Relocating – Making a new house a HOME

Thirteen or so years ago we designed the interior of a home for a young family complete with a toddler. The desire was to bring color and modern accents while still selecting durable materials and hopefully timeless elements.

Fast forward these many years later and this same family now with two beautiful daughters is relocating to another city, another state and a new home. This home was well furnished and much, of what was shown, stayed with the house. The trick was, after having adopted so much from the previous owners, how would they make this house their home?

The point of arrival – the front door – was a tasteful charcoal grey, but by changing it to a bit lighter smoky green, it made a significant difference.

It’s tough to be up-rooted anytime in your school years…these girls missed the only home they had ever had, friends, activities, groups and familiar environs. This challenge was to help all four of them – parents and kids – get settled and assist in making this new house their true home.

As I flew to consult with them, I imagined the scene having seen photos to get somewhat oriented. I made the natural assumption that paint would make new statements to alter the previous owner’s selections and introduce the new family’s preferences. However, despite the change we made to the front door, it wasn’t all about paint once I arrived.

In the previous residence all those many years ago, we punctuated the interior with paint accents. Good design transcends trends and the years. Who would think that this interior was created thirteen years ago?

The dining room in the new home was painted entirely charcoal – trim and walls. Oppressive was an understatement and before I even got there they painted all the trim white to match the rest of the home. However, they left the fireplace charcoal – waiting for a discussion as to how to proceed.

Notice the dining room furniture having moved from one home into the next. We decided to paint all the wood trim surrounding the fireplace area white to match the rest. But it produced a startling brightness that will be absorbed once a new painting is selected for above the mantle.

They inherited the chandalier with the home and although it is quite different from their previous dining room fixtures, they are making it their own by mixing their chairs, table, rug and sideboard.

The framed lounge chair found a home in the new living room alongside the large sectional that they acquired from the previous owners of the house.

Here in the previous home, the painting over the fireplace has a prominent position, yet also has a place of prominence in the new home along with the chair and a half and the arm chair in the foreground.

Checking out a sample of a rug to add further color to the otherwise neutral scene.

The simple placement of custom throw pillows initially designed for the banco in the kitchen are now colorful accents in the living room, on the newly acquired sectional left by the previous owners, are a remarkable save.

These pillows had seen their share of spilled milk and ground-in cereal over the years. But with periodic cleaning, they maintained their appearance perfectly.

Here the pillows are the perfect accent on the camel-colored sectional that came with the new house. The painting has been a family favorite for years.

The rest of the collection of throw pillows from that original breakfast nook are being re-purposed on the sectional in the lower level media room/office. They add the necessary splash of color in this neutral scene.

The fully upholstered chair-and-a-half also transferred from old to new. Previously in the family room, now in the music room/office. The master bedroom transferred completely. The girls’ rooms have a mix of their things and some new features. All in all it is beginning to take shape.

It pays to buy good materials that maintain well and take proper care of them. Not only will they offer years of enjoyment, in this case they bring the familiarity, to the new house, that is beginning to make it feel like “home.”

Sure, some might like the opportunity to start new without remnants of the previous life – but in this case, they cling to that which was comforting, familiar and theirs. Moving to a new home and being able to mix existing pieces so well with new ones to make this new house a home is a design success story!

Posted On September 16, 2018 By pattisays In Albuquerque, New Mexico, art and interior design, before and after, Boulder. Colorado, breakfast rooms, chairs, Color schemes, color trends, colors, design, design process, design solutions, design tips, design trends, dining rooms, exterior - outdoor design, fabrics, family rooms, fireplaces, good design, hiring an interior designer, home, home improvements, inspiration, interior design, interior design preferences, interior design trends, interior enhancements, lifestyle, nostalgia and design, paint colors, personal expression, personal taste, practical design, re-purpose, recycle design, sectional sofas, selecting colors, Subscribers, textiles, timeless colors, travel and design, update design, updating, value of good design / 2 Comments

Da Vinci, The Genius

When you hear the name da Vinci, Leonardo da Vinci, its undeniably familiar. You might instantly call-up a synonym – genius. But what do you really, other than the Mona Lisa, recognize? And what do you even know about her and the painting itself? For the past several months now nearing the end of its run, the exhibition Da Vinci, The Genius, at the Albuquerque Natural History Museum, presented by Grande Exhibitions of Victoria, Australia in collaboration with the Museo Leonardo da Vinci , Rome and the French Scientific engineer Pascal Cotte is an amazing consolidation of information on this singularly remarkable man.

An artist or even designer are such understated titles for this man of extraordinary inventions, concepts, engineering, art and science, because he was the true Renaissance Man! He touched so many things to advance countless trades and disciplines many of which are the basis of machinery and equipment in use today. But as brilliant as the universal exploits of this amazing polymath are, this would be a tedious blog if I focused on the many pulley systems, gadgets, mirrors, SCUBA suits and even flying machines that he created in his lifetime.

Rather, I would like to use this fascinating field trip that I just experienced to examine how I as a designer have been influenced by da Vinci – specifically, the spectacular rendition of the Golden Mean – nature’s perfect ratio that occurs in nearly everything around us. This common mathematical ratio is used to create subliminal perfection and pleasing compositions that mimic the perfect ratio found in nature and specifically, for my purposes, in design.

If you remove this square from the rectangle, you’ll be left with another, smaller Golden Rectangle. This could continue infinitely.

I have written about this previously in greater depth. It is a subject that has no limits as the application of this ratio helps assure good compositions whether you realize it or not. For graphic designers it is a must. For interior designers and architects it the formula for so many aspects of their work. People in art and design have employed the use of this perfect ratio for thousands of years. If you apply it – it is foolproof.

But back to the exhibit…there he was – the iconic man rendered in gold on black. You’ve seen it. But to know him is to see the perfection in the proportions that da Vinci used to create this perfect figure.

Right there in a commanding focal point was da Vinci’s drawing of Vitruvian Man. The accompanying video explained the relationship of all the dimensions as they related to the perfection of the Golden Ratio. Time and time again it is evident in the sections of this perfect anatomy.

Da Vinci correlated that the perfection of the proportions should be applied to represent the perfect human anatomical body and that it was an analogy for the entire workings of the universe.

His magnificent study of knots became sought-after for luxury fabrics used in 15th century fashion – many of which costumes and finery he designed. Interpretations as lover’s knots – the bond between them was a popular notion of his time and afterward.

It is an exhibition worth seeing. Even if you have stood in front of the real Mona Lisa and have visited sites exhibiting his vast creations and noted observations, this exhibition is worth a visit!

Posted On August 27, 2018 By pattisays In architect, architecture, art and interior design, artistic talent, artists, civilization, context of interior design, design, designs in nature, education, fabrics, fashion and design, Fiber art, Golden Mean, Graphic art, graphic designs in interiors, hiring an interior designer, inspiration, inspiration from nature, interior design, Leonardo da Vinci, mirrors, multi-media design, Museums, natural designs, naturalist, nature, nostalgia and design, organic design, painters, patterns, proportion in design, Subscribers, teaching, textiles / 1

Southwest Style – What is it?

Arriving for the first time in our American Southwest, one might feel like they have entered a different country, if not a different world!! To fly from anywhere else where there are rolling green hills, or green fields or dense green wooded landscapes, not to mention tropical environs and cruise over America’s Southwest, it looks like the moon – or some barren planet. Everyone remembers their first impression. Whether exotic or scary, lonely or seemingly uninhabitable, once you get on the ground and explore the beauty and variety of what’s here, you’re bitten – even smitten.

In all fairness, this is a completely defoliated winter shot!! Many now know how lush this magnificent Sandia Mountain can be at the top, in the summer. Yes, I said lush.

No other region has the distinct architecture and tri-cultural identity of what has become the elemental design style and flavor of this magical place. From “sea to shining sea” New England to Southern California you will find nuances of regional distinction – but not to the degree that the American southwest is set apart. Architectural influences from colonization have been the standard guiding style nationwide. Yet the ancient, practical elements, of civilization that long preceded the Europeans discovering the New World, is at the roots of this enchanting design style.

Tri-cultural architecture and interior design results from the remarkable history combining Native Americans carving out of stone walls, building with mud (adobe) bricks, devising simple, practical designs to capture heat and insulate in cold while minimizing solar gain in the warm weather months, with the conquering Spaniards and their colonial influences, and finally the pioneers from the east with their colonial English influences. Now more often replicated, with frame construction and stucco facades, this unique melding is the core of Southwestern architectural design.

When one hears the term “earth tones” setting a design trend in the 70s, it suggests the brown, tan, orange palette that was terribly limiting. Certainly to label it earth tones, it became a curse of a color scheme. Sadly to link it to a representation of southwestern design was misplaced and unfortunate. And how sad to think that it was so broadly accepted – like lemmings following blindly – everyone adopted this as a truism. So often the case with trends. The 70’s also spawned a diametrically opposite color scheme of blues and greens to refresh that which had been so mired in the “earth-tone” movement.

However, real earth tones are limitless. Earth tones are all colors…look down…look around. Even if you confine your interpretation to the dirt beneath your feet – the colors are vastly more than the brown, tan, rust, orange that became the rage. Soft pinks and grays, pale blue and whites…look at dirt. It might be more clay, might be more peat – from soft terracotta to dark espresso – dirt is earth and the colors and tones are limitless.

Tom Glover captured the beauty of the natural landscape through his artistic photographic medium that Georgia O’Keeffe and others have depicted through their artistic media.

Georgia O’Keeffe saw it and captured it in her own enduring style.

Nature offers color. Natural dyes have riddled that art world through time. Synthetic dyes took it a level further. But nature is at the core of all we have in this world.

http://www.quilthistory.com/dye.htm

Turquoise being a natural mineral in the American Southwest became a signature accent color punctuating the soft earthen tones of the adobe design palette.

Artist Victoria Martinez Rodgers paints a valley apple orchard and the turquoise wall is the perfect backdrop.

Color was always there for those who cared to notice. The great painters of this region presented it well. Their recordings of everything from the many colors of the rugged windswept landscapes to lush green mountain forests with shimmering golden aspen groves – and bosque cottonwoods screaming with yellow brilliance capture and convey so much more.

In autumn, bosque cottonwoods explode with color sending a streak of brilliant yellow all along the Rio Grande. Federico Leon de la Vega create this commissioned oil painting from a photo provided by his clients.

There are the natural and also synthetic dyes that were woven through the magnificent textiles of the Native Americans – blankets and articles of clothing were not limited to buckskin animal hides.

Ernest Blumenschein was the founder of the Taos Society of Artists capturing the color and textures of the realities that he encountered in this Land of Enchantment.

Sunsets everywhere play a part in the imagery of the landscape – here we see vast landscapes with brilliant fiery skies and those exciting corals and lavenders, soft pink and blue wisps provide inspiration for wall colors and backdrops to our richly embellished interior designs.

Yet spare, understated neutral interpretations also offer elegant representations of southwestern style.

So what do you visualize when you think of Southwestern Design? Please don’t say a turquoise wooden cutout of a howling coyote! Death by Southwestern Style – the overdose resulting from overdone clichés and trends that have spoiled the real art and beauty.

It doesn’t have to be all about cow skulls and pelts…but these cow hide butterfly chairs are pretty cool!!!

Perhaps you see a Mexican influence which is also part of the melding of the regional style – like food, we have a fine line sometimes with certain traditional dishes that when adopted and adapted by American Southwest kitchens took on a unique identity all its own – differing between Texas, New Mexico, Arizona and California. We all enjoy bringing art and craft from our southern neighbors into our designs.

Borrowing, sharing, combining so many design elements such as adobe architecture, colonial wood trim detailing, fired brick technology, Mexican Talavera tile and pottery,

Native American textiles and so many other handcrafts

The owners of this interior have an intimate relationship with each of the artists that they have collected down to this magnificent mount of a buffalo. They knew him and his name and why he was put down.

from punched and tooled tin, paintings and pottery – southwestern interior design is rich with color, texture, artistic detailing and true soul. The connection to the earth is undeniable and nature always plays a key role.

So how might you introduce southwestern influences into YOUR design scheme? You could tile the wall(s) of a powder room in Talavera Tile. Maybe just a mirror surround?

You might paint an accent wall – or all walls in a room or some other bold color inspired by a regional image

Mango watercolor by Susan Weeks splashes coral against the golden yellow wall with a lime green lighted cabinet showcasing old, traditional, low-fire Talavera tableware. classic Talavera blue and white tile frame the bar opening and on through out the kitchen.

and collect art pieces such a punched tin crosses, wood and straw,

landscape or still life painting, hang a blanket or drape a bed with a beautiful woven textile…introducing different styles speaks to last week’s story about eclecticism. Don’t be afraid to mix things that you like. What brings you joy?

Posted On August 13, 2018 By pattisays In Albuquerque, New Mexico, architecture, art and food, art and interior design, artistic expression, artistic talent, artists, bathroom remodel, beauty behold it, blue and white, civilization, color forecasting, Color schemes, color trends, colors, context of interior design, cowhides, creative process, creativity, custom design interior design, decorative arts, decorative mirrors, design, design process, design solutions, design tips, design trends, designs in nature, dining and design, drama of color, eclectic design, eclecticism, functional art, hammered metal, handcraft, handmade tableware, hiring an interior designer, historic properties, historical interior design, home improvements, houses, inspiration, inspiration from nature, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, joy, kitchen, kitchen design, Leon de la Vega, lifestyle, Mexico, natural designs, nature, nostalgia and design, organic design, paint colors, personal expression, personal taste, powder rooms, Pueblo pottery, quilting, Regional design, residential restrooms, Santa Fe, New Mexico, selecting colors, Smithsonian American Art Museum, Spanish Colonial, stone countertops, Subscribers, table dressings, table top, tableware, Talavera Tile, terracotta, textiles, tile, timeless colors, travel and design, trends, value of good design, weavings / 1 2 Comments

HOME – An Artist’s Perspective

It was quite by accident that we ran into SAAM! Truly, our destination and plan for the afternoon was to catch a bite at the hip and artsy Jaleo tapas restaurant and head to the Bible Museum to see some cool film of all of the buildings in downtown DC that feature biblical quotes on their facades – or something to that effect. But as we sat there in this trippy Spanish-themed interior, right next to the window, we

watched the staff bring in umbrellas from the sidewalk seating areas as the wind picked-up and the sky darkened. Our plans soon began to change. We dawdled at the table well past our tantalizing tapas feast and watched the rain come down in sheets.

As the time past, it became apparent that the Bible Museum was too daunting a task to embark on after the storm subsided. So we dashed between the drops to the nearby Smithsonian American Art Museum – SAAM!

Having never been there before and not having planned this outing, we entered without a clue as to what we might find – except perhaps the portraits of the Presidents – cool enough. Yet inasmuch as the exhibits were wonderful and many faceted, I want to focus on one inspired installation that pertains directly to architecture and design.

Considered to be perhaps the most compelling architectural artists around today, Do Ho Suh takes nostalgia for “home” to a whole new dimension. He figured out that he didn’t need to wait for enchanted ruby red slippers – no, he re-creates memories of “home” and makes them transportable all over the planet. And by whole new dimension, I mean we walked through fine translucent fabrics – taught and stitched – over concealed stainless steel frames creating hallways of houses where he had formerly lived around the world.

With great attention to detail, he stitched door hardware, radiators, and wood trim details. It was remarkable.

This interactive immersion was thought provoking. I think it is impossible to pass through this presentation without experiencing a few fleeting personal memories of the your own past homes. As Dorothy taught us,”There’s no place like home.”

It was as though the sheer polyester fabric was misty or ethereal as though not really there – a very effective medium to suggest a thought or memory. How fascinating to render a structure with such a diaphanous, fragile sense – tangible yet not. “Almost Home.” There, but not quite.

The time it must have taken to create this tedious textile architectural art-piece, of delicately painstaking work, surely proves his love for these past dwellings.

This presentation will be the most comprehensive of Do Ho Suh’s work ever shown on the East Coast. And wait – there’s more! After having navigated the Twilight Zone of Do Ho Suh’s recollections, I was even more strongly drawn to this large-scale piece of stitched textile work mounted on the wall! It was a colorful and beautifully complex collection of images of people and homes in various states of movement and fantasy.

Colorful threads intentionally strewn from the stitched images of human figures, some sporting houses on their heads, another running with memories flying behind his head…taking the home (s) through life’s stages – memories…home is where the heart is…taking their memories with them…

People parachuting with houses floating through the air…pitched roofs and domes – all manner of interpretations of “home.”

There is a stitched reference to Seoul and a house on a jetty suspended above a wild, choppy sea.

Live – dwell – reside – inhabit…Be quick – it’s only there until the 5th of August.

Posted On July 29, 2018 By pattisays In architect, architecture, art and interior design, artistic expression, artistic talent, artists, bars and restaurants, construction, context of interior design, creative process, creativity, design, design process, discovering artistic talent, Do Ho Suh, door hardware, embroidery, fabrics, handmade, hiring an interior designer, home, houses, inspiration, interior atmosphere, interior design, lifestyle, Modern Art, multi-media design, Museums, nostalgia and design, personal expression, SAAM, Smithsonian American Art Museum, Subscribers, textiles, Washington D.C. /

Discovering Patterns

This week began with a juicy fabric presentation. I say juicy because it got my design juices working and I was inspired to take photos and imagine the opportunities to insert these wonderful colors, patterns and textures into upcoming projects.

Take the chicken and the egg scenario. Do YOU often find that exciting design elements invite thoughts of projects for which to use them?

A fun exercise is to take your camera and search for patterns to photo…patterns are everywhere from cast shadows to fabrics, signs and graphics to fallen leaves.

Seeing these exciting new fabrics – you had no intention of changing all your throw pillows, but these stimulating samples might make you consider changing your entire collection!

The opportunity to offer unique fabrics for clients who would otherwise never be exposed to the samples – not know of the possibilities – is exciting. Being able to make this introduction is a treat.

This first batch was of clean, sophisticated, woven, geometrics in blacks, whites and charcoal tones.

Whimsical patterns and textures, with splashes of color, offer more possibilities.

Now see these rich woven patterns and colors in this next series. An explosion of color and pattern with a decidedly native direction – prime for New Mexico and design projects looking to evoke the elements of the southwest and other opportunities inspired by indigenous art.

With all this freshly implanted in my ever-swirling brain of design fragments waiting to be assembled, I traveled north this weekend for an enchanting New Mexico wedding that further fed the theme of indigenous art, pattern and design.

The lobby of Buffalo Thunder was riddled with magnificent pueblo pottery. The designs were wonderfully intricate and I saw them as stand-alone elements that could easily be fabric motifs. Here on pottery – but so fascinating to consider as possible inspirations for fabric patterns and designs.

Anasazi Buffalo Pot – Acoma Pueblo

Suggestive of a court jester, this expressive piece tells a figure story. The bold patterns make a powerfully beautiful statement. Who loves bold stripes? Do you wear them? Do you upholster with them?

Evening Star by Katherine Wall from the Jemez Pueblo

Cut-outs on lobby lounge chairs, with geometric upholstery, atop bold zig-zags of the area rug proves combining patterns creates a fine line between exciting juxtapositions and pairings – and risking possible disturbing disruption of order. Comedian Steven Wright uses dry wacky wit delivering hysterically funny observations to convey a sense of the obvious with a twist. I’m paraphrasing one I remember from years ago… “You know that feeling that you get when you lean way back in a chair…way back on the back legs…back so far that you are just about to fall…I feel like that all the time.” That’s like that feeling with challenging design. It goes just far enough to get your attention…designers get that feeling as they push the theoretical limits of design – all the time!

Ok- this is not perhaps THE most outrageous example of this theory – but a fun, eye-catching combination nonetheless!

Buffalo Thunder resort was the jumping off point to then venture beyond into the thrilling landscape of La Mesita Ranch.

Mixing different colors of brick make this random patterned walkway very pleasing and interesting.

The setting was natural, organic and inspired.

Simply lovely centerpieces

See a lovely, intense example blooming blue and white and much more in Nantucket on the cover of the new June 2018 issue of Architectural Digest. http://www.theenglishroom.biz/2018/05/29/nantucket-beauty-by-markham-roberts/

So look for patterns all around. Discover exciting opportunities to mix patterns and textures.

Be brave – play with patterns!

Posted On June 11, 2018 By pattisays In artistic expression, beauty behold it, blue and white, brick, Centerpieces, colors, creative process, creativity, custom design interior design, decorative arts, design, design process, design solutions, design tips, design trends, designs in nature, destination weddings, Disruption in design, exterior - outdoor design, fabrics, Fiber art, floral arrangement, graphic designs in interiors, hiring an interior designer, home improvements, inspiration, interior design, interior design trends, interior enhancements, landscape design, Nantucket design, Native American Art, natural designs, organic design, patterns, personal expression, pottery, primitive design, Pueblo pottery, Santa Fe, New Mexico, sculpture, southwestern design, Subscribers, textiles, textures, travel and design, trends, upholstery, value of good design, walkways / 1 Comment

Real Jeans are Wabi Sabi

An aside today to address a different design statement – of fashion, not interiors, I’m speaking out about FAKE JEANS. In the design field we watch trends and acknowledge the importance and validity of new design ideas, combinations, forms and functions. When torn jeans made the scene a couple of years ago, it was amusing and seemed to be a cheap, cheesy, frivolous attempt at something overly shabby chic. The discount stores were stuffed with them and the mainstream stores too.

Perhaps a cat clawed this pair to shreds? And the bottom – up above the ankle? Puzzling…

But it continued to make me roll my eyes with disbelief and when I saw well-heeled women sporting them and paying serious money for them. I was truly amazed.

Fraying at the bottom suggests that they were comfortably too long and dragged to this result…but as a crop jean? HOW might one fray up the back of their upper ankle or calf? Hmmm…

Do you have a pair or two or three? All colors? All varying lengths and tapers? How long did you hold out before you caved and found the perfectly worn pair for you? Are they just broken through at the knee or are they riddled with torn, mangled shreds of fabric? Are they lacerated in mid-thigh? How might THAT have happened?

This is a skirt version of the story. But what IS the story? High thigh wear spots…

So does this make me sound like an oldster? Read more and see what you think. It’s NOT about the frayed tears, it’s about where they are, why they are, how they look and how many they are. I see jeans that look like they have been doused with acid! How might THAT happen? But boy when it did – whew, you saved them!! And wore them to tell the story!!!

I think this might have been a bear attack!!!!!

Others are worn in the oddest places of the structure having nothing to do with normal wear and tear – totally random splotches of abraded material – defying common sense.

This jacket looks like somebody got into a bit of trouble!! Including scratch marks!!!

These jeans were my favorite. I loved the fit and the feel, the texture and color of the denim and they got better with age. They were Levis and are now crowding 50 years old!!!

Yes, from the 70s, these jeans were the best. And I’ve saved them out of an inordinate sense of nostalgia. When you find jeans that have all these critical features you wear them to death. And that’s just what I did! These jeans were so perfect and had no stretch to fake the fit! The more I wore them and the more I washed them the softer they became and the more invaluable they became to my wardrobe and hence, my identity. They were my fabulous freaking fashion fundamentals.

After a few years of near daily wear, these jeans began to gradually fade and wear away the darker threads in favor of the lighter cross threads of the twill. The seams and edges were breaking down. They began to show signs of possibly breaking through at the knee. They were experiencing the metamorphosis of Wabi-Sabi and I was anxious about their dematerializing. While a part of me loved these indications that they were truly my favorite as proven by these lovingly worn signs, I was facing a fear of loss.

I have previously written about the intensely thoughtful book by Leonard Koren, Wabi Sabi for Artists, Designers, Poets & Philosophers and as I write this I went into my desk and extracted it once again to find a passage that so speaks to this subject of “The Material Qualities of Wabi Sabi…The suggestion of natural process. Things wabi-sabi are expressions of time frozen. They are made of materials that are visibly vulnerable to the effects of weathering and human treatment.. They record the sun, wind, rain, heat, and cold in a language of discoloration, rust, tarnish, stain, warping, shrinking, shriveling, and cracking. Their nicks, chips, bruises, scars, dents, peeling, and other forms of attrition are a testament to histories of use and misuse. Though things wabi-sabi may be on the point of de-materialization (or materialization) – extremely faint, fragile, or desiccated – they still possess an undiminished poise and strength of character.”

“Irregular. Things wabi-sabi are indifferent to conventional good taste. since we already know what the correct” design solutions are, wabi-sabi thoughtfully offers the “wrong” solutions.” (A side note: Koren mentions regularity in mass production and designers looking for ways to express poetic artistry and sabotage perfection to intentionally create irregularity). I don’t think the endless racks and stacks of identically torn, abraded, ripped, and even mangled jeans was what he had in mind!!!

So these jeans of mine expressed unmatched strength of character impossible to replicate in my estimation and as time marched on and they gradually frayed and broke through I mourned the demise. The seams stopped the tears from severing the legs of these amazing jeans. I continued to wear them finding the badge of honest wear quite fashionably cool. But inasmuch as I loved the tears for what it represented in a life well lived and personified aging and the passage of time, I wanted to celebrate the priceless nature of these jeans and give them a revitalization without changing their character. With that I decided to add a little Flower Power, as I whipped out my brushes and paints and embellished them with hipppy dippy flowers to celebrate their age and honest wear.

Honest. I guess that’s what my gripe is about.

Night before last, I spied this common jean scene sitting at a wine bar. These actually look like they could have been naturally worn through in the knees, except you then see the mid- thigh rip – how would that have happened?

I doubt it is empathy that the celebrities sport the fake torn jeans off the rack. It is not empathy for those less fortunate who have torn jeans from wear and an inability to replace them due to cost. Impoverished people in torn jeans are not trying to make a fashion statement and the people who are enjoying the forced-casual novelty of looking like they loved their jeans until they ripped or to make a social statement about “I am really on your level of every man/woman” are not fooling anyone – really? Neither one flies. Neither one is honest.

And to be perfectly honest about these jeans – they don’t button today. I had not tried them on in decades. My skinny, lanky, lovely niece did a few years ago.

And as I held them up today to photo, I decided just to try. I pulled them on exactly as I remember trying not to further rip them unnecessarily, got them all the way up wriggling into the well-worn butt and they weren’t going to button together -not this week.

But I now have a new summer goal! Might I trim-up enough to button my old favs? That would be a feat! Stay tuned!

If your jeans didn’t wear out from love and appreciation, I say, “give it up!” Like the Emperor’s New Clothes, look at them for what they are and exclaim They are NOT Real! Eeeuwwwww!!!!! It’s a ridiculous, silly trend. It’s an affectation of numerous charades.

Good design. It’s in the eyes of the beholder. But I prefer to embrace the real effects of shabby chic and the ultimate wabi-sabi in fashion and interiors. Relaxed and un-constructed is one thing, but these ridiculous artificially torn jeans are beyond the pale!!! Ask me what I REALLY think!!!!!

Posted On April 22, 2018 By pattisays In 1970s, artistic expression, creativity, denim jeans, design, design solutions, design trends, Disruption in design, fabrics, fashion design, Fiber art, flower power, hiring an interior designer, history, joy, lifestyle, natural integrity of the materials, nostalgia and design, Subscribers, textiles, trends /

Quilting – An At-Home Workroom of Color!

It’s not your grandmother’s quilting these days…computers have radically altered the landscape of this generations old art form. Two days ago I found myself in an in-home art-studio/workroom that blew me away!

Initially a craft born out of necessity, as creative survivors accustomed to “making something out of nothing” re-purposed scraps of material to patchwork new articles of clothing, homegoods and ultimately art for the walls. This clever, resourceful, utilization was celebrated in Dolly Parton’s song turned movie, about her true-life “Coat of Many Colors.” https://en.wikipedia.org/wiki/Dolly_Parton%27s_Coat_of_Many_Colors

The intricate designs and refinement of pattern details was obviously all done by hand, but with the development of machines and now computers for this purpose, the possibilities are endless.

So as I turned the corner, to see a would-be remodel of combining two bedrooms and expanding to the north of the existing shell, I was astonished to see this remarkable, expansive workroom – all white – punctuated with colorful creativity. Colors, textures, patterns…this extraordinary, rather Renaissance, woman had carved out a generous space to explore this phenomenal art and craft.

As an artist, Sue Watrous’ paintings and sketches are quite photo-real. On a few of her pieces, she has deconstructed the elements in the painting cutting them from fabric of many grey-tones defying the fact that they are textile assemblages.

This original pencil drawing – yes, photo-realistic, is amazing.

Then to create the same image as a patchwork quilt is remarkable!!

Yes, look closely, you can see the patches of fabric that are assembled in the many grey tones to create this amazing piece.

Her joie de vivre is derived from this magical space and the creations that she imagines and brings to fruition.

Upon entering her amazing domain, I felt as though I was entering an operating room – everything in perfect order, clean and spare – like a clean-room at Intel – I should gown-out or suit-up!!!

I might be exaggerating because it was white and clean, but warm and welcoming with the rainbow spectrum of thread spools and quilts both finished and in progress displayed on the walls and on the other many surfaces.

Self-taught, she nonchalantly references the many computerized machines strategically placed around the room. There is an order to the layout and her approach is meticulous. Despite the fact that there is an active quilting community here – they are too busy quilting to teach – so Sue jumped into this after having seen a presentation at a show about five years ago. Years ago she quilted – but at this juncture, she knew at once that she wanted to enter this exciting and challenging realm, of computerized art assist!

Like the shoemaker who has no shoes, her quilts have yet to adorn the walls or bed dressings throughout the rest of her home. She doesn’t sell her work – but her family all has homes riddled with choice pieces.

Her paintings are placed amidst her interior, but not her quilts. Today I focused on a large wall to be the future home of a near-to-be- completed quilt.

She tells me that the fabrics are like paints – she is painting with fabric.

And although she is not yet dying her own pieces, she told me of meeting a textile artist who spun her own thread from her own llamas, dyed it, designed and fabricated her own work. Sue has created most if not all of her patterns and designs and I am confident that before this is over, she will be donning rubber gloves and dunking material in dye vats to find a new layer of creativity.

Posted On March 25, 2018 By pattisays In Abstract Art, art and interior design, artistic expression, artists, beauty behold it, colors, Contemporary Art, creative process, creativity, decorative arts, design, design process, design tips, design trends, DIY design, drama of color, fabrics, Fiber art, folkart, graphic arts, graphic designs in interiors, handcraft, handmade, hiring an interior designer, inspiration, interior atmosphere, interior design, interior design trends, lifestyle, Modern Art, nostalgia and design, patterns, personal expression, quilting, quilts, re-purpose, recycle, recycle design, retro, Subscribers, teaching, textiles, textures /

What Do Fabulous Fabrics Have in Common?

Fabulous fabrics are NOT common – that’s what they have in common!! After paint, fabrics are the most malleable design element that can make dramatic transformations in an interior. New pieces, reupholstering existing pieces, treasure-hunting to cover vintage pieces, salvaging family heirlooms, plastering or padding walls and ceilings, draping and accenting – doesn’t it sound exhilarating? Imagine the possibilities!

Metal studs to trim things…wrap a lampshade, border draperies, trim a sofa, adorn a pillow…so many things…and the stormy cloud printed velvet in the background of this trim – is blustery and powerful.

One of the most fun-filled events in our design studio are the road-trip visits by our fabulous sales reps that bring the world to our conference table!! In larger cities, the design resource centers, markets and their showrooms offer myriad marvelous samples of furniture, decorative accessories, art, lighting, fixtures, finishes and fabrics. Exciting new design trends are presented each season.

But when you live, in isolation from the major centers, as we do here in the high desert – we are treated to personal presentations that are intimate, relaxing, inspiring and educational. Here is an exclusive collection that was presented just last week. Sit back and watch the fabrics unfurl and float – one after another – in layers of color, texture and incredibly inspirational style.

Weighty over-stitching or “top-stitching” adds detail-either high-contrast, color-on-color subtlety or the median slightly contrasting grey with white. Trending – touchable textures! Here presented for interior fashion, but you can bet that clothing fashion designers would love to play with these textiles for wearable art too!!!

Sure, throughout the year we travel to source hubs, surf the net, call our reps, request samples, compile materials and gather what we need across the miles. It is challenging. Like living on an island and bringing the amphibious containers of supplies over the sea and up onto the beach! But inasmuch as we don’t have a design center handy to do a lot of “one-stop-shopping,” we do curate our own very extensive source library of fabrics and architectural materials. With that at our fingertips, without leaving the studio, it’s a time-saver, a stimulating place to to engage clients and we are easily spoiled!

Fine weaves make terrific grounds for bold prints – here in three different color-ways – what a POP! Retro to new concepts – patterns add pizzazz!!

This recent textile presentation brought refined and rugged landscapes of intriguing textures and patterns that stimulated our design juices.

Intentionally cut after the weaving process provides extra texture and pattern interest.

Often the “backside” of these fabrics are as interesting (if not more so) than the fronts – but be mindful of floating threads and other weaving details/methods that interfere with practical use.

Bold “geometrics” are not only vivid with high contrast threads, the texture is what cannot be accurately replicated or conveyed via digital images on a screen. Despite the fact that I got up close and personal with these samples to photo, nothing beats touching and feeling the fibers and textures.

Complex weaves dazzle with design creativity. Bringing an artist’s concepts to fruition, with a mill to fabricate the dreams, is enchanting.

Traditions of weaving artisans are found in countries around the world. Sadly, not many fine fabrics are woven here in the States, partially due to the cost of fabrication and also due to the generations of crafts people who are experienced in the art of weaving more cultivated in other cultures. Whether organic, engineered, by hand or efficient, fast-paced mechanization – art and technology continue to push the envelope of fantastic creation and production in the fabric industry.

Here’s a great tip – if for only a pillow cover – if only ONE side of a pillow cover, having unique fabrics is having art. Living with functional art. Appreciating the designs, textures, craftsmanship and unique qualities of fine fabrics and wall-coverings is most satisfying.

Paints hand applied to the surface of fine woven fabrics is gilding the lily.

Who doesn’t love these colorfully, whimsical dot halves hand-applied to the surface of this nubby neutral??!!

Silk-screening also is an art-form that enhances the quality and appreciation of fine fabrics and papers.

Some of this collection are vintage art-pieces resurrected with new colors on the screen prints. The caliber of a fine, timeless, resource is about quality of both design and construction. A collection that continuously offers – classic and new, bold and subtle – answers to so many opportunities, is a resource that is to be celebrated!!

We investigate the most extraordinary fabrics, in the world, so that we can compile and create the perfect combinations for your exclusive lifestyle.

Posted On February 18, 2018 By pattisays In Albuquerque, New Mexico, art and interior design, artistic expression, creative process, creativity, custom design interior design, design, design process, design solutions, design tips, design trends, fabrics, fashion and design, Fiber art, graphic arts, handcraft, handmade, hiring an interior designer, inspiration, interior design, interior design trends, lifestyle, organic design, patterns, personal expression, re-upholstery, Refresh, retro, Subscribers, textiles, textures, updating, upholstery, value of art, value of good design, wall texture, weavings, weavings, window dressings / 1 Comment

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