Designing, Styling and Why – Finding Personal Style

Styling is a vague term used popularly now for many facets of artful design that come together to create a presentation (in this case) for interiors. Interior designers practice the artful tricks of “styling” while calling on their expertise with many other important professional elements regarding practical and functional design decisions, structural considerations, mechanical and electrical aspects, client collaboration, budgeting parameters, and more. Terminology can confuse the conversation because often the illusive thing that clients are seeking is finding their “style.”  This goes deeper than embracing a new trend or changing a style of furniture from Scandinavian to French. It goes deeper into the very personal places that are uniquely individual. It’s about lifestyle and personality, temperament, and taste.

Assembling elements in your home or workplace is about lifestyle and personality, temperament, and taste. This living room is taking shape for a single man wishing to update his furnishings and fixtures throughout his home.

I was told in school that there is no such thing as bad taste – just bad design. I love that. It takes an enormous percentage of the judgement out of it and leaves the important characteristics to be critiqued such as function, form, balance, color, texture, volume, lighting…

Styling and designing both require balance – designing being the more comprehensive of the two. Each consider many of the same elements, but designing digs deeper. I often converse with clients about the opposites in their spaces. Hard/soft, smooth/rough, light/dark, warm/cool, simple/complex…finding the effective, pleasing, balance in all the elements in a space is critical to the comfortable success of the design. I seek the positive, buoyant, uplifting effect that elicits good vibes.

The result should be more than satisfying, it should be joyful and personal. This chair and ottoman were vintage pieces handed down in this family and here we reupholstered them to give them new life in a new context.

As an interior designer my job is to extract and decipher the wishes of my clients – commercially or residentially. Not only what they want and need, but how to achieve it. It has to do with the art of design and the practicality or reality of executing the work. The result should be more than satisfying, it should be joyful and personal – designed for the specific needs and goals of the individual(s) with whom I am working.

Discovering your personal style might be like a lightbulb turning on – it’s been there all along but wasn’t recognizable. You have it but don’t realize it. Which begs the question, what is style? It is very representative.

From my experience, there is no such thing as no style. Not having style. The very concept of that is like a reverse condition of being without style (un-styled ) – like messing up a hairdo. Yet that disheveled do is a style unto itself – albeit not in the contrived sense of order and intent. That same hairdo in a fierce wind might become similarly disheveled – but without the intent – it might be considered an organic style.

Tidy to disheveled, style is limitless. The occupant of the space is surrounded by books that never quite get put away.
Fascinating to some – unnerving to others.

Interior design can be contrived with much intent, formalized with attention to detail or a more unselfconscious approach that always appears more casual, organic and lived-in. Of course, there are happy mediums too. However, the risk of the “unselfconscious” approach is that by the very nature of the approach to create that which does not LOOK contrived – can be very contrived!!! Hence the unfortunate, if not unintended, result!!

Tidy to disheveled, style is limitless – the permutations and opportunities are endless. But when styling a “scene”, do we keep books in the bookshelves with perhaps one on an end table or nightstand for practicality and interest or do we present piles of books as though the occupant of the space is surrounded by books that never quite get put away? Fascinating to some – unnerving to others.

Some categories of interior design allow a “stylist” to express themselves – rather than focusing on the specific design needs, desires, requirements, and ultimate joy of a client. Style for the sake of imagery. These categories include product representation and promotion/branding – ads and TV commercials, and vignettes that are not intended for real life but for effect. To create appeal and promote trending marketing efforts, assembling for model homes or staging for individual homes for sale and theatrical set design are also examples of the applicability of styling. This “styling” is a very marketable talent – different from designing for and about a client’s personal wants and needs – in a residential or commercial setting.

Commercial interiors combine the branding of the business as well as the personality of the occupants and the culture of the workplace. We completely redirected the focus of this insurance office by emphasizing their brand in color, imagery and graphics. Corporate marketing material was enlarged and used for artwork to further reinforce the brand and emphasize the mission for both employees and clients.

Style evolves. Styling can be an ongoing process – even daily. But that becomes a preoccupation that is not necessarily practical for everyone. Our tastes change with life experiences and with them new interests, accommodations and necessities all contribute to the evolution of personal style. But look at your own personal style and see what about it has remained constant even if your design direction has changed.

You have style. You need to try to articulate it, embrace it or change it. I often hear “I know what I like when I see it.” That’s true of all of us. But being a “creative,” a designer, we create and not merely discover, find, and assemble – through all parts of the process.  Helping clients distill the flood of inspiration, imagery and ideas presented, on the limitless platforms dedicated to interior design, new construction, remodeling, styling, and decorating, is the first stage of the job. With so many choices and directions from which to choose, navigating that circuitous path through the oh so many images and ideas is daunting, but essential to finding the right elements to combine and create the design – and set forth the style.

The stuff of life. This couple downsized and culled their belongings to their very favorite things. Their new interior, in their custom home, incorporated all of their treasures and added some new pieces for their next chapter.

Knowing what you like when you see it and collecting as you go is what results in what I fondly call the stuff of life. Your life is partially represented in the things you have discovered and saved – things that bring you joy that you want to see and have around you. They may change over time. Your fascination or appreciation for an object might wane…but the principle of having things collected over time and life experiences (or minimalist lack thereof) is a personal expression. Often the trick is to re-arrange what you have. The style is there, but the placement and orientation can make a significant difference. Arranging is very much a central part of effective styling and interior design. Styling is a fun way to play with options, trends, make statements, influence, and experiment. Have fun finding your style and incorporating all you love and enjoy into your interiors!

Conquering the Fear of Color – A Q&A Interview with Patti

The serenity of neutral color schemes has a significant place in interior design. However, it is more about the fear of color that I approach this article today. Committing to color arrests most people – they want it and admire it but are fearful about selecting and committing to bold colors.

Beautiful neutrals are a color all to themselves. Layers of whites, creams, grays offer sophisticated schemes.

However, that is not all that causes clients to reach out for assistance. Even if they have made a decision about taking the leap, it is how much, where and with what or to what the color is applied or occurs.

A white kitchen receives a patchwork of blue and white Talavera tile as a backdrop adding depth and interest.
In addition, upon closer inspection, we have incorporated a fine detail of an aqua glazed Spanish tile running horizontally and vertically through the patterned tiles.

I remember when architect Antoine Predock’s project for United Blood Services in Albuquerque https://bit.ly/3LBQbDv made a splash – a really RED splash when he stuccoed the entire exterior brazenly brilliant, bold, blood red! It was astonishing – astonishingly effective!!! https://bit.ly/3NNQihd If a picture speaks a thousand words, color is right there in conveying remarkable communications.

From branding to personal style, color is key.

The addition of our tongue and groove walnut wall established the theme for the rest of the furniture in this interior.


My staff recently investigated information from projects. They posed questions and gathered observations regarding my use of color. Photos, at the end illustrate some specific color decisions and why. The resulting questions and answers are as follows:

Patti Hoech‘s design practice has been and continues to be an exploration and emphasis of the subtleties and strengths of color. It is an integral part of her work. We wanted to know why and when she discovered this specialization in her design sensitivity and how it relates to her approach to effective design decisions.  We are asking clients and colleagues to pose questions to get the answers.

Why is color so important?

Patti Says: Color is power and peace. Color is important on so many levels – personal joy (or aversion), perceived temperature, brand identification, seasonal interactions, emphasis, and contrast. Color is everywhere. Understanding and harnessing it for specific purposes is key.

This new backsplash had a specific purpose, which was to acknowledge the existing rust-colored porcelain sink and the intensely green marble stone countertops. By pulling those two colors into the tile selection so strongly and interspersing other colors that complemented the palette, the result was an effectively unifying design detail.

How do you determine the color specifics for your projects?

Patti Says: What color brings you joy? What color tells your story? Interviewing clients about their color preferences – being an important question begins the dialog regarding what colors to incorporate and why. This can be personal preferences or aversions or specific colors relating to branding whether it is new or existing. Also, existing fixed design/architectural elements might also play a significant part in developing an effective color scheme.

Do you believe color affects the lives of your clients in their homes and workplaces?

Patti Says: Absolutely!! Color can insert many subliminal effects that impose on people’s perception of a space or graphic. Color can evoke emotion, instill comfort or agitation, rekindle memories, spur appetite, affect perceived temperature. It can embed recall for commercial brands. Color can be a clever tool.

In this interior for Boba Tea, we played with the colors of the flavors and the multi-colored tiles to correlate to the fun experience of sucking the tapioca pearls.  

How do you navigate color trends?

Patti Says: Trends are necessary to keep our market moving. Capitalism is based on consumer activity, and nothing generates purchasing frenzies like stimulating new trends in the market. However, basing design decisions on trends must take into consideration the intended longevity of the design.  Much of color trends are based upon pairings and combinations of color.  It is those combinations that can “date” a color scheme – not so much a specific color. It is how, where and with what it is used that pegs it.

A classic, well-balanced color combination of blue, white, and yellow is a comfortable warm and cool with a neutral that transcends trends. Fabrics and finishes contribute to how one updates a classic color scheme.

Do you feel you are a forecaster or influencer?

Patti Says: I believe that I have imparted and am still providing thoughtful, challenging color consultation to my commercial and residential clients.  Having prospective clients request designs based upon others that we have produced is telling and flattering. It means they have confidence in the decisions regarding long-lasting color schemes – if not timeless, in some cases. However, it must be said that design elements that present the color often determine – in many ways – how well a selected color or color scheme “holds up” over time. Considerations regrading patterns, materials, and elements can and might be either improved or modified over time while maintaining the same color scheme. Forecasting anticipates color trends. I have successfully influenced clients to make selections based upon an anticipation of future color directions in the market or merely go with classic combinations that have been proven over time. . .

What has influenced your appreciation for and interpretation of color in design?

Patti Says: It started at an early age. Observing the world around me. Nature, architecture, decorative arts (china, textiles, artwork), fashion, logos/brands, trends, regional colors, seasonal colors, cycles of color…Pinks, turquoises, yellows of buildings in the West Indies, bold color statements of Mexico…Color is profoundly important and signature in its application. From fish to birds, flowers to leaves – color captivates me and urges me to find words to express it and continue to have it a primary part of my descriptive vocabulary.  As an omnipresent element in the design process, color is unavoidable, but to enjoy it so fully and embrace the limitless range of options is an exciting artist’s pallet of possibilities which stimulates me at every turn.

The magic of color on architectural exteriors can be amazing. Here in Burano, Italy my dear friend captured the colors! Similar to what we see in Guanajuato, Mexico and the sunny islands of the West Indies.

I attribute much of my color awareness to my mother. I remember being greatly influenced by her sense of color and design. Her sensitivity and talent were innate. She selected fabrics that had unusual color and pattern combinations. When orange, avocado, brown, and gold prevailed in the 60s and 70s, she selected the olives with chartreuse and gold for the less formal areas of our lives and leaned into Lily Pulitzer’s dynamic colors and patterns for her clothing and a pastel version of soft pinks and verdant greens for our more formal areas. The master suite was primarily yellow with beautiful bits of blues. Beach scenes always emphasized blues and greens. Nothing in our world was on common trend, but an artful interpretation of color combinations, eclecticism and comfort. Pairings of orange and brown were never her happy place nor was gold and brown.  But orange and PINK – YES! Pink and green especially! And browns were recognized in context with stone shades of greys and tans.  I believe that sense was greatly influenced by richly organic, textured stone walls of the West Indies – Danish architecture in the tropics where limitless colors of greens and blues punctuated with flowers were all around.

As a result of this of this early introduction to the value of color, my personal spaces reflected similar sensitivities. Beginning with pink in the early years I graduated into blues, turquoise and greens for my teen years. The final scheme, in my room in the home in which I grew up, was a dusty pink, clay, and mocha-rose. No one in my world had that color scheme in the late 70s and it was difficult to assemble. It helped that I worked part time in a design showroom in Georgetown where handling the amazing abundance of fabulous fabrics was a daily inspiration. Throughout my life experiences color has been a constant distraction. Not in a bad way, but rather a noticeable, unavoidable interruption that causes me to pause and take note. Ask anyone who knows me – I stop and remark about color at every turn.  For better or worse, I comment on color. It is a deep appreciation that I enjoy sharing. And the most rewarding is discovering color for clients who yearn for it but don’t quite know how to find and use that which would make them feel the joy of color!

A dear friend in Mexico recently took a leap in selecting an accent color for his seaside villa. Once an all white interior, which was lovely and fresh, he wanted a new look that provided contrast and strengthened his color theme. The yellow accents made me smile when he unveiled his new look!

Color plays a major role in discovering and expressing personal style.  Fear not – color is your friend. Find your style. Live your style. Love your Style.

Details of Home

Whether a minimalist or an eclectic collector/gatherer, one’s details of home are important and personal. Like personality types, what is important to one person is not so much for another. However, it tells a story. The details of a home make it just that. Home. 

This interior has a lot of personality and very much reflects the artist who lives here. Antique family side chairs take a near full century leap with this new, colorfully eclectic upholstery.

Residences, the dwellings in which we live, can take many forms – from short-term to decades of ensconced living. To “reside” regardless of the length of time – suggests a certain level of comfort to include some detail(s) to make it “home.” 

Each home is an individually personal space filled with details that make it so.

What might YOU consider imperative elements of what you call “home?”  Consider comfort, color, ambiance, familiarity, convenience, nostalgia and perhaps just pure joy.  

A hotel room for the busy “road warrior” traveling for business, might reveal a photo of a loved one placed thoughtfully on the nightstand. Something as simple as this can make a temporary residence feel more like “home.” 

Upon plopping the overnight bag on the hotel bed, one of the first things to unpack might be the framed photo of a loved one to place on the nightstand.

Dorm rooms will reflect personalities, pleasures, interests, colors and imagery for young people leaving home for the first time. They create their own sense of place and “home” while embarking on their new chapters of life.

While looking around your place of residence – this place you call “home,” consider what is important to you. It might be the actual architecture, quality of natural light, a collection, a piece of art, furniture, photographs, decorative accessories…

A little over a year ago during the throws of our introspective isolation, my cousin, a thoughtful artist of photography, commented from Connecticut about The Essence of Home. In it she shares intimate observations and encourages personal study of your significant space – memory or current abode. She also suggests an interesting little project in which she invites us to “take half an hour and create a photo essay of a place that has significance” to us.  “Challenge yourself to capture a feeling. Wait for the right time of day and seek out the mystery of the place. (This is a great activity for kids, too. You’ll be amazed by what they choose to photograph – what “home” means to them.) See what thing you’re drawn to capturing; become aware of the everyday beauty in the space around you.”  https://www.catebarryphotography.com/

As an interior designer, I am engaged in creating and illuminating details that are meaningful. Whether a view or an object, color or finish, access or privacy – inside or out of the interior these elements collectively contribute to create the overall design. I encourage my clients to identify things they do and things they own – things they have gathered and how they live. What of them is of greater importance and why. This process begins a dialog of preference, value, and interests. Establishing priorities to springboard a project is key to a firm platform for the design. 

You know the old question…If your house were on fire, what would you want to get out? It might be a person or a pet certainly – but if it were a material possession(s), it is a question worth pondering. The same is true if you moved or remodeled, what elements would you want to retain or replicate and what would you eliminate or change?

Vintage family pieces reupholstered, new pieces repurposed, bookcases filled with personal treasures, and the precious pet in the center of the action. Home.

 The details of your home are personal, identifying, comforting aspects of your interior design. Discovering these important details is significant in effectively planning your interiors.

Whimsically Wonderful and Woodsy Transformation and the Design Process

Once upon a time there was a quiet little house in the woods. Nestled among the juniper and pinons of the rolling hills of Estancia, the little house lacked design details to make it feel a part of its surroundings. The owners and their dogs had lived there for a decade and realized that a move was not pending and therefore it was time to bring the house into its own.

The neighbors…

Color was the primary element that they wanted to introduce – that along with a look better suited to the organic, woodsy setting and updates for fixtures and finishes. So, this plain, dated house in the woods began a magical transformation. Not wanting to embrace the sleek white and grey trends of the day, they expressly requested warmth and color.

The interior was plain vanilla with warm honey-colored wood accents.

Beginning with the floor, we selected a porcelain tile that had a finish simulating a mottled slate. The outstandingly durable, slip-resistant material had earthen color variegations in the various pieces which were highly effective at concealing dusty dirt and debris from the out-of-doors and camouflaging the anticipated dog hair that was shed about. The resemblance of the tile to cut stone was remarkable. Due to its multi-color rendition of ochre, rust, charcoal, black and sand offered many tones from which to grow the design’s palette.

The flooring was a bland combination of slippery wood laminate and 12″ ceramic tiles.
The new porcelain slate floor tile is multi-toned and rich with warmth. New wall colors and cabinets are peeking from behind…

Rising from this new base for the interior scheme, we selected a dark, black/charcoal stacked stone. The smooth ovoid shapes added further organic texture with a subtle woven appearance to the surface of the fireplace.

Texture, color, form…the design is transformed…

The mantle and hearth were both the plain vanilla white of the walls and despite the fact that white can be crisp, clean and fresh – the owners were eager for bold commitment to color. In keeping with the pine columns and other cabinets and architectural detailing, we wrapped the existing form of the mantle in knotty pine finished with a honey stain to coordinate with the existing wood accents. The hearth became an undulating slab of Cambria quartz material in a craft-paper bag/sand color also derived from the swirling “slate” floor.

The graceful shape of the hearth was enhanced with the addition of the stacked stone and new slab surface.

Towering from the now strengthened façade of the fireplace, the tapered form of the chimney was begging for the color-pop that the owner’s desired. The honey color of the pine along with the warm tones in the flooring invited a golden ochre paint to command the space.

Specifically requesting the insertion of the owner’s favorite accent color – turquoise, we departed from the warm, earthen tones and punctuated the scheme in the new kitchen cabinets.

The original kitchen…tile floors and countertops, oak cabinets with off-white painted walls.

Salvaging the existing boxes and painting the faces, fabricating new doors, drawers, upper glass cabinets and end panels, the open kitchen is the fulcrum of the house. We see the trending minimalism of little or few cabinets in the kitchen, perhaps open shelving…however, this couple wanted even more concealed storage to keep their cooking and entertaining accessories out-of-sight, but close at hand.

The kitchen transformation features new color, new faces, additional upper cabinets with etched glass panels, luminous glass tile backsplash, new quartz countertops with a new bowed shape for the island…all while keeping existing appliances, cabinet boxes and layout of the space.

Repeating the slab material of the fireplace’s hearth which passes through from the living room to the kitchen, the new Cambria quartz countertops continue the craft-paper bag/sand color. The slate floor wraps up the face of the island for a durable kick-surface and visual continuity.

But wait! To further the focal features of the kitchen, we created a custom mix of colorful glass segments suggesting an interpretation of fallen aspen leaves golden and glossy in the damp of late fall/early winter precipitation. The combination of golden ochre and dark amber with the luminous turquoise of this stunning wall treatment dramatically contributes to the whimsically wonderful colorful scheme.

Saving the bathrooms for another story…there is more to be said about this woodsy transformation. Stay tuned and do not fear color! Embrace the context of your special places.

Color Scheme Tips

Color schemes are limitless. The permutations are endless. Color is exciting and fun. It is personal. Colors evoke feelings, memories, emotions and are key to a comfortable interior.

How often have you been asked or pondered on your own…”What is your favorite color?” Some people hesitate to answer, while others blurt-out readily with their fav.  But what color you choose to wear versus what you enjoy in your interior surroundings and how much might be quite different.

Several weeks ago, I launched a weekly post on our PATRICIAN DESIGN Facebook page called “Color Schemes.”  The idea is to inspire design ideas by pairing artwork with designer fabrics. When planning an interior there is always a focal point complimented and surrounded by supporting elements.  Whether a key painting will command the space or an expansive window with a view will direct the focus to a scene of outside colors and textures – that key element will greatly influence a successful interior color scheme.

Annette Donald creates colorful cubes in her creative take on our beloved chile ristras. A serrano chile oil painting, on canvas, by Federico Leon de la Vega is quite representational. Paired here with Romo and Ralph Lauren fabrics, Sherwin Williams paints…fresh and festive!

Here is the example of a November Scheme and you can scroll back each Monday for the past few months to enjoy a variety of the Color Schemes! https://www.facebook.com/PatricianDesignABQ/photos/a.243005986618/10157154423221619/

We embrace the The Nature of November with its unique colors and textures. As the air becomes chilly and the leaves fade…warm, soft colors bring us indoors. Featured here an elegant fused glass ribbon wall piece by Lisa Checnoff.

There are four primary considerations that I discuss with my clients when determining which colors to choose, emphasize, avoid, use as accents and where. To establish these selections, we evaluate personal preferences, contextual implications, seasonal influences and even trends. 

PERSONAL:  In planning an interior, I always want to know what colors make our clients happy, comfortable, stimulated, vexed or relaxed. These personal insights reveal important information for selecting types of materials too.

By examining what might be one’s favorite color, the discussion will navigate the distinctions, if any, regarding preferences for clothes versus interior furnishings. Interestingly, they are not always the same – although, by mere comfort and familiarity, they often are.  Simply asking about a favorite color is not enough.

Brilliant golden yellows and blues – splash color! Featured here are fabulous photo-realistic acrylic paintings by Sheri Mays paired with amazing fabrics of the same exciting palette.

CONTEXT:  The context of the interior might dictate or at least steer the direction of the design. The luxury of having multiple personal environments offers the opportunity to have different color pleasures exercised in different places. The ski condo might be woodsy and textural with browns, greys, stone and wood punctuated with a pop of color versus the seaside retreat with its crisp whites and cool blues and greens punctuated with pastels or bold contrasts. Therefore, the location of an interior might direct the desired color palette.

Inspired by this spa-aqua pottery bowl by Penny Roberts and the custom glass tile mosaic we recently combined to face a newly remodeled kitchen wall – the cool seaside/spa feel balanced with ambers and warm dots of color – pink, fuchsia, orange and golden yellow. Durable brushed cotton solids come in myriad colors and are perfect for pillows or upholstery.

SEASONAL:  This one is tricky because it plays on the perceived climate outside – even if the interior is maintained at a constant temperature. It takes a concerted effort to plan a color scheme – including textures and finishes in anticipation of changing seasons and relative temperatures. I previously mentioned that a window with a view might be the focal point of a room…imagine the effect the changing seasons might have on the selection of interior colors and textures versus a consistent tropical scene, for example?  

Perhaps you love purple – ever pair it with golden yellow? Here, functional, fantasy pottery designed and crafted with the most precise attention to detail by Jen DePaolo inspires our boldly brilliant scheme.

TRENDS:  Inasmuch as I avoid being steered by trends, it is impossible and not advisable – in design – to avoid them. Clients are influenced by them and bring that would-be preference to the table.  It is essential to continue to have “colors-of-the-year” and other market-driven colors change to stimulate the economy with buying and selling, replacement and updating.  It’s our socio/economic norm.  It also serves as an encouragement to re-fresh. But to limit that influence, in favor of long-term personal pleasures, is best.  The pressure of this marketing color influence contributes to our being a disposable culture. Not time here for a lecture on such things – but rather to instill an appreciation for and confidence in personal selections an decisions – in this case,  color.

Patinaed pearls and stunning glasswork by Margaret Hidalgo Vanderheyden inspire the soft, greyed lavenders and blues of this cool scheme.

An interesting and on-going test for evaluating a successful interior is when designing in one season – it has to work in all others. For example, when I meet with clients in the heat of July with lush foliage and color, warm temperatures and long days, that same interior has to succeed when it is frigid outside, barren, and with darker, shorter days. What might the challenges be in creating a successful scheme and what might be the solutions to make it work?

Having noted all of this and knowing the different reactions people have to color, isn’t it interesting when an interior is so successful that it appeals to many, if not the majority, of those who experience it?  This is more applicable to commercial or public spaces – from doctors’ offices to hotels.  However, the challenge and success is in knowing the many things to be considered and implementing a balance of them throughout all aspects of the interior.

Anne Marie Werner-Smith’s brilliantly glazed pottery here with Margaret Hidalgo-Vanderheyden’s lovely fused glass crosses along with coral and dyed stone necklace and woven table runner from Chiapas reflect the changing colors of fall leaves…

Appreciating color is a gift to designers. It truly is an imperative to appreciate all colors and have the sensitivity to discern the nuances between various values and the effects of selections and combinations from the infinite choices.

I hope this has given you ideas and inspiration to move forward with YOUR color schemes! Sign-up for our weekly email of Color Schemes with classic blue and white and stunning neutral greys coming!! And follow the posts on Facebook every Monday.

CONVERSATIONS ON DESIGN – SPECIFICALLY, PRO TIPS ABOUT COLOR

This past week alone I have consulted with a commercial client about reception seating and color, a home-owner, in a mountain setting, about durable floor finishes, bathroom remodels and color, a couple in a new home downsizing from one of 20 plus years about furniture arrangement and color, a couple from Las Vegas buying a second home by their daughter and grandkids about color, and a woman stopped in the shop yesterday visiting from Santa Fe and said that she didn’t know we were also a design firm -picked up a brochure and told me inasmuch as she had “a pretty good handle on design – she always struggled with color.”

See a common thread here? The comments were from that where she admitted to always struggling with color to another wanting her seemingly tract home to feel like a woodsy cabin with color, others wanted their spaces  lighter while others wanted to make a corporate statement that would support their brand and not go out of style in the coming few years. They all had steered toward neutrals – but not in a good way – because they were uncertain about committing to COLOR.

The whites and greys are their own beautifully valid color scheme. https://patriciandesign.com/project/modern-make-over/   I have written before about when white is a color or when it is the absence of color.  https://patriciandesign.com/white-by-design/

I also continually stress that all design decisions are based upon context. Many of you reading this, with whom I have consulted, will recognize much of these observations and tips. I stress select color to compliment your context!

Interestingly, the mountain home has existing painted doors and trim. To change those elements would be costly. How can we woodsy-up this interior without those seemingly necessary key elements?

I asked her for her priorities and “comfort colors.” As a result, we will change the flooring for look and durability, building from that add color and various textures to enrich the space – stacked pebbles at the fireplace, a slab hearth, a wooden mantle and a light neutral will be the main backdrop splashed with strong elements of color (notice them on the mantle). The very vertical fireplace will be a bold golden yellow color to intentionally work with the honey tones of the pine architectural elements.

By contrast, a magnificent home (also in the mountains with great wooden details), had too much of a good thing for the owners’ other interior furnishings. In this case, the seeming sacrilege of painting the solid wood doors and trim was in order.

To paint all the solid wood doors and trim in this home was a leap of faith. But the goal was to add back stacked stone to carry a theme from the now naked fireplace to the kitchen bar and over to the entry door wall. Having it in three places will commit to an architectural theme for this finish selection. New colorful rug and fabrics for throw pillow will enliven the space and bring focus to individual accents throughout the interior.
The grey hand woven grey rug was not providing the needed backdrop for this new scheme so we gathered rug and fabric samples to “punch-up” the scene.
After the new rug arrived, we assembled the fabrics for another study of our options to detail the design.
Before, this little powder room was a bit bland. The quality, solid wood, raised panel, pine doors were too rustic for the owner’s preference – but painting was not an option – until we discussed it. What was a possible sacrilege became a beautiful solution to changing the design direction of this interior. Mirror and sconces remained while vanity, sink and colors were transformed!
The AFTER of the little powder room is still in the process, but it is clear that the transformation is startling with the newly painted doors and trim and the fresh POP of turquoise on the walls. Layers of color and emphasis changed. It is not about painting wood, it’s about creating balance. The massive, solid wood front door and antique and art pieces throughout will be emphasized as key features

Another such interior was over-burdened with stained wood and to paint it all out white was a major commitment yet, the results will make for a lighter backdrop still revealing the bones and their texture, but freeing the owners to showcase their other pieces of fine woodwork, art and furnishings.

PRO TIPS

  • The trick with design decisions is to determine and understand the primary purpose and intended “read” of the space. What is most important and where do you want your focus?
  • Once you have evaluated the space, identified its primary purpose and selected what you want to emphasize; see what is either in the way of, or competing with that emphasis, and clear all else away. Add back the things that you consider most important either for function or joy (form).
  • If the architecture is most important, determine what about it and work from there to complete the space. If a piece of art is most important – place it to its best advantage and build around it so as not to compete, but compliment. If a view is most important – the same is true – clear away and frame with the most important and/or effective pieces.  Pick your priority, yet take everything into consideration.
  • With regard to color…it can emphasize the architecture or be inserted for a bold statement(s) of art or fabric on furniture, rugs…When using color, the idea is still to have balance in the context of where you are placing it. It can be a backdrop or a foreground accent.
  • Consider existing conditions that will not be changed – such as flooring. Select colors that include the compliment to that material. Whether in direct opposition for contrast or to meld in   a way that creates a subtle transition – the consideration of existing materials is important.
  • The effect of considering existing materials can result in their appearing as though part of the plan rather than being inherited unintended.  This is generally a desirable result. Therefore, if you have a material that will not go away – make it intentionally part of the plan.

The corporate color issue was about updating their image and connecting with their clients in an intimate and comfortable manner- an environment that carried the trust of years of experience and embracing a new generation of financial management. They developed a marketing plan moving forward to identify a theme, feel of confidence and carry it through the entire experience. In a recent Facebook post you will see this project in the process and notice that the carpet was an existing condition and that it was used deliberately to make the new materials appear to all have been coordinated from the start. Long time clients and new are comfortable with the changes!   https://www.facebook.com/PatricianDesignABQ/

It’s OK to play it safe with neutrals – but in this case, it was time for a updated “brand” for this business. The unusual eggplant and chartreuse carpets inherited in the move to a different suite required some deliberate coordination, to have it all “read” as though designed afresh!

The want-to-be woodsy cabin project will have new, durable porcelain tile floors imitating variegated slate and from that palette of colors pull paint colors to add whimsy and visual impact along with other new additions of stacked pebbles at the fireplace and wood encasing the now sheet-rock mantle.

The stacked pebble stone, engineered stone, new wood mantle and splash of colors against the neutral will make a dynamic statement. Notice new color chips leaning on the mantle.

The couple downsizing and wanting more light and a less heavy southwestern feel panted their entire ceiling of beams and tongue and groove including support columns in white. The wood still “reads,” in all its hand-hewn texture and knots. The white is no less natural than the dark chocolate that had been their previous faux finish. Albeit the tongue and groove had a clear lacquer that we concealed behind the new cloak of white for a uniform backdrop.

The dark chocolate opaque stain of the pine members was no more valid than painting them an other color. We selected a white to open and refresh with a neutral backdrop to allow other elements to be more focal.
Painting currently underway!! Watch for before and afters of this refreshed interior.

The couple with the second home had history in Hawaii and wanted a beachy, fresh theme for their new desert home. The flooring was a mottled light brown glazed tile and we selected a noticeably light, subtle sand colored wall paint to contrast and POP the existing off-white doors and trim throughout the home. Accents in recessed niches and doorways will become a soft turquoise while an interior laundry room gets a splash of citrusy yellow. The layers of color will be visible from different angles and vantage points. With the golden oak kitchen cabinets being painted out to match the existing off-white trim – the scheme will be fresh and beachy! Their artwork presents these colors and will being their personal touch to the arrangements. Watch for this project in coming weeks.

Do you have ideas about certain features in your interior that do not quite seem to come together? Do you feel the need to refresh? Are you looking for a new color scheme? Please do not be afraid of color and do not be confused about current trends. White and grey is a soothing combination. Trimmed with black, you get a defined contrast. Insert organic greens and the combination is sharp and now – and yet potentially timeless. HOWEVER – colors too have their place and selecting those and their combination that will speak to today and not be out-of-style tomorrow, as certain trending combinations might – select colors to compliment your context.

Here are a few other Patti Says blogs and PATRICIAN DESIGN projects about color selection:

KEMP BEFORES  https://patriciandesign.com/rejuvenate-and-expand-your-interior-spaces-by-opening-walls/

Friends Don’t let friends pick paint colors  https://patriciandesign.com/5677-2/

Johnson’s PHX https://patriciandesign.com/spanish-style-brings-interior-spice/

Color forcasting  https://patriciandesign.com/color-schemes-and-the-complex-simplicity-of-it-all/

Bay area bungalow https://patriciandesign.com/project/bay-area-bungalow/

Celebrate the LOVE of COLOR!!!!!!!!!!

Isolation Invites Innovation

Here, today, find designer focus and pro-tips for improving our living spaces. Most of us have spent more time at home than we have in years.  Sure, we usually wake up, prepare for the day and return in the evening, to end the day.  Weekends are usually that bonus time around the house – unless we spend them on road trip excursions. However, being at home every day is unusual for many and has provided opportunities to critique and take stock. Go from “making-do” to making better, with a little focus on the details and some professional help!

New catch-phrases like “shelter-in-place” have become part of our vernacular. Staying home has resulted in massive numbers of internet orders, cautious home improvement store visits and related activity.  The shared anxious energy and creative energy  spawned, from our restricted living and working regimens, is “going viral!”

Well, we certainly never really considered that trendy term of something being popular being a REAL virus spreading across the planet – but the humor, common complaints and simple joys, of this surreal modification to our lives, are “going viral” all over the internet.  From the vantage point of the design world, we are seeing a multitude of comments about people going  stir-crazy and making plans for needed home and office improvement.

HOME DEPOT – Pick-up in the store or have it delivered FREE to your doorstep!!

We are finally – and I say finally, after nearly everyone else we know has done so – ordering  storm doors. Yes, to leave open and let in the light of day!!! It has taken being around the house for so many consecutive days that has geared us to the circadian rhythm that our orientation provides and illustrated the need to avail our interior of a significant missed opportunity for natural light! Just never seemed that important…until now! We have labored over having lights (glass) in new primary doors, but after weighing the options for light, security and transparency have opted for clear, full-panel laminated glass storm doors with interchangeable screens, for fresh air – weather permitting.

Yes – Anderson DOES do double storm doors – but try finding that information on their website or even through Home Depot – they’re terrific – you just need to inquire!!!

This unique opportunity to be quarantined inside our homes has given us an opportunity to evaluate the flow, function and lifestyle within our private environments.  Have you noticed any things that you want to change as a result of this confinement and forced, close-up evaluation?

Here are a few topics and tips that have come-up in recent conversations from both consumer/clients and designers:

More perceived space:  Perhaps open a wall or completely remove a wall(s) and connect two rooms for better communication and visual enlargement of the floor plan.   

Adding mirrored walls or individual mirrors add depth and also expands a space to give it a perceived increase in size.  

Add cozy color and texture with area rugs, throws and accent pillows.

Add skylights for more daylight.

Change paint colors for a refreshed feel.

Remodel kitchens and bathrooms – people have been sharing intimate spaces and preparing meals significantly more than regular lifestyles dictate and now recognize limitations in their current designs.

Re-upholstery of existing pieces that function well, but need to be refreshed and modernized.

Purchase new furnishing to improve the comfort, function and visual appearance of the interior.

Desires for additional lighting or replacement fixtures, to improve and enhance the quality and color of light inside all rooms for tasks, ambiance, accent spots, indirect illumination, decorative fixtures and even landscape lighting to highlight the features of the plantings and exterior structures, have been heightened.

Workplace design has migrated into homes prompting consideration for a more efficient permanent pocket of living spaces designed for that specific purpose of home-offices. A few from our website portfolio are illustrated here…

Before – this cluttered space was serving as an office – but without organization or pleasing aesthetics.
After – this same space reorganized furniture placement, added new work-surfaces and cantilevered shelves to match existing teak pieces, creating an atmosphere of organization, enhanced workspace and display of personal hobbies and memorabilia.
Before – this room doubled as a sewing room and home office – but the lack of organization made it inefficient and unpleasant.
After – by adding storage, cutting a steel trundle bed (found in their storage unit) down to window-width, and rearranging the workspaces, this same room can now comfortably accommodate a guest, organize work and sewing spaces and pleasantly display art and memorabilia.

For both working from home and schooling from home – the needs, for this space, have become critical. Imagine, down the road, more on-line courses might be considered and even more opportunities to work from home now that the practice has been proven!!

Even a pocket tucked in the corner of a room can be ample space for quiet focus and an organized workspace.
Areas designed for study can also be used for arts and crafts and other projects.

Office spaces will reflect this modification in the working environment, by creating more flexible workspaces allowing a variety of scenarios for performing tasks between home and office and an increasing appreciation for a more fluid arrangement of office layouts and furnishings. 

During this isolation, I have enjoyed several ZOOM continuing education classes offered by Knoll that have centered on workspace layout and furniture both at home and in corporate settings.

Here are more helpful tips from Knoll for your consideration when planning a home-office. https://www.knoll.com/shop/work-from-home/home-office-setup-guide

Patio perk-ups to expand the enjoyment outdoors –  at both home and office – maximizing the livable exterior areas of either small balconies to expansive spaces, backyards, decks, improved  landscaping,  outdoor kitchens and fully-furnished furnished living spaces – are seeing increased attention to detail.

Woodard furniture – one of our favorites –  has been designing and fabricating for  well over a hundred  and fifty years. Since 1934 they have perfected the art of metal furniture design and fabrication. As industry leaders, their expertise brings  a collection of superior craftsmanship and a wide variety of materials and styles to accommodate both commercial and residential applications.

Let’s keep moving forward through this pandemic with positive vibes for creating enhanced living spaces – both inside and out – for more productive and enjoyable living!  

Creativity Ignited

These are amazing times that are truly testing our creativity and ingenuity. We are challenged to alter our work-modes to operate remotely, utilize time very differently to balance work and family, find new ways to communicate and share and even radically re-direct manufacturing for purposes far different from their original intent…these are all very stimulating, creative challenges.

Isabel works from “home” in Denver managing the daily business of PATRICIAN DESIGN.

Where do the masses flock now that they are confined? Craft stores, home-improvement warehouses and on-line instant gratification pick-me-ups.  

Don – in his Home Depot orange shorts was a joke that we enjoyed for several years coining the phrase “Everywhere we go – we got o Home Depot!” From China to Albuquerque we took photos of Home Depot, often in his orange shorts! Couldn’t keep us away!

While most people are home-bound and businesses are fallow – wondering how they will survive this down-time and loss of income and the means to play catch-up with their debts – there are those who have been able to re-invent their talents to manufacture items very different from their norm that are in high demand at this time.  Re-purposing has taken on a whole new meaning. Where we were re-purposing an old door into a headboard or bicycle parts into wall art, we are now transforming entire production facilities that made widgets of all manner into plants of workers learning how to manufacture masks and ventilators… gowns and gloves.

The creativity is so broad-reaching it will change the way each of us behaves moving forward. It will change policy and priorities in government. It will alter thinking and spawn new ideas and procedures everywhere. It will have global impact and consequences unlike anything we have known. It will prove uniting and divisive, for differing reasons.

Less public displays of affection between casual connections with more formal respect for personal space are certain outcomes. Perhaps a combination of suspicion and respect at the start…but how long will it take to wear-off? When will the guard be dropped and behavior relax? What will be the definition of our new normal? Circumstances – certainly do – alter cases…

Interior design is tactile. It is comprised of textures and colors difficult to replicate over the computer screen. Before off of this we recognized that viewing fabric collections over the on-line portals was a way to get possible candidates for consideration – but more often than not, there were greater numbers of rejects once the actual samples arrived.

There is much we can do remotely. We can send drawings, send photos of fabrics (providing we have felt them and know them, in order to honestly recommend them), do video walk-throughs to view a space and make recommendations remotely. We can place orders and arranging shipping and receiving, coordinate sub-contractors and make things happen.

Many tradespeople such as upholsterers, seamstresses cabinet-makers can continue to work in the privacy of their own workrooms providing the have the material. Many fabric sources are still shipping orders. We have two sofas and two benches currently being upholstered – the fabric having been ordered, shipped and delivered all last week. With several other fabrics on their way, our seamstress will be very busy creating custom throw pillow, bed dressings and draperies. We can keep many of our talented, local people busy.

Artists in their studios are eager to express their thoughts and feelings and even bring YOUR interests to life in paintings, pottery, jewelry, sculpture…self-quarantined by their own habits – now is the time to commission a custom piece – pottery centerpiece, focal painting, personal jewelry piece, pet and people portraits by sending photographs!

The dynamics and demographics of our communities will be radically changed as a result of this crisis. Remember how upset many were over Walmart coming into towns displacing, if not eradicating small local businesses? Well, watch what’s happening with large national businesses today and their smaller, local counterparts. We will lose so many and replaced by whom? What? How? How will this change the look and feel of Mainstreet?

The interior design profession is so intimate and personal. It is about hands-on…to be there to move furniture, adjust groupings, share the experience of balancing textures, temperatures of color, size and scale… it’s hard to do  from your laptop on a remote beach.

So while the ads on TV promote the home decor sites for instant furnishings and decorative accessories – remember that they don’t always look as you expected once they arrive.  Many offer returns, but often with freight and re-stocking charges.

During this unusually  unprecedented time when anxiety instigates spontaneous purchases, designers can still consult to advise and direct, offer ideas, consult about choices and decisions. They can help make decisions and assist in finding the right pieces and making the best purchases.

So call them. Show them your finds. Discuss your choices and ideas. Get their opinions and make better decisions due to their experienced advice.  It might and should save you money and headaches in the long-run.

The current normal…snafu?

A Designer’s Eye

Hidden genius can be found amidst seemingly redundant arts and crafts.  Walking by you might not notice. Passing by many beach stands, they begin to look alike – very repetitive. The colorful wares and handcraft are striking and eye-catching and full of fiesta, yet if you pay attention you will notice the nuances. Discovering the true designer/artist.

An escape to the tropics and especially to another country offer a reprieve from the cold and add an exotic element to getting out-of-town. Discovering the many indigenous art forms that come from all over Mexico is fun and exciting. Getting to know the makers and the distinctions in their work is another exciting level of appreciation.

As is true with so many things, detail and design matter. I buy a smattering of things for my gallery/gift boutique. I like to support the local vendors and makers that produce these fantasy-filled folk-art pieces.  From fabrics to stuffed animals, painted pottery to murals and mosaics, the art is abundant and deserves to be examined.

As an example, I am focusing on Victor Rivera. Victor is an artist and more so, an incredibly gifted designer.  His sense of pattern and imagery is exquisite. It reminds me of my mother’s love of Marimekko and Lily Pulitzer in the 60s and 70s. Her appreciation was a tremendous influence on me. The joy of color and pattern was a exhilarating celebration to wear and accessorize your home. Victor seems to possess a like-kind of innate sensibility and talent for devising and executing sensational color, pattern, motif and resulting design. He is currently creating, from a modest beach stand, what I believe is clearly different from others doing what might be thought to be similar work.

Like Maija Isola – a peer of my mother’s, having been born in the 20s her designs transcend the many decades in which she influenced color, pattern and bold imagery. Her work continues to live and influence the evolution of Scandinavian artistic direction and its impact on the world of design.  https://www.marimekko.com/com_en/world-of marimekko/design/designers/maija-isola

Similarily, architect Josef Frank contributed greatly to the design world through his architectural work and also his love of his limitless artistic expression through color and pattern. https://www.architecturaldigest.com/gallery/josef-frank-fabrics-london-exhibition

Watching Victor select his brushes, for the various applications and control on his designs, is fascinating and amazing.

The sense of pattern and design is a different category of artistic talent, in my observation and estimation. A master, of pattern, form, design detail and art, is an artist. However, the focus on the repetition and integral connection of patterns – for this purpose in a one-dimensional application – is an intensely different pocket of an artistic brain.

And this brings me back to Victor. I want someone in a position to embrace and promote him, in the world  of fabric design and influence, to catapult him to the level to which he can and should aspire. Shout-out to Alegreea and the fabulous designers at Pineda Colavin!!!!!!!

His hummingbirds begin with a pencil drawing and basic “fill” colors at the start.
Working on both clay and wood prefabricated bowls by other artisans, his many layers of colors and details take shape.

With myriad, mostly monotonous, Mexican street/beach artists, Victor is a beacon of light that stands out among the throngs. Once you stop to notice – the work he is creating is astonishingly  unique and beautiful. His designs are laced with meticulous detail, outstanding color combinations captivating and beautiful.

He will paint expeditiously simple works to satisfy the tourists and keep an inventory at the ready for spontaneous purchase – but when he has quiet time and is caught-up on his table of offerings, he creates amazing pieces that are truly remarkable. It is important to note though, that his more expeditious pieces still have a color combination with strokes of accents that still are above and well beyond the common.

He will paint commissions all day long – but left to  his own devices, his creativity is boundless. And, referencing back to the Scandinavian designers, his floral designs are outstanding!

Taking time to examine the world around you and the beauty of detail that awaits, is a joyful experience of great discovery and satisfaction! Not to mention great fun!!!

Fun with Victor, art and design!!!!!

Discovering Extraordinary Ambiance on the Side of a Dusty Road.

After experiencing and pondering the value of incorporating nature’s elements into architectural planning in the previous blog, I find myself winding into the countryside from sea level to a mile high into jungles and ultimately pine forests, across vast expanses of rivers and towering bridges spanning grand abysses…and stopping at a modest panaderia (bakery) on the side of the road.

You can’t tell a book by its cover as this simple little rural structure – standing alone – looked curiously intriguing and quaint enough, with an unpaved parking area transitioning to well-tended pea-gravel. Traffic cruised by, on the way across the bridge.

Those that knew, turned in. We pulled off the road and were told that this couple had a wonderful bakery and were promised an exceptional treat! Fresh empanadas that would bring remarkably satisfying mid-morning joy.

Very tidy and thoughtfully eclectic, this little destination bakery is a precious find.

Oh, were we in for a surprise! At the entry, I stopped to shoot the whimsical cup of coffee mosaic set in a field of stone and concrete. I thought – what a fun design element to greet arrivals and set the stage. But I had no idea to what extent I was about to be elated. What unfolded so exceeded my expectations that I wanted to stay all day!!!

Happy stone and tile-work adorned the pathways. From the textures of stone and brick, tile and wood – it was an organic fantasy – an unexpected design experience.

Simple, yet spectacular – simply spectacular!!!!!

 Ceilings of colorful floral blooms – perhaps wisteria – suspended from their vines and other plantings intertwined with the structure.

Spotless and meticulous the eclectic elements were a harmonious creation.
Stone walls, wooden slats, vines and adobe all worked together to define the spaces.

 The wafting aroma of fresh baked goods – it was more than delightful.  From warm savory clouds with mushroom filling and another with chile-laced sausages – and an array of sweet strawberry, cream and pineapple empanadas to corn muffins, banana muffins and more! All nestled beneath colorfully woven cotton tablecloths.

Light and delicious – the best empanadas ever!! With a tiny sprinkles of granulated sugar, for a sweet crunch, before sinking into the fabulous fillings! Muffins challenged any others and savory treats were so satisfyingly delectable. Little buttons of banana slices on top denoted which were the banana muffins!!

Rich Mexican coffee with a touch of freshly ground cinnamon and luscious hot chocolate were served in custom-glazed “barro ware” complimenting the fresh-from-the-oven confections.

The exhibition baking kitchen overlooked the serving line. The buffet of pastries thoughtfully explained by our gracious and welcoming host, Jesus!

Carmen presents fresh strawberry tarts just from the oven!!!
A combination of old and new – tradition and technology meet in this cozy kitchen.

Fragmented spaces open, yet enclosed, offered intimate pockets in which to pause and enjoy.

Color-pops insert themselves effectively around the interior and exterior spaces.
Inviting seating areas semi-concealed offer private repose.
Tucked away – more areas to enjoy…

Clever use of clean blond wood shavings on the floor of the main covered patio created a wall-to-wall carpet of fresh aromatics complimenting the inviting aromas emitted from the ovens.  Rocking chairs and rigid sturdy versions, with a fun little rope swing, all surrounded  by tropical plantings made a cozy area to gather.

Soft underfoot and subtly fragrant – the wood chips make a great shag carpet!!!

As I meandered around exploring all the interesting spaces, textures, colors and plantings, I marveled at the sensitivity with which this had all been crafted and assembled. It was artful interior design with an exterior feel – open air and charming, with a decidedly handcrafted, Mexican sense of place.

Slices of handsome tree trunks make perfect stepping “stones” with graduated heights.

It was an eclectic collage of furniture, structure and organics – living and static – that was welcoming and artful, delightful and so pleasing, that it was a treat for all the senses.

The cool morning air of the mountains mingled, with the comforting fragrances, creating an atmosphere inviting gentle conversations of people gathered around good food and artfully relaxed surroundings.  

Peek in places and through doorways to find worlds of design waiting to be discovered!!!