Designing, Styling and Why – Finding Personal Style

Styling is a vague term used popularly now for many facets of artful design that come together to create a presentation (in this case) for interiors. Interior designers practice the artful tricks of “styling” while calling on their expertise with many other important professional elements regarding practical and functional design decisions, structural considerations, mechanical and electrical aspects, client collaboration, budgeting parameters, and more. Terminology can confuse the conversation because often the illusive thing that clients are seeking is finding their “style.”  This goes deeper than embracing a new trend or changing a style of furniture from Scandinavian to French. It goes deeper into the very personal places that are uniquely individual. It’s about lifestyle and personality, temperament, and taste.

Assembling elements in your home or workplace is about lifestyle and personality, temperament, and taste. This living room is taking shape for a single man wishing to update his furnishings and fixtures throughout his home.

I was told in school that there is no such thing as bad taste – just bad design. I love that. It takes an enormous percentage of the judgement out of it and leaves the important characteristics to be critiqued such as function, form, balance, color, texture, volume, lighting…

Styling and designing both require balance – designing being the more comprehensive of the two. Each consider many of the same elements, but designing digs deeper. I often converse with clients about the opposites in their spaces. Hard/soft, smooth/rough, light/dark, warm/cool, simple/complex…finding the effective, pleasing, balance in all the elements in a space is critical to the comfortable success of the design. I seek the positive, buoyant, uplifting effect that elicits good vibes.

The result should be more than satisfying, it should be joyful and personal. This chair and ottoman were vintage pieces handed down in this family and here we reupholstered them to give them new life in a new context.

As an interior designer my job is to extract and decipher the wishes of my clients – commercially or residentially. Not only what they want and need, but how to achieve it. It has to do with the art of design and the practicality or reality of executing the work. The result should be more than satisfying, it should be joyful and personal – designed for the specific needs and goals of the individual(s) with whom I am working.

Discovering your personal style might be like a lightbulb turning on – it’s been there all along but wasn’t recognizable. You have it but don’t realize it. Which begs the question, what is style? It is very representative.

From my experience, there is no such thing as no style. Not having style. The very concept of that is like a reverse condition of being without style (un-styled ) – like messing up a hairdo. Yet that disheveled do is a style unto itself – albeit not in the contrived sense of order and intent. That same hairdo in a fierce wind might become similarly disheveled – but without the intent – it might be considered an organic style.

Tidy to disheveled, style is limitless. The occupant of the space is surrounded by books that never quite get put away.
Fascinating to some – unnerving to others.

Interior design can be contrived with much intent, formalized with attention to detail or a more unselfconscious approach that always appears more casual, organic and lived-in. Of course, there are happy mediums too. However, the risk of the “unselfconscious” approach is that by the very nature of the approach to create that which does not LOOK contrived – can be very contrived!!! Hence the unfortunate, if not unintended, result!!

Tidy to disheveled, style is limitless – the permutations and opportunities are endless. But when styling a “scene”, do we keep books in the bookshelves with perhaps one on an end table or nightstand for practicality and interest or do we present piles of books as though the occupant of the space is surrounded by books that never quite get put away? Fascinating to some – unnerving to others.

Some categories of interior design allow a “stylist” to express themselves – rather than focusing on the specific design needs, desires, requirements, and ultimate joy of a client. Style for the sake of imagery. These categories include product representation and promotion/branding – ads and TV commercials, and vignettes that are not intended for real life but for effect. To create appeal and promote trending marketing efforts, assembling for model homes or staging for individual homes for sale and theatrical set design are also examples of the applicability of styling. This “styling” is a very marketable talent – different from designing for and about a client’s personal wants and needs – in a residential or commercial setting.

Commercial interiors combine the branding of the business as well as the personality of the occupants and the culture of the workplace. We completely redirected the focus of this insurance office by emphasizing their brand in color, imagery and graphics. Corporate marketing material was enlarged and used for artwork to further reinforce the brand and emphasize the mission for both employees and clients.

Style evolves. Styling can be an ongoing process – even daily. But that becomes a preoccupation that is not necessarily practical for everyone. Our tastes change with life experiences and with them new interests, accommodations and necessities all contribute to the evolution of personal style. But look at your own personal style and see what about it has remained constant even if your design direction has changed.

You have style. You need to try to articulate it, embrace it or change it. I often hear “I know what I like when I see it.” That’s true of all of us. But being a “creative,” a designer, we create and not merely discover, find, and assemble – through all parts of the process.  Helping clients distill the flood of inspiration, imagery and ideas presented, on the limitless platforms dedicated to interior design, new construction, remodeling, styling, and decorating, is the first stage of the job. With so many choices and directions from which to choose, navigating that circuitous path through the oh so many images and ideas is daunting, but essential to finding the right elements to combine and create the design – and set forth the style.

The stuff of life. This couple downsized and culled their belongings to their very favorite things. Their new interior, in their custom home, incorporated all of their treasures and added some new pieces for their next chapter.

Knowing what you like when you see it and collecting as you go is what results in what I fondly call the stuff of life. Your life is partially represented in the things you have discovered and saved – things that bring you joy that you want to see and have around you. They may change over time. Your fascination or appreciation for an object might wane…but the principle of having things collected over time and life experiences (or minimalist lack thereof) is a personal expression. Often the trick is to re-arrange what you have. The style is there, but the placement and orientation can make a significant difference. Arranging is very much a central part of effective styling and interior design. Styling is a fun way to play with options, trends, make statements, influence, and experiment. Have fun finding your style and incorporating all you love and enjoy into your interiors!

DETAILS Found at Hillwood Estate This Christmas

The world is full of detail. From the wonders of nature and the perfection of a flower, to the man-made creations that come from inspiration of all sorts. The combined influences that result, in interesting and good design, are limitless and we now have layers of platforms upon which ideas are presented. The access to creativity is staggering.

Take Etsy and Pinterest. There the ideas abound. Everyone has access to creative ideas unlike ever before in our world. In the past, a keen eye observed and discerned. The clever managed to find inspiration in the most obscure places, analyze observations and interpret them for their own purposes. Creativity was spawned from observation paired with original thought. Yet, that observation was generally first-hand. Therefore, those that got about more, saw more and had greater exposure to more (and there you have it) were creatively stimulated more!

We (perhaps I should say I since it is from my own vantage point and experiences, from whence I speak/write), often are so busy observing that we don’t take the time to dissect and catalog the information we discover. I am so very guilty of that as I am so captivated by design and creativity that I forget to  remember!!! Ha – yes – forget to remember or record!!!!

I constantly find myself regretting to have taken a photo of something (some who know how many photos I take might want to take exception with this point), but it’s true. I regret not taking a photo or studying something which, retrospectively, I recognize as something quite special. In the rush to experience the entire scene, I fail to notice or retain the details. Have you ever felt that you were so caught-up in a new experience that afterward you feel you should have paid closer attention? I forget to remember to store the observations or I forget to take a photo – regretting it afterward.

The breakfast room aat Hillwood Mansion where Marjorie Post rarely entertained, but was always set to do so. Pink poinsettias are the seasonal choice.

This can be from a class lecture to a theatrical production. I wish I had focused more closely rather than getting distracted by my own imagination which  often runs rampant with the encounter. However, the stimulation can be so great that the imagination kicks in and causes diversions, in the attention, resulting in a deficit of detail gathering. Hence a clear case of un-diagnosed ADD!!!

With all of this having been the prelude to my thoughts for the day, I have elected to pick out a few details from a recent tour of the Hillwood Estate and Gardens nestled on magnificent wooded grounds in the heart of northeast Washington, DC. And how wonderful to have had the opportunity this week to stroll through the mansion, now museum, of the late Marjorie Merriweather Post during the Christmas season.

As previously mentioned, I would have, could have, should have taken more photos, but was so enchanted at every turn by the beauty and gracious luxury that unfolded, I was too busy darting from one magnificent scene to the next to capture more than I share here. I apologize.

Her favorite color was pink and this tree greeting visitors upon arrival is a precious jewel among many beautiful Christmas trees and decorations displayed in the mansion.

 

From the reflection on the polished floors of the little white lights to the shimmering crystal punctuated with pink blossoms bedecking the tree was undeniably elegant.

The railings ascending the staircase at the reception desk were draped with garland and strung with simple gold painted discs which were repeated in the coordinating tree which also featured a collection of blue reproduction Faberge eggs.

 

Marjorie Post was a discerning collector of all manner of artistic beauty including exceptional Russian decorative art. The actual exhibit of Faberge currently available for view on the property is nearing its end. Many dazzlingly detailed pieces from her own collection and others on loan for the exhibit are being shown.

If you are in Washington this month, please treat yourself. This exhibit of Faberge pieces is outstanding.

The gold leaves on this magnificent tree in the dining room would be fun to replicate. Could have easily been dipped in gold leaf. Like lime leaves – or from your garden perhaps photinia or laurel even rhododendron – maybe go faux with silk from the craft store – spray ’em gold!!! Paint magic!

And if you have ever installed a dangle of mistletoe…check this out! This elegant bundle suspended, from the towering heights of the entry hall, puts all other sprigs to shame!!! In the opulent foyer, this grand ball of gilded ribbon-clad mistletoe invites those to tempt the fates of love and superstition, with but a kiss!

Whether it is a theme of gold or a snowy season of white, find details and enjoy the creative opportunities that present themselves to you in passing or from the depths of your imagination and create your own holiday magic!!!

Creating fantasy, festivity or seasonal celebration, gather the details every day from observing all the particulars around you.  It is amazing from where you can collect ideas and be inspired to create your own festive fantasy!!!!!! Then be sure to take some photos!!!!!!!

 

What’s YOUR Favorite Color? A Little Project for Fun!

Pick a color. What’s your fav? Do you HAVE a favorite color? I was asked the other day that very question and I was really at a loss…I looked at her, furrowed my brow and cocked my head.  I wanted to have an answer – a simple answer that stated a definitive preference for a color – my most favorite. Rather than producing a quick sure pick, I faltered as she stepped in and said – I’ll bet it’s purple!

Well, actually I can definitively say that purple is NOT my favorite color, but the funny thing is I can love purple, in certain context. The real answer is that I love nearly any color in a certain context.

When I ponder the question a bit more, I can assertively say bright pinks, cornflower blues, golden yellows, chartreuse and brilliant orange. But the truth is, I love so many colors that I am hard-pressed to select just one! It sounds like a Lilly Pulitzer color board.

So I thought of a little exercise. I decided to pick a color at random. Then overwhelmed with the myriad colors that might produce one random pick, I fine-tuned random and said to myself, perhaps a color of the season. To me that was currently and boldly orange. So the idea was that I would walk in and around my house today and capture things that were orange.

This screaming orange hibiscus just came in from the patio to escape the chilling temperatures that have swept down in the last couple of days…happy to transition indoors for the winter!

Try it. Pick a color – not necessarily your favorite – but certainly one you like and walk inside and outside of your house and see how many examples you can find, of that color, in your immediate world. Photograph things that have that color – all or in part, even little details – anyplace that color occurs.  It’s fun and very interesting to see what you discover!!

Autumn is loaded with vibrant colors, but orange is one of the most fiery.

So I selected orange as my color today. I dashed around the house and collected a variety of things that were orange. I was actually astonished at how many I discovered.

This dramatic Hopi – influenced kachina by Gregory Lomayesva sports stylized antlers in a flat but brilliant orange.

Festive ceramics by Ann Marie Werner Smith – here a graceful orange bowl that sits on the counter…it pops against the contrasting granite.

It is interesting because I know my world is not heavily orange, but I found so many wonderful splashes of it throughout my interior and even startling exterior, in the way of the leaves on the Bradford Pear tree.

From fresh mini pumpkins and flowers…

A succulent orange flowering Kalanchoe is our seasonal centerpiece on the kitchen table.

A variegated Croton plant has lacy veining of bright orange, pink and yellow contrasted against it dark green background.

to artwork with swaths of orange streaking through them.

A lovely little oil painting by Jeff Otis depicts a very autumnal New Mexico river scene.

At the last minute, while waiting in the Bejing airport, I found this precious little painting of birds and berries. The background is a vibrant orange. Notice the fresh blues adjacent to the orange. This is a detail of the much larger piece.

Peggy Zuris really knew color. Her bold and confident brush strokes applied in luscious swaths placed adjacent colors perfectly juxtaposed creating uplifting renditions of daily life. This little chicken is a detail of a fanciful rural scene.

The balance of color was so interesting. Where I found orange, I nearly always found blue – unless it was a stand-alone like the glass bowl of oranges – or my coral necklace with its nuggets of bright orange coral.

Fresh oranges with their intricately textured rinds fill a glass bowl on the kitchen counter.

Nuggets of coral look like candy corn tightly beaded on this delicious necklace I wore too Santa Fe today!!

Colors balance and contrast.

Even the coasters that attracted my attention last weekend at a bar. I was so taken by them that I brought them home and had them sitting on the kitchen counter. They were intriguing and offered interest and visual stimulation to my graphic art sensibilities.

I began this story earlier today, then took a break and tootled up to Santa Fe where I came across a couple more bright orange pieces…

And on the way home, I was even blinded by an orange fireball glowing beneath the stormy sky silhouetting the dark mesas and glistening off the wet pavement. It’s intense heat contrasting with the cold, damp asphalt that was a result of our first seasonal snow seen here spitting at the windshield.

Gather your collection of photos of your color today. Ponder how they and the color make you feel. Do you get joy from the color and the things you have discovered? Was this not your thought-to-be favorite color and if not, might it be one of them? How do YOU answer the question, what is your favorite color and having determined that, ask yourself:  Do I wear it a lot? Would I paint my walls that color? Do I have upholstery that color? When is a favorite color an accent? Is the joy in the little spots of punctuation? Are they intense, but small, elements of joy without over-doing it? I see a collection of abstract images, details of things – some of which can be cropped more – to create an abstract collage of wall art. Voila!

Color – an amazing facet of design and it’s most versatile component. It’s been a fun test and a compelling story. So what’s YOUR favorite color?

Would A Love Letter Be The Same Without Handwriting?

After having seen Federico Leon de la Vega’s presentation at TEDX Talks in September and after having seen some of the work in progress over the past couple of years, it was a treat last week to be in his studio to see the collection exhibited up close and in person!

Presented on fabulously enormous canvases and a few smaller studies, these bold graphic statements compile a contemporary collection that is quite astounding. The premise is quite provocative.

The idea that handwriting is a basic human means of communication having evolved into the very personal flowing script of cursive that each individual can call their own – in their own style – it’s almost as personal as a fingerprint. It is an extraordinary human function that should be protected, revered and certainly not lost to the fast-paced technology of the digital age!

Making one’s mark on a surface…a piece of paper…to convey a thought, idea, instruction, story, a doodle on a paper towel – a love letter.

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With Valentine’s Day approaching, it brings to mind the idea of love letters. We read them throughout literature and listen to them in songs. We hear of them being saved over time by recipients in treasured boxes tied with ribbon to be read over and over or merely saved for others to find long after…

These magnificent oil paintings convey the art of handwriting. They celebrate the simplest marks of hand to canvas with brush and paint looping in circles and jutting in spikes – the primary strokes of handwriting. These primary strokes are the foundation of mastering the control needed to make the continuous flow of letters that become each person’s personal interpretation of the alphabet in cursive style and an exclusive means of communication.

Style – handwriting conveys personal style. Look at yours. Is it always the same or do you mix it up? Do you stay consistent or do you express different styles of your own handwriting for different purposes?  Look at your friend’s handwriting – would you recognize it anywhere?

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It is thrilling to walk among these great canvases with their color and  bold strokes. It is arresting to realize that they are so simple yet so complex in what they are saying. We must recognize the value of handwriting. We must not let it be dropped from our schools’ curriculum. We must continue to see the importance of the pure, mind to hand, raw emotion.

Powerful spikes require starting and stopping – control.

Loose loops also require control to maintain uniformity.

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After control is learned, expression can take over resulting in that personal style that becomes each individual’s identifying handwriting.

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Federico reminds us in his talk, about how we might have attempted to write a love letter for the first time and how many times it was crumpled because it wasn’t quite right. The failed attempts of recording our feelings as we strive to say the right thing, to express our deepest emotions. Yet once accomplished, those words hand-written mean so much more than the same words conveyed by type or digital communications.

“From my heart to my mind, from my mind to my hand, from my hand to the paper I place in your hand,  so you may fold it and keep it near to your heart. No delete!”

The digital world is all around us. We cannot escape it, nor should we. However, the human evolution and the brain’s development that mastered the art of handwriting is a place that could be diminished and lost if we do not continue the art and practice of personal expression through this extraordinary medium.

All we need is love – sent via a personalized handwritten letter from the heart. Here’s to a Happy Valentine’s Day !!!

Oh the Faces! Spanish Market

The sky was grey and the air had a decidedly seasonal still-cool yesterday which called for a cozy indoor activity – offered this weekend in the handsome Hotel Albuquerque, host of the Winter Spanish Market. Yes, the decades old traditional Spanish Market held in Santa Fe outside around the Plaza, on warm summer days in July, has begun a new tradition in Albuquerque in the opposite season indoors. http://www.visitalbuquerque.org/abq365/events/detail/28th-Annual-Winter-Spanish-Market/31793/

The collection of world class artists’ booths beneath the enormous hand-tooled tin chandeliers suspended from the spacious ballroom sparkled with festive illumination and colorful creations.

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A variety of Mariachi bands played to the crowds as the curious and collectors wove in and out of the rows of talented exhibitors.

Fine tin-work, dyed and cut straw assemblies, weavings and jewelry presented an incredible variety of work. Fine crafted furniture and spectacular wall pieces were displayed by master carvers. It was a collection of world-class art and fine craft.

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Crazy interpretations of his beloved traditional retablos are Charlie Carillos commically contemporary interpretations of vintage cars with saints at the wheel. Humor that is received with mixed reviews. But his talent is undisputed. Here he entertains at his booth with his colorful delivery.

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By startling contrast, the rich warm colors and traditional reverence that Catherine Robles-Shaw displays in her incredible carvings and painting techniques, wonderful detail and soulfully expressive faces. Her rich hues are Old World in their sensitivity to tone on tone and dark earthen colors outlined and enhanced with ribbons of gold.

Daughter, Roxanne Shaw-Galindo, a respected santero in her own right has continued to carve her own niche in this exclusive world of bultos, retablos and other manner of fine carving and painting.

The mystic powders carefully sought and gathered from ancient land forms and mineral-rich geology diluted with water and even the precious red of the rare cochineal all contribute to the luminous, translucent colors that read so differently from other media.

And further contrast is Frank  L. Garcia with his primary colors of electric blue, yellow and  red shining off of his wood surfaces. Uplifting and extracting smiles from all who pass his booth.

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Oh the faces!! Each santero has his or her own style.  Like fingerprints, the santeros each have cultivated a unique “look” to their work and expressions of their subjects.  The eyes say so much. Mournful, cheerful, pensive or stony stares, the characters are exclusively their own. Despite the similarities bound by tradition, each artist presents a specifically unique style which conveys incredible personality. These signature expressions, as individual as fingerprints, represent so distinctly each  inimitable artist. Despite the similarities bound by tradition, the methods and materials, each shine with startling individuality!

Here santero Ruben Gallegos poses with Mary Anne Green an avid collector and fond owner of several of Gallegos’ work.

Lee Valdez hunches over his soon-to-be cross carefully carving the rope detail around the edges. Light pencil lines define the decoration that he follows with remarkable precision – and look – he is sporting two pair of glasses stacked atop one another – which he says works just fine.

Behind him displayed on the wall are several other crosses in all manner of carving and decorative woodwork. One piece in particular is a yellow pine cross that is riddled with dark cinnamon colored worm holes – splattered actually – creating a spectacularly natural design. And further marks of nature that Lee captures are a knot hole and adjacent burled wood that he places dead center in the intersection of the cross. The four end pieces are carved from a piece of butternut wood providing the perfect natural contrast to the yellow pine yet complimenting the dark flecks of the worm holes. Quite a find, in this amazing piece of wood he spied in a hardware store, and remarkable sensitivity to isolate and assemble the various pieces to create the whole.

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A striking woman caught my eye. Her thick curly black hair and handsome silver cross strung on a multi-strand necklace of turquoise made a big statement amidst all of the art and drama. Meet Vanessa Baca.

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As we visited briefly I learned that she is a fellow blogger and I am sure it was fate that we met as her foodinbooks.com is a wealth of observations centered around great books and fabulous food within described. She writes with great depth of description and observation AND she breaks it down and teaches you how to prepare that about what you have just read!

Sean Wells painting as we watched, represents her art in her own striking appearance. Dark hair whipped and twisted with a stylish flair and topped with screaming orange flowers.

Wells’ images are equally colorful, happy and festive. If not her fine retablos, You might recognize her Fanciful Day of the Dead wine bottles and famous, collectible Lottery Scratchers! Find her on Etsy!

It was an inspiring day of extraordinary art in a genre that is so historically and regionally rooted with original methods and patient execution paired with the artistic imaginative people who practice and study this fine work. Thanks so much Mary Ann for a rare treat!

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Today YOU can go see this final day of  the 28th Annual Spanish Market 2016! Get over there!

 

Surprise Seasonal Discoveries in the National Gallery of ART

So, in direct contrast to discovering art in unexpected places such as a simple series of brush strokes painted on a course concrete curb, (last week’s pattisays blog) this week, as fall leaves fill the air and pumpkins pop up on every surface, my observations are about discovering art occur in an actual art gallery, specifically the National Gallery of Art in Washington D.C.. Imagine that! The city has been abuzz for months in anticipation of the recent unveiling of the updated East Building.

It was in 1978, the year I left my home town of Washington that I.M. Pei’s exciting new modern edifice was presented to an anxious art-loving public. So very different from the West Building and all others in the historic vicinity, some people were astonished but most were thrilled. This sleek angular sculpture of a building was a statement in and around which to display the growing modern and contemporary collection. An art-piece of its own accord. Yes, the building was at once regarded as its own work of art.  We eagerly raced to touch the famous wedge of geometry that came to such an acute angle that it begged to be touched.

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Nearly 40 years later that same fine edge is silently showing its age missing little chunks of compound and lovingly discolored with all the hands from around the world that have touched and smiled at the towering stone form in contrast to the rotund, ornamented and domed Capital in the background. Both majestically iconic, but stylistically so very different.

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But wait – this elegant aging beauty has had a three year rejuvenation treatment! New stairways and elevators connect galleries making the flow of exhibits more enjoyable. The tunnel connecting East to West sparkles with light and all the subtle changes result in a seamless passage through and enhanced experience for visitors.

The glassy, crisp, stark, expansive lobby where the enormous Calder mobile is suspended defying its enormity and weight as it gracefully, almost motionlessly, moves silently with the subtle, indiscernible stirring of air is the fulcrum of the building. Exhibit halls tucked away but newly connected are exciting to frequent visitors who know the building so well.

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I naturally had to have a little fun and in keeping with the season made a couple of entertaining discoveries. Here Four Square and oil on Canvas by Franz Kline in 1956 is noted by The Art Story/Modern Art Insight “a fine example of  his gestural approach to painting. The viewer is led to ponder the canvas, seeing as either a close-up of a linguistic symbol, or perhaps, a set of open windows.”

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Really? Linguistic symbol or a set of windows? Well, maybe it’s the season…but I instantly saw a cat – a crazy black cat, an abstraction of James Dean’s “Pete” perhaps, which made me want a mask and to be that crazy cat and prance about for Halloween!

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In another piece, Portage, by William Kentridge of South Africa born in my birth year of 1955, a folded accordion-like book with torn  black figures of paper affixed to encyclopedia pages resulted in my seeing another black cat! I do think it was of human figures bearing weight, carrying, moving through various poses. Call me Halloweeny – but this one was decidedly a black cat. Don’t YOU think?

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It was fabulous, exciting, fun and emotional to see the colorful Matisse cut-outs once again in such close proximity with Matisse’s placement marks and rough cut pieces – crude yet refined – rough yet lovely. Seeing these incredible compositions up close again is breath-taking.

Oh, and might this be another seasonal mask?

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From awestruck to silly…to a quiet reverence at coming to the black and white photo of this enormous piece in Hotel Regina in Nice in 1953!!  Seeing it in the setting of its day and captured in a photo all those many years ago was one of many moments of reverence.

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Once again, pay attention to the little things, be surprised, let yourself be amused and enjoy discovering art wherever you might find it – unexpected and very much expected places!

 

An Artist in the House Inspired by Rhapsody in Blue

An artist in the house is a rare treat. Yes, you who are artists and those of you who have an artist in the family are spoiled by  this continuum of creativity bursting about you. As a designer I am of an artistic nature. I think in artistic expressions, react to artistic stimuli, and make decisions based upon aesthetic sensitivities that I inherently have.

But these weeks being visited once again by our dear friend and respected artist Federico Leon de la Vega and having him painting on the patio and in what we fondly refer to as the estudio-garage, we are surrounded by the unique scent of solvents and products peculiar to his trade of oil painting and the genius of his ability to express his observations on canvas.

Canvases scattered about with partially  completed masterpieces, ideas started and left to dry or waiting for further inspiration while others begin and take shape in varying degrees of completion. A mountain standing on end about 4′ long by 3′ tall, a lemon rind un-peeling in an abstract interpretation of the bright yellow fruit. A still life of citrus lemons and blue pottery creating a classic combination of color.

But in addition to this wondrous collection of colorful and dramatic paintings surrounding us is Federico’s ongoing project of  Mind Your Calligraphy which continues to grow and expand on this very compelling subject. As any of you who have watched the YouTube video by the same name know by now, this fascinating, universally important subject about cursive touches so many imperatives in our lives. ejercicio-preparatorio-2-federico-leon-de-la-vega

Based upon his passionate observations on the subject and translating those observations into paintings illustrating the concepts and precepts that frame this topic, Leon de la Vega is compiling an exciting body of work and references to bring this more to the fore. His recent invitation to speak at the TED-X Talks in Albuquerque this fall are a further step in bringing this essential topic to the attention of those who can make a difference.

Here are two new paintings depicting inspiration from handwritten music scores. Federico met with a client who has a great love of music by his magnificent glossy black grand  piano commanding attention in the corner of his sunroom.  The two began discussing how handwritten music scores, like cursive, allow the individual the quick personal freedom of jotting ideas on paper that can later be transferred to printed, digital means. And in fact those simple personal writings of notes on paper become quite valuable as they are uniquely and spontaneously penned by the hand of the artist. What could be more personal? The two men focused on Gershwin as they further discussed their mutual enjoyment of music, the unique appreciation and connection of expression through handwritten musical creations. Resulting from this conversation, the composer became the focus of these two abstractions of Rhapsody in Blue.  Gershwin diptych

 

 

 

Painting Party Pairs Art with Uninhibited Partiers

By total coincidence but perfectly timed for the segue from the  last couple of  week’s topics,  we attended a couple’s cocktails and canvas painting party last week.  Artistic expression and the fear of taking the leap has been facilitated by these social gatherings centered around painting and wine. You’ve heard of them, if not yet participated in one. This clever pairing has taken the country by storm. The model is to have an instructor teach a group of friends to copy a pre-selected subject and create their own interpretation on a canvas all the while losing inhibition by imbibing in a glass of wine or cocktail. Actually multiple glasses of wine and cocktails! The more the merrier! P1140371 - Copy

And merry it is. It’s fun and freeing. It’s creativity within boundaries but with enough encouragement and pretty much lack of judgment to produce some very successful finished products.  And this is where we found ourselves last Sunday afternoon. Operative word there, we. P1140384

Yes, I had attended several of these fun-filled events in the past – all women – always entertaining. But this was quite different as it was designed to be couples – husbands painting right alongside their more willing spouses were encouraged to let loose and copy the sunflowers.

Unlike other like-kinds of parties that I had attended, this gal started off each person’s canvas with a faint charcoal-transfer outline of the preliminary placement of the centers of the sunflowers. This was intended to get everyone started on the right track but also said loud and clear – this is what we are painting and deviating from the plan, changing the format or grouping was not encouraged. P1140376

That said, it was just fine that we all pursued the same clutch of gorgeously impressionistic floral explosions with bold brush strokes and colorful blotches of paint tying it all together for a happy theme. Most if not all of the men and perhaps a couple of the women had never tried their hand at painting. This might have been the first attempt at artistic expression that they had ever experienced. I know that was true for my husband!

The setting was fabulous in a private dining room of our local Greek restaurant with brilliant sunlight streaming in through the entire wall of west-facing windows illuminating large format photos of Grecian isles, ancient structures, classic white buildings with cascading brilliant pink bougainvillea set against the piercing blue sky and surrounding sea. A big screen TV mounted high in the far corner featured the very muddy Preakness followed by the Blues and San Jose dashing about on the ice. P1140374

But the attention soon turned to the canvases in front of each budding artist. Primed with cocktails, we donned aprons, selected our seats and set to work in front of our table-top easels. The paints are acrylic, water-based – easy to apply and also to clean-up during or after the session. . As the first splotches of color were applied, the comments began to fly around the room. From whining about how difficult it was to complaints about the blossoming results, the room became animated with commentary. P1140386

People began getting up and viewing others’ progress. Compliments and comparisons were a flurry as the instructor made her way around the room aiding those in duress and adding touches here and there. It was hysterical. Everyone was having a blast, creating their own interpretation of the offered subject and seeing it take shape before their very eyes by their very own hand and all the while amidst lively conversation and milling about the room. Seeing the finished products all so similar yet each very different is the marvel of this exercise.

One enthusiastic participant went out into the dining room and requested participation from restaurant patrons in the way of their leaving their tables and coming into the gallery of all of our redundant sunflowers and voting for their favorites – this added to the hysteria as they made their picks, voiced their critiques and the “artists” received their accolades. P1140402

Dinner followed taking this group of new-found friends to the dining room where everyone ordered from the menu and continued the convivial conversations into the evening. But I learned today that Don doesn’t care if he ever picks up a paintbrush again – he didn’t discover a hidden passion nor exceptional talent. He has no love for the process nor the results, but thoroughly enjoyed the party!!! Woo Hoo!! P1140406 - Copy

 

 

 

 

Fear of Artistic Self-Expression

Fear of entering the world of artistic expression. The pressure to perform. The pressure to create something worth the exercise. Many people will not take that leap and experiment with their creativity due to undue self-imposed pressures. Are YOU one of those people?

NIKE says “Just Do It!” What a simple yet powerfully motivating mantra!

All children are artists. The problem is how to remain an artist once he grows up. Pablo Picasso
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How many times have you witnessed or even thought this yourself? The common reaction to expressive, primitive art or art that deconstructs to simplicity is often “I could do that.” The style belies the complexity of the mind that created it – it belies the creativity of the artist behind the work – it belies the significance of the work.

Anyone who has tried to emulate a seemingly simple rendering of an image knows that it is not as easy as it seems. And the seemingly simple image is usually NOT that simple. Texture, color, detail or lack thereof, not to mention control of the composition, is deceptively difficult.

As Picasso explored his artistic imperatives, he experimented with what he knew as formal renderings ultimately deconstructed and manipulated to convey different perspectives and interpretations of his subject matter during different periods of his life experiences. Composition, color, manipulation of reality – artistic interpretation. Easy peasy? – not so easy.

 

But it is not about copying anyway. That has been touched on in my previous blog about The Art Forger. It is about the spontaneity or the planned conception and evolution of the original piece. The spark of creativity and ability to express it – in whatever medium.

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Rachel Housman paints fanciful interpretations of landscapes of the southwest.

And it’s also not only about great, recognized art – but anything that is expressed by the individual – it is that connection that is the magic behind one’s view of the world. A reflection of their thoughts and experiences and desires.

I surmise that is it about allowing yourself the freedom to keep it simple. Not to over-work it. Like a child – as Picasso references…just keep it simple for starters. Distill whatever it is you want to express…pare it down.

Peggy Zuris painted passionate interpretations of the world around her. Bold colors and brushstrokes applied swiftly with a purpose. Michelle Chrisman sees the world with similarly bold strokes and exciting colors applied with great artistic expression.

A human being is essentially a spiritual eye. Whatever you really see, you are that. Rumi

Artistic expression is an extension of the person – it is a reflection of their being – who they are. And the great fun and joy derived from having a gallery and presenting various art pieces to the public is knowing the artists behind the work. Not to mention it is a happy place to be surrounded by joyful expressions that make you smile.

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Virgin de Zapopan Acrylic on Canvvas Caresse Kruithof de Chavez