WHITE by Design…

With all the New Year buzz about the new color forecasts…I started taking notice of the seeming non-color, white. It is often considered the absence of color when in fact it is a very complex color of many shades and values. Just try to select a white and you will know what I mean.

When you look at white paint samples, you will notice the nuances. There are pink whites and blue white, grey whites and yellow whites. Each white is off-set and contrasting to another. You see the differences by comparison and by context. You think you have just the right white until you place it against another sample and see that it is grey or cream and then second guess yourself again…and again…How do you know which white is right?

Dunn Edwards groups their whites and pastels in a separate section of their fan deck as do other paint companies. What is interesting here is that the background is a sheet of white copy paper. Notice how is reads against the colors in the samples…it seems to be a purple blue color. This shot was taken under a full-spectrum LED lamp. The colors should be true. The range of “white” is amazing.

To intentionally design with white is bold. To have the confidence, to decide that white IS the color and that white IS the scheme, is challenging. To effectively design with white, you not only have to select the right white(s), but you have to know just how much of anything else might be effective yet not detract.

Le Leche in Puerto Vallarta is a fabulous example of designing exclusively with white. Only with minimal punctuation with black lettering on the wall of containers and also by allowing shadows is the white interrupted. But the blacks’ minor interruptions gives depth and fine detail.

White design can be cold or warm. Depending upon the desired effect, mood or function of the space, the whites need to be carefully selected. This is true with lighting as well. Warm whites or cool whites…what gives you the desired result?

Popular white string lights add festivity and a warm glow to an evening scene.
See how many lighting colors you can identify in this scene…Starting on the left, a cool pocket glows through the underbrush. The walkway has a warm pink-ish light. The very cool blues of the pool area give a dramatic read. A bold yellow accent peeks from the far left and also over on the right. The palm trees are wrapped in a warm white tube lights while the far right side illuminates the entry to the dining palapa with a cool white light source. The foam of the surf on the beach is captured with a cool white spotlight that maintains its naturally expected white color.

Knowing when to add color to a white scene to achieve an intentional POP is an art. The color itself, the amount and placement is all part of the success of a good design result. From the fine black detailing in the previous shot of La Leche to this still-life composition of a tropical cocktail that I propped the other day, the minimal punctuation of color is key.

White mosaic shards of tile in the background of this composition featuring a peeled coconut and the POP of a pretty pink party umbrella result in a white-on white scene. Yes, this shot says PARTY with a perky smile!

The bench which served as the backdrop for the coconut cocktail is a dramatic serpentine sculpture of site furniture that plays with the white-on-white of the tile and grout.

Contrasting against the organic wood decking, this white monolithic bench snakes around the periphery of this outdoor lounge area. The sunset is casting a soft pink wash over the all white glazed tile.

Beach settings using white materials compliment the white sand and greenery of the tropical plants. From wood frame platform cabanas to the sprinkling of umbrellas, white is a wonderful, fresh color for a crisp clean scene.

Whites on whites…creamy sand colors to crisp white terrycloth, the white-on-white scheme is soft, inviting and clean.
Greenery compliments the white umbrellas and sunning beds on the lawn by the beach.
Palm trunks and other fruit trees are often painted white to protect against insects and what insects insist on climbing the surface are easily spotted by birds who appreciate the help to capture a snack! In this case, they contribute to the white design theme.

The soft creamy off-white folds of fabric offer a soft, inviting scene.

Shadows in the creases and depths of the folds add the dimension to the luxurious feel of the cotton damask fabric.
White stucco is dappled by shadows and greenery while given a warm, strong base by the brick pavers. White as an architectural finish is only successful if the context compliments it. This is true in all design.

Architectural color and texture of surfaces is a moving target. A recent discussion about a white building with black detailing would not have proved right for this particular use of white. The hard, commercial read would have been too severe for the intended effect. Yet that same project, with a warm white and an ochre accent, will be just the right combination to achieve the desired result. Watch for this project to be featured in a few months.

Architectural surfaces incorporating tones and textures of white provide interesting opportunities

Block and crumbled edge accent bands on the facade of an exterior wall.

White in design is an exciting selection. Knowing how, when and why to use it is a test of your creativity. Picking the right white is the challenge.

The limitless colors of white found in a pile of gravel…..

So the next time you think white, think a lot about it. Study the context and what you are trying to accomplish. Feel freed by the fact that white is a color to express and enjoy.

Patience and Reward for Design Processes

Patience. Good design requires patience. Do you have it? The design process can either take the route of “all planned before anything starts” (everything drawn and detailed, all finishes selected, all fixtures and furnishings, fabrics and accessories decided and specified, for perfect inclusion into the design) or the process of “design-as-you-go”. The “all planned” design process allows for exact pricing and budget planning. But if the process takes too long, some of the things specified might no longer be available – that has happened more than once! The other “design-as-you-go process” is more random.  There can be and often is a combination of these two approaches, but the second requires more patience and less precisely scheduled time.

The luxury  of  time, experimentation, trial and error, wait and see, what if, all are elements of the “design-as-you-go” process. It is decidedly the more fun and more participatory process. It starts and evolves before your very eyes, with the in-the-field options, to change, modify, massage, delete, add, think and re-think, all available while the action takes place, it is like creating an art piece one stroke at a time. Artistic expression rarely progresses in a straight line.

All of the above can be said of the pre-planning process too. You can illustrate, render, draft, erase, alter and change all the while – but you are doing it prior to commitment, prior to actually  seeing the actual design unfold in real time.

Changes and additions can arrest the process – whether in pre-construction planning or live-in-the-field. However, live-in-the-field is much more int-eruptive and possibly costly. Changes and additions can cause scheduling delays which can domino throughout the otherwise planned program. This can result in not only cost considerations, but disarray and a prolonged inability to use the space.

As I visited one of two parallel kitchen remodels nearing completion  that I have previously mentioned, the owner mused “It’s a painful process.” But as we stand there enjoying the transformation he continues “It is almost hard to remember all the phases we’ve been through to get here. Kind of like childbirth.” We laughed at the fact that the world would be filled with “only children” as no mother in their right mind would go through that pain again!! He and I both never having experienced it for ourselves – yet, “they say” that it’s true. All very much worth it in the end!!!  The ultimate reward!

This BEFORE shot of this kitchen shows dated, anemic face-framed radius flat panel cabinets, granite tile counter-tops and back-splash.

 

Not quite finished, cabinet pulls are being installed, final painting details are underway and the transformation is being unveiled. New cabinet doors add a classic raised panel detail painted white, with new concrete-like engineered Italian counter-tops, and striking Talavera tile back-splash punctuated with mini mosaic Spanish tile accents. A new window opens to the outside patio with the counter-top passing through and the window closing directly on the top.

Residential design – those private, personal spaces always involve knitted brows, vacillation, additional worry and more indecision than commercial designs. Not to say that commercial designs don’t involve interested parties, if not actual owners, the investment in the personal pocketbook and  personal emotion is not the same. Furthermore, there are greater personal thrills and disappointments in the residential projects.

Well, back to patience. It’s a virtue and I often struggle to practice it. I tend to be overly eager for instant gratification.  But patience is very important when creating something of value and timeless appeal.

Design takes patience during the various stages of design details. We are not talking about building a rocket ship – but imagine the design and engineering required for that!. Let’s just talk about something simple, like custom drapery rods. The client thinks – fast and easy. While on vacay they experience a lovely accommodation that features hand-forged drapery  rods. “Cool” they say. Filing that away among their thoughts of interesting interior details. A couple of weeks later, they are in front of an art booth and meet an iron-worker who offers all manner of custom iron work. So they recall the cool drapery rods and inquire as to whether he would do something like they described. “Sure,” he sings and whips out his portfolio of photos among which are very cool twisted iron drapery rods with swirly finials adorning the ends. They’re sold! They invite him over to see their windows and get started. At this point, their interior designer knows nothing of this idea or the contact and engagement.

Remember, they are thinking fast and easy. So they expose their idea and plan that is already underway asking their interior designer on advice for drapery fabric.  With this opening, the designer asks about the rods. Come to find, they aren’t sure how far past the windows they have been measured to go, they haven’t considered that the 5/8″ solid stock might want to sag after a while spanning 8 feet and they have no idea how they are going to hang the draperies…”Oh” we need rings?  So it seems that the conversation with the iron-worker has been rather cursory. Questions that needed to be asked and answered at the outset had not been thoroughly considered.

Fortunately, these details will now be addressed, issues solved and finished product all as it should be with proper extension past the actual window opening, matching rings to the iron rods, and a stout enough rod so as not to require a center support – an element to be avoided if at all possible. Whew – caught that one before it was too late!! (Watch for the installation of the hand-forged rods and custom draperies in the next few weeks).

Paint colors often wait until other decisions are made. I have mentioned previously that we usually pick things that have fewer options. There are more paint colors than anything else in our design world with fewer fabrics and even fewer rugs. In that order, we might pick the rug first, fabrics to build upon it and paint colors to bring it all together. Not necessarily – but that is a pretty good example.

Starting with an existing hardwood floors well preserved by decades of wall-to-wall carpeting, we discussed the desire to create a colorfully transforming interior and opening of the space to better connect the kitchen with the living area.

 

As we met to hang artwork, discuss iron drapery rods, custom chandelier and finishing touches, the clients remarked that this was so exciting to be nearing the end of this dramatically colorful transformation that so nearly has transported them back to Guatemala where so many fond memories have been established over the years.

Well, back to patience. It’s a virtue and I often struggle to practice it. I tend to be overly eager for instant gratification.  But patience is very important when creating something of value and timeless appeal.  Go forth and design your dreams with all the patience to make them come true!

 

 

Trust and Custom Designs

Trust. When asking any kind of advice, you generally ask those you trust. That’s not to say that you might not question the advice. There is never only one way to accomplish something, therefore, advice can be as different as the number of advisers you ask!

From a design standpoint, to offer and create custom elements, it’s often the case that the client will say, “Can you show me an example of that?”  If something is new and different, created specifically in context and for this project, there IS no example. There might be similar things, or close approximations of the design – or not – but not the actual design. Trusting your designer to extract your wishes, taste, preferences and applicability to the space is key to creating something very special.

So, I can show examples of mixed pattern Talavera on a wall. I first did this in Tucson about 13 years ago to create a wallpaper-like full wall installation.

As I referenced this casita installation for my clients, while planning their kitchen remodel, I also came upon a restaurant in St. Louis this last spring that used a similar approach in an Italian theme…Talavera? Mexican? Italian? Oh well…another example I brought to the conversation.

For this new kitchen remodel project, we were working with existing conditions, the layout and the mottled green, rust, aqua, charcoal slate floor. All else was up for grabs. However, because I really feel strongly about context, I mentally gathered elements from other parts of the home and intentionally embraced the floor.

This fireplace was given a face lift last year to add the stone hearth and mantle with the decorative Talavera tile detailing.

I believe to abandon existing design themes reads like a designer show home – each room done by a different designer, without any cohesive design continuity. Pair the idea to make an effort to lace the rooms together, with the effort to adopt certain fixed materials and you have compelling diagram of creative remodeling guidelines.

When it is either not practical to replace an existing design element or when the existence of the that design element makes for an un-self conscious part of the composition, it can be priceless.  The slate floor was of smaller 12″ format tiles than might be more popular today, but it’s unusual color and very organic feel was worth the challenge. Turning a questionable design element into an asset is success!

 

 

Once the flooring was determined to be key in the new design, extracting features (specifically colors) from it became the next task. We had already discussed bringing the blue and white Talavera in from the living room, but my client was not feeling the joy of pairing it with this wildly mottled slate floor.

To meld the design elements together, I selected a concrete-like engineered countertop (which came in two colors both of which were seen in the mottled slate – and provides fodder for a future story). This provided a solid anchor for the design between the mottled floor and the multi-patterned Talavera.

But what might be the one more thing to make this design be even more unique and more cohesive? I set forth to find the impossible, an aqua, handmade tile that would complement the Talavera in the light irregularity and “hecho a mano” feel.

The perfect handmade aqua tile from Spain (photo reads more blue) from DAL tile was the perfect accent.

The absolutely ideal accent appeared unexpectedly as I thought I would be searching farther and wider for this perfect piece. By cutting it into 1″ pieces we would have the artistic accent woven through the patchwork of Talavera, thereby inserting the aqua and adding interest and unexpected detail.

By not planning a symmetrical grid of the accent mosaics, but by creating random lines the unexpected quality of the installation continues.

At this stage, the grout could be grey or white – specifically off white (of which there are many). Opting for the white, to allow the tile to read in its patchwork pattern, without added confusion with a grid of grout competing for attention. We then made a last minute switch on the white grout to a creamier one after seeing the many colors of off-white Talavera up on the wall – leaning more creamy than merely off-white. Could I have shown an example of this design scheme? No, this was created specifically for this project, this client and the space that deserves such attention to detail.

We’re not finished yet. Watch for this transformation to be unveiled in coming weeks complete with before and afters!

Decorative Wallcovering – Fun with Tile

When you think about finishing a wall, you probably think about paint colors…you might think about a wallcovering – wallpaper, or even a mirror – I’ve previously noted how mirroring an entire wall can exponentially expand a room – a dimensional effect/illusion that suggests the room extends well beyond its actual size. But another wall treatment, with which I LOVE to play, is tile!

All over the world, the art of designing and creating decorative finishes with tile has been evolving for centuries. All cultures have utilized mud and clay, glazes and fire to bake beautiful patterns and colors onto geometric slabs. Shapes of rectangular, square, octagonal, dots or diamonds – the geometric shapes are many and the designs are limitless.

As is true with other wall treatments, I prefer not to stop on an outside corner. I believe that the color or material should suggest a built mass – part of the architecture. To stop on an outside corner suggests a veneer. It proves that the finish on the element is not a structural/integral part of a built mass. When you paint into an inside corner and stop, it allows the mass the read as though solid and not merely superficially treated. The same is true with tile. Don’t stop it until you get to an inside corner – if possible. There are situations that force a finished edge on the flat plain of a wall – but avoid outside corners at all cost!!

This entire shower is tiled floor to ceiling, around the pony wall, bench…no door…it reads like a built environment of stone tile.

Think of the surface as an architectural element. Tile from floor to ceiling, inside corner to inside corner – wrapping corners, if needed, along the way.

Take a backsplash…customarily used to do just that – catch splashes at the back wall of a wet area (sink) countertop…bathrooms and kitchens, behind sinks and between upper and lower cabinets – but why stop there?

The entire back wall of this kitchen is mosaic marble tiles in a herringbone pattern.

Think of it as a true wallcovering – wallpaper. Commit to the entire surface. Here are more effective examples…

The backsplash and entire adjacent wall were covered in glass mosaic tiles. It “reads” like wallpaper.

here again, the classic blue and white Talavera tile backsplash is continued along the entire wall from floor to ceiling.

We are currently working on a couple of kitchen projects that will soon be completed. They both use tile liberally. Each quite different from the other. Stay tuned for the finished products!

In bathrooms, the area around a mirror can be more than merely the backsplash. Embed the mirror into the tile surround or tile the entire wall and hang a mirror on top of the tile surface.

This mirror is flush with the surrounding tile, suggesting that it is embedded into a tile wall.

 

Planning this transformation, the mosaic vase was the inspiration. Then loose tiles were scattered on the countertop and the concept began. Note, the existing mirror was attached to wall with light fixture mounted above it and a medicine cabinet off to the side.

 

The transformation involved removing the medicine cabinet, taking the floor tile up the wall and wrapping it floor to ceiling. It was also cut into smaller squares to use behind the sink as a “full-wall backsplash.” Then punctuated with glass and glazed tiles to create an updated design. Relocating electrical to flanking the mirror for a pair of new sconces and a new countertop, faucet and sink with existing cabinets painted resulted in a cost-effective design.

 

Here a mirror is mounted on top of the fully tiled wall. Inside and outside of the shower enclosure the tile is a true wall treatment.

I recently received this advertisement in my email. It was such a spectacular collection that it caught my eye and I share here one of the patterns and context shots as the backdrop to a range.

Mosaic assemblages can be fun! Here is a fireplace surround.

The addition of three-dimensional pieces adds interest.

 

This exterior fireplace surround tolerates the elements – an all-season installation.

Here is a mosaic mural of a dynamic geometric abstraction  discovered in New Zealand. We are using this inspiration to establish a theme in a current restaurant project. An interpretation of this in the form of geometric tiles of various sizes, colors and patterns  will  be used to create a cohesive repeated design element through various areas of the restaurant – both inside and out. Watch for this completed project in coming months.

Commercial restrooms can benefit from full-wall tile treatments too. Not only does it look complete, but it is an ease of maintenance consideration.

Three dimensional tiles add interest to this cactus motif!

 

Fun with color and texture, tile are also easy too keep clean – terrific for public restrooms.

Murals are also terrific ways to use tile as art in your  interior/exterior designs!

This is embedded into the stucco for an integral installation.

When using outside though, remember to consider the range of temperature and moisture to which  it will be exposed. Porcelain is the most durable in areas where the temperatures get to and below freezing. Freezing and thawing can destroy tile. Many murals are made from clay that is not suitable in cold climates!

Inset into the tile wall treatment is this stunning glass mosaic abstract mural.

Tile – it’s a nearly limitless medium. So consider the possibilities for your next project! As a piece of art, an accent wall or an entire installation – full-wall treatments make a statement! Have fun with tile!

 

 

Living Room Transformation

As an adjunct to last week’s story about the progressive young couple and their dramatic kitchen remodel, I thought I should finish the subject and tell about the adjacent living room transformation and comfortable family room on the lower level.

When the kitchen grew to become the focal point upon entering and the bar counter expanded into the living area, it reduced that space to now become a comfortable sitting room for guests to gather or the family to relax while activities are  brewing in the kitchen.

Looking through to the dining room where a built-in storage bench was added along the window wall, offers additional seating. A new fabric-shade chandelier softens the light levels. All lighting in this remodel are on dimmers.

The former white brick wall had gently rubbed edges to suggest a distressed condition exposing the red brick beneath.  The fireplace had an unrelated golden oak mantle and surround with insipid tile inset also used to cover the hearth. The tile was a glazed faux marble with a Victorian design accent feature.

By simply painting the oak white to match the rest of the wood trim throughout the home and also painting the brick a soft taupe/grey tone, the look was instantly transformed. But they still had that awful tile…so here’s a design tip: to buy time either while you decide or until you save-up for the next phase, paint the tile away!!! To accommodate a new TV that is to go over the mantle, the wood surround was shortened. Notice the extra piece of wood trim that was removed to lower the mantle.

The hearth was removed and rebuilt (without the cut-off corners) with brick and painted to match the wall. Lucky for them the hardwood floor went beneath the hearth – so when they modified the size, they didn’t have to patch the floor! Tile was removed and replaced with 2×2 mosaic Carrara marble to coordinate with the herringbone mosaic of the same marble in the new kitchen backsplash/wall (see last week’s  blog).

A sofa found, for nearly free, was in good shape and reupholstered beautifully in this plush, durable navy solid.

The classic blue and white motif was punctuated with organic yellow.

The newly refinished original hardwood floors – taken from a golden oak finish to a rich espresso/walnut stain…

…with the blue and white wool hook rug creates a handsome contrast. The rug actually “reads” blue and white, but upon  closer inspection has warm khaki tones, soft turquoise detailing and is quite complex.

This revitalized cozy ambiance of this new sitting area/living room is perfect for this growing young family!

And for a more expansive gathering space, the lower level family room received a new sectional sofa in a durable charcoal fabric and a low-pile small diamond patterned wall to wall carpeting to conceal what had been cold tile  floors and make a comfortable room for all seasons!

Purrrrrrhaps someday they’ll have a cat to climb that crazy rope-wrapped pole!!!!!

 

Young Family Prioritizes Remodel

We all know that traditional housing floor plans are changing to maximize smaller footprints. The result is a more open layout. This preference, often seen in “loft” design where warehouse space is converted to living spaces – without many walls and with an eye on the interestingly industrial finishes of the existing space.  But this same concept applies to new home construction for starters or down-sizing to smaller homes and is definitely applicable in remodels of existing traditionally compartmentalized plans.

Lifestyles too have opened kitchens. Although often to maximize smaller spaces, they are also more open as cooking is more celebrated in the home and related activities are shared.  Kitchens have truly become the fulcrum of family life. So when this young  couple purchased their first home, the vintage 1960s split-level plan was not quite right.

The kitchen was a narrow galley-style tucked into a rear corner of the main floor. And although it had recently been remodeled, it was confining and not conducive to entertaining and growing a family.

The point of arrival was an open space with entry wall about 12-15 feet from the front door. To the right, the living room had a focal fireplace and the adjacent dining room made an “L” back to where the kitchen was tucked behind that previously mentioned entry wall.

So this progressive young couple thought way beyond merely  opening the wall creating a pass-through bar to better connect the kitchen to the living spaces. No, they said ” Let’s blast this baby out of here!” And with that they proceeded to visualize the point of arrival being the actual kitchen in full-view as guests arrived. Hello!!!!!

The former kitchen containment was revealed to present the new elongated welcoming bar counter-top, luminous glass pendants and supplemental recessed down lights, to meet and greet all who pass through their front door! Original hardwood floors were refinished in a dark walnut stain.

Their priorities were to create a larger, more functional kitchen with a clean, modern look and feel while making all open to better interact with their soon-to-arrive baby!

The clean white on white finishes in the kitchen are fresh and crisp. Lest you think they saved and added to existing cabinets, they did not – all cabinets are new!

And this might be considered gilding the lily, but we added a splash of artistic expression when we hand-painted the small squares in the new brushed stainless cabinet pulls to give them a bit of extra pizzazz!!!

By using the Carrara mosaic as a wall-covering, rather than merely a back-splash, the walls get a truly finished built-environment “read.”

The upper bar counter-top bows at bar-level to offer a more comfortable conversation scene.

The living room became a cozy sitting area off this wonderfully open kitchen and dining area.

Existing brick walls were softened with a grey-taupe to contrast with the white trim making it POP!

The fireplace now has a complimentary new Carrara mosaic in a diamond pattern to coordinate with the new herringbone mosaic of the kitchen wall.

And baby accoutrements adds colorful animation to the beautifully finished scene!

“HELLO!” they say. “Welcome to our beautiful new home!”

 

 

A Tale of Two Kitchens

Often with remodeling…it’s both the best of times as the anticipation for the exciting transitions is ignited, but since it takes “breaking an egg to make an omelet”, it is often the worst of times too as the demolition and displacement begins. Thank you Mr. Dickens, you set forth a mastery of profoundly conflicting opposites that I have used here which describe so many design project experiences so well.

Currently, in our shop, we are designing almost parallel kitchens. They are at nearly identical beginning stages. The owners share little in common, if anything, except perhaps the age of their homes. The sizes are similar, yet one is a bit larger offering different options for design consideration.

Both kitchens had been remodeled, from their originals, somewhere in the 70s and possibly 80s. One installed traditional drop-panel golden-oak with a curvy valance over the sink.

Brilliant blue paint to come will transform these re-purposed/salvaged cabinets with new personality!

The other flat panel radius corners for a “modern” look – also in lighter bleached oak.

Each set of cabinets were in good condition opening the conversation to salvage versus replace. Certainly we encounter cabinets that have been destroyed by hard use and neglect, but when the boxes are reasonably well constructed – or enough so that some reinforcement will enhance their weight-bearing and usability qualities, we often take the route of refurbishing. (NOTE: As a DIY, this requires much research to insure that a new finish will be flawless, durable and easy to maintain.)

The beginning for each project propelled forward with distinctly different ideas. One to follow the original character of the home’s raised panels painted white doors and trim throughout, the other seeking an entire transformation to a multi-colored fiesta of fun!

Mexican Talavera tile with Mexican terracotta Saltillo for the kitchen floor adjacent to white oak narrow plank original tongue and groove floor recently unveiled from beneath wall-to-wall carpeting.

Now that’s not to say that the more traditional soon-to-be white, raised panel kitchen will not be full of fun – as it will ultimately have a “party pass-through” connecting the kitchen through to the patio beyond and counter-top that transitions seamlessly from the sink area inside straight out to a party bar! A custom-sized double-hung window will open the scene in the warm weather months. We know that it’s going to be classic with a tremendous twist of fun!!!

The patio level is a step down. The kitchen counter inside will flow through a new window that is lower – opening directly on the countertop surface – providing bar height outside.

Both kitchens are being “opened” by removing portions of walls which have isolated them in years past. By removing the walls, additional daylight will be evident, a perceive expansion of the space will be realized and a connectivity to the other living areas for personal and entertaining enjoyment will become a reality.

Breaking through to daylight from the hallway skylight – adds not only light, but incredible depth and dimension!!

 

This is soon to open into the living room and large picture window beyond – a peak at the mountain will be an added reward.

A bit of structural modification to both are resulting in minor delays for permitting processes – other aspects of the work will continue, in the meanwhile, like the continued selection of finish materials, lighting fixtures and cabinet modifications.

In both cases we have discussed the design challenge of existing materials. I have found over the years that often, when confronted with existing conditions you might not have set-forth to include, they add character and an element of unselfconscious cool-ness. It occurs when certain conditions or materials are in place that you might not have chosen or planned into the design. Designs from scratch, that are too well coordinated or too perfectly planned, can lack that element of surprise or unexpected interest.

The first home had slate tile floors with a unusual mottling of colors leading with a cool aqua and including charcoal grays, smoky blues, ochre and rusty tones.

The other inherited period hollow mahogany doors all trimmed with white molding and original cabinetry. Do we paint them white – which would be the customary response or leave them and invite that element of “oh you kept these doors?”

In this second example it would be easy to “neutralize,” if not replace, the dated doors. However, the homeowner, having many fond experiences in Guatemala, appreciated the great condition of the tropical wood, grain and finish – so we will start without painting them and re-evaluate down the line as the new colors and finishes splash their celebration over the scene. As the transformation takes place, the decision regarding the doors can be re-evaluated.

This is a prime example of the design process. Often there are elements on a project that are a puzzlement. The great thing is that often the decision to remove, modify or leave unchanged can wait until the scene evolves. If you have the luxury to design as you go, you will have more opportunities to consider context, contrast, new options etc…that are often obscured by the overwhelming and often daunting task of visualizing the finished product.

Sharing the same vision is one of the hardest aspects of the design process. Full color architectural renderings, illustrations and even sketches go a long way in conveying the intent, but no two people see exactly the same thing through their mind’s eye.  During these preliminary stages of design concepts, nebulous ideas and imagined finished products, the opportunities for misconception are great.

I remember a hospital project many years ago where the head nurse was wincing at our suggestion of maple cabinets, headboards and other carpentry details. She kept quiet, but we (the design team) kept hearing rumors that she loved the color scheme, direction of the interior design and all of its architectural interest and design finishes, yet she could not embrace our suggestion of maple cabinets. One afternoon once we had gathered the materials for a touchy-feely presentation of color boards and tangible design elements, she had this incredibly surprised expression and exclaimed that she had never seen maple that color – it was natural – like a blond, wood, basketball floor. She further explained that she “pictured” the dark reddish Ethan Allen maple furniture of her childhood in her grandmother’s house. Needless to say, she had been having great difficulty accepting its inclusion into a design scheme of smoky lavenders, pastel clay tones, creamy whites, warm terra cottas and maple wood (in our mind’s eye – natural – and in hers, what she always thought was natural maple – dark reddish brown!!).

Communication is a powerful tool… often major decisions, opinions and actions can result in miscues due to miscommunications. To avoid such misunderstandings take care to provide thorough explanations along with tangible samples and other visual aids.

As we progress with these two kitchen remodels, we look forward to dramatic transformations, exciting phases of design work, some anxious anticipation, and ultimately four happy clients each enjoying their personal spaces, reflecting their lifestyle, home style and distinct personalities.  Watch for updates and before and after dazzlers!

Have You Listened to Your Heart on a Quest to Create ART?

When do you know when to listen to a sign? What opportunity changes your life? From romance to career changes and all manner of life’s opportunities – what catches your attention? What switches on inside and makes you take notice? Having someone cross your path and not realize he/she is your soul-mate. We’ve seen many movies with this elusive thread woven through the plot. One of my favorite songs, about such would-be near-misses, is “If He’s Ever Near”  in which Karla Bonoff pines…

They say just once in life
You find someone that’s right
But the world looks so confused
I can’t tell false from true

And love’s so hard to find
In this state of mind
Oh I hope I’ll know him
I hope I’ll know him
If he’s ever near

…her yearning hits a cord.  What is a sign? How do you know? What action do you take? It’s not always particularly obvious.

Recognizing opportunities is what separates many successful people from the rest of the world. Taking chances, when those signs make their appearance, is the other factor. Risk-taking is a scary leap into the unknown, but so often results in great reward when it is a true calling and approached with dedication to seek and meet the challenges.

Seems from many with whom I’ve spoken, a true calling is pretty clear. It taps into a passion and ignites a level of excitement and enthusiasm that is hence to fore unmatched. It becomes an irreversible path forward. Like an involuntary propulsion. Thrilling for some – terrifying for others. Which type are YOU? Perhaps you find yourself in the middle – healthy respect for the trepidation, but curiosity for what’s in store!!!

Twice this week I have met with artists who are each taking an enormous leap into a new life direction. One who might not be ready for me to blog about her adventure has leaped from a 30+ year life in Mexico… to a year-long reunion in Arizona with family tapping into the vibrant art scene in Sedona…then a soul-searching move to New Mexico where she invested her savings to start a new independent life…and after exploring her options and searching introspectively for her personal needs, happiness and goals has decided, after yet another year, to sell her new home and return to Sedona to pursue what she firmly believes is her calling. She took leaps, explored options, followed leads and returned to what she initially thought was the right place for her, but which had contingencies that masked her true indicators. She did not want to have imagined constraints rule her decision. Now she realizes that it is her choice, her viewpoint, and ultimately her quest for joy. Her focus and grace have inspired me on many levels and I hope to share her story once she’s ready!

Yesterday I was visited by a Renaissance artist whose enthusiasm and self-effacing manner bring sunshine to every event!  Kim Jackson has a new-found passion!  Having mastered her profession in the arena of photography (http://www.kimjacksonphotography.com)  she had an encounter that looks like will change her life path with new-found joy.

Sprinkled at my reception desk, I was presented with an array of amazing little jewels. Kim spread a collection of painted rocks and miniature paintings in a scattering like pebbles and fallen leaves. Only these jewels were painted with such detail and expression that I was arrested – awestruck.

Her own words about this turning point in her life is enchanting.

Last summer I was gifted a painted rock by a 4 year old girl about to lose both of her dogs – the rock read “Love”.

I was touched and photographed it to share with my instagram followers, which lead me down the #paintedrock hashtag. The first artist’s post I clicked on – she does amazing mandala dot art – shared what kind of paint she used and gave other general tips. By that afternoon I had a rainbow of colors and was painting my first rocks.

Kim was there to capture the family on the eve of having to put their two dogs down. The little girl presented her with a simple yet profound object and message that resonated so strongly with Kim that it sparked an idea that lead down a path…

 My rock art (art rocks) style has evolved in the last 10 months, and at the beginning of May 2018 I painted my first 2D “little dessert” and bird paintings – supposed to be gifts for Mother’s Day. With encouragement from a fellow artist I have approached galleries and received warm reviews on both the stones and little paintings. 

Although Kim’s photography still plays a significant and pleasurable career role in her life, this quest to explore other of her creative energies and talents is proving to be an exciting and potentially lucrative path.

Thanks to the support of my husband Billy, I feel extremely lucky to be given a chance with a second artistic medium – something I never dreamed I would be able to do. I’ve lived my entire life thinking that I could not paint well. While feeling blessed to make a career out of my photography, this is an exciting new direction, I am excited to see where it leads.

I see Kim as a precious stone, of many facets. Although she will still pursue her love of photography and capture people’s lives and many story chapters, Kim will make room for this blossoming career move into the exploration of creating art directly from her heart to her hand.

This sentiment has been so profoundly stated by Federico Leon de la Vega as he references a similar heartfelt expression regarding the (very personal and possibly evolutionary level) value of handwriting. https://www.youtube.com/watch?v=H9j_pLgCr1U

Federico prepares a prp for his TEDX Talk. “From my head to my mind, from my mind to my hand, from my hand to the paper, I place in your hand, so you may fold it and keep it near your heart.”

Some things cross your path unwanted and certainly change your life. For the undesirable things, I recently read this phrase  by Glennon Doyle “Your wound probably is not your fault, but your healing is your responsibility.” Well, you might very well have caused your wound – but either way, taking charge of the healing is your responsibility. Which makes me realize that which we have all been told so many times –  that your destiny is in YOUR hands.

As this relates to art – do not be afraid to explore your creative tendencies. Do not feel you are not worthy or good enough. Experiment. There are so many examples of late bloomers in life. A prime example are the magnificent Portraits of Courage by George W Bush. He dabbled and played with a wide variety of subjects before he hit on portraiture. His abstractly artistic interpretations of people too shape and he discovered that these seemingly primitive paintings had intriguing representation, expression, character, beauty and appeal. The path led him to a powerful platform for veterans, fund-raising opportunities, heightened awareness and acknowledgement of sacrifice.

https://www.bushcenter.org/exhibits-and-events/exhibits/2017/portraits-of-courage-exhibit.html

As stated on the website, this exercise has become significant:

A VIBRANT COLLECTION OF OIL PAINTINGS AND STORIES BY PRESIDENT GEORGE W. BUSH HONORING THE SACRIFICE AND COURAGE OF AMERICA’S MILITARY VETERANS — AND HIGHLIGHTING THE WORK OF THE BUSH INSTITUTE’S MILITARY SERVICE INITIATIVE.

A great article on the accidental painter is here in The Artists’ Network

“These portrait paintings aren’t great but they are gutsy, because it is gutsy to show your artwork period, but it is really gutsy when you know the work isn’t perfect and you do it anyway, because it matters to you.

We could all learn a little bit from this–to embrace our abilities as they are right now, and then to simply let the work go…”

It’s not about a perception of being great or even good enough – most artists never really believe that they are. It is about following your passion – in this case, artistic expression. You might be surprised at what happens next! Believe in the power of ART!!

 

 

 

Selecting Stone

Stone. How do you select your stone? How did we become so fortunate to have so many choices? So many that we “take it for granted” or with a bit of stone humor, “for granite!!”

I’ve previously noted that trends come about as a result of changes in technology, availability, or the mere on-going need to keep creating and to keep the economy moving forward with the insatiable need for the newest – whatever.

In the early last century, plastic laminate – commonly known as Formica by both brand and composition – was invented and, over the ensuing decades, grew in color, pattern and application. It was THE counter-top material for cost and availability for generations and is still widely used today expanding its reach with quite remarkable textures, colors and faux finishes.

Stone – natural and timeless has been the luxury material – an alternative for only the rich and famous or those fortunate enough to live next door to a quarry. Stone has been the heart and the natural art of the world’s structure – the fantastic geology of our earth since the beginning and has formed with astonishing beauty and variety with the evolution of the planet. Quarried for centuries, ancient civilizations installed magnificent structures in close proximity to the source – natural resources with monetary resources at hand resulted in everything from edifices to interior finishes and furniture.

Voila – then technology and supply chain logistics made the cost and availability more accessible bringing stone into modern kitchens everywhere. Stone transported from Brazil, China, Italy and nearly every pocket of the planet offers a world of choices for YOUR counter-tops (and more). But with so many choices, how do you chose?

This will be a focal point of your kitchen. It is either the neutral against other lively patterns and textures or it is a matrix of color or perhaps a bold prominent swirling, sweeping statement of fantasy and magical movement. It is valuable to remind yourself that you are studying geology. Nature formed this. It is nature’s art.

Even in a tight matrix stone, irregular surprises of deposits can occur. The choice is to capture those statements adding character in your countertop or dodge them in favor of a more uniform, expected appearance. You either appreciate the wild nature of the seeming imperfections and regard them as fortunate finds or your prefer the expected uniformity of the overall look of the stone you have selected.  To accomplish this one way or another is to select your slab.

When ordering from a big box store, you often do not have that opportunity – they draw from an assortment of stocking sources and you won’t have the chance to pick your slab – just your variety. This can result in happy or not so happy surprises. Stone is a natural material.

Stone can be finished in a variety of textures from very highly polished to honed and even rough leather-like textures. These features are further details and enhancements that will make a significant difference in the overall style and impression of your design decisions. It’s a big investment – study your options and combinations of adjacent materials.

Samples of stone are just that – samples – cuttings from a slab – but no two slabs are alike. The sample you hold in your hand and place against cabinet and tile options might have a streak running trough it or be primarily one color that you picked because you loved – but the actual slab might not be that same composition.

The closet thing you can get is to have consecutive slabs cut allowing amazing pattern matching and anticipated designs. But it will slowly morph away from the specific design as the slabs are sliced illustrating the natural evolution of the stone’s formation.

When you have the opportunity, pick your slab. You can then see the actual details of the stone and more specifically you can layout your countertop template directly on the stone to know exactly what will occur where and how the finished countertop will look. In any case, a natural stone surface is a unique work of art!

Here, a unique warehouse of pre-cut slabs all 2, 3 or 4 x9 feet. The cost is reduced due to bulk fabrication. Field cutting handles most installs while other fabrications shop can be engaged to create custom installations.

Every piece of rock extracted from the earth has its own character. From color, pattern, and mineral specks, enhanced by the process of cutting and polishing. Like a stone washed by rain, the colors are more rich and brilliant…that same stone dried has a softer dull appearance. This distinction between shiny or mat, polished or honed is another choice depending upon the context and look of the intended design.  Knowing what a natural thing can become either used in its raw state or enhanced to modify its appearance is the key to more choices.

BONUS offer!!! You can have your island in a different stone for contrast or complimentary reasons!!!

Once you’ve selected your stone, you then pick the edge detail. A few options are – square for a clean modern look,

radius for a more durable edge and softer statement. Notice the seam that results from laminating two thin slabs for a larger bullnose  subtle and if done well, not noticeable without close inspection.

Broken edge for the rough natural look – granite (the tough choice) and also shown here, sandstone (not the best choice for a working counter-top, but rustic and great for wall caps, benches, mantles and hearths.

 

An ogee edge for a more formal detail.

Natural stone is durable and easy to maintain. Have no fear! It tolerates heat and is terrific for transferring hot baking pans or dishes from the stove or oven. You can chip the edge with a strong blow – but otherwise will not be easily damaged. The stain issues are nearly non-existent. While some stones are more prone to staining, others are more imperious and with improved sealants, most are warranted for anti-stain. Furthermore, stains – IF they occur, can be usually be removed/restored/refinished on-site. The only other concern might be susceptibility to acid etching which varies with differing stones. As is true with staining, these areas can often be repaired on-site in your home.

If you want to be certain of your stone’s properties prior to purchasing, use a sample and apply the dealer’s suggested sealer. Put test patches on it with things like tomato paste, citrus juice, oil and wait a few hours…wipe the sample clean and you’ll know how it responded. Each stone’s resistance to staining, scratching or etching varies with the source, composition, color and finish.

Now natural stone has a lot of competition from man-made materials, solid surfaces, engineered stone, concrete…they vary according to their fabrication, composition and finish, but most do not possess the same durability and impervious properties of natural stone. Investigate each on its own merits. There are often times when design decisions favor the aesthetic of a man-made material. As always, make your decision weighing the pros and cons.

With so many choices…how will YOU decide?

 

 

 

 

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For the LOVE of Fine China – USE IT – Inspired Table Settings

From the Diminishing Dining Room of last week’s observations, https://patriciandesign.com/category/dining-rooms/, I decided to further the conversation to encourage a new-found appreciation for having fun setting dinner tables!  I found fodder from Kentucky Fried Chicken served on formal silver platters to wipe-clean placements of dazzling designs to dress your tables.  A collection of tireless designers defend the use of fine china – own it, buy it, find it, inherit it, enjoy it, keep it and use it – don’t send it to the thrift shop!!!

Yes, the art of fine dining seems to be set aside in favor of ease and expediency, but this article from The Washington Post’s HOME section (thank you Feath – my clipping service) brings it all home to use and enjoy.  It is a celebration of art, design and playful creativity.

Not everyone loves to entertain, to create the “tablescape,” to even bother to put together an outfit to wear. Not everyone loves to get dressed in the morning – it is a chore, an obligation, a mere necessity. That’s unfortunate in my estimation. For those of us who do – love it – it is all about having fun with fashion or interior design is just that – FUN!

Last spring I began a series  of emails that I blasted to our mailing list called COOK + PARTY. It was (and will continue this next season) a collection of weekly recipes paired with table-top art pieces. In our gift boutique, we represent an incredible collection of artists who create fabulous tableware.  I paired a piece with a recipe each week to inspire and encourage everyone to use “functional” art in their daily lives and specifically for entertaining and even the family dining table.

https://patriciandesign.com/category/art-and-food/

Recent fodder revealed a great source for fabulous wipe-clean placemats from Caspari.  For decades a fine source for the best paper cocktail napkins, Caspari offers these bold patterns and colors, prints of fine china and fabulous fabrics – re-use and easy to clean – why not?

https://www.casparionline.com/catalogsearch/result/?q=placemat

A previous fall blog that I wrote illustrates the open-mindedness of looking around to find inspiration for seasonal table dressings.  The decision for your table-top inspiration can be spontaneous – just go outside and look around!

 

Among the refreshingly optimistic designers that were quoted in the Washington Post article:

https://www.washingtonpost.com/lifestyle/home/that-old-fussy-china-can-fit-your-casual-lifestyle-designers-talk-about-how/2018/02/21/46761538-0084-11e8-8acf-ad2991367d9d_story.html?utm_term=.3a6fde2e5124

Barry Dixon, from the verdant rolling hills of Warrenton, Virginia, specifically points out that this process of setting your table should be fun!  Don’t pull-out the same things each time – mix it up! Change it up by adding color and pattern differently with every new opportunity.

Seasonal flowers, yellow woven cotton place-mats, embroidered folk-art table runner, basket chargers beneath classic Limoges topped with ceramic napkin rings – it looks like spring!

Designer Timothy Corrigan tells us that many people find it too difficult to entertain with their best things because the onus of proper cleaning and put-away is too much! But Mr. Corrrigan points out the joy of using your best things every day – everyday is a celebration and what you enjoy should be used.

In another springtime setting…organic, rustic things with finery – black stones nestle fresh purple Campatula flowers antique Limoges and basket chargers –  makes an eclectic table settings – it’snot all or nothing…it’s the combinations and scene that is being set.

Hutton Wilkinson – way out in L.A. where casual chic is the practice of distilling what migrated from the more formal sister coast to the east – noted that he believes presentation is the key to success. It isn’t so much about what is served (don’t tell the chefs that), but rather on what it is served and how it is presented.  Imagine buckets of Kentucky Fried chicken served on elegant Georgian silver platters. That simple fast-food chicken becomes  magnificently irresistible. You can’t say you’re too busy to cook with that creative solution! Wilkinson believes that presentation helps food taste better in addition to looking beautiful! He advocates buying china because it’s beautiful – not merely serviceable. I agree…it’s not all about the mundane purpose of eating off of it – but rather the joy of eating off of it!!

Making your guests feel appreciated and treating them to a unique, pleasing experience is a gift to them.  A special treat to show that you care –  going that extra distance of detail and design.

Color combinations, textures,patterns – wonderfully pleasing tablescapes are a treat for the eye. (So special Marsha!)

So don’t say it’s too difficult…keep it simple with Real Simple – the source for easy, ingenious ideas and simple truths……the following link for proper place-settings will get you started.

https://www.realsimple.com/holidays-entertaining/entertaining/how-to-set-a-table

Patti says – “make it special every day.”