Adding Personality & Panache – Before & Afters

Everyone loves befores and afters. Last week we featured a project that received a dramatic transformation. The trick is, you have to think thoroughly about taking “befores” before you tear into it!!! Hindsight is so often 20/20 when delving into a remodel.

I dashed over to Phoenix last month to celebrate the Grand Opening of an exciting new clinic that we have recently completed. While there I visited great friends and re-visited a wonderful residential project that has stood the test of time.

Here we have two restrooms in that same project. Rich colors of warm coral, brick and golden tones with natural materials from stone floors to counter-tops and wall treatments. It is a Spanish theme – albeit eclectic with art and decorative accessories, of this well-traveled couple.

What was plain 80s’ vanilla receives a new-found richness and warmth, depth and interest. Do not be afraid of dark colors in small rooms – I’ve said that many times in the past. I’ll bet that you have seen spaces exactly like these “before” shots. Clean slates, but so uninteresting it is remarkable to think owners are content to live without personality in their anemic interior spaces. We added powerful personality and panache throughout this residence.


The master bath had dated surfaces and uninteresting configuration. We transformed the area by connecting, with a glass panel, the tub and shower areas. However, we elected to use a shower curtain instead of glass door. I often suggest this alternative. It is softening, less expensive, easy, minimal maintenance – less wiping!!! Watch for another new master bath with a shower curtain and glass combo.

Full wall treatments of stone or ceramic are wonderful, substantive ways to suggest architecture over mere decorative appliqué. The material suggests structural forms. It never should stop on an outside corner, lest it defeat the purpose. It is to be a mass.

So take those “befores” and enjoy the “afters.” Don’t be afraid of dark colors in small rooms, and use stone and ceramics generously without fear.

P.S. Last week and this today are of a fabulously enjoyable and successful remodel transformation done 12 years ago!!! Yes, revisiting a couple of weeks ago,  I took these afters of exactly the interior that we designed that long ago. It has been a virtually timeless project. The owners have enjoyed the spaces so well that they have maintained them without any modification. So we thought that you as readers would get a kick out of the long-term success of these design decisions.

 

SPANISH STYLE BRINGS INTERIOR SPICE

Fabulous clients – turned great friends – bought a good-sized townhome in Phoenix. It was plain vanilla inside with wall-to-wall broadloom and everything painted the same creamy neutral. They stood in the center of this bland slate and called me saying we think we want to clean this up and go with a mission-style simplicity.

They saw the ornate cream-painted wrought iron ascending the curved staircase and wanted it gone!

I flew over and saw for myself this dated interior with very good bones. Layout had great flow, nice lines, handsome coffered ceiling and other interesting features. I pondered the elements and the context of the exterior architecture. It was stucco with red clay tile roof, and iron railing details. Sure, we could slick it up, remove the embellishments…but should we?

The desert heat can be oppressive.  Some choose to embrace the glories of the sunshine and design bright airy interiors with plenty of refrigerated air to compensate for nature’s blistering temperatures.  This approach we were about to take was to be quite different, in that it offered a shady reprieve from the elements.

Therefore, despite the initial suggestion, for the style of the remodel, by my clients I offered another design direction . Why not spice it up with Spanish? Here we are in Phoenix, with architecture suggesting this genre. Knowing their bent for traditional interiors, from two past residences that we had designed together, and with a detailed discussion of the possibilities and evaluation of the elements, we agreed on the Spanish theme and began the transformation.

This is a perfect example of isolating the existing features and determining what to salvage and what to remove. Of the things to be salvaged, how can they be revitalized? So, with that in mind, the staircase was stripped of its carpeting and solid wood treads were added with custom-designed glazed ceramic tile, for the risers. A Moorish influence was the basis for the geometric motif.  The staircase’s semi-ornate railing  was  painted a dark, nearly black, charcoal. The result was startling.

Throughout the home, colors changed, stone columns and fireplace details were added, a wet bar was abandoned in favor of opening into the kitchen. Travertine stone floors were installed throughout the lower level with hardwood upstairs.

An open loft area was compartmentalized into a narrow gallery-bookcase with isolated and fully closed office beyond. Bold colors over-lap and contrast on layers of interior planes.

 

The result is a cozy retreat from the desert heat incorporating design elements suggestive of Spanish Colonial, transitioning to other modern elements complementing the overall design. To begin a remodel, look at the existing elements, the style of the architecture, the context of the structure and see if you can find a story.

This house now tells a story of intentional decisions, cohesive finishes, a directional theme and a finished product that represents the owners’ giving personal identity to their home.

 

The Importance of Color in Design – How to Begin

This last week I was inspired by a rainbow that appeared over our great Sandia Mountain and within 3 minutes I nearly tripped over a bed of flowers presenting the same rainbow of colors. With this pairing of color coincidence, I felt compelled to write this week’s blog about color.

Color can be difficult. It is so critical to effective design decisions whether graphic design, fashion design, interior design or architecture.  It might be used for a logo to brand a business , a room scheme or the exterior of a monumental building…how do you begin to select a color or a color scheme?

Well first you have to consider your client. What are their needs and desires? Once narrowed, the search for the perfect colors to convey their project’s personality begins.

Computers aid designers in finding fine nuances between colors. Exploring the range of values in a hue – the range of light to dark of a specific color and the adjacent colors that meld from one to the next has become easier.

It all comes down to the color wheel. It’s a circle illustrating the colors of the spectrum. The relationship of these colors are the building blocks of all the colors. Sir Isaac  Newton – the same of the apple and gravity fame – devised this understanding of the rainbow of colors back in the 1600s using a prism to identify the components.

As children we are taught about the rainbow of colors comprising ROY G BIV – the easy to remember name that represents the colors RED ORANGE YELLLOW GREEN BLUE INDIGO VIOLET

Decisions regarding the selection of colors and the resulting schemes are identified by the following relationships:

Complimentary –  two opposite colors on the color wheel

Monochromatic – three different values of the same color

Analogous –  three adjacent colors on the color wheel

Split Complements –  one color and the two adjacent tertiary colors of its complement

Triadic – three evenly spaced colors on the color wheel

Tetradic – two complimentary pairs of colors

As I pursued this topic today, I encountered an interesting site by a guy Jason Cohen. If you are curious to know more on the subject,  check out  https://blog.asmartbear.com/color-wheels.html

This last week, over the course of 2 days, I encountered several examples of these colors all around me. From the rainbow to the flowers and myriad balloons. It didn’t hurt that it was during the International Balloon Fiesta http://www.balloonfiesta.com/ which is one of the most colorful events in the world.

 

Unless we have a limitless budget affording custom design materials, it is best to begin with the materials that offer the fewest colors. I have mentioned this in the past, there are more paint colors than there are carpet colors, fabric colors, or solid surface materials. Therefore, selecting your color scheme based upon the selection of a material with fewer color options is the best start…you build from there…paint being the easiest component to finish the scheme.

Color affects mood, perceived temperature, individual’s reaction to seasonal cues, and all manner of context. Pastels in springtime and warm tones in the fall – color makes powerful suggestions and should be used as a tool with that power in mind. The power of suggestion. What are you suggesting? What are you trying to convey?

With your best intentions, colors will change with light sources, time of day, adjacent colors and people’s own perceptions. It is not a perfect science when you consider all those variables. Take caution to select colors based upon the conditions that will occur in the final location/presentation. Without fear, pick your color schemes and beware, but don’t be afraid!

Designing with the Brand in Mind

The grand opening of a project is always fun. Months of planning and construction resulting in a finished scene.

It’s not an easy path nor is it always as planned, but this project, conducted mostly long-distance, with only two field visits, is a great success.

Great clients make great projects. It’s a team effort and it helps that everyone is on the same page. The designer is a navigator, lighting the way to get to the end result. It can be a circuitous path. Like all projects, there are decisions and modifications, priorities and compromises.

Arizona Facial Plastics, having created a brand and provided a concept with which they wanted present their practice, sought an interior which instilled confidence, with the refreshing, pampering atmosphere of a spa, but with the aura of a conscientious, progressive medical environment.

In the fast-paced ever-expanding world of aesthetics, it is important to emphasize the quality and experience of service offered. In this clinic the services range from complex surgical procedures (performed off-site) to all of the cutting edge procedures and treatments desired by today’s discriminating clients. World-class products and state-of-the-art equipment and procedures are provided here, in the clinic, with quiet confidence and confidentiality.

To achieve their goals, we first focused on the brand and its style and colors. A crisp, serif-style A underscored with an elegant scroll, warm, soft charcoal compliments the bold cool gradated turquoise set against a fresh white ground.

Selecting finish materials began with the flooring and cabinetry. As is true with all interior projects, it is best to begin with the items that have the least options. There are fewer carpets and cabinet finishes than there are paint colors, for example.

We found the perfect carpet with a broadloom that provided a forgiving pattern, multiple textures and yarn colors. The complex product had an organic pattern of plush cut turquoise pile set in relief from a loop comprised of a grayed lavender and pale green citrine. Having made this selection, we then extracted individual colors of vinyl tile to compliment the carpeting in adjacent exam and procedure rooms. Gradated white porcelain tiles were used at the point of entry set against the contour of the carpeting in the waiting area creating a fluid, curvaceous transition and guiding, directional flow to the interior of the suite.

Once the flooring was selected, the cabinet and counter-top materials were next. A translucent yellow-green citrine engineered solid surface material was selected for the transaction counters at the reception desk and medical assistants’ work area. Dark charcoal plastic laminate was used for casework and select counters while exam room cabinets had a pencil-sketched floral patterned soft green laminate playing across the counter-tops.

An accent of sparkling glass and stone mosaic tile face the reception counter at the point of arrival.

Behind the receptionist, an elevated planter of succulent “sansevieria trifasciata”, regarded for it’s exceptional oxygen-producing properties, is a refreshing organic backdrop. Above, custom drapes filter light from the sloped ceiling atrium windows.

 

Non-representational expressions of color were selected for the wall art  throughout the space.

For the waiting room, we commissioned photographer, Katie Barry Councilor, of Smoketree Photography, to create a custom collection of abstracted body forms in grey scale. We then enhanced each image with their brand’s cool turquoise color, in the negative spaces, creating a series of artful stretched canvas images flanking their logo.

The take-away for clients is a serene, yet reverential  experience which instills confidence and promotes relaxation and rejuvenation. The subtle reiteration of the AZFP brand’s turquoise color throughout insures that the clients will be refreshed and reminded of their pleasing experience when they encounter that color even after leaving the clinic.

Hope you enjoy these before and after shots!!


A Most Illuminating Lighting Course Proves – It Exists!

As is often the case, after attending an engaging and informative continuing education class, I am compelled to share at least a fraction of the energy that I experienced today. When a class is good, it is energizing. This was a most illuminating lighting course!

We know that as interior designers that light plays a significant role in creating a scene. Whether task lighting, ambient lighting, spot lighting or washes of color – light plays an important role. What’s so exciting and compelling is the technology that is so rapidly changing the possibilities!

The profound change is a result of the perfected application of Light Emitting Diodes – LED lighting. Lynne Wilkinson takes the complexity of physics and speaks in plain language with a humorous and entertaining delivery distilling that which is incredibly complex into digestible information.

Here’s a link to Philips for more information:

https://www.usa.philips.com/c-m-li/led-light-bulbs

So today I want to impart a tiny bit of the exciting content of this day. If a child asked you – “what is light?” How might you answer that?  Um…well…it’s uh…Electromagnetic radiation. Duh! After clearing that hurdle, we settled into distinguishing the technology between incandescent and fluorescent and a number of other lighting sources.  We discussed temperature Kelvin, luminescence, illumination and the atomic composition of protons, neutrons and electrons that are involved. So how is this interesting to YOU?

Well…inasmuch as we in the field have kept step with much  of this terminology throughout our careers, and the sci-fi interpretations of the possibilities – the future is HERE! If you just look at I-Phones being only 10 years old, yes, 2007 – we’ve come a long way baby!! Nearly anything you can imagine already exists! And if it doesn’t yet, the brains in the incubators are racing to discover and invent the next iteration of these amazing possibilities!! Look at these cool dots and dashes dramatically streaking across a living room ceiling!

 

You probably know that LEDs are energy efficient. Have you noticed how dramatically their price has come down in the last, say, three years? They used to be $50 and now they are under $10..  They burn for 50,000 hours…but as they diminish, the quality of their light changes – they will burn long after the accuracy of their illumination has changed. Do you care?

So many health issues are still being discovered with regard to the effectiveness of lighting. Circadian rhythms – how your body is biologically on a timer. How it needs rest and waking hours. What interferes with the natural melatonin in your system that can affect your health. Dark is for sleep. Blue light versus red light can interfere with your good sleep? Here’s a hint – don’t leave computer screens or cell phones on in your bedroom – get rid  of the clocks and other light-emitting devices when you are trying to sleep. AVOID the cool colors – blue especially.

To take this to a higher level of interaction, artificial lighting can be “tuned.” We know it can be dimmed and change color – but tuning is the technology of changing the temperature and related color to compliment the activity in the space. Your living room can be tuned to track the time of day to compliment warm early morning, bright cool mid day, dimming down to the warmth of an evening glow. Do you care? Maybe not today – but to better organize and track a busy day, this can be soothing to compliment your morning coffee…energize you into a more productive mode as the day progresses and calm you as the day closes. It might be handy if you lived in Scandinavia where the days are shorter and the desire to create a sense of daylight’s progression is real.

In an operating room – do you want your surgeon to see well into your body parts? By tuning the room in zones, you can place certain colors of light over the surgery to better illuminate and contrast the focal point or dim the light to read monitors better (as in many endoscopic procedures where they go in with a camera and don’t even see the action except on the monitors which are better read with a darkened surrounding quality of light or lack thereof), or brighten other areas where medical implements, keyboards, etc need brighter light to do the job. The understanding and ability to control these various light levels, colors and luminescence is becoming very apparent. Might ultimately be invaluable.

Back to interior design applications and concerns – the idea is to create effective, appropriate light and not see the source. I have always said this especially in the realm of landscape lighting – yes outside. I never use the “runway lights,” rather I chose to conceal the light source and have it spill, wash, spot and filter without giving away the source of the light.  It is more subtle, effective, natural, soft, and pleasing. So in a kitchen, don’t let the under-counter lights be spotty, reflected on any adjacent dark or shiny surface, use smaller aperture ceiling fixtures (cans), hockey pucks in cabinets create shadows…with all the new LED tapes, fixtures and diffusers these faux pas are very avoidable.

Lightology has an exciting site full of great images, ideas and information

http://www.lightology.com/index.php?module=how_to&sub=new-recessed-lighting

As recently as 18 months ago we were remodeling a bar and wanted to use LED tape the full-length beneath the long countertop  – but the cost was significant. Today, that cost is a fraction of what it was. So I might be re-visiting that bar detail!!!

So many lights can be field modified cut and shaped. With the perfection of Organic LEDs, seemingly limitless possibilities exist. Imagine your laptop being so pliable that you can roll it into a tight tube and pack it effortlessly without fear of cracking or breaking. Light-weight and completely flexible. They exist.

Imagine an entire wall in your home that is a touch screen that can be installed as easily as wallpaper. Yes, pliable and paper thin, glued onto the wall and operate as a computer – all your news and information at your fingertips at a scale that commands the room. Smart surfaces – they exist.

Learn more from Planar

http://www.planar.com/products/led-video-walls/led-calculator/#!/welcome

Learn more from Corning:

https://www.corning.com/au/en/about-us/news-events/features/willow-samples.html

Back to now – smart homes can do so much from an app on your phone and lighting is a huge part of that control. You already know that you can turn you lights on and off from your phone on a beach in Tahiti. But did you know that your phone can be as small as a lipstick tube or small flashlight and have a retractable screen of flexible OLED – easy to hold, pack, carry and with a simple tug, click or push of a button reveal a thin full screen? It exists.

Learn more about OLED:

https://www.oled-info.com/introduction

Architecture and interior design benefit greatly from this technology, but are probably the last to be jumping on the bandwagon. This technology is introduced in so many other aspects of our world before it gets to mere offices and residences. Fabric panel walls that have lights IN the fabric and can be controlled for color and movement, resin furniture glowing from inside that can be used outside in all-weather, stair treads that sparkle with glass embedded into them and coffee tables that have pressure sensitivity that when you touch them they respond. So many of these creative applications are already very cost-effective and remarkably accessible.

Here is more about glowing furniture from Marceladick:

A German company, Cerion, making exciting glass pieces embedded with LEDs

http://glassprocessing.eu/dg-glass-furniture-glass-processing-3d-laser.htm

Glowing ceiling layers that once were inconvenient to replace lamps (bulbs) often were left dark rather than scale the heights to maintain. Now the long lasting light sources produce their glow for many years.

Fashion is also enhanced with the advent of these light sources in the actual fabrics. Models sporting luminous layers, glowing translucence, sparkling luminescence adding elements to clothing imagined. Think about draperies!

Here is a fashion-forward blog to share:

These exciting applications will be sure to get you thinking about the many possibilities. Love light? Use light!!

Fireplace Facelifts

The warmth of summer is still here…but it’s time to plan for fireplace season!! Officially fall begins on September 22 – just a few more days. It will be too late once the chill is in the air – so, be ready! If your fireplace needs a facelift – start thinking now!! The materials available, the accents and pizzazz, dimensional modifications and trim carpentry all contribute to the array of options to make your fireplace a fabulous focal point.

Whether a traditional-ish style, a southwestern kiva or a contemporary statement, there are certain steps that will transform instantly…or reasonably soon!!

Here are some examples of finished products AND works in progress…perhaps some ideas for your lifestyle!!! First we have a fairly contemporary home that was recently acquired and needed an update. The fireplace wall was flat and had no dimension or personality. Usually viewed as a focal point, a fireplace should command some respect.

 

 

 

This flat, non-dimensional, facade was weak at best. Under the guise of upscale, the granite surround provided little impact – if any. It was a non-commitment, to making a statement.  In order to give it some presence, we brought it forward – just a touch – only a couple of inches, to provide dimension and mass.

 

 

 

 

By encapsulating it in black porcelain tile, it added strength and emphasis. The blank wall above it – with the outlet – probably housed a TV. Naked – it was surrounded by white painted sheet-rock walls above the weak granite surround.

To have added the dimension and contrast of materials and to have COMMITTED to the entire wall – it now commands respect. It has structure. Not to mention, the black TV melds into the facade and is not naked in the room.

In a completely different scenario, this quiet corner kiva was simple, yet lacked detail. The original 40+ year-old broken red quarry hearth was a bit dingy in its newly refreshed interior.

The new color scheme is blue and white and therefore, with the New Mexico context, we added Mexican Talavera tile to the face of the hearth (could have been Portuguese or Greek – classic navy and white is worldwide in its history of classic style). In addition, for depth and detail, we placed a creamy, broken edged sandstone on the top of the hearth and also on the upper mantle ledge.

The result is fresh and classic – a simple, timeless update that will stand nicely for decades to come.

This next example is still in the process of transformation.  An attempt at a traditional statement of wood molding –  the golden oak, insipid tile and flanking brick were in dire contrast – not the good kind of contrast. The entire statement was weak, yet screaming in its ability, to call attention as the focal point that it was, to command the space – albeit, ineffectively.

To begin – as a band-aid for a temporary fix, we painted the wooden mantle and surround and even the inset tile. Knowing this was temporary, it was an inexpensive, non-structurally modified, place-holder.

 

This project is currently taking another step to modify the fireplace. As time and budget allowed, the hearth was squared – eliminating the angels and some of the over-generous depth. Flanking brick walls were painted a contrasting gray.

Soon to be completed….watch for this finished product.

The idea of this missive is that there are subtle changes that can take the “curse” off of a design dilemma. And there are certainly many transformative changes that will take things up a notch.

The next challenge in this department of fireplace facelifts will transform this dated design element. Currently in the design phase, this flat-faced and dated surround has great promise. The modifications will be remarkably easy and dramatically effective.

How does your fireplace speak about your interior design and living area’s focal point? Stay tuned!!!!

 

 

 

Commercial Finishes – What They Say – What They Convey

When planning a commercial project, how do you separate your personal taste from an objective view of the program for the business? This situation has occurred twice in the last year with my practice. Well, there can be blurred lines. There can be design elements that work in both environments. There certainly are offices that mimic residential living rooms – contemporary or traditional – modern or historic, but it should directly relate to the type of business and the brand of that business. What does the space say with regard to conveying the intent of the business?

The selection of materials comes first. The bones of the building – what’s exposed, what’s concealed, flooring, wall treatments, etc…The first project was a medical related business – corporate office for a product line. The neighboring space was a physician’s office and treatment suite. The common space had existing concrete floors. The woman leading the design decisions for the medical corporate offices wanted to continue the concrete into her waiting area and throughout the offices with area rugs in each room. A small-scaled water feature, in the form of a grey box, is located adjacent to the seating and a distressed chest and metal sculpture are also part of the scene. Her selection of chairs were heavy, gold tapestry, over-stuffed and tufted. They were placed around a round table in the center of the room. All I could see was a setting for a Victorian séance. It in no way reflected the clean, crisp, fashionable brand that they had established to represent their rejuvenating medical product line. Rugs invited tripping hazards and the look was in no way speaking the language, of the intent of the business or its brand. It spoke directly of the woman’s home, from which she replicated her eclectic taste in the office.

Next door, nearing completion, the physician’s group was being strong-armed into going the same route with the concrete floors. We love concrete floors in so many applications, but here – in these two spaces, they were existing, did not take the stain well and looked dark and dirty in the final polished presentation – NOT the fresh look of a sleek medical group. Not the finish to convey confidence and cleanliness. Treatment rooms had vinyl flooring for necessary maintenance, corridors and physician’s office had carpeting, but the docs rejected the contrasting finished product in the entry and restrooms and went back to the light tile flooring that was originally specified regaining the professional appearance of the intended design.

Faux wood porcelain boards are a fantastic contribution to the design offerings for both residential and commercial finish materials. Shown here on the exterior of a building by the ocean, the artsy peeled bark variegation of the pattern is striking and makes a commanding design statement.

 

It is carried through into the interior and back outside on the rear dining patio.

The idea is that a wooden building by a seaside is traditional – this is a stunning twist on that which was once a customary building material revisited with an invincible, high-design version. The use of wood for such a place would have been historically accurate.

The same is true when faux porcelain planks are used on the floors in the produce section of a grocery store – replicating a produce market or barn where fresh produce is collected and sold. Some high-traffic food-service establishments, bars or breweries often want the look of wood floors – to convey a context or scene – but are not durable and therefore not advisable. A home – almost anywhere including the obvious – in the woods or by the shore, with wood flooring might not be practical, but by using the wood planking porcelain, the look is conveyed while the durability and maintenance is made effortless.

Recently an owner wanted the “look.” That sleek modern look of grey porcelain planking. His business was one that dealt with automotive repair and restoration. In evaluating his brand and the nature  of the business, real wood floors would never be the material of preference. So to use even a durable, invincible, porcelain version seemed out of place.

Concrete would be more the material of a garage environment. To make a corporate statement, concrete can be dressed-up. Porcelain tiles simulating concrete is an appropriate faux finish option – either way, preferable to creating an interior of grey weathered wooden planks. Watch for the completion of these projects in the coming months.

Adopting the use of materials merely because you like them or they are in vogue is not always the best approach. Consider the context, the intent, the statement materials make – how they “read,” what they say – what they convey.

 

Inspiration Discovered in Familiar Materials Used in New Ways

While at the stop light, I found myself behind this gorgeous fire truck and by the time I thought I should take it’s photo, it was pulling away and I was making a U-turn! So I quickly grabbed the phone, fumbled for the camera icon, and snapped this shot over the dash through the windshield as it powered up the street.

I have zoomed in on this spotlessly, shiny, magnificent machine for the effect of today’s story subject. This wonderful, patriotic, service – truck struck me not only because it was colorful and sparkling, but much of the high contrast and bling came from the diamond tread wrapping the handsome body.

Earlier in the week a client casually mentioned how cool it would be to use some of this material as an interior design element! Little did he know that his simple off-the-cuff comment inspired me to investigate and plan to do just that! I was minutes from presenting to this very client when this photo op occurred. Serendipitous perhaps?

What sparks the imagination? How do things evolve? What fun it is, as a part of the Creative Process, to explore the possibilities of unexpected materials used in new ways. In this case, the material is perfect to promote the theme of the brand – a successfully growing business related to cars and the repair and restoration thereof.

I won’t reveal the business just yet – it will be a dramatic unveiling soon-to-come. Suffice it to say, I am enjoying the process, with a great team, of expressing and furthering their well-established brand, in the development of the interior and exterior design.

Back to the diamond tread. You’ve seen this used on fire trucks, tool boxes, tailgates, flooring, trap doors…and much more. It comes in glossy aluminum as shown here with its brilliant, bright, bling – also in stainless steel (a bit more expensive), and a dark carbon version. It comes in large sheets – a couple of different sizes and thicknesses.

I have also discovered here, while on the search for materials for this project, a dark iridescent porcelain tile with a bas relief pattern simulating this amazing tread. This material like other faux finishes has it’s practical purposes – but like porcelain wood or porcelain stone – it is NOT the real deal. I have elected not to present this, for use on this project.

So stay tuned to the exciting insertion of this sheet metal in our new interior design. Just enough  – not too much – right where it will be effective – and make the best statement.

The takeaway is that the excitement of introducing different materials effectively – not gratuitously – but with a purpose – is part of the fun of design. The daily inspiration that comes from new projects and people, ideas and opportunities!!!

And in light of our holiday weekend – a perfect time to feature the shiny red truck that inspires and represents the outstanding individuals in the service and rescue fields – Happy Labor Day!

Drama, Discretion and the Element of Surprise – Concealing & Revealing

Have you ever had someone ask you to cover your eyes and then there is an anticipatory pause as you stand there anxiously or they guide you – no peeking – in your temporary darkness, to a point where they say “you can look now!” and you do so with great anticipation? The elements of surprise and discovery are put into play to create drama. Hopefully, the unveiling is met with the positive reaction that the presenter had in mind.

Recently I was called to the home of a wife and mother with a dog. Only she was in evidence and present for this meeting.

Her initial contacting our office and brief correspondence prior to meeting was done via email regarding her introduction and retaining me to assist her with her newly acquired home. Her first concern, conveyed even before we met in person, was one of achieving a “cozy” interior.

The home’s contents were partially dismantled as the original owners were in the process of boxing up and moving out. In all fairness, despite the unfurnished state, it was devoid of mystery or interest. It did offer a commanding view of the mountains seen very closely through an expansive north facing wall of glass. But as magnificent as the unrestrained scene was, the drama might better have been revealed by invitation rather than seen in its entirety, from outside the un-obscured glass front door and large flanking sidelights straight through the house and without interruption. This presented an exciting opportunity.

By invitation, I mean selecting who sees into your home and how far. Who sees the intimacy of the interior and the would-be personal vantage-point of the dramatic scene. The opportunity was to control this drama and give it even greater impact by concealing and revealing.  The opportunity to create a design which offered privacy,  bit of mystery and discretion – with the ultimate revelation of the startling glass wall and jaw-dropping view.

This sketch by architect Matthew Frederick illustrates the effective use of “denial and reward” to enrich the approach to the ultimate unveiling of the destination.

 

This home I’m describing offered little or none of these characteristics to entice the guest/viewer and, with that, certainly defied the word cozy.

The objective, as originally stated by my client, was to achieve a cozy interior. Presented with all hard surfaces of stone, tile, steel and glass, the problem seemed obvious, offering possible solutions was my task.

When I suggested a partial-height point-of-arrival wall be constructed inside the entry to stop the view and allowing one to assess and receive the guest and/or conduct a transaction, I was instantly met with “Oh, but it’s that view that my husband loves! He wouldn’t go for that.” And I’m thinking…but seeing all from outside the front of the house straight through and out the other side?

First roadblock. He who has strong opinion and, in his absence, is inserted into the conversation, without benefit of thoughtful exchange, strongly suggested that further evaluation of this option seemed moot. This through-space seen in its entirety, without interruption from outside the front door to the back of the house, was totally transparent and the representative (she) of the team was referencing his seemingly over-riding preference, in contrast to her stated concerns…cozy. Not to mention private.

To create a successful design, it is important to consider contrasting elements. All hard surfaces begged for softening counter-balance.  Transparency suggested the need for partial obscurity – at least at the point-of-arrival.

Wouldn’t it be interesting to obscure some of that magnificent view from anyone who approached the door and rather invite those so chosen to discover the mystery and drama once they’re brought into the space?  This addresses both privacy and drama with greater sensitivity while beginning to address cozy, by concealing the living space from public view.

Un-obscured glass on the back of the house is the private drama.  Seeing the view from inside and connecting the outside to inside, for personal enjoyment is unique. By allowing only family and guests be given that vantage point, from the interior and private backyard exterior to the inside, is the privacy bonus. Drama and privacy achieved.

As with most things in life, you get more punch from the element of surprise. To have guests arrive, be received and then invited to proceed, to experience the drama, is far more effective than seeing it all without the heightened expectation or even unexpected surprise.

 

 

 

Color Schemes and the Complex Simplicity of It All

Color schemes are many. Color schemes evoke a mood or convey an atmosphere. They certainly can and often are responsible for imagined temperatures and/or seasonal sensations. What constitutes a pleasing color scheme? What constitutes pleasing? It all comes down to balance, layering and subsequent interest. It takes a enlightened eye and usually cannot be achieved by accident.

We are nearing completion of a living room that incorporates many design elements. Family heirloom antiques add a vintage touch along with the architectural style of the bungalow home.  Contrasting these pieces is a sleek-lined, modern, sofa that we found and reupholstered. And while not driven or influenced by current color trends, we selected a scheme derived from the existing Persian rugs. By extracting the blue and white from the patterns to refresh the interior – a classic, timeless color combination – we blended a wonderful scheme. Finding the common denominator(s) blue and white, we sought to anchor all with this consistent theme. Differing patterns provided additional layering and interest.

Then, just last week while dashing through the DCA terminal for SWA, my eye caught the attention of several magazine covers all featuring blue and white schemes!  Always in vogue, but not always featured as the cover story, this coincidental (or not) collection of blue and white photo images was a riot! I was forced to snap a few shots to send to my happy blue and white client.

If I described a new master bath remodel project as all white, I wonder what might come to mind. All whites are not created equal and the variation is startling when you see them in context, adjacent to one another. So here is the easiest example. A fan-deck from Sherwin Williams shows a collection of whites. They “read” very differently from one to the next. Yet taken one at a time – isolated from the rest – each would seem to be just plain white. Notice too how they differ from the white paper upon which they are printed – it is the spacing between the color chips – and even the white fabric upon which they were placed for the photo!

But there is really no such thing as “just plain white.” Once seen next to another, their unique qualities of hue come into play. A yellow white is creamy, while a cool white reads blue. It’s the context that makes the  color more legible. Without that they could be assumed and accepted to be merely “white.”

So, in this recent color scheme nearing completion, whites in context show their many colors. At first glance and if asked, one would say “the room is all white.”

Upon closer inspection (photos taken from a different angle seconds apart), that simplicity is replaced by a more complex, heightened level of awareness. This complexity is what adds interest and results in a better finished product than a true monochrome. What was a collection of white materials, in this master bath, is truly revealed as shades of white varying from ever so soft celadon to cream and grey to what might be read as actual “white” white.

 

Don’t trust your eye when it comes to color. Discover how paint on walls changes all through the day. Artificial light-sources alter the way a color appears.  Context with other colors alters the way one perceives color. Color is fun! Colors are fun! When designing interiors, enjoy the process of layering and the varying effects colors have on each other. Simplicity is usually not really simple. That term can be deceptive. Making it look that way is an art. Encourage the enjoyment of discovery.