Aug 13

Southwest Style – What is it?

By pattisays In Albuquerque, New Mexico, architecture, art and food, art and interior design, artistic expression, artistic talent, artists, bathroom remodel, beauty behold it, blue and white, civilization, color forecasting, Color schemes, color trends, colors, context of interior design, cowhides, creative process, creativity, custom design interior design, decorative arts, decorative mirrors, design, design process, design solutions, design tips, design trends, designs in nature, dining and design, drama of color, eclectic design, eclecticism, functional art, hammered metal, handcraft, handmade tableware, hiring an interior designer, historic properties, historical interior design, home improvements, houses, inspiration, inspiration from nature, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, joy, kitchen, kitchen design, Leon de la Vega, lifestyle, Mexico, natural designs, nature, nostalgia and design, organic design, paint colors, personal expression, personal taste, powder rooms, Pueblo pottery, quilting, Regional design, residential restrooms, Santa Fe, New Mexico, selecting colors, Smithsonian American Art Museum, Spanish Colonial, stone countertops, Subscribers, table dressings, table top, tableware, Talavera Tile, terracotta, textiles, tile, timeless colors, travel and design, trends, value of good design, weavings / 1 2 Comments

Arriving for the first time in our American Southwest, one might feel like they have entered a different country, if not a different world!! To fly from anywhere else where there are rolling green hills, or green fields or dense green wooded landscapes, not to mention tropical environs and cruise over America’s Southwest, it looks like the moon – or some barren planet. Everyone remembers their first impression. Whether exotic or scary, lonely or seemingly uninhabitable, once you get on the ground and explore the beauty and variety of what’s here, you’re bitten – even smitten.

In all fairness, this is a completely defoliated winter shot!! Many now know how lush this magnificent Sandia Mountain can be at the top, in the summer. Yes, I said lush.

No other region has the distinct architecture and tri-cultural identity of what has become the elemental design style and flavor of this magical place. From “sea to shining sea” New England to Southern California you will find nuances of regional distinction – but not to the degree that the American southwest is set apart. Architectural influences from colonization have been the standard guiding style nationwide. Yet the ancient, practical elements, of civilization that long preceded the Europeans discovering the New World, is at the roots of this enchanting design style.

Tri-cultural architecture and interior design results from the remarkable history combining Native Americans carving out of stone walls, building with mud (adobe) bricks, devising simple, practical designs to capture heat and insulate in cold while minimizing solar gain in the warm weather months, with the conquering Spaniards and their colonial influences, and finally the pioneers from the east with their colonial English influences. Now more often replicated, with frame construction and stucco facades, this unique melding is the core of Southwestern architectural design.

When one hears the term “earth tones” setting a design trend in the 70s, it suggests the brown, tan, orange palette that was terribly limiting. Certainly to label it earth tones, it became a curse of a color scheme. Sadly to link it to a representation of southwestern design was misplaced and unfortunate. And how sad to think that it was so broadly accepted – like lemmings following blindly – everyone adopted this as a truism. So often the case with trends. The 70’s also spawned a diametrically opposite color scheme of blues and greens to refresh that which had been so mired in the “earth-tone” movement.

However, real earth tones are limitless. Earth tones are all colors…look down…look around. Even if you confine your interpretation to the dirt beneath your feet – the colors are vastly more than the brown, tan, rust, orange that became the rage. Soft pinks and grays, pale blue and whites…look at dirt. It might be more clay, might be more peat – from soft terracotta to dark espresso – dirt is earth and the colors and tones are limitless.

Tom Glover captured the beauty of the natural landscape through his artistic photographic medium that Georgia O’Keeffe and others have depicted through their artistic media.

Georgia O’Keeffe saw it and captured it in her own enduring style.

Nature offers color. Natural dyes have riddled that art world through time. Synthetic dyes took it a level further. But nature is at the core of all we have in this world.

http://www.quilthistory.com/dye.htm

Turquoise being a natural mineral in the American Southwest became a signature accent color punctuating the soft earthen tones of the adobe design palette.

Artist Victoria Martinez Rodgers paints a valley apple orchard and the turquoise wall is the perfect backdrop.

Color was always there for those who cared to notice. The great painters of this region presented it well. Their recordings of everything from the many colors of the rugged windswept landscapes to lush green mountain forests with shimmering golden aspen groves – and bosque cottonwoods screaming with yellow brilliance capture and convey so much more.

In autumn, bosque cottonwoods explode with color sending a streak of brilliant yellow all along the Rio Grande. Federico Leon de la Vega create this commissioned oil painting from a photo provided by his clients.

There are the natural and also synthetic dyes that were woven through the magnificent textiles of the Native Americans – blankets and articles of clothing were not limited to buckskin animal hides.

Ernest Blumenschein was the founder of the Taos Society of Artists capturing the color and textures of the realities that he encountered in this Land of Enchantment.

Sunsets everywhere play a part in the imagery of the landscape – here we see vast landscapes with brilliant fiery skies and those exciting corals and lavenders, soft pink and blue wisps provide inspiration for wall colors and backdrops to our richly embellished interior designs.

Yet spare, understated neutral interpretations also offer elegant representations of southwestern style.

So what do you visualize when you think of Southwestern Design? Please don’t say a turquoise wooden cutout of a howling coyote! Death by Southwestern Style – the overdose resulting from overdone clichés and trends that have spoiled the real art and beauty.

It doesn’t have to be all about cow skulls and pelts…but these cow hide butterfly chairs are pretty cool!!!

Perhaps you see a Mexican influence which is also part of the melding of the regional style – like food, we have a fine line sometimes with certain traditional dishes that when adopted and adapted by American Southwest kitchens took on a unique identity all its own – differing between Texas, New Mexico, Arizona and California. We all enjoy bringing art and craft from our southern neighbors into our designs.

Borrowing, sharing, combining so many design elements such as adobe architecture, colonial wood trim detailing, fired brick technology, Mexican Talavera tile and pottery,

Native American textiles and so many other handcrafts

The owners of this interior have an intimate relationship with each of the artists that they have collected down to this magnificent mount of a buffalo. They knew him and his name and why he was put down.

from punched and tooled tin, paintings and pottery – southwestern interior design is rich with color, texture, artistic detailing and true soul. The connection to the earth is undeniable and nature always plays a key role.

So how might you introduce southwestern influences into YOUR design scheme? You could tile the wall(s) of a powder room in Talavera Tile. Maybe just a mirror surround?

You might paint an accent wall – or all walls in a room or some other bold color inspired by a regional image

Mango watercolor by Susan Weeks splashes coral against the golden yellow wall with a lime green lighted cabinet showcasing old, traditional, low-fire Talavera tableware. classic Talavera blue and white tile frame the bar opening and on through out the kitchen.

and collect art pieces such a punched tin crosses, wood and straw,

landscape or still life painting, hang a blanket or drape a bed with a beautiful woven textile…introducing different styles speaks to last week’s story about eclecticism. Don’t be afraid to mix things that you like. What brings you joy?

Jul 22

Living Room Transformation

By pattisays In ambiance, bar, before and after, blue and white, breakfast rooms, cats, Color schemes, color trends, colors, contrasts for balance in design, creative process, custom design interior design, design, design process, design solutions, design tips, design trends, dining and design, dining rooms, entertaining, family rooms, faux finishes, fireplaces, flooring, furniture finds, good design, hardwood floors, hiring an interior designer, home improvements, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, kitchen, kitchen cabinets, kitchen design, kitchen lighting, kitchen remodeling, lifestyle, lighting, Millenial, modern cabinets, mosaic, mosaic tile, natural stone, open floorplans, paint colors, patterns, personal expression, personal taste, planning a remodel, practical design, re-upholstery, remodeling, sectional sofas, selecting colors, stone, Subscribers, tile, trends, update design, updating, upholstery, value of good design, wall-to-wall carpeting, white kitchens / 1 Comment

As an adjunct to last week’s story about the progressive young couple and their dramatic kitchen remodel, I thought I should finish the subject and tell about the adjacent living room transformation and comfortable family room on the lower level.

When the kitchen grew to become the focal point upon entering and the bar counter expanded into the living area, it reduced that space to now become a comfortable sitting room for guests to gather or the family to relax while activities are brewing in the kitchen.

Looking through to the dining room where a built-in storage bench was added along the window wall, offers additional seating. A new fabric-shade chandelier softens the light levels. All lighting in this remodel are on dimmers.

The former white brick wall had gently rubbed edges to suggest a distressed condition exposing the red brick beneath. The fireplace had an unrelated golden oak mantle and surround with insipid tile inset also used to cover the hearth. The tile was a glazed faux marble with a Victorian design accent feature.

By simply painting the oak white to match the rest of the wood trim throughout the home and also painting the brick a soft taupe/grey tone, the look was instantly transformed. But they still had that awful tile…so here’s a design tip: to buy time either while you decide or until you save-up for the next phase, paint the tile away!!! To accommodate a new TV that is to go over the mantle, the wood surround was shortened. Notice the extra piece of wood trim that was removed to lower the mantle.

The hearth was removed and rebuilt (without the cut-off corners) with brick and painted to match the wall. Lucky for them the hardwood floor went beneath the hearth – so when they modified the size, they didn’t have to patch the floor! Tile was removed and replaced with 2×2 mosaic Carrara marble to coordinate with the herringbone mosaic of the same marble in the new kitchen backsplash/wall (see last week’s blog).

A sofa found, for nearly free, was in good shape and reupholstered beautifully in this plush, durable navy solid.

The classic blue and white motif was punctuated with organic yellow.

The newly refinished original hardwood floors – taken from a golden oak finish to a rich espresso/walnut stain…

…with the blue and white wool hook rug creates a handsome contrast. The rug actually “reads” blue and white, but upon closer inspection has warm khaki tones, soft turquoise detailing and is quite complex.

This revitalized cozy ambiance of this new sitting area/living room is perfect for this growing young family!

And for a more expansive gathering space, the lower level family room received a new sectional sofa in a durable charcoal fabric and a low-pile small diamond patterned wall to wall carpeting to conceal what had been cold tile floors and make a comfortable room for all seasons!

Purrrrrrhaps someday they’ll have a cat to climb that crazy rope-wrapped pole!!!!!

Jun 24

A Tale of Two Kitchens

By pattisays In aesthetic medical, Albuquerque, New Mexico, before and after, breakfast rooms, Color schemes, colors, contrasts for balance in design, creative process, creativity, custom design interior design, design, design process, design solutions, Design Team, design tips, design trends, Disruption in design, DIY design, drama of color, element of surprise in design, existing materials, flooring, hiring an interior designer, home improvements, illusions of space, interior design, interior design trends, interior enhancements, joy, kitchen, kitchen cabinets, kitchen design, kitchen remodeling, lifestyle, Mexico, natural stone, nostalgia and design, paint colors, planning a remodel, practical design, re-purpose, Refresh, remodeling, selecting colors, Sherwin Williams, Subscribers, Talavera Tile, terracotta, tile, timeless colors, update design, updating, value of good design /

Often with remodeling…it’s both the best of times as the anticipation for the exciting transitions is ignited, but since it takes “breaking an egg to make an omelet”, it is often the worst of times too as the demolition and displacement begins. Thank you Mr. Dickens, you set forth a mastery of profoundly conflicting opposites that I have used here which describe so many design project experiences so well.

Currently, in our shop, we are designing almost parallel kitchens. They are at nearly identical beginning stages. The owners share little in common, if anything, except perhaps the age of their homes. The sizes are similar, yet one is a bit larger offering different options for design consideration.

Both kitchens had been remodeled, from their originals, somewhere in the 70s and possibly 80s. One installed traditional drop-panel golden-oak with a curvy valance over the sink.

Brilliant blue paint to come will transform these re-purposed/salvaged cabinets with new personality!

The other flat panel radius corners for a “modern” look – also in lighter bleached oak.

Each set of cabinets were in good condition opening the conversation to salvage versus replace. Certainly we encounter cabinets that have been destroyed by hard use and neglect, but when the boxes are reasonably well constructed – or enough so that some reinforcement will enhance their weight-bearing and usability qualities, we often take the route of refurbishing. (NOTE: As a DIY, this requires much research to insure that a new finish will be flawless, durable and easy to maintain.)

The beginning for each project propelled forward with distinctly different ideas. One to follow the original character of the home’s raised panels painted white doors and trim throughout, the other seeking an entire transformation to a multi-colored fiesta of fun!

Mexican Talavera tile with Mexican terracotta Saltillo for the kitchen floor adjacent to white oak narrow plank original tongue and groove floor recently unveiled from beneath wall-to-wall carpeting.

Now that’s not to say that the more traditional soon-to-be white, raised panel kitchen will not be full of fun – as it will ultimately have a “party pass-through” connecting the kitchen through to the patio beyond and counter-top that transitions seamlessly from the sink area inside straight out to a party bar! A custom-sized double-hung window will open the scene in the warm weather months. We know that it’s going to be classic with a tremendous twist of fun!!!

The patio level is a step down. The kitchen counter inside will flow through a new window that is lower – opening directly on the countertop surface – providing bar height outside.

Both kitchens are being “opened” by removing portions of walls which have isolated them in years past. By removing the walls, additional daylight will be evident, a perceive expansion of the space will be realized and a connectivity to the other living areas for personal and entertaining enjoyment will become a reality.

Breaking through to daylight from the hallway skylight – adds not only light, but incredible depth and dimension!!

This is soon to open into the living room and large picture window beyond – a peak at the mountain will be an added reward.

A bit of structural modification to both are resulting in minor delays for permitting processes – other aspects of the work will continue, in the meanwhile, like the continued selection of finish materials, lighting fixtures and cabinet modifications.

In both cases we have discussed the design challenge of existing materials. I have found over the years that often, when confronted with existing conditions you might not have set-forth to include, they add character and an element of unselfconscious cool-ness. It occurs when certain conditions or materials are in place that you might not have chosen or planned into the design. Designs from scratch, that are too well coordinated or too perfectly planned, can lack that element of surprise or unexpected interest.

The first home had slate tile floors with a unusual mottling of colors leading with a cool aqua and including charcoal grays, smoky blues, ochre and rusty tones.

The other inherited period hollow mahogany doors all trimmed with white molding and original cabinetry. Do we paint them white – which would be the customary response or leave them and invite that element of “oh you kept these doors?”

In this second example it would be easy to “neutralize,” if not replace, the dated doors. However, the homeowner, having many fond experiences in Guatemala, appreciated the great condition of the tropical wood, grain and finish – so we will start without painting them and re-evaluate down the line as the new colors and finishes splash their celebration over the scene. As the transformation takes place, the decision regarding the doors can be re-evaluated.

This is a prime example of the design process. Often there are elements on a project that are a puzzlement. The great thing is that often the decision to remove, modify or leave unchanged can wait until the scene evolves. If you have the luxury to design as you go, you will have more opportunities to consider context, contrast, new options etc…that are often obscured by the overwhelming and often daunting task of visualizing the finished product.

Sharing the same vision is one of the hardest aspects of the design process. Full color architectural renderings, illustrations and even sketches go a long way in conveying the intent, but no two people see exactly the same thing through their mind’s eye. During these preliminary stages of design concepts, nebulous ideas and imagined finished products, the opportunities for misconception are great.

I remember a hospital project many years ago where the head nurse was wincing at our suggestion of maple cabinets, headboards and other carpentry details. She kept quiet, but we (the design team) kept hearing rumors that she loved the color scheme, direction of the interior design and all of its architectural interest and design finishes, yet she could not embrace our suggestion of maple cabinets. One afternoon once we had gathered the materials for a touchy-feely presentation of color boards and tangible design elements, she had this incredibly surprised expression and exclaimed that she had never seen maple that color – it was natural – like a blond, wood, basketball floor. She further explained that she “pictured” the dark reddish Ethan Allen maple furniture of her childhood in her grandmother’s house. Needless to say, she had been having great difficulty accepting its inclusion into a design scheme of smoky lavenders, pastel clay tones, creamy whites, warm terra cottas and maple wood (in our mind’s eye – natural – and in hers, what she always thought was natural maple – dark reddish brown!!).

Communication is a powerful tool… often major decisions, opinions and actions can result in miscues due to miscommunications. To avoid such misunderstandings take care to provide thorough explanations along with tangible samples and other visual aids.

As we progress with these two kitchen remodels, we look forward to dramatic transformations, exciting phases of design work, some anxious anticipation, and ultimately four happy clients each enjoying their personal spaces, reflecting their lifestyle, home style and distinct personalities. Watch for updates and before and after dazzlers!

Jun 11

Discovering Patterns

By pattisays In artistic expression, beauty behold it, blue and white, brick, Centerpieces, colors, creative process, creativity, custom design interior design, decorative arts, design, design process, design solutions, design tips, design trends, designs in nature, destination weddings, Disruption in design, exterior - outdoor design, fabrics, Fiber art, floral arrangement, graphic designs in interiors, hiring an interior designer, home improvements, inspiration, interior design, interior design trends, interior enhancements, landscape design, Nantucket design, Native American Art, natural designs, organic design, patterns, personal expression, pottery, primitive design, Pueblo pottery, Santa Fe, New Mexico, sculpture, southwestern design, Subscribers, textiles, textures, travel and design, trends, upholstery, value of good design, walkways / 1 Comment

This week began with a juicy fabric presentation. I say juicy because it got my design juices working and I was inspired to take photos and imagine the opportunities to insert these wonderful colors, patterns and textures into upcoming projects.

Take the chicken and the egg scenario. Do YOU often find that exciting design elements invite thoughts of projects for which to use them?

A fun exercise is to take your camera and search for patterns to photo…patterns are everywhere from cast shadows to fabrics, signs and graphics to fallen leaves.

Seeing these exciting new fabrics – you had no intention of changing all your throw pillows, but these stimulating samples might make you consider changing your entire collection!

The opportunity to offer unique fabrics for clients who would otherwise never be exposed to the samples – not know of the possibilities – is exciting. Being able to make this introduction is a treat.

This first batch was of clean, sophisticated, woven, geometrics in blacks, whites and charcoal tones.

Whimsical patterns and textures, with splashes of color, offer more possibilities.

Now see these rich woven patterns and colors in this next series. An explosion of color and pattern with a decidedly native direction – prime for New Mexico and design projects looking to evoke the elements of the southwest and other opportunities inspired by indigenous art.

With all this freshly implanted in my ever-swirling brain of design fragments waiting to be assembled, I traveled north this weekend for an enchanting New Mexico wedding that further fed the theme of indigenous art, pattern and design.

The lobby of Buffalo Thunder was riddled with magnificent pueblo pottery. The designs were wonderfully intricate and I saw them as stand-alone elements that could easily be fabric motifs. Here on pottery – but so fascinating to consider as possible inspirations for fabric patterns and designs.

Anasazi Buffalo Pot – Acoma Pueblo

Suggestive of a court jester, this expressive piece tells a figure story. The bold patterns make a powerfully beautiful statement. Who loves bold stripes? Do you wear them? Do you upholster with them?

Evening Star by Katherine Wall from the Jemez Pueblo

Cut-outs on lobby lounge chairs, with geometric upholstery, atop bold zig-zags of the area rug proves combining patterns creates a fine line between exciting juxtapositions and pairings – and risking possible disturbing disruption of order. Comedian Steven Wright uses dry wacky wit delivering hysterically funny observations to convey a sense of the obvious with a twist. I’m paraphrasing one I remember from years ago… “You know that feeling that you get when you lean way back in a chair…way back on the back legs…back so far that you are just about to fall…I feel like that all the time.” That’s like that feeling with challenging design. It goes just far enough to get your attention…designers get that feeling as they push the theoretical limits of design – all the time!

Ok- this is not perhaps THE most outrageous example of this theory – but a fun, eye-catching combination nonetheless!

Buffalo Thunder resort was the jumping off point to then venture beyond into the thrilling landscape of La Mesita Ranch.

Mixing different colors of brick make this random patterned walkway very pleasing and interesting.

The setting was natural, organic and inspired.

Simply lovely centerpieces

See a lovely, intense example blooming blue and white and much more in Nantucket on the cover of the new June 2018 issue of Architectural Digest. http://www.theenglishroom.biz/2018/05/29/nantucket-beauty-by-markham-roberts/

So look for patterns all around. Discover exciting opportunities to mix patterns and textures.

Be brave – play with patterns!

May 07

Picking PINK!

By pattisays In Albuquerque, New Mexico, art and interior design, artistic expression, artists, beauty behold it, Bruce Piel, Color schemes, color trends, colors, creativity, decorative arts, design, design tips, design trends, Discovering Art, drama of color, dried flowers, element of surprise in design, etchings, fanciful design, Garden, Gerard Lehner, handmade, hiring an interior designer, Impressionist painters, inspiration, inspiration from nature, interior atmosphere, interior design, interior design trends, interior enhancements, joy, lifestyle, Lilly Pulitzer, Lyndia Terre, Marilyn Yates, Mexico, Millenial, nostalgia and design, painters, Peggy Zuris, personal expression, pink, pinks and greens, selecting colors, Subscribers, timeless colors, trends, value of art, watercolors / 2 Comments

Prompted by pieces peppering a pastel presentation for an artist’s opening reception entitled Resilience we held here at PATRICIAN DESIGN last Friday evening, I was pondering this week’s topic when PINK peeked into my thoughts.

Pale pink is an unsung color – often considered to be insipid and lacking ooomph, it really is quite satisfactory. Pounced on by millennials, with their popular color trend “Millennial Pink” passion for all things in fashion and home style, pink has made a bit of a splash in recent years.

Last Friday, with the creation of the display window featuring pottery shards scattered along the floor, artist Helen Atkin’s peachy pastel pink and soft coral glazes melded together against the soft geometric woven textile resulting in a confection of comfortable color and texture.

Helen Atkins’ shards and little dishes sprinkled in the east gallery window at PATRICIAN DESIGN.

I awoke today with this color on my mind. Swirling thoughts, so often the case, as one thing leads to another and I thought – I wonder how much of that most satisfactory and pleasing color I have here in my immediate world. So, I set-forth to find out.

Gathered on the nightstand in the guest room, this cluster of dried flowers is a fragile collection of soft pink tones.

Walking around the house, I came upon so many examples that I really was quite pleased. The re-discovery of each made me feel content. I realize that although they are seemingly insignificant that they are really quite sentimental pieces gathered through the years and each so distinctly different from the next.

One of my first purchases when I moved across the country was this discarded, damaged Tamarind print of a large nearly psychedelic strawberry from the famed print-making institute where rejected failures spoke the language of “one man’s trash is another man’s treasure” and it was mine to adorn my new, naked, New Mexican walls.

Generally referencing feminine imagery and romance, pink is delicate yet full of depth and variation – as with all colors – the range is limitless for value, tone, blending of shades…Contrasting warm yellows and cool blues frame pink so well.

Detail of one of several of my Gerhard Lehner lovlies, I Still Sail to the Virgin Islands. As the artists explains – “An original like-etching a la poupe arrived from drawn textural lines and painted effects which allows the poetic ink to transfer to the fine rag paper.”

Detail – Fine Craft and Dance by Gerard Lehner

Bold floral brush strokes sweep through the pinks and peach, coral and rose, accented with the contrasting vessel in a brilliant cobalt blue, Peggy Zuris was a master of color and style.

Memories of the warm glow of the pink roof-tiled, painted and plastered buildings along the Puerto Vallarta coastline absorb and reflect the rising and setting sun during all exposures of the day.

Detail – watercolor featuring iconic Our Lady of Guadalupe church by Victor Torres Tellas

Meandering from room to room I encounter so many pretty pink things. I obviously gravitate to this amidst my many other colors as a necessary element woven through my comfort zone.

Detail – Fantastically French floral oil on canvas by Anne Sandry

And I adore this finely detailed hand-colored etching showcasing a foreground field of pink lupines,bought decades ago in the artist’s studio at The Torpedo Factory.

Detail of etching by Lyndia Terre

Then I came upon these book bindings stacked unconsciously atop a mahogany dresser , resulting in a study in pinks presenting a pleasing palette.

I realize that I was exposed to the priority of pink at an early age as my mother’s interior design palette incorporated pinks and soft greens in the more formal areas as well as outside on our screened porch and patio beyond, to the gardens with magnificent mounds of screaming pink azaleas blooming and their explosions of color every spring. Surrounded by lush verdant foliage of the woods where we lived, pink contrasted well with the many shades of green into which we were intimately nestled. We were comfortably punctuated with pink. Therefore it was not a foreign color and complimented the transitions into other darker green tones and yellow accents throughout our house. The original scrolled wool wall-to-wall carpet was a medium pinky-clay color. Quite unusual, yet neutral, providing an earthy grounding. Mom also enjoyed the vibrant introduction of designer Lily Pulitzer onto the scene in the 60s and peppered her wardrobe with Pulitzer pinks from carnation to hot fuscia contrasting with chartreuse green. Today her classic iconic colors and patterns still make significant design statements. Mom has never been afraid of color! I inherited that fearless foray into colors of anything fun and fabulous

This handcrafted New Mexican church (birdhouse – having never been outside to host a bird) sports an eclectic array of enchanting elements using pinks to perk up the collection of colors. I realize as I tour these rooms of colorful artwork, that I love the combination of pinks with blues and yellows!!

and also the appreciation for the soft subtleties too. These two magnificent oil paintings depicting New Mexican scenes with the oh-so-pleasing pinks.

Detail – oil painting Church at Golden by Marilyn Yates

Detail – oil painting Moonrise by Bruce Piel

This has been a fun and illuminating exercise. I’ve determined that pink is essential to me.

Why not a pink cabbage plate on the guest room duvet cover dotted with woven clay-pink slubs?

It occurs in so many things that bring me joy.

A heavy, luminous hand-blown glass vase.

Speckled vintage vase – a touch of fun!

As my dear friend Corinne aptly named her shop, it is The Color of Joy. Pick a color – any color – and go around your interior spaces and see what you discover – perhaps you will find your essential grounding color. It just might be a surprise. Find what brings you joy.

Apr 01

Easter Art Encounters

By pattisays In aluminum, art and interior design, art as gift ideas, artistic expression, artists, beauty behold it, colors, creativity, decorative arts, design, design tips, design trends, Easter decor, fanciful design, floral designs, folkart, handmade, hiring an interior designer, inspiration, inspiration from nature, interior design, joy, Modern Art, party themes, personal expression, pottery, sculpture, seasonal interior design, table top, value of art, value of good design, wall sculpture /

Toodling around Tucson today this Easter eve, we came upon some fun seasonal art!! From antique to modern masterpieces made today, it was quite a diverse array!

An antique Lalique French crystal bowl was an elegant vessel to present these hand-painted pastel wooden eggs. Mixing refined with folk-art is a wonderful contrast in style!

Potter Robin Chlad designs and builds these stunning three-dimensional crosses. Adorned with birds and flowers, no two are alike and the brilliant colors are fabulous!

We hopped past these adorable bunnies! So many colors of fine metal-craft each. What a whimsical collection by artist Jeffie Brewer!! And his subject matter is well beyond bunnies!!!!

Explosions of spring cactus are in bloom from nature’s statement in these vivid coral barrel cacti we encountered in a xeric garden,

to the artist Lucky Coleman’s fanciful interpretations using brilliant combinations of glazes on dazzling sculptures of clay! The beauty of nature to the fantasy of an artist’s creativity, we witnessed magnificent blooms! A time of rebirth and new life – spring is in the air!

Happy EASTER!!!! Happy SPRING!!!!!

Mar 25

Quilting – An At-Home Workroom of Color!

By pattisays In Abstract Art, art and interior design, artistic expression, artists, beauty behold it, colors, Contemporary Art, creative process, creativity, decorative arts, design, design process, design tips, design trends, DIY design, drama of color, fabrics, Fiber art, folkart, graphic arts, graphic designs in interiors, handcraft, handmade, hiring an interior designer, inspiration, interior atmosphere, interior design, interior design trends, lifestyle, Modern Art, nostalgia and design, patterns, personal expression, quilting, quilts, re-purpose, recycle, recycle design, retro, Subscribers, teaching, textiles, textures /

It’s not your grandmother’s quilting these days…computers have radically altered the landscape of this generations old art form. Two days ago I found myself in an in-home art-studio/workroom that blew me away!

Initially a craft born out of necessity, as creative survivors accustomed to “making something out of nothing” re-purposed scraps of material to patchwork new articles of clothing, homegoods and ultimately art for the walls. This clever, resourceful, utilization was celebrated in Dolly Parton’s song turned movie, about her true-life “Coat of Many Colors.” https://en.wikipedia.org/wiki/Dolly_Parton%27s_Coat_of_Many_Colors

The intricate designs and refinement of pattern details was obviously all done by hand, but with the development of machines and now computers for this purpose, the possibilities are endless.

So as I turned the corner, to see a would-be remodel of combining two bedrooms and expanding to the north of the existing shell, I was astonished to see this remarkable, expansive workroom – all white – punctuated with colorful creativity. Colors, textures, patterns…this extraordinary, rather Renaissance, woman had carved out a generous space to explore this phenomenal art and craft.

As an artist, Sue Watrous’ paintings and sketches are quite photo-real. On a few of her pieces, she has deconstructed the elements in the painting cutting them from fabric of many grey-tones defying the fact that they are textile assemblages.

This original pencil drawing – yes, photo-realistic, is amazing.

Then to create the same image as a patchwork quilt is remarkable!!

Yes, look closely, you can see the patches of fabric that are assembled in the many grey tones to create this amazing piece.

Her joie de vivre is derived from this magical space and the creations that she imagines and brings to fruition.

Upon entering her amazing domain, I felt as though I was entering an operating room – everything in perfect order, clean and spare – like a clean-room at Intel – I should gown-out or suit-up!!!

I might be exaggerating because it was white and clean, but warm and welcoming with the rainbow spectrum of thread spools and quilts both finished and in progress displayed on the walls and on the other many surfaces.

Self-taught, she nonchalantly references the many computerized machines strategically placed around the room. There is an order to the layout and her approach is meticulous. Despite the fact that there is an active quilting community here – they are too busy quilting to teach – so Sue jumped into this after having seen a presentation at a show about five years ago. Years ago she quilted – but at this juncture, she knew at once that she wanted to enter this exciting and challenging realm, of computerized art assist!

Like the shoemaker who has no shoes, her quilts have yet to adorn the walls or bed dressings throughout the rest of her home. She doesn’t sell her work – but her family all has homes riddled with choice pieces.

Her paintings are placed amidst her interior, but not her quilts. Today I focused on a large wall to be the future home of a near-to-be- completed quilt.

She tells me that the fabrics are like paints – she is painting with fabric.

And although she is not yet dying her own pieces, she told me of meeting a textile artist who spun her own thread from her own llamas, dyed it, designed and fabricated her own work. Sue has created most if not all of her patterns and designs and I am confident that before this is over, she will be donning rubber gloves and dunking material in dye vats to find a new layer of creativity.

Feb 25

Friends Don’t Let Friends Pick Paint Colors

By pattisays In color and temperature re: interior design, color forecasting, color of light, Color schemes, color trends, colors, context of interior design, Contrasting colors, contrasts for balance in design, creative process, creativity, dark colors, design, design process, design solutions, design tips, design trends, drama of color, graphic designs in interiors, hiring an interior designer, illusions of space, interior design, interior design trends, lifestyle, paint colors, painters, planning a remodel, timeless colors, trends, update design, updating / 1

WHY? It’s never as easy as it seems! You can track the trends. See what is relevant to today’s popular design concepts. But how do you really pick a paint color? Warm versus cool, safe versus bold…there are seemingly limitless choices and so many things affect the decision. HELP!!!!!!

Does it help to swipe a swath on a wall?

Not usually. The surrounding often white paint isolates the color in a small concentration and it cannot begin to give the full effect of an entire wall or more. The most telling is to paint an entire section of wall that you can frame in your field of vision without seeing anything else. That or painting an entire wall, for the best test.

Here a frustrated color connoisseur tried several test patches before calling for HELP!!! But we LOVE the novelty of the effect! What a conversation piece – a work of art in its own right!!

When is the ceiling painted other than white and why?

Some colors stand-out and are more imposing while others meld with their associates. It depends upon your personal comfort level. For example a room painted a sunny yellow might be too bold or imposing if the ceiling were to be painted that same color – white would be customary and give relief and contrast to the yellow vertical surfaces. A more mellow color (like a taupe) might work well on all surfaces creating a soft, unifying encapsulation. Shades of the same color – lighter or darker – can also prove to be an effective treatment. Light reflectance – artificial versus natural, depth, the hue and value all play a part in determining what works in a given situation. Not to mention any existing furnishings that might direct a color direction/selection.

Should different walls be different colors?

Why not? Variety is the spice of fabulous interiors – but that doesn’t negate the beauty of an all white interior . Knowing when you want color, how much and from what source is part of the balance of design.

Remodeling this room was comprised of removing walls, adding a serpentine banco and hearth, stone wall surface, painting stained cabinets…We started this project with a new white on white texture and contrast of 3 different stone materials adjacent white walls and white wood trim.

We ultimately added coral punctuation in the recesses of the niches.

What is color layering with paint?

Planes of color seen over-lapping can provide a fantastic effect of colors literally layering over each other. Looking through an interior and reading a wall of one color and another wall behind it peeking out with a different color can add interest and contrast.

How do you stop colors from wall to wall?

I prefer stopping on an inside corner – always. But that’s me. I prefer to “read” the element (wall, monolith, enclosure, etc) as a structural unit. As though the wall were build of that material – the finish suggests the material rather than illustrating a surface application that quits. And I feel the same way about any surface application – tile, wall-covering – preferring to stop on an inside corner to define the element from beginning to end.

EXCEPTION: I have had several instances where we have a little fun with transitions between colors – a zig-zag motif, for example, can provide a surface graphic and change colors on one surface!!

Wrapping a corner from a full wall of yellow to another – but not wanting the yellow on the entire following wall – intentional graphics are fun and allow for the change of color.

Semi-gloss versus flat?

Glossy finishes show more defects in the surface material. So a wall with imperfections such as texture flaws, repairs, any uneven detail will be enhanced. So to minimize defects, a flat paint is preferable. It also depends upon what you are trying to convey – a smooth plaster finish – might be better expressed with a semi-gloss but an earthen softness is better with a flat paint. Clean ability and durability might play into this decision – but not at the expense of the desired visual effect as there are many grades of paint to accomplish various levels of ease of maintenance – consult your paint products professional.

Contrasting a gloss against a flat on different adjacent elements is a nice contrast such as wood trim in a gloss against flat on the adjacent wall. Is the trim the same color as the wall or is it a contrasting color?

Do dark colors make small spaces smaller?

It is a deceptive misconception that this is the case. Dark colors recede and therefore can actually expand the illusion of space. A dark ceiling seems to recede into the void and creates the feeling that the surface is far much higher than it really is. Dark colors behind light colors does the same – recede as a back-drop. Do not fear dark colors – they contribute depth and drama.

Picking paint colors is like selecting the backdrop for your world. All your things are set against this plane. Applying paint is having control of transformation. Like controlling when and how the sun washes the dawn or the night envelopes in darkness and all the amazing colors that occur in-between. Visualizing the end result, creating the transformation that takes place beneath the brush, roller or spray gun as it alters the scene are magical powers.

Dec 31

TRENDS DIE – What’s New for 2018?

By pattisays In Abstract Art, apartments, architecture, art and interior design, artistic expression, Benjamin Moore Paint, color and temperature re: interior design, color forecasting, Color schemes, color trends, color wheel, colors, context of interior design, Contrasting colors, contrasts for balance in design, dark colors, design solutions, design tips, design trends, drama of color, element of surprise in design, hiring an interior designer, inspiration, interior design, interior design trends, lifestyle, mobiles, Modern Art, Museums, National Gallery of Art, Pantone, personal expression, practical design, red, Refresh, selecting colors, Sherwin Williams, timeless colors, trends, value of good design, Washington, D.C. / 2 Comments

I was surfing for fodder about the new color trends to kick-off this first mindful missive for the New Year and the color trends were all over the place – no consistency at all. From Ben Moore selecting Caliente AF290,

“Caliente is the signature color of a modern architectural masterpiece; a lush carpet rolled out for a grand arrival; the assured backdrop for a book-lined library; a powerful first impression on a glossy front door. The eye can’t help but follow its bold strokes. Harness the vitality.”

—Ellen O’Neill, Benjamin Moore & Co.

to Sherwin Williams in a totally opposite direction proclaiming Oceanside SW 6496 their color of the year.

“A collision of rich blue with jewel-toned green, a color that is both accessible and elusive… A complex, deep color that offers a sense of the familiar with a hint of the unknown, Oceanside, bridges together a harmonious balance of blues and greens that can be found in what’s old and new.”

What? Are we straddling now? Do we have one foot in one color trend while the other stretches across the color wheel and causes us to nearly do the splits trying desperately to hang on?

The walls of my east gallery space were a spicy version of Caliente for nearly 20 years! Bold at the time and unheard-of for gallery walls – it was not to be changed for nearly 2 decades!!!

Whew – that was a run. I even named the retail space “Caliente.” And the color-band between the crown and picture molding at the back was a version of Oceanside – a lighter value of the blue-green hue.

The Grand Re-Opening July 2016 presented a dramatic transformation to a pale aqua resulting in a diametrically opposed feeling – a cleansing from what was crowded and hot to spare and cool.

But I digress…

Annoyed by the seeming authority, but weak contrasting rationale that I encountered with the wide range of picks and opinions, I left the paint companies and clicked over to the Pantone site. There I encountered their authoritative, ethereal color forecast of the year – Ultra Violet!!!!!

Yikes – they were coming at me from every conceivable direction!!! How on earth is any eager apartment dwelling or home-owning individual supposed to know how to go forward in sprucing up their space without fear?

Then I came upon a piece by Mehgan Nesmith Ugh, What’s With These Generational Color “Trends”? From observing the broad reaching trend surrounding millennial pink to snippets from other sources, I scanned the paragraphs amused, but still not satisfied. Until I arrived at paragraph 6 and there it was – the true fact that keeps the world moving forward – for better or worse – TRENDS DIE.

Yes they do and for good reason. I’ve said it before, take care in making costly selections that will stay with you past their prime. Trends are there for a reason. Designers dabble in creativity every day of the year to come up with things to tantalize, inspire, evoke, and entertain – and most importantly, SELL. Some of these trends stick. Then they are no longer trends, they transition and become classics. But to transcend the fleeting status of trend, “it” must have something very solid about its being.

And when it comes to interior design, with all the style trends for furniture, fabrics, architectural elements, finishes and decorative accessories – colors race through history like no other design element has or will. Colors rule and when they are good, they are very very good, but when they are bad, they are horrid!!!!! Thank you Mr. Longfellow!!

Take the massively graceful modern art piece suspended from the ceiling of the East Wing of the National Art Gallery in Washington, D.C. – classic – both in form and color. Red and black. Strong and simple. Bold and brilliant. Imagine if it were this year’s Pantone pick Ultra Violet Aghhhh!!!!!!!

Actually, methinks I protest too much. The shade of purple picked, by Pantone, is heavy on the blue rather than the red. The blue cast gives it a calm. Not whacky like Barney screaming purple – but, rather a royal shade. Nonetheless, it is better served as an accent – don’t buy wallpaper in it. Go ahead and paint the walls and have your fun – but know that you can change it without peeling off hundreds, if not thousands of dollars of wall-covering or re-upholstering your sofa like Meghan was tempted to do!!

It’s a color that stands alone – plays better by itself than with friends – like the child’s report card where the box that says “plays well with others” is not checked. In my estimation, it will read well with clean, crisp white. However, like Ms. Nesmith aptly says in her piece “if you are still curious about that Gen Z yellow, buy a vase!”

That’s how we play with colors and create a bit of collision, unexpected off-key harmony, intrigue and suspense. But it is not for the faint of heart and the chance of tiring of it is paramount. Trends die and colors are tricky.

So Happy New Year and Happy New Colors in your world to refresh and renew!! Thank you Meghan, for your lively contribution to today’s story.

Oct 15

The Importance of Color in Design – How to Begin

By pattisays In Albuquerque, New Mexico, architecture, artistic expression, color and temperature re: interior design, Color schemes, color wheel, colors, Contrasting colors, design, design process, design tips, designs in nature, drama of color, hiring an interior designer, inspiration from nature, interior design, International Balloon Fiesta, Jason Cohen, red, seasonal interior design, selecting colors, timeless colors /

This last week I was inspired by a rainbow that appeared over our great Sandia Mountain and within 3 minutes I nearly tripped over a bed of flowers presenting the same rainbow of colors. With this pairing of color coincidence, I felt compelled to write this week’s blog about color.

Color can be difficult. It is so critical to effective design decisions whether graphic design, fashion design, interior design or architecture. It might be used for a logo to brand a business , a room scheme or the exterior of a monumental building…how do you begin to select a color or a color scheme?

Well first you have to consider your client. What are their needs and desires? Once narrowed, the search for the perfect colors to convey their project’s personality begins.

Computers aid designers in finding fine nuances between colors. Exploring the range of values in a hue – the range of light to dark of a specific color and the adjacent colors that meld from one to the next has become easier.

It all comes down to the color wheel. It’s a circle illustrating the colors of the spectrum. The relationship of these colors are the building blocks of all the colors. Sir Isaac Newton – the same of the apple and gravity fame – devised this understanding of the rainbow of colors back in the 1600s using a prism to identify the components.

As children we are taught about the rainbow of colors comprising ROY G BIV – the easy to remember name that represents the colors RED ORANGE YELLLOW GREEN BLUE INDIGO VIOLET

Decisions regarding the selection of colors and the resulting schemes are identified by the following relationships:

Complimentary – two opposite colors on the color wheel

Monochromatic – three different values of the same color

Analogous – three adjacent colors on the color wheel

Split Complements – one color and the two adjacent tertiary colors of its complement

Triadic – three evenly spaced colors on the color wheel

Tetradic – two complimentary pairs of colors

As I pursued this topic today, I encountered an interesting site by a guy Jason Cohen. If you are curious to know more on the subject, check out https://blog.asmartbear.com/color-wheels.html

This last week, over the course of 2 days, I encountered several examples of these colors all around me. From the rainbow to the flowers and myriad balloons. It didn’t hurt that it was during the International Balloon Fiesta http://www.balloonfiesta.com/ which is one of the most colorful events in the world.

Unless we have a limitless budget affording custom design materials, it is best to begin with the materials that offer the fewest colors. I have mentioned this in the past, there are more paint colors than there are carpet colors, fabric colors, or solid surface materials. Therefore, selecting your color scheme based upon the selection of a material with fewer color options is the best start…you build from there…paint being the easiest component to finish the scheme.

Color affects mood, perceived temperature, individual’s reaction to seasonal cues, and all manner of context. Pastels in springtime and warm tones in the fall – color makes powerful suggestions and should be used as a tool with that power in mind. The power of suggestion. What are you suggesting? What are you trying to convey?

With your best intentions, colors will change with light sources, time of day, adjacent colors and people’s own perceptions. It is not a perfect science when you consider all those variables. Take caution to select colors based upon the conditions that will occur in the final location/presentation. Without fear, pick your color schemes and beware, but don’t be afraid!