The Accidental Art of Beet Paint

This week is a bit spontaneous as it has been a busy one. Lots in the mill so upcoming blogs will have some good fodder. But our anniversary punctuated the center of this last week, on Wednesday night, and I couldn’t resist sharing this delicious coincidence. These splendid short ribs drizzled with a roasted beet root reduction made a sensational presentation. The fresh greens and artful placement of whipped potato dollops with a handsome chunk of juicy, perfection – tender boneless beef atop – all laced with the fabulous fuchsia tumble of tender baby beets and their sassy sauce was an aromatic and visual treat for the senses.

I cut away at the magnificent morsels scraping the gooey beet paint as I went along…

Good ’til the last drop, I hated to be finished. As I ran the edge of my fork over the hot pink cochineal-like residue of all that was left of my delectable dish, the waiter came by to clear and exclaimed- “a heart!” And so it was. An artfully noteworthy finale, to a wonderful evening. Happy Anniversary!

 

The CREATIVE PROCESS of Interior Design

At the outset of a design project, certain first steps are common. It is after those initial steps that things can take two very different directions. First you have the desire or need to make some changes/improvements. You decide with whom you want to work to design and implement.

If you take the time to plan every aspect of a project, make all the selections, get all the details down on paper—well notated and drawn so as to convey every intent, you may begin and proceed without hesitation. The project can be scheduled and run accordingly. Easy peasy—with that prior proper planning.

Whoa—is that real life? Well it works for many. It works for those too busy to delve into the many possibilities, to be open to the evolution of the process, to enjoy the adventure of creativity. I’m talking about the projects not requiring permits – fabrics, finishes and furniture. New cabinets in a kitchen, switch out the counter-tops, get new updated back-splash…rearrange, replace, recover furniture…paint walls, hang art, mostly cosmetic enhancements in this case.  Clearly some just want it done—and have no interest in the creative process.  However, do you ever have a second thought? Does one decision affect the next? As you experience the design and implementation process, might you change you mind…have another idea? It happens all the time. It is more realistic, fun and feels like a true artistic endeavor.

But is your intent to create an art piece? Is it to experience an artistic endeavor? Or do you just want some new pieces, finishes, an update? These are two very different situations that require different processes.

True design is centered around the unique requirements and desires of the client. It is responsive and reactive. It is also proactive and filled with anticipation. The design process is one of balance and equation. If…then…

This process is intuitive and educated. It is based upon expectation and perception. Like tipping back in a chair…back…back…until you might fall and then—you catch yourself and all is right with the world—exciting but measured.

Why do you hire an interior designer? With all the information available at your fingertips, why do you need to pay someone to do what you like? If you know what you like, you have the time and you have gathered a folder of ideas, why do you need a designer? Might it be to sort through options? Or to decide between choices of fabrics, groupings, arrangement, scale, style? Merely to hold your hand while you make those decisions? Do you have 5 photos of sofas? Do you have a million pictures of materials? Have you picked up or ordered clippings of fabrics? How do you decide among these many options? How do you know you are making the right/best decision given your options? What is timeless? What is trendy? What will last? What is practical? Which direction should it go? What goes with what? Ha—its funny if you start looking at your options and asking those questions…and there are a gazillion more during the process.

The idea behind hiring the right professional, is that they will help make the best decisions that will narrow your search and selections resulting in a distilled version of the gazillion ideas your have pinned, clipped, saved, collected and visualized. Not to mention they might and should bring other new ideas to the mix. The end result of responsible design consultation should provide a design you would not have had, that you like better than your efforts alone and eliminate costly mistakes saving both time and money.

The most difficult part is to recognize that not everyone receives information and processes it the same. One person’s mental image of a design concept might not be the same as another’s. Conveying ideas is an abstraction that can only be somewhat helped with illustrations and models. From quick sketches to well rendered illustrations, dimensional drawings to actual models, nothing will ever exactly convey what will be the finished product.

A sketch like this TV cabinet suggests a possible solution to an a/v issue…

Finished similarly to this piece of finely crafted knotty alder.

And this tired, yet fabulous contemporary sofa – can you visualize it in an elegant, classic navy stripe with new wooden feet? Watch for this transformation in a coming blog!!

It’s all conceptual. It’s not real—until its real. How’s that for a profound observation? Both designers and clients need to be very clear on this prior to committing to a design process. Visualization can be tricky. It effects expectations.

Communication is key. Choosing good, descriptive words…tangible samples of materials… illustrations…models…not all projects warrant the latter examples. The cost of the communication tools must be weighed against the value to the project.

 

So the creative process is fun and adventurous. The permutations are endless. So many choices, so little time. But if you make one decision, you narrow your steps. With each decision you build toward the finished product. And the beauty of giving yourself permission to “create” means that you can change your mind at any time, massaging the process as you proceed.

It takes patience and resilience. Art is creativity—opening the mind to possibilities.

Creativity is defined as the tendency to generate or recognize ideas, alternatives, or possibilities that may be useful in solving problems, communicating with others, and entertaining ourselves and others. (page 396) What is creativity? – California State University, Northridge https://www.csun.edu/~vcpsy00h/creativity/define.htm

The entertainment factor (above) is an interesting point—because it relates to the previously mentioned—fun! This creative process can be and should be FUN!!!

Being prepared to make alterations, fine-tune, add details and work toward that place that determines completion. Like a painter in front of a canvas…knowing when to stop. It can be over-worked. It can be compromised by going too far beyond that which is good. This does not merely refer to clutter or busy design…each is applicable and depending upon the definition and eye of the beholder (again perception) it can all constitute good design. One man’s clutter is another man’s complex design. But who makes those decisions? The critics for one—if the work is out there to be critiqued by the professionals, but the bottom line is the end user. If it solves the issues, serves the purpose, satisfies the desires—that is success. YOU (the end user) determine the success or failure of your design project.

But that determination of success or failure is a shared responsibility. It is a team effort of communication, contribution and patience with the process. The creative process has few limitations. Budget for one is important and physical restrictions—but other than those—designing is as though a living organism’s path. Designing is the abstract – to tangible way of navigating the fluidity, growth and development of the creative process.

So be free to explore and enjoy the possibilities. They are endless. Seeing the design materialize with the additions, and deletions, changes and modifications is part of the exhilaration of it all. It wants to be exciting and feed that thrill of anticipation and fulfillment of desire.

Create—and enjoy—it is good for your life.

 

 

 

 

 

 

 

 

 

Hearts Are At The Heart Of It All

Su mundo es corazones. Artist Paola Alonso Rangel is at the heart of Vallarta and literally that is the name of her shop, Corazon Vallarta, where she thrives amidst the bustling activity in the old town, on a busy street corner, with much traffic flowing by both in vehicles and on foot.

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A man carrying a frightening large pane of glass about 6 feet long by 3 feet wide effortlessly and without intimidation marches down the street with taxis and buses bouncing by him. I cringe at the site and the young shop attendant, Nidia, shrugs with a smile and says “It’s Mexico.”

With Valentine’s Day nearing, this exciting little shop offers a wealth of opportunities to find just the right gift to say “be mine!”

Paola’s little Chihuahua, Pecas (Freckles), suns on the front step seemingly oblivious to all the activity swirling by. She is front and center of all that is happening in Corazon Vallarta.

A designer and hands-on artist of nearly everything she sells in her shop, Alonso Rangel is a model of organization and time utilization. She has her machine fine-tuned and knows just what it takes to create, prepare, produce and market her work.

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In the well-lit back room of her little tienda, she has all of her art supplies neatly organized on sturdy shelving sparing not one square inch of available space. Her computer plays soft Spanish songs that, with the fan blowing gently, creates a pleasing atmosphere where she designs and paints with a couple of assistants to assemble and package her work to sell.

As is true of most urban storefronts, the fine grit that is continuously accumulating from the dusty streets and vehicles in passing contributes to the concerns of successful retail presentation. Hers and others in this type of scene perhaps suffer more due to the cobblestones which collect and distribute ongoing layers of the sooty, dusty, fines.  So everything is kept painstakingly clean and wrapped in cellophane  – just another stage of the process that makes her conscientious practices so impressive.

From colorful wooden puzzles, picture frames, key hangers, boxes and magnets, the expansive home decor and gift collection, on which she collaborates with her brother in Guadalajara, is a treasure of her designs and creativity. All manner of colorful animals with whimsical expressions are the subjects of her puzzles with a bit of flowers and fruit in the mix for a generous variety of choices. Alonso Rangel designs all of the pieces while her brother and his crew with a manufacturing studio in Guadalajara do all the mill-work, brilliantly colorful painting and glossy lacquer finish.

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Other of her work is comprised of original one-of-a-kind creations on canvas and wood, heart-themed all in keeping with her heart-felt passion for  corazones.

She efficiently sets-up her own assembly line of stages of production, with Pecas supervising closely, so that her by-hand (hecho a mano) originals are always filling the walls and shelves and being lovingly selected by customers to take home.

Steel heart sculptures, wooden cut-outs, carvings, and more are the multi-media of her continually, seemingly endless creative concepts and body of work!

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Thank you Paola for all of your inspiration – by design!

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Nature’s Valentine’s Greeting!!!

So when you least expect it…nature speaks. On a silent coastline on a great lake in the wilds of Wisconsin the stones on the beach offered a hidden alphabet of opportunity. Upon making this discovery, I searched for and collected just the right pieces and sent a love note to my sweetheart. Wishing he were there to share in the wonderful adventure that was hiking through the enchanted woods to this lakeside hideaway, I did the next best thing and found an expression of LOVE , took a photo and messaged off to him…technology and instant gratification – well, across the miles…

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The lovely white stones were amazing…I don’t know the geology…could probably Google it, but suffice it to say they were white and soft, angular but smooth, bleached and clean – massed in a thick bed for miles along the shoreline. I wish I could have taken buckets of them to do something…fill a large snifter, layer in the sink for the water to spill over and remind me of this scene, touch and fondle – they were so special, so uniform in size – such a natural phenomenon of raw beauty.

Paired with the rough, elegant, weathered, driftwood that was scattered along the rubble and upon which I carefully placed the stones, the composition was truly a work of art – inspired by  nature and assembled by my eager fascination with the media.

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Take away…love is all around – OH! has that been said before? Well…love IS all around us and to find an actual, natural formation of alphabet letters that allowed the simplest expression of literal words, to be transported across the miles,  was magic.

Art…design…nature…find it!!! Happy almost Valentine’s Day!!!!

Would A Love Letter Be The Same Without Handwriting?

After having seen Federico Leon de la Vega’s presentation at TEDX Talks in September and after having seen some of the work in progress over the past couple of years, it was a treat last week to be in his studio to see the collection exhibited up close and in person!

Presented on fabulously enormous canvases and a few smaller studies, these bold graphic statements compile a contemporary collection that is quite astounding. The premise is quite provocative.

The idea that handwriting is a basic human means of communication having evolved into the very personal flowing script of cursive that each individual can call their own – in their own style – it’s almost as personal as a fingerprint. It is an extraordinary human function that should be protected, revered and certainly not lost to the fast-paced technology of the digital age!

Making one’s mark on a surface…a piece of paper…to convey a thought, idea, instruction, story, a doodle on a paper towel – a love letter.

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With Valentine’s Day approaching, it brings to mind the idea of love letters. We read them throughout literature and listen to them in songs. We hear of them being saved over time by recipients in treasured boxes tied with ribbon to be read over and over or merely saved for others to find long after…

These magnificent oil paintings convey the art of handwriting. They celebrate the simplest marks of hand to canvas with brush and paint looping in circles and jutting in spikes – the primary strokes of handwriting. These primary strokes are the foundation of mastering the control needed to make the continuous flow of letters that become each person’s personal interpretation of the alphabet in cursive style and an exclusive means of communication.

Style – handwriting conveys personal style. Look at yours. Is it always the same or do you mix it up? Do you stay consistent or do you express different styles of your own handwriting for different purposes?  Look at your friend’s handwriting – would you recognize it anywhere?

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It is thrilling to walk among these great canvases with their color and  bold strokes. It is arresting to realize that they are so simple yet so complex in what they are saying. We must recognize the value of handwriting. We must not let it be dropped from our schools’ curriculum. We must continue to see the importance of the pure, mind to hand, raw emotion.

Powerful spikes require starting and stopping – control.

Loose loops also require control to maintain uniformity.

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After control is learned, expression can take over resulting in that personal style that becomes each individual’s identifying handwriting.

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Federico reminds us in his talk, about how we might have attempted to write a love letter for the first time and how many times it was crumpled because it wasn’t quite right. The failed attempts of recording our feelings as we strive to say the right thing, to express our deepest emotions. Yet once accomplished, those words hand-written mean so much more than the same words conveyed by type or digital communications.

“From my heart to my mind, from my mind to my hand, from my hand to the paper I place in your hand,  so you may fold it and keep it near to your heart. No delete!”

The digital world is all around us. We cannot escape it, nor should we. However, the human evolution and the brain’s development that mastered the art of handwriting is a place that could be diminished and lost if we do not continue the art and practice of personal expression through this extraordinary medium.

All we need is love – sent via a personalized handwritten letter from the heart. Here’s to a Happy Valentine’s Day !!!

The Art & Architecture of Gingerbread Houses

Art and architecture meet all the time. Sculptural forms, building models, buildings themselves, sketches…but at this time of year, the fanciful world of gingerbread houses takes the spotlight and, in this recent scene we encountered, offered a beautiful fund-raiser while at it!!!

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As we pulled away in the pre-dawn hours of the  morning…we felt the chill in the air and the glow over the mountain sending us on our way.

We traversed across the terminal and before cutting over left to the escalator, we spied—at the same time—a wondrously tall Christmas tree adorned with airplanes and ribbon…and surrounded by an amazing collection of ginger bread houses on display in some sort of fund-raiser fashion.

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Upon closer inspection, the fantasy became tangible. The individual structures took on a form of expressive life in their individual attention-getting style. Each one was quite unique incorporating rivers and ponds, vehicles and foliage of all manner.

It is a Christmas tradition to create a gingerbread house full of fantasy and fear, hope and salvation. From the simple joy of baking traditions for Christmas, to the many versions of fairy tales that save children from the wicked ones in the woods creating and story-telling surrounding these magical edifices makes gingerbread houses a staple of the winter holidays – all the while offering architectural design and  construction projects for all ages. Below, see the Hanukkah version of this adorable house.

I just read a great piece by Tori Avey in which she summarized the history of gingerbread. http://toriavey.com/?s=gingerbread

She references architectural design with the fact that: Elaborately decorated gingerbread became synonymous with all things fancy and elegant in England. The gold leaf that was often used to decorate gingerbread cookies led to the popular expression ‘to take the gilt off of gingerbread.’ The carved, white architectural details found on many colonial American seaside homes is sometimes referred to as ‘gingerbread work’.

Having been raised on the east coast, describing houses with ornate “gingerbread” detailing was part of our vocabulary. I now see it in Rocky Mountain Victorians and California seaside cottages. It always conveys a quaint, welcoming feeling.

Avey further states: Gingerbread houses originated in Germany during the 16th century. The elaborate cookie-walled houses, decorated with foil in addition to gold leaf, became associated with Christmas tradition. Their popularity rose when the Brothers Grimm wrote the story of Hansel and Gretel, in which the main characters stumble upon a house made entirely of treats deep in the forest. It is unclear whether or not gingerbread houses were a result of the popular fairy tale, or vice versa.

Recently the record for world’s largest gingerbread house was broken. The previous record was set by the Mall of America in 2006. The new winning gingerbread house, spanning nearly 40,000 cubic feet, was erected at Traditions Golf Club in Bryan, Texas.

Everything is bigger in Texas!!!

The house required a building permit and was built much like a traditional house. 4,000 gingerbread bricks were used during its construction. To put that in perspective, a recipe for a house this size would include 1,800 pounds of butter and 1,080 ounces of ground ginger. Sounds more like a gingerbread resort!

So as we walked around this wonderful display at the ABQ Sunport and marveled at the colorful creativity, I knew this was the story for today.

The cartoon in the paper that morning also found  humor in the subject.

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And to further galvanize that thought, we arrived in San Diego to find Keira proudly presenting their half-eaten, already picked apart gingerbread project in the center of the kitchen table. T’was the joy of gingerbread houses—post construction, eating them!!!

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Color of the Year 2017 Greenery!!

Ta Da! Pantone announces its color of the year for the coming 2017…drum roll please…and the color is Greenery!! Yay!!! Last year there were two  – yes, imagine that – they couldn’t decide so they slurried Rose Quartz and Serenity resulting in a pale, cool, wimpy blend of soft rose and lavenderesque shades into a blended wispy pastel dream. Non-committal, in my opinion…lacking confidence.  Last year the rationale was stated by Pantone’s Executive Director, Leatrice Eiseman as…

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But this year they have it with this fresh organic hue in a yellow-ish shade primed for this year’s rationale from Ms. Eiseman which is:

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I have always loved green. I grew up in a Virginia jungle of a suburban neighborhood inside the Beltway surrounding my hometown of Washington DC. where the first signs of spring were the tiny tips of dogwood leaves poking forth from the delicate branches of those beautiful under-growth trees. The dogwoods were the graceful, human-scale layer beneath the towering canopy of the immense, rigid, vertical tulip poplar and white oak trees that commanded the woods.

Soft mosses, lacey ferns and perky lily of the valley carpeted the hidden pockets of our backyard. New growth is that prediction of amazing renewal and promise of the start of summer. So it is a prime observation that as Eiseman states in her 2017 rationale “greenery…bursts forth…with a reassurance we yearn for…” although I do not feel this is peculiar to this year as winter always makes me yearn for greenery and the reassurance  that spring and summer will return.

My mother also loved green and that probably influenced my childhood perception of comfort and context of it in interior design. She had and still has an eye for color. In 1959 she selected an amazing sculpted wool pile carpet in a warm, dark, neutral, taupe tone and built upon it a color scheme of pinks and greens that was subtle and relaxing, organic and contrasting, blending beautifully in our wooded setting of verdant lushness in which we were cozily situated.

That was upstairs where we felt like we lived in a flowering tree house amidst the dense collection of green leafy between the trees and surrounded by all shades of pink and white azaleas. Downstairs, where we retreated in the winter months, her greens were mixed with gold tones creating a warm interpretation of the greenery around us.

When so many in that era, between the 60s and 70s, were styling interiors with heavy oranges, browns and golds,

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my mother gravitated toward Lily Pulitzer’s fresh, tropical palette of lime green and hot pinks, clean crisp turquoise and citrusy lemon yellow – both in her wardrobe and her interior accent colors.

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Our beach house was turquoise and teal, navy and tan – the sea and the sand.

Following color trends is a slippery slope. I have blogged about it in the past. Adopting that which is often a combination of colors instantly records a place in time when everything from bath towels and shower curtains, bed dressings to draperies appears in the marketplace and inserts its predetermined obsolescent combinations into the lives of so many who would rather catch the wave – often behind the crest – to own and participate in what is conveyed by the market to be the “in” thing to do and to have.

It is best not to embrace and adopt the combinations that the market presents. It is better to select color and combinations that transcend the trends – skirt them so as not to fall into the trap of dated color schemes and tired combinations. Some avoid the trap by staying neutral. The safe, timeless colors of whites and grays mushrooms and taupes- but where is the risk and fun in that?

“Too bad for them” I often remark. It is such a missed opportunity…a limitation to select colors that you think you are supposed to like rather than those that truly bring you joy. I say “go for joy every time.” Color is such personality. It is a stage-setting element. It is a backdrop or foreground. It is a theme. It is an atmosphere.

With all that having been said, I for one am thrilled with this fresh selection for the new year. A bright beginning full of hope and new growth, fresh starts and positive forward movement – organic and life-affirming. So seek the colors that brings you joy and go forth with color in this new 2017 soon to arrive. My personal schemes will always have greenery!!!

Oh the Faces! Spanish Market

The sky was grey and the air had a decidedly seasonal still-cool yesterday which called for a cozy indoor activity – offered this weekend in the handsome Hotel Albuquerque, host of the Winter Spanish Market. Yes, the decades old traditional Spanish Market held in Santa Fe outside around the Plaza, on warm summer days in July, has begun a new tradition in Albuquerque in the opposite season indoors. http://www.visitalbuquerque.org/abq365/events/detail/28th-Annual-Winter-Spanish-Market/31793/

The collection of world class artists’ booths beneath the enormous hand-tooled tin chandeliers suspended from the spacious ballroom sparkled with festive illumination and colorful creations.

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A variety of Mariachi bands played to the crowds as the curious and collectors wove in and out of the rows of talented exhibitors.

Fine tin-work, dyed and cut straw assemblies, weavings and jewelry presented an incredible variety of work. Fine crafted furniture and spectacular wall pieces were displayed by master carvers. It was a collection of world-class art and fine craft.

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Crazy interpretations of his beloved traditional retablos are Charlie Carillos commically contemporary interpretations of vintage cars with saints at the wheel. Humor that is received with mixed reviews. But his talent is undisputed. Here he entertains at his booth with his colorful delivery.

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By startling contrast, the rich warm colors and traditional reverence that Catherine Robles-Shaw displays in her incredible carvings and painting techniques, wonderful detail and soulfully expressive faces. Her rich hues are Old World in their sensitivity to tone on tone and dark earthen colors outlined and enhanced with ribbons of gold.

Daughter, Roxanne Shaw-Galindo, a respected santero in her own right has continued to carve her own niche in this exclusive world of bultos, retablos and other manner of fine carving and painting.

The mystic powders carefully sought and gathered from ancient land forms and mineral-rich geology diluted with water and even the precious red of the rare cochineal all contribute to the luminous, translucent colors that read so differently from other media.

And further contrast is Frank  L. Garcia with his primary colors of electric blue, yellow and  red shining off of his wood surfaces. Uplifting and extracting smiles from all who pass his booth.

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Oh the faces!! Each santero has his or her own style.  Like fingerprints, the santeros each have cultivated a unique “look” to their work and expressions of their subjects.  The eyes say so much. Mournful, cheerful, pensive or stony stares, the characters are exclusively their own. Despite the similarities bound by tradition, each artist presents a specifically unique style which conveys incredible personality. These signature expressions, as individual as fingerprints, represent so distinctly each  inimitable artist. Despite the similarities bound by tradition, the methods and materials, each shine with startling individuality!

Here santero Ruben Gallegos poses with Mary Anne Green an avid collector and fond owner of several of Gallegos’ work.

Lee Valdez hunches over his soon-to-be cross carefully carving the rope detail around the edges. Light pencil lines define the decoration that he follows with remarkable precision – and look – he is sporting two pair of glasses stacked atop one another – which he says works just fine.

Behind him displayed on the wall are several other crosses in all manner of carving and decorative woodwork. One piece in particular is a yellow pine cross that is riddled with dark cinnamon colored worm holes – splattered actually – creating a spectacularly natural design. And further marks of nature that Lee captures are a knot hole and adjacent burled wood that he places dead center in the intersection of the cross. The four end pieces are carved from a piece of butternut wood providing the perfect natural contrast to the yellow pine yet complimenting the dark flecks of the worm holes. Quite a find, in this amazing piece of wood he spied in a hardware store, and remarkable sensitivity to isolate and assemble the various pieces to create the whole.

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A striking woman caught my eye. Her thick curly black hair and handsome silver cross strung on a multi-strand necklace of turquoise made a big statement amidst all of the art and drama. Meet Vanessa Baca.

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As we visited briefly I learned that she is a fellow blogger and I am sure it was fate that we met as her foodinbooks.com is a wealth of observations centered around great books and fabulous food within described. She writes with great depth of description and observation AND she breaks it down and teaches you how to prepare that about what you have just read!

Sean Wells painting as we watched, represents her art in her own striking appearance. Dark hair whipped and twisted with a stylish flair and topped with screaming orange flowers.

Wells’ images are equally colorful, happy and festive. If not her fine retablos, You might recognize her Fanciful Day of the Dead wine bottles and famous, collectible Lottery Scratchers! Find her on Etsy!

It was an inspiring day of extraordinary art in a genre that is so historically and regionally rooted with original methods and patient execution paired with the artistic imaginative people who practice and study this fine work. Thanks so much Mary Ann for a rare treat!

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Today YOU can go see this final day of  the 28th Annual Spanish Market 2016! Get over there!

 

Resourceful Creative Festive Fun

When it’s time sensitive and just can’t wait – what do you get? A BONUS BLOG!!!  Yes! A mid-week blog for the holidays! It began beneath a brilliant blue sky yesterday as the air, with a teeny bit of a  chill, was contrasted by the then warm sunshine glistening through a deciduous denuded Honey Locust making it’s lonely leftover pods look like birds silhouetted against the sky.

Scattered all over the ground were the same fallen wonderfully twisted mahogany-colored pods writhing amidst the dried leaves.

The color was so rich and warm it was irresistible. As I bent over to inspect one, I was captured by the unique quality of each pod and the amazing contours of their graceful, elongated shapes.

Almost as though they were varnished, they had a semi-gloss that was naturally beautiful. This is art in nature. This is inspiration. I can see this as a magnificent drapery fabric – a grand wall of these intertwined ribbons of organic seed pods.

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However, on a more current and immediate note – I saw a centerpiece or multiple centerpieces as it turned out. I gathered the pods in my fist as though a wonderfully wild bouquet. I then needed a bag (thank you Becky) as I kept dropping them, in an effort to force the ever growing collection.

Here is the quickie result of the awesome autumnal centerpiece. I had a faux wreath of berries and leaves, tossed in a few recently harvested local apples, (thank you Vigils), some leaves gathered from the driveway as the Bradford Pear – which, a little late this year due to our unseasonably warm Indian Summer this fall, has only started to drop its gloriously radiant leaves. And Voila!

I stood back and looked over my shoulder and saw the collapsed plastic bag still spilling pods out over the counter-top.

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I was about to call all my friends and ask “Do you want a piece of this fabulous, festive, fall, focus of attention? And I quickly realized I could expand the joy for those of you with grand tables  needing a longer statement down the center.

So flanking glass vases provided the extension I needed. Now this was quick – adding gravel, sand or moss in the vases would add interest and depth, maybe pheasant feathers, other dried flower pods and grasses – this was just a start based upon an irresistible inspiration scattered before me.

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So keep your eyes peeled for opportunities when you least expect them and make something out of nothing. Save unnecessary expense when you find your design accessories for free!!! Happy Thanksgiving!!!

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Buying the Bones…Re-upholstering

Re-upholstery is good. If you like a piece of existing furniture and it has “good bones” it is fun to give it an instant face-lift with new upholstery. I find myself salvaging clients’ pieces often when they had every  intention of complete replacement. The satisfaction of transforming a tired or dated piece is quite gratifying.

The next best thing is finding a piece that is value-priced for the aforementioned reasons of looking tired or dated and recognizing that is has “good bones.” This is like a treasure hunt. Whether on Craig’s List or in a Thrift Shop, searching for a piece is exciting. You have to see beyond it – you can’t tell a book by its cover – right?

Many of my clients are believers in this practice, but often did not start out that way. In fact for this blog’s example, I have the perfect scenario. It began as I remodeled and designed a spectacular renovation for a  single man who wanted a sleek, modern interior. We started from scratch with all new finishes throughout, custom cabinets, enhanced lighting, and then the search for a piece of furniture that had eluded us. It was the primary focal point that I envisioned – a large orange ultra-suede sectional. I stood beside my illustrator render the room based upon photos of the space and a very loose sketch that I prepared. A picture truly does speak a thousand words and is a fantastic aid in communicating design ideas that might otherwise be misconstrued or just plain missed by the client.

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We began pricing custom fabric on a number of options, but everything was over budget. So I asked if he minded if I looked locally for a used piece that we could transform. Luckily, he was busy and trusting and told me to have at it – so I did. It looked like it was made from marshmallows, but the key detail was the curved corner piece. I did not want an “L” with right angles – I wanted that rounded, welcoming, beckoning corner piece.  This crazy, puffy, formal, dated piece was in perfect condition and the woman, original owner, was moving and could not take it with her. In step I and paid this grateful woman her requested few hundred dollars, called my upholsterer and scheduled the pick-up for the next day.

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When I saw it for the second time in the back of the upholstery shop, I was psyched. It’s always fun- but this transformation was going to be amazing! Inasmuch as my wonderful client trusted me, I didn’t dare let him see it in its original form. I didn’t want to risk the probable fear and foreboding. I didn’t want to give him a permanent unsettling visual, of this puffy, white, marshmallow sectional, every time he saw his gorgeous, sleek, modern, orange masterpiece.

Therefore, the process began as I had already found the perfect orange ultra-suede and the guys at the shop stripped the layers of white damask, foam and fuzzy dacron from the solid wood bones of this beautiful frame. They slicked it clean as a whistle.

With a bit of work to lengthen on side to an imposing 10′ and shortening the other side by a few inches, the new sectional began taking shape. The arms were modified and the cushions squared and the lines simplified. In this case, the concealed feet were fine. Although we often replace feet, or replace skirts with feet, or feet for skirts – those options were not necessary in this case.

The finished product was the perfect piece. Our client was blown away with seeing it delivered and looking like the original illustration that we used to convey the design concept. The biggest response was that of the cost which was a fraction of the cost of buying this over-sized piece new. Because of the unusual size, it would have had to be custom all the way or we would have had to settle for a size less than perfect. Not to mention this was accomplished in less than 2 weeks rather than waiting a couple of months or more for a custom order.

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Ready-made, down-filled,  Ralph Lauren throw pillows were a great find to add a splash of color. The rug is temporary as a larger, lighter one is intended along with the custom cocktail table. Once again my team makes my dreams come true and the client has a unique piece perfect for his needs.