Had I planned this blog, I assure the readers that it would have been more thoughtfully compiled. However, as it is a pure reaction to recent exciting experiences, I am without much fodder that, although was before me, I neglected to document. Such as card racks full of Georgia O’Keefe greeting cards featuring prints of her magnificent work and exact pairings of the amazing landscapes we witnessed with her paintings and her magnified flowers too. Dashing in and out of her distinctive museum just off the Santa Fe Plaza bearing her name and thoughtful work (a MUST see when visiting Santa Fe), to stepping up the steps at the Ghost Ranch Abiquiu property, I didn’t document as I was too busy looking at and absorbing – so much. Yet without prior planning, I seem to have assembled enough that surprises me and therefore has become the body of this blog, about taking time to look…
On this recent road trip and surrounding days in our immediate environs, I experienced inspiring images and pairings, beauty and detail, color and form…that evolved into this blog featuring the landscape and expressive paintings of Georgia O’Keefe. Captivated by the remarkable light and surreal landscape as have been so many artists, O’Keefe settled into the colorful backdrop of Abiquiu where the formations of color, sand, rock, and sky were interwoven with sparse, but all the more beautiful vegetation and flowing water carving its way through the enchanting scenery.
Those of you who enjoy taking photos, capturing moments, items and scenes will appreciate the exhilaration and awestruck sense of this humble presentation.
Art and nature. Design and nature. Nature inspires artists and designers with color and proportion. The natural world is a limitless collection of examples of perfection, majesty, detail and form. Living in New Mexico presents amazing opportunities for studying so many offerings from the natural world – verdant valleys and lush bosques to towering mountains, contoured mesas, golden plains, glistening rivers and rainbows of geology rising up from the earth. The sculptural land formations are what seem other-worldly. And yet there they are – majestic sculptures against the sky.
O’Keefe was keenly aware of the extraordinary world she encountered and she captured it through her eyes and expressed through her strokes with fluid sensitivity and sense of color.
Very real and hauntingly beautiful landscape of Ghost Ranch – Abiquiu, New Mexico translated into the sharp, crisp, colors and forms of O’Keefe’s paintings.
Years ago a very dear friend gave me an exceptional gift, of a book. The farther along I progress in this world and enjoy the vast opportunities to appreciate the beauty of nature, limitless boundaries of design, art and all that is produced by talented, creative, observers, treasures such as this have increasingly greater meaning. One Hundred Flowers a 1987 masterpiece collaboration of photographer, publisher, editor and scholars presents an outstanding collection representing this significant subject matter – flowers – that she took time to observe.
Up close and personal…in intimate detail she saw and rendered sensational studies of flowers. Expanded to enormous scale well beyond their reality, these explosions of color and contrast, fluid form and detail are amazing to encounter. Even in the pages of this stunning book her work is startling. In person it is awe-inspiring.
Upon returning from the Abiquiu visit, I retrieved my beautiful book. I took great joy in the dust cover – suitable for framing. A brilliant white squash blossom captivates, before even opening the cover. As I leafed through these large format pages in this lovely, exquisitely bound tome, I realized that, within a week prior to this O’Keefe familiarization trip, I have taken photos of flowers for a similar reason as she – stopping to look and observe their singular beauty amidst all else in the surrounds.
Just a few days prior to the Abiqui visit, while walking among the petroglyphs at the base of the dramatic black volcanic rock rubble of our west mesa, we came upon a singular, stellar squash blossom. Having survived recent frosts, this one was luminous and brilliant among so many other spent blossoms dried and shriveled away for the season. It was irresistible.
Little did I know, at the time we encountered this beauty of a squash blossom, that I would soon revisit O’Keefe’s studies of this wild and magnificent bloom.
In the design world, we often quote architect and furniture designer Ludwig Mies Van Der Rohe (1886-1969), one of the founders of modern architecture and an advocate for the simplicity of style with his popular phrase “less is more.” I felt that O’Keefe’s interpretations distilled the forms of her subjects to the essential elements that best conveyed them in a manner of simplicity. Her flowers are bold and clear sweeps and contours, of the design of each. Distilling to these essential elements is the practice of “less is more.”
However, she was not sparing with color nor scale. Fabulously daring color combinations and contrasts are signatures of her interpretations along with her magnificent sense of magnification – presenting bold gifts to we, her viewers.
The opening of the book quotes O’Keefe about her profound appreciation for a flower.
“A flower is relatively small. Everyone has many associations with a flower – the idea of flowers. You put out your hand to touch the flower – lean forward to smell it – maybe touch it with your lips almost without thinking – or give it to someone to please them. Still – in a way – nobody sees a flower – really – it is so small – we haven’t time – and to see takes time like to have a friend takes time. If I could paint the flower exactly as I see it no one would see what I see because I would paint it small like the flower is small. So I said to my self – I’ll paint what I see – what the flower is to me but I’ll paint it big and they will be surprised into taking time to look at it – “ Georgia O’Keefe “About Myself,” 1939
Be surprised. Be inspired. Be aware of your surroundings, for all the beauty of nature and its influence. Embrace color and contrast, punctuations and accents. Take time. How might your next design project reflect observations from nature?
