What’s YOUR Favorite Color? A Little Project for Fun!

Pick a color. What’s your fav? Do you HAVE a favorite color? I was asked the other day that very question and I was really at a loss…I looked at her, furrowed my brow and cocked my head.  I wanted to have an answer – a simple answer that stated a definitive preference for a color – my most favorite. Rather than producing a quick sure pick, I faltered as she stepped in and said – I’ll bet it’s purple!

Well, actually I can definitively say that purple is NOT my favorite color, but the funny thing is I can love purple, in certain context. The real answer is that I love nearly any color in a certain context.

When I ponder the question a bit more, I can assertively say bright pinks, cornflower blues, golden yellows, chartreuse and brilliant orange. But the truth is, I love so many colors that I am hard-pressed to select just one! It sounds like a Lilly Pulitzer color board.

So I thought of a little exercise. I decided to pick a color at random. Then overwhelmed with the myriad colors that might produce one random pick, I fine-tuned random and said to myself, perhaps a color of the season. To me that was currently and boldly orange. So the idea was that I would walk in and around my house today and capture things that were orange.

This screaming orange hibiscus just came in from the patio to escape the chilling temperatures that have swept down in the last couple of days…happy to transition indoors for the winter!

Try it. Pick a color – not necessarily your favorite – but certainly one you like and walk inside and outside of your house and see how many examples you can find, of that color, in your immediate world. Photograph things that have that color – all or in part, even little details – anyplace that color occurs.  It’s fun and very interesting to see what you discover!!

Autumn is loaded with vibrant colors, but orange is one of the most fiery.

So I selected orange as my color today. I dashed around the house and collected a variety of things that were orange. I was actually astonished at how many I discovered.

This dramatic Hopi – influenced kachina by Gregory Lomayesva sports stylized antlers in a flat but brilliant orange.

Festive ceramics by Ann Marie Werner Smith – here a graceful orange bowl that sits on the counter…it pops against the contrasting granite.

It is interesting because I know my world is not heavily orange, but I found so many wonderful splashes of it throughout my interior and even startling exterior, in the way of the leaves on the Bradford Pear tree.

From fresh mini pumpkins and flowers…

A succulent orange flowering Kalanchoe is our seasonal centerpiece on the kitchen table.

A variegated Croton plant has lacy veining of bright orange, pink and yellow contrasted against it dark green background.

to artwork with swaths of orange streaking through them.

A lovely little oil painting by Jeff Otis depicts a very autumnal New Mexico river scene.

At the last minute, while waiting in the Bejing airport, I found this precious little painting of birds and berries. The background is a vibrant orange. Notice the fresh blues adjacent to the orange. This is a detail of the much larger piece.

Peggy Zuris really knew color. Her bold and confident brush strokes applied in luscious swaths placed adjacent colors perfectly juxtaposed creating uplifting renditions of daily life. This little chicken is a detail of a fanciful rural scene.

The balance of color was so interesting. Where I found orange, I nearly always found blue – unless it was a stand-alone like the glass bowl of oranges – or my coral necklace with its nuggets of bright orange coral.

Fresh oranges with their intricately textured rinds fill a glass bowl on the kitchen counter.

Nuggets of coral look like candy corn tightly beaded on this delicious necklace I wore too Santa Fe today!!

Colors balance and contrast.

Even the coasters that attracted my attention last weekend at a bar. I was so taken by them that I brought them home and had them sitting on the kitchen counter. They were intriguing and offered interest and visual stimulation to my graphic art sensibilities.

I began this story earlier today, then took a break and tootled up to Santa Fe where I came across a couple more bright orange pieces…

And on the way home, I was even blinded by an orange fireball glowing beneath the stormy sky silhouetting the dark mesas and glistening off the wet pavement. It’s intense heat contrasting with the cold, damp asphalt that was a result of our first seasonal snow seen here spitting at the windshield.

Gather your collection of photos of your color today. Ponder how they and the color make you feel. Do you get joy from the color and the things you have discovered? Was this not your thought-to-be favorite color and if not, might it be one of them? How do YOU answer the question, what is your favorite color and having determined that, ask yourself:  Do I wear it a lot? Would I paint my walls that color? Do I have upholstery that color? When is a favorite color an accent? Is the joy in the little spots of punctuation? Are they intense, but small, elements of joy without over-doing it? I see a collection of abstract images, details of things – some of which can be cropped more – to create an abstract collage of wall art. Voila!

Color – an amazing facet of design and it’s most versatile component. It’s been a fun test and a compelling story. So what’s YOUR favorite color?

Friends Don’t Let Friends Pick Paint Colors

WHY? It’s never as easy as it seems! You can track the trends. See what is relevant to today’s popular design concepts. But how do you really pick a paint color? Warm versus cool, safe versus bold…there are seemingly limitless choices and so many things affect the decision. HELP!!!!!!

Does it help to swipe a swath on a wall?

Not usually. The surrounding often white paint isolates the color in a small concentration and it cannot begin to give the full effect of an entire wall or more. The most telling is to paint an entire section of wall that you can frame in your field of vision without seeing anything else.  That or painting an entire wall, for the best test.

Here a frustrated color connoisseur tried several test patches before calling for HELP!!! But we LOVE the novelty of the effect! What a conversation  piece – a work of art in its own right!!

When is the ceiling painted other than white and why?

Some colors stand-out and are more imposing while others meld with their associates.  It depends upon your personal comfort level. For example a room painted a sunny yellow might be too bold or imposing if the ceiling were to be painted that same color – white would be customary and give relief and contrast to the yellow vertical surfaces.  A more mellow color (like a taupe) might work well on all surfaces creating a soft, unifying encapsulation.  Shades of the same color – lighter or darker – can also prove to be an effective treatment. Light reflectance – artificial versus natural, depth, the hue and value all play a part in determining what works in a given situation. Not to mention any existing furnishings that might direct a color direction/selection.

Should different walls be different colors?

Why not? Variety is the spice of fabulous interiors – but that doesn’t negate the beauty of an all white interior . Knowing when you want color, how much and from what source is part of the balance of design.

Remodeling this room was comprised of removing walls, adding a serpentine banco and hearth, stone wall surface, painting stained cabinets…We started this project with a new white on white texture and contrast of 3 different stone materials adjacent white walls and white wood trim.

 

We ultimately added coral punctuation in the recesses of the niches.

What is color layering with paint?

Planes of color seen over-lapping can provide a fantastic effect of colors literally layering over each other. Looking through an interior and reading a wall of one color and another wall behind it peeking out with a different color can add interest and contrast.

How do you stop colors from wall to wall?

I prefer stopping on an inside corner – always. But that’s me. I prefer to “read” the element (wall, monolith, enclosure, etc) as a structural unit. As though the wall were build of that material – the finish suggests the material rather than illustrating a surface application that quits. And I feel the same way about any surface application – tile, wall-covering – preferring to stop on an inside corner to define the element from beginning to end.

EXCEPTION: I have had several instances where we have a little  fun with transitions between colors – a zig-zag motif, for example, can provide a surface graphic and change colors on one surface!!

Wrapping a corner from a full wall of yellow to another – but not wanting the yellow on the entire following wall – intentional graphics are fun and allow for the change of color.

Semi-gloss versus flat?

Glossy finishes show more defects in the surface material. So a wall with imperfections such as texture flaws, repairs, any uneven detail will be enhanced. So to minimize defects, a flat paint is preferable. It also depends upon what you are trying to convey – a smooth plaster finish – might be better expressed with a semi-gloss but an earthen softness is better with a flat paint. Clean ability and durability might play into this decision – but not at the expense of the desired visual effect as there are many grades of paint to accomplish various levels of ease of maintenance – consult your paint products professional.

Contrasting a gloss against a flat on different adjacent elements is a nice contrast such as wood trim in a gloss against flat on the adjacent wall. Is the trim the same color as the wall or is it a contrasting color?

Do dark colors make small spaces smaller?

It is a deceptive misconception that this is the case. Dark colors recede and therefore can actually expand the illusion of space. A dark ceiling seems to recede into the void and creates the feeling that the surface is far much higher than it really is. Dark colors behind light colors does the same – recede as a back-drop. Do not fear dark colors – they contribute depth and drama.

Picking paint colors is like selecting the backdrop for your world. All your things are set against this plane.  Applying paint is having control of transformation. Like controlling when and how the sun washes the dawn or the night envelopes in darkness and all the amazing colors that occur in-between.  Visualizing the end result, creating the transformation that takes place beneath the brush, roller or spray gun as it alters the scene are magical powers.

 

TRENDS DIE – What’s New for 2018?

I was surfing for fodder about the new color trends to kick-off this first mindful missive for the New Year and the color trends were all over the place – no consistency at all. From Ben Moore selecting Caliente AF290,

“Caliente is the signature color of a modern architectural masterpiece; a lush carpet rolled out for a grand arrival; the assured backdrop for a book-lined library; a powerful first impression on a glossy front door. The eye can’t help but follow its bold strokes. Harness the vitality.” 

—Ellen O’Neill, Benjamin Moore & Co.

to Sherwin Williams in a totally opposite direction proclaiming Oceanside SW 6496 their color of the year.

“A collision of rich blue with jewel-toned green, a color that is both accessible and elusive… A complex, deep color that offers a sense of the familiar with a hint of the unknown, Oceanside, bridges together a harmonious balance of blues and greens that can be found in what’s old and new.”

What? Are we straddling now?  Do we have one foot in one color trend while the other stretches across the color wheel and causes us to nearly do the splits trying desperately to hang on?

The walls of my east gallery space were a spicy version of Caliente for nearly 20 years! Bold at the time and unheard-of for  gallery walls – it was not to be changed for nearly 2 decades!!!

Whew – that was a run. I even named the retail space “Caliente.” And the color-band between the crown and picture molding at the back was a version of Oceanside – a lighter value of the blue-green hue.

The Grand Re-Opening July 2016 presented a dramatic transformation to a pale aqua resulting in a diametrically opposed feeling – a cleansing from what was crowded and hot to spare and cool.

But I digress…

Annoyed by the seeming authority, but weak contrasting rationale that I encountered with the wide range of picks and opinions, I left the paint companies and clicked over to the Pantone site. There I encountered their authoritative, ethereal color forecast of the year – Ultra Violet!!!!!

Yikes – they were coming at me from every conceivable direction!!! How on earth is any eager apartment dwelling or home-owning individual supposed to know how to go forward in sprucing up their space without fear?

Then  I came upon a piece by Mehgan Nesmith Ugh, What’s With These Generational Color “Trends”? From observing the broad reaching trend surrounding millennial pink to snippets from other sources,  I scanned the paragraphs amused, but still not satisfied. Until I arrived at paragraph 6 and there it was – the true fact that keeps the world moving forward – for better or worse – TRENDS DIE.

Yes they do and for good reason. I’ve said it before, take care in making costly selections that will stay with you past their prime. Trends are there for a reason. Designers dabble in creativity every day of the year to come up with things to tantalize, inspire, evoke, and entertain – and most importantly, SELL. Some of these trends stick. Then they are no longer trends, they transition and become classics. But to transcend the fleeting status of trend, “it” must have something very solid about its being.

And when it comes to interior design, with all the style trends for furniture, fabrics, architectural elements, finishes and decorative accessories – colors race through history like no other design element has or will. Colors rule and when they are good, they are very very good, but when they are bad, they are horrid!!!!! Thank you Mr. Longfellow!!

Take the massively graceful modern art piece suspended from the ceiling of the East Wing of the National Art Gallery in Washington, D.C. – classic – both in form and color. Red and black. Strong and simple. Bold and brilliant. Imagine if it were this year’s Pantone pick Ultra Violet  Aghhhh!!!!!!!

Actually, methinks I protest too much. The shade of purple picked, by Pantone, is heavy on the blue rather than the red.  The blue cast gives it a calm. Not whacky like Barney screaming purple – but, rather a royal shade.  Nonetheless, it is better served as an accent – don’t buy  wallpaper in it. Go ahead and paint the walls and have your fun – but know that you can change it without peeling off hundreds, if not thousands of dollars of wall-covering or re-upholstering your sofa like Meghan was tempted to do!!

It’s a color that stands alone – plays better by itself than with friends – like the child’s report card where the box that says “plays well with others” is not checked.  In my estimation, it will read well with clean, crisp white.  However, like Ms. Nesmith aptly says in her piece “if you are  still curious about that Gen Z yellow, buy a vase!”

That’s how we play with  colors and create a bit  of collision, unexpected off-key harmony, intrigue and suspense. But it is not for the faint of heart and the chance of tiring of it is paramount. Trends die and colors are tricky.

So Happy New Year and Happy New Colors in your world to refresh and renew!! Thank you Meghan, for your lively contribution to today’s story.

 

 

Adding Personality & Panache – Before & Afters

Everyone loves befores and afters. Last week we featured a project that received a dramatic transformation. The trick is, you have to think thoroughly about taking “befores” before you tear into it!!! Hindsight is so often 20/20 when delving into a remodel.

I dashed over to Phoenix last month to celebrate the Grand Opening of an exciting new clinic that we have recently completed. While there I visited great friends and re-visited a wonderful residential project that has stood the test of time.

Here we have two restrooms in that same project. Rich colors of warm coral, brick and golden tones with natural materials from stone floors to counter-tops and wall treatments. It is a Spanish theme – albeit eclectic with art and decorative accessories, of this well-traveled couple.

What was plain 80s’ vanilla receives a new-found richness and warmth, depth and interest. Do not be afraid of dark colors in small rooms – I’ve said that many times in the past. I’ll bet that you have seen spaces exactly like these “before” shots. Clean slates, but so uninteresting it is remarkable to think owners are content to live without personality in their anemic interior spaces. We added powerful personality and panache throughout this residence.


The master bath had dated surfaces and uninteresting configuration. We transformed the area by connecting, with a glass panel, the tub and shower areas. However, we elected to use a shower curtain instead of glass door. I often suggest this alternative. It is softening, less expensive, easy, minimal maintenance – less wiping!!! Watch for another new master bath with a shower curtain and glass combo.

Full wall treatments of stone or ceramic are wonderful, substantive ways to suggest architecture over mere decorative appliqué. The material suggests structural forms. It never should stop on an outside corner, lest it defeat the purpose. It is to be a mass.

So take those “befores” and enjoy the “afters.” Don’t be afraid of dark colors in small rooms, and use stone and ceramics generously without fear.

P.S. Last week and this today are of a fabulously enjoyable and successful remodel transformation done 12 years ago!!! Yes, revisiting a couple of weeks ago,  I took these afters of exactly the interior that we designed that long ago. It has been a virtually timeless project. The owners have enjoyed the spaces so well that they have maintained them without any modification. So we thought that you as readers would get a kick out of the long-term success of these design decisions.

 

The Importance of Color in Design – How to Begin

This last week I was inspired by a rainbow that appeared over our great Sandia Mountain and within 3 minutes I nearly tripped over a bed of flowers presenting the same rainbow of colors. With this pairing of color coincidence, I felt compelled to write this week’s blog about color.

Color can be difficult. It is so critical to effective design decisions whether graphic design, fashion design, interior design or architecture.  It might be used for a logo to brand a business , a room scheme or the exterior of a monumental building…how do you begin to select a color or a color scheme?

Well first you have to consider your client. What are their needs and desires? Once narrowed, the search for the perfect colors to convey their project’s personality begins.

Computers aid designers in finding fine nuances between colors. Exploring the range of values in a hue – the range of light to dark of a specific color and the adjacent colors that meld from one to the next has become easier.

It all comes down to the color wheel. It’s a circle illustrating the colors of the spectrum. The relationship of these colors are the building blocks of all the colors. Sir Isaac  Newton – the same of the apple and gravity fame – devised this understanding of the rainbow of colors back in the 1600s using a prism to identify the components.

As children we are taught about the rainbow of colors comprising ROY G BIV – the easy to remember name that represents the colors RED ORANGE YELLLOW GREEN BLUE INDIGO VIOLET

Decisions regarding the selection of colors and the resulting schemes are identified by the following relationships:

Complimentary –  two opposite colors on the color wheel

Monochromatic – three different values of the same color

Analogous –  three adjacent colors on the color wheel

Split Complements –  one color and the two adjacent tertiary colors of its complement

Triadic – three evenly spaced colors on the color wheel

Tetradic – two complimentary pairs of colors

As I pursued this topic today, I encountered an interesting site by a guy Jason Cohen. If you are curious to know more on the subject,  check out  https://blog.asmartbear.com/color-wheels.html

This last week, over the course of 2 days, I encountered several examples of these colors all around me. From the rainbow to the flowers and myriad balloons. It didn’t hurt that it was during the International Balloon Fiesta http://www.balloonfiesta.com/ which is one of the most colorful events in the world.

 

Unless we have a limitless budget affording custom design materials, it is best to begin with the materials that offer the fewest colors. I have mentioned this in the past, there are more paint colors than there are carpet colors, fabric colors, or solid surface materials. Therefore, selecting your color scheme based upon the selection of a material with fewer color options is the best start…you build from there…paint being the easiest component to finish the scheme.

Color affects mood, perceived temperature, individual’s reaction to seasonal cues, and all manner of context. Pastels in springtime and warm tones in the fall – color makes powerful suggestions and should be used as a tool with that power in mind. The power of suggestion. What are you suggesting? What are you trying to convey?

With your best intentions, colors will change with light sources, time of day, adjacent colors and people’s own perceptions. It is not a perfect science when you consider all those variables. Take caution to select colors based upon the conditions that will occur in the final location/presentation. Without fear, pick your color schemes and beware, but don’t be afraid!

A Most Illuminating Lighting Course Proves – It Exists!

As is often the case, after attending an engaging and informative continuing education class, I am compelled to share at least a fraction of the energy that I experienced today. When a class is good, it is energizing. This was a most illuminating lighting course!

We know that as interior designers that light plays a significant role in creating a scene. Whether task lighting, ambient lighting, spot lighting or washes of color – light plays an important role. What’s so exciting and compelling is the technology that is so rapidly changing the possibilities!

The profound change is a result of the perfected application of Light Emitting Diodes – LED lighting. Lynne Wilkinson takes the complexity of physics and speaks in plain language with a humorous and entertaining delivery distilling that which is incredibly complex into digestible information.

Here’s a link to Philips for more information:

https://www.usa.philips.com/c-m-li/led-light-bulbs

So today I want to impart a tiny bit of the exciting content of this day. If a child asked you – “what is light?” How might you answer that?  Um…well…it’s uh…Electromagnetic radiation. Duh! After clearing that hurdle, we settled into distinguishing the technology between incandescent and fluorescent and a number of other lighting sources.  We discussed temperature Kelvin, luminescence, illumination and the atomic composition of protons, neutrons and electrons that are involved. So how is this interesting to YOU?

Well…inasmuch as we in the field have kept step with much  of this terminology throughout our careers, and the sci-fi interpretations of the possibilities – the future is HERE! If you just look at I-Phones being only 10 years old, yes, 2007 – we’ve come a long way baby!! Nearly anything you can imagine already exists! And if it doesn’t yet, the brains in the incubators are racing to discover and invent the next iteration of these amazing possibilities!! Look at these cool dots and dashes dramatically streaking across a living room ceiling!

 

You probably know that LEDs are energy efficient. Have you noticed how dramatically their price has come down in the last, say, three years? They used to be $50 and now they are under $10..  They burn for 50,000 hours…but as they diminish, the quality of their light changes – they will burn long after the accuracy of their illumination has changed. Do you care?

So many health issues are still being discovered with regard to the effectiveness of lighting. Circadian rhythms – how your body is biologically on a timer. How it needs rest and waking hours. What interferes with the natural melatonin in your system that can affect your health. Dark is for sleep. Blue light versus red light can interfere with your good sleep? Here’s a hint – don’t leave computer screens or cell phones on in your bedroom – get rid  of the clocks and other light-emitting devices when you are trying to sleep. AVOID the cool colors – blue especially.

To take this to a higher level of interaction, artificial lighting can be “tuned.” We know it can be dimmed and change color – but tuning is the technology of changing the temperature and related color to compliment the activity in the space. Your living room can be tuned to track the time of day to compliment warm early morning, bright cool mid day, dimming down to the warmth of an evening glow. Do you care? Maybe not today – but to better organize and track a busy day, this can be soothing to compliment your morning coffee…energize you into a more productive mode as the day progresses and calm you as the day closes. It might be handy if you lived in Scandinavia where the days are shorter and the desire to create a sense of daylight’s progression is real.

In an operating room – do you want your surgeon to see well into your body parts? By tuning the room in zones, you can place certain colors of light over the surgery to better illuminate and contrast the focal point or dim the light to read monitors better (as in many endoscopic procedures where they go in with a camera and don’t even see the action except on the monitors which are better read with a darkened surrounding quality of light or lack thereof), or brighten other areas where medical implements, keyboards, etc need brighter light to do the job. The understanding and ability to control these various light levels, colors and luminescence is becoming very apparent. Might ultimately be invaluable.

Back to interior design applications and concerns – the idea is to create effective, appropriate light and not see the source. I have always said this especially in the realm of landscape lighting – yes outside. I never use the “runway lights,” rather I chose to conceal the light source and have it spill, wash, spot and filter without giving away the source of the light.  It is more subtle, effective, natural, soft, and pleasing. So in a kitchen, don’t let the under-counter lights be spotty, reflected on any adjacent dark or shiny surface, use smaller aperture ceiling fixtures (cans), hockey pucks in cabinets create shadows…with all the new LED tapes, fixtures and diffusers these faux pas are very avoidable.

Lightology has an exciting site full of great images, ideas and information

http://www.lightology.com/index.php?module=how_to&sub=new-recessed-lighting

As recently as 18 months ago we were remodeling a bar and wanted to use LED tape the full-length beneath the long countertop  – but the cost was significant. Today, that cost is a fraction of what it was. So I might be re-visiting that bar detail!!!

So many lights can be field modified cut and shaped. With the perfection of Organic LEDs, seemingly limitless possibilities exist. Imagine your laptop being so pliable that you can roll it into a tight tube and pack it effortlessly without fear of cracking or breaking. Light-weight and completely flexible. They exist.

Imagine an entire wall in your home that is a touch screen that can be installed as easily as wallpaper. Yes, pliable and paper thin, glued onto the wall and operate as a computer – all your news and information at your fingertips at a scale that commands the room. Smart surfaces – they exist.

Learn more from Planar

http://www.planar.com/products/led-video-walls/led-calculator/#!/welcome

Learn more from Corning:

https://www.corning.com/au/en/about-us/news-events/features/willow-samples.html

Back to now – smart homes can do so much from an app on your phone and lighting is a huge part of that control. You already know that you can turn you lights on and off from your phone on a beach in Tahiti. But did you know that your phone can be as small as a lipstick tube or small flashlight and have a retractable screen of flexible OLED – easy to hold, pack, carry and with a simple tug, click or push of a button reveal a thin full screen? It exists.

Learn more about OLED:

https://www.oled-info.com/introduction

Architecture and interior design benefit greatly from this technology, but are probably the last to be jumping on the bandwagon. This technology is introduced in so many other aspects of our world before it gets to mere offices and residences. Fabric panel walls that have lights IN the fabric and can be controlled for color and movement, resin furniture glowing from inside that can be used outside in all-weather, stair treads that sparkle with glass embedded into them and coffee tables that have pressure sensitivity that when you touch them they respond. So many of these creative applications are already very cost-effective and remarkably accessible.

Here is more about glowing furniture from Marceladick:

A German company, Cerion, making exciting glass pieces embedded with LEDs

http://glassprocessing.eu/dg-glass-furniture-glass-processing-3d-laser.htm

Glowing ceiling layers that once were inconvenient to replace lamps (bulbs) often were left dark rather than scale the heights to maintain. Now the long lasting light sources produce their glow for many years.

Fashion is also enhanced with the advent of these light sources in the actual fabrics. Models sporting luminous layers, glowing translucence, sparkling luminescence adding elements to clothing imagined. Think about draperies!

Here is a fashion-forward blog to share:

These exciting applications will be sure to get you thinking about the many possibilities. Love light? Use light!!

Color Schemes and the Complex Simplicity of It All

Color schemes are many. Color schemes evoke a mood or convey an atmosphere. They certainly can and often are responsible for imagined temperatures and/or seasonal sensations. What constitutes a pleasing color scheme? What constitutes pleasing? It all comes down to balance, layering and subsequent interest. It takes a enlightened eye and usually cannot be achieved by accident.

We are nearing completion of a living room that incorporates many design elements. Family heirloom antiques add a vintage touch along with the architectural style of the bungalow home.  Contrasting these pieces is a sleek-lined, modern, sofa that we found and reupholstered. And while not driven or influenced by current color trends, we selected a scheme derived from the existing Persian rugs. By extracting the blue and white from the patterns to refresh the interior – a classic, timeless color combination – we blended a wonderful scheme. Finding the common denominator(s) blue and white, we sought to anchor all with this consistent theme. Differing patterns provided additional layering and interest.

Then, just last week while dashing through the DCA terminal for SWA, my eye caught the attention of several magazine covers all featuring blue and white schemes!  Always in vogue, but not always featured as the cover story, this coincidental (or not) collection of blue and white photo images was a riot! I was forced to snap a few shots to send to my happy blue and white client.

If I described a new master bath remodel project as all white, I wonder what might come to mind. All whites are not created equal and the variation is startling when you see them in context, adjacent to one another. So here is the easiest example. A fan-deck from Sherwin Williams shows a collection of whites. They “read” very differently from one to the next. Yet taken one at a time – isolated from the rest – each would seem to be just plain white. Notice too how they differ from the white paper upon which they are printed – it is the spacing between the color chips – and even the white fabric upon which they were placed for the photo!

But there is really no such thing as “just plain white.” Once seen next to another, their unique qualities of hue come into play. A yellow white is creamy, while a cool white reads blue. It’s the context that makes the  color more legible. Without that they could be assumed and accepted to be merely “white.”

So, in this recent color scheme nearing completion, whites in context show their many colors. At first glance and if asked, one would say “the room is all white.”

Upon closer inspection (photos taken from a different angle seconds apart), that simplicity is replaced by a more complex, heightened level of awareness. This complexity is what adds interest and results in a better finished product than a true monochrome. What was a collection of white materials, in this master bath, is truly revealed as shades of white varying from ever so soft celadon to cream and grey to what might be read as actual “white” white.

 

Don’t trust your eye when it comes to color. Discover how paint on walls changes all through the day. Artificial light-sources alter the way a color appears.  Context with other colors alters the way one perceives color. Color is fun! Colors are fun! When designing interiors, enjoy the process of layering and the varying effects colors have on each other. Simplicity is usually not really simple. That term can be deceptive. Making it look that way is an art. Encourage the enjoyment of discovery.

Let There Be Light for the New Year!!

Short days and longs nights…Do you find that your interior is dull, lifeless and even feels a bit cavernous after dark? As the sun  sets and the lamps come on, the effects can be horrible, adequate or sensational.

Poor lighting can have remarkable subliminal effects on mood, energy, and attitude. The subtle signs of poor lighting such as dark corners, shadows on faces, difficulty reading and dull colors are all important factors that contribute to an uncomfortable interior in these short days of long, dark nights.

Lighting has multiple reasons for being—three primary ones—to see, yes, ambient light. But to do tasks (reading, sewing, playing games), and accent lighting to illuminate artwork and other interior features. Mood lighting such as candlelight (once the primary light source – now an effect in most cases) is a lesser but effective  lighting tool.  Good lighting makes amazing differences.

Beware of down-lights. Lights that shine down from the ceiling. Although a very effective and common lighting tool, they must be balanced with good ambient light.  I have often used this example of sitting in a restaurant across from your date and their face is painted with ghoulish dark shadows under their eyes, beneath their nose, and accentuating all the folds of their features. It is the opposite of a kid putting a flashlight under their chin shining upward creating similarly haunting effects. Creepy. Certainly not flattering.

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The same unpleasant effects happen in the home. It’s such a common malady of ineffective lighting that most people assume it is a necessary evil of short days. It’s sad—no, really it’s SAD—Seasonal Affective Disorder! To treat the serious effects of this syndrome there are many studies and inventive solutions, but for most of us, the less arresting effects of poor lighting can be greatly improved and our lives enhanced.

To begin this process of evaluating your lighting an improving it right away, start with the lamps—the light bulbs! We have so many choices these days including the familiar incandescent, compact fluorescent, and the newer LED with excellent color choices and low energy usage.  We could talk about the “temperature” of light sources measured in Kelvin, but we won’t—only that it runs a spectrum of warm to cool.

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Walk around your home and look specifically at the color that glows from the various light sources. Does it look yellow? Does it look white? Does it look blue-ish? Recognizing these distinctions from warm to cool is the start.

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Where are the shadows? Are the corners dark and recessive? And, when you combine these two, do you find, for example, dark areas and yellow glowing sources? Sometimes that soft, warm yellow is preferred while other scenes are made more intentionally crisp with cooler light.

Experiment with different lamps in your fixtures – light bulbs in your table lamps and recessed cans, hallway sconces and bathroom fixtures. It’s a fun experiment and very illuminating – yes, the pun was intended.

Are your lamp shades opaque or translucent? Do the shades themselves cast a color? Do they block the light or allow it through? Do they throw the light up and down or up, down and out? This is another detail of which to take note.

If you have dated recessed fluorescent tube units – common in kitchens for example – they are often housed in a box either recessed or surface-mounted on the ceiling. Take a look at the plastic lenses – are they discolored and yellow? This aging process can dramatically affect the quality of light that is emitted. So if you are not ready to replace these fixtures with more effective modern lighting statements, try replacing the lenses.

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A similar installation is that of skylights which have fluorescent lamps up inside the wells with that same plastic lens over the opening to the skylight. The original idea was to have the natural light pass through during the day and artificial light take over after hours. The lens  was to intentionally conceal the unattractive fluorescent tubes, but it sacrificed the depth of the framed well. A quick update is to remove the lenses and fluorescents and expose the well of the skylight adding dimension to the room and eliminating the unattractive lens that conceals the dimensional cavity. Recessed can fixtures around the skylight in the surrounding ceiling are the most common solution to this transition from old to new, a cable can be strung, pendants can be hung, but if budget constraints prohibit that investment at this time, you might investigate the power source up inside the skylight well and replace the fluorescent fixture with an inexpensive, adjustable, surface-mounted spotlight – perhaps with two heads to provide light from that same source while opening the skylight well without the unnecessary lens.

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The dark pockets around your rooms can be improved with up-lights in corners and up under plants. Inexpensive fixtures are available at any lighting store or big box home improvement stores. Place one of these up-lights (remember to select the color “temperature” that pleases you the most) and see what that additional pop in the corner does to open your space. When up-lights are used beneath plants to shoot upward and cast shadows onto the walls and ceilings can create drama and exotic interest at night. This is true both indoors and out.

Torchiere floor lamps are those that face upward. Like a torch, they send the light toward the ceiling – another effective splash of light in an otherwise dark space in the room.

Colors are radically affected by the color of light that shines upon them. Therefore, an interior color scheme can be horribly tweaked to not resemble at all the actual colors chosen and combined to create the scene, when artificially illuminated after dark. Contrarily, colors can be rendered with great brilliance and accuracy when illuminated with the right combination of lighting. (although daylight contributes in these two examples).

By the same token we can have great fun and “paint” with light creating a color scheme entirely with colored lamps washing the walls, and interior elements just for the art and exercise of doing so, but I digress.

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In summary, look around your rooms after dark and look for opportunities to make changes that will dramatically affect the comfort level – the results will be startling!!! If planning new construction or remodel – have plenty of light in key places throughout the space. Think dimmers so you can control the amount of light. Let there be light in this Happy New Year!

 

 

 

 

 

 

 

 

 

 

 

Color of the Year 2017 Greenery!!

Ta Da! Pantone announces its color of the year for the coming 2017…drum roll please…and the color is Greenery!! Yay!!! Last year there were two  – yes, imagine that – they couldn’t decide so they slurried Rose Quartz and Serenity resulting in a pale, cool, wimpy blend of soft rose and lavenderesque shades into a blended wispy pastel dream. Non-committal, in my opinion…lacking confidence.  Last year the rationale was stated by Pantone’s Executive Director, Leatrice Eiseman as…

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But this year they have it with this fresh organic hue in a yellow-ish shade primed for this year’s rationale from Ms. Eiseman which is:

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I have always loved green. I grew up in a Virginia jungle of a suburban neighborhood inside the Beltway surrounding my hometown of Washington DC. where the first signs of spring were the tiny tips of dogwood leaves poking forth from the delicate branches of those beautiful under-growth trees. The dogwoods were the graceful, human-scale layer beneath the towering canopy of the immense, rigid, vertical tulip poplar and white oak trees that commanded the woods.

Soft mosses, lacey ferns and perky lily of the valley carpeted the hidden pockets of our backyard. New growth is that prediction of amazing renewal and promise of the start of summer. So it is a prime observation that as Eiseman states in her 2017 rationale “greenery…bursts forth…with a reassurance we yearn for…” although I do not feel this is peculiar to this year as winter always makes me yearn for greenery and the reassurance  that spring and summer will return.

My mother also loved green and that probably influenced my childhood perception of comfort and context of it in interior design. She had and still has an eye for color. In 1959 she selected an amazing sculpted wool pile carpet in a warm, dark, neutral, taupe tone and built upon it a color scheme of pinks and greens that was subtle and relaxing, organic and contrasting, blending beautifully in our wooded setting of verdant lushness in which we were cozily situated.

That was upstairs where we felt like we lived in a flowering tree house amidst the dense collection of green leafy between the trees and surrounded by all shades of pink and white azaleas. Downstairs, where we retreated in the winter months, her greens were mixed with gold tones creating a warm interpretation of the greenery around us.

When so many in that era, between the 60s and 70s, were styling interiors with heavy oranges, browns and golds,

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my mother gravitated toward Lily Pulitzer’s fresh, tropical palette of lime green and hot pinks, clean crisp turquoise and citrusy lemon yellow – both in her wardrobe and her interior accent colors.

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Our beach house was turquoise and teal, navy and tan – the sea and the sand.

Following color trends is a slippery slope. I have blogged about it in the past. Adopting that which is often a combination of colors instantly records a place in time when everything from bath towels and shower curtains, bed dressings to draperies appears in the marketplace and inserts its predetermined obsolescent combinations into the lives of so many who would rather catch the wave – often behind the crest – to own and participate in what is conveyed by the market to be the “in” thing to do and to have.

It is best not to embrace and adopt the combinations that the market presents. It is better to select color and combinations that transcend the trends – skirt them so as not to fall into the trap of dated color schemes and tired combinations. Some avoid the trap by staying neutral. The safe, timeless colors of whites and grays mushrooms and taupes- but where is the risk and fun in that?

“Too bad for them” I often remark. It is such a missed opportunity…a limitation to select colors that you think you are supposed to like rather than those that truly bring you joy. I say “go for joy every time.” Color is such personality. It is a stage-setting element. It is a backdrop or foreground. It is a theme. It is an atmosphere.

With all that having been said, I for one am thrilled with this fresh selection for the new year. A bright beginning full of hope and new growth, fresh starts and positive forward movement – organic and life-affirming. So seek the colors that brings you joy and go forth with color in this new 2017 soon to arrive. My personal schemes will always have greenery!!!

Fun with PERF!

Currently finishing a project that has provided a great theme for incorporating metal, it seemed a worthy blog subject for it’s fun and flexibility! Perf is the product – a perforated steel that comes in several percentages of perforation.

We have used this many times for rolling window shades in a flexible coated nylon material. It is great for filtering for sunlight and privacy while allowing a certain amount of “see-through.” It has been used as an architectural screening material for years. You have probably seen it and not realized it on building storefronts and bus wraps – the perforated vinyl coatings are often used for advertisement because they read as though a solid from the one side and are transparent from within.

Here we are playing around with the steel to create cool elements that compliment the theme of this new taproom. The theme is silver and what material does bring to mind? Metallic. So by dressing raw steel with paint – we apply the silver finish and there we have it!

The required outside patio fencing was constructed with very generic square stock. I called it a hamster cage. It was a bland beige when we first arrived and, without notice, the shopping center management had it and the other structural columns lining the canopy/portico painted chocolate brown.

The plan had been to screen it with perforated panels. The darker paint color created a little better contrast and aided in providing a depth of detail to set-off the silver painted perf.

Inside we needed to fill the volume of this most uninteresting dropped ceiling. Already painted black and looking quite voluminous – but not in a good way – the empty space needed some mass. So in one of those restless, middle-of-the-night design sessions of insomnia the idea to create large drums for lighting shades came to mind.

Drums have been in vogue for several years now. Nothing original from the initial use for table lamp shades except their use was broadened to include suspended fixtures and halved for wall sconces. You’ve seen them – hip and happening – and these were quite over-sized and carried the space.

We needed to fill the void of the 12′ high ceilings in this room that had little or no comfort. All hard surfaces, it was a challenge to maintain the silver theme and edginess of a popular taproom while creating comfort. Seemed an oxymoron of a task. But the mass of the perforated drums in three different sizes grouped in the near center of the room did just that.

The addition of multiple warm white lamps inside will be the crowning touch. (photo to be added here in a week or so)

Then a third use of the perforated material came in the idea for a room-divider/hostess station.

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We needed a place to create a point of arrival. Whether manned or unmanned, this unit can have a chalkboard or other signage identifying special events or beer tastings, with a podium in front creates a translucent backdrop to partially cordon off the rest of the space until the customers are greeted and it also can divide the space for special events and table groupings. to accomplish all of those various purposes we designed it with heavy duty commercial casters complete with brakes so that it could be moved easily for its grand height and weight and  placed where needed for the best advantage.

Stay tuned for the complete un-veiling of this cool new interior in the coming weeks. And meanwhile dream of all the fun you can have with perf!