Table Dressings From Nature – Inspirational Fun!

 

It could have been a sculptural piece of drift wood or a gnarly tree branch from the woods or a twisted piece of metal from a salvage yard…but the idea is to see things in a different way and once again—as I have done this before— to make something from nothing. And in this case, with no effort or manipulation—just the natural beauty of the found object.

The tide was out making the beach so wide it was like a great runway of wet sand. Scattered on the surface were the leavings of the waves – pieces of shell and polished stones. There amidst the beautiful debris was what looked like the suggestion of an abandoned boat hull—a dried, darkened palm sheath. I instantly knew, this would be another beginning of the tropical table-scape that I am so fond of creating when we are at the beach. P1110860

“Creating something from nothing,” my father would often say. He was a great believer in that idea that one man’s trash was another man’s treasure. We loved to beach comb together whenever we found ourselves at the tide’s edge. Sometimes it was tropical and the coral was bleached white and pocked with texture. Fine mesh pieces of purple sea fan and perfect little green “hat” shells would be nestled among the dense collections of heavier piles of white coral.

Then other scenes would find us on northern beaches of the Maryland coast where there was no coral but the ocean would wash multi-colored surf-polished stones onto the shore blanketing the sand particularly at the very edge where the water would curl between the beach and the ocean’s depths. Tiny purple and pink clam shells would peek, being abruptly exposed and quickly bury themselves back into the wet sand moistened with  each incoming wave.

On this day, the warm breeze is tropical and the beach is expansive offering rare treasures scattered broadly but sparingly on the pristine surface of sand. It is here that I encountered my centerpiece.

Don of course is saying—”what are you going to do with that? It’s too big. Leave it here.” And I assure him that it is in fact a treasure and that it will be magnificent in the center of our dinner table where we are entertaining 11 for festivities this coming weekend. He, as always, acquiesces knowing that it is futile to stand in the way of my wildly enthusiastic creativity. P1110861 P1110871

Over the next couple of days, he and I both collect white stones and shells on our daily beach walks. At my instruction, we only collect white unless it is a particularly interesting shell. The idea is to have the stark contrast with the dark hull of the palm sheath.P1120142

Our dining table is a handsome slab of travertine marble. Laminated to a double thickness and finely finished with a smooth full bull-nose edge, it is the perfect organic surface to build this also very organic centerpiece.

It needs something…the neutral tones are lovely. Yet, the dark espresso brown of the palm sheath with the white of the stones, against the creamy surface of the travertine invites something more. I realize that it can only be enhanced with another layer of organic material – here in the form of the fresh verdant green palm fronds – the perfect punctuation! P1120102

Oh would that I had collected more flat oyster shell halves…they work so well for votive candle bases…but alas, parrot green cocktail napkins will have to do for this last minute detail.

Our woven palm place mats, in their natural dried flaxen color, compliment the rest of the organics on our table. And as night falls, the sun drops beneath the sea’s horizon and twinkle of scattered candles finish our scene. Salud!

 

 

 

 

 

 

 

Taking Pause to Value the Art of the Written Word

I awakened in the painter’s house with slivers of sunlight glistening through the bamboo shades, exotic chirping happily piercing the silence and cinnamon scenting the air from the open grill preparing the best French toast on the planet. P1110818

This place exudes thoughtful reflection and invites savoring the simple things of beauty and  meaning. P1110821

From intense and intimate conversations centering around the passions of life to convivial arguments and relaxed exchanges, those gathered at the estudio-café tables examine the events of the world from their own individual vantage points. P1110829Today the primary focus was a topic with which everyone seemed to view from the same perspective. All were in avid agreement as they discussed the recent exhibit in Mexico City from where the artist, Leon de la Vega, has recentlyjust returned. This significant event was an important auction where part of the proceeds were to benefit the Mexican Institute of Neonatology toward research on children’s learning and therapy and no less to benefit the artist expressing his concerns for the current state of affairs with the lost art of writing by hand. Federico's invitation P1110815

With the advancement of smart technology comes the dumbing of the people tethered to it.  Everyone…all of us…are victims and if we are to save the core of our humanity we must preserve our handmade, organic, communications. We have computer aided drafting and graphic programs, texting and video all of which negate the tactile, made-by-hand written or drawn creations of the human touch. To have a computer consistently come between the hand of man and his end results is a gap that will never be regained once lost.  Recovering this lost art, in so many forms, is critical to mankind. This all sounds pretty heady. But once you enter these spirited conversations you realize that the demise of past civilizations is not unlike this self-destructive path to which  we now bear witness. The beautifully insightful, well-crafted video in Spanish introduces Leon de la Vega’s collection and explains these observations which are universally recognized by those who are interested in taking pause to realize what is happening around us. You won’t need a translator.

In response to these observations, as the video explains, Leon de la Vega has embarked on an exploration of  communications by hand, incorporating them into sculpture, stylized images and abstracted interpretations. writing series P1110818

He is inserting into and embellishing on his artistic expressions in the form of calligraphy—which in its finest examples— has proven to be both art and literal communication through the ages. P1110838

But if one examines the very personal and expressive beauty of fine penmanship,  we realize that our schools are not even teaching basic cursive  to our children. Our schools are forced to chose between computer classes, music, art and even the basic direction to form the written word.  The  collection was very well received in Mexico City last month and a second exciting and thought-provoking exhibition/auction of work will take place in early February, also in Mexico City.

 

Stage Sets, Christmas and Cozy Fires

Old movies provide an extraordinary view into periods of history, social norms, and the interior design of the times. Watching old movies exposes lifestyles and context like a text book. Whether capturing modest environments or posh extravagances, they depict with accuracy – if not exaggeration – exciting opportunities to transport the viewer into another world.

From my perspective, I drink in all of this creativity as I scan the sets, peek around the actors and study the minutia of the many varied interiors. I marvel at the sensitivity and attention to detail and decorative arts required to create effective set designs.

When movies are in color they illustrate such interesting decisions for artistic contrast and combinations; but in black and white, the imagination must fill in the blanks. The emphasis on the chiaroscuro adds a very  different focus. Scenes in color are often exaggerated realism stretching the art. While black and white scenes are rich with tonal values, shading and bathed with the art and drama of lighting.

Perfect for this season the 1942 classic film Holiday Inn, with Bing Crosby and Marjorie Reynolds shown here by the fireside, allows the viewer to feel the cozy setting,  the warmth and take in the details of the room all without benefit of color. It’s fun to wonder what is the color of the walls, fabrics, accessories and other accents could be. The possibilities are endless – but probably not really  – if one is to design with accuracy for the time period.  movie Holiday Inn Bing Crosby Marjorie Reynolds   Try it with this still shot from the movie…imagine the colors…it’s fun!

Tis the season to light fireplaces and enjoy the flickering light, golden white colors sparked with jewel-toned color bursts, the visual and physical warmth that come in many forms. Step into the scene and feel the temperature, textures…see the colors and combinations.

I recently said – as sexist as it might sound – that I would never have a gas-log fireplace as long as there was a physically capable, self-respecting man around to fetch the wood and haul it home and stack it up, go outside in the frigid air to lug in the logs and of course clean it out from all the wonderful timber turned ashes.  Spoiled? Yes. I love a REAL fire in a fireplace – you bet…the crackle and smoky aroma of distinctly different species, real fire dancing and real wood “combusting” – natural elements that create a concert of sensory experiences and evoke so many memories. Is it working? Can you imagine it?

Fantasy mirroring reality, with the creativity of set design replicating accurate portrayals of life, provides another tool for historical markers and study outside of a museum setting. Perhaps you will find yourself scanning the sets and peering around the actors to see what you can discover surrounding and beyond the action.

And as this movie has so emblazoned in our holiday  traditions…I’m dreaming of a white Christmas. Thank you Bing.

Open Your Cupboards to the Eclecticism That You Have Collected

When I first moved to New Mexico I was enchanted (well…it IS The Land of Enchantment) by so many new things that were woven throughout people’s homes, flea markets and quaint little shops in various pockets of town. I began to collect and seek these vessels and fabrics to incorporate into my new world. Interestingly, these treasures were not and still are not featured – much less celebrated, in more trendy, stylish shops that might do well to focus on these regional functional art-forms as a means to honor our unique multi-cultural influences. We, at PATRICIAN DESIGN, enjoying offering interesting hand-built pieces in our shop for a truly one-of-a-kind collection of home decor, wearable art and  unique gift items.

The first piece of this new influence I bought back in the late 70s. It was this fabulous squat casserole,   P1110590   to which  I have added many various colors and textures that I enjoy using throughout the year.  Christmas is notoriously red and green accented with the bling of silvers and golds. Chanukah is blue and white…but I enjoy all of the colors to celebrate every occasion! So  the many hues of the season can be found in the collection of colorful containers and serving pieces, accents and textiles that I often meld to create the festive celebration of the seasons. P1110594

Everyone who knows me – both clients and friends – know that I love color, pattern and texture. I love contrasts and combinations. Design by eclectic assembly of things that you love and that evoke memories, things that make you smile and feed your soul, results in the most successful and interesting design.  The rich color of terracotta and history of it as a medium for making cooking vessels goes back to Old Mexico and Spain across the water. Spanish terracotta is steeped in centuries of tradition and the Mexican versions closer to home are similarly beautiful and generations old. Other cultures such as Italian and Portuguese also have crafted beautiful terracotta – as is often true, the common features, textures, and colors all share a common denominator of warmth, hand-built art, craft and natural, raw beauty.  P1110596  Notice here, the brilliant colors and intricate open-weaving of the Brazilian lace.

Raw clay colors contrasting with brilliant and rich glazes, fabulous fiber art, wood and other organics all radiating the joy of life and the festivities around food, friends  and family of these varied cultural traditions and  rich indigenous heritages. Functional art at its finest – most honest and humbly celebrated in useful daily pieces – show them, open your cupboards, let them sing.

Redheads are Brighter – Even in a Chair

There once was a chair

quite bland, blond and fair.

A victim of the 80s

when pickling and white-wash went crazy.

But along came a designer

who sat down beside her

and painted her troubles away.

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Now she is sassy

coral red and quite classy.

And with her new flair

has inspired others bland and fair,

to make the change

that’s all the rage

to be bold over lighter

redheads are brighter!

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(My bright and creative friend, Lynn Platow has more sassy savvy exuding from her very brilliant core than anyone I know. Check out her site http://www.redheadsarebrighter.com/)

Discovering Design Dangling Three Dimensionally in Space at the Estudio Cafe

They hung from the exposed structure of the portico that ran the length of the house over-looking the marina and the tropical glistening scene that surrounded the estudio-cafe. Gently twirling blades of colorful aluminum balanced and counter-balanced on wire and suspended from nearly invisible filament. Petals of flowers, leaves, triangles, they dangled and spun in the gentle movement of air. What local artist created such magical sculptures that added such color and dimension to the various heights of space both inside and out ? I must find this fanciful person.P1040400
I discovered he was not a local, rather a visitor del norte. Yes, an American snow-bird escaping the chilly climes and bringing his art, as he vacationed in the southern resort of Puerto Vallarta, for others to share. There was a kismet, a chemistry between the two men, the host and the new-comer. Both teeming with artistic juices looking for challenging means of expression in a variety of media. The host was more than willing to share his space to exhibit these delicate yet powerful pieces. The new-comer when describing his work references “poetic spaces and meaningful places” and nothing could better describe where he found himself and his new venue, the estudio-cafe.20140118_125532
Having enjoyed for years the magic of the estudio-cafe with it’s perfect waterside setting and continuous collection of artists presenting exquisite musical talent and fine art of all manner, engaging conversation in an ever stimulating artistic dynamic, it was this day with the sun-bathed ochre stucco walls and shadows cast by the progression of the day with soft breezes wafting through the architecture, that I was moved once again by the composition of it all.
A three-dimensional collage of color and style, form and scale, art both created and spontaneous – an unselfconscious collection of rare confluence that cannot be created – but happens. This is an incredible experience. And it was with this overwhelming experience that first introduced us to our host and has since brought so many fascinating people into our lives.20140125_131409
This was the beginning of the friendship, spawned by the love of art, related color and shapes, that brought Terry Welker’s work to New Mexico. After a couple of years admiring the enchantment and thrill of his mobiles at the estudio-cafe, I made the call that connected our common love of design and resulted in a premiere exhibit of spectacular, yet modest sized kinetic pieces a our boutique gallery in downtown Albuquerque.A0968D4A-813E-4E75-86B9-71807134DAA5 As he says of his work, “he animates space with sculpture.”
Come to PATRICIAN DESIGN to see these fantastic suspended sculptures and smile at the joy they bring. And also the “host.” This wonderful artist, Federico Leon de la Vega, who by warmly embracing family and friends has created a nurturing atmosphere of love and friendship, limitless talent and sensitivity and who has also generously exhibited his magnificent oil paintings at PATRICIAN DESIGN.20150117_121847 We invite you to experience these two outstanding artists brought together by a remarkable union of creative energy and goodwill.

Good Design Transcends Trends – Black Kitchens Then and NOW!

Black kitchens are sexy – as noted in the recent article “Cook in the Dark” by David A. Keeps, in the Wall Street Journal, last weekend September 13-14, 2014.20140919_162130 - Copy And in 2008 when we created a dramatic statement using black custom cabinets contrasted against raw-meat colored granite to many it was quite daring, even astonishing – but everyone LOVED it! image001 (1)Yes, it was a man’s kitchen – but as his female friends can attest, it is genderless in its stunningly composed design. This particular interior remodel featured this striking kitchen and we celebrated the black further by painting all the base trim, doors and molding in a semi-gloss black. Contrasting creamy travertine floors and walls are punctuated by the black trim and monolithic two-sided black marble fireplace and flanking cabinets.

On the heels of that project, we found ourselves celebrating a stone fireplace installation from the 70s. Many thought it needed to go – but rather, we found the same slate stone in large format floor tiles and finished all of the floors throughout with this stunning natural material. All of a sudden the fireplace was at home in a new context. A completely new kitchen – enlarged with many added functions – was designed with black cabinets20140515_094950 and iridescent mossy green granite counter-tops flecked and riddled with gold and black fissures. The slate stone flooring was mimicked in the backsplash with the same silvery slate along with a black and grey stone madras-like mix.

I was there in that second interior today as the client prepared with great focus and determination for a significant reunion of friends coming from all over the country – some not having been together for 40 years! A new commission of a martini alongside a copy of Flying magazine (the client is a private pilot), by celebrated artist Susan E. Roden – delivered today, sparkles with highlights of silver leaf next to the brushed stainless accoutrements. The bright red pops against the neutrals and black anchors of the dark toned bar and obsidian kitchen.20140919_170106

So it’s been fun to read the Keeps’ article and hear of this new craze in dark kitchens – we always knew they were sexy. Clients love being ahead of the trends. But as is always the case – when the trend takes hold, the industry provides a new array of offerings for designers to incorporate. New materials, new finishes – the challenge is to think a bit off from the norm and create before the palette is presented on the industry’s silver platter. Remember though – that good design always transcends trends!

The Presidential Department of Décor

Presidents’ Day – and what is the more significant focus for interior design on this day that celebrates the preeminent leaders of our country and the world? Well, the relatively modest (by some country’s standards), but significant home in which they reside, the White House.

Many years before I had a glimmer of interior design in my purview, I remember the buzz of my mother and her peers surrounding the exciting and noteworthy changes that Jackie Kennedy was bringing to her White House. The exhilarating tone of that time was super-charged with the young, beautiful Camelot couple who made such an indelible impression on all they touched. I sat on my father’s shoulders on November 17, 1962 at the dedication of Dulles airport – Washington’s “jet airport” watching and listening to President Kennedy describe this “distinguished ornament of a great country.” At the same time he recognized the value and beauty of historical properties that warranted restoration and protection. Back then it was a little too much for me to digest, but their sensitivity and appreciation regarding the importance of good design and their influence on the world of fashion and design was astonishingly profound. Everyone was touched by their style and discriminating sense of all things surrounding art, architecture, fashion and interiors.

Having graduated from Mount Vernon College in Washington DC in the first graduating class that was a model for FIDER accreditation in Interior Design, I was surrounded by architectural history and American decorative arts. From the State Department to the Winterthur Museum in Delaware, Washington, DC to Williamsburg – we had an exhilarating education that mere books cannot convey.

Aileen Mehle wrote in Architectural Digest of the first ladies and their very public opportunity to leave their mark on many elements of popular interest not the least of which is the most famous residence on earth. “As the wife of the most powerful man on earth, she commands the attention of the world, placed under a sometimes unforgiving microscope, dissected. From the top of her hairdo to the height of her heels, she is fair game. People want to know: What does she eat, drink, think? Does she like red, pink, mink? How and who does she entertain? Above all, what in her eyes is it like to be the chatelaine of the White House, the most famous house in the land? What mark will this woman make on her surroundings? What evidence of her personal taste and style will she leave behind, hoping that her loving imprimatur will last longer than the few years it was her temporary residence?”Image

Mehle narrowed the field of focus by highlighting two of the most effective first ladies in what I like to reference as the Department of Décor. She stated that “Jacqueline Kennedy and Nancy Reagan were two of the most remarkably caring first ladies of the 20th century. Previously they had both enjoyed brilliant lifestyles.” She notes that both women “were chic and stunning, refined and impeccable. They brought these personal traits to bear almost from the moment they walked through the door of 1600 Pennsylvania Avenue. How lucky (for their eras and posterity) that they cared so passionately about history. That the White House looked much more authentically beautiful and harmonious when they left than when they arrived is a testament to their exquisite stewardship.”

Jackie enlisted the internationally recognized French interior designer Stéphane Boudin, regarded as a “master of the grand and the opulent” regards Mehle. “He was the star of the renowned Paris decorating firm Jansen” and it was with his brilliant guidance that they transformed many of the more relevant rooms of the White House into exquisite statements of period elegance with timeless good design.

Catrin Morris reviewed Jackie’s fine work and quotes the White House Museum, as stating that the then new First Lady’s appreciation of antiques and fine art prompted her to “not merely redecorate but to restore the White House to a grander, more authentic period look appropriate to its role in American life.”

Decades later, Nancy Reagan, a stellar woman well recognized for her exquisite sense of style Mehle observes “left her own individual mark on the second- and third-floor private quarters of the White House, the Yellow Room, the Treaty Room, the Lincoln Bedroom and the Queens’ Bedroom.  Ted Graber, a personal friend and noted decorator in the Hollywood scene was selected by Nancy to work to create an atmosphere bringing “beauty, color, graciousness and comfort.  Image

It was during her reign as matriarch of the White House’s Department of Décor that I had the good fortune and extraordinary opportunity to have a private tour behind the scenes of the White House. It was in the middle of my career and the wives of a visiting NFL team had just been through earlier that day and although velvet ropes cordoned off many areas beyond which tours could not step, we were escorted by a longtime family friend to get behind the scenes and experience an intimate exploration of the stately rooms. President and Mrs. Reagan were not in residence that weekend. I remember touching Dolly Madison’s tea service and remarking how incredible that felt. Priceless decorative arts – significant artifacts of history were not only on display but presented in a way that suggested that the past Presidents and their wives were still present as following Presidents and their families passed through the halls. This melding of an ongoing, living history is quite unique and inspiring to witness first hand. From the Oval Office where a dutiful agent sat behind an outer desk granting us access to peek inside this dauntingly important headquarters to the spotless stainless steel subterranean kitchen…we explored it all.

Although our tour was limited to a daytime excursion, at that time, any guest privileged enough to stay overnight Mehle offers “might sleep in the Queens’ Bedroom, where five visiting queens have slept in the canopy bed. All was pastel—the Turkish rug, the striped silk taffeta on the bed and at the windows. The 19th-cen-tury painting and mirror over the antique mantel was a gift to the U.S. government from Queen Elizabeth when she was still a princess. Nancy kept intact the cerulean-blue fabric that covered the walls of the adjacent Queens’ Sitting Room.” Such extraordinary history of our fairly recently established great country preserved and made available for view in this exceptional context!

Mehle also tells readers that “many of the furnishings were authorized gifts from the Reagans’ devoted friends and others who loved and respected the White House. In nearby rooms, she kept her own collection of Battersea boxes, blue-and-white porcelain and jade on small tables. Paintings by Cassatt, Cézanne and Peale adorned other spaces in the private quarters.” Said Graber, “She was responsible for its same elegance and easy charm she herself epitomizes.”

Alas, despite the discriminating efforts of these extraordinary First Ladies, much of their fine work has since been modified as is the prerogative of those who follow. Historians have recorded the periods and transitions while history will determine and confirm the contributions of all who have the key responsibilities for the contents and presentation of the treasures within these walls. Beauty may be in the eye of the beholder, yet in the final analysis, good design reads through and hopefully transcends attempts at transient change for mere ego. The value of sensitivity is priceless.