WHY? It’s never as easy as it seems! You can track the trends. See what is relevant to today’s popular design concepts. But how do you really pick a paint color? Warm versus cool, safe versus bold…there are seemingly limitless choices and so many things affect the decision. HELP!!!!!!
Does it help to swipe a swath on a wall?
Not usually. The surrounding often white paint isolates the color in a small concentration and it cannot begin to give the full effect of an entire wall or more. The most telling is to paint an entire section of wall that you can frame in your field of vision without seeing anything else. That or painting an entire wall, for the best test.
When is the ceiling painted other than white and why?
Some colors stand-out and are more imposing while others meld with their associates. It depends upon your personal comfort level. For example a room painted a sunny yellow might be too bold or imposing if the ceiling were to be painted that same color – white would be customary and give relief and contrast to the yellow vertical surfaces. A more mellow color (like a taupe) might work well on all surfaces creating a soft, unifying encapsulation. Shades of the same color – lighter or darker – can also prove to be an effective treatment. Light reflectance – artificial versus natural, depth, the hue and value all play a part in determining what works in a given situation. Not to mention any existing furnishings that might direct a color direction/selection.
Should different walls be different colors?
Why not? Variety is the spice of fabulous interiors – but that doesn’t negate the beauty of an all white interior . Knowing when you want color, how much and from what source is part of the balance of design.
What is color layering with paint?
Planes of color seen over-lapping can provide a fantastic effect of colors literally layering over each other. Looking through an interior and reading a wall of one color and another wall behind it peeking out with a different color can add interest and contrast.
How do you stop colors from wall to wall?
I prefer stopping on an inside corner – always. But that’s me. I prefer to “read” the element (wall, monolith, enclosure, etc) as a structural unit. As though the wall were build of that material – the finish suggests the material rather than illustrating a surface application that quits. And I feel the same way about any surface application – tile, wall-covering – preferring to stop on an inside corner to define the element from beginning to end.
EXCEPTION: I have had several instances where we have a little fun with transitions between colors – a zig-zag motif, for example, can provide a surface graphic and change colors on one surface!!
Semi-gloss versus flat?
Glossy finishes show more defects in the surface material. So a wall with imperfections such as texture flaws, repairs, any uneven detail will be enhanced. So to minimize defects, a flat paint is preferable. It also depends upon what you are trying to convey – a smooth plaster finish – might be better expressed with a semi-gloss but an earthen softness is better with a flat paint. Clean ability and durability might play into this decision – but not at the expense of the desired visual effect as there are many grades of paint to accomplish various levels of ease of maintenance – consult your paint products professional.
Contrasting a gloss against a flat on different adjacent elements is a nice contrast such as wood trim in a gloss against flat on the adjacent wall. Is the trim the same color as the wall or is it a contrasting color?
Do dark colors make small spaces smaller?
It is a deceptive misconception that this is the case. Dark colors recede and therefore can actually expand the illusion of space. A dark ceiling seems to recede into the void and creates the feeling that the surface is far much higher than it really is. Dark colors behind light colors does the same – recede as a back-drop. Do not fear dark colors – they contribute depth and drama.
Picking paint colors is like selecting the backdrop for your world. All your things are set against this plane. Applying paint is having control of transformation. Like controlling when and how the sun washes the dawn or the night envelopes in darkness and all the amazing colors that occur in-between. Visualizing the end result, creating the transformation that takes place beneath the brush, roller or spray gun as it alters the scene are magical powers.