Often with remodeling…it’s both the best of times as the anticipation for the exciting transitions is ignited, but since it takes “breaking an egg to make an omelet”, it is often the worst of times too as the demolition and displacement begins. Thank you Mr. Dickens, you set forth a mastery of profoundly conflicting opposites that I have used here which describe so many design project experiences so well.
Currently, in our shop, we are designing almost parallel kitchens. They are at nearly identical beginning stages. The owners share little in common, if anything, except perhaps the age of their homes. The sizes are similar, yet one is a bit larger offering different options for design consideration.
Both kitchens had been remodeled, from their originals, somewhere in the 70s and possibly 80s. One installed traditional drop-panel golden-oak with a curvy valance over the sink.
Brilliant blue paint to come will transform these re-purposed/salvaged cabinets with new personality!
The other flat panel radius corners for a “modern” look – also in lighter bleached oak.
Each set of cabinets were in good condition opening the conversation to salvage versus replace. Certainly we encounter cabinets that have been destroyed by hard use and neglect, but when the boxes are reasonably well constructed – or enough so that some reinforcement will enhance their weight-bearing and usability qualities, we often take the route of refurbishing. (NOTE: As a DIY, this requires much research to insure that a new finish will be flawless, durable and easy to maintain.)
The beginning for each project propelled forward with distinctly different ideas. One to follow the original character of the home’s raised panels painted white doors and trim throughout, the other seeking an entire transformation to a multi-colored fiesta of fun!
Mexican Talavera tile with Mexican terracotta Saltillo for the kitchen floor adjacent to white oak narrow plank original tongue and groove floor recently unveiled from beneath wall-to-wall carpeting.
Now that’s not to say that the more traditional soon-to-be white, raised panel kitchen will not be full of fun – as it will ultimately have a “party pass-through” connecting the kitchen through to the patio beyond and counter-top that transitions seamlessly from the sink area inside straight out to a party bar! A custom-sized double-hung window will open the scene in the warm weather months. We know that it’s going to be classic with a tremendous twist of fun!!!
The patio level is a step down. The kitchen counter inside will flow through a new window that is lower – opening directly on the countertop surface – providing bar height outside.
Both kitchens are being “opened” by removing portions of walls which have isolated them in years past. By removing the walls, additional daylight will be evident, a perceive expansion of the space will be realized and a connectivity to the other living areas for personal and entertaining enjoyment will become a reality.
Breaking through to daylight from the hallway skylight – adds not only light, but incredible depth and dimension!!
This is soon to open into the living room and large picture window beyond – a peak at the mountain will be an added reward.
A bit of structural modification to both are resulting in minor delays for permitting processes – other aspects of the work will continue, in the meanwhile, like the continued selection of finish materials, lighting fixtures and cabinet modifications.
In both cases we have discussed the design challenge of existing materials. I have found over the years that often, when confronted with existing conditions you might not have set-forth to include, they add character and an element of unselfconscious cool-ness. It occurs when certain conditions or materials are in place that you might not have chosen or planned into the design. Designs from scratch, that are too well coordinated or too perfectly planned, can lack that element of surprise or unexpected interest.
The first home had slate tile floors with a unusual mottling of colors leading with a cool aqua and including charcoal grays, smoky blues, ochre and rusty tones.
The other inherited period hollow mahogany doors all trimmed with white molding and original cabinetry. Do we paint them white – which would be the customary response or leave them and invite that element of “oh you kept these doors?”
In this second example it would be easy to “neutralize,” if not replace, the dated doors. However, the homeowner, having many fond experiences in Guatemala, appreciated the great condition of the tropical wood, grain and finish – so we will start without painting them and re-evaluate down the line as the new colors and finishes splash their celebration over the scene. As the transformation takes place, the decision regarding the doors can be re-evaluated.
This is a prime example of the design process. Often there are elements on a project that are a puzzlement. The great thing is that often the decision to remove, modify or leave unchanged can wait until the scene evolves. If you have the luxury to design as you go, you will have more opportunities to consider context, contrast, new options etc…that are often obscured by the overwhelming and often daunting task of visualizing the finished product.
Sharing the same vision is one of the hardest aspects of the design process. Full color architectural renderings, illustrations and even sketches go a long way in conveying the intent, but no two people see exactly the same thing through their mind’s eye. During these preliminary stages of design concepts, nebulous ideas and imagined finished products, the opportunities for misconception are great.
I remember a hospital project many years ago where the head nurse was wincing at our suggestion of maple cabinets, headboards and other carpentry details. She kept quiet, but we (the design team) kept hearing rumors that she loved the color scheme, direction of the interior design and all of its architectural interest and design finishes, yet she could not embrace our suggestion of maple cabinets. One afternoon once we had gathered the materials for a touchy-feely presentation of color boards and tangible design elements, she had this incredibly surprised expression and exclaimed that she had never seen maple that color – it was natural – like a blond, wood, basketball floor. She further explained that she “pictured” the dark reddish Ethan Allen maple furniture of her childhood in her grandmother’s house. Needless to say, she had been having great difficulty accepting its inclusion into a design scheme of smoky lavenders, pastel clay tones, creamy whites, warm terra cottas and maple wood (in our mind’s eye – natural – and in hers, what she always thought was natural maple – dark reddish brown!!).
Communication is a powerful tool… often major decisions, opinions and actions can result in miscues due to miscommunications. To avoid such misunderstandings take care to provide thorough explanations along with tangible samples and other visual aids.
As we progress with these two kitchen remodels, we look forward to dramatic transformations, exciting phases of design work, some anxious anticipation, and ultimately four happy clients each enjoying their personal spaces, reflecting their lifestyle, home style and distinct personalities. Watch for updates and before and after dazzlers!
I was touched and photographed it to share with my instagram followers, which lead me down the #paintedrock hashtag. The first artist’s post I clicked on – she does amazing mandala dot art – shared what kind of paint she used and gave other general tips. By that afternoon I had a rainbow of colors and was painting my first rocks.
Although Kim’s photography still plays a significant and pleasurable career role in her life, this quest to explore other of her creative energies and talents is proving to be an exciting and potentially lucrative path.
Following trends can be costly, unnecessary and unimaginative. Gold/brass finishes have been making a come-back in recent years. Sometimes it takes time for it to trickle into your purview. But the point is – good design is good design. So it’s not so much about if it is perceived to be good enough or right or wrong…it is if you can design around it and make it great. 
Probably not, but it is not so much about the mixing – it is that to make something like that REALLY work, the overall design would have to be so intentionally mixed that it in itself (the intentional mixing) is an art-form. 
The answer is YES. In some contextual situations, the language of the materials speaks in vernaculars that separate certain groups from others as though allowed to be intentionally different – as they ARE different. 
The great thing about knowing when to make statements in contrast – not conflict, is just that – knowing.
But now we are seeing matte black – and oh is that hot! Complimenting the concrete finishes and raw steel – contrasting with the brushed stainless – punctuating the trend of the clean commercial kitchen style of design. It is a bold yet soft new option for the edgy everyday kitchen. http://www.foodandwine.com/cooking-techniques/look-these-beautiful-matte-black-major-appliances-refrigerator-ranges-ovens-and
Have I ever mentioned context? Eclectic mixes can be quite fun and interesting. 
Groupings of identical moldings can be effective. 
Random pieces scattered throughout can each be singularly nice. So don’t rush out and re-frame all your art. See how you intend to use it, group it, where and with what else. Be sensible and creative – be brave and do what you like! That makes sense!!!!!
https://www.casparionline.com/catalogsearch/result/?q=placemat
