinist”, the sensitivity of the artist is revealed. And later confirmed by him.  Her tentative stance and demeanor begs the question he set the stage to ask: “Might this be her debut?”

The Violinist – a detail of the original oil painting by Federico Leon de la Vega

I then spoke to the sister-in-law of the artist, (chef/owner of the acclaimed Estudio-Cafe) and she reminded me about Joshua Bell.  Although I had forgotten his name, his enlightening story was quickly remembered. Have you heard of him? He’s the world-famous violinist who participated in a little experiment prompted by The Washington Post a few years ago. The idea was to have him play a $3 million dollar 1733 Stradivarius violin incognito, in the Washington METRO, to see if anyone noticed. Disguised as a street musician, with a baseball cap, he played for 45 minutes and collected a mere $32.00!! This is a man who, two days before, played to a sellout crowd of pricey ticket-holders in a Boston theater.  A world-class musician, with a priceless instrument, performing classical music of all of mankind and barely anyone notices!

Menu cover of Estudio-Cafe, Nuevo Vallarta

Coincidentally, I came upon another violinist-themed art piece last evening as I meandered through the patio among the quite varied artwork. Here a graceful bronze of a lithe, nude, mermaid projects imaginary sound wafting from her poised violin through the warm evening breeze.  I was enchanted. And my imagination was running wild!

Ready for evening to begin Estudio-Cafe Nuevo Vallarta, Mexico

Passersby seemed not to recognize the art beside them. As they walked slowly passing by the patio, unhurried, but caught-up in conversation, hopefully enjoying the incredible setting in which they found themselves. Yet they were oblivious to the outstanding collection of art displayed quietly, unpretentiously on the patio.

One of a captivating series of the mermaids in bronze by Octavio Gonzales

Back to powers of observation and taking time to absorb all the beauty and experiences around you…Joshua Bell admits, in retrospect, that it was terribly noisy and very fast-paced down in the METRO as better than 1,000 people rushed to their appointments. But regardless, it illuminates the concern that if we don’t pause to listen as we pass by the world’s most beautiful music, what other amazing things in this life might we be missing?

My husband continuously observes that I am NOT very observant. I know that this is true and I think it is because he and I observe differently. He takes in a wide swath of his surroundings – all sensory perceptions – 360. While I zero in on things and can be oblivious to something right in front of me, in favor of something nearby that has caught my eye. I would not make a very good Columbo as he  often points out! But I do enjoy the details as I encounter them!

From an interior design standpoint, I take in entire scenes and their context all the time. I “practice” this – I am practicing interior design. This is not spontaneity, it is the art of the study and evaluation of a scene. The challenging work of problem-solving. Until or unless something catches my eye that interrupts the study in favor of the unexpected!!!!

STOP and smell (or paint) the roses!!!!!

Federico Leon de la Vega with a previous commission of “Yellow Rose of Texas Bouquet” oil on canvas.

COMFORT & JOY with ART

A few years ago I gave a talk. The title was  something like “I Need a Piece of Art to Go with My Red Sofa.”  It was a defensive argument giving liberty to those who sought artwork for decorative purposes rather than an esoteric rationale. As an interior designer surrounded by artistic influences and drawn to the limitless styles, pieces, concepts and movements of the art world, I see and appreciate both sides of this controversial coin.

Federico Leon de la Vega’s Pomogranates

In my opinion art should bring joy. And that is not to discount art as a social commentary, honest statement of artistic philosophy, opinion, or personal expression. As an interior designer, my simple philosophy is that joy is a goal of interior habitats – function and joy simultaneously. For me, there is a synonym for beauty in there. Oh – and how apropos – it’s Christmas time and the carol God Rest Ye Merry Gentlemen specifically identifies bringing “tidings of comfort and joy.”

In this  month’s December 2017 issue of AD “Architectural Digest” Living with Art, architect Luis Laplace offers that he doesn’t really know about beauty in art. He sounds modest and self-effacing.  “I say I don’t know beauty. When I see that something works, then I see beauty.”  I say that is saying a lot about context. But inasmuch as I can see context being so perfect to showcase a piece that it validates it somehow, it seems lacking in the department of honest personal appreciation or criticism. Surely he must find beauty in art before it is placed.

I can see admitting that something having potential is a valid “wait and see” position to take when allowing a piece to be placed to its best advantage, prior to judging it too harshly – but that seems reserved for pieces about which one is trying to give them the benefit of the doubt! It sounds a bit like tap-dancing…making excuses. Excuses for not having an initial opinion or spontaneous reaction – much less appreciation – much less, joy.

Festive boat bringing JOY at the San Diego harbor parade last week.

Another comment that Laplace makes in this article “High Art” is that “We never use art as a decoration,” he declares. “We design for installation and rotation.” And I am sure in his world, that is exactly what he does. But let’s get down to earth and acknowledge that it’s a chicken and egg thing – the luxury to design expressly for the presentation of magnificent rotating works of art versus finding joy in a piece to decorate your world – with or without rotation. He makes decoration sound like a bad word. And perhaps he thinks it is – but why? Adornment, decoration, enhancement, emphasis – all superlatives, in my estimation.

Federico Leon de la Vega’s Script on Blue

In a completely opposite place on the planet both figuratively and physically, Robert Downey Jr, in this same issue of AD, expresses an explanation for their selections and design direction. “We didn’t set out to do something conspicuously whacky.” He obviously gets great joy and a kick in the pants out of his approach which he cements, with the following comment: “We just enjoy a bit of whimsy and fun.”  And then a negative nod to separate him from the more cerebral art enthusiasts – “We definitely don’t like boring.”

But that is a direct comment on the joy thing and one of my oft borrowed quotes “One man’s trash is another man’s treasure.” Here, a tangible example that I created for my grandson, Liam a few years ago. Debris he and I collected while on a walk one day, I assembled into a collage and had it framed for him with the plaque to remind him to look at things and regard things from all angles.

From what one person derives joy, another might find boring and uninteresting. And that oddly seems to return to the Luis Laplace comment about not seeing beauty until it is placed and then can be recognized. Hmmmm…Yet, I am saying that it might be of value to study things and  think about things differently than face value at a quick glance…spontaneity is valid and so is “love at first sight,” but often things are missed because their context s not serving them well. That space above your red sofa might be just the context and proper setting to showcase the “whatever it is” piece which might be far less interesting otherwise.

Which is why, in this time of international commerce delivering things from all over the planet with an almost instant gratification speed, we still have difficulty making decisions about what to chose to have in our world. Which fabric, which furniture, which art…the choices are at our fingertips and delivered to our doorsteps without leaving our living rooms, but fear of costly mistakes, second guessing trends and how to make good investments still remain the dilemma shared by most. Fear of trusting your own joy. Or, better yet, discovering and defining your personal joy.

Which brings me to the last quote I extracted from the December  2017 issue of AD by an artist, Brian Donnelly, speaking about his own residence and art collection, and that is  “I don’t buy art to put in specific places. I just collect what I love and hope to find a place for it.” Sounds like spontaneous joy to me!!

Closing with best wishes for a Merry Christmas and “tidings of comfort and joy.”

 

 

Value. What is an “Investment Piece” and Why?

In the design vernacular we keep hearing the term “investment piece.” What makes an investment piece? Is it that you spent more on it than most other purchases? You splurged? You made an unusual purchase that generally costs more than your norm. Sure, makes sense, I get this. Considered to be a focal piece, this seems to be the nod. However, I often feel entirely differently.

 

Investment. An investment in time, emotion, thoughts and beliefs…what type of unusual investment? An “investment piece” is usually a focal point or a piece placed in a position of prominence. It makes sense to identify an “investment piece” as something that is monetarily outside your usual comfort zone – but must it?

Consider that there is also the fact that a piece that hits a chord and is not easily replaced – if at all – is an investment. Seeing an objet d’art, on a folding table at a garage sale or amidst the throngs of a flea market, that catches your eye and is yours for a song – the bargain of the decade, or at least that day, is an emotional investment. It’s not about the money.

This “find” might actually have “cred” in a broad evaluation of appraisal. It might be a tiny Waterford crystal bud vase, like I found at a flea market for two dollars, about 35 years ago. I was just starting out, decorating my world, and it’s cut glistened and caught my eye from a cluttered table of garden tools, electric curlers and all manner of debris.  There was and still is a true value for this type of piece. It is replaceable – not one-of-a-kind, but a lovely piece. Similarly, at garage sale many years later, I spied a sparkle across many tables to discover a large Waterford ship’s decanter clustered with a few other unmarked pieces. Neighbors selling for a friend, they were cautiously asking twenty five dollars – the bargain of the day.

Once, in a consignment store, I came upon an ARS Italian ceramic box for five dollars that, although marked on the bottom, is not so published as to be easily priced. And I don’t care. Too me it is a one-of-a-kind find. It is old. I can’t replace it. I love the colors of the glazes and little pear top, it’s imperfections speak to it’s vintage and made-by-hand quality. It makes me smile.

When I hear people reference things by their monetary value, it strikes a sensitivity in me that is quite emotional. It annoys me. It frustrates me. Perhaps I am too sentimental, too attached to the enjoyment of “things,” but it’s what these things evoke, what they trigger in the form of memories or just spontaneous pleasure. What brings a smile, a tangible joy, is more to the point. It is a treasure.

Pieces with genuine sentimental value, because they have been inherited, reminding the current custodians of who preceded them and cared enough to preserve and pass down…and contrarily the ease with which some can unemotionally and easily part with something that has passed to them. It can be distilled to what one might find beautiful or not, and what speaks to the point – does this bring you joy or is it an onus?

It makes perfect sense that I am in this field. I see what clients have, ask them about what means what, and sometimes even argue in favor of keeping something that was destined for replacement or complete removal. I want to know what brings my clients joy. I want to make sure they don’t miss something they already have. It might just be the context that makes the difference.

Sometimes my clients have a piece – usually large – that they just don’t know how to use. They would like to, but just can’t find the right place. This is when we might consider other uses than the obvious. A bedroom dresser, might become a dining buffet. We change the context and save the piece. It gives new life and appreciation. It is a combination, in some cases, of function and joy. Thinking outside the box.

To have a careless non-attachment to things, that have not cost a relatively unusual amount, frustrates me.  Yes, it can be a good thing, freeing actually. Whereas I am burdened by my sentimentality. The fact that something is disposable merely because it was a “find” or a “bargain” should not make it less valuable – in my estimation. It’s not always about an expense.

It is a similar, yet reverse, process as selecting an item because of its cost or brand as thought that validates it. As though it is the primary reason to make the decision. I prefer to encourage people to find confidence in what they like – not merely a perceived or recognizable value. The result is the uniqueness that makes their world more personal, more individual, more uniquely theirs. It’s a treasure hunt. What is the value?

An “investment piece” should be almost, if not, irreplaceable – not by its cost – but by its unique ability to bring you joy. Have confidence to know it when you see it. It will be the right decision.

 

 

 

Loved Loving Vincent!!!!

Last night was a crystal clear starry starry night as we strolled down the quiet urban sidewalk, between the building facades, on our way to what we soon came to realize was an event we would never forget. Once settled in our seats and after way too many previews, the magic began and we were instantly mesmerized by the millions of brushstrokes of over 100 artists recreating the world immediately before and for a year after the death of Vincent Van Gogh.

There, in a cozy theater downtown, we experienced a wondrous film, Loving Vincent. We embarked on a extraordinary journey and were lost in this fanciful world of brilliant color and bold movement as the movie unfolded with an animation unlike we had ever experienced. It was a though we were watching Van Gogh paint this film. The rough deliberate strokes were actually moving as the scenes unfolded – the scenes were alive with the movement of the animation.

http://lovingvincent.com/

This remarkable delivery vehicle to convey a portion of Van Gogh’s world brought colors dancing – even screaming – across the screen in familiar swirls, and deliberate marks that were so identifiably his. What the artists were able to accomplish was astonishing. The focal surface of the theater was busy with the seemingly live brushstrokes of Vincent Van Gogh. Borrowing from his actual paintings, the viewer is transported into the world of his interpretation from street scenes where he experienced the corner with the yellow house to capturing individual’s who appeared throughout the film such as The Zouave in his red hat distinctive of his French military service, to the bearded postman, Joseph Roulin, who was so key in the intimate, mysterious and different story line, the expansive scenery of Provence and the intimate details of daily life.

As a true Van Gogh fan, it  was love at first sight – do you remember where you were when first introduced to his magic? Having grown-up in Washington, D.C. I was fortunate to have had family visits and school field trips to the magnificent National Gallery of Art where, upon each visit starting at a very young age, I would scour the gift shop for postcards of my favorite images – taking home with me memories of the beautiful influences that have continued to shape my appreciation for color and composition, balance and light, contrast and context, subject matter and the power of observation. I must credit my  mother and grandmother for instilling in me this awareness of things of beauty and their importance in our lives.

Fast-forward a bit…way back when…dare I admit…when first studying art history in college, the bible was HW Janson’s HISTORY OF ART. A daunting tome filled with the overview of all that is art as we knew it at the time. Van Gogh and his impressionist colleagues were sprinkled throughout latter portion of the book.

There his genius was once again presented to me stirring a wild appreciation for his rebellious disregard for conventional painting styles. He possessed and fed his own passionate, if not desperate, need to apply paint to surfaces, capturing life and telling stories from his unique and insightfully perceptive vantage point.  The Impressionists have always stirred a passion for the boldly colorful, adventuresome, romantic and sensitively sensual expressions of life for me.

Years later my husband and I were fortunate to attend the National Gallery’s exhibit Masterpieces from the Van Gogh Museum Amsterdam.

It was the fall of 1998 and we were thrilled to be walking toward the oh so familiar edifice with great eagerness for what awaited.

The line wrapped the building, but moved along with efficient, orderly procession as the anticipation grew with each forward step.

Inside we purchased the audio tour tapes and, with headsets on, immersed ourselves for the next few hours in the dazzling world of this remarkable artist.

His unique undaunted expression of the scenes, people and details around him, through his own unschooled techniques, was awe-inspiring.

Tormented and tested he discovered his passion and for a very few years carving out an indelible place that will live, breathe and be enjoyed forever.

The people in their joys and sorrows, fashion of the time, landscapes of bountiful beauty, interiors of keenly observed detail all expressed through his sensitive eye and brought to generations of viewers – a priceless gift to the world.

The take-away…embrace bold expression, fear not color in your world, appreciate the details, and go see this film, Loving Vincent, before it leaves a theater near YOU!!!!

It’s Not Quite Right. How Do I Fix It?

You know things are not quite right…at a glance, it all looks good – but something is not quite right… too loud, too quiet, bland, boring, just not interesting, not working, not quite right – but you can’t put your finger on what is bothering you or why. I  could be talking about  blind dates – or the significant other that everyone thinks is terrific, but you know that it’s not what you want or need right now. Can you fix this?  The similarities are astonishingly comparable to observations you might make, or discomfort you might feel, in your interior environment. Replay that list of disappointing observations you might find, in a would-be he or she, and apply it to you interior. See how  funny/similar it can be!!

Fixing people is not quite as easy as making changes in your property. But the similarities, in evaluating, being uncomfortable and not being able to put your finger on the exact problem and making  the decision(s) necessary to rectify things, are.  Identifying the problem is often the roadblock.

Maybe you’re just tired of it and you want it refreshed. Do you want something new? Do you want to change it around – rearrange? Can you do that?  Do you need to start over or can you salvage the best parts and improve others?

Having scrambled all of these people-personality traits and interior features, let’s focus on the subject at hand – interiors. This conversation occurs  often. Someone will bring to my attention something that either bothers them, or an idea that they think will improve their space. More times than not, I realize that the objective view will notice that the items identified or ideas offered are not at all what is wrong or, by changing, will improve the space.

Case in point, an appointment scheduled to discuss large windows in a great room. The client thought that the room needed draperies. It would have been an expensive installation regardless of the cost of the fabric – just due to the area to cover. I have used this example before, because it is so prime. My first questions were:  Is this for sun-control? To which she answered that no, she faced east and had a generous overhang on her patio. Is it for privacy? No, she assured me that nobody lived east of her and that was not a concern. Is it as a decorative element? Her answer was cautiously enthusiastic that yes, she thought that a decorative drapery treatment was just what she needed to improve the look and feel of the space.

I scanned the room seeing the tired, stained carpet, poorly arranged furniture, toys strewn about and piles of papers on every surface…and I knew that draperies were not going to improve this scene. Because it was their primary living space and they were obviously hard on it, I suggested that she trade her carpet for tile and a large area rug, I helped her rearrange her furniture, suggested toy bins, and advised against the draperies.  She had the good fortune of a relative in the flooring business and so I helped her select the tile and carpet to be cut into a rug and her installation was quickly completed, at far less cost to her than window treatments would have been.  With paint to refresh, the end result was so successful that she could not stop talking about how the transformation made her feel so good and that she just couldn’t see it – hadn’t bee able to decide what needed to be done.

Feeling good about your interior spaces. Your private space needs to make you feel good for so many reasons…security, comfort, relaxation, motivation, joy, inspiration, identification…Times change and styles change, some things are classic and some are fleeting and trendy. Your interior responds to your place in time. Refreshing it is a natural response to changing times and life stages.

Recently I was asked to look at the walls in a kitchen. They were a medium sage against a natural blond wood ceiling. We had just lightened the walls of an adjacent room. She said “I think I want to change my wall color – don’t you think it’s too dark?” So I looked around and pondered…it’s a cozy room, the color is neutral and contrasts well with the wood ceiling…I wondered, is it too dark? How will it change if we select a new color – specifically a lighter color? I knew that they enjoyed spending time in this space, more-so in the winter as they had many wonderful outdoor areas to spend time in the warmer months.

So I thought about the room in winter…the dark walls gave it a close, soft, comfortable, cozy feel. But upon gazing around the room, I noticed that the cabinets had a modern, flat, radius  design, worn in several places, were blond wood (when the rest of the doors and trim throughout the house were raised panel and all white), and in no way seemed to reflect the interior design theme of the rest of the home.

I offered that maybe the cabinet doors and drawers should be replaced with new raised panel versions. The boxes and hardware were in fine condition, the replacing of the doors and drawers would be less costly and intrusive than replacing all of the cabinetry. She expressed shock at this observation. I was suggesting keeping the wall color, refreshing the cabinets, painting them white and voila – a new, brighter kitchen without lightening the walls. It would retain the cozy feel, but with a fresh look! And I have since considered that the island might be another color – yet to be determined.

We have recently done a similar fix to existing cabinets – and the result was amazing.

Salvage what makes sense and spruce up/replace what needs it. Need help deciding how to know what to do and what not to do? Call your favorite interior designer!

 

What is Custom and Why Do You Care?

A client and I had a discussion the other day about “custom” design. What is custom and why do you care?  As we regarded her newly reupholstered furniture that had been delivered and placed in the living room, we began remarking about the “custom” nature of it all. A specifically designed audio/visual cabinet is currently being “custom” fabricated to add to this scene. Unique pieces of furniture with specifically selected fabrics to create an exclusive, personal scene. This “custom” collection/combination of existing pieces, recent “finds,” new pieces and designer fabrics doesn’t occur anywhere else on the planet. How personal can you get?

Here’s a peek…the beginning of the assembly of this “custom” scene. Crisp Scalamandre stripe on a fabulous find, paired with a rich navy and cream hounds tooth woven…rugs, lamps, pillows all still to come…

Creating a custom scene is like composing music or a painting. It is an art-form of balance. Balancing scale, color, texture, form…the many nuances…details….is the art of it all.

With all of the options on-line and in furniture stores, how do you begin to compose your scene? Where do you start? What do you keep and what do you replace? Why might you want to engage an interior designer?

Perhaps you need assistance getting started. A professional interior designer can help. So can several talented friends – but there is never only one way to do anything (too many chefs) and the right guidance can simplify the process and make the decisions much easier.

Too many chefs?

You need someone you trust, with whom to consult on the many design decisions. From floor finishes to ceiling treatments, window coverings to upholstery, furniture pieces and placement to decorative and functional accessories, lighting to audio/visual – a professional designer has the tools, colleagues and experience to assist you to realize your “custom” scene.

However, if you don’t have the desire or the patience with the creative process, you need not participate – you can go on an extended vacay while all is designed and completed. Voila! Or, you can expeditiously go on-line and buy what you like and hope it works well together and that it fits, that it wears well and results in the scene you want and need to bring you comfort and joy. Or not.

The same is true for commercial interiors. The scene should be an exclusive, custom design that reflects the unique culture, qualities, values, mission and brand, enhances productivity and satisfies the needs of the owner/occupants.

An accounting firm merged two existing, well-established firms. Old and new, grounded and progressive – the remodeled “custom” interior represents their newly defined culture.

A designer interviews the client in order to extract their desires. These many impressions of the desired design are often tough to identify and articulate by the client perhaps, but those illusive concepts, ideas, and desires are exactly what the designer gathers to cull the options, offer ideas and compose the “custom” scene.

For more on this, please visit a previous blog on the Creative Process https://patriciandesign.com/the-creative-process-of-interior-design/  and Custom Design Details https://patriciandesign.com/4680-2/and Custom Collection  https://patriciandesign.com/2017/02/

 

 

The Accidental Art of Beet Paint

This week is a bit spontaneous as it has been a busy one. Lots in the mill so upcoming blogs will have some good fodder. But our anniversary punctuated the center of this last week, on Wednesday night, and I couldn’t resist sharing this delicious coincidence. These splendid short ribs drizzled with a roasted beet root reduction made a sensational presentation. The fresh greens and artful placement of whipped potato dollops with a handsome chunk of juicy, perfection – tender boneless beef atop – all laced with the fabulous fuchsia tumble of tender baby beets and their sassy sauce was an aromatic and visual treat for the senses.

I cut away at the magnificent morsels scraping the gooey beet paint as I went along…

Good ’til the last drop, I hated to be finished. As I ran the edge of my fork over the hot pink cochineal-like residue of all that was left of my delectable dish, the waiter came by to clear and exclaimed- “a heart!” And so it was. An artfully noteworthy finale, to a wonderful evening. Happy Anniversary!

 

10 Tips for Spring Refreshers

Like bears coming out of hibernation, people start to stretch and yawn and look around and ask me “What can I do to refresh my interior for spring?” It’s similar to the fall preparation for hunkering down for the winter…”What can I do to cozy-up my house?” as the leaves drop and a chill wafts through the air.

Spring is the season for re-birth and starting fresh. Fresh – what does that suggest? This year we are very fortunate that Pantone set forth the color direction for the entire year – greenery. I have great enthusiasm for incorporating this bright verdant living color throughout the seasons – yes, a color for all seasons – but we are not limited to green in its various forms. I give you permission to add color that makes you feel good. Pick your favorite color…any color!

Now let’s get to that question about “What can I do to refresh my interior for spring?.” Here are 10 tips to change your world and bring joy as spring approaches.

  1. Color POP: Speaking of your favorite color…”paint magic” as its often referred is the practically instantaneous positive reinforcement that you need to make a quick, effective change in your interior! Pick an accent wall – preferably one that is framed by inside corners (rather than stopping a color on an outside corner) and take the leap of painting it an entirely different color than your norm.  Bear in mind other color cues in the room so as not to create a discord of color or completion between your design elements – but don’t be afraid either. The idea is a pleasing POP! and an extra pointer, if your room is already painted a decisive color, white can be the accent. Yes, white can be an intentional color accent and not the lack of color that it can often seem to be.
  2. Live Plants and Flowers: Spring suggests flowers and greenery – to watch them grow toward the warm weather, bulbs inside can be fun, bouquets of your favorite flowers, sprigs of greenery in a small vase can even be enough. A bud vase on your bathroom sink counter, a statement piece at your entry or coffee table, a flowering plant with young buds to last a few weeks, a fern to add feathery freshness. – any and all of these can add life to your interior spaces.  If you have flowering trees or bushes outside, this is the time to cut a few branches and bring them inside, place in a vase with water and the warmth of your interior will “force” the buds to bloom – Voila!
  3. Reupholster to Refresh: Do you have a tired piece of furniture that might deserve a new fabric? A favorite comfy chair, a hand-me-down of sentimental value, a good frame (bones) that can be salvaged to new with a change of printed fabric, leather, or woven textile. This furniture facelift is just the trick to give new life to older pieces.
  4. Change It Up: When you move things around and rearrange your furniture, artwork and accessories you will be surprised how you can refresh without adding anything new. Take a look at your furniture arrange. Can the same pieces be rearranged in the same room and create a new look?? Might you move one piece out to another room or bring in a different piece from some other room?
  5. Pillows to Toss: Throw pillows…throw them out! Well, I exaggerate a bit, but cycle them into a bag in the closet for another time or place or “recovery” and find some fun new pillows to brighten and refresh your interior. What an effective change a few colorful pillows can make in a room!
  6. Add Art: DIY or find something to cheer you! Dressing your walls with new work can lift your  spirits!
  7. Fresh Fragrances: Like Votive’s Pink Mimosa or Skeem’s Current Mangosteen scented candles, or Vance Kittera incense will add a dimension of sensory appreciation to refresh the stale, stagnant air of winter.
  8. Wipe and Dry: New dishtowels are a great and simple boost to change seasons! Find some fresh and uplifting colors to brighten your kitchen and make wiping up more fun! They make a great gift too!
  9. Stash Your Throw: What’s that afghan on your sofa or that blanket on your bed? Switch out the dark colors of winter with fresh new accents to add color and cuddle in too!
  10. Get Tidy: Marie Kondo has written books about it- she knows the “life-changing magic” that getting organized and tidy can do for you! Spring cleaning is a great therapy and introspective look at the things you own, how much you have and what is clutter beyond your ability to enjoy it all.