A Dozen Tips for Planning a Kitchen Update

As we know, kitchens and bathrooms lead the features that often make or break a house sale. Investing in such improvements can not only enhance your living experience, but also serve you well when it comes time to sell. There are a few basic tips to follow as you embark on this could-be, (but need-not be) daunting project. Here are some important things to consider for all facets of the experience!

  1. To begin, note what things about your kitchen you would like to improve – both functional and aesthetic.
  2. Gather inspirations – make a hard-copy file or at least collect in a folder in your computer things that inspire you in your quest for your improved kitchen. Use kitchen design magazines, Pinterest posts or remodeled kitchen ideas that you Google-search. These ideas are a great springboard to narrowing your design direction and conveying your concept to your design professional.
  3. Based upon your “inspirations” what is your color scheme? This direction will impact options and decisions for finish materials such as flooring, cabinets, countertops, back-splashes, wall finish and window treatments.
  4. Is it merely a facelift? New cabinet doors and drawer fronts? Perhaps new countertops and back-splash. Or is it a complete gut and replace?
  5. New appliances – replacements or additional components?
  6. Sketch the layout of your new kitchen, if applicable. Make sure the available space accomplishes what you are imagining.
  7. Imagine the finished product. Illustrations of the “after” design are the best way to accomplish this.
  8. When in this process should you consult with a design professional? Perhaps after number 3 once you have gathered examples of your preferences…I let the list continue beyond number 3 to give you an idea of where in the process you might feel the need to have some qualified assistance!! An experienced designer will see things you don’t, know things you might not have considered and ideally maximize your budget by avoiding costly mistakes or missed opportunities.
  9. For example, don’t miss opportunities for additional storage – this is a critically creative design detail that results, in great benefit, to the finished product.
  10. In fairness to you and your contractor, try to establish a budget. Do a little homework. Gather rough costs for lineal feet of cabinets, appliances, design consultation and construction costs (a good resource are the home-improvement stores). Give yourself some latitude as this cannot be a finite budget at this early stage of the planning.
  11. With your design pro, discuss contractors that fit the bill to what you are trying to accomplish. If you are only tackling cosmetic improvements, a general contractor might not be needed. For example, new wall finish, countertops and appliances or new cabinet fronts, a new light fixture…these are individual sub-contractor projects. But as soon as you get into moving plumbing and electric, adding or removing walls, puncturing the envelope with windows or skylights – you had better hire a general contractor to take responsibility for the scheduling, coordination, licensing and permitting of the work.
  12. Once your scope of work is determined, you might need to get familiar with great carry-out in your neighborhood!!! That and a few great restaurants too, as you might be without your kitchen during a portion, if not all, of the process once the work begins!!!

Here are a few projects that we have documented with pretty effective “before and afters” to help you consider some of the above referenced tips.

These peachy pickled white-washed red-oak cabinets had classic lines and were in excellent shape after 30 years! The original owners were ready for an update.

 

Purely cosmetic (except for replacing the lighting) we saved the cabinets in their entirety, painted the boxes, doors and drawers. By shooting the fronts remotely, quality control was insured and caused less imposition at the residence.

 

Black accent pieces were already in play. The new black finish was a dramatic transformation. Using a special tinted varnish, proper prep and several coats results in a very strong new finish. All other finishes were replaced with a conscientious effort to coordinate with the existing flooring. The result “reads” as though it was all done at the same time. The floor tile looks good as new!

 

Similarly, we saved the cabinet boxes, but differently from the previous project, we added a few updated cabinet features and replaced the door and drawer fronts to a more classic raised panel detail.

 

Again the transformation was exciting, but by saving the perfectly good cabinets, we had far less disruption to the home-owners. Enhanced cabinet details for improved drawer glides, additional storage, new counter-tops, new lighting, and as is true with all of these projects “cabinet jewelry,” in the way of new door and drawer pulls and handles, adds the finishing touches.

 

This very dated kitchen from the early 70s, had a new owner – a single man – and he definitely didn’t want this provincial look!

 

In this case, a general contractor was in order. We opened walls, re-designed all the lighting, replaced all cabinets with new custom cabinets, appliances, flooring, counter-tops and back-splashes. The transformation is astonishing!

 

 

TAKE NOTICE – Or You Might Just Miss Something Extraordinary!!

The world is becoming so fast. Decisions are “snap.” Instant  gratification abounds. And as we get caught-up in it all, more and more…there is a pendulum swinging. People are taking notice and longing for a reprieve. There is a clinging to values that if not grasped, might be lost.

Slow Food, farm-to-table proximity, support local, shop small…sound familiar? And does it appeal? Why do you think? As Amazon gobbles-up Whole Foods and everyone finds expeditious shopping satisfaction in cyber-space at the click of a finger – why?

Last night, as the sun set and the lights penetrated the darkness with their warm glow, I found myself strolling around, taking photos and breathing in the moist night air. Seaside, tucked in a quiet corner of a significant marina in Nuevo Vallarta, I recognized the magic. I was experiencing such magic.

It’s actually all around us, but it often takes a change of venue to realize it. In your world there is magic all around, but you have to take notice!

As I strolled, I came upon the painting recently completed by a dear friend. As I learned of the intent and while studying this painting of “The Violinist”, the sensitivity of the artist is revealed. And later confirmed by him.  Her tentative stance and demeanor begs the question he set the stage to ask: “Might this be her debut?”

The Violinist – a detail of the original oil painting by Federico Leon de la Vega

I then spoke to the sister-in-law of the artist, (chef/owner of the acclaimed Estudio-Cafe) and she reminded me about Joshua Bell.  Although I had forgotten his name, his enlightening story was quickly remembered. Have you heard of him? He’s the world-famous violinist who participated in a little experiment prompted by The Washington Post a few years ago. The idea was to have him play a $3 million dollar 1733 Stradivarius violin incognito, in the Washington METRO, to see if anyone noticed. Disguised as a street musician, with a baseball cap, he played for 45 minutes and collected a mere $32.00!! This is a man who, two days before, played to a sellout crowd of pricey ticket-holders in a Boston theater.  A world-class musician, with a priceless instrument, performing classical music of all of mankind and barely anyone notices!

Menu cover of Estudio-Cafe, Nuevo Vallarta

Coincidentally, I came upon another violinist-themed art piece last evening as I meandered through the patio among the quite varied artwork. Here a graceful bronze of a lithe, nude, mermaid projects imaginary sound wafting from her poised violin through the warm evening breeze.  I was enchanted. And my imagination was running wild!

Ready for evening to begin Estudio-Cafe Nuevo Vallarta, Mexico

Passersby seemed not to recognize the art beside them. As they walked slowly passing by the patio, unhurried, but caught-up in conversation, hopefully enjoying the incredible setting in which they found themselves. Yet they were oblivious to the outstanding collection of art displayed quietly, unpretentiously on the patio.

One of a captivating series of the mermaids in bronze by Octavio Gonzales

Back to powers of observation and taking time to absorb all the beauty and experiences around you…Joshua Bell admits, in retrospect, that it was terribly noisy and very fast-paced down in the METRO as better than 1,000 people rushed to their appointments. But regardless, it illuminates the concern that if we don’t pause to listen as we pass by the world’s most beautiful music, what other amazing things in this life might we be missing?

My husband continuously observes that I am NOT very observant. I know that this is true and I think it is because he and I observe differently. He takes in a wide swath of his surroundings – all sensory perceptions – 360. While I zero in on things and can be oblivious to something right in front of me, in favor of something nearby that has caught my eye. I would not make a very good Columbo as he  often points out! But I do enjoy the details as I encounter them!

From an interior design standpoint, I take in entire scenes and their context all the time. I “practice” this – I am practicing interior design. This is not spontaneity, it is the art of the study and evaluation of a scene. The challenging work of problem-solving. Until or unless something catches my eye that interrupts the study in favor of the unexpected!!!!

STOP and smell (or paint) the roses!!!!!

Federico Leon de la Vega with a previous commission of “Yellow Rose of Texas Bouquet” oil on canvas.

Remodeling? How to Embrace Existing Conditions – Celebrate the Story

This happening scene provided fabulous fodder, to observe existing conditions being incorporated into a design, for great benefit on many levels. Applicable to all remodel projects – see what you think!

In this case, Night Club design. The styles are many, but the concept is of a  commonality comprised of a few basic functions – a fun place to socialize, meet people and enjoy the entertainment of the overall scene often including live performances. We probably all picture the image of a flashy, glitzy environment.

We were recently in a most unusual space that combined the glitz and bling you might expect with a “nightclub” atmosphere, but juxtaposed with rustic finishes that were unique to the original architecture. This brick expressed in some of the remaining structural elements – walls and column/arched spans of structure – was warm and rich providing an unexpected pleasing combination that so easily might have been eliminated – concealed behind slick new finishes.

To play-up the vintage aspects of the space, ornate traditional chandeliers were suspended amidst myriad dangling strands of sparkling, golden LED lights. These provided a glittering glow of ambient light in the upper reaches of the space effecting both the downstairs and upper level of the club. This mixed lighting treatment was obviously the eye-catching  emphasis of the interior.

Ample light was provided by the luminous chandeliers and thousands of dangling LED pin-dot lights along with the indirect lighting of the back-bar shelves. Therefore, the large steel domes that hung suspended over the bar needed not to contribute ambient light, but were limited to effectively cast direct downward light on the bar surface. Their golden interiors provided a warm glow while the exterior surface disappeared into the darkness.

The bar was quite simple and raw, yet read in enough of an interesting and complex fashion, to compliment the scene. The design was sufficient in its components and indirect lighting worked well with all the other design decisions.

The simple Tolix-styled stools were an understated easy fit with the other surprisingly raw materials of the bar.

To answer the need for friendly group conversations, there were comfortable places to gather with zoned seating areas of tufted leather sofas and leopard-patterned rugs,  wooden grouping tables, then hi-top tables with stools and finally barstools along the length of the bar. The various areas provided options for patrons to pick the most inviting or appropriate spot to enjoy the atmosphere with friends.

Having choices in any hospitality setting is invaluable. It allows the patrons to make their own decision how best to utilize and enjoy the space. It answers different needs and appeals to different people for different reasons, therefore inviting a variety of patrons to invest their time and money in the establishment. A broader reach of clientele.  A broader client base.

I’ve mentioned more than once that having restroom design follow the theme and quality, of the rest of the interior, is imperative. As it relates to night clubs, it is often the meeting-ground for dating, meeting new people, attracting new people and therefore,  the restroom should promote attractive feelings of approval and confidence in the guests.

Jazzing up the restrooms in keeping with the jazzy feeling of the club environment should be a natural continuation of the design scheme. That means mirrors – full length – not merely above the sinks,  good lighting without down-lights to cast unappealing shadows on the guests.

Here the placement of sinks outside the restrooms frees up space in the stall areas, while adding interest to the extended restroom area. The design theme presents free-standing bureaus for the sink cabinets. Often shared sinks are used in these anti-room set-ups, but in this case opposing sides of the vestibule provided an attractive vanity area for men and a separate one for women.

What was so inspiring and interesting as we scanned the interior were the various zones all within this complex mix of original, traditional architectural elements and adding traditional if not vintage lighting fixtures paired with modern high-tech lighting effects and large brilliant monitors featuring exotic, playful, getaway beach videos. It worked.

Have you ever encountered a structure that at first glance did not comply with the supposed new program? Awkward supports, raw materials, exposed mechanical…so ,many “unfortunate” things to get in the way of your design. Often the “imagined” design over-rides the reality of the moment. The challenge is to allow the moment – the reality of the existing conditions – to participate in the process rather than being briskly eliminated without thorough consideration.

And the additional bonus might often be cost-savings and budget stretching while not betraying that benefit at expense of the finished design. Brilliant to have incorporated the “whatever it is” – wasn’t that creative and hence, interesting!! OK – I’ll take that!

To have concealed or negated the architecture would have been almost criminal – certainly a loss of architectural integrity and textural interest.

The crime of missing opportunities like the seemingly conflicting traditional elements with the need to be glitzy and modern is to be too one-directional . It’s like having “design-blinders” on that direct and focus a theme without recognizing the value of thoughtful salvage of  content, contrast and context.

All of what we observed applies to both residential and commercial design. The takeaway is to consider existing conditions and, if applicable, embrace them. Give thoughtful consideration to the opportunities before glossing over them, concealing them or eliminating them altogether. Try to appreciate the gifts that might escape you if you insist on unnecessarily hammering and manipulating a space into submission – design submission. Rather, let it tell a story and contribute to the design process – which would more than likely result in a more unique and creative end project for that thoughtful integration of the existing elements.

DIY…Do It Yourself Beachfront Getaways or DWI…Designing While Intoxicated!!

Not as the title suggests…tequila shots and all – but another kind of intoxication…an intoxication from unexpected beauty, sensory overload, inspiration as seen in the following photographs.

Those of you bundled up against the elements this time of year…freezing your booties off in the icy winter climes. Enjoy this escape into your unbridled imagination of design and lifestyle gone wild!

Thought a beachfront condo was out of reach? Think again. With all the DIY out there on the internet today, anything is possible. As evidenced by the inspiring framework of architecture that I have encountered just this week alone, consider the possibilities and have a little fun!!!

Very simple things trigger design concepts. Beyond the fascination I have had with these beach structures, this particular photo was bathed in late afternoon light. The glow of the orange towels was emitting a warmth that was so tropical, had it not been on a tropical beach, finding the same boldly colored and textured structure in a snow storm would have elicited a startling, contrasting feeling of the same tangible warmth.

This make-shift west-facing beachfront was so beautiful, in its simplicity, that it spurred ideas of bold fresh color, basic found-material furniture possibilities, fabric design and organic architectural solutions for patios both commercial and residential.

Imagine raw elements  incorporated  with concealed structural support to convey the feeling of spontaneous simplicity.

Then there’s that general calling that speaks to “the natural integrity of the materials.” You realize it is a grounding.  It is a starting point of reference to all the embellishments, layers, machinations and manipulations that are possible.

Wood is wood until it is stained, painted,  appliquéd…when does it lose its “natural integrity?”  Even raw, man-made cinder block – CMU – concrete masonry units have their own natural character. Then stained in the aggregate or applied color, thickly coated…it alters it’s state – losing its material’s natural integrity.

What ignites design thrills? The fireworks of ideas that burst onto the scene illuminating so much that was previously obscured. It doesn’t have to be a remote and seemingly inaccessible tropical beach…it’s everywhere. Look around. See texture and color, shape and frame. Urban, suburban and rural settings in any climate all offer inspiration that can be isolated and appreciated. Design inspiration can be intoxicating.

Why is designing so exciting? Why is it often such a rush? You never know when an idea will appear or from where.

The world around you is a constant stimulation of ideas, inspirations and possibilities. You are thirsty for  whatever is out there…whatever is waiting to be discovered, implemented… quench those longings.  It is all about the freedom to allow ideas to be spawned from anything around you or in intertwined with your own imagination.

What fun to have come upon these simple structures on a glorious and sparsely populated beach. What fanciful design ideas and story-lines were prompted by the imaginary occupants, their creativity, resourcefulness and problem-solving simplicity.  Lest you think they house the homeless adventurers, they are actually sun-shades for creative surfers and affluent sun-bathers seeking a primitive beach experience.

How might these primitive structural solutions play into a future project? Watch for design trends to incorporate more organic materials and nature’s inspirations!

I’m ready to explore the possibilities. Are YOU?

Atmos and Eating by Design

How do you select a restaurant? As a patron, what makes you dine out? How do you select your preferred dining experience? I’m talking about casual and easy or even more a more in-depth gastronomic event.

When it comes to casual, quick and easy, I still want the experience to have personality – a pleasing personality and great flavors. Personality is atmosphere. Great flavors is the kitchen. Service might be “step-up and place your order” or table-side wait-staff. In either case, I want it to be a pleasing experience. Why would anyone want it to be difficult or unpleasant? Perhaps that lies in the definitions of the beholder. What is difficult or unpleasant and the various degrees thereof is not be the same for everyone.

Throughout my childhood, I remember my mother and her peers reference “atmos.” It was important. It came up often. “Does the place have atmos?” Or “what great atmos.” Atmosphere – it is the feeling you get in an environment. It is the feeling a place emits. I don’t ever recall it being used in the negative – such as this place has horrible atmos…rather, like ambiance, it was reserved to compliment.

 

Cafe des Artistes – Puerto Vallarta – Note the full-wall mural by Federico  Leon de la Vega as a backdrop to the dining scene. Also, perhaps someone should have straightened the lamp shades!

We now hear “vibe.” The place has a good vibe – but not limited to only compliment, a place can have a decidedly bad vibe too! Is it just the saying “If you can’t say anything nice about something, don’t say anything at all?” Perhaps we are less polite than the previous generations. Yet, constructive criticism let’s you know what makes your patrons pleased. Truth be told…be honest with discretion.

As a restaurant owner, it seems that erring on the side of greater numbers sharing the same opinion of easy and pleasing would capture the greater share of the demographic. Therefore, studies are out there to determine the value of ambiance and presentation. Starting with defining the description of your eatery…who are you and what and how do you serve? What is your “brand?” Whether funky or fine, dining should be worth the visit.

Nexus Brewery, in Albuquerque, has a unique brand and complimentary interior “vibe.”

I read a few excerpts from a fascinating new book, Gastrophysics, The New Science of Eating by Charles Spence. In it, he touches on the importance of atmosphere. He observes the value of interior design even as it relates to how much people eat and how much they spend as a result of atmospheric influences.

Another great read for understanding the art of a successful restaurant is Daniel Boardman’s Your First Restaurant – An Essential Guide. As an “essential aspect of your concept” Boardman identifies why the “thoughtfulness of the interior design” communicates to the patron a lot about the service and food that one might expect to receive.

Tacos on paper – porque no?

From lighting to the shape of the plate, ambiance and presentation are key features in a successful eating establishment.

All the way from candles on a white linen table cloth to a handsome juicy burger in a basket lined with paper, in the context of the environment – design details matter.

Luscious bun-less green chile cheese burger at Sparky’s in Hatch, New Mexico – served on paper and styrofoam – not fancy, but perfection!!

 

Stone under-foot and condiments as a center-piece!! Funky!!

Some reading this might say they don’t care. Fine. Perhaps on the surface, they think it doesn’t matter. They don’t realize the effectiveness of well thought-out details. They take these things for granted. Yet these details can make or break a dining experience – from casual to fine.

El Arrayan presents enclosed patio dining with a variety of light sources, well balanced colors and textures in Puerto Vallarta.

Next time you eat out, look around, smell the smells, hear the sounds, see the colors, notice the lighting sources and levels, feel the furniture and – have I not mentioned it? – check out the restrooms!!!!

Las Caletas…in the jungle…clean and simple.

Not only should they be very clean – but they should also continue the theme of the place.

Graffiti by design, this restroom is actually immaculately clean and patrons do NOT contribute with their own markings. It is located in the street taco eatery of SALUD! in Barrio Logan, San Diego. Fast and friendly, delicious and fabulously  funky!

Pay attention and you might be surprised at what you discover about your sensitivities.

Chaco Hotel in Albuquerque is thoroughly theme-based throughout.

What you hear while dining contributes greatly to the pleasure or discomfort of your time spent in the environment. It either contributes positively or detracts annoyingly. Listen to the sounds next time you dine. At home or out, notice voices, chairs being moved, glassware, music, kitchen noises, traffic…see what detracts, what enhances or what might be considered neutral.

Interior designers are considering it all – the theme, atmosphere, colors, artwork, furniture, lighting, table dressings, serving pieces, fabrics, textures and even sound. Whether casual or more formal, these design details can make or break the success of the business.

Oro Valley Country Club, Arizona.

Even if the food is exceptional, too bright lighting, ineffective colors, uncomfortable furniture or confused design elements can result in negating even the best chef’s efforts. It is a package. It is about the whole. It is a multi-sensory experience. Buen provecho!

TRENDS DIE – What’s New for 2018?

I was surfing for fodder about the new color trends to kick-off this first mindful missive for the New Year and the color trends were all over the place – no consistency at all. From Ben Moore selecting Caliente AF290,

“Caliente is the signature color of a modern architectural masterpiece; a lush carpet rolled out for a grand arrival; the assured backdrop for a book-lined library; a powerful first impression on a glossy front door. The eye can’t help but follow its bold strokes. Harness the vitality.” 

—Ellen O’Neill, Benjamin Moore & Co.

to Sherwin Williams in a totally opposite direction proclaiming Oceanside SW 6496 their color of the year.

“A collision of rich blue with jewel-toned green, a color that is both accessible and elusive… A complex, deep color that offers a sense of the familiar with a hint of the unknown, Oceanside, bridges together a harmonious balance of blues and greens that can be found in what’s old and new.”

What? Are we straddling now?  Do we have one foot in one color trend while the other stretches across the color wheel and causes us to nearly do the splits trying desperately to hang on?

The walls of my east gallery space were a spicy version of Caliente for nearly 20 years! Bold at the time and unheard-of for  gallery walls – it was not to be changed for nearly 2 decades!!!

Whew – that was a run. I even named the retail space “Caliente.” And the color-band between the crown and picture molding at the back was a version of Oceanside – a lighter value of the blue-green hue.

The Grand Re-Opening July 2016 presented a dramatic transformation to a pale aqua resulting in a diametrically opposed feeling – a cleansing from what was crowded and hot to spare and cool.

But I digress…

Annoyed by the seeming authority, but weak contrasting rationale that I encountered with the wide range of picks and opinions, I left the paint companies and clicked over to the Pantone site. There I encountered their authoritative, ethereal color forecast of the year – Ultra Violet!!!!!

Yikes – they were coming at me from every conceivable direction!!! How on earth is any eager apartment dwelling or home-owning individual supposed to know how to go forward in sprucing up their space without fear?

Then  I came upon a piece by Mehgan Nesmith Ugh, What’s With These Generational Color “Trends”? From observing the broad reaching trend surrounding millennial pink to snippets from other sources,  I scanned the paragraphs amused, but still not satisfied. Until I arrived at paragraph 6 and there it was – the true fact that keeps the world moving forward – for better or worse – TRENDS DIE.

Yes they do and for good reason. I’ve said it before, take care in making costly selections that will stay with you past their prime. Trends are there for a reason. Designers dabble in creativity every day of the year to come up with things to tantalize, inspire, evoke, and entertain – and most importantly, SELL. Some of these trends stick. Then they are no longer trends, they transition and become classics. But to transcend the fleeting status of trend, “it” must have something very solid about its being.

And when it comes to interior design, with all the style trends for furniture, fabrics, architectural elements, finishes and decorative accessories – colors race through history like no other design element has or will. Colors rule and when they are good, they are very very good, but when they are bad, they are horrid!!!!! Thank you Mr. Longfellow!!

Take the massively graceful modern art piece suspended from the ceiling of the East Wing of the National Art Gallery in Washington, D.C. – classic – both in form and color. Red and black. Strong and simple. Bold and brilliant. Imagine if it were this year’s Pantone pick Ultra Violet  Aghhhh!!!!!!!

Actually, methinks I protest too much. The shade of purple picked, by Pantone, is heavy on the blue rather than the red.  The blue cast gives it a calm. Not whacky like Barney screaming purple – but, rather a royal shade.  Nonetheless, it is better served as an accent – don’t buy  wallpaper in it. Go ahead and paint the walls and have your fun – but know that you can change it without peeling off hundreds, if not thousands of dollars of wall-covering or re-upholstering your sofa like Meghan was tempted to do!!

It’s a color that stands alone – plays better by itself than with friends – like the child’s report card where the box that says “plays well with others” is not checked.  In my estimation, it will read well with clean, crisp white.  However, like Ms. Nesmith aptly says in her piece “if you are  still curious about that Gen Z yellow, buy a vase!”

That’s how we play with  colors and create a bit  of collision, unexpected off-key harmony, intrigue and suspense. But it is not for the faint of heart and the chance of tiring of it is paramount. Trends die and colors are tricky.

So Happy New Year and Happy New Colors in your world to refresh and renew!! Thank you Meghan, for your lively contribution to today’s story.

 

 

COMFORT & JOY with ART

A few years ago I gave a talk. The title was  something like “I Need a Piece of Art to Go with My Red Sofa.”  It was a defensive argument giving liberty to those who sought artwork for decorative purposes rather than an esoteric rationale. As an interior designer surrounded by artistic influences and drawn to the limitless styles, pieces, concepts and movements of the art world, I see and appreciate both sides of this controversial coin.

Federico Leon de la Vega’s Pomogranates

In my opinion art should bring joy. And that is not to discount art as a social commentary, honest statement of artistic philosophy, opinion, or personal expression. As an interior designer, my simple philosophy is that joy is a goal of interior habitats – function and joy simultaneously. For me, there is a synonym for beauty in there. Oh – and how apropos – it’s Christmas time and the carol God Rest Ye Merry Gentlemen specifically identifies bringing “tidings of comfort and joy.”

In this  month’s December 2017 issue of AD “Architectural Digest” Living with Art, architect Luis Laplace offers that he doesn’t really know about beauty in art. He sounds modest and self-effacing.  “I say I don’t know beauty. When I see that something works, then I see beauty.”  I say that is saying a lot about context. But inasmuch as I can see context being so perfect to showcase a piece that it validates it somehow, it seems lacking in the department of honest personal appreciation or criticism. Surely he must find beauty in art before it is placed.

I can see admitting that something having potential is a valid “wait and see” position to take when allowing a piece to be placed to its best advantage, prior to judging it too harshly – but that seems reserved for pieces about which one is trying to give them the benefit of the doubt! It sounds a bit like tap-dancing…making excuses. Excuses for not having an initial opinion or spontaneous reaction – much less appreciation – much less, joy.

Festive boat bringing JOY at the San Diego harbor parade last week.

Another comment that Laplace makes in this article “High Art” is that “We never use art as a decoration,” he declares. “We design for installation and rotation.” And I am sure in his world, that is exactly what he does. But let’s get down to earth and acknowledge that it’s a chicken and egg thing – the luxury to design expressly for the presentation of magnificent rotating works of art versus finding joy in a piece to decorate your world – with or without rotation. He makes decoration sound like a bad word. And perhaps he thinks it is – but why? Adornment, decoration, enhancement, emphasis – all superlatives, in my estimation.

Federico Leon de la Vega’s Script on Blue

In a completely opposite place on the planet both figuratively and physically, Robert Downey Jr, in this same issue of AD, expresses an explanation for their selections and design direction. “We didn’t set out to do something conspicuously whacky.” He obviously gets great joy and a kick in the pants out of his approach which he cements, with the following comment: “We just enjoy a bit of whimsy and fun.”  And then a negative nod to separate him from the more cerebral art enthusiasts – “We definitely don’t like boring.”

But that is a direct comment on the joy thing and one of my oft borrowed quotes “One man’s trash is another man’s treasure.” Here, a tangible example that I created for my grandson, Liam a few years ago. Debris he and I collected while on a walk one day, I assembled into a collage and had it framed for him with the plaque to remind him to look at things and regard things from all angles.

From what one person derives joy, another might find boring and uninteresting. And that oddly seems to return to the Luis Laplace comment about not seeing beauty until it is placed and then can be recognized. Hmmmm…Yet, I am saying that it might be of value to study things and  think about things differently than face value at a quick glance…spontaneity is valid and so is “love at first sight,” but often things are missed because their context s not serving them well. That space above your red sofa might be just the context and proper setting to showcase the “whatever it is” piece which might be far less interesting otherwise.

Which is why, in this time of international commerce delivering things from all over the planet with an almost instant gratification speed, we still have difficulty making decisions about what to chose to have in our world. Which fabric, which furniture, which art…the choices are at our fingertips and delivered to our doorsteps without leaving our living rooms, but fear of costly mistakes, second guessing trends and how to make good investments still remain the dilemma shared by most. Fear of trusting your own joy. Or, better yet, discovering and defining your personal joy.

Which brings me to the last quote I extracted from the December  2017 issue of AD by an artist, Brian Donnelly, speaking about his own residence and art collection, and that is  “I don’t buy art to put in specific places. I just collect what I love and hope to find a place for it.” Sounds like spontaneous joy to me!!

Closing with best wishes for a Merry Christmas and “tidings of comfort and joy.”

 

 

Value. What is an “Investment Piece” and Why?

In the design vernacular we keep hearing the term “investment piece.” What makes an investment piece? Is it that you spent more on it than most other purchases? You splurged? You made an unusual purchase that generally costs more than your norm. Sure, makes sense, I get this. Considered to be a focal piece, this seems to be the nod. However, I often feel entirely differently.

 

Investment. An investment in time, emotion, thoughts and beliefs…what type of unusual investment? An “investment piece” is usually a focal point or a piece placed in a position of prominence. It makes sense to identify an “investment piece” as something that is monetarily outside your usual comfort zone – but must it?

Consider that there is also the fact that a piece that hits a chord and is not easily replaced – if at all – is an investment. Seeing an objet d’art, on a folding table at a garage sale or amidst the throngs of a flea market, that catches your eye and is yours for a song – the bargain of the decade, or at least that day, is an emotional investment. It’s not about the money.

This “find” might actually have “cred” in a broad evaluation of appraisal. It might be a tiny Waterford crystal bud vase, like I found at a flea market for two dollars, about 35 years ago. I was just starting out, decorating my world, and it’s cut glistened and caught my eye from a cluttered table of garden tools, electric curlers and all manner of debris.  There was and still is a true value for this type of piece. It is replaceable – not one-of-a-kind, but a lovely piece. Similarly, at garage sale many years later, I spied a sparkle across many tables to discover a large Waterford ship’s decanter clustered with a few other unmarked pieces. Neighbors selling for a friend, they were cautiously asking twenty five dollars – the bargain of the day.

Once, in a consignment store, I came upon an ARS Italian ceramic box for five dollars that, although marked on the bottom, is not so published as to be easily priced. And I don’t care. Too me it is a one-of-a-kind find. It is old. I can’t replace it. I love the colors of the glazes and little pear top, it’s imperfections speak to it’s vintage and made-by-hand quality. It makes me smile.

When I hear people reference things by their monetary value, it strikes a sensitivity in me that is quite emotional. It annoys me. It frustrates me. Perhaps I am too sentimental, too attached to the enjoyment of “things,” but it’s what these things evoke, what they trigger in the form of memories or just spontaneous pleasure. What brings a smile, a tangible joy, is more to the point. It is a treasure.

Pieces with genuine sentimental value, because they have been inherited, reminding the current custodians of who preceded them and cared enough to preserve and pass down…and contrarily the ease with which some can unemotionally and easily part with something that has passed to them. It can be distilled to what one might find beautiful or not, and what speaks to the point – does this bring you joy or is it an onus?

It makes perfect sense that I am in this field. I see what clients have, ask them about what means what, and sometimes even argue in favor of keeping something that was destined for replacement or complete removal. I want to know what brings my clients joy. I want to make sure they don’t miss something they already have. It might just be the context that makes the difference.

Sometimes my clients have a piece – usually large – that they just don’t know how to use. They would like to, but just can’t find the right place. This is when we might consider other uses than the obvious. A bedroom dresser, might become a dining buffet. We change the context and save the piece. It gives new life and appreciation. It is a combination, in some cases, of function and joy. Thinking outside the box.

To have a careless non-attachment to things, that have not cost a relatively unusual amount, frustrates me.  Yes, it can be a good thing, freeing actually. Whereas I am burdened by my sentimentality. The fact that something is disposable merely because it was a “find” or a “bargain” should not make it less valuable – in my estimation. It’s not always about an expense.

It is a similar, yet reverse, process as selecting an item because of its cost or brand as thought that validates it. As though it is the primary reason to make the decision. I prefer to encourage people to find confidence in what they like – not merely a perceived or recognizable value. The result is the uniqueness that makes their world more personal, more individual, more uniquely theirs. It’s a treasure hunt. What is the value?

An “investment piece” should be almost, if not, irreplaceable – not by its cost – but by its unique ability to bring you joy. Have confidence to know it when you see it. It will be the right decision.

 

 

 

How Long Did It Take You to Do That?”

Recently chatting with a wonderfully multi-talented mixed-media artist of many colors, Laura Balombini and I commiserated on the Creative Process. A few weeks ago I blogged about the Creative Process as relates to client and designer interaction. Some people enjoy the detailed nature of the process and some prefer to be spared that enjoyment.

This recent conversation explored the hidden facets of the Creative Process. The light bulbs that go off in the wee hours of a sleepless night, the honing over time combinations and details, and the tapestry of life experiences that become the personal library of resources from which creativity is drawn.  Sitting in traffic can even result in an unexpected, seemingly unrelated epiphany!

Often called the inelegant “brain fart,” ideas bombard. They pop out often uninvited – when one is NOT even focusing and trying to come up with a solution. They come about without prompt or foresight. They happen.

Creative minds can rarely unplug. Downtime takes a concerted effort. Even those rare moments of attempted escape are invariably interrupted by unwanted, but often valuable, ideas. Not that the ideas are unwanted, but the spontaneous interruptions can be unavoidably annoying.

Yet, it is exciting. Having ideas and bringing them to fruition is greatly satisfying.  Balombini was bemoaning a similar quandary. Often asked “How long did it take you to paint that?” She said to me that the answer was obvious, but not what the observer wants to hear. Sometimes it takes minutes and other times it takes months. How can one charge the same square inch price or similar range of value for one piece that takes little time and something that takes much longer?  She lamented that she wished curious observers would direct their questions more toward a genuine interest in the “process.” Such as, “How did you come to select that color combination?” or “What inspired this assemblage?”

 

Inspiration is not a straight line. It is trial and error. It is a combination and accumulation of layers of ideas and fragments of many experiences. It is an illuminating and distilling of observations – all stored in the many compartments of the creative mind to be extracted and applied as the opportunities warrant.

Where she and I differ is that she, as an artist, creates constantly as a part of her process – as a necessity of her creativity and/or in hope of attracting a buyer (unless it is a commission – in which case, she hopes to satisfy the buyer) and I, as an interior designer, provide clients a service of creative ideas, solutions, suggestions and opinions toward an end. The ideas are selected, dismissed, modified and ultimately executed resulting in a finished design that is the product of the Creative Process. The creative services should provide effective solutions and be unique and thoughtfully custom-tailored for the client’s individual requirements and desires. The solutions are a result of many educated elements, collected life experiences and observations.

To appreciate what it takes to create is to take an interest in the complexities of the “process”. What might take minutes, to convey or even execute, results from a thought process and observations that are without boundary. The cumulative collection of experiences is what enable the designer or artist to find creative solutions, offer a variety of ideas and possibilities. This is the shared commonality of our discussion.

How often have you strolled through a museum or art gallery and thought, “I could do that!”

Have you ever attended a wine and paint event and tried to render the subject and watched as other of your fun-loving companions struggle to do the same, with as many different results as there are participants at the party? Copying is not easy, but it is very different from originating.

As I pondered this blog’s subject yesterday, in advance of putting it into print, another remarkably related and coincidental exchange took place. There I stood in the company of two co-workers of a business office for which I had designed the interior. They, having arrived after the project had been completed, were not privy to the details of the design elements and the process over months that took place. One asked the origin of the art series punctuating the east wall of the reception area. It was a collection of contiguous abstracted landscapes with rough dashes of brush strokes and stacked layers of color.  She asked if it was a result of a wine and paint party. I was aghast.

But upon further conversation it was clear that they recognized the same sized images, with a similar subject matter on each and the same color palette – not thinking beyond to the technically un-selfconscious (I like that word) process and ultimate application and execution. As we looked more closely and discussed the complexity of the texture and layering they came to understand that had they or I tried to copy it, we would not have had that remarkably un-selfconscious effect.  Ours would be more tense and rigid, in the attempt to be relaxed, loose and seemingly simple.  A new appreciation was realized. I had initiated an artistically creative commission from the very talented Federico Leon de la Vega as a solution for a long expanse with a splash of colorful, original, sophistication.

Artistic creativity is nebulous like a blond grabbing at the air…collecting her thoughts!!! Yet that nebulous creativity results in concrete solutions. Commission a painting, ask questions, buy one spontaneously when you like it, retain an interior designer and appreciate the Creative Process. Be creative and have a little fun. Try not to let it interfere with, or usurp, your attempts at some relaxing downtime.

The thickly applied paint on the canvas of the feature image, for this story, is by Ron Cheek. Incredible color balance, generous application of oil paint and loose strokes layered to present a powerful landscape. How long did it take him to do that? A lifetime up to that point.

Please visit our boutique gallery/design studio in downtown Albuquerque to see work by  these fine artists and others!

Custom Designed Art for Branding in Commercial Interiors

Designing artwork for commercial interiors offers an opportunity to connect to the brand. It means that we take into consideration the artwork as relates to the business and its identity. You might remember a blog from last year about the can wall. It was designed for a taproom. The theme was beer. The name was “Silver” and we considered that a natural off-shoot of that was the silver color of aluminum beer cans – as a wall treatment!

For that same project (in two locations) we further emphasized the brand with photos we took of their own products transferred to and stretched on canvas stretchers to be the “art” on the surrounding walls.

 

Fast forward to a conference room for an energy company home-based in Albuquerque – the iconic Sandia mountain being the earth’s monument – the familiar, perfect image to represent the company and the connection to the earth and its resources. For this  project, we were asked to build 27′ of custom , cabinetry and dress the wall above it.

The tall ceilings required a vertical element, but the length of the wall also begged for horizontal space-filling. As a cost-effective solution to such a large space, we decided to take a photo of the majestic mountain, separate it into 5 sections and have it enlarged and transferred onto aluminum panels for light weight and rigidity. The reviews were sensational as everyone loves and relates to the familiar scene – seen in such a colorfully explosive and expansive installation.

In response to the success of that solution, the client asked for a complimentary treatment for the opposing wall. Again, the wall was 27′ long and had the same ceiling height so we used multiple fragments in 3 groupings to center across the entire expanse. “Elemental Fragments” was born of the concept to have just that – fragments of elements in an orderly fashion – uniform yet random, to contrast against its formal geometry in response to the amorphous photographic landscape. Colors were derived from the blue, green and yellow in the scenic panorama interspersed in a field of silver.

Last week, on the day of the installation, colorful creative chaos – resulting from unwrapping the individually hand-crafted compositions and scattering them across the conference table – was part of the fun, of the scene.

The tedious work of aligning all just right, with perfect spacing and level mounting, added to the anticipation of realizing the finished product.

The luminous glass against the rich, stained wood punctuated with the  brushed stainless fasteners made a striking assembly.

Modern engineering and production, worldwide energy collaborations and shared technology coming together in a grounded environment of people and their place on the planet. A daunting system of assembling fragments of many elements that make things work to bring gas to the end users. The artwork makes the concept look easy. The result of the many facets, of the actual work and the artwork representing it, is not only effective, it is triumphal.

It’s creative fun to custom design pieces to relate to the brand, the business and the culture of a project. Bringing joy, pride and a sense of confidence in the focus of the work, to the employees and guests, is a successful finale.

Bring us your design challenge and we will design a solution specifically and especially for YOU!!!