Aug 19

Decorative Wallcovering – Fun with Tile

By pattisays In Abstract Art, Albuquerque, New Mexico, architecture, art and interior design, artistic expression, artistic talent, artists, bathroom remodel, before and after, blue and white, breakfast rooms, commercial interior design, creative process, creativity, custom design interior design, decorative mirrors, design, design process, design solutions, design tips, design trends, DIY design, eclectic design, exterior - outdoor design, fireplaces, functional art, good design, graphic designs in interiors, handcraft, handmade, hiring an interior designer, home improvements, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, kitchen, kitchen design, kitchen remodeling, lifestyle, master bathrooms, mirrors, mosaic, mosaic tile, murals, natural stone, personal expression, personal taste, planning a remodel, powder rooms, public restrooms, recycle, recycle design, remodeling, residential restrooms, restaurant restrooms, stone, stone countertops, Subscribers, Talavera Tile, tile, update design, updating, urban art, wall texture, wall treatments, wallcovering / 2 Comments

When you think about finishing a wall, you probably think about paint colors…you might think about a wallcovering – wallpaper, or even a mirror – I’ve previously noted how mirroring an entire wall can exponentially expand a room – a dimensional effect/illusion that suggests the room extends well beyond its actual size. But another wall treatment, with which I LOVE to play, is tile!

All over the world, the art of designing and creating decorative finishes with tile has been evolving for centuries. All cultures have utilized mud and clay, glazes and fire to bake beautiful patterns and colors onto geometric slabs. Shapes of rectangular, square, octagonal, dots or diamonds – the geometric shapes are many and the designs are limitless.

As is true with other wall treatments, I prefer not to stop on an outside corner. I believe that the color or material should suggest a built mass – part of the architecture. To stop on an outside corner suggests a veneer. It proves that the finish on the element is not a structural/integral part of a built mass. When you paint into an inside corner and stop, it allows the mass the read as though solid and not merely superficially treated. The same is true with tile. Don’t stop it until you get to an inside corner – if possible. There are situations that force a finished edge on the flat plain of a wall – but avoid outside corners at all cost!!

This entire shower is tiled floor to ceiling, around the pony wall, bench…no door…it reads like a built environment of stone tile.

Think of the surface as an architectural element. Tile from floor to ceiling, inside corner to inside corner – wrapping corners, if needed, along the way.

Take a backsplash…customarily used to do just that – catch splashes at the back wall of a wet area (sink) countertop…bathrooms and kitchens, behind sinks and between upper and lower cabinets – but why stop there?

The entire back wall of this kitchen is mosaic marble tiles in a herringbone pattern.

Think of it as a true wallcovering – wallpaper. Commit to the entire surface. Here are more effective examples…

The backsplash and entire adjacent wall were covered in glass mosaic tiles. It “reads” like wallpaper.

here again, the classic blue and white Talavera tile backsplash is continued along the entire wall from floor to ceiling.

We are currently working on a couple of kitchen projects that will soon be completed. They both use tile liberally. Each quite different from the other. Stay tuned for the finished products!

In bathrooms, the area around a mirror can be more than merely the backsplash. Embed the mirror into the tile surround or tile the entire wall and hang a mirror on top of the tile surface.

This mirror is flush with the surrounding tile, suggesting that it is embedded into a tile wall.

Planning this transformation, the mosaic vase was the inspiration. Then loose tiles were scattered on the countertop and the concept began. Note, the existing mirror was attached to wall with light fixture mounted above it and a medicine cabinet off to the side.

The transformation involved removing the medicine cabinet, taking the floor tile up the wall and wrapping it floor to ceiling. It was also cut into smaller squares to use behind the sink as a “full-wall backsplash.” Then punctuated with glass and glazed tiles to create an updated design. Relocating electrical to flanking the mirror for a pair of new sconces and a new countertop, faucet and sink with existing cabinets painted resulted in a cost-effective design.

Here a mirror is mounted on top of the fully tiled wall. Inside and outside of the shower enclosure the tile is a true wall treatment.

I recently received this advertisement in my email. It was such a spectacular collection that it caught my eye and I share here one of the patterns and context shots as the backdrop to a range.

Mosaic assemblages can be fun! Here is a fireplace surround.

The addition of three-dimensional pieces adds interest.

This exterior fireplace surround tolerates the elements – an all-season installation.

Here is a mosaic mural of a dynamic geometric abstraction discovered in New Zealand. We are using this inspiration to establish a theme in a current restaurant project. An interpretation of this in the form of geometric tiles of various sizes, colors and patterns will be used to create a cohesive repeated design element through various areas of the restaurant – both inside and out. Watch for this completed project in coming months.

Commercial restrooms can benefit from full-wall tile treatments too. Not only does it look complete, but it is an ease of maintenance consideration.

Three dimensional tiles add interest to this cactus motif!

Fun with color and texture, tile are also easy too keep clean – terrific for public restrooms.

Murals are also terrific ways to use tile as art in your interior/exterior designs!

This is embedded into the stucco for an integral installation.

When using outside though, remember to consider the range of temperature and moisture to which it will be exposed. Porcelain is the most durable in areas where the temperatures get to and below freezing. Freezing and thawing can destroy tile. Many murals are made from clay that is not suitable in cold climates!

Inset into the tile wall treatment is this stunning glass mosaic abstract mural.

Tile – it’s a nearly limitless medium. So consider the possibilities for your next project! As a piece of art, an accent wall or an entire installation – full-wall treatments make a statement! Have fun with tile!

Jul 01

Mirror Mirror on the Wall – Do You Even Notice Me at All?

By pattisays In architecture, art and interior design, artistic expression, artistic talent, beauty behold it, before and after, commercial interior design, creativity, custom design interior design, decorative mirrors, design, design process, design solutions, design tips, design trends, designs in nature, dining rooms, DIY design, element of surprise in design, functional art, handcraft, handmade, hiring an interior designer, home improvements, illusion of space, inspiration, interior atmosphere, interior design, interior design trends, interior enhancements, kitchen, kitchen design, kitchen remodeling, lifestyle, master bathrooms, mirrored walls, mirrors, murals, personal expression, powder rooms, practical design, remodeling, residential restrooms, Subscribers, Talavera Tile, theatrical design, trompe l oeil, update design, updating, value of good design /

Designers use tricks, “trompe l oeil” – ever heard of it? Parlez-vous français? It’s a trick of the eye – and how handy is that to create an effect? Often murals are painted to give the illusion of depth or a scene that is not real, yet might fool you into thinking it is. Similarly, mirrors can create the illusion of dimension and improve spaces – especially small spaces or rooms that feel particularly one-sided. Like the idea? Want to hear some fun designer tips?

Large decorative mirrors expand the dining space in this restaurant. Faux finish composite material give the impression of hand-carved wood – not!

Mirrors in the Bath We know mirrors are commonly used for practical purposes such as bathroom vanities. They can be simple over-the-sink functional elements or framed versions for decorative pizzazz.

Below, a built-in tiled surround is nearly a full-wall treatment but with a little relief.

an a more encapsulated/inset mirror shown here

or full wall-to wall treatments that “go away” leaving only the illusion that the room continues beyond…you don’t really “see” the mirror, you see the illusion of space that it creates.

Bathrooms can be intimate spaces of decorative interest

or expanded to be grand spaces of extraordinary volume.

Dining Room Décor and Expansion Other rooms of the house can benefit from mirrors too. Often mirrors are placed in dining rooms over buffets to once again give the illusion of space to a room that is often small for the number of furniture pieces and people that gather there. It is an opportunity to add a decorative element as well as expand the space.

Mixing Geometrics A rectangular console table, sideboard, buffet or dresser enjoys the contrast of a round mirror

Mirrors as Artistic Accessories There are also fun additions to existing pieces like this framed grill-work which is given a new element of interest by adding a mirror behind the iron, set into the frame. Depth and interest instantly change the nature of this decorative wall piece.

Yes, the mirror becomes the decorative focal point. Large framed mirrors can become just that – a great focal point AND provide an illusion of depth. Notice too, the entire wall was tiled behind this focal piece adding further drama and interest.

The limitless options for frames and shapes makes mirrors a valuable accessory similar to a piece of artwork!

Kitchen Surprises Here’s a little trick…rather than looking into a tiled wall behind your cook-top, insert a mirror into the back-splash! It will give the illusion of an opening passing through to another room!!

Wish for a Window Add a “window” where you have none. A “fake window” adds dimension to an otherwise encapsulated interior space. This can be with an actual window to which you add mirrored glass to replace existing or merely a grouping of mirrors to suggest a window to the world.

Embellish with Crafts Here we added white shells to have a little DIY fun!

Make it BIGGER – Make it Better Expand your living space, add value and create perceived square-footage!! Truly enlarging a room with a trick of design expertise is to know where to mirror an entire wall to achieve that illusion of a much larger space.

Consider what is being reflected. You won’t want it reflecting an open bathroom door necessarily…You can even enhance the area that will be reflected to maximize the effect.

Theatrical/Dramatic Lighting Effects and Mirrors

ART & Technology As is true with our fast-paced word today, the art of creating mirrors has gone from fine craft to commodity. Phenomenal prices are now available for what once was a luxury item. Certainly, there are exquisite hand carved, fantastically finished and even gilded wood frames still being designed and handcrafted by artisans around the world,

but the offerings for production pieces of man-made faux wood and other interesting composites are now on the market. Beveling used to be an art. It was performed by hand (and still is – but it is a lost art and it’s not as necessary a trade with the advances in technology to achieve the detail).

Difficult to see the hand-beveled work on this amazing hand-carved mirror.

The effects of a bevel either on the mirror within a frame or here as a frame itself, bevels add detail of angular reflection that add interest to a mirror’s single-plane depth providing the angular plane to reflect other surrounding facets of the scene.

Mirrors are one of the most versatile and effective design components. Look at them, look into them, use them, play with them – they will expand your world!!

Jan 21

Remodeling? How to Embrace Existing Conditions – Celebrate the Story

By pattisays In architecture, bars and restaurants, bathroom remodel, brick, ceiling lighting, commercial interior design, commercial remodel, context of interior design, contrasts for balance in design, creative process, creativity, custom design interior design, custom lighting, design, design process, design solutions, design tips, design trends, element of surprise in design, existing materials, hiring an interior designer, interior atmosphere, interior design, interior design trends, LED, lighting, night clubs, nostalgia and design, practical design, remodeling, restaurant restrooms, Subscribers, theatrical design, trends, value of good design / 1 1 Comment

This happening scene provided fabulous fodder, to observe existing conditions being incorporated into a design, for great benefit on many levels. Applicable to all remodel projects – see what you think!

In this case, Night Club design. The styles are many, but the concept is of a commonality comprised of a few basic functions – a fun place to socialize, meet people and enjoy the entertainment of the overall scene often including live performances. We probably all picture the image of a flashy, glitzy environment.

We were recently in a most unusual space that combined the glitz and bling you might expect with a “nightclub” atmosphere, but juxtaposed with rustic finishes that were unique to the original architecture. This brick expressed in some of the remaining structural elements – walls and column/arched spans of structure – was warm and rich providing an unexpected pleasing combination that so easily might have been eliminated – concealed behind slick new finishes.

To play-up the vintage aspects of the space, ornate traditional chandeliers were suspended amidst myriad dangling strands of sparkling, golden LED lights. These provided a glittering glow of ambient light in the upper reaches of the space effecting both the downstairs and upper level of the club. This mixed lighting treatment was obviously the eye-catching emphasis of the interior.

Ample light was provided by the luminous chandeliers and thousands of dangling LED pin-dot lights along with the indirect lighting of the back-bar shelves. Therefore, the large steel domes that hung suspended over the bar needed not to contribute ambient light, but were limited to effectively cast direct downward light on the bar surface. Their golden interiors provided a warm glow while the exterior surface disappeared into the darkness.

The bar was quite simple and raw, yet read in enough of an interesting and complex fashion, to compliment the scene. The design was sufficient in its components and indirect lighting worked well with all the other design decisions.

The simple Tolix-styled stools were an understated easy fit with the other surprisingly raw materials of the bar.

To answer the need for friendly group conversations, there were comfortable places to gather with zoned seating areas of tufted leather sofas and leopard-patterned rugs, wooden grouping tables, then hi-top tables with stools and finally barstools along the length of the bar. The various areas provided options for patrons to pick the most inviting or appropriate spot to enjoy the atmosphere with friends.

Having choices in any hospitality setting is invaluable. It allows the patrons to make their own decision how best to utilize and enjoy the space. It answers different needs and appeals to different people for different reasons, therefore inviting a variety of patrons to invest their time and money in the establishment. A broader reach of clientele. A broader client base.

I’ve mentioned more than once that having restroom design follow the theme and quality, of the rest of the interior, is imperative. As it relates to night clubs, it is often the meeting-ground for dating, meeting new people, attracting new people and therefore, the restroom should promote attractive feelings of approval and confidence in the guests.

Jazzing up the restrooms in keeping with the jazzy feeling of the club environment should be a natural continuation of the design scheme. That means mirrors – full length – not merely above the sinks, good lighting without down-lights to cast unappealing shadows on the guests.

Here the placement of sinks outside the restrooms frees up space in the stall areas, while adding interest to the extended restroom area. The design theme presents free-standing bureaus for the sink cabinets. Often shared sinks are used in these anti-room set-ups, but in this case opposing sides of the vestibule provided an attractive vanity area for men and a separate one for women.

What was so inspiring and interesting as we scanned the interior were the various zones all within this complex mix of original, traditional architectural elements and adding traditional if not vintage lighting fixtures paired with modern high-tech lighting effects and large brilliant monitors featuring exotic, playful, getaway beach videos. It worked.

Have you ever encountered a structure that at first glance did not comply with the supposed new program? Awkward supports, raw materials, exposed mechanical…so ,many “unfortunate” things to get in the way of your design. Often the “imagined” design over-rides the reality of the moment. The challenge is to allow the moment – the reality of the existing conditions – to participate in the process rather than being briskly eliminated without thorough consideration.

And the additional bonus might often be cost-savings and budget stretching while not betraying that benefit at expense of the finished design. Brilliant to have incorporated the “whatever it is” – wasn’t that creative and hence, interesting!! OK – I’ll take that!

To have concealed or negated the architecture would have been almost criminal – certainly a loss of architectural integrity and textural interest.

The crime of missing opportunities like the seemingly conflicting traditional elements with the need to be glitzy and modern is to be too one-directional . It’s like having “design-blinders” on that direct and focus a theme without recognizing the value of thoughtful salvage of content, contrast and context.

All of what we observed applies to both residential and commercial design. The takeaway is to consider existing conditions and, if applicable, embrace them. Give thoughtful consideration to the opportunities before glossing over them, concealing them or eliminating them altogether. Try to appreciate the gifts that might escape you if you insist on unnecessarily hammering and manipulating a space into submission – design submission. Rather, let it tell a story and contribute to the design process – which would more than likely result in a more unique and creative end project for that thoughtful integration of the existing elements.

Jan 07

Atmos and Eating by Design

By pattisays In ambiance, art and food, art and interior design, bars and restaurants, branding in interior design, breweries, commercial interior design, context of interior design, corporate branding, design, design process, design solutions, design tips, design trends, dining and design, Food and art, food and interior design, hiring an interior designer, interior atmosphere, interior design, interior design trends, lighting, Mexico, Nexus Brewery, public design, public restrooms, restaurant design, restaurant restrooms, selecting colors, table dressings, table top, tableware, value of good design / 1 Comment

How do you select a restaurant? As a patron, what makes you dine out? How do you select your preferred dining experience? I’m talking about casual and easy or even more a more in-depth gastronomic event.

When it comes to casual, quick and easy, I still want the experience to have personality – a pleasing personality and great flavors. Personality is atmosphere. Great flavors is the kitchen. Service might be “step-up and place your order” or table-side wait-staff. In either case, I want it to be a pleasing experience. Why would anyone want it to be difficult or unpleasant? Perhaps that lies in the definitions of the beholder. What is difficult or unpleasant and the various degrees thereof is not be the same for everyone.

Throughout my childhood, I remember my mother and her peers reference “atmos.” It was important. It came up often. “Does the place have atmos?” Or “what great atmos.” Atmosphere – it is the feeling you get in an environment. It is the feeling a place emits. I don’t ever recall it being used in the negative – such as this place has horrible atmos…rather, like ambiance, it was reserved to compliment.

Cafe des Artistes – Puerto Vallarta – Note the full-wall mural by Federico Leon de la Vega as a backdrop to the dining scene. Also, perhaps someone should have straightened the lamp shades!

We now hear “vibe.” The place has a good vibe – but not limited to only compliment, a place can have a decidedly bad vibe too! Is it just the saying “If you can’t say anything nice about something, don’t say anything at all?” Perhaps we are less polite than the previous generations. Yet, constructive criticism let’s you know what makes your patrons pleased. Truth be told…be honest with discretion.

As a restaurant owner, it seems that erring on the side of greater numbers sharing the same opinion of easy and pleasing would capture the greater share of the demographic. Therefore, studies are out there to determine the value of ambiance and presentation. Starting with defining the description of your eatery…who are you and what and how do you serve? What is your “brand?” Whether funky or fine, dining should be worth the visit.

Nexus Brewery, in Albuquerque, has a unique brand and complimentary interior “vibe.”

I read a few excerpts from a fascinating new book, Gastrophysics, The New Science of Eating by Charles Spence. In it, he touches on the importance of atmosphere. He observes the value of interior design even as it relates to how much people eat and how much they spend as a result of atmospheric influences.

Another great read for understanding the art of a successful restaurant is Daniel Boardman’s Your First Restaurant – An Essential Guide. As an “essential aspect of your concept” Boardman identifies why the “thoughtfulness of the interior design” communicates to the patron a lot about the service and food that one might expect to receive.

Tacos on paper – porque no?

From lighting to the shape of the plate, ambiance and presentation are key features in a successful eating establishment.

All the way from candles on a white linen table cloth to a handsome juicy burger in a basket lined with paper, in the context of the environment – design details matter.

Luscious bun-less green chile cheese burger at Sparky’s in Hatch, New Mexico – served on paper and styrofoam – not fancy, but perfection!!

Stone under-foot and condiments as a center-piece!! Funky!!

Some reading this might say they don’t care. Fine. Perhaps on the surface, they think it doesn’t matter. They don’t realize the effectiveness of well thought-out details. They take these things for granted. Yet these details can make or break a dining experience – from casual to fine.

El Arrayan presents enclosed patio dining with a variety of light sources, well balanced colors and textures in Puerto Vallarta.

Next time you eat out, look around, smell the smells, hear the sounds, see the colors, notice the lighting sources and levels, feel the furniture and – have I not mentioned it? – check out the restrooms!!!!

Las Caletas…in the jungle…clean and simple.

Not only should they be very clean – but they should also continue the theme of the place.

Graffiti by design, this restroom is actually immaculately clean and patrons do NOT contribute with their own markings. It is located in the street taco eatery of SALUD! in Barrio Logan, San Diego. Fast and friendly, delicious and fabulously funky!

Pay attention and you might be surprised at what you discover about your sensitivities.

Chaco Hotel in Albuquerque is thoroughly theme-based throughout.

What you hear while dining contributes greatly to the pleasure or discomfort of your time spent in the environment. It either contributes positively or detracts annoyingly. Listen to the sounds next time you dine. At home or out, notice voices, chairs being moved, glassware, music, kitchen noises, traffic…see what detracts, what enhances or what might be considered neutral.

Interior designers are considering it all – the theme, atmosphere, colors, artwork, furniture, lighting, table dressings, serving pieces, fabrics, textures and even sound. Whether casual or more formal, these design details can make or break the success of the business.

Oro Valley Country Club, Arizona.

Even if the food is exceptional, too bright lighting, ineffective colors, uncomfortable furniture or confused design elements can result in negating even the best chef’s efforts. It is a package. It is about the whole. It is a multi-sensory experience. Buen provecho!

Dec 17

When is Too Much, Not Quite Enough?

By pattisays In art and food, art and interior design, artistic expression, bars and restaurants, branding in interior design, camp - retro design, Christmas, clutter, commercial interior design, corporate branding, creativity, decorative arts, design, dining and design, element of surprise in design, exterior - outdoor design, fanciful design, Food and art, Graphic art, interior design, interior design trends, logos, multi-media design, nostalgia and design, personal expression, public design, recycle, recycle design, travel and design /

Perhaps – when you are an avid collector, limitless treasure-hunter and lover of basic Americana (comprised of the appreciation of indelible graphic design and branding mixed with a healthy dose of green chile cheeseburgers, bodacious bbq and good fun) – it’s never enough! We’re in Hatch, New Mexico at Sparky’s once again!!!! The sensational roadside attraction – Sparky’s burger bastion MUST know when too much is not enough!

Nine and a half years ago Teako made a statement and the word has been spreading ever since!

The opening of this fun and funky establishment started out with a few outrageous signs and vintage mascots like the Colonel Saunders on a bench, Ronald McDonald as the un-official greeter

and a dedication to signature green chile cheeseburgers and mouthwatering bbq. Now both sides of the street (and scattered around town) are towering, larger-than-life icons of days gone by and travelers from all over the world stop to experience this unique site.

But inside, the treasures also abound! With each visit we discover new surprises and exciting additions. Because its Christmas, we were enticed by the “Say Queso” photo scene. We donned funky antlers and cozied up to the decked-out tree, with a backdrop of sparkle and ornament, beneath dangling snowflakes,

flanked by a towering toy soldier and Jolly Old Saint Nick himself!

The stockings were hung in clustered abundance over the entryway to the dining room. No such thing as too many or too much here!!!

The walls are plastered with iconic paraphernalia.

Patina etched tin painted and pitted, with pocks of rust and tarnish – weathered through many storms adding further character to the familiar and not-so familiar pieces, until finding safe haven here in this magical collection.

Camp art un-selfconsciously curated on every square inch of interior space. A nostalgic presentation and preservation of graphic design and branding.

If you’re a “picker,” a graphic designer, a nostalgia buff, burger and bbq connoisseur or just a kid looking for a memorable bite on the side of the road,

Sparky’s unintentional museum, of the colorfully entertaining and eclectic, will not disappoint! It is a must-see landmark in this our Land of Enchantment.

Be enchanted at Sparky’s! Thanks for the memories!!!!! Keep ’em coming!!!

Dec 03

How Long Did It Take You to Do That?”

By pattisays In Abstract Art, Albuquerque, New Mexico, art and interior design, artistic expression, artists, commercial interior design, context of interior design, creative process, creativity, design, design process, design solutions, handmade, hiring an interior designer, inspiration, interior design, interior design trends, value of art, value of good design, workplace design /

Recently chatting with a wonderfully multi-talented mixed-media artist of many colors, Laura Balombini and I commiserated on the Creative Process. A few weeks ago I blogged about the Creative Process as relates to client and designer interaction. Some people enjoy the detailed nature of the process and some prefer to be spared that enjoyment.

This recent conversation explored the hidden facets of the Creative Process. The light bulbs that go off in the wee hours of a sleepless night, the honing over time combinations and details, and the tapestry of life experiences that become the personal library of resources from which creativity is drawn. Sitting in traffic can even result in an unexpected, seemingly unrelated epiphany!

Often called the inelegant “brain fart,” ideas bombard. They pop out often uninvited – when one is NOT even focusing and trying to come up with a solution. They come about without prompt or foresight. They happen.

Creative minds can rarely unplug. Downtime takes a concerted effort. Even those rare moments of attempted escape are invariably interrupted by unwanted, but often valuable, ideas. Not that the ideas are unwanted, but the spontaneous interruptions can be unavoidably annoying.

Yet, it is exciting. Having ideas and bringing them to fruition is greatly satisfying. Balombini was bemoaning a similar quandary. Often asked “How long did it take you to paint that?” She said to me that the answer was obvious, but not what the observer wants to hear. Sometimes it takes minutes and other times it takes months. How can one charge the same square inch price or similar range of value for one piece that takes little time and something that takes much longer? She lamented that she wished curious observers would direct their questions more toward a genuine interest in the “process.” Such as, “How did you come to select that color combination?” or “What inspired this assemblage?”

Inspiration is not a straight line. It is trial and error. It is a combination and accumulation of layers of ideas and fragments of many experiences. It is an illuminating and distilling of observations – all stored in the many compartments of the creative mind to be extracted and applied as the opportunities warrant.

Where she and I differ is that she, as an artist, creates constantly as a part of her process – as a necessity of her creativity and/or in hope of attracting a buyer (unless it is a commission – in which case, she hopes to satisfy the buyer) and I, as an interior designer, provide clients a service of creative ideas, solutions, suggestions and opinions toward an end. The ideas are selected, dismissed, modified and ultimately executed resulting in a finished design that is the product of the Creative Process. The creative services should provide effective solutions and be unique and thoughtfully custom-tailored for the client’s individual requirements and desires. The solutions are a result of many educated elements, collected life experiences and observations.

To appreciate what it takes to create is to take an interest in the complexities of the “process”. What might take minutes, to convey or even execute, results from a thought process and observations that are without boundary. The cumulative collection of experiences is what enable the designer or artist to find creative solutions, offer a variety of ideas and possibilities. This is the shared commonality of our discussion.

How often have you strolled through a museum or art gallery and thought, “I could do that!”

Have you ever attended a wine and paint event and tried to render the subject and watched as other of your fun-loving companions struggle to do the same, with as many different results as there are participants at the party? Copying is not easy, but it is very different from originating.

As I pondered this blog’s subject yesterday, in advance of putting it into print, another remarkably related and coincidental exchange took place. There I stood in the company of two co-workers of a business office for which I had designed the interior. They, having arrived after the project had been completed, were not privy to the details of the design elements and the process over months that took place. One asked the origin of the art series punctuating the east wall of the reception area. It was a collection of contiguous abstracted landscapes with rough dashes of brush strokes and stacked layers of color. She asked if it was a result of a wine and paint party. I was aghast.

But upon further conversation it was clear that they recognized the same sized images, with a similar subject matter on each and the same color palette – not thinking beyond to the technically un-selfconscious (I like that word) process and ultimate application and execution. As we looked more closely and discussed the complexity of the texture and layering they came to understand that had they or I tried to copy it, we would not have had that remarkably un-selfconscious effect. Ours would be more tense and rigid, in the attempt to be relaxed, loose and seemingly simple. A new appreciation was realized. I had initiated an artistically creative commission from the very talented Federico Leon de la Vega as a solution for a long expanse with a splash of colorful, original, sophistication.

Artistic creativity is nebulous like a blond grabbing at the air…collecting her thoughts!!! Yet that nebulous creativity results in concrete solutions. Commission a painting, ask questions, buy one spontaneously when you like it, retain an interior designer and appreciate the Creative Process. Be creative and have a little fun. Try not to let it interfere with, or usurp, your attempts at some relaxing downtime.

The thickly applied paint on the canvas of the feature image, for this story, is by Ron Cheek. Incredible color balance, generous application of oil paint and loose strokes layered to present a powerful landscape. How long did it take him to do that? A lifetime up to that point.

Please visit our boutique gallery/design studio in downtown Albuquerque to see work by these fine artists and others!

Nov 19

Custom Designed Art for Branding in Commercial Interiors

By pattisays In Abstract Art, Albuquerque, New Mexico, aluminum, art and interior design, artistic expression, artists, bars and restaurants, branding in interior design, breweries, commercial interior design, conference rooms, Contemporary Art, context of interior design, contrasts for balance in design, creative process, creativity, custom design interior design, decorative arts, design, design process, Design Team, design trends, Gas Company of New Mexico, graphic arts, handcraft, handmade, hiring an interior designer, inspiration, interior design, interior design trends, Modern Art, Nexus Brewery, organization, patterns, photography, wall sculpture, workplace design /

Designing artwork for commercial interiors offers an opportunity to connect to the brand. It means that we take into consideration the artwork as relates to the business and its identity. You might remember a blog from last year about the can wall. It was designed for a taproom. The theme was beer. The name was “Silver” and we considered that a natural off-shoot of that was the silver color of aluminum beer cans – as a wall treatment!

Designing with Balance and the Creation of the Can Wall!

For that same project (in two locations) we further emphasized the brand with photos we took of their own products transferred to and stretched on canvas stretchers to be the “art” on the surrounding walls.

Fast forward to a conference room for an energy company home-based in Albuquerque – the iconic Sandia mountain being the earth’s monument – the familiar, perfect image to represent the company and the connection to the earth and its resources. For this project, we were asked to build 27′ of custom , cabinetry and dress the wall above it.

The tall ceilings required a vertical element, but the length of the wall also begged for horizontal space-filling. As a cost-effective solution to such a large space, we decided to take a photo of the majestic mountain, separate it into 5 sections and have it enlarged and transferred onto aluminum panels for light weight and rigidity. The reviews were sensational as everyone loves and relates to the familiar scene – seen in such a colorfully explosive and expansive installation.

In response to the success of that solution, the client asked for a complimentary treatment for the opposing wall. Again, the wall was 27′ long and had the same ceiling height so we used multiple fragments in 3 groupings to center across the entire expanse. “Elemental Fragments” was born of the concept to have just that – fragments of elements in an orderly fashion – uniform yet random, to contrast against its formal geometry in response to the amorphous photographic landscape. Colors were derived from the blue, green and yellow in the scenic panorama interspersed in a field of silver.

Last week, on the day of the installation, colorful creative chaos – resulting from unwrapping the individually hand-crafted compositions and scattering them across the conference table – was part of the fun, of the scene.

The tedious work of aligning all just right, with perfect spacing and level mounting, added to the anticipation of realizing the finished product.

The luminous glass against the rich, stained wood punctuated with the brushed stainless fasteners made a striking assembly.

Modern engineering and production, worldwide energy collaborations and shared technology coming together in a grounded environment of people and their place on the planet. A daunting system of assembling fragments of many elements that make things work to bring gas to the end users. The artwork makes the concept look easy. The result of the many facets, of the actual work and the artwork representing it, is not only effective, it is triumphal.

It’s creative fun to custom design pieces to relate to the brand, the business and the culture of a project. Bringing joy, pride and a sense of confidence in the focus of the work, to the employees and guests, is a successful finale.

Bring us your design challenge and we will design a solution specifically and especially for YOU!!!

Oct 01

Designing with the Brand in Mind

By pattisays In aesthetic medical, before and after, branding in interior design, Color schemes, commercial interior design, commercial remodel, context of interior design, contrasts for balance in design, creative process, custom design interior design, design process, Design Team, design tips, flooring, graphic arts, hiring an interior designer, interior design, interior design trends, medical offices, mosaic tile, photography, remodeling, tile, timeless colors, trends, window dressings, workplace design / 2 Comments

The grand opening of a project is always fun. Months of planning and construction resulting in a finished scene.

It’s not an easy path nor is it always as planned, but this project, conducted mostly long-distance, with only two field visits, is a great success.

Great clients make great projects. It’s a team effort and it helps that everyone is on the same page. The designer is a navigator, lighting the way to get to the end result. It can be a circuitous path. Like all projects, there are decisions and modifications, priorities and compromises.

Arizona Facial Plastics, having created a brand and provided a concept with which they wanted present their practice, sought an interior which instilled confidence, with the refreshing, pampering atmosphere of a spa, but with the aura of a conscientious, progressive medical environment.

In the fast-paced ever-expanding world of aesthetics, it is important to emphasize the quality and experience of service offered. In this clinic the services range from complex surgical procedures (performed off-site) to all of the cutting edge procedures and treatments desired by today’s discriminating clients. World-class products and state-of-the-art equipment and procedures are provided here, in the clinic, with quiet confidence and confidentiality.

To achieve their goals, we first focused on the brand and its style and colors. A crisp, serif-style A underscored with an elegant scroll, warm, soft charcoal compliments the bold cool gradated turquoise set against a fresh white ground.

Selecting finish materials began with the flooring and cabinetry. As is true with all interior projects, it is best to begin with the items that have the least options. There are fewer carpets and cabinet finishes than there are paint colors, for example.

We found the perfect carpet with a broadloom that provided a forgiving pattern, multiple textures and yarn colors. The complex product had an organic pattern of plush cut turquoise pile set in relief from a loop comprised of a grayed lavender and pale green citrine. Having made this selection, we then extracted individual colors of vinyl tile to compliment the carpeting in adjacent exam and procedure rooms. Gradated white porcelain tiles were used at the point of entry set against the contour of the carpeting in the waiting area creating a fluid, curvaceous transition and guiding, directional flow to the interior of the suite.

Once the flooring was selected, the cabinet and counter-top materials were next. A translucent yellow-green citrine engineered solid surface material was selected for the transaction counters at the reception desk and medical assistants’ work area. Dark charcoal plastic laminate was used for casework and select counters while exam room cabinets had a pencil-sketched floral patterned soft green laminate playing across the counter-tops.

An accent of sparkling glass and stone mosaic tile face the reception counter at the point of arrival.

Behind the receptionist, an elevated planter of succulent “sansevieria trifasciata”, regarded for it’s exceptional oxygen-producing properties, is a refreshing organic backdrop. Above, custom drapes filter light from the sloped ceiling atrium windows.

Non-representational expressions of color were selected for the wall art throughout the space.

For the waiting room, we commissioned photographer, Katie Barry Councilor, of Smoketree Photography, to create a custom collection of abstracted body forms in grey scale. We then enhanced each image with their brand’s cool turquoise color, in the negative spaces, creating a series of artful stretched canvas images flanking their logo.

The take-away for clients is a serene, yet reverential experience which instills confidence and promotes relaxation and rejuvenation. The subtle reiteration of the AZFP brand’s turquoise color throughout insures that the clients will be refreshed and reminded of their pleasing experience when they encounter that color even after leaving the clinic.

Hope you enjoy these before and after shots!!

Sep 10

Commercial Finishes – What They Say – What They Convey

By pattisays In bars and restaurants, beach, branding in interior design, breweries, coastal, commercial interior design, commercial remodel, context of interior design, creative process, design, design process, design tips, design trends, environmental design, faux finishes, faux flooring materials, flooring, hiring an interior designer, inspiration from nature, interior design, interior design trends, medical offices, patio, practical design, remodeling, tile, trends, wood-grained porcelain tile, workplace design /

When planning a commercial project, how do you separate your personal taste from an objective view of the program for the business? This situation has occurred twice in the last year with my practice. Well, there can be blurred lines. There can be design elements that work in both environments. There certainly are offices that mimic residential living rooms – contemporary or traditional – modern or historic, but it should directly relate to the type of business and the brand of that business. What does the space say with regard to conveying the intent of the business?

The selection of materials comes first. The bones of the building – what’s exposed, what’s concealed, flooring, wall treatments, etc…The first project was a medical related business – corporate office for a product line. The neighboring space was a physician’s office and treatment suite. The common space had existing concrete floors. The woman leading the design decisions for the medical corporate offices wanted to continue the concrete into her waiting area and throughout the offices with area rugs in each room. A small-scaled water feature, in the form of a grey box, is located adjacent to the seating and a distressed chest and metal sculpture are also part of the scene. Her selection of chairs were heavy, gold tapestry, over-stuffed and tufted. They were placed around a round table in the center of the room. All I could see was a setting for a Victorian séance. It in no way reflected the clean, crisp, fashionable brand that they had established to represent their rejuvenating medical product line. Rugs invited tripping hazards and the look was in no way speaking the language, of the intent of the business or its brand. It spoke directly of the woman’s home, from which she replicated her eclectic taste in the office.

Next door, nearing completion, the physician’s group was being strong-armed into going the same route with the concrete floors. We love concrete floors in so many applications, but here – in these two spaces, they were existing, did not take the stain well and looked dark and dirty in the final polished presentation – NOT the fresh look of a sleek medical group. Not the finish to convey confidence and cleanliness. Treatment rooms had vinyl flooring for necessary maintenance, corridors and physician’s office had carpeting, but the docs rejected the contrasting finished product in the entry and restrooms and went back to the light tile flooring that was originally specified regaining the professional appearance of the intended design.

Faux wood porcelain boards are a fantastic contribution to the design offerings for both residential and commercial finish materials. Shown here on the exterior of a building by the ocean, the artsy peeled bark variegation of the pattern is striking and makes a commanding design statement.

It is carried through into the interior and back outside on the rear dining patio.

The idea is that a wooden building by a seaside is traditional – this is a stunning twist on that which was once a customary building material revisited with an invincible, high-design version. The use of wood for such a place would have been historically accurate.

The same is true when faux porcelain planks are used on the floors in the produce section of a grocery store – replicating a produce market or barn where fresh produce is collected and sold. Some high-traffic food-service establishments, bars or breweries often want the look of wood floors – to convey a context or scene – but are not durable and therefore not advisable. A home – almost anywhere including the obvious – in the woods or by the shore, with wood flooring might not be practical, but by using the wood planking porcelain, the look is conveyed while the durability and maintenance is made effortless.

Recently an owner wanted the “look.” That sleek modern look of grey porcelain planking. His business was one that dealt with automotive repair and restoration. In evaluating his brand and the nature of the business, real wood floors would never be the material of preference. So to use even a durable, invincible, porcelain version seemed out of place.

Concrete would be more the material of a garage environment. To make a corporate statement, concrete can be dressed-up. Porcelain tiles simulating concrete is an appropriate faux finish option – either way, preferable to creating an interior of grey weathered wooden planks. Watch for the completion of these projects in the coming months.

Adopting the use of materials merely because you like them or they are in vogue is not always the best approach. Consider the context, the intent, the statement materials make – how they “read,” what they say – what they convey.

Sep 03

Inspiration Discovered in Familiar Materials Used in New Ways

By pattisays In aluminum, branding in interior design, commercial interior design, context of interior design, contrasts for balance in design, creative process, creativity, custom design interior design, design, design process, Design Team, design tips, faux finishes, faux flooring materials, hiring an interior designer, inspiration, interior design, red /

While at the stop light, I found myself behind this gorgeous fire truck and by the time I thought I should take it’s photo, it was pulling away and I was making a U-turn! So I quickly grabbed the phone, fumbled for the camera icon, and snapped this shot over the dash through the windshield as it powered up the street.

I have zoomed in on this spotlessly, shiny, magnificent machine for the effect of today’s story subject. This wonderful, patriotic, service – truck struck me not only because it was colorful and sparkling, but much of the high contrast and bling came from the diamond tread wrapping the handsome body.

Earlier in the week a client casually mentioned how cool it would be to use some of this material as an interior design element! Little did he know that his simple off-the-cuff comment inspired me to investigate and plan to do just that! I was minutes from presenting to this very client when this photo op occurred. Serendipitous perhaps?

What sparks the imagination? How do things evolve? What fun it is, as a part of the Creative Process, to explore the possibilities of unexpected materials used in new ways. In this case, the material is perfect to promote the theme of the brand – a successfully growing business related to cars and the repair and restoration thereof.

I won’t reveal the business just yet – it will be a dramatic unveiling soon-to-come. Suffice it to say, I am enjoying the process, with a great team, of expressing and furthering their well-established brand, in the development of the interior and exterior design.

Back to the diamond tread. You’ve seen this used on fire trucks, tool boxes, tailgates, flooring, trap doors…and much more. It comes in glossy aluminum as shown here with its brilliant, bright, bling – also in stainless steel (a bit more expensive), and a dark carbon version. It comes in large sheets – a couple of different sizes and thicknesses.

I have also discovered here, while on the search for materials for this project, a dark iridescent porcelain tile with a bas relief pattern simulating this amazing tread. This material like other faux finishes has it’s practical purposes – but like porcelain wood or porcelain stone – it is NOT the real deal. I have elected not to present this, for use on this project.

So stay tuned to the exciting insertion of this sheet metal in our new interior design. Just enough – not too much – right where it will be effective – and make the best statement.

The takeaway is that the excitement of introducing different materials effectively – not gratuitously – but with a purpose – is part of the fun of design. The daily inspiration that comes from new projects and people, ideas and opportunities!!!

And in light of our holiday weekend – a perfect time to feature the shiny red truck that inspires and represents the outstanding individuals in the service and rescue fields – Happy Labor Day!