DIY is so in vogue. Where it used to be chic to hire someone to do everything in your world, now practicality rules! The savings and fun of doing things yourself is huge. There are so many inspirations on-line. Ideas overflow-ith and the possibilities are endless.
Where do you get YOUR inspiration? It’s all around us. I had been contemplating a shower/wedding gift. I always prefer to find something unique rather than picking from a registry at Nordstrom’s or William Sonoma…but this one was a challenge.
Recently, my inspiration came from taking a morning walk through the desert.
The decorative graphic on the invitation was a floral arrangement of soft pastels and antlers. Yes, antlers. This bride-to-be is a hunter. A long, lanky, beautiful, feminine, crack shot! I’ve known her since she was a toddler. I had been picturing that graphic in my mind in an effort to divine some special gift that related to that theme…something uniquely memorable and lasting.
As I walked through the rough desert grasses and around piles of dead tumbleweeds I regarded them with a new-found appreciation. They had such an interesting structural framework that I realized that they clearly resembled antlers.
They became the springboard for a floral arrangement that would replicate the theme of the invitation and, with that, I began selecting them and carefully carrying their rotund prickly selves back to the car.
Next step – what else will make this a successful rendition of the theme I was trying to emulate? Off to the craft stores! I selected delicate, creamy-white wooden roses, soft pink mini silk roses and some fill from both Michael’s and Hobby Lobby. The PERFECT ceramic vessel presented itself in an soft, oval shape glazed in a powder blue, but with edges and character that offered attractive, desirable, intentional imperfection.
As I have mentioned in past stories, a successful designer has a good team. Building a team to realize your dreams is the key to that success and I called on my very special and exquisitely talented floral designer to assemble my gatherings into the image of my intent. Melba has made my dreams come true for years. She gets into my head and interprets my words and elements to create a finished product that has hit the nail on the head over and over again.
I pulled out the many materials that I had purchased. She evaluated each, talked to me about my concept, and studied the combinations that were laid out on the table.
This piece exceeded my expectations. The fine branches of the tumbleweeds were the delicate punctuation amidst the flowers.
When she actually ordered real, bleached deer antlers that became the statuary of the piece, I was thrilled! Not only was the finished arrangement perfection, I didn’t think it was realistic to expect to get real antlers and incorporate them into this design in such short notice. She had less than 2 weeks! It was spectacular.
DIY inspiration is all around – even in dead, dried tumbleweeds. Creativity begins with a concept and progresses with the fun of making it uniquely yours. Team DIY!
As is true in our world of fast-paced technology, ultimately more expeditious and modern machinery aided the artist in guiding the needles and now computer-generated digital methods of quilting and patchwork stitch at amazing rates of speed and detail.
So the take-away from this week’s musings are if you have not tried a rug on your wall – get out there and find a cool piece and get it up there!!! You will be surprised at the effective texture and interest it adds to your eclectic interior!!!
It truly is a wonderment for all ages. This architecturally magnificent building designed in 1859 by James Renwick, in the then chic Parisian Second Empire Style, is the elegant backdrop for a most progressive and creative collection of present day modern artists’ works. Diverse examples, of spectacular displays using simple materials, brought to life in forms unexpected – of grand proportion and thrilling magnitude. Although my learned and previewer cousin had introduced me to the exhibit in advance, it captivated and engaged beyond my expectations.
The glitz and bling make such a striking, formal, contemporary statement in this expansive volume that it startles with joyful contrast. The artist, Leo Villareal of whom I had heard in advance, was originally from Albuquerque – where we now call home. A remote desert origination transplanted into the fast pace of the urban centers of the east coast resulting in this shiny experimentation with light, form and wonderfully reflective surfaces. Villareal melds basic high-tech coding to use his own algorithm of the binary system 1s and 0s communicating to the lights when to turn off and turn on – yet sequences that are never exactly repeated .
It’s not just your linear code of characters that is read on a screen – here it is an artistic experience shared by all who look up in this gallery’s exciting exhibit.
Large scaffolding at the end of the room suggests the manual installation that was required to suspend this wondrous drape catching light and glowing with golden aura. 
We were at once drawn into these cozy nurturing cubbies of what appeared to be nature – not forms created by man. Nature. Organic and raw, elegant and graceful winding toward the far reaches of the very high ceilings. Like a sculptor who says that the stone dictates what it wants to be and how he carves it – Dougherty knows that the long willow branches have a true will and bend their own way challenging him to work with them toward that goal of partnership with nature. The beauty is in the end result. People of all ages wandered in and out, peeking through window-like openings pretending to be exploring an enchanted forest of wonder.
Have you ever experienced Tent Rocks? 
Have you ever looked upward and around and through the magnificent forms created by nature eroding the earth’s strata revealing layers of color and creating spires of rocky towers? It is a magic land just south of Cochiti in a very unexpected pocket of nature’s magnificence in our Land of Enchantment. And the spires that artist Tara Donovan created with stacks of index cards – an overwhelming accumulation of millions of index cards suggest grey spires replicating nature’s wonders in the canyons among the spires of the Tent Rocks. 
It’s as though a photographer captured this natural formation in black and white. Donovan’s interpretations are tones of grey as a result of the stacked white index cards with slivers of shadow sucking away light in between each of them. Clustered and staggering in height, the “Untitled” towers are inviting to walk amidst and pass between, winding around them like a tourist or explorer or perhaps inhabitant in ages past and present as they have stood for ages.
How could a human working only by hand – without computer generated machines digitally fabricating such perfection create this finished piece that we are studying with such wonder? How can this fine tedious seemingly impossible count of thousands of threads be executed with such grandeur and grace by one mere mortal? 
The artist Gabriel Dawe transcends our ability to comprehend the exactness of his beautiful accomplishment with extraordinary patience, precision and creative foresight to imagine the end result and bring it to fruition. It is a wondrous, luminous sculpture of rainbow colored threads inspired by the skies of his native Mexico and current home in East Texas. The fine weavings also inspired by his Mexican heritage are interpreted, stretched and exaggerated here reflecting the light and spectrum of color from its base to ceiling. 
