Friends Don’t Let Friends Pick Paint Colors

WHY? It’s never as easy as it seems! You can track the trends. See what is relevant to today’s popular design concepts. But how do you really pick a paint color? Warm versus cool, safe versus bold…there are seemingly limitless choices and so many things affect the decision. HELP!!!!!!

Does it help to swipe a swath on a wall?

Not usually. The surrounding often white paint isolates the color in a small concentration and it cannot begin to give the full effect of an entire wall or more. The most telling is to paint an entire section of wall that you can frame in your field of vision without seeing anything else.  That or painting an entire wall, for the best test.

Here a frustrated color connoisseur tried several test patches before calling for HELP!!! But we LOVE the novelty of the effect! What a conversation  piece – a work of art in its own right!!

When is the ceiling painted other than white and why?

Some colors stand-out and are more imposing while others meld with their associates.  It depends upon your personal comfort level. For example a room painted a sunny yellow might be too bold or imposing if the ceiling were to be painted that same color – white would be customary and give relief and contrast to the yellow vertical surfaces.  A more mellow color (like a taupe) might work well on all surfaces creating a soft, unifying encapsulation.  Shades of the same color – lighter or darker – can also prove to be an effective treatment. Light reflectance – artificial versus natural, depth, the hue and value all play a part in determining what works in a given situation. Not to mention any existing furnishings that might direct a color direction/selection.

Should different walls be different colors?

Why not? Variety is the spice of fabulous interiors – but that doesn’t negate the beauty of an all white interior . Knowing when you want color, how much and from what source is part of the balance of design.

Remodeling this room was comprised of removing walls, adding a serpentine banco and hearth, stone wall surface, painting stained cabinets…We started this project with a new white on white texture and contrast of 3 different stone materials adjacent white walls and white wood trim.

 

We ultimately added coral punctuation in the recesses of the niches.

What is color layering with paint?

Planes of color seen over-lapping can provide a fantastic effect of colors literally layering over each other. Looking through an interior and reading a wall of one color and another wall behind it peeking out with a different color can add interest and contrast.

How do you stop colors from wall to wall?

I prefer stopping on an inside corner – always. But that’s me. I prefer to “read” the element (wall, monolith, enclosure, etc) as a structural unit. As though the wall were build of that material – the finish suggests the material rather than illustrating a surface application that quits. And I feel the same way about any surface application – tile, wall-covering – preferring to stop on an inside corner to define the element from beginning to end.

EXCEPTION: I have had several instances where we have a little  fun with transitions between colors – a zig-zag motif, for example, can provide a surface graphic and change colors on one surface!!

Wrapping a corner from a full wall of yellow to another – but not wanting the yellow on the entire following wall – intentional graphics are fun and allow for the change of color.

Semi-gloss versus flat?

Glossy finishes show more defects in the surface material. So a wall with imperfections such as texture flaws, repairs, any uneven detail will be enhanced. So to minimize defects, a flat paint is preferable. It also depends upon what you are trying to convey – a smooth plaster finish – might be better expressed with a semi-gloss but an earthen softness is better with a flat paint. Clean ability and durability might play into this decision – but not at the expense of the desired visual effect as there are many grades of paint to accomplish various levels of ease of maintenance – consult your paint products professional.

Contrasting a gloss against a flat on different adjacent elements is a nice contrast such as wood trim in a gloss against flat on the adjacent wall. Is the trim the same color as the wall or is it a contrasting color?

Do dark colors make small spaces smaller?

It is a deceptive misconception that this is the case. Dark colors recede and therefore can actually expand the illusion of space. A dark ceiling seems to recede into the void and creates the feeling that the surface is far much higher than it really is. Dark colors behind light colors does the same – recede as a back-drop. Do not fear dark colors – they contribute depth and drama.

Picking paint colors is like selecting the backdrop for your world. All your things are set against this plane.  Applying paint is having control of transformation. Like controlling when and how the sun washes the dawn or the night envelopes in darkness and all the amazing colors that occur in-between.  Visualizing the end result, creating the transformation that takes place beneath the brush, roller or spray gun as it alters the scene are magical powers.

 

What Do Fabulous Fabrics Have in Common?

Fabulous fabrics are NOT common – that’s what they have in common!!  After paint, fabrics are the most  malleable design element that can make dramatic transformations in an interior.  New pieces, reupholstering existing pieces, treasure-hunting to cover vintage pieces, salvaging family heirlooms, plastering or padding walls and ceilings, draping and accenting – doesn’t it sound exhilarating? Imagine the  possibilities!

Metal studs to trim things…wrap a lampshade, border draperies, trim a sofa, adorn a pillow…so many things…and the stormy cloud printed velvet in the background of this trim – is blustery and powerful.

One of the most fun-filled events in our design studio are the road-trip visits by our fabulous sales reps that bring the world to our conference table!!  In larger cities, the design resource centers, markets and their showrooms offer myriad marvelous samples of furniture, decorative accessories, art, lighting, fixtures, finishes and fabrics.  Exciting new design trends are presented each season.

But when you live, in isolation from the major centers, as we do here in the high desert – we are treated to personal presentations that are intimate, relaxing, inspiring and educational. Here is an exclusive collection that was presented just last week. Sit back and watch the fabrics unfurl and float – one after another – in layers of color, texture and incredibly inspirational style.

Weighty over-stitching or “top-stitching” adds detail-either high-contrast, color-on-color subtlety or the median slightly contrasting grey with white. Trending – touchable textures! Here presented for interior fashion, but you can bet that clothing fashion designers would love to play with these textiles for wearable art too!!!

Sure, throughout the year we travel  to source hubs, surf the net, call our reps, request samples, compile materials and gather what we need across the miles. It is challenging.  Like living on an island and bringing the amphibious containers of supplies over the sea and up onto the beach! But inasmuch as we don’t have a design center handy to do a lot of “one-stop-shopping,” we do curate our own very extensive source library of fabrics and architectural materials. With that at our fingertips, without leaving the studio, it’s a time-saver, a stimulating place to to engage clients and we are easily spoiled!

Fine weaves make terrific grounds for bold prints – here in three different color-ways – what a POP! Retro to new concepts – patterns add pizzazz!!

This recent textile presentation brought refined and rugged landscapes of intriguing textures and patterns that  stimulated our design juices.

Intentionally cut after the weaving process provides extra texture and pattern interest.

 

Often the “backside” of these fabrics are as interesting (if not more so) than the fronts – but be mindful of floating threads and other weaving details/methods that interfere with practical use.

Bold “geometrics” are not only vivid with high contrast threads, the texture is what cannot be accurately replicated or conveyed via digital images on a  screen. Despite the fact that I got up close and personal with these samples to photo, nothing beats touching and feeling the fibers and textures.

Complex weaves dazzle with design creativity. Bringing an artist’s concepts to fruition, with a mill to fabricate the dreams, is enchanting.

Traditions of weaving artisans are found in countries around the world. Sadly,  not many fine fabrics are woven here in the States, partially due to the cost of fabrication and also due to the generations of crafts people who are experienced in the art of weaving more cultivated in other cultures. Whether organic, engineered, by hand or efficient, fast-paced mechanization – art and technology continue to push the envelope of fantastic creation and production in the fabric industry.

Here’s a great tip – if for only a pillow cover – if only ONE side of a pillow cover, having unique fabrics is having art. Living with functional art. Appreciating the designs, textures, craftsmanship and unique qualities of fine fabrics and wall-coverings is most satisfying.

Paints hand applied to the surface of fine woven fabrics is gilding the lily.

Who doesn’t love these colorfully, whimsical dot halves hand-applied to the surface of this nubby neutral??!!

Silk-screening also is an art-form that enhances the quality and appreciation of fine fabrics and papers.

Some of this collection are vintage art-pieces resurrected with new colors on the screen prints.  The caliber of a fine, timeless, resource is about quality of both design and construction. A collection that continuously offers – classic and new, bold and subtle – answers to so many opportunities, is a resource that is to be celebrated!!

We investigate the most extraordinary fabrics, in the world, so that we can compile and create the perfect combinations for your exclusive lifestyle.

What’s Trending? Do YOU Need An Interior Designer?

As we move forward into this new year…the story is the same – only some details have changed or been added to past stories. By that I mean if you search for trends – they are ALWAYS all over the place.

We do find years when really new ideas take the stage – like when the shift from plastic laminate to stone slab counter-tops became a valid trend.  It was a trend brought about by improved technology, shipping,  cost and ultimately availability. After that, the engineered surfaces that grew from this trend broadening the offerings – explored color, texture and pattern and continue to introduce new options.

Myriad surface materials mimic natural stone – when is it preferable over natural stone?

 

Engineered stone products offer many bold, solid colors from pure white to amazing primary colors.

So right now bold color accents are in,  wall covering that made a come-back a couple of years ago is sticking for the time being and with newer bolder prints. Fabrics too – prints are bold and large scale!

Wood on walls is trending. Printed concrete tile is the big thing. Farmhouse sinks – in different finishes than customary stainless or white.  Vintage light fixtures – enhanced with new technology and lamping.

So, does that mean I can’t have a white sink or shouldn’t have a stainless one?  I should use printed concrete tiles in my kitchen or bathroom? If my home lacks a bold print wall covering am I missing something? If  I’m not sporting some raw concrete, am I out of style? Is the wall full of family photos in my bedroom passé?

Surrounding by existing vintage pieces and family heirlooms, the new living room pieces added some contrasting, contemporary lines with clean, crisp, classic, blue and white fabric patterns.

Oh, the pressure to get it right!!!! Oh so many choices – how do I decide? Do I have to start over? I want to be in style – but I don’t know what that even means between today and 6 months from now. I like neutrals – am I dating myself?

Neutral fabrics in a variety of textures and subtle patterns on a recently re-upholstered sofa.

Be calm and carry on…that’s why interior designers exist!!  Sorting through all the conflicting, changing information and choices can be exhausting! Just get on Pinterest and look for any subject about an interior – window treatments, living rooms, bedrooms, wall treatments, flooring…with each year, the choices expand. The permutations seem endless. HOW does one ever decide?

Mark my word, we will be flooded with interiors plastered with printed concrete tiles, faux printed concrete tiles, filament light bulbs and jarring color contrasts, in the coming months and perhaps even years…These trends have already made their mark. But it will be the creative manner, in which the various printed concrete tiles are used and when the vintage style of filament fixtures is appropriate and effective. What colors are used (where, how and with what) is what will set a few exceptional installations apart from myriad uninspired, if not confused, versions.

An effective interior designer knows what is trendy versus a trend designed and positioned for lasting impact. This is a major part of the equation. Existing conditions with regard to architectural style, existing furnishings, personal preferences, budget, priorities, all play roles in the design process.

A young teen’s bedroom was recently redesigned to reflect her developing tastes and preferences. Bold color and a variety of geometrics and patterns make a bold, fresh statement.

You don’t want to be coerced into making changes just because new style suggestions are being presented. Trends DON’T RULE – despite the fact that the design community wants you to think they do, in order to continually change things up! Don’t be a victim of too many directives regarding what is in style. It’s intimidating and mostly due to access. We have access to so many opinions, on-line sites, magazines and advertisements that the pressure, conflicting information and choices can be ridiculous.

It’s YOUR interior, your style, your comfort and functionality. Yes, it’s all about YOU and yours.

Do YOU need an interior designer?

A Dozen Tips for Planning a Kitchen Update

As we know, kitchens and bathrooms lead the features that often make or break a house sale. Investing in such improvements can not only enhance your living experience, but also serve you well when it comes time to sell. There are a few basic tips to follow as you embark on this could-be, (but need-not be) daunting project. Here are some important things to consider for all facets of the experience!

  1. To begin, note what things about your kitchen you would like to improve – both functional and aesthetic.
  2. Gather inspirations – make a hard-copy file or at least collect in a folder in your computer things that inspire you in your quest for your improved kitchen. Use kitchen design magazines, Pinterest posts or remodeled kitchen ideas that you Google-search. These ideas are a great springboard to narrowing your design direction and conveying your concept to your design professional.
  3. Based upon your “inspirations” what is your color scheme? This direction will impact options and decisions for finish materials such as flooring, cabinets, countertops, back-splashes, wall finish and window treatments.
  4. Is it merely a facelift? New cabinet doors and drawer fronts? Perhaps new countertops and back-splash. Or is it a complete gut and replace?
  5. New appliances – replacements or additional components?
  6. Sketch the layout of your new kitchen, if applicable. Make sure the available space accomplishes what you are imagining.
  7. Imagine the finished product. Illustrations of the “after” design are the best way to accomplish this.
  8. When in this process should you consult with a design professional? Perhaps after number 3 once you have gathered examples of your preferences…I let the list continue beyond number 3 to give you an idea of where in the process you might feel the need to have some qualified assistance!! An experienced designer will see things you don’t, know things you might not have considered and ideally maximize your budget by avoiding costly mistakes or missed opportunities.
  9. For example, don’t miss opportunities for additional storage – this is a critically creative design detail that results, in great benefit, to the finished product.
  10. In fairness to you and your contractor, try to establish a budget. Do a little homework. Gather rough costs for lineal feet of cabinets, appliances, design consultation and construction costs (a good resource are the home-improvement stores). Give yourself some latitude as this cannot be a finite budget at this early stage of the planning.
  11. With your design pro, discuss contractors that fit the bill to what you are trying to accomplish. If you are only tackling cosmetic improvements, a general contractor might not be needed. For example, new wall finish, countertops and appliances or new cabinet fronts, a new light fixture…these are individual sub-contractor projects. But as soon as you get into moving plumbing and electric, adding or removing walls, puncturing the envelope with windows or skylights – you had better hire a general contractor to take responsibility for the scheduling, coordination, licensing and permitting of the work.
  12. Once your scope of work is determined, you might need to get familiar with great carry-out in your neighborhood!!! That and a few great restaurants too, as you might be without your kitchen during a portion, if not all, of the process once the work begins!!!

Here are a few projects that we have documented with pretty effective “before and afters” to help you consider some of the above referenced tips.

These peachy pickled white-washed red-oak cabinets had classic lines and were in excellent shape after 30 years! The original owners were ready for an update.

 

Purely cosmetic (except for replacing the lighting) we saved the cabinets in their entirety, painted the boxes, doors and drawers. By shooting the fronts remotely, quality control was insured and caused less imposition at the residence.

 

Black accent pieces were already in play. The new black finish was a dramatic transformation. Using a special tinted varnish, proper prep and several coats results in a very strong new finish. All other finishes were replaced with a conscientious effort to coordinate with the existing flooring. The result “reads” as though it was all done at the same time. The floor tile looks good as new!

 

Similarly, we saved the cabinet boxes, but differently from the previous project, we added a few updated cabinet features and replaced the door and drawer fronts to a more classic raised panel detail.

 

Again the transformation was exciting, but by saving the perfectly good cabinets, we had far less disruption to the home-owners. Enhanced cabinet details for improved drawer glides, additional storage, new counter-tops, new lighting, and as is true with all of these projects “cabinet jewelry,” in the way of new door and drawer pulls and handles, adds the finishing touches.

 

This very dated kitchen from the early 70s, had a new owner – a single man – and he definitely didn’t want this provincial look!

 

In this case, a general contractor was in order. We opened walls, re-designed all the lighting, replaced all cabinets with new custom cabinets, appliances, flooring, counter-tops and back-splashes. The transformation is astonishing!

 

 

Remodeling? How to Embrace Existing Conditions – Celebrate the Story

This happening scene provided fabulous fodder, to observe existing conditions being incorporated into a design, for great benefit on many levels. Applicable to all remodel projects – see what you think!

In this case, Night Club design. The styles are many, but the concept is of a  commonality comprised of a few basic functions – a fun place to socialize, meet people and enjoy the entertainment of the overall scene often including live performances. We probably all picture the image of a flashy, glitzy environment.

We were recently in a most unusual space that combined the glitz and bling you might expect with a “nightclub” atmosphere, but juxtaposed with rustic finishes that were unique to the original architecture. This brick expressed in some of the remaining structural elements – walls and column/arched spans of structure – was warm and rich providing an unexpected pleasing combination that so easily might have been eliminated – concealed behind slick new finishes.

To play-up the vintage aspects of the space, ornate traditional chandeliers were suspended amidst myriad dangling strands of sparkling, golden LED lights. These provided a glittering glow of ambient light in the upper reaches of the space effecting both the downstairs and upper level of the club. This mixed lighting treatment was obviously the eye-catching  emphasis of the interior.

Ample light was provided by the luminous chandeliers and thousands of dangling LED pin-dot lights along with the indirect lighting of the back-bar shelves. Therefore, the large steel domes that hung suspended over the bar needed not to contribute ambient light, but were limited to effectively cast direct downward light on the bar surface. Their golden interiors provided a warm glow while the exterior surface disappeared into the darkness.

The bar was quite simple and raw, yet read in enough of an interesting and complex fashion, to compliment the scene. The design was sufficient in its components and indirect lighting worked well with all the other design decisions.

The simple Tolix-styled stools were an understated easy fit with the other surprisingly raw materials of the bar.

To answer the need for friendly group conversations, there were comfortable places to gather with zoned seating areas of tufted leather sofas and leopard-patterned rugs,  wooden grouping tables, then hi-top tables with stools and finally barstools along the length of the bar. The various areas provided options for patrons to pick the most inviting or appropriate spot to enjoy the atmosphere with friends.

Having choices in any hospitality setting is invaluable. It allows the patrons to make their own decision how best to utilize and enjoy the space. It answers different needs and appeals to different people for different reasons, therefore inviting a variety of patrons to invest their time and money in the establishment. A broader reach of clientele.  A broader client base.

I’ve mentioned more than once that having restroom design follow the theme and quality, of the rest of the interior, is imperative. As it relates to night clubs, it is often the meeting-ground for dating, meeting new people, attracting new people and therefore,  the restroom should promote attractive feelings of approval and confidence in the guests.

Jazzing up the restrooms in keeping with the jazzy feeling of the club environment should be a natural continuation of the design scheme. That means mirrors – full length – not merely above the sinks,  good lighting without down-lights to cast unappealing shadows on the guests.

Here the placement of sinks outside the restrooms frees up space in the stall areas, while adding interest to the extended restroom area. The design theme presents free-standing bureaus for the sink cabinets. Often shared sinks are used in these anti-room set-ups, but in this case opposing sides of the vestibule provided an attractive vanity area for men and a separate one for women.

What was so inspiring and interesting as we scanned the interior were the various zones all within this complex mix of original, traditional architectural elements and adding traditional if not vintage lighting fixtures paired with modern high-tech lighting effects and large brilliant monitors featuring exotic, playful, getaway beach videos. It worked.

Have you ever encountered a structure that at first glance did not comply with the supposed new program? Awkward supports, raw materials, exposed mechanical…so ,many “unfortunate” things to get in the way of your design. Often the “imagined” design over-rides the reality of the moment. The challenge is to allow the moment – the reality of the existing conditions – to participate in the process rather than being briskly eliminated without thorough consideration.

And the additional bonus might often be cost-savings and budget stretching while not betraying that benefit at expense of the finished design. Brilliant to have incorporated the “whatever it is” – wasn’t that creative and hence, interesting!! OK – I’ll take that!

To have concealed or negated the architecture would have been almost criminal – certainly a loss of architectural integrity and textural interest.

The crime of missing opportunities like the seemingly conflicting traditional elements with the need to be glitzy and modern is to be too one-directional . It’s like having “design-blinders” on that direct and focus a theme without recognizing the value of thoughtful salvage of  content, contrast and context.

All of what we observed applies to both residential and commercial design. The takeaway is to consider existing conditions and, if applicable, embrace them. Give thoughtful consideration to the opportunities before glossing over them, concealing them or eliminating them altogether. Try to appreciate the gifts that might escape you if you insist on unnecessarily hammering and manipulating a space into submission – design submission. Rather, let it tell a story and contribute to the design process – which would more than likely result in a more unique and creative end project for that thoughtful integration of the existing elements.

DIY…Do It Yourself Beachfront Getaways or DWI…Designing While Intoxicated!!

Not as the title suggests…tequila shots and all – but another kind of intoxication…an intoxication from unexpected beauty, sensory overload, inspiration as seen in the following photographs.

Those of you bundled up against the elements this time of year…freezing your booties off in the icy winter climes. Enjoy this escape into your unbridled imagination of design and lifestyle gone wild!

Thought a beachfront condo was out of reach? Think again. With all the DIY out there on the internet today, anything is possible. As evidenced by the inspiring framework of architecture that I have encountered just this week alone, consider the possibilities and have a little fun!!!

Very simple things trigger design concepts. Beyond the fascination I have had with these beach structures, this particular photo was bathed in late afternoon light. The glow of the orange towels was emitting a warmth that was so tropical, had it not been on a tropical beach, finding the same boldly colored and textured structure in a snow storm would have elicited a startling, contrasting feeling of the same tangible warmth.

This make-shift west-facing beachfront was so beautiful, in its simplicity, that it spurred ideas of bold fresh color, basic found-material furniture possibilities, fabric design and organic architectural solutions for patios both commercial and residential.

Imagine raw elements  incorporated  with concealed structural support to convey the feeling of spontaneous simplicity.

Then there’s that general calling that speaks to “the natural integrity of the materials.” You realize it is a grounding.  It is a starting point of reference to all the embellishments, layers, machinations and manipulations that are possible.

Wood is wood until it is stained, painted,  appliquéd…when does it lose its “natural integrity?”  Even raw, man-made cinder block – CMU – concrete masonry units have their own natural character. Then stained in the aggregate or applied color, thickly coated…it alters it’s state – losing its material’s natural integrity.

What ignites design thrills? The fireworks of ideas that burst onto the scene illuminating so much that was previously obscured. It doesn’t have to be a remote and seemingly inaccessible tropical beach…it’s everywhere. Look around. See texture and color, shape and frame. Urban, suburban and rural settings in any climate all offer inspiration that can be isolated and appreciated. Design inspiration can be intoxicating.

Why is designing so exciting? Why is it often such a rush? You never know when an idea will appear or from where.

The world around you is a constant stimulation of ideas, inspirations and possibilities. You are thirsty for  whatever is out there…whatever is waiting to be discovered, implemented… quench those longings.  It is all about the freedom to allow ideas to be spawned from anything around you or in intertwined with your own imagination.

What fun to have come upon these simple structures on a glorious and sparsely populated beach. What fanciful design ideas and story-lines were prompted by the imaginary occupants, their creativity, resourcefulness and problem-solving simplicity.  Lest you think they house the homeless adventurers, they are actually sun-shades for creative surfers and affluent sun-bathers seeking a primitive beach experience.

How might these primitive structural solutions play into a future project? Watch for design trends to incorporate more organic materials and nature’s inspirations!

I’m ready to explore the possibilities. Are YOU?

Atmos and Eating by Design

How do you select a restaurant? As a patron, what makes you dine out? How do you select your preferred dining experience? I’m talking about casual and easy or even more a more in-depth gastronomic event.

When it comes to casual, quick and easy, I still want the experience to have personality – a pleasing personality and great flavors. Personality is atmosphere. Great flavors is the kitchen. Service might be “step-up and place your order” or table-side wait-staff. In either case, I want it to be a pleasing experience. Why would anyone want it to be difficult or unpleasant? Perhaps that lies in the definitions of the beholder. What is difficult or unpleasant and the various degrees thereof is not be the same for everyone.

Throughout my childhood, I remember my mother and her peers reference “atmos.” It was important. It came up often. “Does the place have atmos?” Or “what great atmos.” Atmosphere – it is the feeling you get in an environment. It is the feeling a place emits. I don’t ever recall it being used in the negative – such as this place has horrible atmos…rather, like ambiance, it was reserved to compliment.

 

Cafe des Artistes – Puerto Vallarta – Note the full-wall mural by Federico  Leon de la Vega as a backdrop to the dining scene. Also, perhaps someone should have straightened the lamp shades!

We now hear “vibe.” The place has a good vibe – but not limited to only compliment, a place can have a decidedly bad vibe too! Is it just the saying “If you can’t say anything nice about something, don’t say anything at all?” Perhaps we are less polite than the previous generations. Yet, constructive criticism let’s you know what makes your patrons pleased. Truth be told…be honest with discretion.

As a restaurant owner, it seems that erring on the side of greater numbers sharing the same opinion of easy and pleasing would capture the greater share of the demographic. Therefore, studies are out there to determine the value of ambiance and presentation. Starting with defining the description of your eatery…who are you and what and how do you serve? What is your “brand?” Whether funky or fine, dining should be worth the visit.

Nexus Brewery, in Albuquerque, has a unique brand and complimentary interior “vibe.”

I read a few excerpts from a fascinating new book, Gastrophysics, The New Science of Eating by Charles Spence. In it, he touches on the importance of atmosphere. He observes the value of interior design even as it relates to how much people eat and how much they spend as a result of atmospheric influences.

Another great read for understanding the art of a successful restaurant is Daniel Boardman’s Your First Restaurant – An Essential Guide. As an “essential aspect of your concept” Boardman identifies why the “thoughtfulness of the interior design” communicates to the patron a lot about the service and food that one might expect to receive.

Tacos on paper – porque no?

From lighting to the shape of the plate, ambiance and presentation are key features in a successful eating establishment.

All the way from candles on a white linen table cloth to a handsome juicy burger in a basket lined with paper, in the context of the environment – design details matter.

Luscious bun-less green chile cheese burger at Sparky’s in Hatch, New Mexico – served on paper and styrofoam – not fancy, but perfection!!

 

Stone under-foot and condiments as a center-piece!! Funky!!

Some reading this might say they don’t care. Fine. Perhaps on the surface, they think it doesn’t matter. They don’t realize the effectiveness of well thought-out details. They take these things for granted. Yet these details can make or break a dining experience – from casual to fine.

El Arrayan presents enclosed patio dining with a variety of light sources, well balanced colors and textures in Puerto Vallarta.

Next time you eat out, look around, smell the smells, hear the sounds, see the colors, notice the lighting sources and levels, feel the furniture and – have I not mentioned it? – check out the restrooms!!!!

Las Caletas…in the jungle…clean and simple.

Not only should they be very clean – but they should also continue the theme of the place.

Graffiti by design, this restroom is actually immaculately clean and patrons do NOT contribute with their own markings. It is located in the street taco eatery of SALUD! in Barrio Logan, San Diego. Fast and friendly, delicious and fabulously  funky!

Pay attention and you might be surprised at what you discover about your sensitivities.

Chaco Hotel in Albuquerque is thoroughly theme-based throughout.

What you hear while dining contributes greatly to the pleasure or discomfort of your time spent in the environment. It either contributes positively or detracts annoyingly. Listen to the sounds next time you dine. At home or out, notice voices, chairs being moved, glassware, music, kitchen noises, traffic…see what detracts, what enhances or what might be considered neutral.

Interior designers are considering it all – the theme, atmosphere, colors, artwork, furniture, lighting, table dressings, serving pieces, fabrics, textures and even sound. Whether casual or more formal, these design details can make or break the success of the business.

Oro Valley Country Club, Arizona.

Even if the food is exceptional, too bright lighting, ineffective colors, uncomfortable furniture or confused design elements can result in negating even the best chef’s efforts. It is a package. It is about the whole. It is a multi-sensory experience. Buen provecho!

TRENDS DIE – What’s New for 2018?

I was surfing for fodder about the new color trends to kick-off this first mindful missive for the New Year and the color trends were all over the place – no consistency at all. From Ben Moore selecting Caliente AF290,

“Caliente is the signature color of a modern architectural masterpiece; a lush carpet rolled out for a grand arrival; the assured backdrop for a book-lined library; a powerful first impression on a glossy front door. The eye can’t help but follow its bold strokes. Harness the vitality.” 

—Ellen O’Neill, Benjamin Moore & Co.

to Sherwin Williams in a totally opposite direction proclaiming Oceanside SW 6496 their color of the year.

“A collision of rich blue with jewel-toned green, a color that is both accessible and elusive… A complex, deep color that offers a sense of the familiar with a hint of the unknown, Oceanside, bridges together a harmonious balance of blues and greens that can be found in what’s old and new.”

What? Are we straddling now?  Do we have one foot in one color trend while the other stretches across the color wheel and causes us to nearly do the splits trying desperately to hang on?

The walls of my east gallery space were a spicy version of Caliente for nearly 20 years! Bold at the time and unheard-of for  gallery walls – it was not to be changed for nearly 2 decades!!!

Whew – that was a run. I even named the retail space “Caliente.” And the color-band between the crown and picture molding at the back was a version of Oceanside – a lighter value of the blue-green hue.

The Grand Re-Opening July 2016 presented a dramatic transformation to a pale aqua resulting in a diametrically opposed feeling – a cleansing from what was crowded and hot to spare and cool.

But I digress…

Annoyed by the seeming authority, but weak contrasting rationale that I encountered with the wide range of picks and opinions, I left the paint companies and clicked over to the Pantone site. There I encountered their authoritative, ethereal color forecast of the year – Ultra Violet!!!!!

Yikes – they were coming at me from every conceivable direction!!! How on earth is any eager apartment dwelling or home-owning individual supposed to know how to go forward in sprucing up their space without fear?

Then  I came upon a piece by Mehgan Nesmith Ugh, What’s With These Generational Color “Trends”? From observing the broad reaching trend surrounding millennial pink to snippets from other sources,  I scanned the paragraphs amused, but still not satisfied. Until I arrived at paragraph 6 and there it was – the true fact that keeps the world moving forward – for better or worse – TRENDS DIE.

Yes they do and for good reason. I’ve said it before, take care in making costly selections that will stay with you past their prime. Trends are there for a reason. Designers dabble in creativity every day of the year to come up with things to tantalize, inspire, evoke, and entertain – and most importantly, SELL. Some of these trends stick. Then they are no longer trends, they transition and become classics. But to transcend the fleeting status of trend, “it” must have something very solid about its being.

And when it comes to interior design, with all the style trends for furniture, fabrics, architectural elements, finishes and decorative accessories – colors race through history like no other design element has or will. Colors rule and when they are good, they are very very good, but when they are bad, they are horrid!!!!! Thank you Mr. Longfellow!!

Take the massively graceful modern art piece suspended from the ceiling of the East Wing of the National Art Gallery in Washington, D.C. – classic – both in form and color. Red and black. Strong and simple. Bold and brilliant. Imagine if it were this year’s Pantone pick Ultra Violet  Aghhhh!!!!!!!

Actually, methinks I protest too much. The shade of purple picked, by Pantone, is heavy on the blue rather than the red.  The blue cast gives it a calm. Not whacky like Barney screaming purple – but, rather a royal shade.  Nonetheless, it is better served as an accent – don’t buy  wallpaper in it. Go ahead and paint the walls and have your fun – but know that you can change it without peeling off hundreds, if not thousands of dollars of wall-covering or re-upholstering your sofa like Meghan was tempted to do!!

It’s a color that stands alone – plays better by itself than with friends – like the child’s report card where the box that says “plays well with others” is not checked.  In my estimation, it will read well with clean, crisp white.  However, like Ms. Nesmith aptly says in her piece “if you are  still curious about that Gen Z yellow, buy a vase!”

That’s how we play with  colors and create a bit  of collision, unexpected off-key harmony, intrigue and suspense. But it is not for the faint of heart and the chance of tiring of it is paramount. Trends die and colors are tricky.

So Happy New Year and Happy New Colors in your world to refresh and renew!! Thank you Meghan, for your lively contribution to today’s story.

 

 

COMFORT & JOY with ART

A few years ago I gave a talk. The title was  something like “I Need a Piece of Art to Go with My Red Sofa.”  It was a defensive argument giving liberty to those who sought artwork for decorative purposes rather than an esoteric rationale. As an interior designer surrounded by artistic influences and drawn to the limitless styles, pieces, concepts and movements of the art world, I see and appreciate both sides of this controversial coin.

Federico Leon de la Vega’s Pomogranates

In my opinion art should bring joy. And that is not to discount art as a social commentary, honest statement of artistic philosophy, opinion, or personal expression. As an interior designer, my simple philosophy is that joy is a goal of interior habitats – function and joy simultaneously. For me, there is a synonym for beauty in there. Oh – and how apropos – it’s Christmas time and the carol God Rest Ye Merry Gentlemen specifically identifies bringing “tidings of comfort and joy.”

In this  month’s December 2017 issue of AD “Architectural Digest” Living with Art, architect Luis Laplace offers that he doesn’t really know about beauty in art. He sounds modest and self-effacing.  “I say I don’t know beauty. When I see that something works, then I see beauty.”  I say that is saying a lot about context. But inasmuch as I can see context being so perfect to showcase a piece that it validates it somehow, it seems lacking in the department of honest personal appreciation or criticism. Surely he must find beauty in art before it is placed.

I can see admitting that something having potential is a valid “wait and see” position to take when allowing a piece to be placed to its best advantage, prior to judging it too harshly – but that seems reserved for pieces about which one is trying to give them the benefit of the doubt! It sounds a bit like tap-dancing…making excuses. Excuses for not having an initial opinion or spontaneous reaction – much less appreciation – much less, joy.

Festive boat bringing JOY at the San Diego harbor parade last week.

Another comment that Laplace makes in this article “High Art” is that “We never use art as a decoration,” he declares. “We design for installation and rotation.” And I am sure in his world, that is exactly what he does. But let’s get down to earth and acknowledge that it’s a chicken and egg thing – the luxury to design expressly for the presentation of magnificent rotating works of art versus finding joy in a piece to decorate your world – with or without rotation. He makes decoration sound like a bad word. And perhaps he thinks it is – but why? Adornment, decoration, enhancement, emphasis – all superlatives, in my estimation.

Federico Leon de la Vega’s Script on Blue

In a completely opposite place on the planet both figuratively and physically, Robert Downey Jr, in this same issue of AD, expresses an explanation for their selections and design direction. “We didn’t set out to do something conspicuously whacky.” He obviously gets great joy and a kick in the pants out of his approach which he cements, with the following comment: “We just enjoy a bit of whimsy and fun.”  And then a negative nod to separate him from the more cerebral art enthusiasts – “We definitely don’t like boring.”

But that is a direct comment on the joy thing and one of my oft borrowed quotes “One man’s trash is another man’s treasure.” Here, a tangible example that I created for my grandson, Liam a few years ago. Debris he and I collected while on a walk one day, I assembled into a collage and had it framed for him with the plaque to remind him to look at things and regard things from all angles.

From what one person derives joy, another might find boring and uninteresting. And that oddly seems to return to the Luis Laplace comment about not seeing beauty until it is placed and then can be recognized. Hmmmm…Yet, I am saying that it might be of value to study things and  think about things differently than face value at a quick glance…spontaneity is valid and so is “love at first sight,” but often things are missed because their context s not serving them well. That space above your red sofa might be just the context and proper setting to showcase the “whatever it is” piece which might be far less interesting otherwise.

Which is why, in this time of international commerce delivering things from all over the planet with an almost instant gratification speed, we still have difficulty making decisions about what to chose to have in our world. Which fabric, which furniture, which art…the choices are at our fingertips and delivered to our doorsteps without leaving our living rooms, but fear of costly mistakes, second guessing trends and how to make good investments still remain the dilemma shared by most. Fear of trusting your own joy. Or, better yet, discovering and defining your personal joy.

Which brings me to the last quote I extracted from the December  2017 issue of AD by an artist, Brian Donnelly, speaking about his own residence and art collection, and that is  “I don’t buy art to put in specific places. I just collect what I love and hope to find a place for it.” Sounds like spontaneous joy to me!!

Closing with best wishes for a Merry Christmas and “tidings of comfort and joy.”

 

 

Value. What is an “Investment Piece” and Why?

In the design vernacular we keep hearing the term “investment piece.” What makes an investment piece? Is it that you spent more on it than most other purchases? You splurged? You made an unusual purchase that generally costs more than your norm. Sure, makes sense, I get this. Considered to be a focal piece, this seems to be the nod. However, I often feel entirely differently.

 

Investment. An investment in time, emotion, thoughts and beliefs…what type of unusual investment? An “investment piece” is usually a focal point or a piece placed in a position of prominence. It makes sense to identify an “investment piece” as something that is monetarily outside your usual comfort zone – but must it?

Consider that there is also the fact that a piece that hits a chord and is not easily replaced – if at all – is an investment. Seeing an objet d’art, on a folding table at a garage sale or amidst the throngs of a flea market, that catches your eye and is yours for a song – the bargain of the decade, or at least that day, is an emotional investment. It’s not about the money.

This “find” might actually have “cred” in a broad evaluation of appraisal. It might be a tiny Waterford crystal bud vase, like I found at a flea market for two dollars, about 35 years ago. I was just starting out, decorating my world, and it’s cut glistened and caught my eye from a cluttered table of garden tools, electric curlers and all manner of debris.  There was and still is a true value for this type of piece. It is replaceable – not one-of-a-kind, but a lovely piece. Similarly, at garage sale many years later, I spied a sparkle across many tables to discover a large Waterford ship’s decanter clustered with a few other unmarked pieces. Neighbors selling for a friend, they were cautiously asking twenty five dollars – the bargain of the day.

Once, in a consignment store, I came upon an ARS Italian ceramic box for five dollars that, although marked on the bottom, is not so published as to be easily priced. And I don’t care. Too me it is a one-of-a-kind find. It is old. I can’t replace it. I love the colors of the glazes and little pear top, it’s imperfections speak to it’s vintage and made-by-hand quality. It makes me smile.

When I hear people reference things by their monetary value, it strikes a sensitivity in me that is quite emotional. It annoys me. It frustrates me. Perhaps I am too sentimental, too attached to the enjoyment of “things,” but it’s what these things evoke, what they trigger in the form of memories or just spontaneous pleasure. What brings a smile, a tangible joy, is more to the point. It is a treasure.

Pieces with genuine sentimental value, because they have been inherited, reminding the current custodians of who preceded them and cared enough to preserve and pass down…and contrarily the ease with which some can unemotionally and easily part with something that has passed to them. It can be distilled to what one might find beautiful or not, and what speaks to the point – does this bring you joy or is it an onus?

It makes perfect sense that I am in this field. I see what clients have, ask them about what means what, and sometimes even argue in favor of keeping something that was destined for replacement or complete removal. I want to know what brings my clients joy. I want to make sure they don’t miss something they already have. It might just be the context that makes the difference.

Sometimes my clients have a piece – usually large – that they just don’t know how to use. They would like to, but just can’t find the right place. This is when we might consider other uses than the obvious. A bedroom dresser, might become a dining buffet. We change the context and save the piece. It gives new life and appreciation. It is a combination, in some cases, of function and joy. Thinking outside the box.

To have a careless non-attachment to things, that have not cost a relatively unusual amount, frustrates me.  Yes, it can be a good thing, freeing actually. Whereas I am burdened by my sentimentality. The fact that something is disposable merely because it was a “find” or a “bargain” should not make it less valuable – in my estimation. It’s not always about an expense.

It is a similar, yet reverse, process as selecting an item because of its cost or brand as thought that validates it. As though it is the primary reason to make the decision. I prefer to encourage people to find confidence in what they like – not merely a perceived or recognizable value. The result is the uniqueness that makes their world more personal, more individual, more uniquely theirs. It’s a treasure hunt. What is the value?

An “investment piece” should be almost, if not, irreplaceable – not by its cost – but by its unique ability to bring you joy. Have confidence to know it when you see it. It will be the right decision.