After experiencing and pondering the value of incorporating nature’s elements into architectural planning in the previous blog, I find myself winding into the countryside from sea level to a mile high into jungles and ultimately pine forests, across vast expanses of rivers and towering bridges spanning grand abysses…and stopping at a modest panaderia (bakery) on the side of the road.
You can’t tell a book by its cover as this simple little rural structure – standing alone – looked curiously intriguing and quaint enough, with an unpaved parking area transitioning to well-tended pea-gravel. Traffic cruised by, on the way across the bridge.
Those that knew, turned in. We pulled off the road and were told that this couple had a wonderful bakery and were promised an exceptional treat! Fresh empanadas that would bring remarkably satisfying mid-morning joy.
Very tidy and thoughtfully eclectic, this little destination bakery is a precious find.
Oh, were we in for a surprise! At the entry, I stopped to shoot the whimsical cup of coffee mosaic set in a field of stone and concrete. I thought – what a fun design element to greet arrivals and set the stage. But I had no idea to what extent I was about to be elated. What unfolded so exceeded my expectations that I wanted to stay all day!!!
Happy stone and tile-work adorned the pathways. From the textures of stone and brick, tile and wood – it was an organic fantasy – an unexpected design experience.
Simple, yet spectacular – simply spectacular!!!!!
Ceilings of colorful floral blooms – perhaps wisteria – suspended from their vines and other plantings intertwined with the structure.
Spotless and meticulous the eclectic elements were a harmonious creation.Stone walls, wooden slats, vines and adobe all worked together to define the spaces.
The wafting aroma of fresh baked goods – it was more than delightful. From warm savory clouds with mushroom filling and another with chile-laced sausages – and an array of sweet strawberry, cream and pineapple empanadas to corn muffins, banana muffins and more! All nestled beneath colorfully woven cotton tablecloths.
Light and delicious – the best empanadas ever!! With a tiny sprinkles of granulated sugar, for a sweet crunch, before sinking into the fabulous fillings! Muffins challenged any others and savory treats were so satisfyingly delectable. Little buttons of banana slices on top denoted which were the banana muffins!!
Rich Mexican coffee with a touch of freshly ground cinnamon and luscious hot chocolate were served in custom-glazed “barro ware” complimenting the fresh-from-the-oven confections.
The exhibition baking kitchen overlooked the serving line. The buffet of pastries thoughtfully explained by our gracious and welcoming host, Jesus!
Carmen presents fresh strawberry tarts just from the oven!!! A combination of old and new – tradition and technology meet in this cozy kitchen.
Fragmented spaces open, yet enclosed, offered intimate pockets in which to pause and enjoy.
Color-pops insert themselves effectively around the interior and exterior spaces.Inviting seating areas semi-concealed offer private repose. Tucked away – more areas to enjoy…
Clever use of clean blond wood shavings on the floor of the main covered patio created a wall-to-wall carpet of fresh aromatics complimenting the inviting aromas emitted from the ovens. Rocking chairs and rigid sturdy versions, with a fun little rope swing, all surrounded by tropical plantings made a cozy area to gather.
Soft underfoot and subtly fragrant – the wood chips make a great shag carpet!!!
As I meandered around exploring all the interesting spaces, textures, colors and plantings, I marveled at the sensitivity with which this had all been crafted and assembled. It was artful interior design with an exterior feel – open air and charming, with a decidedly handcrafted, Mexican sense of place.
Slices of handsome tree trunks make perfect stepping “stones” with graduated heights.
It was an eclectic collage of furniture, structure and organics – living and static – that was welcoming and artful, delightful and so pleasing, that it was a treat for all the senses.
The cool morning air of the mountains mingled, with the comforting fragrances, creating an atmosphere inviting gentle conversations of people gathered around good food and artfully relaxed surroundings.
Peek in places and through doorways to find worlds of design
waiting to be discovered!!!
Had I planned this blog, I assure the readers that it would have been more thoughtfully compiled. However, as it is a pure reaction to recent exciting experiences, I am without much fodder that, although was before me, I neglected to document. Such as card racks full of Georgia O’Keefe greeting cards featuring prints of her magnificent work and exact pairings of the amazing landscapes we witnessed with her paintings and her magnified flowers too. Dashing in and out of her distinctive museum just off the Santa Fe Plaza bearing her name and thoughtful work (a MUST see when visiting Santa Fe), to stepping up the steps at the Ghost Ranch Abiquiu property, I didn’t document as I was too busy looking at and absorbing – so much. Yet without prior planning, I seem to have assembled enough that surprises me and therefore has become the body of this blog, about taking time to look…
The striations of color are as though painted – nature and its creator – amazing art and artist.
On this recent road trip and surrounding days in our immediate environs, I experienced inspiring images and pairings, beauty and detail, color and form…that evolved into this blog featuring the landscape and expressive paintings of Georgia O’Keefe. Captivated by the remarkable light and surreal landscape as have been so many artists, O’Keefe settled into the colorful backdrop of Abiquiu where the formations of color, sand, rock, and sky were interwoven with sparse, but all the more beautiful vegetation and flowing water carving its way through the enchanting scenery.
Those of you who enjoy taking photos, capturing moments, items and scenes will appreciate the exhilaration and awestruck sense of this humble presentation.
An iconic land form Abiqui, New Mexico
Art and nature. Design and nature. Nature
inspires artists and designers with color and proportion. The natural world is
a limitless collection of examples of perfection, majesty, detail and form.
Living in New Mexico presents amazing opportunities for studying so many
offerings from the natural world – verdant valleys and lush bosques to towering
mountains, contoured mesas, golden plains, glistening rivers and rainbows of
geology rising up from the earth. The sculptural land formations are what seem other-worldly. And yet there they are – majestic sculptures
against the sky.
O’Keefe was keenly aware of the extraordinary
world she encountered and she captured it through her eyes and expressed through
her strokes with fluid sensitivity and sense of color.
Georgia O’Keefe loved and appreciated around the world for her sensitivity and ability, to capture and convey her enchanting surroundings.
Very real and hauntingly beautiful landscape of Ghost Ranch – Abiquiu, New Mexico translated into the sharp, crisp, colors and forms of O’Keefe’s paintings.
Years ago a very dear friend gave me an exceptional gift, of a book. The farther along I progress in this world and enjoy the vast opportunities to appreciate the beauty of nature, limitless boundaries of design, art and all that is produced by talented, creative, observers, treasures such as this have increasingly greater meaning. One Hundred Flowers a 1987 masterpiece collaboration of photographer, publisher, editor and scholars presents an outstanding collection representing this significant subject matter – flowers – that she took time to observe.
Up close and personal…in intimate detail she saw and rendered sensational studies of flowers. Expanded to enormous scale well beyond their reality, these explosions of color and contrast, fluid form and detail are amazing to encounter. Even in the pages of this stunning book her work is startling. In person it is awe-inspiring.
Upon returning from the Abiquiu visit, I retrieved my beautiful book. I took great joy in the dust cover – suitable for framing. A brilliant white squash blossom captivates, before even opening the cover. As I leafed through these large format pages in this lovely, exquisitely bound tome, I realized that, within a week prior to this O’Keefe familiarization trip, I have taken photos of flowers for a similar reason as she – stopping to look and observe their singular beauty amidst all else in the surrounds.
Unknowingly, a couple of days earlier I captured this spectaculalr squash blossom that had survived our first frost.
Just a few days prior to the Abiqui visit, while walking among the petroglyphs at the base of the dramatic black volcanic rock rubble of our west mesa, we came upon a singular, stellar squash blossom. Having survived recent frosts, this one was luminous and brilliant among so many other spent blossoms dried and shriveled away for the season. It was irresistible.
Little did I know, at the time we encountered this beauty of a squash blossom, that I would soon revisit O’Keefe’s studies of this wild and magnificent bloom.
Here more studies from the One Hundred Flowers book featuring this dazzling white squash blossom.
In the design world, we often quote architect and furniture designer Ludwig Mies Van Der Rohe (1886-1969), one of the founders of modern architecture and an advocate for the simplicity of style with his popular phrase “less is more.” I felt that O’Keefe’s interpretations distilled the forms of her subjects to the essential elements that best conveyed them in a manner of simplicity. Her flowers are bold and clear sweeps and contours, of the design of each. Distilling to these essential elements is the practice of “less is more.”
Her bell-flower trumpets of petunias and hollyhocks in purples, pinks and even arresting blacks reminded me of a photo that I took less than two weeks prior to enjoying my book for this study.
However, she was not sparing with color nor scale. Fabulously daring color combinations and contrasts are signatures of her interpretations along with her magnificent sense of magnification – presenting bold gifts to we, her viewers.
The opening of the book quotes O’Keefe about her profound
appreciation for a flower.
“A
flower is relatively small. Everyone has many associations with a flower – the
idea of flowers. You put out your hand to touch the flower – lean forward to
smell it – maybe touch it with your lips almost without thinking – or give it
to someone to please them. Still – in a way – nobody sees a flower – really –
it is so small – we haven’t time – and to see takes time like to have a friend
takes time. If I could paint the flower exactly as I see it no one would see
what I see because I would paint it small like the flower is small. So I said
to my self – I’ll paint what I see – what the flower is to me but I’ll paint it
big and they will be surprised into taking time to look at it – “ Georgia O’Keefe “About
Myself,” 1939
Be surprised. Be inspired. Be aware of your surroundings, for all the beauty of nature and its influence. Embrace color and contrast, punctuations and accents. Take time. How might your next design project reflect observations from nature?
When you hear the name da Vinci, Leonardo da Vinci, its undeniably familiar. You might instantly call-up a synonym – genius. But what do you really, other than the Mona Lisa, recognize? And what do you even know about her and the painting itself? For the past several months now nearing the end of its run, the exhibition Da Vinci, The Genius, at the Albuquerque Natural History Museum, presented by Grande Exhibitions of Victoria, Australia in collaboration with the Museo Leonardo da Vinci , Rome and the French Scientific engineer Pascal Cotte is an amazing consolidation of information on this singularly remarkable man.
An artist or even designer are such understated titles for this man of extraordinary inventions, concepts, engineering, art and science, because he was the true Renaissance Man! He touched so many things to advance countless trades and disciplines many of which are the basis of machinery and equipment in use today. But as brilliant as the universal exploits of this amazing polymath are, this would be a tedious blog if I focused on the many pulley systems, gadgets, mirrors, SCUBA suits and even flying machines that he created in his lifetime.
Rather, I would like to use this fascinating field trip that I just experienced to examine how I as a designer have been influenced by da Vinci – specifically, the spectacular rendition of the Golden Mean – nature’s perfect ratio that occurs in nearly everything around us. This common mathematical ratio is used to create subliminal perfection and pleasing compositions that mimic the perfect ratio found in nature and specifically, for my purposes, in design.
If you remove this square from the rectangle, you’ll be left with another, smaller Golden Rectangle. This could continue infinitely.
I have written about this previously in greater depth. It is a subject that has no limits as the application of this ratio helps assure good compositions whether you realize it or not. For graphic designers it is a must. For interior designers and architects it the formula for so many aspects of their work. People in art and design have employed the use of this perfect ratio for thousands of years. If you apply it – it is foolproof.
But back to the exhibit…there he was – the iconic man rendered in gold on black. You’ve seen it. But to know him is to see the perfection in the proportions that da Vinci used to create this perfect figure.
Right there in a commanding focal point was da Vinci’s drawing of Vitruvian Man. The accompanying video explained the relationship of all the dimensions as they related to the perfection of the Golden Ratio. Time and time again it is evident in the sections of this perfect anatomy.
Da Vinci correlated that the perfection of the proportions should be applied to represent the perfect human anatomical body and that it was an analogy for the entire workings of the universe.
His magnificent study of knots became sought-after for luxury fabrics used in 15th century fashion – many of which costumes and finery he designed. Interpretations as lover’s knots – the bond between them was a popular notion of his time and afterward.
It is an exhibition worth seeing. Even if you have stood in front of the real Mona Lisa and have visited sites exhibiting his vast creations and noted observations, this exhibition is worth a visit!
Not as the title suggests…tequila shots and all – but another kind of intoxication…an intoxication from unexpected beauty, sensory overload, inspiration as seen in the following photographs.
Those of you bundled up against the elements this time of year…freezing your booties off in the icy winter climes. Enjoy this escape into your unbridled imagination of design and lifestyle gone wild!
Thought a beachfront condo was out of reach? Think again. With all the DIY out there on the internet today, anything is possible. As evidenced by the inspiring framework of architecture that I have encountered just this week alone, consider the possibilities and have a little fun!!!
Very simple things trigger design concepts. Beyond the fascination I have had with these beach structures, this particular photo was bathed in late afternoon light. The glow of the orange towels was emitting a warmth that was so tropical, had it not been on a tropical beach, finding the same boldly colored and textured structure in a snow storm would have elicited a startling, contrasting feeling of the same tangible warmth.
This make-shift west-facing beachfront was so beautiful, in its simplicity, that it spurred ideas of bold fresh color, basic found-material furniture possibilities, fabric design and organic architectural solutions for patios both commercial and residential.
Imagine raw elements incorporated with concealed structural support to convey the feeling of spontaneous simplicity.
Then there’s that general calling that speaks to “the natural integrity of the materials.” You realize it is a grounding. It is a starting point of reference to all the embellishments, layers, machinations and manipulations that are possible.
Wood is wood until it is stained, painted, appliquéd…when does it lose its “natural integrity?” Even raw, man-made cinder block – CMU – concrete masonry units have their own natural character. Then stained in the aggregate or applied color, thickly coated…it alters it’s state – losing its material’s natural integrity.
What ignites design thrills? The fireworks of ideas that burst onto the scene illuminating so much that was previously obscured. It doesn’t have to be a remote and seemingly inaccessible tropical beach…it’s everywhere. Look around. See texture and color, shape and frame. Urban, suburban and rural settings in any climate all offer inspiration that can be isolated and appreciated. Design inspiration can be intoxicating.
Why is designing so exciting? Why is it often such a rush? You never know when an idea will appear or from where.
The world around you is a constant stimulation of ideas, inspirations and possibilities. You are thirsty for whatever is out there…whatever is waiting to be discovered, implemented… quench those longings. It is all about the freedom to allow ideas to be spawned from anything around you or in intertwined with your own imagination.
What fun to have come upon these simple structures on a glorious and sparsely populated beach. What fanciful design ideas and story-lines were prompted by the imaginary occupants, their creativity, resourcefulness and problem-solving simplicity. Lest you think they house the homeless adventurers, they are actually sun-shades for creative surfers and affluent sun-bathers seeking a primitive beach experience.
How might these primitive structural solutions play into a future project? Watch for design trends to incorporate more organic materials and nature’s inspirations!
As summer blazes on and we continue to enjoy the freedom offered by expanding our living spaces into the out-of-doors, I’m contemplating the variety of versions of outdoor living that are made possible by different climates. While friends in the tropics of coastal Mexico are complaining about the inescapable sweltering heat and humidity these summer months, the rest of the upper regions are rejoicing in the mere fact that the bitter cold is replaced by warm air and things are growing and green and flowering and alive!
Various water features come to life springing forth suggesting the refreshing sight and sound of a trickling brook,
bumble bees light on flowers that would be disintegrating clumps of dead growth in winter,
comfortable enjoyment of TVs on patios that become desolate, barren, outdoor rooms in winter.
The reverse is trending too however, where organic materials, (stone, woven reed rugs, plants, wood, bamboo) are used bringing nature inside the home.
This connecting nature indoors the home is a refreshing, rejuvenating approach to design – in stark contrast to the crisp geometric inorganic feeling of other design trends. Taking it a step further is the seamless transition of the two.
Interior stone flooring flows out onto the patio…telescoping patio doors open allowing seamless transition between indoors and out.
“Transteriors” was coined by landscape designer Jamie Durie and his team who have enjoyed the broadening of his brand to link his exterior designs to the adjacent interior spaces with a celebration of sustainability and organic appeal. The brief mention in last month’s June 2017 edition of vmsd (Visual Merchandising + Store Design) was a validating article reinforcing my appreciation for the different climates and the design options and limitations we experience from zone to zone.
I’m returning this weekend to a project that I designed a few years ago in the Sonora Desert – it seems to have stood the test of time and is still referenced as a “Tangerine Dream” of indoor/outdoor living.
We didn’t have the luxury of telescoping doors opening glass walls to connect the inside with out, but we maximized the colors, materials, plants and design scheme to allow the transitional lifestyle flow. Stone and tropical plants inside speak to the same materials outside. Colors correlate and, in this case, the climate allows enjoyment outdoors all year around…with some minor limitations and yes, decided temperature changes.
But nothing like what occurs in the snowy climes where outdoor living – except some frigid winter sports – is all but closed for the season.
Advancements in technology and ideology have made transterior design much more viable – allowing for amazing options for furniture, fabrics,
kitchens, fireplaces, flooring (take that same material from inside right out onto the patios – if its frost-proof), lighting and more from which designers can create exterior living spaces. These outdoor rooms so emulate the interiors that the transition is often difficult to see. Not being able to discern the line between indoors and out is often the optimal effect – but not always…
Seasonal changes with interior/exterior design, like a change of clothes with the seasons, can also offer the expansion and exploration to entirely different spaces when the warm weather arrives that emphasize the design distinctions rather than trying to meld the two.
So venture out of your cozy bear’s lair the next time the crocuses begin to peek through the soil and the birds start to sing, whip out your rattan or faux wicker, teak lounges, hammocks, fabulous fabrics and potted palms and design your tropical summer retreat in your own backyard!
DIY is so in vogue. Where it used to be chic to hire someone to do everything in your world, now practicality rules! The savings and fun of doing things yourself is huge. There are so many inspirations on-line. Ideas overflow-ith and the possibilities are endless.
Where do you get YOUR inspiration? It’s all around us. I had been contemplating a shower/wedding gift. I always prefer to find something unique rather than picking from a registry at Nordstrom’s or William Sonoma…but this one was a challenge.
Recently, my inspiration came from taking a morning walk through the desert.
The decorative graphic on the invitation was a floral arrangement of soft pastels and antlers. Yes, antlers. This bride-to-be is a hunter. A long, lanky, beautiful, feminine, crack shot! I’ve known her since she was a toddler. I had been picturing that graphic in my mind in an effort to divine some special gift that related to that theme…something uniquely memorable and lasting.
As I walked through the rough desert grasses and around piles of dead tumbleweeds I regarded them with a new-found appreciation. They had such an interesting structural framework that I realized that they clearly resembled antlers.
They became the springboard for a floral arrangement that would replicate the theme of the invitation and, with that, I began selecting them and carefully carrying their rotund prickly selves back to the car.
Next step – what else will make this a successful rendition of the theme I was trying to emulate? Off to the craft stores! I selected delicate, creamy-white wooden roses, soft pink mini silk roses and some fill from both Michael’s and Hobby Lobby. The PERFECT ceramic vessel presented itself in an soft, oval shape glazed in a powder blue, but with edges and character that offered attractive, desirable, intentional imperfection.
As I have mentioned in past stories, a successful designer has a good team. Building a team to realize your dreams is the key to that success and I called on my very special and exquisitely talented floral designer to assemble my gatherings into the image of my intent. Melba has made my dreams come true for years. She gets into my head and interprets my words and elements to create a finished product that has hit the nail on the head over and over again.
I pulled out the many materials that I had purchased. She evaluated each, talked to me about my concept, and studied the combinations that were laid out on the table.
This piece exceeded my expectations. The fine branches of the tumbleweeds were the delicate punctuation amidst the flowers.
When she actually ordered real, bleached deer antlers that became the statuary of the piece, I was thrilled! Not only was the finished arrangement perfection, I didn’t think it was realistic to expect to get real antlers and incorporate them into this design in such short notice. She had less than 2 weeks! It was spectacular.
DIY inspiration is all around – even in dead, dried tumbleweeds. Creativity begins with a concept and progresses with the fun of making it uniquely yours. Team DIY!
So when you least expect it…nature speaks. On a silent coastline on a great lake in the wilds of Wisconsin the stones on the beach offered a hidden alphabet of opportunity. Upon making this discovery, I searched for and collected just the right pieces and sent a love note to my sweetheart. Wishing he were there to share in the wonderful adventure that was hiking through the enchanted woods to this lakeside hideaway, I did the next best thing and found an expression of LOVE , took a photo and messaged off to him…technology and instant gratification – well, across the miles…
The lovely white stones were amazing…I don’t know the geology…could probably Google it, but suffice it to say they were white and soft, angular but smooth, bleached and clean – massed in a thick bed for miles along the shoreline. I wish I could have taken buckets of them to do something…fill a large snifter, layer in the sink for the water to spill over and remind me of this scene, touch and fondle – they were so special, so uniform in size – such a natural phenomenon of raw beauty.
Paired with the rough, elegant, weathered, driftwood that was scattered along the rubble and upon which I carefully placed the stones, the composition was truly a work of art – inspired by nature and assembled by my eager fascination with the media.
Take away…love is all around – OH! has that been said before? Well…love IS all around us and to find an actual, natural formation of alphabet letters that allowed the simplest expression of literal words, to be transported across the miles, was magic.
Art…design…nature…find it!!! Happy almost Valentine’s Day!!!!
Ta Da! Pantone announces its color of the year for the coming 2017…drum roll please…and the color is Greenery!! Yay!!! Last year there were two – yes, imagine that – they couldn’t decide so they slurried Rose Quartz and Serenity resulting in a pale, cool, wimpy blend of soft rose and lavenderesque shades into a blended wispy pastel dream. Non-committal, in my opinion…lacking confidence. Last year the rationale was stated by Pantone’s Executive Director, Leatrice Eiseman as…
But this year they have it with this fresh organic hue in a yellow-ish shade primed for this year’s rationale from Ms. Eiseman which is:
I have always loved green. I grew up in a Virginia jungle of a suburban neighborhood inside the Beltway surrounding my hometown of Washington DC. where the first signs of spring were the tiny tips of dogwood leaves poking forth from the delicate branches of those beautiful under-growth trees. The dogwoods were the graceful, human-scale layer beneath the towering canopy of the immense, rigid, vertical tulip poplar and white oak trees that commanded the woods.
Soft mosses, lacey ferns and perky lily of the valley carpeted the hidden pockets of our backyard. New growth is that prediction of amazing renewal and promise of the start of summer. So it is a prime observation that as Eiseman states in her 2017 rationale “greenery…bursts forth…with a reassurance we yearn for…” although I do not feel this is peculiar to this year as winter always makes me yearn for greenery and the reassurance that spring and summer will return.
My mother also loved green and that probably influenced my childhood perception of comfort and context of it in interior design. She had and still has an eye for color. In 1959 she selected an amazing sculpted wool pile carpet in a warm, dark, neutral, taupe tone and built upon it a color scheme of pinks and greens that was subtle and relaxing, organic and contrasting, blending beautifully in our wooded setting of verdant lushness in which we were cozily situated.
That was upstairs where we felt like we lived in a flowering tree house amidst the dense collection of green leafy between the trees and surrounded by all shades of pink and white azaleas. Downstairs, where we retreated in the winter months, her greens were mixed with gold tones creating a warm interpretation of the greenery around us.
When so many in that era, between the 60s and 70s, were styling interiors with heavy oranges, browns and golds,
my mother gravitated toward Lily Pulitzer’s fresh, tropical palette of lime green and hot pinks, clean crisp turquoise and citrusy lemon yellow – both in her wardrobe and her interior accent colors.
Our beach house was turquoise and teal, navy and tan – the sea and the sand.
Following color trends is a slippery slope. I have blogged about it in the past. Adopting that which is often a combination of colors instantly records a place in time when everything from bath towels and shower curtains, bed dressings to draperies appears in the marketplace and inserts its predetermined obsolescent combinations into the lives of so many who would rather catch the wave – often behind the crest – to own and participate in what is conveyed by the market to be the “in” thing to do and to have.
It is best not to embrace and adopt the combinations that the market presents. It is better to select color and combinations that transcend the trends – skirt them so as not to fall into the trap of dated color schemes and tired combinations. Some avoid the trap by staying neutral. The safe, timeless colors of whites and grays mushrooms and taupes- but where is the risk and fun in that?
“Too bad for them” I often remark. It is such a missed opportunity…a limitation to select colors that you think you are supposed to like rather than those that truly bring you joy. I say “go for joy every time.” Color is such personality. It is a stage-setting element. It is a backdrop or foreground. It is a theme. It is an atmosphere.
With all that having been said, I for one am thrilled with this fresh selection for the new year. A bright beginning full of hope and new growth, fresh starts and positive forward movement – organic and life-affirming. So seek the colors that brings you joy and go forth with color in this new 2017 soon to arrive. My personal schemes will always have greenery!!!
When it’s time sensitive and just can’t wait – what do you get? A BONUS BLOG!!! Yes! A mid-week blog for the holidays! It began beneath a brilliant blue sky yesterday as the air, with a teeny bit of a chill, was contrasted by the then warm sunshine glistening through a deciduous denuded Honey Locust making it’s lonely leftover pods look like birds silhouetted against the sky.
Scattered all over the ground were the same fallen wonderfully twisted mahogany-colored pods writhing amidst the dried leaves.
The color was so rich and warm it was irresistible. As I bent over to inspect one, I was captured by the unique quality of each pod and the amazing contours of their graceful, elongated shapes.
Almost as though they were varnished, they had a semi-gloss that was naturally beautiful. This is art in nature. This is inspiration. I can see this as a magnificent drapery fabric – a grand wall of these intertwined ribbons of organic seed pods.
However, on a more current and immediate note – I saw a centerpiece or multiple centerpieces as it turned out. I gathered the pods in my fist as though a wonderfully wild bouquet. I then needed a bag (thank you Becky) as I kept dropping them, in an effort to force the ever growing collection.
Here is the quickie result of the awesome autumnal centerpiece. I had a faux wreath of berries and leaves, tossed in a few recently harvested local apples, (thank you Vigils), some leaves gathered from the driveway as the Bradford Pear – which, a little late this year due to our unseasonably warm Indian Summer this fall, has only started to drop its gloriously radiant leaves. And Voila!
I stood back and looked over my shoulder and saw the collapsed plastic bag still spilling pods out over the counter-top.
I was about to call all my friends and ask “Do you want a piece of this fabulous, festive, fall, focus of attention? And I quickly realized I could expand the joy for those of you with grand tables needing a longer statement down the center.
So flanking glass vases provided the extension I needed. Now this was quick – adding gravel, sand or moss in the vases would add interest and depth, maybe pheasant feathers, other dried flower pods and grasses – this was just a start based upon an irresistible inspiration scattered before me.
So keep your eyes peeled for opportunities when you least expect them and make something out of nothing. Save unnecessary expense when you find your design accessories for free!!! Happy Thanksgiving!!!
It could have been a sculptural piece of drift wood or a gnarly tree branch from the woods or a twisted piece of metal from a salvage yard…but the idea is to see things in a different way and once again—as I have done this before— to make something from nothing. And in this case, with no effort or manipulation—just the natural beauty of the found object.
The tide was out making the beach so wide it was like a great runway of wet sand. Scattered on the surface were the leavings of the waves – pieces of shell and polished stones. There amidst the beautiful debris was what looked like the suggestion of an abandoned boat hull—a dried, darkened palm sheath. I instantly knew, this would be another beginning of the tropical table-scape that I am so fond of creating when we are at the beach.
“Creating something from nothing,” my father would often say. He was a great believer in that idea that one man’s trash was another man’s treasure. We loved to beach comb together whenever we found ourselves at the tide’s edge. Sometimes it was tropical and the coral was bleached white and pocked with texture. Fine mesh pieces of purple sea fan and perfect little green “hat” shells would be nestled among the dense collections of heavier piles of white coral.
Then other scenes would find us on northern beaches of the Maryland coast where there was no coral but the ocean would wash multi-colored surf-polished stones onto the shore blanketing the sand particularly at the very edge where the water would curl between the beach and the ocean’s depths. Tiny purple and pink clam shells would peek, being abruptly exposed and quickly bury themselves back into the wet sand moistened with each incoming wave.
On this day, the warm breeze is tropical and the beach is expansive offering rare treasures scattered broadly but sparingly on the pristine surface of sand. It is here that I encountered my centerpiece.
Don of course is saying—”what are you going to do with that? It’s too big. Leave it here.” And I assure him that it is in fact a treasure and that it will be magnificent in the center of our dinner table where we are entertaining 11 for festivities this coming weekend. He, as always, acquiesces knowing that it is futile to stand in the way of my wildly enthusiastic creativity.
Over the next couple of days, he and I both collect white stones and shells on our daily beach walks. At my instruction, we only collect white unless it is a particularly interesting shell. The idea is to have the stark contrast with the dark hull of the palm sheath.
Our dining table is a handsome slab of travertine marble. Laminated to a double thickness and finely finished with a smooth full bull-nose edge, it is the perfect organic surface to build this also very organic centerpiece.
It needs something…the neutral tones are lovely. Yet, the dark espresso brown of the palm sheath with the white of the stones, against the creamy surface of the travertine invites something more. I realize that it can only be enhanced with another layer of organic material – here in the form of the fresh verdant green palm fronds – the perfect punctuation!
Oh would that I had collected more flat oyster shell halves…they work so well for votive candle bases…but alas, parrot green cocktail napkins will have to do for this last minute detail.
Our woven palm place mats, in their natural dried flaxen color, compliment the rest of the organics on our table. And as night falls, the sun drops beneath the sea’s horizon and twinkle of scattered candles finish our scene. Salud!
