What Do Fabulous Fabrics Have in Common?

Fabulous fabrics are NOT common – that’s what they have in common!!  After paint, fabrics are the most  malleable design element that can make dramatic transformations in an interior.  New pieces, reupholstering existing pieces, treasure-hunting to cover vintage pieces, salvaging family heirlooms, plastering or padding walls and ceilings, draping and accenting – doesn’t it sound exhilarating? Imagine the  possibilities!

Metal studs to trim things…wrap a lampshade, border draperies, trim a sofa, adorn a pillow…so many things…and the stormy cloud printed velvet in the background of this trim – is blustery and powerful.

One of the most fun-filled events in our design studio are the road-trip visits by our fabulous sales reps that bring the world to our conference table!!  In larger cities, the design resource centers, markets and their showrooms offer myriad marvelous samples of furniture, decorative accessories, art, lighting, fixtures, finishes and fabrics.  Exciting new design trends are presented each season.

But when you live, in isolation from the major centers, as we do here in the high desert – we are treated to personal presentations that are intimate, relaxing, inspiring and educational. Here is an exclusive collection that was presented just last week. Sit back and watch the fabrics unfurl and float – one after another – in layers of color, texture and incredibly inspirational style.

Weighty over-stitching or “top-stitching” adds detail-either high-contrast, color-on-color subtlety or the median slightly contrasting grey with white. Trending – touchable textures! Here presented for interior fashion, but you can bet that clothing fashion designers would love to play with these textiles for wearable art too!!!

Sure, throughout the year we travel  to source hubs, surf the net, call our reps, request samples, compile materials and gather what we need across the miles. It is challenging.  Like living on an island and bringing the amphibious containers of supplies over the sea and up onto the beach! But inasmuch as we don’t have a design center handy to do a lot of “one-stop-shopping,” we do curate our own very extensive source library of fabrics and architectural materials. With that at our fingertips, without leaving the studio, it’s a time-saver, a stimulating place to to engage clients and we are easily spoiled!

Fine weaves make terrific grounds for bold prints – here in three different color-ways – what a POP! Retro to new concepts – patterns add pizzazz!!

This recent textile presentation brought refined and rugged landscapes of intriguing textures and patterns that  stimulated our design juices.

Intentionally cut after the weaving process provides extra texture and pattern interest.

 

Often the “backside” of these fabrics are as interesting (if not more so) than the fronts – but be mindful of floating threads and other weaving details/methods that interfere with practical use.

Bold “geometrics” are not only vivid with high contrast threads, the texture is what cannot be accurately replicated or conveyed via digital images on a  screen. Despite the fact that I got up close and personal with these samples to photo, nothing beats touching and feeling the fibers and textures.

Complex weaves dazzle with design creativity. Bringing an artist’s concepts to fruition, with a mill to fabricate the dreams, is enchanting.

Traditions of weaving artisans are found in countries around the world. Sadly,  not many fine fabrics are woven here in the States, partially due to the cost of fabrication and also due to the generations of crafts people who are experienced in the art of weaving more cultivated in other cultures. Whether organic, engineered, by hand or efficient, fast-paced mechanization – art and technology continue to push the envelope of fantastic creation and production in the fabric industry.

Here’s a great tip – if for only a pillow cover – if only ONE side of a pillow cover, having unique fabrics is having art. Living with functional art. Appreciating the designs, textures, craftsmanship and unique qualities of fine fabrics and wall-coverings is most satisfying.

Paints hand applied to the surface of fine woven fabrics is gilding the lily.

Who doesn’t love these colorfully, whimsical dot halves hand-applied to the surface of this nubby neutral??!!

Silk-screening also is an art-form that enhances the quality and appreciation of fine fabrics and papers.

Some of this collection are vintage art-pieces resurrected with new colors on the screen prints.  The caliber of a fine, timeless, resource is about quality of both design and construction. A collection that continuously offers – classic and new, bold and subtle – answers to so many opportunities, is a resource that is to be celebrated!!

We investigate the most extraordinary fabrics, in the world, so that we can compile and create the perfect combinations for your exclusive lifestyle.

What’s Trending? Do YOU Need An Interior Designer?

As we move forward into this new year…the story is the same – only some details have changed or been added to past stories. By that I mean if you search for trends – they are ALWAYS all over the place.

We do find years when really new ideas take the stage – like when the shift from plastic laminate to stone slab counter-tops became a valid trend.  It was a trend brought about by improved technology, shipping,  cost and ultimately availability. After that, the engineered surfaces that grew from this trend broadening the offerings – explored color, texture and pattern and continue to introduce new options.

Myriad surface materials mimic natural stone – when is it preferable over natural stone?

 

Engineered stone products offer many bold, solid colors from pure white to amazing primary colors.

So right now bold color accents are in,  wall covering that made a come-back a couple of years ago is sticking for the time being and with newer bolder prints. Fabrics too – prints are bold and large scale!

Wood on walls is trending. Printed concrete tile is the big thing. Farmhouse sinks – in different finishes than customary stainless or white.  Vintage light fixtures – enhanced with new technology and lamping.

So, does that mean I can’t have a white sink or shouldn’t have a stainless one?  I should use printed concrete tiles in my kitchen or bathroom? If my home lacks a bold print wall covering am I missing something? If  I’m not sporting some raw concrete, am I out of style? Is the wall full of family photos in my bedroom passé?

Surrounding by existing vintage pieces and family heirlooms, the new living room pieces added some contrasting, contemporary lines with clean, crisp, classic, blue and white fabric patterns.

Oh, the pressure to get it right!!!! Oh so many choices – how do I decide? Do I have to start over? I want to be in style – but I don’t know what that even means between today and 6 months from now. I like neutrals – am I dating myself?

Neutral fabrics in a variety of textures and subtle patterns on a recently re-upholstered sofa.

Be calm and carry on…that’s why interior designers exist!!  Sorting through all the conflicting, changing information and choices can be exhausting! Just get on Pinterest and look for any subject about an interior – window treatments, living rooms, bedrooms, wall treatments, flooring…with each year, the choices expand. The permutations seem endless. HOW does one ever decide?

Mark my word, we will be flooded with interiors plastered with printed concrete tiles, faux printed concrete tiles, filament light bulbs and jarring color contrasts, in the coming months and perhaps even years…These trends have already made their mark. But it will be the creative manner, in which the various printed concrete tiles are used and when the vintage style of filament fixtures is appropriate and effective. What colors are used (where, how and with what) is what will set a few exceptional installations apart from myriad uninspired, if not confused, versions.

An effective interior designer knows what is trendy versus a trend designed and positioned for lasting impact. This is a major part of the equation. Existing conditions with regard to architectural style, existing furnishings, personal preferences, budget, priorities, all play roles in the design process.

A young teen’s bedroom was recently redesigned to reflect her developing tastes and preferences. Bold color and a variety of geometrics and patterns make a bold, fresh statement.

You don’t want to be coerced into making changes just because new style suggestions are being presented. Trends DON’T RULE – despite the fact that the design community wants you to think they do, in order to continually change things up! Don’t be a victim of too many directives regarding what is in style. It’s intimidating and mostly due to access. We have access to so many opinions, on-line sites, magazines and advertisements that the pressure, conflicting information and choices can be ridiculous.

It’s YOUR interior, your style, your comfort and functionality. Yes, it’s all about YOU and yours.

Do YOU need an interior designer?

A Dozen Tips for Planning a Kitchen Update

As we know, kitchens and bathrooms lead the features that often make or break a house sale. Investing in such improvements can not only enhance your living experience, but also serve you well when it comes time to sell. There are a few basic tips to follow as you embark on this could-be, (but need-not be) daunting project. Here are some important things to consider for all facets of the experience!

  1. To begin, note what things about your kitchen you would like to improve – both functional and aesthetic.
  2. Gather inspirations – make a hard-copy file or at least collect in a folder in your computer things that inspire you in your quest for your improved kitchen. Use kitchen design magazines, Pinterest posts or remodeled kitchen ideas that you Google-search. These ideas are a great springboard to narrowing your design direction and conveying your concept to your design professional.
  3. Based upon your “inspirations” what is your color scheme? This direction will impact options and decisions for finish materials such as flooring, cabinets, countertops, back-splashes, wall finish and window treatments.
  4. Is it merely a facelift? New cabinet doors and drawer fronts? Perhaps new countertops and back-splash. Or is it a complete gut and replace?
  5. New appliances – replacements or additional components?
  6. Sketch the layout of your new kitchen, if applicable. Make sure the available space accomplishes what you are imagining.
  7. Imagine the finished product. Illustrations of the “after” design are the best way to accomplish this.
  8. When in this process should you consult with a design professional? Perhaps after number 3 once you have gathered examples of your preferences…I let the list continue beyond number 3 to give you an idea of where in the process you might feel the need to have some qualified assistance!! An experienced designer will see things you don’t, know things you might not have considered and ideally maximize your budget by avoiding costly mistakes or missed opportunities.
  9. For example, don’t miss opportunities for additional storage – this is a critically creative design detail that results, in great benefit, to the finished product.
  10. In fairness to you and your contractor, try to establish a budget. Do a little homework. Gather rough costs for lineal feet of cabinets, appliances, design consultation and construction costs (a good resource are the home-improvement stores). Give yourself some latitude as this cannot be a finite budget at this early stage of the planning.
  11. With your design pro, discuss contractors that fit the bill to what you are trying to accomplish. If you are only tackling cosmetic improvements, a general contractor might not be needed. For example, new wall finish, countertops and appliances or new cabinet fronts, a new light fixture…these are individual sub-contractor projects. But as soon as you get into moving plumbing and electric, adding or removing walls, puncturing the envelope with windows or skylights – you had better hire a general contractor to take responsibility for the scheduling, coordination, licensing and permitting of the work.
  12. Once your scope of work is determined, you might need to get familiar with great carry-out in your neighborhood!!! That and a few great restaurants too, as you might be without your kitchen during a portion, if not all, of the process once the work begins!!!

Here are a few projects that we have documented with pretty effective “before and afters” to help you consider some of the above referenced tips.

These peachy pickled white-washed red-oak cabinets had classic lines and were in excellent shape after 30 years! The original owners were ready for an update.

 

Purely cosmetic (except for replacing the lighting) we saved the cabinets in their entirety, painted the boxes, doors and drawers. By shooting the fronts remotely, quality control was insured and caused less imposition at the residence.

 

Black accent pieces were already in play. The new black finish was a dramatic transformation. Using a special tinted varnish, proper prep and several coats results in a very strong new finish. All other finishes were replaced with a conscientious effort to coordinate with the existing flooring. The result “reads” as though it was all done at the same time. The floor tile looks good as new!

 

Similarly, we saved the cabinet boxes, but differently from the previous project, we added a few updated cabinet features and replaced the door and drawer fronts to a more classic raised panel detail.

 

Again the transformation was exciting, but by saving the perfectly good cabinets, we had far less disruption to the home-owners. Enhanced cabinet details for improved drawer glides, additional storage, new counter-tops, new lighting, and as is true with all of these projects “cabinet jewelry,” in the way of new door and drawer pulls and handles, adds the finishing touches.

 

This very dated kitchen from the early 70s, had a new owner – a single man – and he definitely didn’t want this provincial look!

 

In this case, a general contractor was in order. We opened walls, re-designed all the lighting, replaced all cabinets with new custom cabinets, appliances, flooring, counter-tops and back-splashes. The transformation is astonishing!

 

 

TAKE NOTICE – Or You Might Just Miss Something Extraordinary!!

The world is becoming so fast. Decisions are “snap.” Instant  gratification abounds. And as we get caught-up in it all, more and more…there is a pendulum swinging. People are taking notice and longing for a reprieve. There is a clinging to values that if not grasped, might be lost.

Slow Food, farm-to-table proximity, support local, shop small…sound familiar? And does it appeal? Why do you think? As Amazon gobbles-up Whole Foods and everyone finds expeditious shopping satisfaction in cyber-space at the click of a finger – why?

Last night, as the sun set and the lights penetrated the darkness with their warm glow, I found myself strolling around, taking photos and breathing in the moist night air. Seaside, tucked in a quiet corner of a significant marina in Nuevo Vallarta, I recognized the magic. I was experiencing such magic.

It’s actually all around us, but it often takes a change of venue to realize it. In your world there is magic all around, but you have to take notice!

As I strolled, I came upon the painting recently completed by a dear friend. As I learned of the intent and while studying this painting of “The Violinist”, the sensitivity of the artist is revealed. And later confirmed by him.  Her tentative stance and demeanor begs the question he set the stage to ask: “Might this be her debut?”

The Violinist – a detail of the original oil painting by Federico Leon de la Vega

I then spoke to the sister-in-law of the artist, (chef/owner of the acclaimed Estudio-Cafe) and she reminded me about Joshua Bell.  Although I had forgotten his name, his enlightening story was quickly remembered. Have you heard of him? He’s the world-famous violinist who participated in a little experiment prompted by The Washington Post a few years ago. The idea was to have him play a $3 million dollar 1733 Stradivarius violin incognito, in the Washington METRO, to see if anyone noticed. Disguised as a street musician, with a baseball cap, he played for 45 minutes and collected a mere $32.00!! This is a man who, two days before, played to a sellout crowd of pricey ticket-holders in a Boston theater.  A world-class musician, with a priceless instrument, performing classical music of all of mankind and barely anyone notices!

Menu cover of Estudio-Cafe, Nuevo Vallarta

Coincidentally, I came upon another violinist-themed art piece last evening as I meandered through the patio among the quite varied artwork. Here a graceful bronze of a lithe, nude, mermaid projects imaginary sound wafting from her poised violin through the warm evening breeze.  I was enchanted. And my imagination was running wild!

Ready for evening to begin Estudio-Cafe Nuevo Vallarta, Mexico

Passersby seemed not to recognize the art beside them. As they walked slowly passing by the patio, unhurried, but caught-up in conversation, hopefully enjoying the incredible setting in which they found themselves. Yet they were oblivious to the outstanding collection of art displayed quietly, unpretentiously on the patio.

One of a captivating series of the mermaids in bronze by Octavio Gonzales

Back to powers of observation and taking time to absorb all the beauty and experiences around you…Joshua Bell admits, in retrospect, that it was terribly noisy and very fast-paced down in the METRO as better than 1,000 people rushed to their appointments. But regardless, it illuminates the concern that if we don’t pause to listen as we pass by the world’s most beautiful music, what other amazing things in this life might we be missing?

My husband continuously observes that I am NOT very observant. I know that this is true and I think it is because he and I observe differently. He takes in a wide swath of his surroundings – all sensory perceptions – 360. While I zero in on things and can be oblivious to something right in front of me, in favor of something nearby that has caught my eye. I would not make a very good Columbo as he  often points out! But I do enjoy the details as I encounter them!

From an interior design standpoint, I take in entire scenes and their context all the time. I “practice” this – I am practicing interior design. This is not spontaneity, it is the art of the study and evaluation of a scene. The challenging work of problem-solving. Until or unless something catches my eye that interrupts the study in favor of the unexpected!!!!

STOP and smell (or paint) the roses!!!!!

Federico Leon de la Vega with a previous commission of “Yellow Rose of Texas Bouquet” oil on canvas.

Remodeling? How to Embrace Existing Conditions – Celebrate the Story

This happening scene provided fabulous fodder, to observe existing conditions being incorporated into a design, for great benefit on many levels. Applicable to all remodel projects – see what you think!

In this case, Night Club design. The styles are many, but the concept is of a  commonality comprised of a few basic functions – a fun place to socialize, meet people and enjoy the entertainment of the overall scene often including live performances. We probably all picture the image of a flashy, glitzy environment.

We were recently in a most unusual space that combined the glitz and bling you might expect with a “nightclub” atmosphere, but juxtaposed with rustic finishes that were unique to the original architecture. This brick expressed in some of the remaining structural elements – walls and column/arched spans of structure – was warm and rich providing an unexpected pleasing combination that so easily might have been eliminated – concealed behind slick new finishes.

To play-up the vintage aspects of the space, ornate traditional chandeliers were suspended amidst myriad dangling strands of sparkling, golden LED lights. These provided a glittering glow of ambient light in the upper reaches of the space effecting both the downstairs and upper level of the club. This mixed lighting treatment was obviously the eye-catching  emphasis of the interior.

Ample light was provided by the luminous chandeliers and thousands of dangling LED pin-dot lights along with the indirect lighting of the back-bar shelves. Therefore, the large steel domes that hung suspended over the bar needed not to contribute ambient light, but were limited to effectively cast direct downward light on the bar surface. Their golden interiors provided a warm glow while the exterior surface disappeared into the darkness.

The bar was quite simple and raw, yet read in enough of an interesting and complex fashion, to compliment the scene. The design was sufficient in its components and indirect lighting worked well with all the other design decisions.

The simple Tolix-styled stools were an understated easy fit with the other surprisingly raw materials of the bar.

To answer the need for friendly group conversations, there were comfortable places to gather with zoned seating areas of tufted leather sofas and leopard-patterned rugs,  wooden grouping tables, then hi-top tables with stools and finally barstools along the length of the bar. The various areas provided options for patrons to pick the most inviting or appropriate spot to enjoy the atmosphere with friends.

Having choices in any hospitality setting is invaluable. It allows the patrons to make their own decision how best to utilize and enjoy the space. It answers different needs and appeals to different people for different reasons, therefore inviting a variety of patrons to invest their time and money in the establishment. A broader reach of clientele.  A broader client base.

I’ve mentioned more than once that having restroom design follow the theme and quality, of the rest of the interior, is imperative. As it relates to night clubs, it is often the meeting-ground for dating, meeting new people, attracting new people and therefore,  the restroom should promote attractive feelings of approval and confidence in the guests.

Jazzing up the restrooms in keeping with the jazzy feeling of the club environment should be a natural continuation of the design scheme. That means mirrors – full length – not merely above the sinks,  good lighting without down-lights to cast unappealing shadows on the guests.

Here the placement of sinks outside the restrooms frees up space in the stall areas, while adding interest to the extended restroom area. The design theme presents free-standing bureaus for the sink cabinets. Often shared sinks are used in these anti-room set-ups, but in this case opposing sides of the vestibule provided an attractive vanity area for men and a separate one for women.

What was so inspiring and interesting as we scanned the interior were the various zones all within this complex mix of original, traditional architectural elements and adding traditional if not vintage lighting fixtures paired with modern high-tech lighting effects and large brilliant monitors featuring exotic, playful, getaway beach videos. It worked.

Have you ever encountered a structure that at first glance did not comply with the supposed new program? Awkward supports, raw materials, exposed mechanical…so ,many “unfortunate” things to get in the way of your design. Often the “imagined” design over-rides the reality of the moment. The challenge is to allow the moment – the reality of the existing conditions – to participate in the process rather than being briskly eliminated without thorough consideration.

And the additional bonus might often be cost-savings and budget stretching while not betraying that benefit at expense of the finished design. Brilliant to have incorporated the “whatever it is” – wasn’t that creative and hence, interesting!! OK – I’ll take that!

To have concealed or negated the architecture would have been almost criminal – certainly a loss of architectural integrity and textural interest.

The crime of missing opportunities like the seemingly conflicting traditional elements with the need to be glitzy and modern is to be too one-directional . It’s like having “design-blinders” on that direct and focus a theme without recognizing the value of thoughtful salvage of  content, contrast and context.

All of what we observed applies to both residential and commercial design. The takeaway is to consider existing conditions and, if applicable, embrace them. Give thoughtful consideration to the opportunities before glossing over them, concealing them or eliminating them altogether. Try to appreciate the gifts that might escape you if you insist on unnecessarily hammering and manipulating a space into submission – design submission. Rather, let it tell a story and contribute to the design process – which would more than likely result in a more unique and creative end project for that thoughtful integration of the existing elements.

Atmos and Eating by Design

How do you select a restaurant? As a patron, what makes you dine out? How do you select your preferred dining experience? I’m talking about casual and easy or even more a more in-depth gastronomic event.

When it comes to casual, quick and easy, I still want the experience to have personality – a pleasing personality and great flavors. Personality is atmosphere. Great flavors is the kitchen. Service might be “step-up and place your order” or table-side wait-staff. In either case, I want it to be a pleasing experience. Why would anyone want it to be difficult or unpleasant? Perhaps that lies in the definitions of the beholder. What is difficult or unpleasant and the various degrees thereof is not be the same for everyone.

Throughout my childhood, I remember my mother and her peers reference “atmos.” It was important. It came up often. “Does the place have atmos?” Or “what great atmos.” Atmosphere – it is the feeling you get in an environment. It is the feeling a place emits. I don’t ever recall it being used in the negative – such as this place has horrible atmos…rather, like ambiance, it was reserved to compliment.

 

Cafe des Artistes – Puerto Vallarta – Note the full-wall mural by Federico  Leon de la Vega as a backdrop to the dining scene. Also, perhaps someone should have straightened the lamp shades!

We now hear “vibe.” The place has a good vibe – but not limited to only compliment, a place can have a decidedly bad vibe too! Is it just the saying “If you can’t say anything nice about something, don’t say anything at all?” Perhaps we are less polite than the previous generations. Yet, constructive criticism let’s you know what makes your patrons pleased. Truth be told…be honest with discretion.

As a restaurant owner, it seems that erring on the side of greater numbers sharing the same opinion of easy and pleasing would capture the greater share of the demographic. Therefore, studies are out there to determine the value of ambiance and presentation. Starting with defining the description of your eatery…who are you and what and how do you serve? What is your “brand?” Whether funky or fine, dining should be worth the visit.

Nexus Brewery, in Albuquerque, has a unique brand and complimentary interior “vibe.”

I read a few excerpts from a fascinating new book, Gastrophysics, The New Science of Eating by Charles Spence. In it, he touches on the importance of atmosphere. He observes the value of interior design even as it relates to how much people eat and how much they spend as a result of atmospheric influences.

Another great read for understanding the art of a successful restaurant is Daniel Boardman’s Your First Restaurant – An Essential Guide. As an “essential aspect of your concept” Boardman identifies why the “thoughtfulness of the interior design” communicates to the patron a lot about the service and food that one might expect to receive.

Tacos on paper – porque no?

From lighting to the shape of the plate, ambiance and presentation are key features in a successful eating establishment.

All the way from candles on a white linen table cloth to a handsome juicy burger in a basket lined with paper, in the context of the environment – design details matter.

Luscious bun-less green chile cheese burger at Sparky’s in Hatch, New Mexico – served on paper and styrofoam – not fancy, but perfection!!

 

Stone under-foot and condiments as a center-piece!! Funky!!

Some reading this might say they don’t care. Fine. Perhaps on the surface, they think it doesn’t matter. They don’t realize the effectiveness of well thought-out details. They take these things for granted. Yet these details can make or break a dining experience – from casual to fine.

El Arrayan presents enclosed patio dining with a variety of light sources, well balanced colors and textures in Puerto Vallarta.

Next time you eat out, look around, smell the smells, hear the sounds, see the colors, notice the lighting sources and levels, feel the furniture and – have I not mentioned it? – check out the restrooms!!!!

Las Caletas…in the jungle…clean and simple.

Not only should they be very clean – but they should also continue the theme of the place.

Graffiti by design, this restroom is actually immaculately clean and patrons do NOT contribute with their own markings. It is located in the street taco eatery of SALUD! in Barrio Logan, San Diego. Fast and friendly, delicious and fabulously  funky!

Pay attention and you might be surprised at what you discover about your sensitivities.

Chaco Hotel in Albuquerque is thoroughly theme-based throughout.

What you hear while dining contributes greatly to the pleasure or discomfort of your time spent in the environment. It either contributes positively or detracts annoyingly. Listen to the sounds next time you dine. At home or out, notice voices, chairs being moved, glassware, music, kitchen noises, traffic…see what detracts, what enhances or what might be considered neutral.

Interior designers are considering it all – the theme, atmosphere, colors, artwork, furniture, lighting, table dressings, serving pieces, fabrics, textures and even sound. Whether casual or more formal, these design details can make or break the success of the business.

Oro Valley Country Club, Arizona.

Even if the food is exceptional, too bright lighting, ineffective colors, uncomfortable furniture or confused design elements can result in negating even the best chef’s efforts. It is a package. It is about the whole. It is a multi-sensory experience. Buen provecho!

TRENDS DIE – What’s New for 2018?

I was surfing for fodder about the new color trends to kick-off this first mindful missive for the New Year and the color trends were all over the place – no consistency at all. From Ben Moore selecting Caliente AF290,

“Caliente is the signature color of a modern architectural masterpiece; a lush carpet rolled out for a grand arrival; the assured backdrop for a book-lined library; a powerful first impression on a glossy front door. The eye can’t help but follow its bold strokes. Harness the vitality.” 

—Ellen O’Neill, Benjamin Moore & Co.

to Sherwin Williams in a totally opposite direction proclaiming Oceanside SW 6496 their color of the year.

“A collision of rich blue with jewel-toned green, a color that is both accessible and elusive… A complex, deep color that offers a sense of the familiar with a hint of the unknown, Oceanside, bridges together a harmonious balance of blues and greens that can be found in what’s old and new.”

What? Are we straddling now?  Do we have one foot in one color trend while the other stretches across the color wheel and causes us to nearly do the splits trying desperately to hang on?

The walls of my east gallery space were a spicy version of Caliente for nearly 20 years! Bold at the time and unheard-of for  gallery walls – it was not to be changed for nearly 2 decades!!!

Whew – that was a run. I even named the retail space “Caliente.” And the color-band between the crown and picture molding at the back was a version of Oceanside – a lighter value of the blue-green hue.

The Grand Re-Opening July 2016 presented a dramatic transformation to a pale aqua resulting in a diametrically opposed feeling – a cleansing from what was crowded and hot to spare and cool.

But I digress…

Annoyed by the seeming authority, but weak contrasting rationale that I encountered with the wide range of picks and opinions, I left the paint companies and clicked over to the Pantone site. There I encountered their authoritative, ethereal color forecast of the year – Ultra Violet!!!!!

Yikes – they were coming at me from every conceivable direction!!! How on earth is any eager apartment dwelling or home-owning individual supposed to know how to go forward in sprucing up their space without fear?

Then  I came upon a piece by Mehgan Nesmith Ugh, What’s With These Generational Color “Trends”? From observing the broad reaching trend surrounding millennial pink to snippets from other sources,  I scanned the paragraphs amused, but still not satisfied. Until I arrived at paragraph 6 and there it was – the true fact that keeps the world moving forward – for better or worse – TRENDS DIE.

Yes they do and for good reason. I’ve said it before, take care in making costly selections that will stay with you past their prime. Trends are there for a reason. Designers dabble in creativity every day of the year to come up with things to tantalize, inspire, evoke, and entertain – and most importantly, SELL. Some of these trends stick. Then they are no longer trends, they transition and become classics. But to transcend the fleeting status of trend, “it” must have something very solid about its being.

And when it comes to interior design, with all the style trends for furniture, fabrics, architectural elements, finishes and decorative accessories – colors race through history like no other design element has or will. Colors rule and when they are good, they are very very good, but when they are bad, they are horrid!!!!! Thank you Mr. Longfellow!!

Take the massively graceful modern art piece suspended from the ceiling of the East Wing of the National Art Gallery in Washington, D.C. – classic – both in form and color. Red and black. Strong and simple. Bold and brilliant. Imagine if it were this year’s Pantone pick Ultra Violet  Aghhhh!!!!!!!

Actually, methinks I protest too much. The shade of purple picked, by Pantone, is heavy on the blue rather than the red.  The blue cast gives it a calm. Not whacky like Barney screaming purple – but, rather a royal shade.  Nonetheless, it is better served as an accent – don’t buy  wallpaper in it. Go ahead and paint the walls and have your fun – but know that you can change it without peeling off hundreds, if not thousands of dollars of wall-covering or re-upholstering your sofa like Meghan was tempted to do!!

It’s a color that stands alone – plays better by itself than with friends – like the child’s report card where the box that says “plays well with others” is not checked.  In my estimation, it will read well with clean, crisp white.  However, like Ms. Nesmith aptly says in her piece “if you are  still curious about that Gen Z yellow, buy a vase!”

That’s how we play with  colors and create a bit  of collision, unexpected off-key harmony, intrigue and suspense. But it is not for the faint of heart and the chance of tiring of it is paramount. Trends die and colors are tricky.

So Happy New Year and Happy New Colors in your world to refresh and renew!! Thank you Meghan, for your lively contribution to today’s story.

 

 

How Long Did It Take You to Do That?”

Recently chatting with a wonderfully multi-talented mixed-media artist of many colors, Laura Balombini and I commiserated on the Creative Process. A few weeks ago I blogged about the Creative Process as relates to client and designer interaction. Some people enjoy the detailed nature of the process and some prefer to be spared that enjoyment.

This recent conversation explored the hidden facets of the Creative Process. The light bulbs that go off in the wee hours of a sleepless night, the honing over time combinations and details, and the tapestry of life experiences that become the personal library of resources from which creativity is drawn.  Sitting in traffic can even result in an unexpected, seemingly unrelated epiphany!

Often called the inelegant “brain fart,” ideas bombard. They pop out often uninvited – when one is NOT even focusing and trying to come up with a solution. They come about without prompt or foresight. They happen.

Creative minds can rarely unplug. Downtime takes a concerted effort. Even those rare moments of attempted escape are invariably interrupted by unwanted, but often valuable, ideas. Not that the ideas are unwanted, but the spontaneous interruptions can be unavoidably annoying.

Yet, it is exciting. Having ideas and bringing them to fruition is greatly satisfying.  Balombini was bemoaning a similar quandary. Often asked “How long did it take you to paint that?” She said to me that the answer was obvious, but not what the observer wants to hear. Sometimes it takes minutes and other times it takes months. How can one charge the same square inch price or similar range of value for one piece that takes little time and something that takes much longer?  She lamented that she wished curious observers would direct their questions more toward a genuine interest in the “process.” Such as, “How did you come to select that color combination?” or “What inspired this assemblage?”

 

Inspiration is not a straight line. It is trial and error. It is a combination and accumulation of layers of ideas and fragments of many experiences. It is an illuminating and distilling of observations – all stored in the many compartments of the creative mind to be extracted and applied as the opportunities warrant.

Where she and I differ is that she, as an artist, creates constantly as a part of her process – as a necessity of her creativity and/or in hope of attracting a buyer (unless it is a commission – in which case, she hopes to satisfy the buyer) and I, as an interior designer, provide clients a service of creative ideas, solutions, suggestions and opinions toward an end. The ideas are selected, dismissed, modified and ultimately executed resulting in a finished design that is the product of the Creative Process. The creative services should provide effective solutions and be unique and thoughtfully custom-tailored for the client’s individual requirements and desires. The solutions are a result of many educated elements, collected life experiences and observations.

To appreciate what it takes to create is to take an interest in the complexities of the “process”. What might take minutes, to convey or even execute, results from a thought process and observations that are without boundary. The cumulative collection of experiences is what enable the designer or artist to find creative solutions, offer a variety of ideas and possibilities. This is the shared commonality of our discussion.

How often have you strolled through a museum or art gallery and thought, “I could do that!”

Have you ever attended a wine and paint event and tried to render the subject and watched as other of your fun-loving companions struggle to do the same, with as many different results as there are participants at the party? Copying is not easy, but it is very different from originating.

As I pondered this blog’s subject yesterday, in advance of putting it into print, another remarkably related and coincidental exchange took place. There I stood in the company of two co-workers of a business office for which I had designed the interior. They, having arrived after the project had been completed, were not privy to the details of the design elements and the process over months that took place. One asked the origin of the art series punctuating the east wall of the reception area. It was a collection of contiguous abstracted landscapes with rough dashes of brush strokes and stacked layers of color.  She asked if it was a result of a wine and paint party. I was aghast.

But upon further conversation it was clear that they recognized the same sized images, with a similar subject matter on each and the same color palette – not thinking beyond to the technically un-selfconscious (I like that word) process and ultimate application and execution. As we looked more closely and discussed the complexity of the texture and layering they came to understand that had they or I tried to copy it, we would not have had that remarkably un-selfconscious effect.  Ours would be more tense and rigid, in the attempt to be relaxed, loose and seemingly simple.  A new appreciation was realized. I had initiated an artistically creative commission from the very talented Federico Leon de la Vega as a solution for a long expanse with a splash of colorful, original, sophistication.

Artistic creativity is nebulous like a blond grabbing at the air…collecting her thoughts!!! Yet that nebulous creativity results in concrete solutions. Commission a painting, ask questions, buy one spontaneously when you like it, retain an interior designer and appreciate the Creative Process. Be creative and have a little fun. Try not to let it interfere with, or usurp, your attempts at some relaxing downtime.

The thickly applied paint on the canvas of the feature image, for this story, is by Ron Cheek. Incredible color balance, generous application of oil paint and loose strokes layered to present a powerful landscape. How long did it take him to do that? A lifetime up to that point.

Please visit our boutique gallery/design studio in downtown Albuquerque to see work by  these fine artists and others!