Designing, Styling and Why – Finding Personal Style

Styling is a vague term used popularly now for many facets of artful design that come together to create a presentation (in this case) for interiors. Interior designers practice the artful tricks of “styling” while calling on their expertise with many other important professional elements regarding practical and functional design decisions, structural considerations, mechanical and electrical aspects, client collaboration, budgeting parameters, and more. Terminology can confuse the conversation because often the illusive thing that clients are seeking is finding their “style.”  This goes deeper than embracing a new trend or changing a style of furniture from Scandinavian to French. It goes deeper into the very personal places that are uniquely individual. It’s about lifestyle and personality, temperament, and taste.

Assembling elements in your home or workplace is about lifestyle and personality, temperament, and taste. This living room is taking shape for a single man wishing to update his furnishings and fixtures throughout his home.

I was told in school that there is no such thing as bad taste – just bad design. I love that. It takes an enormous percentage of the judgement out of it and leaves the important characteristics to be critiqued such as function, form, balance, color, texture, volume, lighting…

Styling and designing both require balance – designing being the more comprehensive of the two. Each consider many of the same elements, but designing digs deeper. I often converse with clients about the opposites in their spaces. Hard/soft, smooth/rough, light/dark, warm/cool, simple/complex…finding the effective, pleasing, balance in all the elements in a space is critical to the comfortable success of the design. I seek the positive, buoyant, uplifting effect that elicits good vibes.

The result should be more than satisfying, it should be joyful and personal. This chair and ottoman were vintage pieces handed down in this family and here we reupholstered them to give them new life in a new context.

As an interior designer my job is to extract and decipher the wishes of my clients – commercially or residentially. Not only what they want and need, but how to achieve it. It has to do with the art of design and the practicality or reality of executing the work. The result should be more than satisfying, it should be joyful and personal – designed for the specific needs and goals of the individual(s) with whom I am working.

Discovering your personal style might be like a lightbulb turning on – it’s been there all along but wasn’t recognizable. You have it but don’t realize it. Which begs the question, what is style? It is very representative.

From my experience, there is no such thing as no style. Not having style. The very concept of that is like a reverse condition of being without style (un-styled ) – like messing up a hairdo. Yet that disheveled do is a style unto itself – albeit not in the contrived sense of order and intent. That same hairdo in a fierce wind might become similarly disheveled – but without the intent – it might be considered an organic style.

Tidy to disheveled, style is limitless. The occupant of the space is surrounded by books that never quite get put away.
Fascinating to some – unnerving to others.

Interior design can be contrived with much intent, formalized with attention to detail or a more unselfconscious approach that always appears more casual, organic and lived-in. Of course, there are happy mediums too. However, the risk of the “unselfconscious” approach is that by the very nature of the approach to create that which does not LOOK contrived – can be very contrived!!! Hence the unfortunate, if not unintended, result!!

Tidy to disheveled, style is limitless – the permutations and opportunities are endless. But when styling a “scene”, do we keep books in the bookshelves with perhaps one on an end table or nightstand for practicality and interest or do we present piles of books as though the occupant of the space is surrounded by books that never quite get put away? Fascinating to some – unnerving to others.

Some categories of interior design allow a “stylist” to express themselves – rather than focusing on the specific design needs, desires, requirements, and ultimate joy of a client. Style for the sake of imagery. These categories include product representation and promotion/branding – ads and TV commercials, and vignettes that are not intended for real life but for effect. To create appeal and promote trending marketing efforts, assembling for model homes or staging for individual homes for sale and theatrical set design are also examples of the applicability of styling. This “styling” is a very marketable talent – different from designing for and about a client’s personal wants and needs – in a residential or commercial setting.

Commercial interiors combine the branding of the business as well as the personality of the occupants and the culture of the workplace. We completely redirected the focus of this insurance office by emphasizing their brand in color, imagery and graphics. Corporate marketing material was enlarged and used for artwork to further reinforce the brand and emphasize the mission for both employees and clients.

Style evolves. Styling can be an ongoing process – even daily. But that becomes a preoccupation that is not necessarily practical for everyone. Our tastes change with life experiences and with them new interests, accommodations and necessities all contribute to the evolution of personal style. But look at your own personal style and see what about it has remained constant even if your design direction has changed.

You have style. You need to try to articulate it, embrace it or change it. I often hear “I know what I like when I see it.” That’s true of all of us. But being a “creative,” a designer, we create and not merely discover, find, and assemble – through all parts of the process.  Helping clients distill the flood of inspiration, imagery and ideas presented, on the limitless platforms dedicated to interior design, new construction, remodeling, styling, and decorating, is the first stage of the job. With so many choices and directions from which to choose, navigating that circuitous path through the oh so many images and ideas is daunting, but essential to finding the right elements to combine and create the design – and set forth the style.

The stuff of life. This couple downsized and culled their belongings to their very favorite things. Their new interior, in their custom home, incorporated all of their treasures and added some new pieces for their next chapter.

Knowing what you like when you see it and collecting as you go is what results in what I fondly call the stuff of life. Your life is partially represented in the things you have discovered and saved – things that bring you joy that you want to see and have around you. They may change over time. Your fascination or appreciation for an object might wane…but the principle of having things collected over time and life experiences (or minimalist lack thereof) is a personal expression. Often the trick is to re-arrange what you have. The style is there, but the placement and orientation can make a significant difference. Arranging is very much a central part of effective styling and interior design. Styling is a fun way to play with options, trends, make statements, influence, and experiment. Have fun finding your style and incorporating all you love and enjoy into your interiors!

Fabrics – Texture, color, pattern, design & style – The Art of Transformation

Everyone loves “Before & Afters.” The transformation of an object or a space is the magic of interior design.  One of the most valuable elements in our design wheelhouse is fabric. Fabrics have the ability to transform. Like paint – color – altering to enhance a piece or the entire environment, fabrics offer not only color, but texture, pattern, design and style.

I love a good find. Call it antiquing, thrifting, scouting, treasure hunting…the hunt is the intrigue. Exploring random sources to find the perfect piece. Once found – knowing what, if anything, is needed to transform it.

Reupholstery is a life-saving treatment. To salvage a tired piece with good bones and great lines is a service to good design. Pairing old pieces with new fabrics is rejuvenating. Inserting fabulous fabrics into a design scheme is a fine art that gives aged pieces a new life and contributes to the uniqueness of the composition of a space.

Of the design elements, paint is the one with the seemingly limitless choices. Fabrics are next. The worldwide variety of textiles, creatives, fibers and the combinations thereof are vast. Searching for just the right fabric for a specific piece is part of that treasure hunt.

You have heard the term “run of the mill.” Even for many, having never thought of this as a fabric metaphor – this phrase is used commonly to describe the common. It means ordinary – a common, mass-produced product’s run of a manufacturing mill. Using common fabrics is a cop-out when it comes to creating unique designs – especially when there are so many incredible fabrics from which to choose.

Personality comes into play when selecting a fabric. Along with function (how durable/cleanable it needs to be), the taste and preferences of the user, and the context in which it might occur – personality of the pieces plays a major role. For example, reading the personality of a chair – its lines and scale.

The personalities of fabrics are as endless as the textiles themselves. Fabrics evoke moods, seasons and even attitude. For commercial use, as well as heavy-use residential – workhorse fabrics have evolved. Not long ago, durable fabrics looked durable, less attractive and limited. And without turning this into a continuing education course about fiber content, it is obvious once you investigate the options, durability for wear, ultraviolet tolerance, mildew resistance, and antimicrobial properties – are all woven or applied to fabrics allowing amazing installations in commercial interiors that you would not hesitate to have on your living room sofa! 

Voila! The finished sectional is further detailed with custom throw pillows to bring together the caramel and blue tones of this color scheme. Warmly greeting guests upon arrival.

Residential interiors can now enjoy what commercial interiors have realized for years. By incorporating the durability and cleanability which allows for the wear and tear – without showing those signs of real life – residential and commercial interiors incorporate fabulous fabrics that defy their strength – beauty and style conquer!

Sustainability of the fiber sources is an increasing topic of conversation. That and the fiber contents regarding the health/safety of the materials and treatments, if any, used (Okeo Tex certification, for example).

With all this information regarding the myriad options, enhanced durability and the unique opportunities that textiles provide to dress your great pieces – treasure the history, family hand-me-downs (if not heirlooms) and give them new life!!!! Its ART!!!

Conquering the Fear of Color – A Q&A Interview with Patti

The serenity of neutral color schemes has a significant place in interior design. However, it is more about the fear of color that I approach this article today. Committing to color arrests most people – they want it and admire it but are fearful about selecting and committing to bold colors.

Beautiful neutrals are a color all to themselves. Layers of whites, creams, grays offer sophisticated schemes.

However, that is not all that causes clients to reach out for assistance. Even if they have made a decision about taking the leap, it is how much, where and with what or to what the color is applied or occurs.

A white kitchen receives a patchwork of blue and white Talavera tile as a backdrop adding depth and interest.
In addition, upon closer inspection, we have incorporated a fine detail of an aqua glazed Spanish tile running horizontally and vertically through the patterned tiles.

I remember when architect Antoine Predock’s project for United Blood Services in Albuquerque https://bit.ly/3LBQbDv made a splash – a really RED splash when he stuccoed the entire exterior brazenly brilliant, bold, blood red! It was astonishing – astonishingly effective!!! https://bit.ly/3NNQihd If a picture speaks a thousand words, color is right there in conveying remarkable communications.

From branding to personal style, color is key.

The addition of our tongue and groove walnut wall established the theme for the rest of the furniture in this interior.


My staff recently investigated information from projects. They posed questions and gathered observations regarding my use of color. Photos, at the end illustrate some specific color decisions and why. The resulting questions and answers are as follows:

Patti Hoech‘s design practice has been and continues to be an exploration and emphasis of the subtleties and strengths of color. It is an integral part of her work. We wanted to know why and when she discovered this specialization in her design sensitivity and how it relates to her approach to effective design decisions.  We are asking clients and colleagues to pose questions to get the answers.

Why is color so important?

Patti Says: Color is power and peace. Color is important on so many levels – personal joy (or aversion), perceived temperature, brand identification, seasonal interactions, emphasis, and contrast. Color is everywhere. Understanding and harnessing it for specific purposes is key.

This new backsplash had a specific purpose, which was to acknowledge the existing rust-colored porcelain sink and the intensely green marble stone countertops. By pulling those two colors into the tile selection so strongly and interspersing other colors that complemented the palette, the result was an effectively unifying design detail.

How do you determine the color specifics for your projects?

Patti Says: What color brings you joy? What color tells your story? Interviewing clients about their color preferences – being an important question begins the dialog regarding what colors to incorporate and why. This can be personal preferences or aversions or specific colors relating to branding whether it is new or existing. Also, existing fixed design/architectural elements might also play a significant part in developing an effective color scheme.

Do you believe color affects the lives of your clients in their homes and workplaces?

Patti Says: Absolutely!! Color can insert many subliminal effects that impose on people’s perception of a space or graphic. Color can evoke emotion, instill comfort or agitation, rekindle memories, spur appetite, affect perceived temperature. It can embed recall for commercial brands. Color can be a clever tool.

In this interior for Boba Tea, we played with the colors of the flavors and the multi-colored tiles to correlate to the fun experience of sucking the tapioca pearls.  

How do you navigate color trends?

Patti Says: Trends are necessary to keep our market moving. Capitalism is based on consumer activity, and nothing generates purchasing frenzies like stimulating new trends in the market. However, basing design decisions on trends must take into consideration the intended longevity of the design.  Much of color trends are based upon pairings and combinations of color.  It is those combinations that can “date” a color scheme – not so much a specific color. It is how, where and with what it is used that pegs it.

A classic, well-balanced color combination of blue, white, and yellow is a comfortable warm and cool with a neutral that transcends trends. Fabrics and finishes contribute to how one updates a classic color scheme.

Do you feel you are a forecaster or influencer?

Patti Says: I believe that I have imparted and am still providing thoughtful, challenging color consultation to my commercial and residential clients.  Having prospective clients request designs based upon others that we have produced is telling and flattering. It means they have confidence in the decisions regarding long-lasting color schemes – if not timeless, in some cases. However, it must be said that design elements that present the color often determine – in many ways – how well a selected color or color scheme “holds up” over time. Considerations regrading patterns, materials, and elements can and might be either improved or modified over time while maintaining the same color scheme. Forecasting anticipates color trends. I have successfully influenced clients to make selections based upon an anticipation of future color directions in the market or merely go with classic combinations that have been proven over time. . .

What has influenced your appreciation for and interpretation of color in design?

Patti Says: It started at an early age. Observing the world around me. Nature, architecture, decorative arts (china, textiles, artwork), fashion, logos/brands, trends, regional colors, seasonal colors, cycles of color…Pinks, turquoises, yellows of buildings in the West Indies, bold color statements of Mexico…Color is profoundly important and signature in its application. From fish to birds, flowers to leaves – color captivates me and urges me to find words to express it and continue to have it a primary part of my descriptive vocabulary.  As an omnipresent element in the design process, color is unavoidable, but to enjoy it so fully and embrace the limitless range of options is an exciting artist’s pallet of possibilities which stimulates me at every turn.

The magic of color on architectural exteriors can be amazing. Here in Burano, Italy my dear friend captured the colors! Similar to what we see in Guanajuato, Mexico and the sunny islands of the West Indies.

I attribute much of my color awareness to my mother. I remember being greatly influenced by her sense of color and design. Her sensitivity and talent were innate. She selected fabrics that had unusual color and pattern combinations. When orange, avocado, brown, and gold prevailed in the 60s and 70s, she selected the olives with chartreuse and gold for the less formal areas of our lives and leaned into Lily Pulitzer’s dynamic colors and patterns for her clothing and a pastel version of soft pinks and verdant greens for our more formal areas. The master suite was primarily yellow with beautiful bits of blues. Beach scenes always emphasized blues and greens. Nothing in our world was on common trend, but an artful interpretation of color combinations, eclecticism and comfort. Pairings of orange and brown were never her happy place nor was gold and brown.  But orange and PINK – YES! Pink and green especially! And browns were recognized in context with stone shades of greys and tans.  I believe that sense was greatly influenced by richly organic, textured stone walls of the West Indies – Danish architecture in the tropics where limitless colors of greens and blues punctuated with flowers were all around.

As a result of this of this early introduction to the value of color, my personal spaces reflected similar sensitivities. Beginning with pink in the early years I graduated into blues, turquoise and greens for my teen years. The final scheme, in my room in the home in which I grew up, was a dusty pink, clay, and mocha-rose. No one in my world had that color scheme in the late 70s and it was difficult to assemble. It helped that I worked part time in a design showroom in Georgetown where handling the amazing abundance of fabulous fabrics was a daily inspiration. Throughout my life experiences color has been a constant distraction. Not in a bad way, but rather a noticeable, unavoidable interruption that causes me to pause and take note. Ask anyone who knows me – I stop and remark about color at every turn.  For better or worse, I comment on color. It is a deep appreciation that I enjoy sharing. And the most rewarding is discovering color for clients who yearn for it but don’t quite know how to find and use that which would make them feel the joy of color!

A dear friend in Mexico recently took a leap in selecting an accent color for his seaside villa. Once an all white interior, which was lovely and fresh, he wanted a new look that provided contrast and strengthened his color theme. The yellow accents made me smile when he unveiled his new look!

Color plays a major role in discovering and expressing personal style.  Fear not – color is your friend. Find your style. Live your style. Love your Style.

Details of Home

Whether a minimalist or an eclectic collector/gatherer, one’s details of home are important and personal. Like personality types, what is important to one person is not so much for another. However, it tells a story. The details of a home make it just that. Home. 

This interior has a lot of personality and very much reflects the artist who lives here. Antique family side chairs take a near full century leap with this new, colorfully eclectic upholstery.

Residences, the dwellings in which we live, can take many forms – from short-term to decades of ensconced living. To “reside” regardless of the length of time – suggests a certain level of comfort to include some detail(s) to make it “home.” 

Each home is an individually personal space filled with details that make it so.

What might YOU consider imperative elements of what you call “home?”  Consider comfort, color, ambiance, familiarity, convenience, nostalgia and perhaps just pure joy.  

A hotel room for the busy “road warrior” traveling for business, might reveal a photo of a loved one placed thoughtfully on the nightstand. Something as simple as this can make a temporary residence feel more like “home.” 

Upon plopping the overnight bag on the hotel bed, one of the first things to unpack might be the framed photo of a loved one to place on the nightstand.

Dorm rooms will reflect personalities, pleasures, interests, colors and imagery for young people leaving home for the first time. They create their own sense of place and “home” while embarking on their new chapters of life.

While looking around your place of residence – this place you call “home,” consider what is important to you. It might be the actual architecture, quality of natural light, a collection, a piece of art, furniture, photographs, decorative accessories…

A little over a year ago during the throws of our introspective isolation, my cousin, a thoughtful artist of photography, commented from Connecticut about The Essence of Home. In it she shares intimate observations and encourages personal study of your significant space – memory or current abode. She also suggests an interesting little project in which she invites us to “take half an hour and create a photo essay of a place that has significance” to us.  “Challenge yourself to capture a feeling. Wait for the right time of day and seek out the mystery of the place. (This is a great activity for kids, too. You’ll be amazed by what they choose to photograph – what “home” means to them.) See what thing you’re drawn to capturing; become aware of the everyday beauty in the space around you.”  https://www.catebarryphotography.com/

As an interior designer, I am engaged in creating and illuminating details that are meaningful. Whether a view or an object, color or finish, access or privacy – inside or out of the interior these elements collectively contribute to create the overall design. I encourage my clients to identify things they do and things they own – things they have gathered and how they live. What of them is of greater importance and why. This process begins a dialog of preference, value, and interests. Establishing priorities to springboard a project is key to a firm platform for the design. 

You know the old question…If your house were on fire, what would you want to get out? It might be a person or a pet certainly – but if it were a material possession(s), it is a question worth pondering. The same is true if you moved or remodeled, what elements would you want to retain or replicate and what would you eliminate or change?

Vintage family pieces reupholstered, new pieces repurposed, bookcases filled with personal treasures, and the precious pet in the center of the action. Home.

 The details of your home are personal, identifying, comforting aspects of your interior design. Discovering these important details is significant in effectively planning your interiors.

Color Scheme Tips

Color schemes are limitless. The permutations are endless. Color is exciting and fun. It is personal. Colors evoke feelings, memories, emotions and are key to a comfortable interior.

How often have you been asked or pondered on your own…”What is your favorite color?” Some people hesitate to answer, while others blurt-out readily with their fav.  But what color you choose to wear versus what you enjoy in your interior surroundings and how much might be quite different.

Several weeks ago, I launched a weekly post on our PATRICIAN DESIGN Facebook page called “Color Schemes.”  The idea is to inspire design ideas by pairing artwork with designer fabrics. When planning an interior there is always a focal point complimented and surrounded by supporting elements.  Whether a key painting will command the space or an expansive window with a view will direct the focus to a scene of outside colors and textures – that key element will greatly influence a successful interior color scheme.

Annette Donald creates colorful cubes in her creative take on our beloved chile ristras. A serrano chile oil painting, on canvas, by Federico Leon de la Vega is quite representational. Paired here with Romo and Ralph Lauren fabrics, Sherwin Williams paints…fresh and festive!

Here is the example of a November Scheme and you can scroll back each Monday for the past few months to enjoy a variety of the Color Schemes! https://www.facebook.com/PatricianDesignABQ/photos/a.243005986618/10157154423221619/

We embrace the The Nature of November with its unique colors and textures. As the air becomes chilly and the leaves fade…warm, soft colors bring us indoors. Featured here an elegant fused glass ribbon wall piece by Lisa Checnoff.

There are four primary considerations that I discuss with my clients when determining which colors to choose, emphasize, avoid, use as accents and where. To establish these selections, we evaluate personal preferences, contextual implications, seasonal influences and even trends. 

PERSONAL:  In planning an interior, I always want to know what colors make our clients happy, comfortable, stimulated, vexed or relaxed. These personal insights reveal important information for selecting types of materials too.

By examining what might be one’s favorite color, the discussion will navigate the distinctions, if any, regarding preferences for clothes versus interior furnishings. Interestingly, they are not always the same – although, by mere comfort and familiarity, they often are.  Simply asking about a favorite color is not enough.

Brilliant golden yellows and blues – splash color! Featured here are fabulous photo-realistic acrylic paintings by Sheri Mays paired with amazing fabrics of the same exciting palette.

CONTEXT:  The context of the interior might dictate or at least steer the direction of the design. The luxury of having multiple personal environments offers the opportunity to have different color pleasures exercised in different places. The ski condo might be woodsy and textural with browns, greys, stone and wood punctuated with a pop of color versus the seaside retreat with its crisp whites and cool blues and greens punctuated with pastels or bold contrasts. Therefore, the location of an interior might direct the desired color palette.

Inspired by this spa-aqua pottery bowl by Penny Roberts and the custom glass tile mosaic we recently combined to face a newly remodeled kitchen wall – the cool seaside/spa feel balanced with ambers and warm dots of color – pink, fuchsia, orange and golden yellow. Durable brushed cotton solids come in myriad colors and are perfect for pillows or upholstery.

SEASONAL:  This one is tricky because it plays on the perceived climate outside – even if the interior is maintained at a constant temperature. It takes a concerted effort to plan a color scheme – including textures and finishes in anticipation of changing seasons and relative temperatures. I previously mentioned that a window with a view might be the focal point of a room…imagine the effect the changing seasons might have on the selection of interior colors and textures versus a consistent tropical scene, for example?  

Perhaps you love purple – ever pair it with golden yellow? Here, functional, fantasy pottery designed and crafted with the most precise attention to detail by Jen DePaolo inspires our boldly brilliant scheme.

TRENDS:  Inasmuch as I avoid being steered by trends, it is impossible and not advisable – in design – to avoid them. Clients are influenced by them and bring that would-be preference to the table.  It is essential to continue to have “colors-of-the-year” and other market-driven colors change to stimulate the economy with buying and selling, replacement and updating.  It’s our socio/economic norm.  It also serves as an encouragement to re-fresh. But to limit that influence, in favor of long-term personal pleasures, is best.  The pressure of this marketing color influence contributes to our being a disposable culture. Not time here for a lecture on such things – but rather to instill an appreciation for and confidence in personal selections an decisions – in this case,  color.

Patinaed pearls and stunning glasswork by Margaret Hidalgo Vanderheyden inspire the soft, greyed lavenders and blues of this cool scheme.

An interesting and on-going test for evaluating a successful interior is when designing in one season – it has to work in all others. For example, when I meet with clients in the heat of July with lush foliage and color, warm temperatures and long days, that same interior has to succeed when it is frigid outside, barren, and with darker, shorter days. What might the challenges be in creating a successful scheme and what might be the solutions to make it work?

Having noted all of this and knowing the different reactions people have to color, isn’t it interesting when an interior is so successful that it appeals to many, if not the majority, of those who experience it?  This is more applicable to commercial or public spaces – from doctors’ offices to hotels.  However, the challenge and success is in knowing the many things to be considered and implementing a balance of them throughout all aspects of the interior.

Anne Marie Werner-Smith’s brilliantly glazed pottery here with Margaret Hidalgo-Vanderheyden’s lovely fused glass crosses along with coral and dyed stone necklace and woven table runner from Chiapas reflect the changing colors of fall leaves…

Appreciating color is a gift to designers. It truly is an imperative to appreciate all colors and have the sensitivity to discern the nuances between various values and the effects of selections and combinations from the infinite choices.

I hope this has given you ideas and inspiration to move forward with YOUR color schemes! Sign-up for our weekly email of Color Schemes with classic blue and white and stunning neutral greys coming!! And follow the posts on Facebook every Monday.

How the COVID CRISIS Might Bring Change to the Housing Market…

A friend sent me one of her trade articles from the residential real estate perspective regarding how this COVID crisis might bring change to the housing market.  In the article, it touched on the size of homes, working from home, privacy in the home and smart technology that will play a larger role. Plus a nod to adding a stock tank pool to your backyard to beat the summer heat!

It’s true that this period of weeks having a close-up look at our homes – their design, function, aesthetics – has resulted in some new ideas and opinions about how and where we live. Have you felt the need for more privacy or more space?

How might Covid 19 brings changes to the housing market?

A few years ago the pendulum swung in commercial design favoring the open office/collaboration layout.  What was a new concept of open office spaces in the middle of the last century, resulted in the design and development of systems furniture flourishing.  Then the even more “open” concepts of collaborative spaces with foosball tables to entertain the staff providing breaks without leaving the building entered the scene. 

Open office encourages interaction – not as much as fully, open collaborative spaces.It maximizes space, but still omits total privacy for more concentrated work .

This has continued today as some were slower to jump on the trend and are still experiencing the “new-found” re-design of fewer private offices and more collaborative spaces.  However,  the pendulum is swinging back a bit with feedback from some employees reporting that they need more quiet space to do their work and focus away from distractions.  Having a private space can be grounding and comforting and allows an individual to worry about less and focus on more.

In a rotating office, there  less comfort and familiarity. This can contribute to distracted performance. Yet, all of this data is variable depending upon the nature of the work, temperament of the individuals, style of individual work practices, existing conditions in the workplace, culture of the business and even geographic considerations.

But as this relates to homes, many of these factors have similar effects. The real estate article notes that rather than down-sizing homes,  with more open floor plans which has been a recent market trend , they will see a rise in the desire for buyers to want larger homes, in which to partition activities. This might very well be true. Especially if working from home is instituted. The need for privacy away from the possibly over- collaborative office environment, to finding oneself commandeering a pocket of the house for their work needs, requires a design focus.

Where larger, open kitchens had become the fulcrum of family life,  the real estate article suggests that this might not be so popular moving forward.  I’m not sure I agree.  Where the article states that “the noisy epicenter”  might require re-thinking,  I believe that it will remain the vibrant epicenter adjacent to the primary living area, but that other areas of the home will be designed to provide needed escape and privacy.

Too much collaboration and collective living/working can result in a desperation for private spaces. There seems to be a cry for balance. Where we want gathering spaces for the family to be together for meals, games, movies or projects, the confinement with family, although precious and priceless on the one hand, has also proven that there is great value/need in private spaces. 

Home-designing.com is a great resource for visual ideas. Here a cozy reading nook with office/study space and going vertical, to best use the space, are tall shelves. They can also make room-dividers when partitioning off private spaces! Lots of natural light connects inside spaces with the outdoors.

Partitioning spaces within an interior is something we reference as “zoning.” We design “zones” to offer certain tasks or activities to take place separately from others. Sometimes this is partially divided by low walls or screens and other times the need for complete partitioning – as in separate rooms – is in order.

Another creative space from home-designing.com featuring a double workspace, partial wall partition to “zone” spaces. Color “pops” are fun too!!!

The ever popular Jack and Jill bathroom might connect a bedroom with a separate study – a bedroom suite rather than merely a pair of bedrooms.  Study spaces will play a more important role as more on-line options for schooling are made available.  Learning and working from home have been eye-opening experiences. Privacy is paramount when trying to focus on your work.  Study spaces can be single rooms dedicated to this purpose or pockets in the home – converting closets and beneath stair areas for small desk spaces and study nooks.  Slivers of garage space might be opened to the indoors. Unused attic spaces might be captured for loft-like openings up and away.

Decorpad.com is another great resource for creative space-planning and design ideas. Here Leslie Goodwin shoots this valuable space which is captured to carve-out a home-office.

Space-saving and consolidating furniture pieces like bunk beds – going vertical to better utilize the “real estate” in bedrooms, etc.  Valuable square-footage will be captured and used creatively – much like clever design efficiency on a boat or motor home. Space is precious – let’s use it wisely.

Back to the kitchen being the fulcrum – multi-tasking can also be a result of this confined at-home mix of activities and responsibilities. At certain ages, parental assistance is necessary to navigate the studies and coordination with the on-line programs. The kitchen has been and becoming more and more a classroom/study hall. While older kids might just want to be in the center of things while they don their headphones effectively separating them from much of the surrounding activities, still keeping them in the mix, others are actively sharing their lessons with their at-home parent/teachers smack dab in the center of the activities.

Larger homes –  rather than downsizing to smaller can allow for multi-generational  living. College kids studying on-line rather than going away might return or stay at home.  Grandchildren requiring day care might be with grandparents part of the time.

Conversations centered around energy conservation with the desire to have a more open connected feeling with the outdoors can seem contradictory; but technology has advanced window, skylight, door, and many different translucent and transparent panels, to bring the outdoors in!

Lucere resin panels can be used a limitless commercial and residential settings!!

Residential design might be enlarging, partitioning, adding light and connections to outdoor living. Therefore,  sharing the joy while providing space, privacy, healthy circadian rhythm and connections to expanding to and enjoying the outdoors.

Nature’s Design Elements

Neighborhood covenants, zoning, physical practicality, budgetary constraints…all enter into whether it is realistic or desirable to save vegetation when clearing land for development. Carving around existing  growth can be a tedious and costly addition to a project. But there are times when it is a design asset – an imperative even – to the over-all setting and effect of the scene.

Saving trees when designing a built environment is a challenge that often pays off.

A spectacular backdrop to this seating area – the decades old tree is the focal point.
At night – well lit – the same tree towers with dramatic illumination in the darkness as the rear “wall” of this seating area.

Raping acres of woods for barren subdivisions and adding back newly planted saplings the caliper of a quarter is unfortunate and takes years to satisfy. FHA requirements were the tell-tale token of bringing green back after a bulldozer’s brutal removal of all plant-life on a property. That lanky stick standing in the center of a dirt patch, that might get sod or seed…or rock, was a pitiful attempt to give back to the environment.  However, in addition to broad-sweeping examples, individual decisions to saver rather than remove can prove valuable.

Years ago, when planning a patio expansion and exterior kitchen, friends brought the plans to me for a quick check before committing to the design from the design/build contractors that they had engaged. The new patio plan meandered along nearly the entire back facade of the house.  With all the exciting kitchen layout and bar, seating areas and dining space, I instantly focused on the fact that their beautiful red-bud tree was gone – not in evidence on the pans!  I exclaimed about it and was told that they were told it had to go. That was about 10 years ago – or more, yet it still stands today having modified the design to include a tree-well in the patio and opening in the proposed high-ceiling patio cover.  The stunning multi-truck tree thrives, in the ground as it had for decades, and climbs skyward through the opening spreading widely toward the second story of the home. A wonderful, living, sculptural element, in the space. Good save!

Warmer climates invite the indoor/outdoor melding of living spaces. We all try to achieve them despite bitter cold transitions and near, if not complete shut-downs “off-season.” But in the tropics, outdoor living spaces become remarkable dimensions to expand living.

Sculptural trees are powerful elements viewed from inside and outside.

This past week, that situation came to mind as I enjoyed several examples of incorporating nature into the design scheme. Yes, landscape design is just that. Landscape architects do just that. They design exterior spaces with organic material. But what I was feeling recently was two complimentary things – one that designing in and around existing growth is so satisfying and in some cases, the living plant material becomes the architecture – not merely compliments it.

In addition to their sculptural beauty, they add balance, scale and a canopy over the exterior rooms.

This past couple of weeks, we have see the results of 2 years of preparation and construction which transformed of a piece of partially vacant land into a seaside resort. Several key palms and a couple other key trees  were saved and hundreds more were brought to the site to complete the design. The towering new trees showed signs of shock with their dried frond tips  – but will surely survive.

What has been a foreground of some landscaping and virgin jungle ,with houses beyond, was bladed and terraced last year in preparation for a new project.
Buildings and pools appeared, jungle growth was removed and a few key organic elements retained.
The recently finished scene is dramatically different – incorporating specimen trees throughout the property into the new plan.

When landscaping becomes architecture you know you have crossed an exciting line. What I mean by that is to have the growth become walls – to have the vegetation read as though structural framework.

This terraced dining patio is framed by massive bamboo and other large trees and plantings. They are substantial enough to read like screens, if not walls, framing the space.
From a canopy of growth, strings of LED lights are suspended as though from the ceiling – a ceiling of branches over this enchanting outside dining venue.

A tree house is another example. The tree is the structure – the framework to begin the additional elements that create a suspended room.

This entertaining and imagination-spurring book by Philip Jodidio is worth investigation. Here. find extraordinary examples of trees as the structure of other amazingly fanciful spaces!

By observing examples in your world, you will see, when designing around and in concert with the natural landscaping, the effects can be dramatic and of great value to the scene. On your next project, consider the possibilities of saving rather than removing – incorporating and celebrating nature’s design elements!

Tips to Start and Maintain Joyful Traditions

Wherever you  may be…it’s the time of year when traditions are so much a part of everyone’s holiday experiences. And with that opening sentence – no doubt some of yours come to mind.

Traditions, of course, are not limited to holidays – but for purposes of this season, it is the primary focus of this missive. Interestingly, over the past few weeks, I have had a few people ask me about home decor and specifically starting or perpetuating holiday traditions. I found it so compelling because traditions are created from repeat practices and experiences.

Fond memories of family friends and their annual tradition of making warm and frothy Tom and Jerrys! I found these vintage china mugs just like the ones from my memories. Have have recently seen them re-created – new – just like these! Perhaps its time to start our own tradition of Tom and Jerrys for the holidays!

You can begin to practice things that become traditions – that’s the key. Of the recent conversations, one person approached me about a week before Thanksgiving.  He was single, hosting a few friends and didn’t know where to begin. Could I help? The other inquiry was from a couple of years ago as a young woman who was not from New Mexico found herself here, newly married and in a new home.  How was she to create the feeling of Christmas? The answers to both of these queries are at the end …

As is true with all consultation whether it is interior design, medical, self-help, physical fitness, IT…it all begins with questions. The consultant must ask questions to establish information that will guide them to make their recommendations. Here are 4 Tips for Approaching Traditions that will begin the conversation.

Perpetuating a Tradition:  Memories are personal references that are the basis for traditions. The repeat performance of these various acts establish traditions. Continuing to practice the traditions insures that they repeat as each like-kind of event unfolds. It takes effort to continue to re-create traditions, but to lose the pattern can become irretrievable. It can be an onus or a joy to perpetuate traditions. I would prefer to embrace the latter! Ideally, any tradition that you chose to perpetuate should be a joy.

This vintage set was given to me by a dear friend. It held precious memories from her grandmother having served hot cocoa from it every Christmas. My friend’s experiences dated back to the 1920s. The set preceded her memory…as her grandmother, born in the last quarter of the 1800s owned it for years prior. We enjoy hot cocoa from it nearly every Christmas morning!

Creating New Traditions: Establishing the approach that perpetuating a tradition should be a joy or the act of something that brings joy, the same is true with creating a tradition. Seems obvious that you wouldn’t want to create a traditional around something that does not bring you joy. But you might be surprised. I have recently learned that sometimes people think that they begin something that is a common practice to create a version for themselves, when in fact it is a perceived obligation rather than a joy. Don’t force it- don’t feel obliged to begin a practice just because others do it. Experience, invent or witness something that brings you joy and replicate it. You might recall it from your past, find it in a scene from a movie or experience at someone else’s home, derive it from participating in an activity or, of course, discovering internet ideas that abound. If something interests you to the extent that you want to practice it – then do it! If you enjoy it enough, you will perpetuate it and it will become a tradition.

This little Santa Doll was handmade by a friend of mine when her kids – now grown with kids of their own – were kids. Not originally intended to be a “Crazy Santa,” his accidental facial expression resulted in his name – held now for over three decades. He comes out every Christmas as an amusing family tradition.

Modifying Traditions: We all need to determine how much we want to take on,  how much we want to invest (in time or money) and how we achieve the same or similar results to create the joy. If traditions become too complicated or difficult, it might be time to re-think them. Rather than discard them, modify them. The time to discard a tradition is when it no longer brings you joy. But before that might happen and if the event/activity or degree of difficulty challenge your want to perpetuate the tradition, consider modifying it to suit your changing needs, circumstances and enjoyment.

This might happen if you move away from the context in which the tradition originally occurred, change in participants – if any, change in interests, physical or financial limitations…if the tradition still brings joy – find a way to achieve that with the necessary modification. Circumstances alter cases…like where you might have lived or are living at the time. Your fondest memories might be of chilly temperatures, warm fireplaces and the scent of pine trees…then you relocate to the tropics! This provides an opportunity to retain some of the original traditions and introduce some new. Not to mention, you might move to a different country where an entirely new set of traditions will present themselves – or just the different words for familiar favorites. Even without changing languages, in England they hang stockings at the foot of each bed rather than the mantle. Father Christmas is their Santa Claus. The list of similarities and slight differences goes on…

As I walked in the park last weekend, I spotted this fun, dangling snowman! So I stopped to inquire and capture a few shots. This family celebrates their son’s birthday every year with a piñata. Born on Christmas Day, they select another day close-by to have the piñata portion of the party. A family tradition.

No snowy scene for snowball fights or skiing? Toss a ball or frisbee,  take a hike or bike,  instead.

No enormous turkey? Roast a breast or a more manageable duck or chicken.

Become a vegetarian? Using the same type of familiar meal service and table dressings, modify the menu.

Not convenient to cut and haul a tree from the wild? Buy one instead. Real tree a hassle? Become the proud owner of a magnificent fake tree- with a bit of pine-scented room spray!  In my case, I occasionally give myself a “bye” break from putting up our tree (Although I love my tradition of collecting silver ornaments, of which I have dozens). So the “modification” is to have a magnificent, tall poinsettia on the entry table and several others scattered throughout the house to punctuate the interior with splashes of red.

No formal dining room? Gather on cushions around a coffee table – even if it means a piece of plywood from Home Depot on cinderblocks with a paper tablecloth! Candles and a centerpiece will set the scene.

Sharing Traditions

Gifting things that represent your traditions is a wonderful way to share. Obviously, baking and sharing traditional delicacies is prime. Making or finding  ornaments to gift is nice.  I offer cuttings of our family’s Christmas cactus. My grandmother always kept one or more plants from the original plant that was in her family home in Youngstown, New York.  She was born in 1892 and her grandmother remembered the plant and told my grandmother that it preceded her in that same house. We don’t know how far back it goes, but at least mid 1800s. I have kept cuttings and grown mature plants from the very plants that my grandmother had her entire life of over 100 years and kept all the while we were growing up in the same house for 20+ years and now my 40 years since!  Gifting a traditional food or a CD you compile of favorite recordings, sharing plant cuttings, passing along a treasured possession – all are ways to share traditions.

But what if you are starting out? Memories from childhood might be the basis for beginning your own adult traditions – whatever the springboard, it should be fun to establish your own holiday traditions.

Colton’s Reindeer – A child’s artwork can be passed for generations.

Whether it is handmade decoration, food centered, activity engaging, music oriented, game playing, object collecting…each person has their focus. Even if one is alone for a holiday, there are sentimental triggers that remind of past events.

Food Centered: Main dishes, baking desserts, crafting cocktails…

Party cocktails – always a fun  tradition…note here the festive cocktail coasters. Handmade by artist Rebecca Speakes, they make a wonderful gift to start a collection.

Activity Engaging: Playing games, sports – live or on TV, taking a walk, driving around to see holiday displays, theater productions…

Music Oriented:  Gathering around a piano (guitar, accordion…whatever) to sing, neighborhood caroling, participate in a choir, Karaoke games, attending a concert, background music evoking memories for the occasion…

Decoration: Dressing your interior and exterior for the event(s)…

Hanukkah traditions, decorations – the brilliant blues and metallic accents…Color plays a big part in traditions and their interpretation and practices.

Collecting: Adding to collections…handmade series, vintage pieces, new releases…

Remember the guy before Thanksgiving?  He had no formal dining room. He was having 7 friends gather. He wanted to do some semblance of what he regarded as a traditional Thanksgiving dinner. I asked him how he preferred to gather – standing with cocktails and appetizers grazing throughout the evening or a “sit-down” approach? He really wanted the feeling of sitting down to feast. In light of not having a formal dining area – and as it turned out, no coffee table either,  I advised that he gather on cushions around a coffee table. Since he didn’t have one, I suggested that he go to Home Depot and get a 48″ square cut piece of plywood  to position on top of a double stack of cinder blocks. I went in search of finding a table cloth and 8 large cushions (pillows) , votive candles and a centerpiece comprised of a bright yellow mum plant in a basket, with a few mini pumpkins and fall leaves. The scene was set. He used his own plates and utensils, white paper napkins and a package of orange cocktail napkins. He planned the meal and asked for each person to contribute an item that was special for them. After all the dishes were identified, he prepared the main dish, a casserole of boneless turkey breasts surrounded by his traditional favorite, Pepperidge Farm stuffing – baked and beautiful – and two other things that were not being contributed by his friends – canned cranberry jelly (ha ha) and a pumpkin pie that he purchased from a local bakery. Voila!

The gal entering her first Christmas as an adult was not from New Mexico nor was her young husband . They had a new home here and the local traditions were not in her realm of traditions. She wanted a large tree but did not own one single Christmas ornament. She bought a live-cut tree and we bought strings of mini white lights,  a couple dozen red feathered cardinal  bird ornaments, candy canes and white ribbon. She tied white bows on the tree and scattered the red birds all over it. I cannot believe that I can’t find the photo of the finished product – but it was a memorable solution for a first Christmas presentation.

This year I captured a quick shot of this tree in a friend’s house that reminded me of that young woman’s first Christmas tree. In vogue this year are the bare, stick-like trees that offer twinkly accents and an airy presentation of ornaments of choice and here featured are the very similar red cardinals!

Happy Traditions Near and Far!!!!

Upholster a Rock?

Some fabrics are just so fabulous that they can carry a design scheme. You could wrap a rock with them and feel that they are accomplishing the design statement to set the theme, mood and encourage interest, if not confidence in comfort! Stimulating the senses is a major part of design.

Often, a throw pillow can make an effective accent. We joke often when we find exclusive fabrics in the hundreds of dollars a yard and say “Perhaps a throw pillow?” Knowing that the projects affording such luxury for miles of drapery panels are few and far between!

Duralee offers statement furniture pieces of unpretentious luxury and comfort with a collection of fine fabrics that will satisfy any budget. Birds take flight from this delightful Duralee pattern.

Sight Sound Smell Taste and Touch – you know. Colors and textures catch one’s attention. They set the mood.

Upon entering a space you take-in the colors and textures and if fabric is in play.With further tactile examination fabric contributes greatly to these two sensory perceptions – sight and touch.

This playful Donghia organic has fuzzy tactile balls sprouting from the linear twigs. From the “ground” to all the intertwining and overlaying weaves, the complexity of textiles is exciting. Come see these exceptional designer fabrics in our studio.
Many fabrics have multiple colorways. If you see an intriguing fabric that’s not “your color”, its worth asking about the entire collection.

Juxtaposition can also be an effective technique. When placing a modern pattern on a vintage piece, you breathe new life into the forgotten history – refreshing and capturing the best of both worlds!

You might not have a lot of confidence in someone who wants to wrap a rock to make a design statement. However, my point is, when you love something you want it regardless of the delivery system! Find fabrics that you love and insert them into your rooms – home or office. It’s like your favorite flavor. Sweet or savory – slather it on a piece of cardboard and you’ll be significantly satisfied. You need not struggle with how to do it – just make it happen. So to get a little taste of an exciting textile, make a table runner, simple dining chair seats, select a backing and make a throw or an accent pillow. Bring the joy of exciting textiles into your interiors.

Here are a series of fun fabrics from our source library – tools of the trade. We LOVE fabrics and must touch the texture, feel the weight and evaluate the colors. Seeing images on-line do NOT do justice to the many incredibly creative textiles are available to enhance interiors.

Cute critters march across this sophisticated yet whimsically novel woven.

 

Other considerations not necessarily in evidence are the wear-ability/durability of a fabric and the resistance to ultraviolet rays, mildew and other elements. Wool is inherently flame retardant, for example. And exteriors have come alive as these amazing performance textiles will often fool you in disbelief that they have the properties to withstand the radiating ultra-violet rays of the sun and damp conditions which invite mold and mildew. These incredible fabrics are truly indoor-outdoor in appearance and extraordinary performance!

High-performance luxury weaves such as jacquards, piques, tapestries, matelassé, ottomans, damasks and sheers defy their extraordinary performance properties.

Roy Hamilton a recognized designer in many media, brings fresh patterns to Chella.  Roy Hamilton, designer of exclusive ceramics, sculptural and textural interior elements and fabrics for over sixty years.

Call for an appointment to explore our source library for the most unique fabrics in the world!

Floor-to-ceiling shelves of samples await your exploration for commercial and residential application!! You can order most textiles by the yard!

TIPS For Building a New Home

Building a new home? There are many ways to go about it. Here are a few photos of a semi-custom home, in the framing phase, that is currently under construction. Watch for a future blog featuring progress photos and finished shots!

Upon arrival, here at the entry, is a recessed niche – or as we say out here in New Mexico, a nicho! It is a perfect focal point, yet the dimensions are not illustrated in an elevation. The owners have an opportunity to have it sized for an existing piece that they own, plan for a custom piece or allow it to be framed-out by the contractor, without further specification, and find something that works.

From a tract home, with all the decisions distilled to a narrow selection featured in a model home and/or sales office…to the very custom where the owners select everything, from a world of choices with their consultants, there are commonalities that are worth noting to assist with the process .

In the tract home, a price for a finished product is presented and all standard, pre-priced details are included – within a range of narrow selections. The selections are recorded, but not often incorporated into the plans which are is usually generically pre-designed. Changes are usually not an option. It is efficient, for both contractor and owner. In full-bore custom projects, all is decided, selected, designed and recorded on the plans to the last detail prior to pricing and breaking ground. All costs are identified, yet changes are often in the mix as owners have new ideas that they have the prerogative to change. They exchange or pay for every modification – every “change order”.

In the middle is the “almost custom”, but still packaged product. This is a package that is presented with pre-established designs and details, budgets and allowances. Potential buyers are shown examples of homes – models or occupied recent completions. A cost for construction is determined based upon square footage and amenities, as illustrated in the examples. This is a great way to get a more custom home with easier to execute plans and design details.

Which process best describes your project? In any of these new home design and construction approaches, there are similarities that challenge the owners along the way.  Even for the seasoned professional, circumstances alter cases (changes in availability of materials, weather delays, clients who continue to visualize, imagine and fine-tune their ideas and involvement in the details). All can challenge the schedule and alter the intended smooth progression of the project.

With the tract home approach not many, if any, of the on-going wish-list items can or will be implemented. They are not set-up to make changes, alter plans or deviate from offerings and the signed-off package, in any way.

In the very custom design-from-scratch home, with the “world is your oyster” approach, changes are welcome and accommodated – after all, that is the goal – to create the perfect home, for this client who is paying for the flexibility, world of choices and luxury of it all.

In the middle is the interesting situation where the owners perceive custom flexibility, have budgets assigned and make selections based upon those numbers.  Once these numbers are created to establish the budget, examples are usually presented so the owners have an idea about what their dollars will buy during the selection process. Often that method is a bit unrealistic. As estimators know, this is a tedious process – yet presenting it, in an overview, seems easy.

After examples have been shown, floor plans drawn, finishes and other design details have been budgeted, the owners sign-off on the basic idea of the home and then set out to fill-in-the-blanks. What will the flooring be? What light fixtures? What door hardware and finish? What sinks, faucets and towel bars? What countertops? What wall tile, paint or other treatments? It is usually not until that very process of assembling all the selections that an owner will know if the budget they created will satisfy their ultimate needs and desires.

 With this sense of “custom” paired with the packaged example, comes the owner’s complacency – through no fault of their own – to miss details that arise from the attempt to create a unique product, plan, design – but without having seen the actual example. It doesn’t exist – anymore than it would in the very custom home. That’s why it is unique. However, unlike the very custom home, where there are layers of design assistants from architect, interior designer, lighting consultant, A/V consultant, landscape designer, general contractor, and subcontractors who work together to best explain options, implement wishes and get it all on paper for clarity, the middle approach proceeds with pre-determined practices that don’t require recording on plans and rarely elevations, as all is based upon an expeditious course-of-conduct for the like-kind of homes presented, at the out-set. But having seen the examples/model/features, the homeowners make their plans guided by the project managers which might include a general contractor, subs and a few hours with an on-staff design consultant. Inevitably details are over-looked in the process.

Here are a few tips for proceeding with a new home project.

Don’t be afraid to ask for sketches of design details or photos of examples.

Walk through the floor plans, in your imagination. Start at the front door and shut your eyes and try to visualize the progression. Make notes along the way. Do the same from the garage or any other alternative entry, into the home. I will suggest you do this several times – each time with a different focus.

Be mindful of window locations…exterior fenestration and interior placement as they relate to furniture and artwork. Consider them both from inside and out! One they are framed and ordered, this is either difficult, expensive or impossible to change.

The first focus might be to walk through from each exterior entry and visualize where the light switches are located and what they operate. Do you want some of your switches to be three-way? This means, for convenience, that there are two different locations to switch on/off the same light or appliance.

Secondly, as you walk through the spaces in your mind, picture if there are things that you wish to highlight such as a piece of art on a pedestal or painting on a wall, sculpture in a niche or even a spot on a table for games or hors-d’oeuvres. Some things might be lit by free-standing lamps – depending upon where they are located. Beware the dreaded, but often necessary, floor plug!!

Light fixtures….locating the power sources – the junction boxes…will you have recessed fixtures, surface-mount, suspended, or wall mount? Consider the heights of the ceiling, what is centered or not, from where you will see the fixture, and where you want it to illuminate and how. This will help plan the location of the j-boxes.

With changes in technology, wireless systems, phone apps, etc…these details will change. Know the pros and cons of advancing technologies and select the best for your present and future needs. Consider the longest period of time you will be in this home and design accordingly – aging in place.

Consider what things are easy or cost-effective to modify later, if needed, and what makes sense to install initially, to be the best investment. This might be temporary light fixtures, in favor of more expensive ones once you recuperate your cash-flow! Perhaps you don’t need glass shower enclosures at the outset – can be added later…additional cabinets…many things can be upgraded later. While other items such as the flooring material, cabinets/countertops, wall treatments, skylights, electrical sources and others…should be considered in the first-pass.

At every turn, when you are walking through the space in your imagination, see your focal point. As you enter – what is dead ahead? As you turn to the right – what do your face? Do the same to the left and make your way through the house and see each focal point, in front of you, to determine what will be placed there, how will it be lit (with each exercise – imagine daytime and nighttime), does it require power, is there enough room to place the piece you intended to go there?  Inches might count.

While walking through and around the plans or even during the early stages of construction, also look out the windows. What do you face? What do you see?  Capture views and avoid what you don’t want. Should the wall be higher? Will this be a landscaping opportunity or necessity? Check patio covers and light sources. Consider the compass – what faces what? Seasonal temperature considerations are worth a nod. And think about exterior lighting.

A spectacular upgrade of over-sized sliding glass doors and flanking windows were selected to maximize this view…only to learn, after the slab was poured and framing up, that there was a massive corner column planned to support the yet-to-be erected patio cover . A modification was still possible, by sharing the load on two separate well-spaced columns and cutting back the patio cover between them to avoid a cantilever that was said to be cost prohibitive.

Check to see if things, inside and out, that should be centered ARE centered. And if they don’t, make sure from all angels that it won’t matter – or will in some advantageous, artfully, asymmetrical manner.  

Per the plans, the island was not centered beneath the skylight. The cabinet-maker was doing his field dimensions and asked it this was the desired position. To which we replied – no – as it impacted the location of the pendant lights in addition to being off-center from the skylight.

Furniture layouts should be placed on the plan before you finalize the plans and certainly before you break ground. If you visualize a sectional sofa from which to watch the TV – make sure you can plan for one that exists. If it is from a sofa that you will view the TV- is there a space for an adjacent guest? Make sure some collection of desired furnishing or possibilities is realistic. If you have actual pieces you own – it is an imperative and so easy to accommodate on paper before the slab is poured and framing begins.

By not centering the bed and coordinating TV and dresser which was intended to occur on the opposite wall, the master will have a entire seating area off to the side. Had the recessed niche for the TV along with wiring and backing installed for the articulating wall-mount bracket, the bed and flanking nightstands would wither have been forced to center or been awkwardly off-center to best utilize the floor space.

As previously mentioned, beware the dreaded floor outlets – will you need them? Layout the furniture, to have the best chance of getting the location right.

Yet-to-be installed fireplace, in the far corner of the room, dictates the furniture placement. Floor plugs will allow lighting to be located, on floor or tables, away from the wall – floating in the center of the space. They were placed prior to a furniture layout having been specifically planned. This might pose a challenge.

Ask friends for their opinions. Examine their suggestions from every angle. Don’t wait to ask friends for their opinions too late, in the process!

A fun snail shower enclosure will have no door…but the placement of product niches, termination of the wall tile and transition of the floor tile are critical details.

In any approach to this process…plan. Don’t guess anything that you don’t need to guess.

In about 3 months, this patio will be in full-swing for entertaining. Hopefully all the anxiety of the process will be left behind…….

Be prepared to have new or changing ideas as things proceed – but prior, proper, planning will better serve the entire process.

Don’t be that guy like in the old joke about purchasing a vehicle…after signing the purchase agreement, you realize something is missing and mention it to the agent who replies, “Oh, you want wheels on that car?”