A bird in the hand or resourcefulness pays off – this is just a quick bit of designer humor for your Saturday morning. As I flew on an early bird flight to Phoenix for a couple of projects last week, I was sitting on the flight taking stock of what I wanted to accomplish, what was on the agenda and all the tools of the trade and accouterments and finish materials that I was taking with me. After feeling well prepared, I settled into the always enjoyable Southwest Airlines in-flight magazine.
Arriving in Phoenix was a climate change right off the bat as the outside air seeped into the jetway with a warm, welcoming temperature in the high 70s at that already early hour. As an aside just to continue the story, we had been alerted from the flight deck that there was a delay in the concourse and that we would be held at the gate until the disturbance was cleared. Sure enough, upon deplaning and entering the gate area, hundreds of people were jammed together facing to the right in anticipation of learning what was happening and hoping to soon be released. So I took my place among the hoards of travelers and occasionally stood on my tip-toes to see the TSA barrier of agents keeping us at bay.
After nearly an hour we were herded to the adjacent gate and led single file out onto a mobile ramp staircase down to the tarmac and into buses which wheeled us to the D concourse where we could get to baggage claim and ground transportation. Half of the travelers making connecting flights were still held risking connections and trying patience.
Nobody was offering an explanation and when asked the response was merely that there was a security breach. Until one young SWA agent whispered to me that there was a suspicious package and that security was waiting for the dogs to investigate and until they arrived the package could not be touched. So that answered that.
Excitement over, I retrieved my bag full of engineered stone and laminate samples, paint fan decks and fabrics. Grateful that an earlier mishap at security required that I check my would-be carry-on rolling bag (which weighed a ton and would not have been fun to stow overhead) when I had forgotten about a lovely little jar of local Heidi’s Chile Raspberry jam that I was taking to my client as a hostess gift. Stopped and searched by TSA the agent kindly offered that I check my bag to save the jam – she escorted me out so that I could retrace my steps back down to the main level and check my bag.
At the SWA ticket counter I hoisted the bag onto the scales and began telling the agent about my return from TSA with my contraband and I began unzipping the bag. Clumsily juggling my purse and holding the jar of jam it flew from my hands dropping with a crash onto the brick floor and rolled away as she and I stood saucer-eyed with horror. Miracle of miracles it did not break – even crack- how that was possible, falling from that height onto a brick floor, we will never know. But it appeared after having been discovered and confiscated at security and surviving a fall from about 24 inches above a brick floor that it was destined to get to Phoenix.
As the time unfolded, we found ourselves in a meeting with the architect to do a plan review and some minor revisions prior to beginning construction. The place was demolished and debris was all about.
We found a table and spread the plans. As we began discussing the details, I realized that with all my preparation that I had forgotten the roll of flimsy. I never travel without flimsy – trace – the roll of translucent paper that is the quick-study tool for sketching over plans. Dang. So there we were and all of a sudden Felicia looks over a few feet away and spies a blue cardboard box covered with drywall dust. There sitting on a planter ledge in the elevator lobby of the third floor was a forgotten box of toilet seat liners!!!! Yes, how funny – she offered “won’t this work?” And we tore out a few sheets and began our work tracing options over the plans. Brian, the architect, will surly enjoy seeing himself here in today’s blog hard at work over his paper toilet seat cover!!!
We look forward to a fabulous interior for Dr. Farhan Taghizadeh’s new Arizona Facial Plastics office scheduled for completion in January!!!
It truly is a wonderment for all ages. This architecturally magnificent building designed in 1859 by James Renwick, in the then chic Parisian Second Empire Style, is the elegant backdrop for a most progressive and creative collection of present day modern artists’ works. Diverse examples, of spectacular displays using simple materials, brought to life in forms unexpected – of grand proportion and thrilling magnitude. Although my learned and previewer cousin had introduced me to the exhibit in advance, it captivated and engaged beyond my expectations.
The glitz and bling make such a striking, formal, contemporary statement in this expansive volume that it startles with joyful contrast. The artist, Leo Villareal of whom I had heard in advance, was originally from Albuquerque – where we now call home. A remote desert origination transplanted into the fast pace of the urban centers of the east coast resulting in this shiny experimentation with light, form and wonderfully reflective surfaces. Villareal melds basic high-tech coding to use his own algorithm of the binary system 1s and 0s communicating to the lights when to turn off and turn on – yet sequences that are never exactly repeated .
It’s not just your linear code of characters that is read on a screen – here it is an artistic experience shared by all who look up in this gallery’s exciting exhibit.
Large scaffolding at the end of the room suggests the manual installation that was required to suspend this wondrous drape catching light and glowing with golden aura. 
We were at once drawn into these cozy nurturing cubbies of what appeared to be nature – not forms created by man. Nature. Organic and raw, elegant and graceful winding toward the far reaches of the very high ceilings. Like a sculptor who says that the stone dictates what it wants to be and how he carves it – Dougherty knows that the long willow branches have a true will and bend their own way challenging him to work with them toward that goal of partnership with nature. The beauty is in the end result. People of all ages wandered in and out, peeking through window-like openings pretending to be exploring an enchanted forest of wonder.
Have you ever experienced Tent Rocks? 
Have you ever looked upward and around and through the magnificent forms created by nature eroding the earth’s strata revealing layers of color and creating spires of rocky towers? It is a magic land just south of Cochiti in a very unexpected pocket of nature’s magnificence in our Land of Enchantment. And the spires that artist Tara Donovan created with stacks of index cards – an overwhelming accumulation of millions of index cards suggest grey spires replicating nature’s wonders in the canyons among the spires of the Tent Rocks. 
It’s as though a photographer captured this natural formation in black and white. Donovan’s interpretations are tones of grey as a result of the stacked white index cards with slivers of shadow sucking away light in between each of them. Clustered and staggering in height, the “Untitled” towers are inviting to walk amidst and pass between, winding around them like a tourist or explorer or perhaps inhabitant in ages past and present as they have stood for ages.
How could a human working only by hand – without computer generated machines digitally fabricating such perfection create this finished piece that we are studying with such wonder? How can this fine tedious seemingly impossible count of thousands of threads be executed with such grandeur and grace by one mere mortal? 
The artist Gabriel Dawe transcends our ability to comprehend the exactness of his beautiful accomplishment with extraordinary patience, precision and creative foresight to imagine the end result and bring it to fruition. It is a wondrous, luminous sculpture of rainbow colored threads inspired by the skies of his native Mexico and current home in East Texas. The fine weavings also inspired by his Mexican heritage are interpreted, stretched and exaggerated here reflecting the light and spectrum of color from its base to ceiling. 
of grain and color just for the sake of design. Yay!!
