What’s Trending? Do YOU Need An Interior Designer?

As we move forward into this new year…the story is the same – only some details have changed or been added to past stories. By that I mean if you search for trends – they are ALWAYS all over the place.

We do find years when really new ideas take the stage – like when the shift from plastic laminate to stone slab counter-tops became a valid trend.  It was a trend brought about by improved technology, shipping,  cost and ultimately availability. After that, the engineered surfaces that grew from this trend broadening the offerings – explored color, texture and pattern and continue to introduce new options.

Myriad surface materials mimic natural stone – when is it preferable over natural stone?

 

Engineered stone products offer many bold, solid colors from pure white to amazing primary colors.

So right now bold color accents are in,  wall covering that made a come-back a couple of years ago is sticking for the time being and with newer bolder prints. Fabrics too – prints are bold and large scale!

Wood on walls is trending. Printed concrete tile is the big thing. Farmhouse sinks – in different finishes than customary stainless or white.  Vintage light fixtures – enhanced with new technology and lamping.

So, does that mean I can’t have a white sink or shouldn’t have a stainless one?  I should use printed concrete tiles in my kitchen or bathroom? If my home lacks a bold print wall covering am I missing something? If  I’m not sporting some raw concrete, am I out of style? Is the wall full of family photos in my bedroom passé?

Surrounding by existing vintage pieces and family heirlooms, the new living room pieces added some contrasting, contemporary lines with clean, crisp, classic, blue and white fabric patterns.

Oh, the pressure to get it right!!!! Oh so many choices – how do I decide? Do I have to start over? I want to be in style – but I don’t know what that even means between today and 6 months from now. I like neutrals – am I dating myself?

Neutral fabrics in a variety of textures and subtle patterns on a recently re-upholstered sofa.

Be calm and carry on…that’s why interior designers exist!!  Sorting through all the conflicting, changing information and choices can be exhausting! Just get on Pinterest and look for any subject about an interior – window treatments, living rooms, bedrooms, wall treatments, flooring…with each year, the choices expand. The permutations seem endless. HOW does one ever decide?

Mark my word, we will be flooded with interiors plastered with printed concrete tiles, faux printed concrete tiles, filament light bulbs and jarring color contrasts, in the coming months and perhaps even years…These trends have already made their mark. But it will be the creative manner, in which the various printed concrete tiles are used and when the vintage style of filament fixtures is appropriate and effective. What colors are used (where, how and with what) is what will set a few exceptional installations apart from myriad uninspired, if not confused, versions.

An effective interior designer knows what is trendy versus a trend designed and positioned for lasting impact. This is a major part of the equation. Existing conditions with regard to architectural style, existing furnishings, personal preferences, budget, priorities, all play roles in the design process.

A young teen’s bedroom was recently redesigned to reflect her developing tastes and preferences. Bold color and a variety of geometrics and patterns make a bold, fresh statement.

You don’t want to be coerced into making changes just because new style suggestions are being presented. Trends DON’T RULE – despite the fact that the design community wants you to think they do, in order to continually change things up! Don’t be a victim of too many directives regarding what is in style. It’s intimidating and mostly due to access. We have access to so many opinions, on-line sites, magazines and advertisements that the pressure, conflicting information and choices can be ridiculous.

It’s YOUR interior, your style, your comfort and functionality. Yes, it’s all about YOU and yours.

Do YOU need an interior designer?

A Dozen Tips for Planning a Kitchen Update

As we know, kitchens and bathrooms lead the features that often make or break a house sale. Investing in such improvements can not only enhance your living experience, but also serve you well when it comes time to sell. There are a few basic tips to follow as you embark on this could-be, (but need-not be) daunting project. Here are some important things to consider for all facets of the experience!

  1. To begin, note what things about your kitchen you would like to improve – both functional and aesthetic.
  2. Gather inspirations – make a hard-copy file or at least collect in a folder in your computer things that inspire you in your quest for your improved kitchen. Use kitchen design magazines, Pinterest posts or remodeled kitchen ideas that you Google-search. These ideas are a great springboard to narrowing your design direction and conveying your concept to your design professional.
  3. Based upon your “inspirations” what is your color scheme? This direction will impact options and decisions for finish materials such as flooring, cabinets, countertops, back-splashes, wall finish and window treatments.
  4. Is it merely a facelift? New cabinet doors and drawer fronts? Perhaps new countertops and back-splash. Or is it a complete gut and replace?
  5. New appliances – replacements or additional components?
  6. Sketch the layout of your new kitchen, if applicable. Make sure the available space accomplishes what you are imagining.
  7. Imagine the finished product. Illustrations of the “after” design are the best way to accomplish this.
  8. When in this process should you consult with a design professional? Perhaps after number 3 once you have gathered examples of your preferences…I let the list continue beyond number 3 to give you an idea of where in the process you might feel the need to have some qualified assistance!! An experienced designer will see things you don’t, know things you might not have considered and ideally maximize your budget by avoiding costly mistakes or missed opportunities.
  9. For example, don’t miss opportunities for additional storage – this is a critically creative design detail that results, in great benefit, to the finished product.
  10. In fairness to you and your contractor, try to establish a budget. Do a little homework. Gather rough costs for lineal feet of cabinets, appliances, design consultation and construction costs (a good resource are the home-improvement stores). Give yourself some latitude as this cannot be a finite budget at this early stage of the planning.
  11. With your design pro, discuss contractors that fit the bill to what you are trying to accomplish. If you are only tackling cosmetic improvements, a general contractor might not be needed. For example, new wall finish, countertops and appliances or new cabinet fronts, a new light fixture…these are individual sub-contractor projects. But as soon as you get into moving plumbing and electric, adding or removing walls, puncturing the envelope with windows or skylights – you had better hire a general contractor to take responsibility for the scheduling, coordination, licensing and permitting of the work.
  12. Once your scope of work is determined, you might need to get familiar with great carry-out in your neighborhood!!! That and a few great restaurants too, as you might be without your kitchen during a portion, if not all, of the process once the work begins!!!

Here are a few projects that we have documented with pretty effective “before and afters” to help you consider some of the above referenced tips.

These peachy pickled white-washed red-oak cabinets had classic lines and were in excellent shape after 30 years! The original owners were ready for an update.

 

Purely cosmetic (except for replacing the lighting) we saved the cabinets in their entirety, painted the boxes, doors and drawers. By shooting the fronts remotely, quality control was insured and caused less imposition at the residence.

 

Black accent pieces were already in play. The new black finish was a dramatic transformation. Using a special tinted varnish, proper prep and several coats results in a very strong new finish. All other finishes were replaced with a conscientious effort to coordinate with the existing flooring. The result “reads” as though it was all done at the same time. The floor tile looks good as new!

 

Similarly, we saved the cabinet boxes, but differently from the previous project, we added a few updated cabinet features and replaced the door and drawer fronts to a more classic raised panel detail.

 

Again the transformation was exciting, but by saving the perfectly good cabinets, we had far less disruption to the home-owners. Enhanced cabinet details for improved drawer glides, additional storage, new counter-tops, new lighting, and as is true with all of these projects “cabinet jewelry,” in the way of new door and drawer pulls and handles, adds the finishing touches.

 

This very dated kitchen from the early 70s, had a new owner – a single man – and he definitely didn’t want this provincial look!

 

In this case, a general contractor was in order. We opened walls, re-designed all the lighting, replaced all cabinets with new custom cabinets, appliances, flooring, counter-tops and back-splashes. The transformation is astonishing!

 

 

Adding Personality & Panache – Before & Afters

Everyone loves befores and afters. Last week we featured a project that received a dramatic transformation. The trick is, you have to think thoroughly about taking “befores” before you tear into it!!! Hindsight is so often 20/20 when delving into a remodel.

I dashed over to Phoenix last month to celebrate the Grand Opening of an exciting new clinic that we have recently completed. While there I visited great friends and re-visited a wonderful residential project that has stood the test of time.

Here we have two restrooms in that same project. Rich colors of warm coral, brick and golden tones with natural materials from stone floors to counter-tops and wall treatments. It is a Spanish theme – albeit eclectic with art and decorative accessories, of this well-traveled couple.

What was plain 80s’ vanilla receives a new-found richness and warmth, depth and interest. Do not be afraid of dark colors in small rooms – I’ve said that many times in the past. I’ll bet that you have seen spaces exactly like these “before” shots. Clean slates, but so uninteresting it is remarkable to think owners are content to live without personality in their anemic interior spaces. We added powerful personality and panache throughout this residence.


The master bath had dated surfaces and uninteresting configuration. We transformed the area by connecting, with a glass panel, the tub and shower areas. However, we elected to use a shower curtain instead of glass door. I often suggest this alternative. It is softening, less expensive, easy, minimal maintenance – less wiping!!! Watch for another new master bath with a shower curtain and glass combo.

Full wall treatments of stone or ceramic are wonderful, substantive ways to suggest architecture over mere decorative appliqué. The material suggests structural forms. It never should stop on an outside corner, lest it defeat the purpose. It is to be a mass.

So take those “befores” and enjoy the “afters.” Don’t be afraid of dark colors in small rooms, and use stone and ceramics generously without fear.

P.S. Last week and this today are of a fabulously enjoyable and successful remodel transformation done 12 years ago!!! Yes, revisiting a couple of weeks ago,  I took these afters of exactly the interior that we designed that long ago. It has been a virtually timeless project. The owners have enjoyed the spaces so well that they have maintained them without any modification. So we thought that you as readers would get a kick out of the long-term success of these design decisions.

 

What is Custom and Why Do You Care?

A client and I had a discussion the other day about “custom” design. What is custom and why do you care?  As we regarded her newly reupholstered furniture that had been delivered and placed in the living room, we began remarking about the “custom” nature of it all. A specifically designed audio/visual cabinet is currently being “custom” fabricated to add to this scene. Unique pieces of furniture with specifically selected fabrics to create an exclusive, personal scene. This “custom” collection/combination of existing pieces, recent “finds,” new pieces and designer fabrics doesn’t occur anywhere else on the planet. How personal can you get?

Here’s a peek…the beginning of the assembly of this “custom” scene. Crisp Scalamandre stripe on a fabulous find, paired with a rich navy and cream hounds tooth woven…rugs, lamps, pillows all still to come…

Creating a custom scene is like composing music or a painting. It is an art-form of balance. Balancing scale, color, texture, form…the many nuances…details….is the art of it all.

With all of the options on-line and in furniture stores, how do you begin to compose your scene? Where do you start? What do you keep and what do you replace? Why might you want to engage an interior designer?

Perhaps you need assistance getting started. A professional interior designer can help. So can several talented friends – but there is never only one way to do anything (too many chefs) and the right guidance can simplify the process and make the decisions much easier.

Too many chefs?

You need someone you trust, with whom to consult on the many design decisions. From floor finishes to ceiling treatments, window coverings to upholstery, furniture pieces and placement to decorative and functional accessories, lighting to audio/visual – a professional designer has the tools, colleagues and experience to assist you to realize your “custom” scene.

However, if you don’t have the desire or the patience with the creative process, you need not participate – you can go on an extended vacay while all is designed and completed. Voila! Or, you can expeditiously go on-line and buy what you like and hope it works well together and that it fits, that it wears well and results in the scene you want and need to bring you comfort and joy. Or not.

The same is true for commercial interiors. The scene should be an exclusive, custom design that reflects the unique culture, qualities, values, mission and brand, enhances productivity and satisfies the needs of the owner/occupants.

An accounting firm merged two existing, well-established firms. Old and new, grounded and progressive – the remodeled “custom” interior represents their newly defined culture.

A designer interviews the client in order to extract their desires. These many impressions of the desired design are often tough to identify and articulate by the client perhaps, but those illusive concepts, ideas, and desires are exactly what the designer gathers to cull the options, offer ideas and compose the “custom” scene.

For more on this, please visit a previous blog on the Creative Process https://patriciandesign.com/the-creative-process-of-interior-design/  and Custom Design Details https://patriciandesign.com/4680-2/and Custom Collection  https://patriciandesign.com/2017/02/

 

 

Disruption Reaps Results

Merriam Webster defines to disrupt: to interrupt the normal course or unity…So think about it when you take on your DIY projects…like reupholstering a chair.  Pick or find the chair, take a course, cut away at the fabric, pull out the staples, rip it down to the bones, (poor chair – you’ve really interfered with its unity), then put it back together. Voila!

To do something as seemingly simple as repaint, you will need to remove things from the walls and move things away from the walls, drape furniture, mask elements like molding, ceilings or other adjacent surfaces that will not be painted – or at least not with the same  color. All of that is quite a disruption.

Expand that disruption when you remodel – open a wall, replace cabinets, change flooring – each on their own sounds simple, but be prepared for disruption. Your normal course of unity will be in disarray, displacement – maybe even chaos.

However, I often reference the phrase “You have to break an egg to make an omelet” right? That sums it up. To make something wonderful, you are going to have to interrupt the normal course of unity – hence break the unity of that beautifully in-tact orb of an egg.

So do not fear disruption – go ahead – disrupt your life a bit, to effect change, that will achieve refreshing results! It is THE hardest part of the Creative Process (see pattisays April 29, 2017). https://patriciandesign.com/the-creative-process-of-interior-design/

 

 

 

The CREATIVE PROCESS of Interior Design

At the outset of a design project, certain first steps are common. It is after those initial steps that things can take two very different directions. First you have the desire or need to make some changes/improvements. You decide with whom you want to work to design and implement.

If you take the time to plan every aspect of a project, make all the selections, get all the details down on paper—well notated and drawn so as to convey every intent, you may begin and proceed without hesitation. The project can be scheduled and run accordingly. Easy peasy—with that prior proper planning.

Whoa—is that real life? Well it works for many. It works for those too busy to delve into the many possibilities, to be open to the evolution of the process, to enjoy the adventure of creativity. I’m talking about the projects not requiring permits – fabrics, finishes and furniture. New cabinets in a kitchen, switch out the counter-tops, get new updated back-splash…rearrange, replace, recover furniture…paint walls, hang art, mostly cosmetic enhancements in this case.  Clearly some just want it done—and have no interest in the creative process.  However, do you ever have a second thought? Does one decision affect the next? As you experience the design and implementation process, might you change you mind…have another idea? It happens all the time. It is more realistic, fun and feels like a true artistic endeavor.

But is your intent to create an art piece? Is it to experience an artistic endeavor? Or do you just want some new pieces, finishes, an update? These are two very different situations that require different processes.

True design is centered around the unique requirements and desires of the client. It is responsive and reactive. It is also proactive and filled with anticipation. The design process is one of balance and equation. If…then…

This process is intuitive and educated. It is based upon expectation and perception. Like tipping back in a chair…back…back…until you might fall and then—you catch yourself and all is right with the world—exciting but measured.

Why do you hire an interior designer? With all the information available at your fingertips, why do you need to pay someone to do what you like? If you know what you like, you have the time and you have gathered a folder of ideas, why do you need a designer? Might it be to sort through options? Or to decide between choices of fabrics, groupings, arrangement, scale, style? Merely to hold your hand while you make those decisions? Do you have 5 photos of sofas? Do you have a million pictures of materials? Have you picked up or ordered clippings of fabrics? How do you decide among these many options? How do you know you are making the right/best decision given your options? What is timeless? What is trendy? What will last? What is practical? Which direction should it go? What goes with what? Ha—its funny if you start looking at your options and asking those questions…and there are a gazillion more during the process.

The idea behind hiring the right professional, is that they will help make the best decisions that will narrow your search and selections resulting in a distilled version of the gazillion ideas your have pinned, clipped, saved, collected and visualized. Not to mention they might and should bring other new ideas to the mix. The end result of responsible design consultation should provide a design you would not have had, that you like better than your efforts alone and eliminate costly mistakes saving both time and money.

The most difficult part is to recognize that not everyone receives information and processes it the same. One person’s mental image of a design concept might not be the same as another’s. Conveying ideas is an abstraction that can only be somewhat helped with illustrations and models. From quick sketches to well rendered illustrations, dimensional drawings to actual models, nothing will ever exactly convey what will be the finished product.

A sketch like this TV cabinet suggests a possible solution to an a/v issue…

Finished similarly to this piece of finely crafted knotty alder.

And this tired, yet fabulous contemporary sofa – can you visualize it in an elegant, classic navy stripe with new wooden feet? Watch for this transformation in a coming blog!!

It’s all conceptual. It’s not real—until its real. How’s that for a profound observation? Both designers and clients need to be very clear on this prior to committing to a design process. Visualization can be tricky. It effects expectations.

Communication is key. Choosing good, descriptive words…tangible samples of materials… illustrations…models…not all projects warrant the latter examples. The cost of the communication tools must be weighed against the value to the project.

 

So the creative process is fun and adventurous. The permutations are endless. So many choices, so little time. But if you make one decision, you narrow your steps. With each decision you build toward the finished product. And the beauty of giving yourself permission to “create” means that you can change your mind at any time, massaging the process as you proceed.

It takes patience and resilience. Art is creativity—opening the mind to possibilities.

Creativity is defined as the tendency to generate or recognize ideas, alternatives, or possibilities that may be useful in solving problems, communicating with others, and entertaining ourselves and others. (page 396) What is creativity? – California State University, Northridge https://www.csun.edu/~vcpsy00h/creativity/define.htm

The entertainment factor (above) is an interesting point—because it relates to the previously mentioned—fun! This creative process can be and should be FUN!!!

Being prepared to make alterations, fine-tune, add details and work toward that place that determines completion. Like a painter in front of a canvas…knowing when to stop. It can be over-worked. It can be compromised by going too far beyond that which is good. This does not merely refer to clutter or busy design…each is applicable and depending upon the definition and eye of the beholder (again perception) it can all constitute good design. One man’s clutter is another man’s complex design. But who makes those decisions? The critics for one—if the work is out there to be critiqued by the professionals, but the bottom line is the end user. If it solves the issues, serves the purpose, satisfies the desires—that is success. YOU (the end user) determine the success or failure of your design project.

But that determination of success or failure is a shared responsibility. It is a team effort of communication, contribution and patience with the process. The creative process has few limitations. Budget for one is important and physical restrictions—but other than those—designing is as though a living organism’s path. Designing is the abstract – to tangible way of navigating the fluidity, growth and development of the creative process.

So be free to explore and enjoy the possibilities. They are endless. Seeing the design materialize with the additions, and deletions, changes and modifications is part of the exhilaration of it all. It wants to be exciting and feed that thrill of anticipation and fulfillment of desire.

Create—and enjoy—it is good for your life.

 

 

 

 

 

 

 

 

 

Refresh Renew Replace – Custom Design Details

We LOVE custom challenges. When you have the right team, with the right talent – anything is possible. Part is luck the other is cultivation, but in my case – most was luck!!! They/we didn’t need cultivation – it was a perfect fit from the start! Thank you!

Your team is your strength – whatever your profession. Think about it. From aerobatics to orchestra conductor – those who count on others to make them look good – with or despite their efforts – the end result is what counts. – right?

I, and most people, LOVE before and after photos – it’s fun, it’s instantly comparative, it satisfies our desire to achieve that which we can’t have…except in a facsimile thereof.  It’s proof and validation that we can have it – a version of “it.”

We often miss opportunities of taking the before shot – rearranging a room is a prime example – because it happens on the spur of the moment and happens within minutes – the results are startling and instantly proving of “better” design.

We often replace existing with new.  New something…whether re-upholstery or new cabinets, no job too small – the results change lives. Of course, entire remodels are the bomb!

Respect any existing thing. Evaluate it for its merits. Consider its history and construction. Fragile or invincible – the history is of value. AND its replacement cost.

Then go about making it a better versions of its original self. Paint it, refinish it, cut it, re-cover it…NOTE – anything with genuine historic value must NOT be changed – must not be modified in any way in order to preserve its original condition and relative value. Here, we are talking about tired pieces that do not have any other historic value. Just time to refresh. Know the difference.

Photos to follow are from one project that is currently underway. Re-upholstery – who said you have to do it all with the same fabric? From blah to brilliant, the before versus after is awesome!

Other times it is about replacing for a better piece. Better for changing aesthetics, better or different function. Here we had existing dressers that served their purpose for several years. They did not go with the other furniture that the owners had collected over the years and the style of the home in a broader sense. It was time to replace them, and finding the right pieces was a challenge. Size and style were the two specific features and therefore a custom design/build was in order. The plain espresso stained veneer pieces were replaced with hand-crafted pieces using hardwood solids and fine veneers of character-filled knotty alder, custom trim details and hand rubbed glazing over many layers of stain and finish resulted in two exquisite pieces to complement their interior. Handsome, heavy solid pulls added to the rich, warm and  substantial feel of these exceptional pieces. Note – this was built by one person in a small one-room shop. It is not a multi-employee assembly-line woodworking company. Thank you Enrique, for once again making my dreams come true!!

This was delivery day – media and wire management are still underway – but this was the instant removal of one and replacement with  the new! I love the “happy dancer knot!” Like other designs in nature, granite geology, wood…so much beauty in the hidden details – wonderful! Take notice!

As designers, we solve problems, make improvements and assist with the ideas and the means by which to accomplish the mission. Custom fabrication is a unique way to create your signature design. The permutations are endless and an effective designer will make recommendations exclusively for you.

 

10 Tips for Spring Refreshers

Like bears coming out of hibernation, people start to stretch and yawn and look around and ask me “What can I do to refresh my interior for spring?” It’s similar to the fall preparation for hunkering down for the winter…”What can I do to cozy-up my house?” as the leaves drop and a chill wafts through the air.

Spring is the season for re-birth and starting fresh. Fresh – what does that suggest? This year we are very fortunate that Pantone set forth the color direction for the entire year – greenery. I have great enthusiasm for incorporating this bright verdant living color throughout the seasons – yes, a color for all seasons – but we are not limited to green in its various forms. I give you permission to add color that makes you feel good. Pick your favorite color…any color!

Now let’s get to that question about “What can I do to refresh my interior for spring?.” Here are 10 tips to change your world and bring joy as spring approaches.

  1. Color POP: Speaking of your favorite color…”paint magic” as its often referred is the practically instantaneous positive reinforcement that you need to make a quick, effective change in your interior! Pick an accent wall – preferably one that is framed by inside corners (rather than stopping a color on an outside corner) and take the leap of painting it an entirely different color than your norm.  Bear in mind other color cues in the room so as not to create a discord of color or completion between your design elements – but don’t be afraid either. The idea is a pleasing POP! and an extra pointer, if your room is already painted a decisive color, white can be the accent. Yes, white can be an intentional color accent and not the lack of color that it can often seem to be.
  2. Live Plants and Flowers: Spring suggests flowers and greenery – to watch them grow toward the warm weather, bulbs inside can be fun, bouquets of your favorite flowers, sprigs of greenery in a small vase can even be enough. A bud vase on your bathroom sink counter, a statement piece at your entry or coffee table, a flowering plant with young buds to last a few weeks, a fern to add feathery freshness. – any and all of these can add life to your interior spaces.  If you have flowering trees or bushes outside, this is the time to cut a few branches and bring them inside, place in a vase with water and the warmth of your interior will “force” the buds to bloom – Voila!
  3. Reupholster to Refresh: Do you have a tired piece of furniture that might deserve a new fabric? A favorite comfy chair, a hand-me-down of sentimental value, a good frame (bones) that can be salvaged to new with a change of printed fabric, leather, or woven textile. This furniture facelift is just the trick to give new life to older pieces.
  4. Change It Up: When you move things around and rearrange your furniture, artwork and accessories you will be surprised how you can refresh without adding anything new. Take a look at your furniture arrange. Can the same pieces be rearranged in the same room and create a new look?? Might you move one piece out to another room or bring in a different piece from some other room?
  5. Pillows to Toss: Throw pillows…throw them out! Well, I exaggerate a bit, but cycle them into a bag in the closet for another time or place or “recovery” and find some fun new pillows to brighten and refresh your interior. What an effective change a few colorful pillows can make in a room!
  6. Add Art: DIY or find something to cheer you! Dressing your walls with new work can lift your  spirits!
  7. Fresh Fragrances: Like Votive’s Pink Mimosa or Skeem’s Current Mangosteen scented candles, or Vance Kittera incense will add a dimension of sensory appreciation to refresh the stale, stagnant air of winter.
  8. Wipe and Dry: New dishtowels are a great and simple boost to change seasons! Find some fresh and uplifting colors to brighten your kitchen and make wiping up more fun! They make a great gift too!
  9. Stash Your Throw: What’s that afghan on your sofa or that blanket on your bed? Switch out the dark colors of winter with fresh new accents to add color and cuddle in too!
  10. Get Tidy: Marie Kondo has written books about it- she knows the “life-changing magic” that getting organized and tidy can do for you! Spring cleaning is a great therapy and introspective look at the things you own, how much you have and what is clutter beyond your ability to enjoy it all.

 

Let There Be Light for the New Year!!

Short days and longs nights…Do you find that your interior is dull, lifeless and even feels a bit cavernous after dark? As the sun  sets and the lamps come on, the effects can be horrible, adequate or sensational.

Poor lighting can have remarkable subliminal effects on mood, energy, and attitude. The subtle signs of poor lighting such as dark corners, shadows on faces, difficulty reading and dull colors are all important factors that contribute to an uncomfortable interior in these short days of long, dark nights.

Lighting has multiple reasons for being—three primary ones—to see, yes, ambient light. But to do tasks (reading, sewing, playing games), and accent lighting to illuminate artwork and other interior features. Mood lighting such as candlelight (once the primary light source – now an effect in most cases) is a lesser but effective  lighting tool.  Good lighting makes amazing differences.

Beware of down-lights. Lights that shine down from the ceiling. Although a very effective and common lighting tool, they must be balanced with good ambient light.  I have often used this example of sitting in a restaurant across from your date and their face is painted with ghoulish dark shadows under their eyes, beneath their nose, and accentuating all the folds of their features. It is the opposite of a kid putting a flashlight under their chin shining upward creating similarly haunting effects. Creepy. Certainly not flattering.

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The same unpleasant effects happen in the home. It’s such a common malady of ineffective lighting that most people assume it is a necessary evil of short days. It’s sad—no, really it’s SAD—Seasonal Affective Disorder! To treat the serious effects of this syndrome there are many studies and inventive solutions, but for most of us, the less arresting effects of poor lighting can be greatly improved and our lives enhanced.

To begin this process of evaluating your lighting an improving it right away, start with the lamps—the light bulbs! We have so many choices these days including the familiar incandescent, compact fluorescent, and the newer LED with excellent color choices and low energy usage.  We could talk about the “temperature” of light sources measured in Kelvin, but we won’t—only that it runs a spectrum of warm to cool.

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Walk around your home and look specifically at the color that glows from the various light sources. Does it look yellow? Does it look white? Does it look blue-ish? Recognizing these distinctions from warm to cool is the start.

light_bulb_color_temperature

Where are the shadows? Are the corners dark and recessive? And, when you combine these two, do you find, for example, dark areas and yellow glowing sources? Sometimes that soft, warm yellow is preferred while other scenes are made more intentionally crisp with cooler light.

Experiment with different lamps in your fixtures – light bulbs in your table lamps and recessed cans, hallway sconces and bathroom fixtures. It’s a fun experiment and very illuminating – yes, the pun was intended.

Are your lamp shades opaque or translucent? Do the shades themselves cast a color? Do they block the light or allow it through? Do they throw the light up and down or up, down and out? This is another detail of which to take note.

If you have dated recessed fluorescent tube units – common in kitchens for example – they are often housed in a box either recessed or surface-mounted on the ceiling. Take a look at the plastic lenses – are they discolored and yellow? This aging process can dramatically affect the quality of light that is emitted. So if you are not ready to replace these fixtures with more effective modern lighting statements, try replacing the lenses.

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A similar installation is that of skylights which have fluorescent lamps up inside the wells with that same plastic lens over the opening to the skylight. The original idea was to have the natural light pass through during the day and artificial light take over after hours. The lens  was to intentionally conceal the unattractive fluorescent tubes, but it sacrificed the depth of the framed well. A quick update is to remove the lenses and fluorescents and expose the well of the skylight adding dimension to the room and eliminating the unattractive lens that conceals the dimensional cavity. Recessed can fixtures around the skylight in the surrounding ceiling are the most common solution to this transition from old to new, a cable can be strung, pendants can be hung, but if budget constraints prohibit that investment at this time, you might investigate the power source up inside the skylight well and replace the fluorescent fixture with an inexpensive, adjustable, surface-mounted spotlight – perhaps with two heads to provide light from that same source while opening the skylight well without the unnecessary lens.

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The dark pockets around your rooms can be improved with up-lights in corners and up under plants. Inexpensive fixtures are available at any lighting store or big box home improvement stores. Place one of these up-lights (remember to select the color “temperature” that pleases you the most) and see what that additional pop in the corner does to open your space. When up-lights are used beneath plants to shoot upward and cast shadows onto the walls and ceilings can create drama and exotic interest at night. This is true both indoors and out.

Torchiere floor lamps are those that face upward. Like a torch, they send the light toward the ceiling – another effective splash of light in an otherwise dark space in the room.

Colors are radically affected by the color of light that shines upon them. Therefore, an interior color scheme can be horribly tweaked to not resemble at all the actual colors chosen and combined to create the scene, when artificially illuminated after dark. Contrarily, colors can be rendered with great brilliance and accuracy when illuminated with the right combination of lighting. (although daylight contributes in these two examples).

By the same token we can have great fun and “paint” with light creating a color scheme entirely with colored lamps washing the walls, and interior elements just for the art and exercise of doing so, but I digress.

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In summary, look around your rooms after dark and look for opportunities to make changes that will dramatically affect the comfort level – the results will be startling!!! If planning new construction or remodel – have plenty of light in key places throughout the space. Think dimmers so you can control the amount of light. Let there be light in this Happy New Year!

 

 

 

 

 

 

 

 

 

 

 

Don’t Be Afraid of the DARK!!

For a while in the world of design trends, dark colors intimidated. Bold designers dared to apply dark eggplants,  chocolates, charcoals and black to surfaces of their projects, but only a rare few clients would take the leap. Now it seems that we are seeing people accept the dare and more dark surfaces and intense envelopes of color are appearing on the scene.  I have often been asked – “Won’t it make it small?” or “Will it be too dark?” and the reason I am making the suggestion is because I already know that it won’t!!!

I’ve blogged about small rooms with dark walls in the past, but two recent projects featured my recommendation for dark cabinets. Not dark walnut or the market-saturated “espresso” which is the trendy generic for “whatever the wood – or pretend wood, we’ll make it dark brown” – very dark.

In this first case, my client – friend after many years of consultations – brought me into their home that they had occupied for a couple+ decades. It began with the  “pickled” wood cabinets that were in vogue at the time – stained red oak with a white-wash that resulted in a peachy finish. When we first did a “punch-up” we added steel cut-outs of Mimbres designs affixed to the soffit. We also added a black table and chairs with a splashy fabric as a valance in bold colors intertwined with black. The drama lifted the anemic peach theme to new heights.

Fast-forward another 15 years and my dear client was ready for a change. She called and brought me into that familiar kitchen scene and announced that she thought she wanted to re-purpose/paint her cabinets white. l looked around the adjacent family room and beyond and pondered this request.

What you might like in a magazine spread or a Pinterest post is not necessarily applicable to your context. I visualized the dramatic change. Looked at her floor (oh, we had upgraded to a large format stone-textured porcelain from the original 8×8 glazed ceramics in the last 15 years – perhaps a decade ago), looked at her family room furniture and finishes and said “I’m not so sure that’s where you want to go.”

I knew she was fairly thorough in her investigations and would not have called me prior to doing quite a bit of research and trend monitoring so I tread a bit softly when I said “I think you should go black.”  And her response was EXACTLY what I expected as she repeated the color in complete quizzical surprise.

“Yes” I said and continued to explain why. She loved her fabric that had been hanging over her breakfast nook window for years. The table was virtually unused and the steel cut-out art was one of their favorite design elements. Black was a natural. “Don’t be afraid of the dark.” I laughingly said.

Black on oak gives a wonderful moiré effect to the grain texture as it reads though the painted surface. It’s a bit exotic, rich in texture and interesting to boot. So with a bit of hand-holding and massaging the description of the intended finished effect, she took the leap – husband in cautious adgreement – they braved this bold departure from the norm.

We first selected a granite to coordinate with the floor tiles and the soon-to-be black cabinets. A swirly geology of glorious goop featuring the rose-clay tones of the mottled stone floor with black tracing through and clear quartz for pizzazz. We then set forth creating the back-splash which began with her love of glass – but to depart from the off-the-shelf 1×1 offering we cut away sections and punctuated it with 2x2s and some 1×1 domed bullets that added further interest to the multi-toned field. 20160906_173401

With those complimentary materials selected, we began the process of painting the cabinets. Boxes in place and door and drawer fronts finished off-site. All flawlessly sprayed, with many coats of conversion varnish tinted black, the transformation was dramatic.

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The second example, of this fear of the dark when it comes to finishes, was another kitchen which was a small galley-styled golden walnut stained oak 70s model. To which, we added a rough iridescent slate floor to complement the existing stone fireplace – of the same material – only in boulder form. Seemed at this point, for this sophisticated bachelor, the perfect complement to the handsome slate would be striking black cabinets. In this case –  new, without the character of the oak in the previous project, as the cabinets were completely replaced and the new selection was made from a factory fabricated series. Similarly dramatic, the sleek black was perfect against the slate’s rugged grey/golden iridescence.

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The galley footprint was greatly expanded, by carving out of the garage work-bench  area. And again, the transformation was daunting. Here we selected a mosaic of horizontal stones and glass for the backsplash – one of the stones was exactly the same iridescent grey-golden slate as the original fireplace and stunning new floors throughout.

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Be bold, be brave and consider your context. You might just find that black is your best bet to transform your cabinets into stunning statements.