Windows – to Dress or Not to Dress

Last week I had a meeting with clients who have purchased a swanky little tract home, in a trendy new subdivision, which comes with a package of choices – a buffet where a smorgasbord of features and finishes are offered, but no custom deviation is allowed. They came to me stating that they intended to take possession, with the package that they selected with the project’s coordinator, and then promptly replace carpet and change paint colors prior to their move-in a month later. Wow.

So in our initial walk-thru of the construction site, they explained that they had pre-wired for motorized blinds in most of the windows. They had already met with a window dressing consultant and this was the status of that decision process. I was curious as to how they had arrived at this decision, so offered an example of a previous consultation that I had had – which I have referenced in prior blogs.

Years ago a woman called and wanted a consult to discuss draperies. When I arrived at her home, I encountered large east-facing sliding doors flanked by equally large towering side-lights.  The primary living space, where this wall of glass was located, had soiled, tan, wall-to-wall carpet, furniture poorly placed in disarray and toys scattered everywhere. All surfaces were over-flowing. I knew at once that no matter how much we threw at those window, it was not going to improve the appearance of this environment.

So I asked her the three basic questions regarding window treatments. ONE, do you need privacy? TWO, do you need light control? THREE are you after a decorative element? She responded to each. “There is nobody behind me – the lots drop down off the bluffs without privacy issues, the overhang of the patio provides plenty of light protection and I was hoping for draperies to improve the decor.” At which point, I objectively assessed the situation. I told her that spending a significant amount of money on draperies and without need for other window treatments, noting her soiled carpet and fragmented space, I would suggest replacing the carpet with hard-surfaced flooring and began to work with her to rearrange her furniture and discuss bins for the scattered toys.  She enthusiastically told me that her brother-in-law was a tile installer and so I suggested that we find a tile and let him replace all the carpeting in this common area from front door through kitchen, down the stairs and throughout the great room. I assisted her in the selection of the tile and also recommended a fresh paint color. The next time I visited, I saw the dramatic transformation. With the new clean flooring, rearranged furniture and toys stashed in bins, she had transformed her space into a clean, fresh and easier to maintain interior. I could have sold her thousands of dollars of draperies – but it would have blown her budget and it would not have been the right thing to do. Instead they had less than $500.00 consultation to get them on course.

The right thing to do is what clients count on when they engage services for advice.  There is never one solution, but there are responsible versus irresponsible options. Window treatments are one of many considerations when planning an interior design.

Regarding  these new clients, after our discussions, they may end up opting not to dress all the windows. They might use the money elsewhere like painting the walls, taking their floor tile out onto the patio and entry slab – many things that they are considering as they plan this new interior.

We have recently been inching our way through another project to re-do a (excuse me for saying) dreary living room. It too is the primary living space for this home.  I say “inching” as we began with a concept based upon rearranging the furniture. Then we began discussing the possible color schemes and styles that might transform the room and transition well from their periphery spaces.  Wonderful, existing, family antique, furniture and rugs set the stage. We had the good fortune of things falling fairly quickly into place. I’ll save the design process of this project for another time, but as it relates to this subject, we are regarding window treatments as one of the final layers of design detail. Here we had existing wide blade blinds that were still perfectly functional. They could be drawn-up to the top, used down either with blades closed to provide compete privacy – or opened to varying degrees offering filtered light and a modicum of privacy. We felt that as things progressed and having removed the original valances, that the windows could stand being enhanced.

The choices are many. We considered full-length drapery panels, short curtains, top treatments such as upholstered cornices or fabric valances – pleated, swagged or shirred and more… We weighed all options and decided upon the structure, tailoring and fabric coordination that upholstered cornice boards would contribute to the scheme.

These boxed, stepped cornices add so much to the soon-to-be finished project. Yet right when we think that this is the crowning detail, sheers are considered to soften the blinds and further filter the light softly streaming through the windows. Here we are in the process of experimenting with the sheers which still need to be hemmed and finished.

In this case, my wonderfully talented client will be doing some of her own sewing on these finishing touches –  and perhaps some pillows – a bonus to her and their project! Stay tuned for the amazing finished product…complete with clever re-claimed “finds,” dramatic re-upholstery, fireplace modifications, custom audio-visual cabinet and finishing accessories!

 

 

It’s Not Quite Right. How Do I Fix It?

You know things are not quite right…at a glance, it all looks good – but something is not quite right… too loud, too quiet, bland, boring, just not interesting, not working, not quite right – but you can’t put your finger on what is bothering you or why. I  could be talking about  blind dates – or the significant other that everyone thinks is terrific, but you know that it’s not what you want or need right now. Can you fix this?  The similarities are astonishingly comparable to observations you might make, or discomfort you might feel, in your interior environment. Replay that list of disappointing observations you might find, in a would-be he or she, and apply it to you interior. See how  funny/similar it can be!!

Fixing people is not quite as easy as making changes in your property. But the similarities, in evaluating, being uncomfortable and not being able to put your finger on the exact problem and making  the decision(s) necessary to rectify things, are.  Identifying the problem is often the roadblock.

Maybe you’re just tired of it and you want it refreshed. Do you want something new? Do you want to change it around – rearrange? Can you do that?  Do you need to start over or can you salvage the best parts and improve others?

Having scrambled all of these people-personality traits and interior features, let’s focus on the subject at hand – interiors. This conversation occurs  often. Someone will bring to my attention something that either bothers them, or an idea that they think will improve their space. More times than not, I realize that the objective view will notice that the items identified or ideas offered are not at all what is wrong or, by changing, will improve the space.

Case in point, an appointment scheduled to discuss large windows in a great room. The client thought that the room needed draperies. It would have been an expensive installation regardless of the cost of the fabric – just due to the area to cover. I have used this example before, because it is so prime. My first questions were:  Is this for sun-control? To which she answered that no, she faced east and had a generous overhang on her patio. Is it for privacy? No, she assured me that nobody lived east of her and that was not a concern. Is it as a decorative element? Her answer was cautiously enthusiastic that yes, she thought that a decorative drapery treatment was just what she needed to improve the look and feel of the space.

I scanned the room seeing the tired, stained carpet, poorly arranged furniture, toys strewn about and piles of papers on every surface…and I knew that draperies were not going to improve this scene. Because it was their primary living space and they were obviously hard on it, I suggested that she trade her carpet for tile and a large area rug, I helped her rearrange her furniture, suggested toy bins, and advised against the draperies.  She had the good fortune of a relative in the flooring business and so I helped her select the tile and carpet to be cut into a rug and her installation was quickly completed, at far less cost to her than window treatments would have been.  With paint to refresh, the end result was so successful that she could not stop talking about how the transformation made her feel so good and that she just couldn’t see it – hadn’t bee able to decide what needed to be done.

Feeling good about your interior spaces. Your private space needs to make you feel good for so many reasons…security, comfort, relaxation, motivation, joy, inspiration, identification…Times change and styles change, some things are classic and some are fleeting and trendy. Your interior responds to your place in time. Refreshing it is a natural response to changing times and life stages.

Recently I was asked to look at the walls in a kitchen. They were a medium sage against a natural blond wood ceiling. We had just lightened the walls of an adjacent room. She said “I think I want to change my wall color – don’t you think it’s too dark?” So I looked around and pondered…it’s a cozy room, the color is neutral and contrasts well with the wood ceiling…I wondered, is it too dark? How will it change if we select a new color – specifically a lighter color? I knew that they enjoyed spending time in this space, more-so in the winter as they had many wonderful outdoor areas to spend time in the warmer months.

So I thought about the room in winter…the dark walls gave it a close, soft, comfortable, cozy feel. But upon gazing around the room, I noticed that the cabinets had a modern, flat, radius  design, worn in several places, were blond wood (when the rest of the doors and trim throughout the house were raised panel and all white), and in no way seemed to reflect the interior design theme of the rest of the home.

I offered that maybe the cabinet doors and drawers should be replaced with new raised panel versions. The boxes and hardware were in fine condition, the replacing of the doors and drawers would be less costly and intrusive than replacing all of the cabinetry. She expressed shock at this observation. I was suggesting keeping the wall color, refreshing the cabinets, painting them white and voila – a new, brighter kitchen without lightening the walls. It would retain the cozy feel, but with a fresh look! And I have since considered that the island might be another color – yet to be determined.

We have recently done a similar fix to existing cabinets – and the result was amazing.

Salvage what makes sense and spruce up/replace what needs it. Need help deciding how to know what to do and what not to do? Call your favorite interior designer!

 

What is Custom and Why Do You Care?

A client and I had a discussion the other day about “custom” design. What is custom and why do you care?  As we regarded her newly reupholstered furniture that had been delivered and placed in the living room, we began remarking about the “custom” nature of it all. A specifically designed audio/visual cabinet is currently being “custom” fabricated to add to this scene. Unique pieces of furniture with specifically selected fabrics to create an exclusive, personal scene. This “custom” collection/combination of existing pieces, recent “finds,” new pieces and designer fabrics doesn’t occur anywhere else on the planet. How personal can you get?

Here’s a peek…the beginning of the assembly of this “custom” scene. Crisp Scalamandre stripe on a fabulous find, paired with a rich navy and cream hounds tooth woven…rugs, lamps, pillows all still to come…

Creating a custom scene is like composing music or a painting. It is an art-form of balance. Balancing scale, color, texture, form…the many nuances…details….is the art of it all.

With all of the options on-line and in furniture stores, how do you begin to compose your scene? Where do you start? What do you keep and what do you replace? Why might you want to engage an interior designer?

Perhaps you need assistance getting started. A professional interior designer can help. So can several talented friends – but there is never only one way to do anything (too many chefs) and the right guidance can simplify the process and make the decisions much easier.

Too many chefs?

You need someone you trust, with whom to consult on the many design decisions. From floor finishes to ceiling treatments, window coverings to upholstery, furniture pieces and placement to decorative and functional accessories, lighting to audio/visual – a professional designer has the tools, colleagues and experience to assist you to realize your “custom” scene.

However, if you don’t have the desire or the patience with the creative process, you need not participate – you can go on an extended vacay while all is designed and completed. Voila! Or, you can expeditiously go on-line and buy what you like and hope it works well together and that it fits, that it wears well and results in the scene you want and need to bring you comfort and joy. Or not.

The same is true for commercial interiors. The scene should be an exclusive, custom design that reflects the unique culture, qualities, values, mission and brand, enhances productivity and satisfies the needs of the owner/occupants.

An accounting firm merged two existing, well-established firms. Old and new, grounded and progressive – the remodeled “custom” interior represents their newly defined culture.

A designer interviews the client in order to extract their desires. These many impressions of the desired design are often tough to identify and articulate by the client perhaps, but those illusive concepts, ideas, and desires are exactly what the designer gathers to cull the options, offer ideas and compose the “custom” scene.

For more on this, please visit a previous blog on the Creative Process https://patriciandesign.com/the-creative-process-of-interior-design/  and Custom Design Details https://patriciandesign.com/4680-2/and Custom Collection  https://patriciandesign.com/2017/02/

 

 

Touch IT – Feel IT – Tangible Textures!

I am so all appreciative of texture and color and sheen and lack thereof…that I KNOW that it is impossible to make any decision about fabrics or any other textile for that matter, rugs, weavings…via a monitor or screen.  We are all becoming so dependent upon the instantaneous access of information through the internet – finding sources on-line and virtually ALL of our purchases –  that we are forgetting the tactile necessity of determining value, applicability, and certainly true visual appeal with tangible samples.

Yes, we can order memo samples and those of us in practice for the past few decades KNOW that we have to order samples every now and again – that is IF we have our own source library or a number of showrooms close at hand to do the instant gratification portion of the search.

Most clients LOVE to come to the library and see the many options, play with the samples and participate in the design of their project.  It is a one-stop experience that sets the stage. We then have all the many distributors and showrooms, mills and factories from which we can order additional materials. But the resource library of tactile samples of fabrics, flooring, wall-coverings, flooring, rugs is exciting.

There are those who prefer fewer choices – just show me a couple of options and I’ll be fine. Quite the opposite of the one who wants you to prepare a dozen scenarios for their consideration. Yes, they pay for that luxury, but the ones who appreciate the hunt -who appreciate the searching through samples to compile their favorites – THEY are the ones who really get into the Creative Process ( see recent post on this very subject).

Living on an island – as we often feel we are – we HAVE to compile a significant source library in order to have the samples available for on-sight instant compilation for a project. Yet  having all the resources close at hand, as in the showrooms of larger cities, we still have to drive there to do the work. I must say, I am spoiled with such a comprehensive source library at my studio where I go any time of day and do research to gather myriad samples to satisfy a project’s needs.

It’s taken decades to evolve. It takes a lot of concentration to keep it in order and up-to-date.  That is invaluable. This isn’t to say that after spending several hours  searching, culling, sorting and weighing possibilities against for-sure options, that I don’t have to occasionally call the many mills and distributors and ask for special pieces that have eluded me on my search. I might have gathered several coordinating/contrasting and fabulous samples, but lack that one blue and white striped pattern that I have visualized since the inception. It is then that I reach out and say – “I can’t find the right blue and white stripe – please send me what you have for upholstery weight.” And the samples begin to arrive and usually the  missing link in the design puzzle will be found – sooner or later. IT is out there.

But the value of the well-organized and well stocked library is an invaluable tool. Yes, it is a tool – THE primary tool for a designer after their own imagination’s creativity. It fills the blanks of that creativity with actual materials that complete the design. And having a resource library on-site in our own studio saves much time and offers a plethora of options, materials, finishes, inspiration and those priceless tangible sample at our fingertips  that MAKE an interior design.

 

What is a Picture Worth as You Plan Your Design?

We’ve all heard the expression “A picture speaks a thousand words.” And today, as I set forth to use it, I investigated its origin…seems the original quote might have been “A picture is worth ten thousand words” as stated by Fred R. Barnard in the 1920s. Either way, it conveys the same – seeing is believing and seeing is more literal in most people’s eyes. Words can describe and attempt to convey an intent or, in my world, a design concept. But to sketch it – well that’s the best way to show the intended idea. There were other unsubstantiated references to an old Japanese phrases, but suffice it to say – it is such a truism that it is referenced often.

Here is an illustration of a courtyard that we have proposed. Our custom designed hand crafted iron gate inserted into the existing low wall, water feature, flagstone and plantings are all new proposals. Can you picture it? If I had arm-waived with a verbal description would it have been as helpful? It’s a small space, so it would have been easier to convey than other more complicated design concepts, but for the sake of an example, this works. I’m thinking that your answer would be – “Yes, I get it! The illustration sets the stage and really helps me visualize the intended finished product!” It is exciting and more stimulating than a rigid CAD drawing and evokes more emotion in most, if not all, clients.

I realize as I write this that it directly reflects the observations in Federico Leon de la Vega’s comments about the value and actually critical importance of handwriting as he expressed in his TED TALKS last year.

 

Therefore, I prefer the artist’s rendering – to support and promote the talents thereof and also for the much better rendition of the concept! So as technology advances in the realm of illustration, I intend to continue to support the skills of the artists that so effectively express our designs.

Let’s get together and plan your next design project, find solutions and create the images that will springboard the work and ultimately represent your new reality!!!

Disruption Reaps Results

Merriam Webster defines to disrupt: to interrupt the normal course or unity…So think about it when you take on your DIY projects…like reupholstering a chair.  Pick or find the chair, take a course, cut away at the fabric, pull out the staples, rip it down to the bones, (poor chair – you’ve really interfered with its unity), then put it back together. Voila!

To do something as seemingly simple as repaint, you will need to remove things from the walls and move things away from the walls, drape furniture, mask elements like molding, ceilings or other adjacent surfaces that will not be painted – or at least not with the same  color. All of that is quite a disruption.

Expand that disruption when you remodel – open a wall, replace cabinets, change flooring – each on their own sounds simple, but be prepared for disruption. Your normal course of unity will be in disarray, displacement – maybe even chaos.

However, I often reference the phrase “You have to break an egg to make an omelet” right? That sums it up. To make something wonderful, you are going to have to interrupt the normal course of unity – hence break the unity of that beautifully in-tact orb of an egg.

So do not fear disruption – go ahead – disrupt your life a bit, to effect change, that will achieve refreshing results! It is THE hardest part of the Creative Process (see pattisays April 29, 2017). https://patriciandesign.com/the-creative-process-of-interior-design/

 

 

 

The CREATIVE PROCESS of Interior Design

At the outset of a design project, certain first steps are common. It is after those initial steps that things can take two very different directions. First you have the desire or need to make some changes/improvements. You decide with whom you want to work to design and implement.

If you take the time to plan every aspect of a project, make all the selections, get all the details down on paper—well notated and drawn so as to convey every intent, you may begin and proceed without hesitation. The project can be scheduled and run accordingly. Easy peasy—with that prior proper planning.

Whoa—is that real life? Well it works for many. It works for those too busy to delve into the many possibilities, to be open to the evolution of the process, to enjoy the adventure of creativity. I’m talking about the projects not requiring permits – fabrics, finishes and furniture. New cabinets in a kitchen, switch out the counter-tops, get new updated back-splash…rearrange, replace, recover furniture…paint walls, hang art, mostly cosmetic enhancements in this case.  Clearly some just want it done—and have no interest in the creative process.  However, do you ever have a second thought? Does one decision affect the next? As you experience the design and implementation process, might you change you mind…have another idea? It happens all the time. It is more realistic, fun and feels like a true artistic endeavor.

But is your intent to create an art piece? Is it to experience an artistic endeavor? Or do you just want some new pieces, finishes, an update? These are two very different situations that require different processes.

True design is centered around the unique requirements and desires of the client. It is responsive and reactive. It is also proactive and filled with anticipation. The design process is one of balance and equation. If…then…

This process is intuitive and educated. It is based upon expectation and perception. Like tipping back in a chair…back…back…until you might fall and then—you catch yourself and all is right with the world—exciting but measured.

Why do you hire an interior designer? With all the information available at your fingertips, why do you need to pay someone to do what you like? If you know what you like, you have the time and you have gathered a folder of ideas, why do you need a designer? Might it be to sort through options? Or to decide between choices of fabrics, groupings, arrangement, scale, style? Merely to hold your hand while you make those decisions? Do you have 5 photos of sofas? Do you have a million pictures of materials? Have you picked up or ordered clippings of fabrics? How do you decide among these many options? How do you know you are making the right/best decision given your options? What is timeless? What is trendy? What will last? What is practical? Which direction should it go? What goes with what? Ha—its funny if you start looking at your options and asking those questions…and there are a gazillion more during the process.

The idea behind hiring the right professional, is that they will help make the best decisions that will narrow your search and selections resulting in a distilled version of the gazillion ideas your have pinned, clipped, saved, collected and visualized. Not to mention they might and should bring other new ideas to the mix. The end result of responsible design consultation should provide a design you would not have had, that you like better than your efforts alone and eliminate costly mistakes saving both time and money.

The most difficult part is to recognize that not everyone receives information and processes it the same. One person’s mental image of a design concept might not be the same as another’s. Conveying ideas is an abstraction that can only be somewhat helped with illustrations and models. From quick sketches to well rendered illustrations, dimensional drawings to actual models, nothing will ever exactly convey what will be the finished product.

A sketch like this TV cabinet suggests a possible solution to an a/v issue…

Finished similarly to this piece of finely crafted knotty alder.

And this tired, yet fabulous contemporary sofa – can you visualize it in an elegant, classic navy stripe with new wooden feet? Watch for this transformation in a coming blog!!

It’s all conceptual. It’s not real—until its real. How’s that for a profound observation? Both designers and clients need to be very clear on this prior to committing to a design process. Visualization can be tricky. It effects expectations.

Communication is key. Choosing good, descriptive words…tangible samples of materials… illustrations…models…not all projects warrant the latter examples. The cost of the communication tools must be weighed against the value to the project.

 

So the creative process is fun and adventurous. The permutations are endless. So many choices, so little time. But if you make one decision, you narrow your steps. With each decision you build toward the finished product. And the beauty of giving yourself permission to “create” means that you can change your mind at any time, massaging the process as you proceed.

It takes patience and resilience. Art is creativity—opening the mind to possibilities.

Creativity is defined as the tendency to generate or recognize ideas, alternatives, or possibilities that may be useful in solving problems, communicating with others, and entertaining ourselves and others. (page 396) What is creativity? – California State University, Northridge https://www.csun.edu/~vcpsy00h/creativity/define.htm

The entertainment factor (above) is an interesting point—because it relates to the previously mentioned—fun! This creative process can be and should be FUN!!!

Being prepared to make alterations, fine-tune, add details and work toward that place that determines completion. Like a painter in front of a canvas…knowing when to stop. It can be over-worked. It can be compromised by going too far beyond that which is good. This does not merely refer to clutter or busy design…each is applicable and depending upon the definition and eye of the beholder (again perception) it can all constitute good design. One man’s clutter is another man’s complex design. But who makes those decisions? The critics for one—if the work is out there to be critiqued by the professionals, but the bottom line is the end user. If it solves the issues, serves the purpose, satisfies the desires—that is success. YOU (the end user) determine the success or failure of your design project.

But that determination of success or failure is a shared responsibility. It is a team effort of communication, contribution and patience with the process. The creative process has few limitations. Budget for one is important and physical restrictions—but other than those—designing is as though a living organism’s path. Designing is the abstract – to tangible way of navigating the fluidity, growth and development of the creative process.

So be free to explore and enjoy the possibilities. They are endless. Seeing the design materialize with the additions, and deletions, changes and modifications is part of the exhilaration of it all. It wants to be exciting and feed that thrill of anticipation and fulfillment of desire.

Create—and enjoy—it is good for your life.