Color schemes are limitless. The permutations are endless. Color is exciting and fun. It is personal. Colors evoke feelings, memories, emotions and are key to a comfortable interior.
How often have you been asked or pondered on your own…”What is your favorite color?” Some people hesitate to answer, while others blurt-out readily with their fav. But what color you choose to wear versus what you enjoy in your interior surroundings and how much might be quite different.
Several weeks ago, I launched a weekly post on our PATRICIAN DESIGN Facebook page called “Color Schemes.” The idea is to inspire design ideas by pairing artwork with designer fabrics. When planning an interior there is always a focal point complimented and surrounded by supporting elements. Whether a key painting will command the space or an expansive window with a view will direct the focus to a scene of outside colors and textures – that key element will greatly influence a successful interior color scheme.
Here is the example of a November Scheme and you can scroll back each Monday for the past few months to enjoy a variety of the Color Schemes! https://www.facebook.com/PatricianDesignABQ/photos/a.243005986618/10157154423221619/
There are four primary considerations that I discuss with my clients when determining which colors to choose, emphasize, avoid, use as accents and where. To establish these selections, we evaluate personal preferences, contextual implications, seasonal influences and even trends.
PERSONAL: In planning an interior, I always want to know what colors make our clients happy, comfortable, stimulated, vexed or relaxed. These personal insights reveal important information for selecting types of materials too.
By examining what might be one’s favorite color, the discussion will navigate the distinctions, if any, regarding preferences for clothes versus interior furnishings. Interestingly, they are not always the same – although, by mere comfort and familiarity, they often are. Simply asking about a favorite color is not enough.
CONTEXT: The context of the interior might dictate or at least steer the direction of the design. The luxury of having multiple personal environments offers the opportunity to have different color pleasures exercised in different places. The ski condo might be woodsy and textural with browns, greys, stone and wood punctuated with a pop of color versus the seaside retreat with its crisp whites and cool blues and greens punctuated with pastels or bold contrasts. Therefore, the location of an interior might direct the desired color palette.
SEASONAL: This one is tricky because it plays on the perceived climate outside – even if the interior is maintained at a constant temperature. It takes a concerted effort to plan a color scheme – including textures and finishes in anticipation of changing seasons and relative temperatures. I previously mentioned that a window with a view might be the focal point of a room…imagine the effect the changing seasons might have on the selection of interior colors and textures versus a consistent tropical scene, for example?
TRENDS: Inasmuch as I avoid being steered by trends, it is impossible and not advisable – in design – to avoid them. Clients are influenced by them and bring that would-be preference to the table. It is essential to continue to have “colors-of-the-year” and other market-driven colors change to stimulate the economy with buying and selling, replacement and updating. It’s our socio/economic norm. It also serves as an encouragement to re-fresh. But to limit that influence, in favor of long-term personal pleasures, is best. The pressure of this marketing color influence contributes to our being a disposable culture. Not time here for a lecture on such things – but rather to instill an appreciation for and confidence in personal selections an decisions – in this case, color.
An interesting and on-going test for evaluating a successful interior is when designing in one season – it has to work in all others. For example, when I meet with clients in the heat of July with lush foliage and color, warm temperatures and long days, that same interior has to succeed when it is frigid outside, barren, and with darker, shorter days. What might the challenges be in creating a successful scheme and what might be the solutions to make it work?
Having noted all of this and knowing the different reactions people have to color, isn’t it interesting when an interior is so successful that it appeals to many, if not the majority, of those who experience it? This is more applicable to commercial or public spaces – from doctors’ offices to hotels. However, the challenge and success is in knowing the many things to be considered and implementing a balance of them throughout all aspects of the interior.
Appreciating color is a gift to designers. It truly is an imperative to appreciate all colors and have the sensitivity to discern the nuances between various values and the effects of selections and combinations from the infinite choices.
I hope this has given you ideas and inspiration to move forward with YOUR color schemes! Sign-up for our weekly email of Color Schemes with classic blue and white and stunning neutral greys coming!! And follow the posts on Facebook every Monday.
Hidden genius can be found amidst seemingly redundant arts and crafts. Walking by you might not notice. Passing by many beach stands, they begin to look alike – very repetitive. The colorful wares and handcraft are striking and eye-catching and full of fiesta, yet if you pay attention you will notice the nuances. Discovering the true designer/artist.
An escape to the tropics and especially to another country offer a reprieve from the cold and add an exotic element to getting out-of-town. Discovering the many indigenous art forms that come from all over Mexico is fun and exciting. Getting to know the makers and the distinctions in their work is another exciting level of appreciation.
As is true with so many things, detail and design matter. I buy a smattering of things for my gallery/gift boutique. I like to support the local vendors and makers that produce these fantasy-filled folk-art pieces. From fabrics to stuffed animals, painted pottery to murals and mosaics, the art is abundant and deserves to be examined.
As an example, I am focusing on Victor Rivera. Victor is an artist and more so, an incredibly gifted designer. His sense of pattern and imagery is exquisite. It reminds me of my mother’s love of Marimekko and Lily Pulitzer in the 60s and 70s. Her appreciation was a tremendous influence on me. The joy of color and pattern was a exhilarating celebration to wear and accessorize your home. Victor seems to possess a like-kind of innate sensibility and talent for devising and executing sensational color, pattern, motif and resulting design. He is currently creating, from a modest beach stand, what I believe is clearly different from others doing what might be thought to be similar work.
Like Maija Isola – a peer of my mother’s, having been born in the 20s her designs transcend the many decades in which she influenced color, pattern and bold imagery. Her work continues to live and influence the evolution of Scandinavian artistic direction and its impact on the world of design. https://www.marimekko.com/com_en/world-of marimekko/design/designers/maija-isola
The sense of pattern and design is a different category of artistic talent, in my observation and estimation. A master, of pattern, form, design detail and art, is an artist. However, the focus on the repetition and integral connection of patterns – for this purpose in a one-dimensional application – is an intensely different pocket of an artistic brain.
And this brings me back to Victor. I want someone in a position to embrace and promote him, in the world of fabric design and influence, to catapult him to the level to which he can and should aspire. Shout-out to Alegreea and the fabulous designers at Pineda Colavin!!!!!!!
With myriad, mostly monotonous, Mexican street/beach artists, Victor is a beacon of light that stands out among the throngs. Once you stop to notice – the work he is creating is astonishingly unique and beautiful. His designs are laced with meticulous detail, outstanding color combinations captivating and beautiful.
He will paint expeditiously simple works to satisfy the tourists and keep an inventory at the ready for spontaneous purchase – but when he has quiet time and is caught-up on his table of offerings, he creates amazing pieces that are truly remarkable. It is important to note though, that his more expeditious pieces still have a color combination with strokes of accents that still are above and well beyond the common.
He will paint commissions all day long – but left to his own devices, his creativity is boundless. And, referencing back to the Scandinavian designers, his floral designs are outstanding!
Taking time to examine the world around you and the beauty of detail that awaits, is a joyful experience of great discovery and satisfaction! Not to mention great fun!!!
Wherever you may be…it’s the time of year when traditions are so much a part of everyone’s holiday experiences. And with that opening sentence – no doubt some of yours come to mind.
Traditions, of course, are not limited to holidays – but for
purposes of this season, it is the primary focus of this missive. Interestingly,
over the past few weeks, I have had a few people ask me about home decor and specifically
starting or perpetuating holiday traditions. I found it so compelling because
traditions are created from repeat practices and experiences.
You can begin to practice things that become traditions – that’s the key. Of the recent conversations, one person approached me about a week before Thanksgiving. He was single, hosting a few friends and didn’t know where to begin. Could I help? The other inquiry was from a couple of years ago as a young woman who was not from New Mexico found herself here, newly married and in a new home. How was she to create the feeling of Christmas? The answers to both of these queries are at the end …
As is true with all consultation whether it is interior design, medical, self-help, physical fitness, IT…it all begins with questions. The consultant must ask questions to establish information that will guide them to make their recommendations. Here are 4 Tips for Approaching Traditions that will begin the conversation.
Perpetuating a Tradition: Memories are personal references that are the basis for traditions. The repeat performance of these various acts establish traditions. Continuing to practice the traditions insures that they repeat as each like-kind of event unfolds. It takes effort to continue to re-create traditions, but to lose the pattern can become irretrievable. It can be an onus or a joy to perpetuate traditions. I would prefer to embrace the latter! Ideally, any tradition that you chose to perpetuate should be a joy.
Creating New Traditions: Establishing the approach that perpetuating a tradition should be a joy or the act of something that brings joy, the same is true with creating a tradition. Seems obvious that you wouldn’t want to create a traditional around something that does not bring you joy. But you might be surprised. I have recently learned that sometimes people think that they begin something that is a common practice to create a version for themselves, when in fact it is a perceived obligation rather than a joy. Don’t force it- don’t feel obliged to begin a practice just because others do it. Experience, invent or witness something that brings you joy and replicate it. You might recall it from your past, find it in a scene from a movie or experience at someone else’s home, derive it from participating in an activity or, of course, discovering internet ideas that abound. If something interests you to the extent that you want to practice it – then do it!If you enjoy it enough, you will perpetuate it and it will become a tradition.
Modifying Traditions: We all need to determine how much we want to take on, how much we want to invest (in time or money) and how we achieve the same or similar results to create the joy. If traditions become too complicated or difficult, it might be time to re-think them. Rather than discard them, modify them. The time to discard a tradition is when it no longer brings you joy. But before that might happen and if the event/activity or degree of difficulty challenge your want to perpetuate the tradition, consider modifying it to suit your changing needs, circumstances and enjoyment.
This might happen if you move away from the context in which the tradition originally occurred, change in participants – if any, change in interests, physical or financial limitations…if the tradition still brings joy – find a way to achieve that with the necessary modification. Circumstances alter cases…like where you might have lived or are living at the time. Your fondest memories might be of chilly temperatures, warm fireplaces and the scent of pine trees…then you relocate to the tropics! This provides an opportunity to retain some of the original traditions and introduce some new. Not to mention, you might move to a different country where an entirely new set of traditions will present themselves – or just the different words for familiar favorites. Even without changing languages, in England they hang stockings at the foot of each bed rather than the mantle. Father Christmas is their Santa Claus. The list of similarities and slight differences goes on…
No snowy scene for snowball fights or skiing? Toss a ball or frisbee, take a hike or bike, instead.
No enormous turkey? Roast a breast or a more manageable duck
or chicken.
Become a vegetarian? Using the same type of familiar meal
service and table dressings, modify the menu.
Not convenient to cut and haul a tree from the wild? Buy one
instead. Real tree a hassle? Become the proud owner of a magnificent fake tree-
with a bit of pine-scented room spray! In my case, I occasionally give myself a “bye”
break from putting up our tree (Although I love my tradition of collecting
silver ornaments, of which I have dozens). So the “modification” is
to have a magnificent, tall poinsettia on the entry table and several others scattered
throughout the house to punctuate the interior with splashes of red.
No formal dining room? Gather on cushions around a coffee
table – even if it means a piece of plywood from Home Depot on cinderblocks
with a paper tablecloth! Candles and a centerpiece will set the scene.
Sharing Traditions
Gifting things that represent your traditions is a wonderful way to share. Obviously, baking and sharing traditional delicacies is prime. Making or finding ornaments to gift is nice. I offer cuttings of our family’s Christmas cactus. My grandmother always kept one or more plants from the original plant that was in her family home in Youngstown, New York. She was born in 1892 and her grandmother remembered the plant and told my grandmother that it preceded her in that same house. We don’t know how far back it goes, but at least mid 1800s. I have kept cuttings and grown mature plants from the very plants that my grandmother had her entire life of over 100 years and kept all the while we were growing up in the same house for 20+ years and now my 40 years since! Gifting a traditional food or a CD you compile of favorite recordings, sharing plant cuttings, passing along a treasured possession – all are ways to share traditions.
But what if you are starting out? Memories from childhood might be the basis for beginning your own adult traditions – whatever the springboard, it should be fun to establish your own holiday traditions.
Whether it is handmade decoration, food centered, activity engaging, music oriented, game playing, object collecting…each person has their focus. Even if one is alone for a holiday, there are sentimental triggers that remind of past events.
Food Centered: Main dishes, baking desserts, crafting cocktails…
Activity Engaging: Playing games, sports – live or on TV, taking a walk, driving around to see holiday displays, theater productions…
Music Oriented: Gathering around a piano (guitar, accordion…whatever)
to sing, neighborhood caroling, participate in a choir, Karaoke games, attending
a concert, background music evoking memories for the occasion…
Decoration: Dressing your interior and exterior for the event(s)…
Collecting: Adding to collections…handmade series, vintage pieces, new releases…
Remember the guy before Thanksgiving? He had no formal dining room. He was having 7 friends gather. He wanted to do some semblance of what he regarded as a traditional Thanksgiving dinner. I asked him how he preferred to gather – standing with cocktails and appetizers grazing throughout the evening or a “sit-down” approach? He really wanted the feeling of sitting down to feast. In light of not having a formal dining area – and as it turned out, no coffee table either, I advised that he gather on cushions around a coffee table. Since he didn’t have one, I suggested that he go to Home Depot and get a 48″ square cut piece of plywood to position on top of a double stack of cinder blocks. I went in search of finding a table cloth and 8 large cushions (pillows) , votive candles and a centerpiece comprised of a bright yellow mum plant in a basket, with a few mini pumpkins and fall leaves. The scene was set. He used his own plates and utensils, white paper napkins and a package of orange cocktail napkins. He planned the meal and asked for each person to contribute an item that was special for them. After all the dishes were identified, he prepared the main dish, a casserole of boneless turkey breasts surrounded by his traditional favorite, Pepperidge Farm stuffing – baked and beautiful – and two other things that were not being contributed by his friends – canned cranberry jelly (ha ha) and a pumpkin pie that he purchased from a local bakery. Voila!
The gal entering her first Christmas as an adult was not from New Mexico nor was her young husband . They had a new home here and the local traditions were not in her realm of traditions. She wanted a large tree but did not own one single Christmas ornament. She bought a live-cut tree and we bought strings of mini white lights, a couple dozen red feathered cardinal bird ornaments, candy canes and white ribbon. She tied white bows on the tree and scattered the red birds all over it. I cannot believe that I can’t find the photo of the finished product – but it was a memorable solution for a first Christmas presentation.
Have you ever had a moment or period of time when you longed
to create something just for fun? It might be to crochet a blanket or knit a
scarf. It might be to build a model
plane or learn how to cast a bronze. What have you longed to create?
It seems that everyone needs a creative outlet even though
they might not recognize it as creativity. When speaking to a guy about his interest in working on cars, he
didn’t consider his work “creative.” To work on a car for purposes of
enhanced performance, restoration, maintenance or repair all takes a certain
amount of creativity. The thought process of problem solving and taking action
requires creative thinking.
Gardening, painting, sculpting, carving, pottery, collage…there are so many outlets for relaxing creativity. The idea is to not do it under pressure. Lest one defeat the purpose of the relaxing aspect – just for fun – pure joy.
Yesterday I spoke to an architect who said that her creative
juices needed exercising. Despite the fact that her daily work required lots of
creative thought, it was not pure pleasure. It was not all fun. She
wanted/needed another outlet. So she set forth, to do some creative design time,
purely for her leisure. She started creating desert floral collages, in a size
that could be shared, as greeting cards. She brought them to show me, with a
modest timidity, and was most surprised and thrilled when I received her work
with great enthusiasm!
Rebecca has found the medium of paper to be quite
satisfying, It is clean and precise, crisp and conveys her intent. She loves
flowers, lives in the high desert and communes with cacti and appreciates all
flowers – and with that her exciting, yet quiet, introspective, personally
satisfying, creative expression has found an outlet.
With positive feedback from several people, she wants to
launch a re-sale card line! Now the creative process goes another step. She
needs to establish a brand – at least a name for her card line. Will she want a
logo? What about her entire experience can she list in words and cull and
distill to result in the perfect identity?
There are two parts to this situation and the first is to recognize the need for and find an outlet for the relaxing exercise of expressing creative juices and the second is receiving positive reinforcement for your efforts. Inasmuch as the second might seem unnecessary, it is a great affirmation and valid “feel good” feeling to create for the fun of it and have your work appreciated!
It need not be commercial – but “selling” your idea or creative project is even MORE flattering. Although, it is usually not for compliment much less profit.
Creativity can be relaxing, if it is not in a demanding framework. It’s therapeutic. In pondering this subject, I wanted to know more. Seems that this is a complex topic that deserves more investigation. So, I did a bit of reading…I found the Handbook of Creativity edited by Robert J. Sternberg from the Cambridge University Press 1999. In the first section – The Concept of Creativity: Prospects and Paradigms by Robert J. Sternberg and Todd I. Lubart it states “If one wanted to select the best novelist, artist, entrepreneur, or even chief executive officer, one would most likely want someone who is creative.”
It is true for those of us doing hiring – looking for that
spirit that can see beyond…create…are desirable traits. Yet everyone has a
certain creative element in their person. It is the degree to which they have
it and in what capacity or direction which might be more applicable or
desirable, for consideration in a
certain position over another.
The Concept of Creativity
further states that “Creativity is the ability to produce work that
is both novel (i.e., original, unexpected) and appropriate (i.e., useful,
adaptive concerning task constraints) (Lubart, 1994: Ochse, 1990; Sternberg,
1988a; Sternberg & Lubart, 1991, 1995, 1996).
The aforementioned seems obvious.
So is creativity a divine gift? One that makes it difficult to study much less
quantify or discern from another? That is not the purpose of his blog…but to
not mention that query would be leaving something that one might ask – out.
As a professional designer, creativity is part of the daily job description. Yet you will find most designer’s exercise creative outlets that are different from their work. This spring I too launched a greeting card line. It was spawned from hours on the road between San Diego and Albuquerque, with the practice of harnessing myriad ditties that continually race thorough my thoughts. A sudden lightning bolt on one of those trips suggested that I doodle to accompany my ditties. Hence, DATE NITE CARDS were born in March of this year. Little ditties and doodles to bring a smile, start a conversation, set a date, make new friends, rekindle the spark, celebrate friends, love, anniversaries, romance…
Collecting art, investing in art, loving art, designing with
art…one aspect or all of the above, art in interior design has many facets. I
have written previously about and presented a workshop about “I want a
piece of art to go with my red sofa,” a kind of raspberry in the face of curators,
collectors, critics and appraisers who would never take or condone that
approach. But the desire and need exists and as a interior designer it is
wonderful to work with artists who can and want to respond to cues, take on
commissions and create for specific parameters.
Contrary to opinions from the high-brows, this is not to say that these artists lack artistic integrity or meaningful self-expression. Their value is as any other – determined by what the market will bear. The basis for this writing is that we work with many artists who love their work. And creating it (even under direction) brings them and their patrons joy.
Featured here is the up-lifting, colorful and texturally abstract
work of Patricia Forbes. We have enjoyed commissioning her for specific
interiors over the years and are never disappointed in the quality and creativity
of her pieces.
With so many mass-produced art offerings at the trendy home
decor stores, it is refreshing to encounter new clients who are at the start of
their nesting years, establishing their own domains, selecting things that
bring them comfort and identity and who’s appreciation lies in acquiring original art.
Designing an interior is about comfort and personal identity. It is about surrounding oneself with things that work – both functionally and aesthetically. Individual’s requirements, in either of those departments, can vary greatly – but suffice it to say, each person or couple or family unit creates a home environment based upon their likes and needs (and budget).
Enter the interior designer. When calling on the assistance
of someone outside the intimacy of the home, the client is hoping for and
expecting a successful custom-tailoring of their requests based upon the
experience of the professional.
When designing an interior, it is exciting to use existing
pieces already owned by the client. It is gratifying to arrange and place those
items in ways not yet imagined – thereby justifying the investment in design
consultation. After an intense session of rearranging furniture, artwork and
decorative accessories the “ta-da” moment is one of near instant
gratification and satisfaction.
When an interior needs a little something to pull it
together, fill a gap, create an accent or establish a focal point, it is great
fun to engage the creativity of an artist to custom design a piece to fit the
need. Approaching an artist for the express purpose of acquiring a piece of their
work to enhance a space is an exciting
venture. It is a personal connection between artist and patron that creates a
communion, a bond.
Color, texture, size, style, subject (or not) all are aspects of art that are to be considered for the personal interests of both artist and patron. If the patron has selected an artist to approach about a commission it is as a result of experiencing their work and appreciating it. The artist, in response, is to accept the parameters of the request and enjoy the challenge and process of creating the intended/desired finished product.
Forbes’ creativity is rooted in pattern, color and texture.
Primarily non-objective, her pieces are compositions of movement and dimension.
Working with a layering technique, she builds her action with a collage of
papers and fibers, paint and stain. Action is key when describing Forbes’ artwork.
She creates for herself, but when called upon to collaborate
on a project, her eager curiosity for what might result is enthusiastic and
ever-promising. About her style and self-expression she states “When I
have created a joyfulness and vibrancy in the work, I know I ahve created an
experience I wish to share.”
When asked…
1. How/when/why did you start your abstract technique of
layering colors and textures?
Forbes has always been drawn to color as a means of her personal expression, once she “experimented with acrylic materials that would hold a texture and started playing with those using combs and rubber spatulas and sticks to mark in the materials” she was hooked. “Metallic and interference paints call to me — so I began to combine the over the textured backgrounds, and then discovered that with acrylic one could imbed paper. It was really experimentation and discovery of what these amazing materials could do…”
2. What is the most satisfying aspect of your art for you personally?
The
element of surprise is what gets Forbes excited! “When something comes
together almost unexpectedly and I wonder how I did that — it’s always a search
for the right combination of elements, colors, textures, feelings.”
When they all come together she experiences great satisfaction. “It’s
like turning over pieces to see what fits. Sometimes I have to turn over a lot
of pieces to get the right combination — sometimes wondering whether to
continue. Seems like it is always worth continuing the work to a happy
conclusion.”
3. Why do you enjoy commissions to create specific pieces
for interiors/patrons?
Forbes
expresses genuine gratitude for her patrons. “I feel honored and
appreciated when someone likes and appreciates my work and invites me to do
something special for their home or office space.”
4. What pleases/satisfies you about this custom commission process?
The
process of working together with her
patrons is positive creative challenge. “I enjoy the collaborative aspect
and going through the process with a client or designer and receiving their
feedback as the work progresses.”
The
satisfaction for a designer in partnering with an artist is designing and realizing
a vision to complete a space. Bringing visions to reality. I often say that my team provides tremendous
support in making my dreams come true. From artists and craftspeople to seamstresses
and all manner of contractors, it is truly a team effort to achieve great
results!
I am often asked, “When should I make seasonal changes and how?” This can come from retailers debating their front window displays to individuals wondering when, to change the wreath on the front door and on into their interior decor, to reflect the seasons.
The answer is a combination of things. It’s personal – probably starting with where you live. And for me, it is more than just decorative accents, it’s food and drink and clothing for sure. Clothing though might have real, practical adjustments for temperature, but fashion design and seasonal changes are part of the fun!
So to kick-off fall, I shifted into my seasonal drinking modification – dark drinks – moving from citrus embellishments to the delightful, succulent, marinated cherry at the bottom of a well crafted Manhattan. The perceived warmth of darker drinks is real for me. I would never select a Manhattan in the summer. But I must admit, a vodka martini with a twist is a 365 fall-back beverage for any festive situation.
The rich warmth of a well crafted Manhattan…
Clothing and the opportunity to make design statements that reflect the seasonal shift are also fun to embrace! Along with the Manhattan last Friday night, I transitioned into a felted wool tunic with a local artist’s hand-woven black chenille over-sized scarf. Still sleeveless – as the shift is still a bit of a struggle to let go of summer, it was a decidedly seasonal reality nod!
Truth be known, the wide expanse of floor to ceiling folding glass panel doors were wide open right behind us as we sat at the bar allowing a direct connection with the crowds gathered on the patio beneath the high-hat heaters. Truly a straddling of the seasonal shift – not quite ready to let go of al fresco dining???!!!
Seasonal shifts in weather will be a sure way to respond to a want to change decorative elements. And even being a bit pro-active can be a good thing – but when is too early – too early?
Most of us cringe when we hear Christmas music in October or see the merchandise out that early – combining Halloween costumes and candy corn with Christmas trees and all the ornaments. Awful!!!!!!
Across the country, we have experienced a delay in the autumnal shift this year. Summer kept clinging. Warm weather belied the calendar. But when the weather shifts…and the temperature drops…we want to hunker down and cozy up. Perhaps in addition to the decorative items, you might simmer cinnamon sticks on the stove or light candles with spicy scents. How about a hearty beef stew for dinner?
Here we are in mid-October and summer was here yesterday and gone today with the incoming storms, cool drizzle and cloudy skies.
I just got off the phone with Victoria up and over in Fairfield and she bemoaned the fact that last week she was attending classes in shorts and today she is bundled up in a Patagonia fleece jacket not wanting to leave her bed! The seasons have shifted like a slap in the face!
Color is a key element in expressing the seasons. Between summer and fall, golden yellows bridge the gap. Leaves on our red bud tree change from brilliant lime green of summer to brilliant lemon yellow as fall sets in…lime to lemon – a brilliant color statement!
From late summer sunflowers to early autumn chrysanthemums, the brilliant golden yellow satisfies the transition between seasons.
As fall proceeds, the darker tones of rust and caramels suggest the waning season…crunchy, dried leaves and final wisps of foliage going dormant for the winter.
I’m hanging my Black-eyed Susan wreath today out on the front door! I might even leap to the addition of a funky black cat that I have to welcome Halloween. But it has not been a gradual expression of acknowledging the change in seasons, it has been summer…bam – fall.
DIY – I made this and one for Mom a few years ago – they last. Get a grapevine wreath, select your favorite leaves, fruit and flowers, grab your glue gun and wire clippers – Voila!
What spurred this subject for this week’s blog was seeing my neighbor’s witch’s legs a few days ago sticking out from the elegant planter by her front door. I first thought – what a riot! Then I realized, it’s mid-October and I have yet to accept that!
I am very reluctant to release summer. I’m a warm weather one for sure. I cling to the last vestiges of sunlight as it tracks around out house…less evident, less accessible…shorter days…darker mornings and evenings… NO!!!!!!! I resist, but must succumb. There’s no escaping it. The seasons change and time marches on….The happy fuchsia and pink vinca in our front yard might not make it another day with night temperatures threatening to drop.
The happy pinks and greens of vinca out by the mailbox are about to get nipped!!!
Decorative accessories punctuate the landscape of autumnal interior design. From real pumpkins and gourds, squashes and mums, to their artificial counterparts made from many media. Glass and pottery, papier-mâché and straw-like wraps, silk flowers and faux fall leaves, the possibilities are endless.
This year some outstanding hand-built pottery figurines caught my eye. Artist Robyn Chlad of Tucson, Arizona has designed and created a collection of wonderful statuary luminarias that are an extraordinary design decree for this and all seasons! Kachina-like, these art-pieces make a fabulously functional statement!
This proud raven holds a berry in his beak!
At first I was attracted to their vertical shape and fine detailing. The characters had personality – rigid in their cylindrical forms, yet very animated of expression and fine features.
Chlad has depicted regional animals with a bit of folkloric whimsy (in the jackalope – half jack rabbit/half horned antelope) to present a collection of irresistible characters to gather at your dining table, or greet you on your entry console, perk-up your powder room, collect on your cocktail table, grace your patio, or animate your kitchen!!! How fun are they?
A caped coyote – the masked bandit!
They each are pierced with designs, to allow the light to glow from inside, that depict the landscape or regional architecture in and around which these creatures roam. Illuminated by electrical lamps, battery bulbs, or candles, they are fantastic!
Functional art – these pottery luminarias are exciting art pieces to add a joyful glow to your shorter days and darker hours….
The raw terracotta clay contributes to their natural beauty and complimentary color with a fall palette. It is a strong statement, yet the surfaces are smoothly burnished and have a soft read. The touches of matte glazes add just enough adornment enhancing the statues with soft earthen color accents.
Embrace the seasons and have fun selecting your personal design statements as you transform between seasons!!!
When do you know when to listen to a sign? What opportunity changes your life? From romance to career changes and all manner of life’s opportunities – what catches your attention? What switches on inside and makes you take notice? Having someone cross your path and not realize he/she is your soul-mate. We’ve seen many movies with this elusive thread woven through the plot. One of my favorite songs, about such would-be near-misses, is “If He’s Ever Near” in which Karla Bonoff pines…
They say just once in life
You find someone that’s right
But the world looks so confused
I can’t tell false from true
And love’s so hard to find
In this state of mind
Oh I hope I’ll know him
I hope I’ll know him
If he’s ever near
…her yearning hits a cord. What is a sign? How do you know? What action do you take? It’s not always particularly obvious.
Recognizing opportunities is what separates many successful people from the rest of the world. Taking chances, when those signs make their appearance, is the other factor. Risk-taking is a scary leap into the unknown, but so often results in great reward when it is a true calling and approached with dedication to seek and meet the challenges.
Seems from many with whom I’ve spoken, a true calling is pretty clear. It taps into a passion and ignites a level of excitement and enthusiasm that is hence to fore unmatched. It becomes an irreversible path forward. Like an involuntary propulsion. Thrilling for some – terrifying for others. Which type are YOU? Perhaps you find yourself in the middle – healthy respect for the trepidation, but curiosity for what’s in store!!!
Twice this week I have met with artists who are each taking an enormous leap into a new life direction. One who might not be ready for me to blog about her adventure has leaped from a 30+ year life in Mexico… to a year-long reunion in Arizona with family tapping into the vibrant art scene in Sedona…then a soul-searching move to New Mexico where she invested her savings to start a new independent life…and after exploring her options and searching introspectively for her personal needs, happiness and goals has decided, after yet another year, to sell her new home and return to Sedona to pursue what she firmly believes is her calling. She took leaps, explored options, followed leads and returned to what she initially thought was the right place for her, but which had contingencies that masked her true indicators. She did not want to have imagined constraints rule her decision. Now she realizes that it is her choice, her viewpoint, and ultimately her quest for joy. Her focus and grace have inspired me on many levels and I hope to share her story once she’s ready!
Yesterday I was visited by a Renaissance artist whose enthusiasm and self-effacing manner bring sunshine to every event! Kim Jackson has a new-found passion! Having mastered her profession in the arena of photography (http://www.kimjacksonphotography.com) she had an encounter that looks like will change her life path with new-found joy.
Sprinkled at my reception desk, I was presented with an array of amazing little jewels. Kim spread a collection of painted rocks and miniature paintings in a scattering like pebbles and fallen leaves. Only these jewels were painted with such detail and expression that I was arrested – awestruck.
Her own words about this turning point in her life is enchanting.
Last summer I was gifted a painted rock by a 4 year old girl about to lose both of her dogs – the rock read “Love”.
I was touched and photographed it to share with my instagram followers, which lead me down the #paintedrock hashtag. The first artist’s post I clicked on – she does amazing mandala dot art – shared what kind of paint she used and gave other general tips. By that afternoon I had a rainbow of colors and was painting my first rocks.
Kim was there to capture the family on the eve of having to put their two dogs down. The little girl presented her with a simple yet profound object and message that resonated so strongly with Kim that it sparked an idea that lead down a path…
My rock art (art rocks) style has evolved in the last 10 months, and at the beginning of May 2018 I painted my first 2D “little dessert” and bird paintings – supposed to be gifts for Mother’s Day. With encouragement from a fellow artist I have approached galleries and received warm reviews on both the stones and little paintings.
Although Kim’s photography still plays a significant and pleasurable career role in her life, this quest to explore other of her creative energies and talents is proving to be an exciting and potentially lucrative path.
Thanks to the support of my husband Billy, I feel extremely lucky to be given a chance with a second artistic medium – something I never dreamed I would be able to do. I’ve lived my entire life thinking that I could not paint well. While feeling blessed to make a career out of my photography, this is an exciting new direction, I am excited to see where it leads.
I see Kim as a precious stone, of many facets. Although she will still pursue her love of photography and capture people’s lives and many story chapters, Kim will make room for this blossoming career move into the exploration of creating art directly from her heart to her hand.
This sentiment has been so profoundly stated by Federico Leon de la Vega as he references a similar heartfelt expression regarding the (very personal and possibly evolutionary level) value of handwriting. https://www.youtube.com/watch?v=H9j_pLgCr1U
Federico prepares a prp for his TEDX Talk. “From my head to my mind, from my mind to my hand, from my hand to the paper, I place in your hand, so you may fold it and keep it near your heart.”
Some things cross your path unwanted and certainly change your life. For the undesirable things, I recently read this phrase by Glennon Doyle “Your wound probably is not your fault, but your healing is your responsibility.” Well, you might very well have caused your wound – but either way, taking charge of the healing is your responsibility. Which makes me realize that which we have all been told so many times – that your destiny is in YOUR hands.
As this relates to art – do not be afraid to explore your creative tendencies. Do not feel you are not worthy or good enough. Experiment. There are so many examples of late bloomers in life. A prime example are the magnificent Portraits of Courage by George W Bush. He dabbled and played with a wide variety of subjects before he hit on portraiture. His abstractly artistic interpretations of people too shape and he discovered that these seemingly primitive paintings had intriguing representation, expression, character, beauty and appeal. The path led him to a powerful platform for veterans, fund-raising opportunities, heightened awareness and acknowledgement of sacrifice.
As stated on the website, this exercise has become significant:
A VIBRANT COLLECTION OF OIL PAINTINGS AND STORIES BY PRESIDENT GEORGE W. BUSH HONORING THE SACRIFICE AND COURAGE OF AMERICA’S MILITARY VETERANS — AND HIGHLIGHTING THE WORK OF THE BUSH INSTITUTE’S MILITARY SERVICE INITIATIVE.
A great article on the accidental painter is here in The Artists’ Network
“These portrait paintings aren’t great but they are gutsy, because it is gutsy to show your artwork period, but it is really gutsy when you know the work isn’t perfect and you do it anyway, because it matters to you.
We could all learn a little bit from this–to embrace our abilities as they are right now, and then to simply let the work go…”
It’s not about a perception of being great or even good enough – most artists never really believe that they are. It is about following your passion – in this case, artistic expression. You might be surprised at what happens next! Believe in the power of ART!!
Powerfully, pretty, porcelain, pottery graces the urban storefront window this month, of the east gallery of PATRICIAN DESIGN, with elegant, functional inspiration.
The opening of this the second installation of the Resilience exhibit features a collection of porcelain pieces that is intended to be an entirely functional ensemble of art.
It’s been refreshing to have these well established artists paired with exciting emerging artists presenting their expressive talents, in the form of something that you can use and enjoy, to enhance the aesthetic connections in your daily life.
Resilience, conceived by Helen Atkins, an exciting emerging artist herself, is the manager of consignment art at PATRICIAN DESIGN.
Her concept was to “explore the experience of local female artists at various junctures if their careers.”
As a recipient of the Makeshift Grant Project, “Resilience” is funded by the downtown Albuquerque Arts & Cultural District and the Albuquerque Community Foundation. The name of this project suggests that the strength and flexibility of clay as it is formed is an analogy to similar characteristics in the course of a woman’s life. Strength and flexibility – resiliency and tenacious fortitude are the features the two share and which are celebrated with this show.
In addition to this relevant topic of women, the functionality of this collection is what is even more expansive. No gender specific appeal to this wonderful work, the idea that pulling in from the disposable practices of everyday life, strikes a universal chord.
To pull in and focus on what you have and use in your daily life is the beginning. Evaluating between pure function and added beauty being introduced as an enhancing element is the trick. Then discovering individual pieces that bring enjoyment while contributing to the function as well as the aesthetic of the scene, from an interior design standpoint, is wonderful.
Your “scene” should be exclusively personal to you and your life experiences. It is personal and wonderful to incorporate handmade artwork in all aspects of a design project. To appreciate the detail and have the opportunity of taking that artwork all the way to daily tableware is pure joy. These and other potters that we feature at PATRICIAN DESIGN offer just that – the opportunity to incorporate art into the simple functions of eating and drinking.
Artist Kathryne Cyman is a master of the 400 year-old Japanese process of Arita pottery. Please read more about Kathryne’s journey at http://art.unm.edu/kathryne-cyman/ Showing alongside her capable student Jordyn Bernicke, the two present simple, elegant, affordable pottery pieces for you to bring into your daily life.
Imagine the soft, delicate yet durable cup in your hand from which to sip and relax. Even to toss o.j. on the run – the basic action of drinking from a handmade vessel, in a color and finish that makes you smile, is an enhancement to the day.
Sensory perceptions ignited by the feel and the look of a beautiful piece of pottery is restorative.
We are privileged to have this exhibit and to meet these fine artists. We are privileged as a community to have this program at UNM. It appears that the natural beauty of New Mexico, life lived close to the earth and celebrated by Native Americans for generations is a parallel practice to the Arita process by the artisans in Japan.
This exhibit proves that to admire the techniques that produce beauty is to acknowledge the importance and value of including these elements in our daily lives.
Toodling around Tucson today this Easter eve, we came upon some fun seasonal art!! From antique to modern masterpieces made today, it was quite a diverse array!
An antique Lalique French crystal bowl was an elegant vessel to present these hand-painted pastel wooden eggs. Mixing refined with folk-art is a wonderful contrast in style!
Potter Robin Chlad designs and builds these stunning three-dimensional crosses. Adorned with birds and flowers, no two are alike and the brilliant colors are fabulous!
We hopped past these adorable bunnies! So many colors of fine metal-craft each. What a whimsical collection by artist Jeffie Brewer!! And his subject matter is well beyond bunnies!!!!
Explosions of spring cactus are in bloom from nature’s statement in these vivid coral barrel cacti we encountered in a xeric garden,
to the artist Lucky Coleman’s fanciful interpretations using brilliant combinations of glazes on dazzling sculptures of clay! The beauty of nature to the fantasy of an artist’s creativity, we witnessed magnificent blooms! A time of rebirth and new life – spring is in the air!
DIY is so in vogue. Where it used to be chic to hire someone to do everything in your world, now practicality rules! The savings and fun of doing things yourself is huge. There are so many inspirations on-line. Ideas overflow-ith and the possibilities are endless.
Where do you get YOUR inspiration? It’s all around us. I had been contemplating a shower/wedding gift. I always prefer to find something unique rather than picking from a registry at Nordstrom’s or William Sonoma…but this one was a challenge.
Recently, my inspiration came from taking a morning walk through the desert.
The decorative graphic on the invitation was a floral arrangement of soft pastels and antlers. Yes, antlers. This bride-to-be is a hunter. A long, lanky, beautiful, feminine, crack shot! I’ve known her since she was a toddler. I had been picturing that graphic in my mind in an effort to divine some special gift that related to that theme…something uniquely memorable and lasting.
As I walked through the rough desert grasses and around piles of dead tumbleweeds I regarded them with a new-found appreciation. They had such an interesting structural framework that I realized that they clearly resembled antlers.
They became the springboard for a floral arrangement that would replicate the theme of the invitation and, with that, I began selecting them and carefully carrying their rotund prickly selves back to the car.
Next step – what else will make this a successful rendition of the theme I was trying to emulate? Off to the craft stores! I selected delicate, creamy-white wooden roses, soft pink mini silk roses and some fill from both Michael’s and Hobby Lobby. The PERFECT ceramic vessel presented itself in an soft, oval shape glazed in a powder blue, but with edges and character that offered attractive, desirable, intentional imperfection.
As I have mentioned in past stories, a successful designer has a good team. Building a team to realize your dreams is the key to that success and I called on my very special and exquisitely talented floral designer to assemble my gatherings into the image of my intent. Melba has made my dreams come true for years. She gets into my head and interprets my words and elements to create a finished product that has hit the nail on the head over and over again.
I pulled out the many materials that I had purchased. She evaluated each, talked to me about my concept, and studied the combinations that were laid out on the table.
This piece exceeded my expectations. The fine branches of the tumbleweeds were the delicate punctuation amidst the flowers.
When she actually ordered real, bleached deer antlers that became the statuary of the piece, I was thrilled! Not only was the finished arrangement perfection, I didn’t think it was realistic to expect to get real antlers and incorporate them into this design in such short notice. She had less than 2 weeks! It was spectacular.
DIY inspiration is all around – even in dead, dried tumbleweeds. Creativity begins with a concept and progresses with the fun of making it uniquely yours. Team DIY!