Eclecticism in Design – What Does it Mean? What Does it Say?

Looking back (to both sides of the turn of the 20th century), eclectic interiors were only cultivated by the very rich. Those who had the discretionary income to take vacations abroad, had diplomatic ties or nomadic adventuresome types who took precious time off to explore different locations and  cultures other than from whence they came. Others of means might have merely hired decorators to create interiors that suggested such adventure and access, without leaving their drawing rooms. Expensive eclecticism catapulted status.

Leaf through decades of Architectural Digest – THE authority on design for examples and inspiration of fabulously eclectic interiors among all the varied styles they have documented for us!

A surge in eclecticism occurred with the many military personnel and their families who were stationed overseas and were able to transport containers of belongings along the way.

Recognize a meter tray? A meter size diameter of solid brass tooled with hand detailing and pressed/formed/hammered designs. From table tops to wall hangings, they are statement pieces!

They brought back fine and fun arts and crafts from around the globe. These homes were distinctively punctuated with art that was recognizable in those circles – you could tell where people had been stationed by the decorative elements in their homes.

A souvenir from 1970s South Vietnam! Ceramic elephants were the rage!!! From stand-alone accents to end tables and bases for larger cocktail tables supporting glass slabs, these animated novelties of artistic expressions continue to bring joy decades later!

As the original owners handed down these nostalgic treasures, the history of the discoveries was diluted if not lost but the appreciation for many of the collectibles remained and was passed down to younger generations starting their homes. Inherited interiors spawns eclecticism.

Antique collection Rose Medallion passed down in a family.

Many homes have been assembled with the elements gifted by others resulting in a nostalgic, familiar collage of decorative accessories.

Vintage pink glass salad plates, family antique chairs, and a china cabinet of new and old collectibles used and mixed with love and affection.

Pier One capitalized on this decades ago. Their slogan was something like “we shop the world so you don’t have to.” In lieu of experiencing great world travels, the buyers sought exotic, interesting, affordable, mass-produced items and eclecticism expanded exponentially. They actually set seasonal decor trends with their ability to influence the market with their sweeping design reach to international artisans and fabricators, massive buying power, focused design team and extensive marketing campaigns.

Some, in order to create that sense of eclecticism, haunt thrift stores and antique markets. “Thrifting” is today’s trend for gathering eclectic “finds.” From antiques to current cast-offs, the sport can be quite satisfying, cost-effective and can result in some amazing acquisitions!

“Thrifted” antique table and eclectic crystal decanters contrast sweeping contour of limestone hearth.

Eclecticism means varied interests and experiences, an appreciation for what is good and fun rather than merely coordinating. It suggests independence, personal taste and style, with a freedom from convention and changing trends. A successful eclectic interior still requires balance and proper placement and distribution of the varied objects. Have what you like. Be surrounded by things that make you feel good, productive and bring you joy.

Living Room Transformation

As an adjunct to last week’s story about the progressive young couple and their dramatic kitchen remodel, I thought I should finish the subject and tell about the adjacent living room transformation and comfortable family room on the lower level.

When the kitchen grew to become the focal point upon entering and the bar counter expanded into the living area, it reduced that space to now become a comfortable sitting room for guests to gather or the family to relax while activities are  brewing in the kitchen.

Looking through to the dining room where a built-in storage bench was added along the window wall, offers additional seating. A new fabric-shade chandelier softens the light levels. All lighting in this remodel are on dimmers.

The former white brick wall had gently rubbed edges to suggest a distressed condition exposing the red brick beneath.  The fireplace had an unrelated golden oak mantle and surround with insipid tile inset also used to cover the hearth. The tile was a glazed faux marble with a Victorian design accent feature.

By simply painting the oak white to match the rest of the wood trim throughout the home and also painting the brick a soft taupe/grey tone, the look was instantly transformed. But they still had that awful tile…so here’s a design tip: to buy time either while you decide or until you save-up for the next phase, paint the tile away!!! To accommodate a new TV that is to go over the mantle, the wood surround was shortened. Notice the extra piece of wood trim that was removed to lower the mantle.

The hearth was removed and rebuilt (without the cut-off corners) with brick and painted to match the wall. Lucky for them the hardwood floor went beneath the hearth – so when they modified the size, they didn’t have to patch the floor! Tile was removed and replaced with 2×2 mosaic Carrara marble to coordinate with the herringbone mosaic of the same marble in the new kitchen backsplash/wall (see last week’s  blog).

A sofa found, for nearly free, was in good shape and reupholstered beautifully in this plush, durable navy solid.

The classic blue and white motif was punctuated with organic yellow.

The newly refinished original hardwood floors – taken from a golden oak finish to a rich espresso/walnut stain…

…with the blue and white wool hook rug creates a handsome contrast. The rug actually “reads” blue and white, but upon  closer inspection has warm khaki tones, soft turquoise detailing and is quite complex.

This revitalized cozy ambiance of this new sitting area/living room is perfect for this growing young family!

And for a more expansive gathering space, the lower level family room received a new sectional sofa in a durable charcoal fabric and a low-pile small diamond patterned wall to wall carpeting to conceal what had been cold tile  floors and make a comfortable room for all seasons!

Purrrrrrhaps someday they’ll have a cat to climb that crazy rope-wrapped pole!!!!!

 

Discovering Patterns

This week began with a juicy fabric presentation. I say juicy because it got my design juices working and I was inspired to take photos and imagine the opportunities to insert these wonderful colors, patterns and textures into upcoming projects.

Take the chicken and the egg scenario. Do YOU often find that exciting design elements invite thoughts of projects for which to use them?

A fun exercise is to take your camera and search for patterns to photo…patterns are everywhere from cast shadows to fabrics, signs and graphics to fallen leaves.

Seeing these exciting new fabrics – you had no intention of changing all your throw pillows, but these stimulating samples might make you consider changing your entire collection!

The opportunity to offer unique fabrics for clients who would otherwise never be exposed to the samples – not know of the possibilities – is exciting. Being able to make this introduction is a treat.

This first batch was of clean, sophisticated, woven, geometrics in blacks, whites and charcoal tones.

Whimsical patterns and textures, with splashes of color, offer more possibilities.

Now see these rich woven patterns and colors in this next series. An explosion of color and pattern  with a decidedly native direction – prime for New Mexico and design projects looking to evoke the elements of the southwest and other opportunities inspired by indigenous art.

With all this freshly implanted in my ever-swirling brain of design fragments waiting to be assembled, I traveled north this weekend for an enchanting New Mexico wedding that further fed the theme of indigenous art, pattern and design.

The lobby of Buffalo Thunder was riddled with magnificent pueblo pottery. The designs were wonderfully intricate and I saw them as stand-alone elements that could easily be fabric motifs. Here on pottery – but so fascinating to consider as possible inspirations for fabric patterns and designs.

Anasazi Buffalo Pot – Acoma Pueblo

Suggestive of a court jester, this expressive piece tells a figure story. The bold patterns make a powerfully beautiful statement. Who loves bold stripes? Do you wear them? Do you upholster with them?

Evening Star by Katherine Wall from the Jemez Pueblo

Cut-outs on lobby lounge chairs, with geometric upholstery, atop bold zig-zags of the area rug proves combining patterns creates a fine line between exciting juxtapositions and pairings – and risking possible disturbing disruption of order. Comedian Steven Wright uses dry wacky wit delivering hysterically funny observations to convey a sense of the obvious with a twist. I’m paraphrasing one I remember from years ago… “You know that feeling that you get when you lean way back in a chair…way back on the back legs…back so far that you are just about to fall…I feel like that all the time.” That’s like that feeling with challenging design. It goes just far enough to get your attention…designers get that feeling as they push the theoretical limits of design – all the time!

Ok- this is not perhaps THE most outrageous example of this theory – but a fun, eye-catching combination nonetheless!

Buffalo Thunder resort was the jumping off point to then venture beyond into the thrilling landscape of La Mesita Ranch.

Mixing different colors of brick make this random patterned walkway very pleasing and interesting.

The setting was natural, organic and inspired.

Simply lovely centerpieces

See a lovely, intense example blooming blue and white and much more in Nantucket on the cover of the new June 2018 issue of Architectural Digest.  http://www.theenglishroom.biz/2018/05/29/nantucket-beauty-by-markham-roberts/

So look for patterns all around. Discover exciting opportunities to mix patterns and textures.

Be brave – play with patterns!

 

 

Bring Elegant Functional Pottery into Your Daily Life

Powerfully, pretty, porcelain, pottery graces the urban storefront window this month, of the east gallery of PATRICIAN DESIGN, with elegant, functional inspiration.

The opening of this the second  installation of the Resilience exhibit features a collection of porcelain pieces that is intended to be an entirely functional  ensemble of art.

It’s been refreshing to have these well established artists paired with exciting emerging artists presenting their expressive talents, in the form of something that you can use and enjoy, to enhance the aesthetic connections in your daily life.

Resilience, conceived by Helen Atkins, an exciting emerging artist herself, is the manager of consignment art at PATRICIAN DESIGN.

Her concept was to “explore the experience of local female artists at various junctures if their careers.”

As a recipient of the Makeshift Grant Project, “Resilience” is funded by the downtown Albuquerque Arts & Cultural District and the Albuquerque Community Foundation. The name of this project suggests that the strength and flexibility of clay as it is formed is an analogy to similar characteristics in the course of a woman’s life. Strength and flexibility – resiliency and tenacious fortitude are the features the two share  and which are celebrated with this show.

In addition to this relevant topic of women, the functionality of this collection is what is even more expansive. No gender specific appeal to this wonderful work, the idea that pulling in from the disposable practices of everyday life, strikes a universal chord.

To pull in and focus on what  you have and use in your daily life is the beginning. Evaluating between pure function and added beauty being introduced as an enhancing element is the trick. Then discovering individual pieces that bring enjoyment  while contributing to the function as well as the aesthetic of the scene,  from an interior design standpoint, is wonderful.

Your “scene” should be exclusively personal to you and your life experiences.  It is personal and wonderful to incorporate handmade artwork in all aspects of a design project. To appreciate the detail and have the opportunity of taking that artwork all the way to daily tableware is pure joy. These and other potters that we feature at PATRICIAN DESIGN offer just that – the opportunity to incorporate art into the simple functions of eating and drinking.

Artist  Kathryne Cyman is a master of the 400 year-old Japanese process of Arita pottery.  Please read more about Kathryne’s journey at http://art.unm.edu/kathryne-cyman/   Showing alongside her capable student Jordyn Bernicke, the two present simple, elegant, affordable pottery pieces for you to bring into your  daily life.

Imagine the soft, delicate yet durable cup in your hand from which to sip and relax. Even to toss o.j. on the run – the basic action of drinking from a handmade vessel, in a color and finish that makes you smile, is an enhancement to the day.

Sensory perceptions ignited by the feel and the look of a beautiful piece of pottery is restorative.

We are privileged to have this exhibit and to meet these fine artists. We are privileged as a community to have this program at UNM.  It appears that the natural beauty of New Mexico, life lived close to the earth and celebrated by Native Americans for generations is a parallel practice to the Arita process by the artisans in Japan.

This exhibit proves that to admire the techniques that produce beauty is to acknowledge the importance and value of including these elements in our daily lives.

Selecting Stone

Stone. How do you select your stone? How did we become so fortunate to have so many choices? So many that we “take it for granted” or with a bit of stone humor, “for granite!!”

I’ve previously noted that trends come about as a result of changes in technology, availability, or the mere on-going need to keep creating and to keep the economy moving forward with the insatiable need for the newest – whatever.

In the early last century, plastic laminate – commonly known as Formica by both brand and composition – was invented and, over the ensuing decades, grew in color, pattern and application. It was THE counter-top material for cost and availability for generations and is still widely used today expanding its reach with quite remarkable textures, colors and faux finishes.

Stone – natural and timeless has been the luxury material – an alternative for only the rich and famous or those fortunate enough to live next door to a quarry. Stone has been the heart and the natural art of the world’s structure – the fantastic geology of our earth since the beginning and has formed with astonishing beauty and variety with the evolution of the planet. Quarried for centuries, ancient civilizations installed magnificent structures in close proximity to the source – natural resources with monetary resources at hand resulted in everything from edifices to interior finishes and furniture.

Voila – then technology and supply chain logistics made the cost and availability more accessible bringing stone into modern kitchens everywhere. Stone transported from Brazil, China, Italy and nearly every pocket of the planet offers a world of choices for YOUR counter-tops (and more). But with so many choices, how do you chose?

This will be a focal point of your kitchen. It is either the neutral against other lively patterns and textures or it is a matrix of color or perhaps a bold prominent swirling, sweeping statement of fantasy and magical movement. It is valuable to remind yourself that you are studying geology. Nature formed this. It is nature’s art.

Even in a tight matrix stone, irregular surprises of deposits can occur. The choice is to capture those statements adding character in your countertop or dodge them in favor of a more uniform, expected appearance. You either appreciate the wild nature of the seeming imperfections and regard them as fortunate finds or your prefer the expected uniformity of the overall look of the stone you have selected.  To accomplish this one way or another is to select your slab.

When ordering from a big box store, you often do not have that opportunity – they draw from an assortment of stocking sources and you won’t have the chance to pick your slab – just your variety. This can result in happy or not so happy surprises. Stone is a natural material.

Stone can be finished in a variety of textures from very highly polished to honed and even rough leather-like textures. These features are further details and enhancements that will make a significant difference in the overall style and impression of your design decisions. It’s a big investment – study your options and combinations of adjacent materials.

Samples of stone are just that – samples – cuttings from a slab – but no two slabs are alike. The sample you hold in your hand and place against cabinet and tile options might have a streak running trough it or be primarily one color that you picked because you loved – but the actual slab might not be that same composition.

The closet thing you can get is to have consecutive slabs cut allowing amazing pattern matching and anticipated designs. But it will slowly morph away from the specific design as the slabs are sliced illustrating the natural evolution of the stone’s formation.

When you have the opportunity, pick your slab. You can then see the actual details of the stone and more specifically you can layout your countertop template directly on the stone to know exactly what will occur where and how the finished countertop will look. In any case, a natural stone surface is a unique work of art!

Here, a unique warehouse of pre-cut slabs all 2, 3 or 4 x9 feet. The cost is reduced due to bulk fabrication. Field cutting handles most installs while other fabrications shop can be engaged to create custom installations.

Every piece of rock extracted from the earth has its own character. From color, pattern, and mineral specks, enhanced by the process of cutting and polishing. Like a stone washed by rain, the colors are more rich and brilliant…that same stone dried has a softer dull appearance. This distinction between shiny or mat, polished or honed is another choice depending upon the context and look of the intended design.  Knowing what a natural thing can become either used in its raw state or enhanced to modify its appearance is the key to more choices.

BONUS offer!!! You can have your island in a different stone for contrast or complimentary reasons!!!

Once you’ve selected your stone, you then pick the edge detail. A few options are – square for a clean modern look,

radius for a more durable edge and softer statement. Notice the seam that results from laminating two thin slabs for a larger bullnose  subtle and if done well, not noticeable without close inspection.

Broken edge for the rough natural look – granite (the tough choice) and also shown here, sandstone (not the best choice for a working counter-top, but rustic and great for wall caps, benches, mantles and hearths.

 

An ogee edge for a more formal detail.

Natural stone is durable and easy to maintain. Have no fear! It tolerates heat and is terrific for transferring hot baking pans or dishes from the stove or oven. You can chip the edge with a strong blow – but otherwise will not be easily damaged. The stain issues are nearly non-existent. While some stones are more prone to staining, others are more imperious and with improved sealants, most are warranted for anti-stain. Furthermore, stains – IF they occur, can be usually be removed/restored/refinished on-site. The only other concern might be susceptibility to acid etching which varies with differing stones. As is true with staining, these areas can often be repaired on-site in your home.

If you want to be certain of your stone’s properties prior to purchasing, use a sample and apply the dealer’s suggested sealer. Put test patches on it with things like tomato paste, citrus juice, oil and wait a few hours…wipe the sample clean and you’ll know how it responded. Each stone’s resistance to staining, scratching or etching varies with the source, composition, color and finish.

Now natural stone has a lot of competition from man-made materials, solid surfaces, engineered stone, concrete…they vary according to their fabrication, composition and finish, but most do not possess the same durability and impervious properties of natural stone. Investigate each on its own merits. There are often times when design decisions favor the aesthetic of a man-made material. As always, make your decision weighing the pros and cons.

With so many choices…how will YOU decide?

 

 

 

 

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Picking PINK!

Prompted by pieces peppering a pastel presentation for an artist’s opening reception entitled Resilience we held here at PATRICIAN DESIGN last Friday evening, I was pondering this week’s topic when PINK peeked  into my thoughts.

Pale pink is an unsung color – often considered to be insipid and lacking ooomph, it really is quite satisfactory. Pounced on by millennials, with their popular color trend “Millennial Pink” passion for all things in fashion and home style, pink has made a bit of a splash in recent years.

Last Friday, with the creation of the display window featuring pottery shards scattered along the floor, artist Helen Atkin’s peachy pastel pink and soft coral glazes melded together against the soft geometric woven textile resulting in a confection of comfortable color and texture.

Helen Atkins’ shards and little dishes sprinkled in the east gallery window at PATRICIAN DESIGN.

I awoke today with this color on my mind. Swirling thoughts, so often the case, as one thing leads to another and I thought – I wonder how much of that most satisfactory and pleasing color I have here in my immediate world. So, I set-forth  to find out.

Gathered on the nightstand in the guest room, this cluster of dried flowers is a fragile collection of soft pink tones.

Walking around the house, I came upon so many examples that I really was quite pleased. The re-discovery of each made me feel content. I realize that although they are seemingly insignificant that they are really quite sentimental pieces gathered through the years and each so distinctly different from the next.

One of my first purchases when I moved across the country was this discarded, damaged Tamarind print of a large nearly psychedelic strawberry from the famed print-making institute  where rejected failures spoke the language of “one man’s trash is another man’s treasure” and it was mine to adorn my new, naked, New Mexican walls.

Generally referencing feminine imagery and romance, pink is delicate yet full of depth and variation – as with all colors – the range is limitless for value, tone, blending of shades…Contrasting warm yellows and cool blues frame pink so well.

Detail of one of several of my Gerhard Lehner lovlies, I Still Sail to the Virgin Islands. As the artists explains – “An original like-etching a la poupe arrived from drawn textural lines and painted effects which allows the poetic ink to transfer to the fine rag paper.”

Detail – Fine Craft and Dance by Gerard Lehner

 

Bold floral brush strokes sweep through the pinks and peach, coral and rose, accented with the contrasting vessel in a brilliant cobalt blue, Peggy Zuris was a master of color and style.

Memories of the warm glow of the pink roof-tiled, painted and plastered buildings along the Puerto Vallarta coastline absorb and reflect the rising and setting sun during all exposures of the day.

Detail – watercolor featuring iconic Our Lady of Guadalupe church by Victor Torres Tellas

Meandering from room to room I encounter so many pretty pink things. I obviously gravitate to this amidst my many other colors as a necessary element woven through my comfort zone.

Detail – Fantastically French floral oil on canvas by Anne Sandry

And I adore this finely detailed hand-colored etching showcasing a foreground field of pink lupines,bought decades ago in the artist’s studio at The Torpedo Factory.

Detail of etching by Lyndia Terre

Then I came upon these book bindings stacked unconsciously atop a mahogany dresser , resulting in a study in pinks presenting a pleasing palette.

I realize that I was exposed to the priority of pink at an early age as my  mother’s interior design palette incorporated pinks and soft greens in the more formal areas as well as outside on our screened porch and patio beyond, to the gardens with magnificent mounds of screaming pink azaleas blooming and their explosions of color every spring. Surrounded by lush verdant foliage of the woods where we lived, pink contrasted well with the many shades of green into which we were intimately nestled. We were comfortably punctuated with pink. Therefore it was not a foreign color and complimented the transitions into other darker green tones and yellow accents throughout our house. The original scrolled wool wall-to-wall carpet was a medium pinky-clay color. Quite unusual, yet neutral, providing an earthy grounding.  Mom also enjoyed the vibrant introduction of designer Lily Pulitzer onto the scene in the 60s and peppered her wardrobe with Pulitzer pinks from carnation to hot fuscia contrasting with chartreuse green. Today her classic iconic colors and patterns still make significant design statements.  Mom has never been afraid of color! I inherited that fearless foray into colors of anything fun and fabulous

This handcrafted New Mexican church (birdhouse – having never been outside to host a bird) sports an eclectic array of enchanting elements using pinks to perk up the collection of colors. I realize as I tour these rooms of colorful artwork, that I love the combination of pinks with blues and yellows!!

and also the appreciation for the soft subtleties too. These two magnificent oil paintings depicting New Mexican scenes with the oh-so-pleasing pinks.

Detail – oil painting Church at Golden by Marilyn Yates

 

Detail – oil painting Moonrise by Bruce Piel

This has been a fun and illuminating exercise. I’ve determined that pink is essential to me.

Why not a pink cabbage plate on the guest room duvet cover dotted with woven clay-pink slubs?

It occurs in so many things that bring me joy.

A heavy, luminous hand-blown glass vase.

 

Speckled vintage vase – a touch of fun!

As my dear friend Corinne aptly named her shop, it is The Color of Joy. Pick a color – any color – and go around your interior spaces and see what you discover – perhaps you will find your essential grounding color. It just might be a surprise. Find what brings you joy.

Real Jeans are Wabi Sabi

An aside today to address a different design statement – of fashion, not interiors, I’m speaking out about FAKE JEANS. In the design field we watch trends and acknowledge the importance and validity of new design ideas, combinations, forms and functions. When torn jeans made the scene a couple of years ago, it was amusing and seemed to be a cheap, cheesy, frivolous attempt at something overly shabby chic. The discount stores were stuffed with them and the mainstream stores too.

Perhaps a cat clawed this pair to shreds? And the bottom – up above the ankle? Puzzling…

But it continued to make me roll my eyes with disbelief and when I saw well-heeled women sporting them and paying serious money for them. I was truly amazed.

Fraying at the bottom suggests that they were comfortably too long and dragged to this result…but as a crop jean? HOW might one fray up the back of their upper ankle or calf? Hmmm…

Do you have a pair or two or three? All colors? All varying lengths and tapers? How long did you hold out before you caved and found the perfectly worn pair for you? Are they just broken through at the knee or are they riddled with torn, mangled shreds of fabric? Are they lacerated in mid-thigh? How might THAT have happened?

This is a skirt version of the story. But what IS the story? High thigh wear spots…

So does this make me sound like an oldster? Read more and see what you think. It’s NOT about the frayed tears, it’s about where they are, why they are, how they look and how many they are. I see jeans that look like they have been doused with acid! How might THAT happen? But boy when it did – whew, you saved them!! And wore them to tell the story!!!

I think this might have been a bear attack!!!!!

Others are worn in the oddest places of the structure having nothing to do with normal wear and tear – totally random splotches of abraded material – defying common sense.

This jacket looks like somebody got into a bit of trouble!! Including scratch marks!!!

These jeans were my favorite. I loved the fit and the feel, the texture and color of the denim  and they got better with age. They were Levis and are now crowding 50 years old!!!

Yes, from the 70s, these jeans were the best. And I’ve saved them out of an inordinate sense of nostalgia. When you find jeans that have all these critical features you wear them to death. And that’s just what I did! These jeans were so perfect and had no stretch to fake the fit! The more I wore them and the more I washed them the softer they became and the more invaluable they became to my wardrobe and hence, my identity.  They were my fabulous freaking fashion fundamentals.

After a few years of near daily wear, these jeans began to gradually fade and wear away the darker threads in favor of the lighter cross threads of the twill. The seams and edges were breaking down. They began to show signs of possibly breaking through at the knee. They were experiencing the metamorphosis of Wabi-Sabi and I was anxious about their dematerializing. While a part of me loved these indications that they were truly my favorite as proven by these lovingly worn signs, I was facing a fear of loss.

I have previously written about the intensely thoughtful book by Leonard Koren,  Wabi Sabi for Artists, Designers, Poets & Philosophers and as I write this I went into my desk and extracted it once again to find a  passage that so speaks to this subject of  “The Material Qualities of Wabi Sabi…The suggestion of natural process. Things wabi-sabi are expressions of time frozen. They are made of materials that are visibly vulnerable to the effects of weathering and human treatment.. They record the sun, wind, rain, heat, and cold in a language of discoloration, rust, tarnish, stain, warping, shrinking, shriveling, and cracking. Their nicks, chips, bruises, scars, dents, peeling, and other forms of attrition are a testament to histories of use and misuse.  Though things wabi-sabi may be on the point of de-materialization (or materialization) – extremely faint, fragile, or desiccated – they still possess an undiminished poise and strength of character.”

“Irregular. Things wabi-sabi are indifferent to conventional good taste. since we already know what the correct” design solutions are, wabi-sabi thoughtfully offers the “wrong” solutions.” (A side note:  Koren mentions regularity in mass production and designers looking for ways to express poetic artistry and sabotage perfection to intentionally create irregularity). I don’t think the endless racks and stacks of identically torn, abraded, ripped, and even mangled jeans was what he had in mind!!!

So these jeans of mine expressed unmatched strength of character impossible to replicate in my estimation and as time marched on and they gradually frayed and broke through I mourned the demise. The seams stopped the tears from severing the legs of these amazing jeans. I continued to wear them finding the badge of honest wear quite fashionably cool. But inasmuch as I loved the tears for what it represented in a life well lived and personified aging and the passage of time, I wanted to celebrate the priceless nature of these jeans and give them a revitalization without changing their character. With that I decided to add a little Flower Power, as I whipped out my brushes and paints and embellished them with hipppy  dippy flowers to celebrate their age and honest wear.

Honest. I guess that’s what my gripe is about.

Night before last, I spied this common jean scene sitting at a wine bar. These actually look like they could have been naturally worn through in the knees, except you then see the mid- thigh rip – how would that have happened?

I doubt it is empathy that the celebrities sport the fake torn jeans off the rack. It is not empathy for those less fortunate who have torn jeans from wear and an inability to replace them due to cost. Impoverished people in torn jeans are  not trying to make a fashion statement and the people who are enjoying the forced-casual novelty of looking like they loved their jeans until they ripped or to make a social statement about “I am really on your level of every man/woman” are not fooling anyone – really? Neither one flies. Neither one is honest.

And to be perfectly honest about these jeans – they don’t button today. I had not tried them on in decades. My skinny, lanky, lovely niece did a few years ago.

 

And as I held them up today to photo, I decided just to try. I pulled them on exactly as I remember trying not to further rip them unnecessarily, got them all the way up wriggling into the well-worn butt and they weren’t going to button together -not this week.

 

But I  now have a new summer goal! Might I trim-up enough to button my old favs? That would be a feat!  Stay tuned!

If your jeans didn’t wear out from love and appreciation, I say, “give it up!” Like the Emperor’s New Clothes, look at them for what they are and exclaim They are NOT Real! Eeeuwwwww!!!!! It’s a  ridiculous, silly trend. It’s an affectation of numerous charades.

Good design. It’s in the eyes of the beholder. But I prefer to embrace the real effects of shabby chic and the ultimate wabi-sabi in fashion and interiors. Relaxed and un-constructed is one thing, but these ridiculous artificially torn jeans are beyond the pale!!! Ask me what I REALLY think!!!!!

10 Tips for Remodeling: To Improve and Enhance

I’m currently working on an urban loft apartment.  The criteria with which I was presented, upon our first meeting, consisted of three items: One – to enclose an open bedroom to provide privacy, Two  – to provide alternate access to the shared master bathroom. (There is also a powder room, but the shower and tub were only accessible through the master bedroom), Three – because it is a relatively small footprint with voluminous tall ceilings, he was hoping to create a small second tier for additional square-footage.  I understood these items to be his intended “improvements.”

While on-site, at the first meeting, it was (and is always) impossible to limit the observations to only those isolated areas of concern without seeing all else that is occurring around the space.  Therefore, I consider the extra comments that I offered for minor changes to be “enhancements.” These are things that have not had or do not have  priority in the eyes of the client and might have even gone unnoticed forever. Items such as adding a wing wall at the front entry to screen view from the door through the kitchen, concealing a new tall closet of matching cabinetry directly behind the wall to add storage to the kitchen,  add a clerestory window and bookcase with cabinets to the new wall between the master bedroom and living area for borrowed light and additional storage!

Occasionally these offerings are met with a shrug, hmmm or a “maybe” and not really considered to be of great value, but more often than not they are greeted with exclamations like ‘Oh, I never would have thought of that.”  “What a cool idea!”  “I would love to have that.”  And it is with this enthusiasm that my client responded.

So when considering remodeling or identifying the primary improvements needed, begin with the priorities then layer design details of additional enhancements and you will create a master plan that can be executed over time in phases in a preferred or practical order of priority.

1. Begin with your list to improve the function and enjoyment of your environment.

2.Prioritize the list and guesstimate costs to establish a starting conversation    regarding budget.

3. In addition to cost – consider pairing like-kinds of things together such as adding or removing a wall which involves framing, sheetrock, texture, paint – it might be cost-effective to do all items related to these trades even if they are not the same priority.

4. The distinction between improving and enhancing is a fine line because improving does enhance, however I consider improving more practical and enhancing with embellishments that are less critical, but make further improvements and enhance the quality of the space. Such as crown molding, improved base trim, unobtrusively installed mirrors, windows, updated hardware, etc… https://bit.ly/2HCYrU

5. Storage is always welcome. Look for opportunities to add cabinets, vertical spaces to maximize your footprint, second-tier countertops, raise cabinet heights even furniture to provide additional storage. https://bit.ly/2GZglUa 

6. Passing daylight through to interior spaces is more common in offices than in residences, yet for the same reasons of “borrowing” light in commercial spaces, skylights, vertical slivers of glass, transoms and clerestories are valuable assets when it comes to bringing daylight into pockets of darkness. https://bit.ly/2HCddKU

7.Evaluate your existing lighting. Adding dimmable ambient light to rooms to supplement existing down-lights such as pendants in kitchens, translucent lamps shades on table and floor lamps, even well-concealed under-cabinet lights will add control and mood enhancements. Spot light wall art and sculptural pieces, illuminate corners with up-lights (up through trees, behind chairs), and consider changing to LED lamping (bulbs) for longer-life, cost -effectiveness and a full range of colors!

This up-light filters through the plant from behind the chair casting interesting shadows and illuminating an otherwise dark corner.

8. When considering new flooring know your needs as there are so many options for soft under-foot, freeze-proof to carry outside, ease of maintenance, durability, non-slip, and of course the many aesthetic preferences.

This interlocking vinyl floor has remarkable graining look, color and texture and provides soft “give” underfoot. These new luxury vinyls defy our early perceptions of faux finishes.

9. Stacking laundry machines have provided terrific opportunities for added space in laundry rooms, more cabinets, counter space, laundry sinks, craft areas and more! https://bit.ly/2HpkKih

10.Opening walls enlarges spaces – even a peek-through, but also create the interest of depth and layering of dimension, color and light.  https://bit.ly/2GZrMLj

Ten Tips on Mixing Metals – Making Sense of It All

How to mix and not mix metals….that is the question. Is it nobler to stick with one throughout or might I venture into a mix of metallic material? From switch plates to chandeliers, this question comes up all the time – and it’s fair. With all the options and the TRENDS saying one thing or another (probably to sell you something or to stand with a current trend fearful of venturing forth), it is a common dilemma. Here are a few tips to give you confidence in the  metal mixing mêlée.

  1. IF the door hinges are one thing – the handles should match. We often see pre-hung doors with brass hinges and a retro-fit of brush chrome or bronze – that is a no-no. 
  2. Is brass finish out – should I change all my hinges and door handles? In – out…no sooner does one hear that a finish is passé or they think they themselves are stuck with a less than new and trendy finish – be calm and carry on – to quote a couple of “trendy” phrases that drive me up a wall – it’s all good.
  3. If you have brass – embrace it! Fear not – it is all about the manner in which you present it – in what context you design with it. Following trends can be costly, unnecessary and unimaginative. Gold/brass finishes have been making a come-back in recent years. Sometimes it takes time for it to trickle into your purview. But the point is – good design is good design. So it’s not so much about if it is perceived to be good enough or right or wrong…it is if you can design around it and make it great. 
  4. Should you mix a bright brass chandelier with brushed stainless door hardware? Probably not, but it is not so much about the mixing – it is that to make something like that REALLY work, the overall design would have to be so intentionally mixed that it in itself (the intentional mixing) is an art-form. 
  5. If a kitchen has brushed chrome detailing (appliance trim, faucet, etc…), may I use brass cabinet pulls?  The answer is YES. In some contextual situations, the language of the materials speaks in vernaculars that separate certain groups from others as though allowed to be intentionally different – as they ARE different. The great thing about knowing when to make statements in contrast – not conflict, is just that – knowing.
  6. The old world and contrasting contemporary look of Bronze, the stalwart wrought iron read of Black, the bling of Polished Chrome, the modern softening of the silver with Brushed Chrome or Stainless, the traditions and suggested opulence of Brass and Gold, the warm median balance of brushed nickel – guess what? They all have their place depending upon the context of design. 
  7. New finishes for appliances rule the kitchen. We thought we had it made when Sub Zero and others offered slots for panels for the fronts of appliances to enable matching of the flanking cabinets. But for those who wanted off-the-shelf units, beyond the merry-go-round colors from harvest gold to avocado green, burnt orange to basic white – the colors of the past were challenged by bold black and brushed stainless finishes – the new fab. But now we are seeing matte black – and oh is that hot! Complimenting the concrete finishes and raw steel – contrasting with the brushed stainless – punctuating the trend of the clean commercial kitchen style of design. It is a bold yet soft new option for the edgy everyday kitchen.                                    http://www.foodandwine.com/cooking-techniques/look-these-beautiful-matte-black-major-appliances-refrigerator-ranges-ovens-and
  8. Ceiling fans present the same conundrum. Do they match the ceiling and go away? Do they hang suspended like a giant menacing propeller threatening to decapitate anyone who comes near? A black fan against a white ceiling might. A bronze fan in the middle of everything might appear a bit top-heavy. Ceiling height makes a difference. Surrounding decor makes a huge difference. Whether it is to be noticed or quietly disrupt the air for refreshing breezes without screaming their source – those are compelling questions. I cannot even address whether it should match the door handles – it makes me crazy. Unless it is an intentional focal point – like palm-frond paddles in a tropical bar – or industrial mechanisms intended to further that contextual theme, I think nearly all of them should visually go away.  Who wants the focal point of a room to be a fan centered and suspended from the ceiling to hover overhead and command the visual impact of a nose-diving airplane? Unless of course – that is the theme.  The fan designers would argue.

    Oh my – brass, chrome, bronze…where is the focal point? My eyes are darting everywhere!

  9. Fireplace grills…often found in polished brass – they can stay or be painted out – with a flat black that makes them fade into the void of the opening or simulate a cast-iron grate. They can be painted with a faux-rust finish – there are many possibilities – maybe even fire-engine red. The point is, once again, it is the context that makes it successful or appropriate – there is really no right or wrong answer here. 
  10. Tip # 10 is to take each offered finish as it comes, evaluate the context, find your focal point(s), what is the most cost-effective to change? All the door handles and hinges or the light fixture over the dining table? I say it in so many blogs…do not let trends rule your life. Have confidence in your own likes and comfort and go with it – good design never goes out of style. 
  11. BONUS TIP!! Do all my picture frames have to be the same finish? Do I have to re-frame my gold frames or change my maple to chrome or go black on all of them?  Have I ever mentioned context? Eclectic mixes can be quite fun and interesting.  Groupings of identical moldings can be effective.    Random pieces scattered throughout can each be singularly nice. So don’t rush out and re-frame all your art. See how you intend to use it, group it, where and with what else. Be sensible and creative – be brave and do what you like! That makes sense!!!!!

 

For the LOVE of Fine China – USE IT – Inspired Table Settings

From the Diminishing Dining Room of last week’s observations, https://patriciandesign.com/category/dining-rooms/, I decided to further the conversation to encourage a new-found appreciation for having fun setting dinner tables!  I found fodder from Kentucky Fried Chicken served on formal silver platters to wipe-clean placements of dazzling designs to dress your tables.  A collection of tireless designers defend the use of fine china – own it, buy it, find it, inherit it, enjoy it, keep it and use it – don’t send it to the thrift shop!!!

Yes, the art of fine dining seems to be set aside in favor of ease and expediency, but this article from The Washington Post’s HOME section (thank you Feath – my clipping service) brings it all home to use and enjoy.  It is a celebration of art, design and playful creativity.

Not everyone loves to entertain, to create the “tablescape,” to even bother to put together an outfit to wear. Not everyone loves to get dressed in the morning – it is a chore, an obligation, a mere necessity. That’s unfortunate in my estimation. For those of us who do – love it – it is all about having fun with fashion or interior design is just that – FUN!

Last spring I began a series  of emails that I blasted to our mailing list called COOK + PARTY. It was (and will continue this next season) a collection of weekly recipes paired with table-top art pieces. In our gift boutique, we represent an incredible collection of artists who create fabulous tableware.  I paired a piece with a recipe each week to inspire and encourage everyone to use “functional” art in their daily lives and specifically for entertaining and even the family dining table.

https://patriciandesign.com/category/art-and-food/

Recent fodder revealed a great source for fabulous wipe-clean placemats from Caspari.  For decades a fine source for the best paper cocktail napkins, Caspari offers these bold patterns and colors, prints of fine china and fabulous fabrics – re-use and easy to clean – why not?

https://www.casparionline.com/catalogsearch/result/?q=placemat

A previous fall blog that I wrote illustrates the open-mindedness of looking around to find inspiration for seasonal table dressings.  The decision for your table-top inspiration can be spontaneous – just go outside and look around!

 

Among the refreshingly optimistic designers that were quoted in the Washington Post article:

https://www.washingtonpost.com/lifestyle/home/that-old-fussy-china-can-fit-your-casual-lifestyle-designers-talk-about-how/2018/02/21/46761538-0084-11e8-8acf-ad2991367d9d_story.html?utm_term=.3a6fde2e5124

Barry Dixon, from the verdant rolling hills of Warrenton, Virginia, specifically points out that this process of setting your table should be fun!  Don’t pull-out the same things each time – mix it up! Change it up by adding color and pattern differently with every new opportunity.

Seasonal flowers, yellow woven cotton place-mats, embroidered folk-art table runner, basket chargers beneath classic Limoges topped with ceramic napkin rings – it looks like spring!

Designer Timothy Corrigan tells us that many people find it too difficult to entertain with their best things because the onus of proper cleaning and put-away is too much! But Mr. Corrrigan points out the joy of using your best things every day – everyday is a celebration and what you enjoy should be used.

In another springtime setting…organic, rustic things with finery – black stones nestle fresh purple Campatula flowers antique Limoges and basket chargers –  makes an eclectic table settings – it’snot all or nothing…it’s the combinations and scene that is being set.

Hutton Wilkinson – way out in L.A. where casual chic is the practice of distilling what migrated from the more formal sister coast to the east – noted that he believes presentation is the key to success. It isn’t so much about what is served (don’t tell the chefs that), but rather on what it is served and how it is presented.  Imagine buckets of Kentucky Fried chicken served on elegant Georgian silver platters. That simple fast-food chicken becomes  magnificently irresistible. You can’t say you’re too busy to cook with that creative solution! Wilkinson believes that presentation helps food taste better in addition to looking beautiful! He advocates buying china because it’s beautiful – not merely serviceable. I agree…it’s not all about the mundane purpose of eating off of it – but rather the joy of eating off of it!!

Making your guests feel appreciated and treating them to a unique, pleasing experience is a gift to them.  A special treat to show that you care –  going that extra distance of detail and design.

Color combinations, textures,patterns – wonderfully pleasing tablescapes are a treat for the eye. (So special Marsha!)

So don’t say it’s too difficult…keep it simple with Real Simple – the source for easy, ingenious ideas and simple truths……the following link for proper place-settings will get you started.

https://www.realsimple.com/holidays-entertaining/entertaining/how-to-set-a-table

Patti says – “make it special every day.”