The Wealth of Art That is Our Elegant Library of Congress

If the Basilica in my last blog didn’t get your juices flowing about incredible public art spaces, the Library of Congress was our next stop. Yes, it houses nearly everything having to do with writing, recording, documenting…but the building itself is amazing! It in itself is a wealth of artistic detailing. The interior has more gold leaf – not gold paint – but hammered metal gold leaf – than any other building in our Nation’s Capital. Inside and out, the craftsmanship of the stone carvings and architectural embellishments is magnificent. This inestimable landmark is so much more than the sober name suggests.

We parked in the garage of Union Station and walked the few blocks past the Supreme Court and the Capitol Building to our destination of the Library of Congress. The brilliant blue skies behind the bright white edifices belied what some regarded as the oppressive heat. I however am a heat freak – it’s summer – bring it on!

Columbus Fountain at Union Station also known as the Columbus Memorial is a public artwork by American sculptor  Lorado Taft, located serves as a tribute to the explorer Christopher Columbus.
The Supreme Court – cool, brilliant white against a striking blue sky – at 100 °
Crouching to get a shot of our Nation’s Capitol Building.

Symbolism is executed with every inch of the design details both inside and out of the imposing Library of Congress. Ascending the exterior stairs sets the stage for arriving at a monument of immeasurable wealth of human dissertation and history. Here I can only touch on the tip of the iceberg…

Picnic tables out front at our Library of Congress…relax, grab and bite and read a bit before going back to work!!!

From an inauspicious beginning of modest expectations to greater expanses with devastating fiery catastrophes in between, the Library of Congress has an amazing story. Thomas Jefferson played a significant role in re-building the foundation of what we now have today.

While waiting for the tour to begin in the magnificent Thomas Jefferson building, we were directed to two remarkably entertaining exhibits on the lower level – a Gershwin gathering and a Hope homage.

The George and Ira Gershwin Room is a tribute to the two brothers and their contribution to American music. This nostalgic and very familiar subject matter makes you hum and tap your toes. The exhibit presents George’s piano and custom-designed writing desk, Ira’s table and typewriter, self portraits and myriad documents that trace their lives and amazing careers.

The Hope for America Exhibit focuses on the varied careers of Bob Hope along with other recognizable entertainers. The exhibit offers the satirical humor – crossing party lines – both socially and politically for which Hope was so appreciated, admired and beloved. Hope received the U.S. Congressional Medal of Honor and the Presidential Medal of Freedom for his commitment, in his nearly 50 year service, entertaining the men and women of the armed forces abroad.

As the actual tour began, we were introduced with a short film as an overview of what was to come. We were then guided up a staircase and gathered in what was a most astonishingly beautiful, expansive space full of piercing, daylight, sunbeams glancing off incredibly detailed architectural stone carving and sculpture. Vast murals, vaults and arches in the 360 degrees of beauty from floor to voluminous ceiling was staggering.

” Founded in 1800, the Library of Congress is the nation’s oldest federal cultural institution. The Library seeks to spark the imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs and exhibitions.” Thomas Jefferson stepped-in to save the Library of Congress after a few inauspicious starts.  Not enough time devoted here to a history lesson – learn more at https://www.loc.gov/  –   but this grand space into which we entered is the Thomas Jefferson Building.

The focus of this blog is to share a bit of the art and decorative embellishments of this stunning architectural environment – beginning with the Commemorative Arch by Olin L. Warner (1844-1896) featuring a young man to the left and a bearded elder man on the right signifying that the process of learning never ceases…

Grand staircases on opposing sides of the space are adorned with carvings of “putti” – Italian for little boys – as they are pictured representing various occupations from gardeners to astronomers – the depiction of each vocation is fascinating with what it means to have that respective knowledge to pursue one’s career path.

Beneath the string of putti are representations of the 4 corners of the globe depicting figures of each, Asia paired with Europe and American paired with Africa.

Minerva, the Roman Goddess of Learning and Wisdom is aptly featured in a series of statues and images.

Most fascinating to me, up in an adjacent domed ceiling area was the “Evolution of the Written Word,” a series of lunettes by John White Alexander (1856-11915). Having previously written about the importance of handwriting for a million reasons that go beyond, but are directly connected to, this depicted evolution, I found this to be simple, yet profound. It is a beautifully rendered and fascinatingly distilled artistic expression of a very significant timeline. Beginning with The Cairn – we see them stacked stones on beaches for fun and on paths in the wilderness as markers, but here Alexander renders primitive man communicating by stacking stones to possibly mark the dead, a passage or a place of significance. 

As the history progresses, Oral Tradition becomes the means of communication – but only/obviously in personal contact. Words are created. Then Egyptian Hieroglyphics enter the scene with images representing words depicted on surfaces.

Picture Writing on animal skin – and ultimately more refined to vellum – becomes a more mobile means of communication.

Theologians recording ancient stories of biblical history brought monks to the art of the written word in compilations of the Bible as the first manuscripts/books became recorded.

And then an exponential leap in communication came with the invention of John Gutenberg ca. 1400-1468 of the Printing Press! Asia had its versions of printing machines even before Gutenberg, but inspired by seeing grapes at harvests being “pressed,” he put that concept into the process of placing individual letters in place and pressing them onto paper. Western Europe then had a movable metal type process that increased productivity of printed material – printing the first ……in Western Europe. The tour guide sadly explained to us that Gutenberg died a pauper as his investors, not patient with economic fluctuations, excused him from his rightful place in the business and left him to live out his life only to receive proper recognition posthumously.

It is the first complete book extant in the West and is also the earliest to be printed from movable type. This rare version is printed on vellum.

Unfortunately, at this point in the tour, we had to excuse ourselves with a quick wave and thanks to our guide as we were departing later that afternoon. Before leaving the building though, we dashed upstairs to discover the main Reading Room – entering from a way upper tier, we had a bird’s-eye view of this grand space. The scale was daunting and the spectacular architectural detail was breath-taking. The WOW-factor was palpable!

The Reading Room.

Eight giant marble columns each support 10-foot-high allegorical female figures in plaster representing characteristic features of civilized life and thought: Religion, Commerce, History, Art, Philosophy, Poetry, Law and Science.

Layer upon layer of intricate, symbolic details.

The 16 bronze statues upon the balustrades of the galleries are a tribute to men whose lives symbolized the thought and activity represented by the plaster statues.

Shhhhhhhhh……it’s the Reading Room

And with that – we only had enough experience and education about this incredible resource and monument of artistic beauty to whet our appetite for more and surely lure us there again for more information about all that comprises this amazing public gift and resource.  

Ta Da!!! Seriously – standing there in awe…taken with my phone!

There are so many wonderful things to see and do – get out there and see it!!!

Da Vinci, The Genius

When you hear the name da Vinci, Leonardo da Vinci, its undeniably familiar. You might instantly call-up a synonym – genius. But what do you really, other than the Mona Lisa, recognize? And what do you even know about her and the painting itself? For the past several months now nearing the end of its run, the exhibition Da Vinci, The Genius, at the Albuquerque Natural History Museum, presented by Grande Exhibitions of Victoria, Australia in collaboration with the Museo Leonardo da Vinci , Rome and the French Scientific engineer Pascal Cotte is an amazing consolidation of information on this singularly remarkable man.

An artist or even designer are such understated titles for this man of extraordinary inventions, concepts, engineering, art and science, because he was the true Renaissance Man! He touched so many things to advance countless trades and disciplines many of which are the basis of machinery and equipment in use today. But as brilliant as the universal exploits of this amazing polymath are, this would be a tedious blog if I focused on the many pulley systems, gadgets, mirrors, SCUBA suits and even flying machines that he created in his lifetime.

Rather, I would like to use this fascinating field trip that I just experienced to examine how I as a designer have been influenced by da Vinci – specifically, the spectacular rendition of the Golden Mean – nature’s perfect ratio that occurs in nearly everything around us. This common mathematical ratio is used to create subliminal perfection and pleasing compositions that mimic the perfect ratio found in nature and specifically, for my purposes, in design.

If you remove this square from the rectangle, you’ll be left with another, smaller Golden Rectangle. This could continue infinitely.

I have written about this previously in greater depth. It is a subject that has no limits as the application of this ratio helps assure good compositions whether you realize it or not. For graphic designers it is a must. For interior designers and architects it the formula for so many aspects of their work. People in art and design have employed the use of this perfect ratio for thousands of years. If you apply it – it is foolproof.


But back to the exhibit…there he was – the iconic man rendered in gold on black. You’ve seen it. But to know him is to see the perfection in the proportions that da Vinci used to create this perfect figure.

Right there in a commanding focal point was da Vinci’s drawing of Vitruvian Man. The accompanying video explained the relationship of all the dimensions as they related to the perfection of the Golden Ratio. Time and time again it is evident in the sections of this perfect anatomy.

Da Vinci correlated that the perfection of the proportions should be applied to represent the perfect human anatomical body and that it was an analogy for the entire workings of the universe.

His magnificent study of knots became sought-after for luxury fabrics used in 15th century fashion – many of which costumes and finery he designed. Interpretations as lover’s knots – the bond between them was a popular notion of his time and afterward.


It is an exhibition worth seeing. Even if you have stood in front of the real Mona Lisa and have visited sites exhibiting his vast creations and noted observations, this exhibition is worth a visit!

Southwest Style – What is it?

Arriving for the first time in our American Southwest, one might feel like they have entered a different country, if not a different world!! To fly from anywhere else where there are rolling green hills, or green fields or dense green wooded landscapes, not to mention tropical environs and cruise over America’s Southwest, it looks like the moon – or some barren planet. Everyone remembers their first impression. Whether exotic or scary, lonely or seemingly uninhabitable, once you get on the ground and explore the beauty and variety of what’s here, you’re bitten – even smitten.

In all fairness, this is a completely defoliated winter shot!! Many now know how lush this magnificent Sandia Mountain can be at the top, in the summer. Yes, I said lush.

No other region has the distinct architecture and tri-cultural identity of what has become the elemental design style and flavor of this magical place. From “sea to shining sea” New England to Southern California you will find nuances of regional distinction – but not to the degree that the American southwest is set apart. Architectural influences from colonization have been the standard guiding style nationwide. Yet the ancient, practical elements, of civilization that long preceded the Europeans discovering the New World, is at the roots of this enchanting design style.

Tri-cultural architecture and interior design results from the remarkable history combining Native Americans carving out of stone walls, building with mud (adobe) bricks, devising simple, practical designs to capture heat and insulate in cold while minimizing solar gain in the warm weather months, with the conquering Spaniards and their colonial influences, and finally the pioneers from the east with their colonial English influences.  Now more often replicated, with frame construction and stucco facades, this unique melding is the core of Southwestern architectural design.

When one hears the term “earth tones” setting a design trend in the 70s, it suggests the brown, tan, orange palette that was terribly limiting. Certainly to label it earth tones, it became a curse of a color scheme. Sadly to link it to a representation of southwestern design was misplaced and unfortunate. And how sad to think that it was so broadly accepted – like lemmings following blindly – everyone adopted this as a truism. So often the case with trends.   The 70’s also spawned a diametrically opposite color scheme of blues and greens to refresh that which had been so mired in the “earth-tone” movement.

However, real earth tones are limitless. Earth tones are all colors…look down…look around. Even if you confine your interpretation to the dirt beneath your feet – the colors are vastly more than the brown, tan, rust, orange that became the rage. Soft pinks and grays, pale blue and whites…look at dirt. It might be more clay, might be more peat – from soft terracotta to dark espresso – dirt is earth and the colors and tones are limitless.

Tom Glover captured the beauty of the natural landscape through his artistic photographic medium that Georgia O’Keeffe and others have depicted through their artistic media.

 

Georgia O’Keeffe saw it and captured it in her own enduring style.

Nature offers color. Natural dyes have riddled that art world through time. Synthetic dyes took it a level further. But nature is at the core of all we have in this world.

http://www.quilthistory.com/dye.htm

Turquoise being a natural mineral in the American Southwest became a signature accent color punctuating the soft earthen tones of the adobe design palette.

Artist Victoria Martinez Rodgers paints a valley apple orchard and the turquoise wall is the perfect backdrop.

Color was always there for those who cared to notice. The great painters of this region presented it well. Their recordings of everything from the many colors of the rugged windswept landscapes to lush green mountain forests with shimmering golden aspen groves – and bosque cottonwoods screaming with yellow brilliance capture and convey so much more.

In autumn, bosque cottonwoods explode with color sending a streak of brilliant yellow all along the Rio Grande. Federico Leon de la Vega create this commissioned oil painting from a photo provided by his clients.

There are the natural and also synthetic dyes that were woven through the magnificent textiles of the Native Americans – blankets and articles of clothing were not limited to buckskin animal hides.

Ernest Blumenschein was the founder of the Taos Society of Artists capturing the color and textures of the realities that he encountered in this Land of Enchantment.

Sunsets everywhere play a part in the imagery of the landscape – here we see vast landscapes with brilliant fiery skies and those exciting corals and lavenders, soft pink and blue wisps provide inspiration for wall colors and backdrops to our richly embellished interior designs.

Yet spare, understated neutral interpretations also offer elegant representations of southwestern style.

So what do you visualize when you think of Southwestern Design? Please don’t say a turquoise wooden cutout of a howling coyote! Death by Southwestern Style – the overdose resulting from overdone clichés and trends that have spoiled the real art and beauty.

It doesn’t have to be all about cow skulls and pelts…but these cow hide butterfly chairs are pretty  cool!!!

Perhaps you see a Mexican influence which is also part of the melding of the regional style – like food, we have a fine line sometimes with certain traditional dishes that when adopted and adapted by American Southwest kitchens took on a unique identity all its own – differing between Texas, New Mexico, Arizona and California. We all enjoy bringing art and craft from our southern neighbors into our designs.

Borrowing, sharing, combining so many design elements such as adobe architecture, colonial wood trim detailing, fired brick technology, Mexican Talavera tile and pottery,

Native American textiles and so many other handcrafts

The owners of this interior have an intimate relationship with each of the artists that they have collected down to this magnificent mount of a buffalo. They knew him and his name and why he was put down.

from punched and tooled tin, paintings and pottery – southwestern interior design is rich with color, texture, artistic detailing and true soul. The connection to the earth is undeniable and nature always plays a key role.

So how might you introduce southwestern influences into YOUR design scheme? You could tile the wall(s) of a powder room in Talavera Tile. Maybe just a mirror surround?

You might paint an accent wall – or all walls in a room or some other bold color inspired by a regional image

Mango watercolor by Susan Weeks splashes coral against the golden yellow wall with a lime green lighted cabinet showcasing old, traditional, low-fire Talavera tableware. classic Talavera blue and white tile frame the bar opening and on through out the kitchen.

and collect art pieces such a punched tin crosses, wood and straw,

landscape or still life painting, hang a blanket or drape a bed with a beautiful woven textile…introducing different styles speaks to last week’s story about eclecticism. Don’t be afraid to mix things that you like. What brings you joy?

 

 

 

Red – A GIFT of LOVE and the Little Bug Behind the Magic

A little bug selectively bred on a cactus in Mexico way back in the 1500s, for its use as a magnificently unique red dye, soon became recognized, by European traders who discovered it while bartering  in the Aztecan markets, as the most dazzling rich red on the planet. The result was the realization that this red bug juice was a rare trading commodity that rivaled even gold!  Yes, a squished bug that oozed a red color that was so extraordinary that it was nearly valued above all. This indigenous American discovery spread worldwide and altered the course of history for art (obviously), cultural  influences, certainly its trading value and even science.

Before I continue with this brief summary of this extraordinary discovery and my personal  comments on the subject, try this little experiment.  Think of all the things that you associate with red. Think of all the things that are special and standout because they are red. Do this yourself – make a list or maybe make it a game of it at a party – have everyone make their own list and then share the lists – see how many make the same observations and how many identify different items.  More on this later…

This story behind  today’s blog is derived from a book by Amy Butler Greenfield, A Perfect Red Empire, Espionage, and the Quest for the Color of Desire which influenced a collective of international experts, in a variety of fields of expertise, to produce an incomparable exhibit  at the Museum of International Folk Art in Santa Fe that astonished the world.  The book that compiles photographs of worldly treasures and narrative describing the making of and content of this extraordinary exhibit is A Red Like No Other – How Cochineal Colored the World. It was my Valentine’s gift and it truly is a treasure – a gift of love. A red likeno other - book

Cocheneal, this little bug and its unexpected authority and influence, is the center of this universal love affair. A love affair with a color so seductive and so powerful that it evokes passion and emotion with everything that bears its true hue. The forward of this book by co-editor Carmella Padilla states that “everyone has a visceral knowledge of red. Therein lies its power. ” Red is imperative. And if you didn’t realize the depth of this statement, you will be amused, challenged,  amazed and intrigued beyond belief to read about the history and processes behind this exhibit .

Carmine  – this regal bug juice, so purely red, the prized pigment – is something all artists revere. They know the importance of this hue as they strive to create their projects. The quest for the perfect colors and the balance of colors in painting and in other art forms is an ongoing progressive journey. I feel remiss to not have known about this earlier. How can you take art history for semesters on end and not be introduced to this? It’s been an exciting discovery for me to learn of this viscose bug extract, carmine, and this recent journey I have taken to read of its history has been truly thrilling.

As I write this, by stark contrast to the wonderfully cerebral documentation and observations in this book, I find myself watching the endearingly inane movie Nacho Libre out of the corner of my eye.  And  what surprises me all of a sudden is that the color red is so effectively inserted into the scenes. nacholibre

The director, Jared Hess,  knowingly or not recognized the value of the color pop and punctuated many artful scenes that would have lacked depth and interest had he not had the eye to do so. My heightened awareness amuses me – especially in the context of this crazy, silly movie. The creatively artful incorporation and placement of red is so apparent in this nutty, fun film.  Ana de la Reguera lips Nacho  LibreHer lips, his costume, the children’s masks, a sunspot on a bus, the fighting ring ropes, structural elements in the arena are all so subliminal yet so vivid. Consistent and repeated use of the contrast with the bold red color in combination with turquoise is also a key element in this film.Nacho Libre masks

So back to the party where everyone is listing things they associate with red. If you can get a copy of this book and whip it out after everyone has read the lists, I promise everyone will find it captivating on so many levels and subjects – great lively conversation, fun, fascination and amazement will ensue!!

 

 

 

 

Taking Pause to Value the Art of the Written Word

I awakened in the painter’s house with slivers of sunlight glistening through the bamboo shades, exotic chirping happily piercing the silence and cinnamon scenting the air from the open grill preparing the best French toast on the planet. P1110818

This place exudes thoughtful reflection and invites savoring the simple things of beauty and  meaning. P1110821

From intense and intimate conversations centering around the passions of life to convivial arguments and relaxed exchanges, those gathered at the estudio-café tables examine the events of the world from their own individual vantage points. P1110829Today the primary focus was a topic with which everyone seemed to view from the same perspective. All were in avid agreement as they discussed the recent exhibit in Mexico City from where the artist, Leon de la Vega, has recentlyjust returned. This significant event was an important auction where part of the proceeds were to benefit the Mexican Institute of Neonatology toward research on children’s learning and therapy and no less to benefit the artist expressing his concerns for the current state of affairs with the lost art of writing by hand. Federico's invitation P1110815

With the advancement of smart technology comes the dumbing of the people tethered to it.  Everyone…all of us…are victims and if we are to save the core of our humanity we must preserve our handmade, organic, communications. We have computer aided drafting and graphic programs, texting and video all of which negate the tactile, made-by-hand written or drawn creations of the human touch. To have a computer consistently come between the hand of man and his end results is a gap that will never be regained once lost.  Recovering this lost art, in so many forms, is critical to mankind. This all sounds pretty heady. But once you enter these spirited conversations you realize that the demise of past civilizations is not unlike this self-destructive path to which  we now bear witness. The beautifully insightful, well-crafted video in Spanish introduces Leon de la Vega’s collection and explains these observations which are universally recognized by those who are interested in taking pause to realize what is happening around us. You won’t need a translator.

In response to these observations, as the video explains, Leon de la Vega has embarked on an exploration of  communications by hand, incorporating them into sculpture, stylized images and abstracted interpretations. writing series P1110818

He is inserting into and embellishing on his artistic expressions in the form of calligraphy—which in its finest examples— has proven to be both art and literal communication through the ages. P1110838

But if one examines the very personal and expressive beauty of fine penmanship,  we realize that our schools are not even teaching basic cursive  to our children. Our schools are forced to chose between computer classes, music, art and even the basic direction to form the written word.  The  collection was very well received in Mexico City last month and a second exciting and thought-provoking exhibition/auction of work will take place in early February, also in Mexico City.