site furniture

Neighborhood covenants, zoning, physical practicality, budgetary constraints…all enter into whether it is realistic or desirable to save vegetation when clearing land for development. Carving around existing growth can be a tedious and costly addition to a project. But there are times when it is a design asset – an imperative even – to the over-all setting and effect of the scene.

Saving trees when designing a built environment is a challenge that often pays off.

A spectacular backdrop to this seating area – the decades old tree is the focal point.

At night – well lit – the same tree towers with dramatic illumination in the darkness as the rear “wall” of this seating area.

Raping acres of woods for barren subdivisions and adding back newly planted saplings the caliper of a quarter is unfortunate and takes years to satisfy. FHA requirements were the tell-tale token of bringing green back after a bulldozer’s brutal removal of all plant-life on a property. That lanky stick standing in the center of a dirt patch, that might get sod or seed…or rock, was a pitiful attempt to give back to the environment. However, in addition to broad-sweeping examples, individual decisions to saver rather than remove can prove valuable.

Years ago, when planning a patio expansion and exterior kitchen, friends brought the plans to me for a quick check before committing to the design from the design/build contractors that they had engaged. The new patio plan meandered along nearly the entire back facade of the house. With all the exciting kitchen layout and bar, seating areas and dining space, I instantly focused on the fact that their beautiful red-bud tree was gone – not in evidence on the pans! I exclaimed about it and was told that they were told it had to go. That was about 10 years ago – or more, yet it still stands today having modified the design to include a tree-well in the patio and opening in the proposed high-ceiling patio cover. The stunning multi-truck tree thrives, in the ground as it had for decades, and climbs skyward through the opening spreading widely toward the second story of the home. A wonderful, living, sculptural element, in the space. Good save!

Warmer climates invite the indoor/outdoor melding of living spaces. We all try to achieve them despite bitter cold transitions and near, if not complete shut-downs “off-season.” But in the tropics, outdoor living spaces become remarkable dimensions to expand living.

Sculptural trees are powerful elements viewed from inside and outside.

This past week, that situation came to mind as I enjoyed several examples of incorporating nature into the design scheme. Yes, landscape design is just that. Landscape architects do just that. They design exterior spaces with organic material. But what I was feeling recently was two complimentary things – one that designing in and around existing growth is so satisfying and in some cases, the living plant material becomes the architecture – not merely compliments it.

In addition to their sculptural beauty, they add balance, scale and a canopy over the exterior rooms.

This past couple of weeks, we have see the results of 2 years of preparation and construction which transformed of a piece of partially vacant land into a seaside resort. Several key palms and a couple other key trees were saved and hundreds more were brought to the site to complete the design. The towering new trees showed signs of shock with their dried frond tips – but will surely survive.

What has been a foreground of some landscaping and virgin jungle ,with houses beyond, was bladed and terraced last year in preparation for a new project.

Buildings and pools appeared, jungle growth was removed and a few key organic elements retained.

The recently finished scene is dramatically different – incorporating specimen trees throughout the property into the new plan.

When landscaping becomes architecture you know you have crossed an exciting line. What I mean by that is to have the growth become walls – to have the vegetation read as though structural framework.

This terraced dining patio is framed by massive bamboo and other large trees and plantings. They are substantial enough to read like screens, if not walls, framing the space.

From a canopy of growth, strings of LED lights are suspended as though from the ceiling – a ceiling of branches over this enchanting outside dining venue.

A tree house is another example. The tree is the structure – the framework to begin the additional elements that create a suspended room.

This entertaining and imagination-spurring book by Philip Jodidio is worth investigation. Here. find extraordinary examples of trees as the structure of other amazingly fanciful spaces!

By observing examples in your world, you will see, when designing around and in concert with the natural landscaping, the effects can be dramatic and of great value to the scene. On your next project, consider the possibilities of saving rather than removing – incorporating and celebrating nature’s design elements!

With all the New Year buzz about the new color forecasts…I started taking notice of the seeming non-color, white. It is often considered the absence of color when in fact it is a very complex color of many shades and values. Just try to select a white and you will know what I mean.

When you look at white paint samples, you will notice the nuances. There are pink whites and blue white, grey whites and yellow whites. Each white is off-set and contrasting to another. You see the differences by comparison and by context. You think you have just the right white until you place it against another sample and see that it is grey or cream and then second guess yourself again…and again…How do you know which white is right?

Dunn Edwards groups their whites and pastels in a separate section of their fan deck as do other paint companies. What is interesting here is that the background is a sheet of white copy paper. Notice how is reads against the colors in the samples…it seems to be a purple blue color. This shot was taken under a full-spectrum LED lamp. The colors should be true. The range of “white” is amazing.

To intentionally design with white is bold. To have the confidence, to decide that white IS the color and that white IS the scheme, is challenging. To effectively design with white, you not only have to select the right white(s), but you have to know just how much of anything else might be effective yet not detract.

Le Leche in Puerto Vallarta is a fabulous example of designing exclusively with white. Only with minimal punctuation with black lettering on the wall of containers and also by allowing shadows is the white interrupted. But the blacks’ minor interruptions gives depth and fine detail.

White design can be cold or warm. Depending upon the desired effect, mood or function of the space, the whites need to be carefully selected. This is true with lighting as well. Warm whites or cool whites…what gives you the desired result?

Popular white string lights add festivity and a warm glow to an evening scene.

See how many lighting colors you can identify in this scene…Starting on the left, a cool pocket glows through the underbrush. The walkway has a warm pink-ish light. The very cool blues of the pool area give a dramatic read. A bold yellow accent peeks from the far left and also over on the right. The palm trees are wrapped in a warm white tube lights while the far right side illuminates the entry to the dining palapa with a cool white light source. The foam of the surf on the beach is captured with a cool white spotlight that maintains its naturally expected white color.

Knowing when to add color to a white scene to achieve an intentional POP is an art. The color itself, the amount and placement is all part of the success of a good design result. From the fine black detailing in the previous shot of La Leche to this still-life composition of a tropical cocktail that I propped the other day, the minimal punctuation of color is key.

White mosaic shards of tile in the background of this composition featuring a peeled coconut and the POP of a pretty pink party umbrella result in a white-on white scene. Yes, this shot says PARTY with a perky smile!

The bench which served as the backdrop for the coconut cocktail is a dramatic serpentine sculpture of site furniture that plays with the white-on-white of the tile and grout.

Contrasting against the organic wood decking, this white monolithic bench snakes around the periphery of this outdoor lounge area. The sunset is casting a soft pink wash over the all white glazed tile.

Beach settings using white materials compliment the white sand and greenery of the tropical plants. From wood frame platform cabanas to the sprinkling of umbrellas, white is a wonderful, fresh color for a crisp clean scene.

Whites on whites…creamy sand colors to crisp white terrycloth, the white-on-white scheme is soft, inviting and clean.

Greenery compliments the white umbrellas and sunning beds on the lawn by the beach.

Palm trunks and other fruit trees are often painted white to protect against insects and what insects insist on climbing the surface are easily spotted by birds who appreciate the help to capture a snack! In this case, they contribute to the white design theme.

The soft creamy off-white folds of fabric offer a soft, inviting scene.

Shadows in the creases and depths of the folds add the dimension to the luxurious feel of the cotton damask fabric.

White stucco is dappled by shadows and greenery while given a warm, strong base by the brick pavers. White as an architectural finish is only successful if the context compliments it. This is true in all design.

Architectural color and texture of surfaces is a moving target. A recent discussion about a white building with black detailing would not have proved right for this particular use of white. The hard, commercial read would have been too severe for the intended effect. Yet that same project, with a warm white and an ochre accent, will be just the right combination to achieve the desired result. Watch for this project to be featured in a few months.

Architectural surfaces incorporating tones and textures of white provide interesting opportunities

Block and crumbled edge accent bands on the facade of an exterior wall.

White in design is an exciting selection. Knowing how, when and why to use it is a test of your creativity. Picking the right white is the challenge.

The limitless colors of white found in a pile of gravel…..

So the next time you think white, think a lot about it. Study the context and what you are trying to accomplish. Feel freed by the fact that white is a color to express and enjoy.

Nature’s Design Elements

WHITE by Design…

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