Nov 05

DOWNSIZING: Part One of Three

It’s a popular word in the recent vernacular. Increasingly pertinent whether it is your grandparents, parents or YOU, the trend to leave your large home, consolidate and either move to a smaller home or apartment/condo or to enter the realm of the organized social scene of a retirement community – downsizing is an increasingly popular move.

It might be a financial decision to better manage the money or a social move to connect with friends, cultivate new friends and activities, or make a physical move to facilitate independent or even assisted living. Whatever the reason, interior designers are finding this to be a very important niche.

Problem solving, creative lifestyle design, updating, or as my mother said “punching up” to refresh, designers find their challenges and satisfaction in helping make environments more accommodating, attractive, and appealing. Function in tandem with form – not necessarily preceding.

Helping to organize, make decisions, prioritizing, placing items on a floorplan to better understand size and scale – what to take with and what to leave behind. It can be exciting, but it can be emotionally stressful. Parting with things that have been collected over a lifetime is a huge chapter to turn.

Connecting with a interior design professional who can assist with the process of planning the move, placing the furnishings, selecting the finishes and colors of the new space, finding things to better fit the new rooms, while curating the things that mean the most or work the best is an invaluable decision-making process.

This bright senior – about to enter her nonagenarian years and still working on courtroom Zoom sessions 3 states away as an expert witness – found herself through a series of circumstances, physically challenged and displaced to New Mexico to be closer to family. Her multi-level home of 50 years was so familiar and unique that the move, while being practical for many reasons, became onerous and depressing. The despair with which she found herself was painful. Once the move was made, house sold along with all of it’s contents (yes, she was persuaded by family to leave everything behind) the clock could not be turned back. Her family had retained a decorator to bring in and arrange some rental furniture – sadly, it deepened her depression.

She, being a tenacious, previously independent individual, got on her computer and Googled interior designers and found us. Without any reference other than our on-line presence – she retained our services and I went to work.

Her 5-decade home was professionally designed in the 70s and was a testimonial to the talents of that person or team. Although dated in some ways, the interior was classic and of excellent quality. It stood the test of time, but now it was time for a change. This feisty gal declared that she wanted this new space to be purple. Not lavender – purple. She wanted it done fairly quickly as every day she spent in this confined space (two bedrooms – one was her office and two baths with a small kitchen and adjacent living room), with the undesirable rental furniture, her despondency worsened.

Quite a task, but up to the challenge, I probed her interests and tastes, likes and dislikes, preferences and wishes. She had recently acquired a framed print of Monet’s Giverny bridge over the lily pad pond. It became the inspiration that drove her desired design direction.

Having heard the reference about being old and wearing purple: “When I am an old woman I shall wear purple,” evidently from the opening line of the poem “Warning” by Jenny Joseph, suggests a desire to celebrate one’s individuality and defy society’s expectations about old age by wearing intensely bright colors like purple, at the expense of them being seen as inappropriately loud, I embraced the concept and ran with her purple palette.

In order to customize this special color scheme and transform this interior as soon as possible, I scouted thrift stores, antique shops, local retailers, Facebook Marketplace and Craig’s List. Exaggerating slightly regarding her not having brought any furnishings with her – she had a print of an 1890s dining/party scene in an ornate gold wood frame, a few music boxes that were irreparably damaged in shipment, and her little dog.

The existing flooring was a combination of new vinyl plank and a grey commercial grade direct-glue carpet. She elected and succeeded in having the management change the flooring to eliminate the carpet and continue the LVT. We found an area rug online that was thin and washable and worked well to anchor the living area.

She wanted a sleeper sofa for her visiting grandson, I found one on Facebook in near-new condition, albeit the fabric was all wrong. We reupholstered it in her choice from about 20 fabric samples I had gathered for her consideration. It was a bold, high performance purple textile that could have been garish had the other elements of the room not come together as they did. We piped it in a lighter more pink/purple detail for contrast and interest. The sleeper was a little too wide, so we reduced the dimension by modifying the arms. We also eliminated the center seam in the back and made the seat three cushions instead of two.

We also replaced the original mattress with a new memory foam in a bamboo envelope.

Another second-hand find was a handsome recliner with carved cabriole legs and wingchair style. It was in a badly worn leather, yet the mechanism was in perfect condition, and it was our next reupholstered piece using one of the 20 coordinating fabrics I had initially presented.

As there was no specific, much less a formal dining area, I found a small square table – like a card table also with cabriole legs. It had been painted with a black finish and gold accents.

With it, a coordinated, but mismatched pair of French chairs were also being sold. The chairs were provincial in white with light blue trim. I had them painted black and then placed them on top of my conference table and detailed them with gold accents. Both chairs had arms and upholstered seats.

One had a cane back and the other upholstered. One chair was short and the other tall. Yet they were a good quality, sturdy, Drexel duo from the 60s or 70s. Another fabric from our collected samples was selected for the two chairs. The three pieces made a clever, attractive and inviting little bistro dining setting. Her gold-framed print of the Victorian dining /party scene was hung above the vignette.

A purple runner adds a splash of color, and a sweet little white vintage ceramic lamp (another antique shop discovery) finishes the scene. It is at this table that she spends most of her time – sorting paperwork, reading, holding court with visitors. From this perch, she can look out to her patio and large grassy communal courtyard beyond, with a fireplace in the near corner for cozy winter nights.

A simple reproduction cabriole coffee table from a thrift store, a vintage drop leaf table from an antique shop, a couple of lamps and filler wall-art pieces to support the theme and color scheme – with a leafy live palm in the corner, resulted in an inviting space. The vertical blinds are building standard.

Her bedroom was mostly bed. But a Monet print to hang above in lieu of a headboard, piled with pillows that she had used on her rental sofa, with a couple of eclectic nightstand finds and a new lamp created a room for repose.

The result is a very happy client very pleased with her new interior. Neighbors on her floor and members of the staff have stopped by to compliment her on her transformation – which has gone a long way in getting her settled, comfortable and happier about her move. As soon as I presented her with this vintage find of a lovely hand-cut leaded crystal bowl, she promptly ordered purple candies to offer her guests.

Aug 29

Colors and the Creamy Attraction of Latte

By pattisays In A Red Like No Other, Albuquerque, New Mexico, artistic expression, artistic imagery, automobile, black and white, car colors, car paint, car trends, cars, coffee, Color schemes, color trends, colors, Contrasting colors, creativity, dark colors, design, design details, design theme, design trends, drama of color, favorite colors, good taste, inspiration, latte, lifestyle, living with color, milky, new cars, new trucks, paint and body shops, personal expression, personal taste, red, selecting colors, style, Subscribers, timeless colors, travel and design, trending design, trends, truck, vehicle colors, vehicles, white color schemes /

Colors are all around and I am certainly clued into them. As a designer, my love of color, design, art and connecting all things through these elements, influences all that I do. From interiors to tablescapes to clothes to cars – cars?

On the curb at our storefront, this milky grey truck made the perfect opening statement.

Well, my interest has been peaked with the very apparent trend in car colors the last few years of what I call the “latte effect.” Picture a rich dark cup of coffee blended with dairy and the result is a milky derivation of the original color. Cars of all makes and models have adopted this very interesting approach to introducing new colors on the market. Adding white to a hue will “milky” it down. Indigo with white softens the deep blue/purple hue. Rich olive green is softened by the “latte effect” of adding white to the original color.

This color truly reads like someone who likes a lot of cream in their coffee. A lot!

These decidedly softened colors present a new range and offering of color options. Brilliant, I think. It takes any color we have known on a car and creates an entire stratum of new colors never before seen all at one time as though a newly discovered color palette.

Intense charcoal becomes a softer version of itself – still strong and powerful, yet with an eased edge. Blues, greens, golden tones all have their softened versions driving down our roads with a softer shade weaving in and out of the traffic of our lives. Sprinkled in parking lots, these soft colors are becoming a fascinating contribution to the mix of common colors.

Milky shades of blues and greens vary according to vehicle make.

I found an article by Peter Bohr, an award-winning automotive journalist who penned a piece about how the color of a car could affect its resale value. It makes perfectly good sense, when color affects almost everything we encounter. Color attracts. People respond to color and make selections based on color.

This milky cobalt blue is rich and confident.

A shirt, a dress – a wall color, or bedspread, people pick paint, clothes, and home décor with a tendency toward a color preference. Do you have what you might consider to be your “favorite” color?

Colors mean something – like red being attention-getting or urgent, warm to hot. While blue is calming, cool, and conservative. It is interesting to observe how often the color choices of things in a person’s world reflect that individual’s identity or, more interestingly, their alter ego – an opposite expression of their outward persona.

Kate Smith, a color consultant quoted in Peter Bohr’s article “Colorful Considerations,” states “Color is emotional and personal. On a canvas as large as a car, color shares something about the car’s owner with the rest of the world.” Bohr goes on to identify the most popular colors for cars White and Black. That to me means “blank canvas”. A clean blank white canvas or a bold blank black canvas – neutrals to go with anything and allow the owner to find their accents elsewhere. The “go with anything colors.” One open and fresh, the other closed and perhaps mysterious…

From black to white, the new milky grey is a popular selection – just for kicks!

Red cars perplex me. I cannot drive a burgundy car. I have difficulty even riding in one. Due to my sensitivity in this department, when renting cars we would specify, in advance, that we did not want a red car. That was to avoid saying that a fiery Ferrari would be fine, but that burgundy sedan is not going to fly. And despite the fact that the chances of leasing a fiery Ferrari – or exciting shades of cherry-bomb red were quite limited, we were safe to avoid any misinterpretation about the shade of red – so we de-selected all of them.

But what I have NOT seen is the latte effect applied to any red car color. Have you? To take a burgundy and milky it down would be a resulting dusty rose color. To apply the latter effect to a fiery red would result in a carnation pink/coral. Depending upon that original hue, the softened color would vary, but regardless, I have not seen this introduced on the market. Perhaps preliminary studies showed that other than dedicated Mary Kay sales associates attaining the highest level of reward, the pink tones were not big car picks. (Since having started this missive, I have seen a softened burgundy, but it is apparently still a rare find in the new color palette of cars.)

Here is the illusive milky red/smoky rose color of the “Latte Collection.”

Yet, having a favorite color or what you consider to be your favorite color might not apply to all things in your world. As I have always said about design and color, decisions are usually based upon context whether you are aware of it or not.

For the last 20+ years, my car color has been white. To me it is freeing. It cleanses my palette, (intended play on words). I know I won’t tire of it, and it allows me to approach and own that blank canvas when the entire rest of my world is ruled and stimulated by color and my constant critique, application of it or response to it.

As an exercise, think of what your favorite color might be. If you are super color sensitive like I am, you might consider that you have many favorite colors – usually based upon context – but for this exercise, pick one and then see where you have selected to use it in your world. Is it the color of your car or wall or favorite outfit? Don’t be surprised if it is not any of those seemingly significant things in your world. But check the the context. If it is on one or more of those things, ask yourself what about that “favorite” color resonates – makes you comfortable or even joyful. Then see what other color choices do not include that color and ask “why?” You might be surprised that this is fun and illuminating. It will provoke your thoughts about color and choices and perhaps heighten your awareness of the colors around you.

Aug 07

Fabrics – Texture, color, pattern, design & style – The Art of Transformation

By pattisays In Albuquerque, New Mexico, beauty behold it, before and after, chairs, Color schemes, color trends, colors, commercial design, commercial interior design, contemporary fabrics, context of interior design, creative process, creativity, custom design interior design, custom furniture, decorative accessories, design details, design process, design scenes, design theme, design tips, design trends, designer fabrics, designing a new home, designing with a purpose, eclectic design, element of surprise in design, embroidery, fabric design, fabrics, fanciful design, faux finishes, furniture finds, good design, graphic designs in interiors, hiring an interior designer, home, home decor, home improvements, how to select colors, inspiration, interior accents, interior design, Interior design pro tips, interior design pro-tips, interior design trends, interior enhancements, lifestyle, living with color, modern interiors, new home design, nostalgia and design, office furniture, Okeo Tex, patterns, personal expression, personal spaces, personal taste, planning a new home, planning a remodel, practical design, re-purpose, re-upholstery, recycle, recycle design, Refresh, remodeling, reupholstery, seating options, sectional sofas, selecting colors, sofas, Subscribers, textile design, textiles, textures, Thrifting, throw pillows, tips for new home design, trending design, trends, up-cycle, update design, updating, upholstery, value of good design, workplace design / 1

Everyone loves “Before & Afters.” The transformation of an object or a space is the magic of interior design. One of the most valuable elements in our design wheelhouse is fabric. Fabrics have the ability to transform. Like paint – color – altering to enhance a piece or the entire environment, fabrics offer not only color, but texture, pattern, design and style.

I love a good find. Call it antiquing, thrifting, scouting, treasure hunting…the hunt is the intrigue. Exploring random sources to find the perfect piece. Once found – knowing what, if anything, is needed to transform it.

The lines of these handsome armless chairs caught our attention out in the elements, on the front porch as we passed by.

Reupholstery is a life-saving treatment. To salvage a tired piece with good bones and great lines is a service to good design. Pairing old pieces with new fabrics is rejuvenating. Inserting fabulous fabrics into a design scheme is a fine art that gives aged pieces a new life and contributes to the uniqueness of the composition of a space.

As we placed the chairs for an intimate conversational grouping, the scene started to take shape.

Of the design elements, paint is the one with the seemingly limitless choices. Fabrics are next. The worldwide variety of textiles, creatives, fibers and the combinations thereof are vast. Searching for just the right fabric for a specific piece is part of that treasure hunt.

You have heard the term “run of the mill.” Even for many, having never thought of this as a fabric metaphor – this phrase is used commonly to describe the common. It means ordinary – a common, mass-produced product’s run of a manufacturing mill. Using common fabrics is a cop-out when it comes to creating unique designs – especially when there are so many incredible fabrics from which to choose.

Focusing on a close-up of this recent upholstery fabric, we see the intricacies of the colors and textures of the weave.

Personality comes into play when selecting a fabric. Along with function (how durable/cleanable it needs to be), the taste and preferences of the user, and the context in which it might occur – personality of the pieces plays a major role. For example, reading the personality of a chair – its lines and scale.

In the workroom, the chair begins to express its new identity.

The personalities of fabrics are as endless as the textiles themselves. Fabrics evoke moods, seasons and even attitude. For commercial use, as well as heavy-use residential – workhorse fabrics have evolved. Not long ago, durable fabrics looked durable, less attractive and limited. And without turning this into a continuing education course about fiber content, it is obvious once you investigate the options, durability for wear, ultraviolet tolerance, mildew resistance, and antimicrobial properties – are all woven or applied to fabrics allowing amazing installations in commercial interiors that you would not hesitate to have on your living room sofa!

Most people wouldn’t look twice at this tired sectional, however, we knew we wanted a portion of a curved sectional (not an “L”, but a soft curve).

Voila! The finished sectional is further detailed with custom throw pillows to bring together the caramel and blue tones of this color scheme. Warmly greeting guests upon arrival.

Residential interiors can now enjoy what commercial interiors have realized for years. By incorporating the durability and cleanability which allows for the wear and tear – without showing those signs of real life – residential and commercial interiors incorporate fabulous fabrics that defy their strength – beauty and style conquer!

Sustainability of the fiber sources is an increasing topic of conversation. That and the fiber contents regarding the health/safety of the materials and treatments, if any, used (Okeo Tex certification, for example).

With all this information regarding the myriad options, enhanced durability and the unique opportunities that textiles provide to dress your great pieces – treasure the history, family hand-me-downs (if not heirlooms) and give them new life!!!! Its ART!!!

May 10

Conquering the Fear of Color – A Q&A Interview with Patti

By pattisays In Albuquerque, New Mexico, apartments, architecture, artistic expression, bar, bars and restaurants, beauty behold it, blue and white, branding in interior design, breweries, Centerpieces, chairs, color and temperature re: interior design, color forecasting, color of light, color Q&A, Color schemes, color trends, colors, commercial design, commercial interior design, commercial remodel, Contrasting colors, corporate branding, creative process, creativity, custom design interior design, custom furniture, dark colors, design, design and marketing, design challenges, design details, design process, design Q&A, design scenes, design solutions, design theme, design tips, design trends, designing a new home, designs in nature, DIY design, drama of color, eclectic design, eclecticism, element of surprise in design, fabrics, favorite colors, good design, good taste, graphic designs in interiors, hiring an interior designer, home, home decor, home improvements, how to select colors, inspiration, inspiration from nature, interior accents, interior atmosphere, interior design, interior design preferences, Interior design pro tips, interior design pro-tips, interior design trends, interior enhancements, joy, kitchen, kitchen cabinets, kitchen design, kitchen remodel, kitchen remodeling, lifestyle, living with color, logo development, logos, modern cabinets, modern interiors, paint colors, painted cabinets, painted furniture, personal spaces, personal taste, planning a new home, planning a remodel, Q&A, re-upholstery, remodeling, reupholstery, Santa Fe, New Mexico, selecting colors, Subscribers, Talavera Tile, tile, timeless colors, tips for new home design, trending design, trends, Uncategorized, update design, updating, upholstery, value of good design, white color schemes, white kitchens /

The serenity of neutral color schemes has a significant place in interior design. However, it is more about the fear of color that I approach this article today. Committing to color arrests most people – they want it and admire it but are fearful about selecting and committing to bold colors.

Beautiful neutrals are a color all to themselves. Layers of whites, creams, grays offer sophisticated schemes.

However, that is not all that causes clients to reach out for assistance. Even if they have made a decision about taking the leap, it is how much, where and with what or to what the color is applied or occurs.

A white kitchen receives a patchwork of blue and white Talavera tile as a backdrop adding depth and interest.

In addition, upon closer inspection, we have incorporated a fine detail of an aqua glazed Spanish tile running horizontally and vertically through the patterned tiles.

I remember when architect Antoine Predock’s project for United Blood Services in Albuquerque https://bit.ly/3LBQbDv made a splash – a really RED splash when he stuccoed the entire exterior brazenly brilliant, bold, blood red! It was astonishing – astonishingly effective!!! https://bit.ly/3NNQihd If a picture speaks a thousand words, color is right there in conveying remarkable communications.

From branding to personal style, color is key.

The addition of our tongue and groove walnut wall established the theme for the rest of the furniture in this interior.

With freedom to select colors for this new brand, the signage and interior finishes all contribute to a unified statement using a dark cadet blue, warm gold, and caramel colors throughout the space.

From T-shirts to interior finishes, the brand is reflected and reiterated in colors throughout.

My staff recently investigated information from projects. They posed questions and gathered observations regarding my use of color. Photos, at the end illustrate some specific color decisions and why. The resulting questions and answers are as follows:

Patti Hoech‘s design practice has been and continues to be an exploration and emphasis of the subtleties and strengths of color. It is an integral part of her work. We wanted to know why and when she discovered this specialization in her design sensitivity and how it relates to her approach to effective design decisions. We are asking clients and colleagues to pose questions to get the answers.

Why is color so important?

Patti Says: Color is power and peace. Color is important on so many levels – personal joy (or aversion), perceived temperature, brand identification, seasonal interactions, emphasis, and contrast. Color is everywhere. Understanding and harnessing it for specific purposes is key.

This new backsplash had a specific purpose, which was to acknowledge the existing rust-colored porcelain sink and the intensely green marble stone countertops. By pulling those two colors into the tile selection so strongly and interspersing other colors that complemented the palette, the result was an effectively unifying design detail.

How do you determine the color specifics for your projects?

Patti Says: What color brings you joy? What color tells your story? Interviewing clients about their color preferences – being an important question begins the dialog regarding what colors to incorporate and why. This can be personal preferences or aversions or specific colors relating to branding whether it is new or existing. Also, existing fixed design/architectural elements might also play a significant part in developing an effective color scheme.

This couple wanted turquoise and other blue tones to weave through their interior. By selecting a neutral backdrop in the floors and walls, it allowed the accent color to punctuate the space from several key pieces of fabric and finishes.

Do you believe color affects the lives of your clients in their homes and workplaces?

Patti Says: Absolutely!! Color can insert many subliminal effects that impose on people’s perception of a space or graphic. Color can evoke emotion, instill comfort or agitation, rekindle memories, spur appetite, affect perceived temperature. It can embed recall for commercial brands. Color can be a clever tool.

In this interior for Boba Tea, we played with the colors of the flavors and the multi-colored tiles to correlate to the fun experience of sucking the tapioca pearls.

How do you navigate color trends?

Patti Says: Trends are necessary to keep our market moving. Capitalism is based on consumer activity, and nothing generates purchasing frenzies like stimulating new trends in the market. However, basing design decisions on trends must take into consideration the intended longevity of the design. Much of color trends are based upon pairings and combinations of color. It is those combinations that can “date” a color scheme – not so much a specific color. It is how, where and with what it is used that pegs it.

A classic, well-balanced color combination of blue, white, and yellow is a comfortable warm and cool with a neutral that transcends trends. Fabrics and finishes contribute to how one updates a classic color scheme.

Do you feel you are a forecaster or influencer?

Patti Says: I believe that I have imparted and am still providing thoughtful, challenging color consultation to my commercial and residential clients. Having prospective clients request designs based upon others that we have produced is telling and flattering. It means they have confidence in the decisions regarding long-lasting color schemes – if not timeless, in some cases. However, it must be said that design elements that present the color often determine – in many ways – how well a selected color or color scheme “holds up” over time. Considerations regrading patterns, materials, and elements can and might be either improved or modified over time while maintaining the same color scheme. Forecasting anticipates color trends. I have successfully influenced clients to make selections based upon an anticipation of future color directions in the market or merely go with classic combinations that have been proven over time. . .

Playing off the colors in this corporate logo, the interior design reflects and further strengthens the brand. This company invited us to design various locations in three different states over the course of several years. The interiors have held up against the ravages of changing trends and market directives.

What has influenced your appreciation for and interpretation of color in design?

Patti Says: It started at an early age. Observing the world around me. Nature, architecture, decorative arts (china, textiles, artwork), fashion, logos/brands, trends, regional colors, seasonal colors, cycles of color…Pinks, turquoises, yellows of buildings in the West Indies, bold color statements of Mexico…Color is profoundly important and signature in its application. From fish to birds, flowers to leaves – color captivates me and urges me to find words to express it and continue to have it a primary part of my descriptive vocabulary. As an omnipresent element in the design process, color is unavoidable, but to enjoy it so fully and embrace the limitless range of options is an exciting artist’s pallet of possibilities which stimulates me at every turn.

The magic of color on architectural exteriors can be amazing. Here in Burano, Italy my dear friend captured the colors! Similar to what we see in Guanajuato, Mexico and the sunny islands of the West Indies.

I attribute much of my color awareness to my mother. I remember being greatly influenced by her sense of color and design. Her sensitivity and talent were innate. She selected fabrics that had unusual color and pattern combinations. When orange, avocado, brown, and gold prevailed in the 60s and 70s, she selected the olives with chartreuse and gold for the less formal areas of our lives and leaned into Lily Pulitzer’s dynamic colors and patterns for her clothing and a pastel version of soft pinks and verdant greens for our more formal areas. The master suite was primarily yellow with beautiful bits of blues. Beach scenes always emphasized blues and greens. Nothing in our world was on common trend, but an artful interpretation of color combinations, eclecticism and comfort. Pairings of orange and brown were never her happy place nor was gold and brown. But orange and PINK – YES! Pink and green especially! And browns were recognized in context with stone shades of greys and tans. I believe that sense was greatly influenced by richly organic, textured stone walls of the West Indies – Danish architecture in the tropics where limitless colors of greens and blues punctuated with flowers were all around.

As a result of this of this early introduction to the value of color, my personal spaces reflected similar sensitivities. Beginning with pink in the early years I graduated into blues, turquoise and greens for my teen years. The final scheme, in my room in the home in which I grew up, was a dusty pink, clay, and mocha-rose. No one in my world had that color scheme in the late 70s and it was difficult to assemble. It helped that I worked part time in a design showroom in Georgetown where handling the amazing abundance of fabulous fabrics was a daily inspiration. Throughout my life experiences color has been a constant distraction. Not in a bad way, but rather a noticeable, unavoidable interruption that causes me to pause and take note. Ask anyone who knows me – I stop and remark about color at every turn. For better or worse, I comment on color. It is a deep appreciation that I enjoy sharing. And the most rewarding is discovering color for clients who yearn for it but don’t quite know how to find and use that which would make them feel the joy of color!

A dear friend in Mexico recently took a leap in selecting an accent color for his seaside villa. Once an all white interior, which was lovely and fresh, he wanted a new look that provided contrast and strengthened his color theme. The yellow accents made me smile when he unveiled his new look!

Color plays a major role in discovering and expressing personal style. Fear not – color is your friend. Find your style. Live your style. Love your Style.

Mar 05

Details of Home

By pattisays In Albuquerque, New Mexico, ambiance, apartments, art and interior design, artistic expression, artistic imagery, built-in bookcases, chairs, Color schemes, colors, Company C, Contemporary Art, contemporary interiors, context of interior design, creative process, creativity, custom design interior design, custom furniture, decorative accessories, decorative mirrors, design, design challenges, design details, design process, design scenes, design solutions, design theme, design tips, design trends, designer fabrics, designing a new home, designing with a purpose, drama of color, eclectic design, eclecticism, element of surprise in design, fabrics, fanciful design, favorite colors, good design, hiring an interior designer, home, home decor, houses, inspiration, interior accents, interior atmosphere, interior design, interior design preferences, Interior design pro tips, interior design pro-tips, interior design trends, interior enhancements, interior paint, joy, living with color, mirrors, multi-generational design, new home design, nostalgia and design, paint colors, peaceful places, personal expression, personal spaces, personal taste, photography, planning a new home, planning a remodel, re-upholstery, Refresh, relaxation, remodeling, reupholstery, room arrangement, seating options, selecting colors, sofas, Subscribers, the story, trending design, trends, up-cycle, update design, updating, upholstery, value of good design / 1

Whether a minimalist or an eclectic collector/gatherer, one’s details of home are important and personal. Like personality types, what is important to one person is not so much for another. However, it tells a story. The details of a home make it just that. Home.

This interior has a lot of personality and very much reflects the artist who lives here. Antique family side chairs take a near full century leap with this new, colorfully eclectic upholstery.

Residences, the dwellings in which we live, can take many forms – from short-term to decades of ensconced living. To “reside” regardless of the length of time – suggests a certain level of comfort to include some detail(s) to make it “home.”

Each home is an individually personal space filled with details that make it so.

What might YOU consider imperative elements of what you call “home?” Consider comfort, color, ambiance, familiarity, convenience, nostalgia and perhaps just pure joy.

A hotel room for the busy “road warrior” traveling for business, might reveal a photo of a loved one placed thoughtfully on the nightstand. Something as simple as this can make a temporary residence feel more like “home.”

Upon plopping the overnight bag on the hotel bed, one of the first things to unpack might be the framed photo of a loved one to place on the nightstand.

Dorm rooms will reflect personalities, pleasures, interests, colors and imagery for young people leaving home for the first time. They create their own sense of place and “home” while embarking on their new chapters of life.

While looking around your place of residence – this place you call “home,” consider what is important to you. It might be the actual architecture, quality of natural light, a collection, a piece of art, furniture, photographs, decorative accessories…

A little over a year ago during the throws of our introspective isolation, my cousin, a thoughtful artist of photography, commented from Connecticut about The Essence of Home. In it she shares intimate observations and encourages personal study of your significant space – memory or current abode. She also suggests an interesting little project in which she invites us to “take half an hour and create a photo essay of a place that has significance” to us. “Challenge yourself to capture a feeling. Wait for the right time of day and seek out the mystery of the place. (This is a great activity for kids, too. You’ll be amazed by what they choose to photograph – what “home” means to them.) See what thing you’re drawn to capturing; become aware of the everyday beauty in the space around you.” https://www.catebarryphotography.com/

As an interior designer, I am engaged in creating and illuminating details that are meaningful. Whether a view or an object, color or finish, access or privacy – inside or out of the interior these elements collectively contribute to create the overall design. I encourage my clients to identify things they do and things they own – things they have gathered and how they live. What of them is of greater importance and why. This process begins a dialog of preference, value, and interests. Establishing priorities to springboard a project is key to a firm platform for the design.

You know the old question…If your house were on fire, what would you want to get out? It might be a person or a pet certainly – but if it were a material possession(s), it is a question worth pondering. The same is true if you moved or remodeled, what elements would you want to retain or replicate and what would you eliminate or change?

Vintage family pieces reupholstered, new pieces repurposed, bookcases filled with personal treasures, and the precious pet in the center of the action. Home.

The details of your home are personal, identifying, comforting aspects of your interior design. Discovering these important details is significant in effectively planning your interiors.

Mar 03

Whimsically Wonderful and Woodsy Transformation and the Design Process

By pattisays In Albuquerque, New Mexico, architectural woodwork, cabin design, cabin interiors, Color schemes, colors, comfortable colors, context of interior design, creative process, creativity, custom cabinets, custom design interior design, design, design challenges, design details, design process, design solutions, design theme, design tips, design trends, designing for animals, designing with a purpose, designs in nature, drama of color, eclectic design, engineered countertops, faux finishes, faux flooring materials, fireplaces, flooring, focal points, hiring an interior designer, home, home decor, home improvements, houses, how to select colors, inspiration, inspiration from nature, interior accents, interior atmosphere, interior design, interior design preferences, Interior design pro tips, interior design pro-tips, interior design trends, interior enhancements, interior paint, kitchen, kitchen cabinets, kitchen design, kitchen remodel, kitchen remodeling, lifestyle, living with color, lodge designs, modern cabinets, mosaic tile, natural stone, nature, paint colors, painted cabinets, personal expression, personal spaces, personal taste, planning a remodel, practical design, re-purpose cabinets, Regional design, remodeling, Santa Fe, New Mexico, selecting colors, Sherwin Williams, slate floors, southwestern design, Subscribers, tile, timeless colors, traditional kitchen design, trending design, update design / 1

Once upon a time there was a quiet little house in the woods. Nestled among the juniper and pinons of the rolling hills of Estancia, the little house lacked design details to make it feel a part of its surroundings. The owners and their dogs had lived there for a decade and realized that a move was not pending and therefore it was time to bring the house into its own.

Color was the primary element that they wanted to introduce – that along with a look better suited to the organic, woodsy setting and updates for fixtures and finishes. So, this plain, dated house in the woods began a magical transformation. Not wanting to embrace the sleek white and grey trends of the day, they expressly requested warmth and color.

The interior was plain vanilla with warm honey-colored wood accents.

Beginning with the floor, we selected a porcelain tile that had a finish simulating a mottled slate. The outstandingly durable, slip-resistant material had earthen color variegations in the various pieces which were highly effective at concealing dusty dirt and debris from the out-of-doors and camouflaging the anticipated dog hair that was shed about. The resemblance of the tile to cut stone was remarkable. Due to its multi-color rendition of ochre, rust, charcoal, black and sand offered many tones from which to grow the design’s palette.

The flooring was a bland combination of slippery wood laminate and 12″ ceramic tiles.

The new porcelain slate floor tile is multi-toned and rich with warmth. New wall colors and cabinets are peeking from behind…

Rising from this new base for the interior scheme, we selected a dark, black/charcoal stacked stone. The smooth ovoid shapes added further organic texture with a subtle woven appearance to the surface of the fireplace.

Texture, color, form…the design is transformed…

The mantle and hearth were both the plain vanilla white of the walls and despite the fact that white can be crisp, clean and fresh – the owners were eager for bold commitment to color. In keeping with the pine columns and other cabinets and architectural detailing, we wrapped the existing form of the mantle in knotty pine finished with a honey stain to coordinate with the existing wood accents. The hearth became an undulating slab of Cambria quartz material in a craft-paper bag/sand color also derived from the swirling “slate” floor.

The graceful shape of the hearth was enhanced with the addition of the stacked stone and new slab surface.

Towering from the now strengthened façade of the fireplace, the tapered form of the chimney was begging for the color-pop that the owner’s desired. The honey color of the pine along with the warm tones in the flooring invited a golden ochre paint to command the space.

Specifically requesting the insertion of the owner’s favorite accent color – turquoise, we departed from the warm, earthen tones and punctuated the scheme in the new kitchen cabinets.

The original kitchen…tile floors and countertops, oak cabinets with off-white painted walls.

Salvaging the existing boxes and painting the faces, fabricating new doors, drawers, upper glass cabinets and end panels, the open kitchen is the fulcrum of the house. We see the trending minimalism of little or few cabinets in the kitchen, perhaps open shelving…however, this couple wanted even more concealed storage to keep their cooking and entertaining accessories out-of-sight, but close at hand.

The kitchen transformation features new color, new faces, additional upper cabinets with etched glass panels, luminous glass tile backsplash, new quartz countertops with a new bowed shape for the island…all while keeping existing appliances, cabinet boxes and layout of the space.

Repeating the slab material of the fireplace’s hearth which passes through from the living room to the kitchen, the new Cambria quartz countertops continue the craft-paper bag/sand color. The slate floor wraps up the face of the island for a durable kick-surface and visual continuity.

But wait! To further the focal features of the kitchen, we created a custom mix of colorful glass segments suggesting an interpretation of fallen aspen leaves golden and glossy in the damp of late fall/early winter precipitation. The combination of golden ochre and dark amber with the luminous turquoise of this stunning wall treatment dramatically contributes to the whimsically wonderful colorful scheme.

Saving the bathrooms for another story…there is more to be said about this woodsy transformation. Stay tuned and do not fear color! Embrace the context of your special places.

Nov 15

Color Scheme Tips

By pattisays In Arita pottery, art and interior design, art as gift ideas, artistic expression, artistic imagery, artistic talent, artists, autumnal design, beach design, beauty behold it, building blocks, ceramic, color and temperature re: interior design, color classes, color forecasting, Color schemes, color trends, colors, comfortable colors, commercial interior design, Contemporary Art, contemporary fabrics, contemporary interiors, context of interior design, Contrasting colors, contrasts for balance in design, creative process, creativity, custom art in interior design, custom design interior design, design, design and marketing, design challenges, design details, design process, design scenes, design solutions, design theme, design tips, design trends, designer fabrics, designing a new home, designing with a purpose, designs in nature, DIY design, drama of color, eclectic design, eclecticism, fabric design, fabrics, favorite colors, floral paintings, flowers in design, functional art, glass art, good design, good taste, handcraft, handmade, handmade tableware, hiring an interior designer, home decor, home improvements, how to select colors, inspiration, inspiration from nature, interior accents, interior atmosphere, interior design, interior design preferences, Interior design pro tips, interior design pro-tips, interior design trends, interior enhancements, interior paint, Japanese pottery, living with color, modern interiors, natural designs, nature, new home design, paint colors, painters, peaceful places, personal expression, personal spaces, personal taste, planning a new home, planning a remodel, pottery, practical design, public design, public spaces, re-upholstery, Refresh, Regional design, relaxation, remodeling, reupholstery, Santa Fe, New Mexico, seasonal interior design, Subscribers, sunflowers, table top, tableware, textile design, textiles, textures, timeless colors, tips for new home design, trending design, trends, Uncategorized, update design, updating, upholstery, value of good design / 1

Color schemes are limitless. The permutations are endless. Color is exciting and fun. It is personal. Colors evoke feelings, memories, emotions and are key to a comfortable interior.

How often have you been asked or pondered on your own…”What is your favorite color?” Some people hesitate to answer, while others blurt-out readily with their fav. But what color you choose to wear versus what you enjoy in your interior surroundings and how much might be quite different.

Several weeks ago, I launched a weekly post on our PATRICIAN DESIGN Facebook page called “Color Schemes.” The idea is to inspire design ideas by pairing artwork with designer fabrics. When planning an interior there is always a focal point complimented and surrounded by supporting elements. Whether a key painting will command the space or an expansive window with a view will direct the focus to a scene of outside colors and textures – that key element will greatly influence a successful interior color scheme.

Annette Donald creates colorful cubes in her creative take on our beloved chile ristras. A serrano chile oil painting, on canvas, by Federico Leon de la Vega is quite representational. Paired here with Romo and Ralph Lauren fabrics, Sherwin Williams paints…fresh and festive!

Here is the example of a November Scheme and you can scroll back each Monday for the past few months to enjoy a variety of the Color Schemes! https://www.facebook.com/PatricianDesignABQ/photos/a.243005986618/10157154423221619/

We embrace the The Nature of November with its unique colors and textures. As the air becomes chilly and the leaves fade…warm, soft colors bring us indoors. Featured here an elegant fused glass ribbon wall piece by Lisa Checnoff.

There are four primary considerations that I discuss with my clients when determining which colors to choose, emphasize, avoid, use as accents and where. To establish these selections, we evaluate personal preferences, contextual implications, seasonal influences and even trends.

PERSONAL: In planning an interior, I always want to know what colors make our clients happy, comfortable, stimulated, vexed or relaxed. These personal insights reveal important information for selecting types of materials too.

By examining what might be one’s favorite color, the discussion will navigate the distinctions, if any, regarding preferences for clothes versus interior furnishings. Interestingly, they are not always the same – although, by mere comfort and familiarity, they often are. Simply asking about a favorite color is not enough.

Brilliant golden yellows and blues – splash color! Featured here are fabulous photo-realistic acrylic paintings by Sheri Mays paired with amazing fabrics of the same exciting palette.

CONTEXT: The context of the interior might dictate or at least steer the direction of the design. The luxury of having multiple personal environments offers the opportunity to have different color pleasures exercised in different places. The ski condo might be woodsy and textural with browns, greys, stone and wood punctuated with a pop of color versus the seaside retreat with its crisp whites and cool blues and greens punctuated with pastels or bold contrasts. Therefore, the location of an interior might direct the desired color palette.

Inspired by this spa-aqua pottery bowl by Penny Roberts and the custom glass tile mosaic we recently combined to face a newly remodeled kitchen wall – the cool seaside/spa feel balanced with ambers and warm dots of color – pink, fuchsia, orange and golden yellow. Durable brushed cotton solids come in myriad colors and are perfect for pillows or upholstery.

SEASONAL: This one is tricky because it plays on the perceived climate outside – even if the interior is maintained at a constant temperature. It takes a concerted effort to plan a color scheme – including textures and finishes in anticipation of changing seasons and relative temperatures. I previously mentioned that a window with a view might be the focal point of a room…imagine the effect the changing seasons might have on the selection of interior colors and textures versus a consistent tropical scene, for example?

Perhaps you love purple – ever pair it with golden yellow? Here, functional, fantasy pottery designed and crafted with the most precise attention to detail by Jen DePaolo inspires our boldly brilliant scheme.

TRENDS: Inasmuch as I avoid being steered by trends, it is impossible and not advisable – in design – to avoid them. Clients are influenced by them and bring that would-be preference to the table. It is essential to continue to have “colors-of-the-year” and other market-driven colors change to stimulate the economy with buying and selling, replacement and updating. It’s our socio/economic norm. It also serves as an encouragement to re-fresh. But to limit that influence, in favor of long-term personal pleasures, is best. The pressure of this marketing color influence contributes to our being a disposable culture. Not time here for a lecture on such things – but rather to instill an appreciation for and confidence in personal selections an decisions – in this case, color.

Patinaed pearls and stunning glasswork by Margaret Hidalgo Vanderheyden inspire the soft, greyed lavenders and blues of this cool scheme.

An interesting and on-going test for evaluating a successful interior is when designing in one season – it has to work in all others. For example, when I meet with clients in the heat of July with lush foliage and color, warm temperatures and long days, that same interior has to succeed when it is frigid outside, barren, and with darker, shorter days. What might the challenges be in creating a successful scheme and what might be the solutions to make it work?

Having noted all of this and knowing the different reactions people have to color, isn’t it interesting when an interior is so successful that it appeals to many, if not the majority, of those who experience it? This is more applicable to commercial or public spaces – from doctors’ offices to hotels. However, the challenge and success is in knowing the many things to be considered and implementing a balance of them throughout all aspects of the interior.

Anne Marie Werner-Smith’s brilliantly glazed pottery here with Margaret Hidalgo-Vanderheyden’s lovely fused glass crosses along with coral and dyed stone necklace and woven table runner from Chiapas reflect the changing colors of fall leaves…

Appreciating color is a gift to designers. It truly is an imperative to appreciate all colors and have the sensitivity to discern the nuances between various values and the effects of selections and combinations from the infinite choices.

I hope this has given you ideas and inspiration to move forward with YOUR color schemes! Sign-up for our weekly email of Color Schemes with classic blue and white and stunning neutral greys coming!! And follow the posts on Facebook every Monday.

DOWNSIZING: Part One of Three

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