Nov 05

Patience and Reward for Design Processes

By pattisays In Albuquerque, New Mexico, artistic expression, before and after, blue and white, breakfast rooms, cabinet pulls, creative process, creativity, custom design interior design, design, design details, design process, design solutions, design tips, drama of color, drapery rods, drapery treatments, engineered concrete counter tops, existing materials, flooring, good design, hardwood floors, hiring an interior designer, home, home improvements, houses, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, kitchen, kitchen cabinets, kitchen design, kitchen remodeling, mosaic, mosaic tile, natural stone, paint colors, personal expression, personal taste, planning a remodel, Refresh, remodeling, selecting colors, slate floors, Subscribers, Talavera Tile, tile, timeless colors, value of good design /

Patience. Good design requires patience. Do you have it? The design process can either take the route of “all planned before anything starts” (everything drawn and detailed, all finishes selected, all fixtures and furnishings, fabrics and accessories decided and specified, for perfect inclusion into the design) or the process of “design-as-you-go”. The “all planned” design process allows for exact pricing and budget planning. But if the process takes too long, some of the things specified might no longer be available – that has happened more than once! The other “design-as-you-go process” is more random. There can be and often is a combination of these two approaches, but the second requires more patience and less precisely scheduled time.

The luxury of time, experimentation, trial and error, wait and see, what if, all are elements of the “design-as-you-go” process. It is decidedly the more fun and more participatory process. It starts and evolves before your very eyes, with the in-the-field options, to change, modify, massage, delete, add, think and re-think, all available while the action takes place, it is like creating an art piece one stroke at a time. Artistic expression rarely progresses in a straight line.

All of the above can be said of the pre-planning process too. You can illustrate, render, draft, erase, alter and change all the while – but you are doing it prior to commitment, prior to actually seeing the actual design unfold in real time.

Changes and additions can arrest the process – whether in pre-construction planning or live-in-the-field. However, live-in-the-field is much more int-eruptive and possibly costly. Changes and additions can cause scheduling delays which can domino throughout the otherwise planned program. This can result in not only cost considerations, but disarray and a prolonged inability to use the space.

As I visited one of two parallel kitchen remodels nearing completion that I have previously mentioned, the owner mused “It’s a painful process.” But as we stand there enjoying the transformation he continues “It is almost hard to remember all the phases we’ve been through to get here. Kind of like childbirth.” We laughed at the fact that the world would be filled with “only children” as no mother in their right mind would go through that pain again!! He and I both never having experienced it for ourselves – yet, “they say” that it’s true. All very much worth it in the end!!! The ultimate reward!

This BEFORE shot of this kitchen shows dated, anemic face-framed radius flat panel cabinets, granite tile counter-tops and back-splash.

Not quite finished, cabinet pulls are being installed, final painting details are underway and the transformation is being unveiled. New cabinet doors add a classic raised panel detail painted white, with new concrete-like engineered Italian counter-tops, and striking Talavera tile back-splash punctuated with mini mosaic Spanish tile accents. A new window opens to the outside patio with the counter-top passing through and the window closing directly on the top.

Residential design – those private, personal spaces always involve knitted brows, vacillation, additional worry and more indecision than commercial designs. Not to say that commercial designs don’t involve interested parties, if not actual owners, the investment in the personal pocketbook and personal emotion is not the same. Furthermore, there are greater personal thrills and disappointments in the residential projects.

Well, back to patience. It’s a virtue and I often struggle to practice it. I tend to be overly eager for instant gratification. But patience is very important when creating something of value and timeless appeal.

Design takes patience during the various stages of design details. We are not talking about building a rocket ship – but imagine the design and engineering required for that!. Let’s just talk about something simple, like custom drapery rods. The client thinks – fast and easy. While on vacay they experience a lovely accommodation that features hand-forged drapery rods. “Cool” they say. Filing that away among their thoughts of interesting interior details. A couple of weeks later, they are in front of an art booth and meet an iron-worker who offers all manner of custom iron work. So they recall the cool drapery rods and inquire as to whether he would do something like they described. “Sure,” he sings and whips out his portfolio of photos among which are very cool twisted iron drapery rods with swirly finials adorning the ends. They’re sold! They invite him over to see their windows and get started. At this point, their interior designer knows nothing of this idea or the contact and engagement.

Remember, they are thinking fast and easy. So they expose their idea and plan that is already underway asking their interior designer on advice for drapery fabric. With this opening, the designer asks about the rods. Come to find, they aren’t sure how far past the windows they have been measured to go, they haven’t considered that the 5/8″ solid stock might want to sag after a while spanning 8 feet and they have no idea how they are going to hang the draperies…”Oh” we need rings? So it seems that the conversation with the iron-worker has been rather cursory. Questions that needed to be asked and answered at the outset had not been thoroughly considered.

Fortunately, these details will now be addressed, issues solved and finished product all as it should be with proper extension past the actual window opening, matching rings to the iron rods, and a stout enough rod so as not to require a center support – an element to be avoided if at all possible. Whew – caught that one before it was too late!! (Watch for the installation of the hand-forged rods and custom draperies in the next few weeks).

Paint colors often wait until other decisions are made. I have mentioned previously that we usually pick things that have fewer options. There are more paint colors than anything else in our design world with fewer fabrics and even fewer rugs. In that order, we might pick the rug first, fabrics to build upon it and paint colors to bring it all together. Not necessarily – but that is a pretty good example.

Starting with an existing hardwood floors well preserved by decades of wall-to-wall carpeting, we discussed the desire to create a colorfully transforming interior and opening of the space to better connect the kitchen with the living area.

As we met to hang artwork, discuss iron drapery rods, custom chandelier and finishing touches, the clients remarked that this was so exciting to be nearing the end of this dramatically colorful transformation that so nearly has transported them back to Guatemala where so many fond memories have been established over the years.

Oct 07

Urban “Pieced Work” – an artistic narrative

By pattisays In Abstract Art, Albuquerque, New Mexico, art and food, art and interior design, artistic expression, artistic talent, artists, bars and restaurants, branding in interior design, brew pubs, breweries, commercial interior design, commercial remodel, context of interior design, creative process, creativity, custom design interior design, decorative arts, design, design and marketing, design process, design solutions, Design Team, design tips, dining and design, drama of color, eclectic design, element of surprise in design, fabrics, folkart, Food and art, food and interior design, glass art, good design, Graphic art, graphic arts, graphic designs in interiors, Greek mosaic, handcraft, handmade, Helen Atkins, hiring an interior designer, history, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, Modern Art, mosaic, mosaic tile, murals, nostalgia and design, patchwork, pieced work, quilting, quilts, re-purpose, recycle, recycle design, Regional design, remodeling, restaurant design, Santa Fe, New Mexico, southwestern design, Subscribers, textiles, textures, tile, Uncategorized, United States history, urban art, urban design, value of good design, wall texture, wall treatments, wallcovering / 1

We are excited to have the opportunity to bring a design installation(s) into a new project that will serve to support the brand with a twist. A nearly completed new smokehouse is coming to Albuquerque. This home-grown eatery blends family history and southern roots with southwestern barbecue flavors including indigenous wood and iconic chile blends. But this is not about their cooking profile. It is about how we have arrived at a design theme that will define and further the identity in this new, specialized smokehouse department of this larger local brand.

To accomplish this task, we examined the concept the owner had to remodel an existing facility that had been a popular gathering post serving this community for decades. The fringe barrio location was of a demographic primarily comprised of Mexican/Americans. Decades past it was home to a heavily black community. The fabric of these cultural combinations suggested a mosaic of color and vibrant heritages.

The spark of cultural references lead to discussion of the popular artistic expression of urban mural painting.

When we began the dialogue, the decision to have a mural painted by local neighborhood kids, with a mentor to design and supervise the work, seemed to be the direction we were headed. After subject matter debate and development, I veered off on another tangent that might take a less subjective approach, be weather-proof and more durable for a patio location – mosaic.

This new more impervious and durable medium still offered the opportunity to engage the community, but with less focus on a specific subject and more about geometric color and texture. We discussed the details of installation so as to keep it simple for kids to participate using whole tiles – minimize cutting, if any, for starters.

Inspiration came from several other installations such as the Albuquerque Convention Center’s on-going mosaic mural project wrapping many sections of the buildings with intricate scenes of New Mexican lifestyle and cultural diversity. The colorful mosaic is an elegant and sophisticated contribution to our city’s cultural aesthetic.

Helen Atkins, manager of consignment art at PATRICIAN DESIGN’s downtown boutique gallery and the lead on their current restaurant mural project, has worked on several phases of the Convention Center’s mural project.

We have incorporated mosaic into several of our own design projects such as last week’s blog https://patriciandesign.com/trust-and-custom-designs/about a residential kitchen installation.

Here, in another installation, a fireplace surround of mosaic adds movement, color and textural interest to the room.

Ultimately, one of Helen Atkin’s personal photographs cemented the approach. It was decided that a geometry of different sizes and disparate glazes and designs of tiles pieced together in a colorful, textural panel would be our design theme.

Helen Atkins, a recognized artist in many media, captured this in passing while visiting New Zealand. It’s crisp, yet irregular composition was intriguing and pleasing. It became the springboard for the concept for a geometric mosaic panel to anchor the theme of this new New Mexico eating establishment.

The idea became more exciting as we began gathering material from local tile distributors and our own personal inventories of favorite treasures saved for a special project. Here it was. It seemed such a strong design element and therefore offered a new direction for the actual brand of this establishment. We embraced the idea and brought it into the interior and distributed murals throughout the space.

Still under construction, we will not divulge the identity or locations of this project just yet. But suffice it to say, the murals are an exciting part of this interior design scheme.

As we further discussed the plans to implement this project, school started and the ease of coordinating the assistance of neighborhood kids became more difficult. Helen lead the project as primary installer, coordinator and supervisor. She enlisted the assistance of a couple of people – one experienced and the other not at all.

We have named this series, Urban Pieced Work – an artistic narrative. Here we are interpreting generations old sewing patchwork using ceramic, glass and pottery pieces rather than the traditional fabric patches. The original folk art needlework has been in the American vernacular for ages. In these installations, this up-cycled use of discarded or discontinued tiles is similar to patchwork fabrics, re-purposed to make clothing, wall decor, window treatments and bed dressing when times were tough – often referred to as “pieced work.”

My paternal grandmother in New Mexico made this twin quilt for my bed when I was a child in Virginia.

My same grandmother made this and was given to me by my cousin, her only other granddaughter.

Mosaic is often, like fabric patchwork, a practical art form that puts scrap, shards and fragments to good use in an artistic fashion. Note though that more sophisticated mosaics have been designed more intentionally for centuries not merely as salvaged material. These masterpieces both in contemporary work and antiquities represent many periods in history and movements in artistic expression.

This mosaic version connects with the history of the restaurant’s roots and southern heritage. The panels’ mural nature speaks to the urban murals found throughout the community.

Located strategically throughout the interior, these murals have become a strong design element and anchor for this facet of the brand.

Another shot of the spectacular cultural story murals at the Albuquerque Convention Center.

We have woven a meaningful artistic statement throughout the interior and also on the exterior of the building. In addition, we will be inserting a graphic version into the signage and logo design.

Urban Pieced Work – an artistic narrative, of a New Mexican Smokehouse, will provide pleasing design visuals throughout this new interior, provoke conversation and interaction, weave an element of history and context with the southern roots of this exciting new eatery!

Join the conversation and watch for the first succulent flavors to come out of the smokers later this year.

Oct 01

Trust and Custom Designs

By pattisays In Albuquerque, New Mexico, artistic expression, before and after, blue and white, context of interior design, creative process, creativity, custom design interior design, design, design process, design solutions, design tips, discovering artistic talent, element of surprise in design, engineered concrete counter tops, fireplaces, good design, handcraft, handmade, hiring an interior designer, home improvements, inspiration, interior design, interior design preferences, interior enhancements, joy, kitchen, kitchen design, kitchen remodeling, Mexico, mosaic, mosaic tile, natural stone, personal expression, personal taste, planning a remodel, practical design, remodeling, Santa Fe, New Mexico, slate floors, southwestern design, Spanish Colonial, Subscribers, Talavera Tile, tile, value of good design, wall treatments, wallcovering, white kitchens / 1 Comment

Trust. When asking any kind of advice, you generally ask those you trust. That’s not to say that you might not question the advice. There is never only one way to accomplish something, therefore, advice can be as different as the number of advisers you ask!

From a design standpoint, to offer and create custom elements, it’s often the case that the client will say, “Can you show me an example of that?” If something is new and different, created specifically in context and for this project, there IS no example. There might be similar things, or close approximations of the design – or not – but not the actual design. Trusting your designer to extract your wishes, taste, preferences and applicability to the space is key to creating something very special.

So, I can show examples of mixed pattern Talavera on a wall. I first did this in Tucson about 13 years ago to create a wallpaper-like full wall installation.

As I referenced this casita installation for my clients, while planning their kitchen remodel, I also came upon a restaurant in St. Louis this last spring that used a similar approach in an Italian theme…Talavera? Mexican? Italian? Oh well…another example I brought to the conversation.

For this new kitchen remodel project, we were working with existing conditions, the layout and the mottled green, rust, aqua, charcoal slate floor. All else was up for grabs. However, because I really feel strongly about context, I mentally gathered elements from other parts of the home and intentionally embraced the floor.

This fireplace was given a face lift last year to add the stone hearth and mantle with the decorative Talavera tile detailing.

I believe to abandon existing design themes reads like a designer show home – each room done by a different designer, without any cohesive design continuity. Pair the idea to make an effort to lace the rooms together, with the effort to adopt certain fixed materials and you have compelling diagram of creative remodeling guidelines.

When it is either not practical to replace an existing design element or when the existence of the that design element makes for an un-self conscious part of the composition, it can be priceless. The slate floor was of smaller 12″ format tiles than might be more popular today, but it’s unusual color and very organic feel was worth the challenge. Turning a questionable design element into an asset is success!

Once the flooring was determined to be key in the new design, extracting features (specifically colors) from it became the next task. We had already discussed bringing the blue and white Talavera in from the living room, but my client was not feeling the joy of pairing it with this wildly mottled slate floor.

To meld the design elements together, I selected a concrete-like engineered countertop (which came in two colors both of which were seen in the mottled slate – and provides fodder for a future story). This provided a solid anchor for the design between the mottled floor and the multi-patterned Talavera.

But what might be the one more thing to make this design be even more unique and more cohesive? I set forth to find the impossible, an aqua, handmade tile that would complement the Talavera in the light irregularity and “hecho a mano” feel.

The perfect handmade aqua tile from Spain (photo reads more blue) from DAL tile was the perfect accent.

The absolutely ideal accent appeared unexpectedly as I thought I would be searching farther and wider for this perfect piece. By cutting it into 1″ pieces we would have the artistic accent woven through the patchwork of Talavera, thereby inserting the aqua and adding interest and unexpected detail.

By not planning a symmetrical grid of the accent mosaics, but by creating random lines the unexpected quality of the installation continues.

At this stage, the grout could be grey or white – specifically off white (of which there are many). Opting for the white, to allow the tile to read in its patchwork pattern, without added confusion with a grid of grout competing for attention. We then made a last minute switch on the white grout to a creamier one after seeing the many colors of off-white Talavera up on the wall – leaning more creamy than merely off-white. Could I have shown an example of this design scheme? No, this was created specifically for this project, this client and the space that deserves such attention to detail.

We’re not finished yet. Watch for this transformation to be unveiled in coming weeks complete with before and afters!

Sep 24

Entrepreneurs! Getting Started with Design!

By pattisays In Albuquerque, New Mexico, aluminum, bathroom remodel, before and after, branding in interior design, ceiling lighting, Color schemes, color trends, colors, commercial interior design, commercial remodel, concrete finishes, concrete floors, construction, creative process, creativity, custom design interior design, design, design and marketing, design process, design solutions, Design Team, design tips, existing materials, flooring, good design, hiring an interior designer, interior atmosphere, interior design, interior enhancements, lighting, logos, metal finishes, paint colors, personal expression, planning a remodel, practical design, remodeling, retail remodeling, retail storefronts, selecting colors, Subscribers, tenant improvements, tile, value of good design, workplace design / 1

Starting out with your first brick and mortar business, the tasks are many. After homing in on your business specifics, selecting a name, designing a logo, deciding colors…you have your license and your business plan, you’ve found a place and then you need to present your business to the world!

A few weeks ago, we began a new project that is just what I have described…an exciting first-timer in the business world, having worked for others is now ready to do her own thing, be her own boss, make her own decisions and assume the risks necessary to take this leap into entrepreneurial adventure.

It’s exciting and scary, daunting at times and fun too. And it should be fun. Finding something that you enjoy, something you believe in and believe that you can do as well as, if not (hopefully) better than, anyone else in your market.

With inventory determined, name and logo designed the last task was to create the space to present her concept. We won’t divulge that today, the project is yet to be presented, but the framework is on what I want to comment.

We began compiling some finish options…paint, upholstery, privacy curtains, carpet and a little brushed aluminum bling!! We want to reinforce her brand with key colors and finishes.

Knowing the terms of the lease agreement – what is the landlord’s responsibility, what is grandfathered-in, what can be changed, any spending allowances amortized into the lease…these are all things that are necessary to determine how to go about designing the interior. It is necessary to establish costs within the over-all start-up budget. Having helpful, knowledgeable, creative people around you with whom to assemble your team is imperative.

We arrived at the site to find a very clean slate. Located in a retail strip center, it was a white box.

We instantly decided the flooring would be a combination of polished concrete and broadloom carpeting, some lights stay and some go, spots will be added, colors will reinforce her brand.

Toward the back, a break-room kitchen area needed demolition. This pocket would become fitting rooms.

There was existing ceramic tile on the floor that also needed to be removed. These were things that our client could attack herself – saving money and getting to know her space.

We learned that the restrooms were grandfathered in and did not require any additional improvements – other than cosmetic.

We learned that we could make changes and additions to the lights and only needed a permit for electrical portion of the work.

Many of these discoveries were of pleasant surprise to our client who had been miss-directed a bit and was in a state of frustration and near defeat. Gathering good information is imperative, in order to save time and money, make good decisions and know your options. Get out there and get busy!!!!!

Soon to bee completed, watch for this transformation in coming weeks.

Aug 19

Decorative Wallcovering – Fun with Tile

By pattisays In Abstract Art, Albuquerque, New Mexico, architecture, art and interior design, artistic expression, artistic talent, artists, bathroom remodel, before and after, blue and white, breakfast rooms, commercial interior design, creative process, creativity, custom design interior design, decorative mirrors, design, design process, design solutions, design tips, design trends, DIY design, eclectic design, exterior - outdoor design, fireplaces, functional art, good design, graphic designs in interiors, handcraft, handmade, hiring an interior designer, home improvements, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, kitchen, kitchen design, kitchen remodeling, lifestyle, master bathrooms, mirrors, mosaic, mosaic tile, murals, natural stone, personal expression, personal taste, planning a remodel, powder rooms, public restrooms, recycle, recycle design, remodeling, residential restrooms, restaurant restrooms, stone, stone countertops, Subscribers, Talavera Tile, tile, update design, updating, urban art, wall texture, wall treatments, wallcovering / 2 Comments

When you think about finishing a wall, you probably think about paint colors…you might think about a wallcovering – wallpaper, or even a mirror – I’ve previously noted how mirroring an entire wall can exponentially expand a room – a dimensional effect/illusion that suggests the room extends well beyond its actual size. But another wall treatment, with which I LOVE to play, is tile!

All over the world, the art of designing and creating decorative finishes with tile has been evolving for centuries. All cultures have utilized mud and clay, glazes and fire to bake beautiful patterns and colors onto geometric slabs. Shapes of rectangular, square, octagonal, dots or diamonds – the geometric shapes are many and the designs are limitless.

As is true with other wall treatments, I prefer not to stop on an outside corner. I believe that the color or material should suggest a built mass – part of the architecture. To stop on an outside corner suggests a veneer. It proves that the finish on the element is not a structural/integral part of a built mass. When you paint into an inside corner and stop, it allows the mass the read as though solid and not merely superficially treated. The same is true with tile. Don’t stop it until you get to an inside corner – if possible. There are situations that force a finished edge on the flat plain of a wall – but avoid outside corners at all cost!!

This entire shower is tiled floor to ceiling, around the pony wall, bench…no door…it reads like a built environment of stone tile.

Think of the surface as an architectural element. Tile from floor to ceiling, inside corner to inside corner – wrapping corners, if needed, along the way.

Take a backsplash…customarily used to do just that – catch splashes at the back wall of a wet area (sink) countertop…bathrooms and kitchens, behind sinks and between upper and lower cabinets – but why stop there?

The entire back wall of this kitchen is mosaic marble tiles in a herringbone pattern.

Think of it as a true wallcovering – wallpaper. Commit to the entire surface. Here are more effective examples…

The backsplash and entire adjacent wall were covered in glass mosaic tiles. It “reads” like wallpaper.

here again, the classic blue and white Talavera tile backsplash is continued along the entire wall from floor to ceiling.

We are currently working on a couple of kitchen projects that will soon be completed. They both use tile liberally. Each quite different from the other. Stay tuned for the finished products!

In bathrooms, the area around a mirror can be more than merely the backsplash. Embed the mirror into the tile surround or tile the entire wall and hang a mirror on top of the tile surface.

This mirror is flush with the surrounding tile, suggesting that it is embedded into a tile wall.

Planning this transformation, the mosaic vase was the inspiration. Then loose tiles were scattered on the countertop and the concept began. Note, the existing mirror was attached to wall with light fixture mounted above it and a medicine cabinet off to the side.

The transformation involved removing the medicine cabinet, taking the floor tile up the wall and wrapping it floor to ceiling. It was also cut into smaller squares to use behind the sink as a “full-wall backsplash.” Then punctuated with glass and glazed tiles to create an updated design. Relocating electrical to flanking the mirror for a pair of new sconces and a new countertop, faucet and sink with existing cabinets painted resulted in a cost-effective design.

Here a mirror is mounted on top of the fully tiled wall. Inside and outside of the shower enclosure the tile is a true wall treatment.

I recently received this advertisement in my email. It was such a spectacular collection that it caught my eye and I share here one of the patterns and context shots as the backdrop to a range.

Mosaic assemblages can be fun! Here is a fireplace surround.

The addition of three-dimensional pieces adds interest.

This exterior fireplace surround tolerates the elements – an all-season installation.

Here is a mosaic mural of a dynamic geometric abstraction discovered in New Zealand. We are using this inspiration to establish a theme in a current restaurant project. An interpretation of this in the form of geometric tiles of various sizes, colors and patterns will be used to create a cohesive repeated design element through various areas of the restaurant – both inside and out. Watch for this completed project in coming months.

Commercial restrooms can benefit from full-wall tile treatments too. Not only does it look complete, but it is an ease of maintenance consideration.

Three dimensional tiles add interest to this cactus motif!

Fun with color and texture, tile are also easy too keep clean – terrific for public restrooms.

Murals are also terrific ways to use tile as art in your interior/exterior designs!

This is embedded into the stucco for an integral installation.

When using outside though, remember to consider the range of temperature and moisture to which it will be exposed. Porcelain is the most durable in areas where the temperatures get to and below freezing. Freezing and thawing can destroy tile. Many murals are made from clay that is not suitable in cold climates!

Inset into the tile wall treatment is this stunning glass mosaic abstract mural.

Tile – it’s a nearly limitless medium. So consider the possibilities for your next project! As a piece of art, an accent wall or an entire installation – full-wall treatments make a statement! Have fun with tile!

Aug 13

Southwest Style – What is it?

By pattisays In Albuquerque, New Mexico, architecture, art and food, art and interior design, artistic expression, artistic talent, artists, bathroom remodel, beauty behold it, blue and white, civilization, color forecasting, Color schemes, color trends, colors, context of interior design, cowhides, creative process, creativity, custom design interior design, decorative arts, decorative mirrors, design, design process, design solutions, design tips, design trends, designs in nature, dining and design, drama of color, eclectic design, eclecticism, functional art, hammered metal, handcraft, handmade tableware, hiring an interior designer, historic properties, historical interior design, home improvements, houses, inspiration, inspiration from nature, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, joy, kitchen, kitchen design, Leon de la Vega, lifestyle, Mexico, natural designs, nature, nostalgia and design, organic design, paint colors, personal expression, personal taste, powder rooms, Pueblo pottery, quilting, Regional design, residential restrooms, Santa Fe, New Mexico, selecting colors, Smithsonian American Art Museum, Spanish Colonial, stone countertops, Subscribers, table dressings, table top, tableware, Talavera Tile, terracotta, textiles, tile, timeless colors, travel and design, trends, value of good design, weavings / 1 2 Comments

Arriving for the first time in our American Southwest, one might feel like they have entered a different country, if not a different world!! To fly from anywhere else where there are rolling green hills, or green fields or dense green wooded landscapes, not to mention tropical environs and cruise over America’s Southwest, it looks like the moon – or some barren planet. Everyone remembers their first impression. Whether exotic or scary, lonely or seemingly uninhabitable, once you get on the ground and explore the beauty and variety of what’s here, you’re bitten – even smitten.

In all fairness, this is a completely defoliated winter shot!! Many now know how lush this magnificent Sandia Mountain can be at the top, in the summer. Yes, I said lush.

No other region has the distinct architecture and tri-cultural identity of what has become the elemental design style and flavor of this magical place. From “sea to shining sea” New England to Southern California you will find nuances of regional distinction – but not to the degree that the American southwest is set apart. Architectural influences from colonization have been the standard guiding style nationwide. Yet the ancient, practical elements, of civilization that long preceded the Europeans discovering the New World, is at the roots of this enchanting design style.

Tri-cultural architecture and interior design results from the remarkable history combining Native Americans carving out of stone walls, building with mud (adobe) bricks, devising simple, practical designs to capture heat and insulate in cold while minimizing solar gain in the warm weather months, with the conquering Spaniards and their colonial influences, and finally the pioneers from the east with their colonial English influences. Now more often replicated, with frame construction and stucco facades, this unique melding is the core of Southwestern architectural design.

When one hears the term “earth tones” setting a design trend in the 70s, it suggests the brown, tan, orange palette that was terribly limiting. Certainly to label it earth tones, it became a curse of a color scheme. Sadly to link it to a representation of southwestern design was misplaced and unfortunate. And how sad to think that it was so broadly accepted – like lemmings following blindly – everyone adopted this as a truism. So often the case with trends. The 70’s also spawned a diametrically opposite color scheme of blues and greens to refresh that which had been so mired in the “earth-tone” movement.

However, real earth tones are limitless. Earth tones are all colors…look down…look around. Even if you confine your interpretation to the dirt beneath your feet – the colors are vastly more than the brown, tan, rust, orange that became the rage. Soft pinks and grays, pale blue and whites…look at dirt. It might be more clay, might be more peat – from soft terracotta to dark espresso – dirt is earth and the colors and tones are limitless.

Tom Glover captured the beauty of the natural landscape through his artistic photographic medium that Georgia O’Keeffe and others have depicted through their artistic media.

Georgia O’Keeffe saw it and captured it in her own enduring style.

Nature offers color. Natural dyes have riddled that art world through time. Synthetic dyes took it a level further. But nature is at the core of all we have in this world.

http://www.quilthistory.com/dye.htm

Turquoise being a natural mineral in the American Southwest became a signature accent color punctuating the soft earthen tones of the adobe design palette.

Artist Victoria Martinez Rodgers paints a valley apple orchard and the turquoise wall is the perfect backdrop.

Color was always there for those who cared to notice. The great painters of this region presented it well. Their recordings of everything from the many colors of the rugged windswept landscapes to lush green mountain forests with shimmering golden aspen groves – and bosque cottonwoods screaming with yellow brilliance capture and convey so much more.

In autumn, bosque cottonwoods explode with color sending a streak of brilliant yellow all along the Rio Grande. Federico Leon de la Vega create this commissioned oil painting from a photo provided by his clients.

There are the natural and also synthetic dyes that were woven through the magnificent textiles of the Native Americans – blankets and articles of clothing were not limited to buckskin animal hides.

Ernest Blumenschein was the founder of the Taos Society of Artists capturing the color and textures of the realities that he encountered in this Land of Enchantment.

Sunsets everywhere play a part in the imagery of the landscape – here we see vast landscapes with brilliant fiery skies and those exciting corals and lavenders, soft pink and blue wisps provide inspiration for wall colors and backdrops to our richly embellished interior designs.

Yet spare, understated neutral interpretations also offer elegant representations of southwestern style.

So what do you visualize when you think of Southwestern Design? Please don’t say a turquoise wooden cutout of a howling coyote! Death by Southwestern Style – the overdose resulting from overdone clichés and trends that have spoiled the real art and beauty.

It doesn’t have to be all about cow skulls and pelts…but these cow hide butterfly chairs are pretty cool!!!

Perhaps you see a Mexican influence which is also part of the melding of the regional style – like food, we have a fine line sometimes with certain traditional dishes that when adopted and adapted by American Southwest kitchens took on a unique identity all its own – differing between Texas, New Mexico, Arizona and California. We all enjoy bringing art and craft from our southern neighbors into our designs.

Borrowing, sharing, combining so many design elements such as adobe architecture, colonial wood trim detailing, fired brick technology, Mexican Talavera tile and pottery,

Native American textiles and so many other handcrafts

The owners of this interior have an intimate relationship with each of the artists that they have collected down to this magnificent mount of a buffalo. They knew him and his name and why he was put down.

from punched and tooled tin, paintings and pottery – southwestern interior design is rich with color, texture, artistic detailing and true soul. The connection to the earth is undeniable and nature always plays a key role.

So how might you introduce southwestern influences into YOUR design scheme? You could tile the wall(s) of a powder room in Talavera Tile. Maybe just a mirror surround?

You might paint an accent wall – or all walls in a room or some other bold color inspired by a regional image

Mango watercolor by Susan Weeks splashes coral against the golden yellow wall with a lime green lighted cabinet showcasing old, traditional, low-fire Talavera tableware. classic Talavera blue and white tile frame the bar opening and on through out the kitchen.

and collect art pieces such a punched tin crosses, wood and straw,

landscape or still life painting, hang a blanket or drape a bed with a beautiful woven textile…introducing different styles speaks to last week’s story about eclecticism. Don’t be afraid to mix things that you like. What brings you joy?

Jul 22

Living Room Transformation

By pattisays In ambiance, bar, before and after, blue and white, breakfast rooms, cats, Color schemes, color trends, colors, contrasts for balance in design, creative process, custom design interior design, design, design process, design solutions, design tips, design trends, dining and design, dining rooms, entertaining, family rooms, faux finishes, fireplaces, flooring, furniture finds, good design, hardwood floors, hiring an interior designer, home improvements, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, kitchen, kitchen cabinets, kitchen design, kitchen lighting, kitchen remodeling, lifestyle, lighting, Millenial, modern cabinets, mosaic, mosaic tile, natural stone, open floorplans, paint colors, patterns, personal expression, personal taste, planning a remodel, practical design, re-upholstery, remodeling, sectional sofas, selecting colors, stone, Subscribers, tile, trends, update design, updating, upholstery, value of good design, wall-to-wall carpeting, white kitchens / 1 Comment

As an adjunct to last week’s story about the progressive young couple and their dramatic kitchen remodel, I thought I should finish the subject and tell about the adjacent living room transformation and comfortable family room on the lower level.

When the kitchen grew to become the focal point upon entering and the bar counter expanded into the living area, it reduced that space to now become a comfortable sitting room for guests to gather or the family to relax while activities are brewing in the kitchen.

Looking through to the dining room where a built-in storage bench was added along the window wall, offers additional seating. A new fabric-shade chandelier softens the light levels. All lighting in this remodel are on dimmers.

The former white brick wall had gently rubbed edges to suggest a distressed condition exposing the red brick beneath. The fireplace had an unrelated golden oak mantle and surround with insipid tile inset also used to cover the hearth. The tile was a glazed faux marble with a Victorian design accent feature.

By simply painting the oak white to match the rest of the wood trim throughout the home and also painting the brick a soft taupe/grey tone, the look was instantly transformed. But they still had that awful tile…so here’s a design tip: to buy time either while you decide or until you save-up for the next phase, paint the tile away!!! To accommodate a new TV that is to go over the mantle, the wood surround was shortened. Notice the extra piece of wood trim that was removed to lower the mantle.

The hearth was removed and rebuilt (without the cut-off corners) with brick and painted to match the wall. Lucky for them the hardwood floor went beneath the hearth – so when they modified the size, they didn’t have to patch the floor! Tile was removed and replaced with 2×2 mosaic Carrara marble to coordinate with the herringbone mosaic of the same marble in the new kitchen backsplash/wall (see last week’s blog).

A sofa found, for nearly free, was in good shape and reupholstered beautifully in this plush, durable navy solid.

The classic blue and white motif was punctuated with organic yellow.

The newly refinished original hardwood floors – taken from a golden oak finish to a rich espresso/walnut stain…

…with the blue and white wool hook rug creates a handsome contrast. The rug actually “reads” blue and white, but upon closer inspection has warm khaki tones, soft turquoise detailing and is quite complex.

This revitalized cozy ambiance of this new sitting area/living room is perfect for this growing young family!

And for a more expansive gathering space, the lower level family room received a new sectional sofa in a durable charcoal fabric and a low-pile small diamond patterned wall to wall carpeting to conceal what had been cold tile floors and make a comfortable room for all seasons!

Purrrrrrhaps someday they’ll have a cat to climb that crazy rope-wrapped pole!!!!!

Jul 17

Young Family Prioritizes Remodel

By pattisays In artistic expression, blue and white, breakfast rooms, brick, cabinet pulls, Color schemes, context of interior design, creative process, creativity, design, design solutions, design tips, design trends, dining rooms, entertaining, existing materials, fireplaces, flooring, good design, hiring an interior designer, home improvements, illusion of space, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, kitchen, kitchen cabinets, kitchen design, kitchen lighting, kitchen remodeling, lifestyle, lighting, lofts, Millenial, mosaic, mosaic tile, natural stone, open floorplans, paint colors, patterns, personal taste, planning a remodel, practical design, Refresh, remodeling, room arrangement, selecting colors, stone, Subscribers, tile, timeless colors, update design, updating, value of good design, white kitchens / 1 Comment

We all know that traditional housing floor plans are changing to maximize smaller footprints. The result is a more open layout. This preference, often seen in “loft” design where warehouse space is converted to living spaces – without many walls and with an eye on the interestingly industrial finishes of the existing space. But this same concept applies to new home construction for starters or down-sizing to smaller homes and is definitely applicable in remodels of existing traditionally compartmentalized plans.

Lifestyles too have opened kitchens. Although often to maximize smaller spaces, they are also more open as cooking is more celebrated in the home and related activities are shared. Kitchens have truly become the fulcrum of family life. So when this young couple purchased their first home, the vintage 1960s split-level plan was not quite right.

The kitchen was a narrow galley-style tucked into a rear corner of the main floor. And although it had recently been remodeled, it was confining and not conducive to entertaining and growing a family.

The point of arrival was an open space with entry wall about 12-15 feet from the front door. To the right, the living room had a focal fireplace and the adjacent dining room made an “L” back to where the kitchen was tucked behind that previously mentioned entry wall.

So this progressive young couple thought way beyond merely opening the wall creating a pass-through bar to better connect the kitchen to the living spaces. No, they said ” Let’s blast this baby out of here!” And with that they proceeded to visualize the point of arrival being the actual kitchen in full-view as guests arrived. Hello!!!!!

The former kitchen containment was revealed to present the new elongated welcoming bar counter-top, luminous glass pendants and supplemental recessed down lights, to meet and greet all who pass through their front door! Original hardwood floors were refinished in a dark walnut stain.

Their priorities were to create a larger, more functional kitchen with a clean, modern look and feel while making all open to better interact with their soon-to-arrive baby!

The clean white on white finishes in the kitchen are fresh and crisp. Lest you think they saved and added to existing cabinets, they did not – all cabinets are new!

And this might be considered gilding the lily, but we added a splash of artistic expression when we hand-painted the small squares in the new brushed stainless cabinet pulls to give them a bit of extra pizzazz!!!

By using the Carrara mosaic as a wall-covering, rather than merely a back-splash, the walls get a truly finished built-environment “read.”

The upper bar counter-top bows at bar-level to offer a more comfortable conversation scene.

The living room became a cozy sitting area off this wonderfully open kitchen and dining area.

Existing brick walls were softened with a grey-taupe to contrast with the white trim making it POP!

The fireplace now has a complimentary new Carrara mosaic in a diamond pattern to coordinate with the new herringbone mosaic of the kitchen wall.

And baby accoutrements adds colorful animation to the beautifully finished scene!

“HELLO!” they say. “Welcome to our beautiful new home!”

Jun 24

A Tale of Two Kitchens

By pattisays In aesthetic medical, Albuquerque, New Mexico, before and after, breakfast rooms, Color schemes, colors, contrasts for balance in design, creative process, creativity, custom design interior design, design, design process, design solutions, Design Team, design tips, design trends, Disruption in design, DIY design, drama of color, element of surprise in design, existing materials, flooring, hiring an interior designer, home improvements, illusions of space, interior design, interior design trends, interior enhancements, joy, kitchen, kitchen cabinets, kitchen design, kitchen remodeling, lifestyle, Mexico, natural stone, nostalgia and design, paint colors, planning a remodel, practical design, re-purpose, Refresh, remodeling, selecting colors, Sherwin Williams, Subscribers, Talavera Tile, terracotta, tile, timeless colors, update design, updating, value of good design /

Often with remodeling…it’s both the best of times as the anticipation for the exciting transitions is ignited, but since it takes “breaking an egg to make an omelet”, it is often the worst of times too as the demolition and displacement begins. Thank you Mr. Dickens, you set forth a mastery of profoundly conflicting opposites that I have used here which describe so many design project experiences so well.

Currently, in our shop, we are designing almost parallel kitchens. They are at nearly identical beginning stages. The owners share little in common, if anything, except perhaps the age of their homes. The sizes are similar, yet one is a bit larger offering different options for design consideration.

Both kitchens had been remodeled, from their originals, somewhere in the 70s and possibly 80s. One installed traditional drop-panel golden-oak with a curvy valance over the sink.

Brilliant blue paint to come will transform these re-purposed/salvaged cabinets with new personality!

The other flat panel radius corners for a “modern” look – also in lighter bleached oak.

Each set of cabinets were in good condition opening the conversation to salvage versus replace. Certainly we encounter cabinets that have been destroyed by hard use and neglect, but when the boxes are reasonably well constructed – or enough so that some reinforcement will enhance their weight-bearing and usability qualities, we often take the route of refurbishing. (NOTE: As a DIY, this requires much research to insure that a new finish will be flawless, durable and easy to maintain.)

The beginning for each project propelled forward with distinctly different ideas. One to follow the original character of the home’s raised panels painted white doors and trim throughout, the other seeking an entire transformation to a multi-colored fiesta of fun!

Mexican Talavera tile with Mexican terracotta Saltillo for the kitchen floor adjacent to white oak narrow plank original tongue and groove floor recently unveiled from beneath wall-to-wall carpeting.

Now that’s not to say that the more traditional soon-to-be white, raised panel kitchen will not be full of fun – as it will ultimately have a “party pass-through” connecting the kitchen through to the patio beyond and counter-top that transitions seamlessly from the sink area inside straight out to a party bar! A custom-sized double-hung window will open the scene in the warm weather months. We know that it’s going to be classic with a tremendous twist of fun!!!

The patio level is a step down. The kitchen counter inside will flow through a new window that is lower – opening directly on the countertop surface – providing bar height outside.

Both kitchens are being “opened” by removing portions of walls which have isolated them in years past. By removing the walls, additional daylight will be evident, a perceive expansion of the space will be realized and a connectivity to the other living areas for personal and entertaining enjoyment will become a reality.

Breaking through to daylight from the hallway skylight – adds not only light, but incredible depth and dimension!!

This is soon to open into the living room and large picture window beyond – a peak at the mountain will be an added reward.

A bit of structural modification to both are resulting in minor delays for permitting processes – other aspects of the work will continue, in the meanwhile, like the continued selection of finish materials, lighting fixtures and cabinet modifications.

In both cases we have discussed the design challenge of existing materials. I have found over the years that often, when confronted with existing conditions you might not have set-forth to include, they add character and an element of unselfconscious cool-ness. It occurs when certain conditions or materials are in place that you might not have chosen or planned into the design. Designs from scratch, that are too well coordinated or too perfectly planned, can lack that element of surprise or unexpected interest.

The first home had slate tile floors with a unusual mottling of colors leading with a cool aqua and including charcoal grays, smoky blues, ochre and rusty tones.

The other inherited period hollow mahogany doors all trimmed with white molding and original cabinetry. Do we paint them white – which would be the customary response or leave them and invite that element of “oh you kept these doors?”

In this second example it would be easy to “neutralize,” if not replace, the dated doors. However, the homeowner, having many fond experiences in Guatemala, appreciated the great condition of the tropical wood, grain and finish – so we will start without painting them and re-evaluate down the line as the new colors and finishes splash their celebration over the scene. As the transformation takes place, the decision regarding the doors can be re-evaluated.

This is a prime example of the design process. Often there are elements on a project that are a puzzlement. The great thing is that often the decision to remove, modify or leave unchanged can wait until the scene evolves. If you have the luxury to design as you go, you will have more opportunities to consider context, contrast, new options etc…that are often obscured by the overwhelming and often daunting task of visualizing the finished product.

Sharing the same vision is one of the hardest aspects of the design process. Full color architectural renderings, illustrations and even sketches go a long way in conveying the intent, but no two people see exactly the same thing through their mind’s eye. During these preliminary stages of design concepts, nebulous ideas and imagined finished products, the opportunities for misconception are great.

I remember a hospital project many years ago where the head nurse was wincing at our suggestion of maple cabinets, headboards and other carpentry details. She kept quiet, but we (the design team) kept hearing rumors that she loved the color scheme, direction of the interior design and all of its architectural interest and design finishes, yet she could not embrace our suggestion of maple cabinets. One afternoon once we had gathered the materials for a touchy-feely presentation of color boards and tangible design elements, she had this incredibly surprised expression and exclaimed that she had never seen maple that color – it was natural – like a blond, wood, basketball floor. She further explained that she “pictured” the dark reddish Ethan Allen maple furniture of her childhood in her grandmother’s house. Needless to say, she had been having great difficulty accepting its inclusion into a design scheme of smoky lavenders, pastel clay tones, creamy whites, warm terra cottas and maple wood (in our mind’s eye – natural – and in hers, what she always thought was natural maple – dark reddish brown!!).

Communication is a powerful tool… often major decisions, opinions and actions can result in miscues due to miscommunications. To avoid such misunderstandings take care to provide thorough explanations along with tangible samples and other visual aids.

As we progress with these two kitchen remodels, we look forward to dramatic transformations, exciting phases of design work, some anxious anticipation, and ultimately four happy clients each enjoying their personal spaces, reflecting their lifestyle, home style and distinct personalities. Watch for updates and before and after dazzlers!

Apr 08

“Wonder Time” & Creativity

By pattisays In artistic expression, beauty behold it, before and after, blue and white, Contrasting colors, contrasts for balance in design, creative process, creativity, decorative arts, design, design process, design solutions, design tips, DIY design, hiring an interior designer, inspiration, interior atmosphere, interior design, interior design trends, joy, kitchen, kitchen remodeling, lifestyle, patterns, personal expression, planning a remodel, practical design, Refresh, remodeling, stone, stone countertops, Subscribers, testimonials, tile, update design, updating, value of good design, Wonder / 1 Comment

I love the creative process. I love darting from idea to idea – the random electric jolt that results from spontaneous concepts that will create something wonderful, if not significant and the gratification of the final product!

That is interior design – creating something that enhances an interior – an interior (and exterior) space and all the elements within that serve people. Designing an interior which solves problems, increases enjoyment, and hopefully has staying power is the goal. Unless intentionally transient and intended to be impermanent, offering a design that has staying power transcends trends and creates without a framework of only the present.

If you are a client, potential client or an associate in this crazy, wonderful business don’t you ask yourself, “How does creativity happen?” An idea? A need?

So the idea occurred on-site as I sketched a pattern that I thought would be the perfect statement and backdrop for all else in the house.

The kitchen had some expensive elements that were not practical to change. Existing cabinets, natural stone counter-tops and ceramic tile flooring all had to stay.

The original sketch realized in an nearly black, charcoal and cream tile pattern with an added opportunity for the client to turn an error into artistic expression.

Well this client asked and made a creative discovery: “George (young-adult son) Juan (tile installer) and I had a lot of fun figuring out…the tile work behind the stove…That was supposed to be solid black..didn’t even get ordered…and George worked with the left over pieces and designed that (solution) himself!!!! I think it’s amazing and will always be so special bc of how it came to be!!”

“Basically, what happened was we ran out of the tan colored tile and only had some smaller-than-half pieces left from the cuts.” Resulting in George’s creative solution!!

Personal experience with years of working with a variety of people has shown the extraordinary difference in how each individual perceives and proceeds through the design process and related creativity. For some, the design process is an exciting adventure to be navigated with or without the aid of an exhibition leader (professional designer) to explore and travel the amazing paths of color, balance, detail, elements and combinations. For others it is not only not an exciting adventure, but one of frustration, anxiety and sheer obligation to complete a necessary task(s). Like a project with a deadline – finite and compulsory. Where’s the joy?

To design for others is the name of the game – the professional practice. In order to effectively design for others, one must have empathy. To extract a client’s wishes and create for the express purpose of making them look good, feel good, enjoy their environment, produce well and feel empowered all requires getting into their world. When you effectively do so with the genuine desire to make better, you empathize with their concerns, desires, sensitivities, and needs in order to design effective solutions.

How the brain perceives things and how sensitivities are realized, by different individuals, is remarkable. From our amazing, autistic grandson who finds wonder in very focused things from red cars to distinct shapes and colors, words and pictorial representations of them, to my dementia-challenged nonagenarian mother who clings to her very core appreciation for beauty and everything well designed; perceptions, sensitivities and levels of awareness continually astound.

Elsie de Wolfe a Renaissance woman of broad reaching creative ability said “I am going to make everything around me beautiful – that will be my life.” I wonder now if Mom knew of this amazing woman and heard this phrase that so reminds me of her, but sadly she would not be able to grasp or convey any possible recollection of that now.

I place an enormous emphasis on what I call, “Wonder Time.” Everyone needs time to “wonder.” We should all take more time to WONDER. It is in those moments that amazing things can happen. Realizations can be illuminated, ideas are formed and dreams materialize. It is a time for creativity. Do you take time to “wonder?”

For my once-toddler cousin, I remember the moment so clearly. We were on a mission to get something from the car. It offered an opportunity to have an mini adventure and explore the parking area of our beach house. We had descended many stairs to come out at ground level into the dark, shadowed carport of the massive exposed-concrete structure. It was spooky and mysterious in the twilight. As we made our way holding hands through the shadows, she all of sudden said “I wonder…” and was clearly deep in thought pondering something of our adventure that I wish I could remember. But her phrase, “I wonder” is clear as a bell, to this day, more than 30 years later. I looked at her and asked “You what?” Wonder was such an abstract word – a BIG word for such a little person – that it made me wonder what she knew about wondering!!!!! We dashed back upstairs and I announced to the gathered group – “She wonders!!” And began to explain our experiences in the depths of the concrete carport. The blooming result, of that toddler full of wonderment, is today a highly observant and creative young adult.

Being inquisitive is part of that creative process – the “what if” of it all. I use that often in my design practice…”what if”…and “if, then.” It is not finite, it is a process that presents itself and a variety of tangents continuously. Designer Todd Oldham observes that creative people are different and if you are not one, you will not understand the need to be creative. He knows that “as a creative person, you can actually survive off of your ideas.”

I agree. For some, creativity is a necessary aspect of being. It is a way of seeing. It is unavoidable and random. It is essential. It is life affirming and life giving. You either are one of the “creatives” or you are not. Yet creativity exists in each of us. It is not learned, but it can be honed.

The sensitivity that comes with this profoundly innate sense is sometimes an onerous burden. Being pleased by design details around you from nature to the built environment, from fashion to well-designed freeway overpasses, details matter and a great joy is the benefit. However, details can have the adverse affect, if not well executed. If they are not well placed or well designed details, they can grate and annoy, raise blood pressure and cause all manner of anxiety. It is an onus to be so sensitive to details. Poor lighting in a restaurant, imbalance of surface textures, ineffective or inappropriate colors – it is all about that phrase “Beauty is in the eye of the beholder” and if the sensitive person is presented with jarring elements that they behold or consider to be in error, it can be most unavoidably disturbing.

The placement of this fireplace an bar so grated on my sensitivities that it was amazingly uncomfortable being in this space. A challenge for correcting without structural modification for sure!

Like creative writers and their critics, who have often expressed their strength in the power of words…for designers and artists of many media, it is the power of color, lighting, pattern, and composition.

Good design is never out of style.