Wrapping It Up for Christmas in More Ways Than One!

There are presents to wrap as Christmas approaches, but here is another kind of wrapping up – from completing projects to taking inventory – the end of the year is busy and everyone is anxious to get things wrapped up!!

Parties are scheduled and scenes are set.

Lovely party last night! Thank you Anne and Ken!!!

Company is coming and the final kitchen drawer was just finished, walls are painted, custom iron rods were just installed, the tree is up and all is decked for Christmas. The draperies are being finished and should be installed before the big day! Will they be finished before the guests arrive?

The new store is open! (Watch for more on this soon!) The front window is in festive mode with a Christmas tree and mannequins sporting the newest fashions. The last minute details are installed on the magnificent wrap desk, the POS (Point of Sale – not to be confused with what they might be calling it during the glitch) computer cash register system is on the fritz and hours of remote consultation puts everyone on edge.

The custom designed and crafted tables are finished – although we missed the Thanksgiving deadline – a ski trip that weekend made that a forgivable situation. Delivery to Boulder dodging snow storms was a success and the tables exceeded expectations!

Two entirely different tables custom designed and fabricated, delivered and installed!

Other projects proceed as chair cushions are being finished, cabinet pulls are on order, the rug pad is due any day, the construction drawings for the commercial kitchen are underway, the solar shades are in and working nicely on the designated remotes, the walls need to be patched and painted – hopefully this week, the landscape plans are being priced, the sign package for the exterior of the building are also being priced and the plumbing fixtures aren’t here and might not be in time, the counter tops are still to be fabricated, the plumbing needs to arrive and be installed…and those last few items are for my own house!

If anyone thinks that the designers’ projects go more smoothly or finish on time and go off without a hitch – think again. Murphy’s Law isn’t prejudiced. My own indecision, delivery of the wrong sinks, budget modifications and time delays related to design details being painstakingly executed all contributed to my project not being cleared up before Christmas. Through no fault of my wonderful contractors, so many other things are in play. Designing projects is like conducting orchestras – well, to the extent that there are many players who must perform when expected without flaws – and that is not the nature of most projects. Unlike an orchestra performing a piece, having practiced for hours, days, months, years…projects are never identical and practice cannot make perfect. The variables are many and the permutations and possibilities for glitches seem endless! Perhaps it’s more like juggling rather than conducting!!!

So as we wrap-up the year and hope that everyone’s projects are providing comfort, enhanced function, fun and even profitability, we thank all of our clients and contractors who participate in the process. We are thankful for each of you – our clients and we are equally thankful for all those artists and craftspeople on our team who make our dreams come true.

Posted On December 17, 2018 By pattisays In Albuquerque, New Mexico, bathroom remodel, Boulder. Colorado, Christmas, creative process, custom design interior design, custom furniture, design, design challenges, design details, design process, design scenes, design solutions, Design Team, design tips, design trends, drapery rods, family rooms, functional art, handmade, hiring an interior designer, holiday decor, home improvements, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, lifestyle, master bathrooms, planning a remodel, practical design, remodeling, retail remodeling, retail wrap desks, Subscribers, value of good design /

Designing is like Cooking…

Designing is like cooking – I guess cooking is a form of design. Yes, it certainly is. Whether it is graphic design, fashion design, architecture, musical composition, poetry, landscape or interior design – artists of all media – the art of creating, designing, composing, it is all about the right ingredients in the right amount to balance the scene. Proportion.

Even though I will be focusing on interior design, the”scene” could be the sheet music, the canvas, the poet’s screen or paper…the “scene” is the window that frames/encompasses the finished product. To compare these artistic endeavors, to the art of cooking, is so obvious to me.

Everyone must cook something. Whether it is merely heating up beanie weenies, with a sliced dill pickle tossed in, chased with a gin on the rocks, it is a composition that must result in a tasty scene – for someone. Having said that, we must also note that “beauty is in the eye of the beholder.” The more successful compositions appeal to a greater number of aficionados.

To cook, one must combine the right ingredients, in the right proportions, to combine to result in the best finished product. When I design, as with cooking, it is often “create as you go”…it is important to add an element and taste…re-think…evaluate…

Assembling ingredients and considering the balance of them in the finished product.

At a glance, the significant distinctions between cooking and interior design is that in cooking, the finished product might be gorgeous, but taste terrible. Interior design is all visual – on the surface…or so you might think…until you evaluate function. A beautiful cake needs to taste as good as it looks. An interior must function as well as it looks. Both are dependent on the subliminal factors that result in a truly successful finish product.

Successful is also in the eye of the beholder…25+ years ago my mother and I went shopping for a leather sofa. She, at 5′ 3″, was a bit on the “vertically challenged” side of the ergonomic spectrum. Therefore, actually sitting in the contenders was important so that her feet comfortably rested on the floor and her back against the back – no propping up with throw pillows to make the fit. So we searched and sat and searched and sat until one day, like Goldilocks, we found one that was “just right.”

A few weeks later, having waited anxiously for this perfect sofa to arrive, Mom excitedly called me and said “they’re delivering my sofa today!” I told her I would be by after work to see it. But before I could finish my day and see this long-awaited focal piece, she called again exclaiming “It’s the wrong sofa!” To which I replied “hang on – I’ll be right there.”

Sure enough, I watched her as she sat on her beautiful new leather sofa and looked like Lily Tomlin doing Edith Ann! Her legs shot straight out and even with a scoot forward, her feet dangled in mid-air. We knew something was wrong. It looked like the right sofa, but we didn’t have the intended dimensions of what we ordered. So all we could do was go back to the showroom and hope the sofa that we thought we had ordered was still on the floor and go from there…

With great relief, we found the showroom model…Mom crossed the room and took a seat. A very comfortable seat. Everything fit just right. So what was with the sofa that was delivered earlier today? As it turned out, it was the right sofa, only hers was brand new. The one on the floor had been sat upon for months and by a thousand fannies…the answer was simple prompted by a simple question. Would they exchange the brand new cushion filling for the broken down stuffing that was in the floor model? And with that – voila! Her new sofa was modified to be the perfect fit – old, broken-down cushions and all!!!!! She still sits comfortably on that sofa today. Function. The outside looked great – the ingredients were a bit off. Ingredients make the difference.

I used this example with a client recently when she had a chair reupholstered. Per her request, the stuffing was not changed – but the upholsterer thought that the collapsed appearance was not good and would reflect a lack of attention on his part. So he plumped and made more firm the stuffing inside his new, tighter envelopes. She was not pleased and thought all was lost. I assured her that it was an easy fix and asked that it be redone. He is in the process of modifying the fill to accomplish the comfort she remembers. The chair looks great – but the ingredients/details are not creating the function that would make it a truly successful design.

As a designer, we often (especially in bidding environments) are faced with “or equal” substitutions to our design selections. The specifications have to be within a certain tolerance, but the results can radically change the complexion, success, look and effectiveness of the design. Imagine how this could affect a recipe? Well,sometimes great new recipes come from unintentional substitutions….take these cookies I baked last weekend.

Barbara Bush’s popular Cowboy Cookies – unplanned, I had a wild hair to bake cookies. I can count on one hand how often that has happened in the last 20 years!! So having had these fabulous cookies recently (thanks Feath), I rummaged through the pantry for the ingredients. Well, I had wholewheat flour, not all purpose, I had a few butterscotch morsels and a few more white chocolate chips. I had no chocolate chips nor coconut. I had steel cut oats not rolled oats. Too lazy to run to the store, I thought that the worst that could happen was that my cookies would be terrible and I would have wasted the ingredients and a couple hours of time…However, I am pleased to report that they are wonderful and resulted in a new oatmeal cookie worth sharing. Substitutions can work, but the harmony of ingredients is the key.

Another issue that can challenge a good design is when there are too many chefs in the kitchen. The ingredients can become imbalanced and substitutions can be made that alter if not spoil the intended results. In some projects, the”lead” shifts. The contractor, subs, and owner can all insert changes that alter the design. This usually occurs without regard for the design as a whole. Each person has their field of vision, their focus of expertise or special interest. Sweet, salty, acidic…each has its place – balance. A disregard for any of the ingredients, poor substitutions or imbalanced quantities – will alter the results.

Yin and Yang – the balance of our known universe – is all at the root of the balance of good design. Balance and the relationships of scale (which are also forms of balance). Rough/Smooth, Shiny/Dull, Dark/Light, Soft/Hard are all ingredients of good design. The balance of these are the equation of successful solutions. And this doesn’t even include the magic of color its balance and compliments.

Many people are good cooks. They have an innate sense of what works. Many people have an innate sense of good design. They often take it for granted. They might not be able to articulate it – but they can create it, they know it when they see it and they employ the rules of balance whether they realize it or not. In both of these cases, theses innately talented people often need reinforcement or encouragement – validation – affirmation.

From dinner guests to friends coming over to see the new furniture arrangement, talented cooks and decorators can get the job done – as with all professional chefs and designers – with the support and contribution of the talents around them.

Posted On December 14, 2018 By pattisays In Albuquerque, New Mexico, architect, art of cooking, artistic expression, artistic talent, artists, commercial interior design, commercial remodel, composing, cooking and design, creative process, creativity, custom design interior design, custom furniture, design, design details, design process, design scenes, design solutions, design tips, design trends, fashion and design, fashion design, furniture finds, good design, Graphic art, hiring an interior designer, home, home improvements, interior design, interior design trends, interior enhancements, landscape design, lifestyle, oatmeal cookie recipes, painters, personal expression, personal taste, practical design, public design, re-upholstery, remodeling, sofas, Subscribers, up-cycle, upholstery, value of good design /

Rejuvenate and Expand Your Interior Spaces by Opening Walls

In past blogs Patti Says a lot about selecting paint colors. Pondering paint colors and the elusive nature of selecting just the right color. https://patriciandesign.com/5677-2/

Walls surround your world. Walls encapsulate and enclose your personal spaces. They can also frame your world and dramatize a focal point. They add effective dimension when punctured.

A current study we have in front of us is about those specific things. Walls – opening them, their color and the context of the color decision. Months ago we examined a wall in a kitchen soon to be remodeled. Re-painting it was the most obvious and least complicated of the options. We also looked at creating a dimensional recess to house art or an accent color or something to take the curse off of its up-close, massive, solidness. It was like the 10,000 pound elephant in the room!

The wall encapsulated close quarters. It divided the space between the kitchen and the parallel hallway.

What we were looking to change was atmosphere. This involved improving the dated and worn cabinets and counter-tops, updating the lighting, enhancing the back-splash and addressing the closed, isolated feeling of the room.

Smoke and mirrors might be the answer. Like a magician appearing and disappearing behind a veil/dimension of smoke – or when the physical space is not negotiable, mirrors will give the illusion of added space. They are VERY effective tools, but neither was the right solution for this room’s current condition. Yet, we knew we needed dimension, depth and something to help expand the space.

Hmmm…the window over the sink offered an exciting option to open out to the patio. We did that – save that for another story. However, this large elephant of a wall was still so confining.

Sometimes small spaces can be cozy. Some people prefer tight spaces while others find them to be claustrophobic. This was not exactly claustrophobia instilling, yet it certainly spoke to all of us as an imposing, confining factor that needed attention.

After discussing all the colors and recessed options someone has the brilliant idea to ask – “What about removing the wall?” That seemed a bit radical considering that it only opened to the hallway and it served a purpose of defining the access to the kitchen and opposite bedroom quarters. To open it entirely might have given an orientation to the kitchen that suggested that the island seats be positioned facing that point-of-arrival. Hence looking directly into the far hallway wall. That was not the desire. Rather, we decided to cut a large opening in the wall exposing the far hallway wall while maintaining the orientation of the kitchen toward the outdoors and island seats facing into the kitchen not out into the hall. It worked!

The space was instantly enlarged. Opening the space onto the patio and this opposing generous puncture of the Great Wall of Kitchen changed everything! The light borrowed from the skylights in the hallway was significant and the sensation of enlarging the space was undeniable. Except the footprint had not changed.

The physical feeling of a space is what counts. It was proven here that it wasn’t about enlarging the space but feeling like it was enlarged. Like mirrors, the illusion of space is so important. But, unlike mirrors this space was physically opened creating the sensation of enlarging the space by adding actual dimensional reality . The benefits were immediate. It actually conveyed a palpable feeling of relaxation. It was freeing and created an entirely new experience of enjoyment.

A passing idea for a stenciled surround was entertained…

Tight spaces give some people comfort. Contrarily, open spaces give comfort to others. Personal reactions to space, color, texture, temperature all enter into the equation of good design. What tasks are being performed also play a part in determining what solutions are best.

This dark, isolated kitchen benefited from changing the cabinets to a white traditional raised panel style detailed with crown molding which added a refreshingly light element. The house was a decades old vintage bungalow and had been dealt a disservice to have had the kitchen remodeled years ago in a not-so-sensitive, style-of-the-day fashion. But, in addition to the more traditional timeless approach to the design, opening the space resulted in additional natural light borrowed from the hall’s skylight and an enlarged interior over-the-sink window brought more coming in from the patio. Now colors…

So we know that picking colors is contextual.. .what’s in and around the room are all part of the equation. Any walls that are seen beyond (through doorways, around corners) contribute to the layering of colors and therefore, participate as well. The floors are multi-colored mottled slate. The tile chosen to enhance the backsplash and also serve as wall-covering was a blue and white Talavera accented with a soft aqua mosaic. The ceiling mimicked the floor as the beams were a smoky grey with caramel-color stained knotty pine boards between – we embraced these existing design features as their unselfconscious non-trendy nature suggested a more grounded, permanent place – one with organic finishes that might have resulted from local availability sourcing and craft – and probably did all those decades ago. See what Patti Says in another blog about this very project: https://patriciandesign.com/trust-and-custom-designs/

The fact that all of these elements contribute to the equation, for deciding a color, is key to our study today. After discussing the options for treating this newly opened wall, we found ourselves doing the paint sample potpourri on the walls!

Taking cues from the aqua accent mosaic which was derived from those tones found in the slate floor, we directed the color choices toward smoky aquas and grey blue tones.

Sometimes white is actually a color, rather than the absence of color. The wall was currently frosted with smooth crisp drywall mud as an aftermath to the demolition and framing of the new opening. The stark white was clean and fresh. Like matting around a painting – this might just be the way to go.

And at this point, we must introduce the idea that was also in the works and that was to have a painting commissioned that would POP through the opening providing a spectacular backdrop to the kitchen and dress the dimensional contribution that the opening into the far wall of the hall presented.

We knew that yellow was a great color POP for this cool kitchen pallet. A recurring bowl of lemons kept proving that to be true. Lemons became the fresh, culinary subject that seemed to be the perfect fit. So we enlisted our master muralist Federico Leon de la Vega to meet the challenge. Armed with the blue and white scheme and the accents of aqua he created a miniature to test the concept.

Isolating the image and framing it is always an important component in the formatting of scene. Whether to spotlight a sculpture on a pedestal, or properly and effectively matting a painting in a frame, this aura is important to highlight art. The same became true as we considered the painting being “framed” by this opening. The wall itself became the mat. So to get an idea of what this might look like, a quick digital manipulation did the trick.

The final decision seems to be that we will keep the wall with the opening white, as though a matting around a painting, while painting the perpendicular wall a smoky aqua. Another opportunity for layering these two colors occurs when the smoky aqua wall is layered over a receding laundry room wall soon to also be painted white.

Watch for the completion of this wonderfully unique little kitchen to be unveiled with all the dramatic before and afters! Meanwhile, look around your interior and see if opening a wall might be an option to expanding your sense of space. The transformation can be rejuvenating!

Posted On November 18, 2018 By pattisays In Albuquerque, New Mexico, art and interior design, artistic expression, artistic talent, artists, before and after, blue and white, breakfast rooms, color and temperature re: interior design, Color schemes, color trends, colors, context of interior design, creative process, creativity, custom design interior design, decorative arts, design, design details, design process, design solutions, Design Team, design tips, design trends, drama of color, element of surprise in design, expanding spaces, Federico Leon de la Vega, Food and art, food and interior design, good design, good taste, hiring an interior designer, home, home improvements, houses, illusion of space, illusions of space, Impressionist painters, inspiration, inspiration from nature, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, joy, kitchen, kitchen cabinets, kitchen design, kitchen remodel, kitchen remodeling, lifestyle, mosaic, mosaic tile, murals, paint colors, painters, patio, personal expression, personal taste, planning a remodel, practical design, proportion in design, re-purpose, remodeling, room arrangement, selecting colors, slate floors, southwestern design, stone countertops, Subscribers, Talavera Tile, tile, timeless colors, update design, updating, value of art, value of good design, wall treatments, white kitchens /

Patience and Reward for Design Processes

Patience. Good design requires patience. Do you have it? The design process can either take the route of “all planned before anything starts” (everything drawn and detailed, all finishes selected, all fixtures and furnishings, fabrics and accessories decided and specified, for perfect inclusion into the design) or the process of “design-as-you-go”. The “all planned” design process allows for exact pricing and budget planning. But if the process takes too long, some of the things specified might no longer be available – that has happened more than once! The other “design-as-you-go process” is more random. There can be and often is a combination of these two approaches, but the second requires more patience and less precisely scheduled time.

The luxury of time, experimentation, trial and error, wait and see, what if, all are elements of the “design-as-you-go” process. It is decidedly the more fun and more participatory process. It starts and evolves before your very eyes, with the in-the-field options, to change, modify, massage, delete, add, think and re-think, all available while the action takes place, it is like creating an art piece one stroke at a time. Artistic expression rarely progresses in a straight line.

All of the above can be said of the pre-planning process too. You can illustrate, render, draft, erase, alter and change all the while – but you are doing it prior to commitment, prior to actually seeing the actual design unfold in real time.

Changes and additions can arrest the process – whether in pre-construction planning or live-in-the-field. However, live-in-the-field is much more int-eruptive and possibly costly. Changes and additions can cause scheduling delays which can domino throughout the otherwise planned program. This can result in not only cost considerations, but disarray and a prolonged inability to use the space.

As I visited one of two parallel kitchen remodels nearing completion that I have previously mentioned, the owner mused “It’s a painful process.” But as we stand there enjoying the transformation he continues “It is almost hard to remember all the phases we’ve been through to get here. Kind of like childbirth.” We laughed at the fact that the world would be filled with “only children” as no mother in their right mind would go through that pain again!! He and I both never having experienced it for ourselves – yet, “they say” that it’s true. All very much worth it in the end!!! The ultimate reward!

This BEFORE shot of this kitchen shows dated, anemic face-framed radius flat panel cabinets, granite tile counter-tops and back-splash.

Not quite finished, cabinet pulls are being installed, final painting details are underway and the transformation is being unveiled. New cabinet doors add a classic raised panel detail painted white, with new concrete-like engineered Italian counter-tops, and striking Talavera tile back-splash punctuated with mini mosaic Spanish tile accents. A new window opens to the outside patio with the counter-top passing through and the window closing directly on the top.

Residential design – those private, personal spaces always involve knitted brows, vacillation, additional worry and more indecision than commercial designs. Not to say that commercial designs don’t involve interested parties, if not actual owners, the investment in the personal pocketbook and personal emotion is not the same. Furthermore, there are greater personal thrills and disappointments in the residential projects.

Well, back to patience. It’s a virtue and I often struggle to practice it. I tend to be overly eager for instant gratification. But patience is very important when creating something of value and timeless appeal.

Design takes patience during the various stages of design details. We are not talking about building a rocket ship – but imagine the design and engineering required for that!. Let’s just talk about something simple, like custom drapery rods. The client thinks – fast and easy. While on vacay they experience a lovely accommodation that features hand-forged drapery rods. “Cool” they say. Filing that away among their thoughts of interesting interior details. A couple of weeks later, they are in front of an art booth and meet an iron-worker who offers all manner of custom iron work. So they recall the cool drapery rods and inquire as to whether he would do something like they described. “Sure,” he sings and whips out his portfolio of photos among which are very cool twisted iron drapery rods with swirly finials adorning the ends. They’re sold! They invite him over to see their windows and get started. At this point, their interior designer knows nothing of this idea or the contact and engagement.

Remember, they are thinking fast and easy. So they expose their idea and plan that is already underway asking their interior designer on advice for drapery fabric. With this opening, the designer asks about the rods. Come to find, they aren’t sure how far past the windows they have been measured to go, they haven’t considered that the 5/8″ solid stock might want to sag after a while spanning 8 feet and they have no idea how they are going to hang the draperies…”Oh” we need rings? So it seems that the conversation with the iron-worker has been rather cursory. Questions that needed to be asked and answered at the outset had not been thoroughly considered.

Fortunately, these details will now be addressed, issues solved and finished product all as it should be with proper extension past the actual window opening, matching rings to the iron rods, and a stout enough rod so as not to require a center support – an element to be avoided if at all possible. Whew – caught that one before it was too late!! (Watch for the installation of the hand-forged rods and custom draperies in the next few weeks).

Paint colors often wait until other decisions are made. I have mentioned previously that we usually pick things that have fewer options. There are more paint colors than anything else in our design world with fewer fabrics and even fewer rugs. In that order, we might pick the rug first, fabrics to build upon it and paint colors to bring it all together. Not necessarily – but that is a pretty good example.

Starting with an existing hardwood floors well preserved by decades of wall-to-wall carpeting, we discussed the desire to create a colorfully transforming interior and opening of the space to better connect the kitchen with the living area.

As we met to hang artwork, discuss iron drapery rods, custom chandelier and finishing touches, the clients remarked that this was so exciting to be nearing the end of this dramatically colorful transformation that so nearly has transported them back to Guatemala where so many fond memories have been established over the years.

Posted On November 5, 2018 By pattisays In Albuquerque, New Mexico, artistic expression, before and after, blue and white, breakfast rooms, cabinet pulls, creative process, creativity, custom design interior design, design, design details, design process, design solutions, design tips, drama of color, drapery rods, drapery treatments, engineered concrete counter tops, existing materials, flooring, good design, hardwood floors, hiring an interior designer, home, home improvements, houses, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, kitchen, kitchen cabinets, kitchen design, kitchen remodeling, mosaic, mosaic tile, natural stone, paint colors, personal expression, personal taste, planning a remodel, Refresh, remodeling, selecting colors, slate floors, Subscribers, Talavera Tile, tile, timeless colors, value of good design /

Finishing Touches FINISH the Job!

Finishing touches are always the beast to tame at the end of the hunt. Yes, you’ve hunted, you’ve searched, you’ve gathered, you’ve assembled and stood back and observed your work. What’s needed? What’s missing? When is it finished?

Just the word finish sets up a mental block for many. It’s like decisions period. Once you make a decision, you’ve lost your choices. Losing choices can be a dilemma in itself! So, from Pinterest to HGTV and the internet at your fingertips the choices and options are endless, but what do YOU want to do, to call it “done? It’s all in the details…

Schumacher offers details right down to the trim on the draperies! This bold key design makes all the difference!

And inasmuch as you can’t seem to GET it done, you WANT it done – just can’t seem to get there from here. How do you decide what you need to add for those incomplete finishing touches – to be FINISHED? Know though, that to have the feeling that it is finished is a good thing. Yet, that doesn’t mean you can’t change it – sooner or later!

We interior designers have jobs because our clients need to do things, change things, finish things. It seems that with all the options presented on TV and the internet, people are jumping in with inspired ideas, making decisions, buying things and doing things – then coming to a screeching halt! “HELP!” is the cry when everything seems to be too much – or not enough – or too uncertain and overwhelming – or not just right.

As if your own self-imposed frustrations and pressures are not enough, your partner rants…”Just finish it – will you? Be DONE with it!!!” Not everyone loves a DIY project. Most people don’t even like the disruption of a professional team coming in and tackling the job. Alas, “you have to break an egg to make an omelet,” some wise person once said.

Whether you’re changing paint colors for the third time in a month or tossing throw pillows around the room, to no satisfactory avail, there’s something missing…something is not quite right…it’s not there yet.

Have you removed everything from the walls and lined them up waiting for inspiration as to how and where they should be placed and grouped – maybe re-framed?

What about a mirror to add depth? Is it an installed mirror – the illusion of space without calling attention to the mirror itself or should I hang a framed mirror that makes the statement in its entirety? Do I lean it against the wall or is that a trendy affectation?

Uttermost is one of our favorite sources!

Studied nonchalance is an art form. How to achieve that intentionally unpretentiously naturally relaxed look is a challenge. Just writing about it here is an effort in describing that which is supposed to be effortless!!!!

Perhaps it is a monotony of height. Do you need a tall piece among other lower elements in the room? Maybe a tree in the corner is the answer or a statue of some vertical art statement, to add interest and height. Perhaps you might consider hanging something, from the ceiling – a mobile or origami bird or even a light fixture, to draw the eye up from the otherwise low furniture pieces.

Robert Allen presents perfect fabrics for colorful pillow accents…and there’s that tall plant for height!

Speaking of light fixtures…how does your almost finished, but not quite there yet, room look at night? Are there dark pockets and corners that would benefit from some concealed up-lights – indirect lighting can be quite effective and enhance a spooky, dismal space.

LOVE this before & after! Check out John Cullen Lighting for some great ideas and inspiration!! https://www.johncullenlighting.com/

Spooky is the season and, with the holidays approaching, the need to get things finished before guests arrive or you leave to visit… or just the hectic nature of the baking, gift-buying and wrapping, shipping and other communications aspects of the season are upon you – pressure you to want to get things finished!

Brunschwig and Fils by Kravet offers an amazing collection of prints – mix and match!!!

Have you consulted with a friend? Do they rise to the invitation of critiquing your present state of affairs and offer design ideas that further serve to confuse you? Better yet, ask two friends and get two different options for finishing your space and then what? Pick one and the other’s feelings are hurt that you didn’t take their advice – even if they are not aware that your decisions moving forward were offered by another friend.

From the rug (thank you Company C for your “Colorful Living!” to the table accessories and all the things, pieces, fabrics, details in-between – finishing touches FINISH the job!!!

A designer is a problem solver, a tie-breaker, a marriage counselor, a creative who extracts your needs and – evaluating all options – offers the best solutions to get your job finished!

Posted On October 23, 2018 By pattisays In before and after, Color schemes, color trends, colors, Company C, Concealed lighting, context of interior design, creative process, cursive, custom design interior design, custom furniture, custom lighting, decorative accessories, decorative arts, decorative mirrors, design, design details, design process, design solutions, design tips, design trends, designer fabrics, DIY design, drama of color, fabrics, good design, hiring an interior designer, home, home improvements, indirect lighting, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, LED, lifestyle, lighting, mirrored walls, mirrors, paint colors, patterns, personal expression, personal taste, Refresh, remodeling, room arrangement, Subscribers, update design, upholstery, value of good design, wall treatments, window dressings /

Urban “Pieced Work” – an artistic narrative

We are excited to have the opportunity to bring a design installation(s) into a new project that will serve to support the brand with a twist. A nearly completed new smokehouse is coming to Albuquerque. This home-grown eatery blends family history and southern roots with southwestern barbecue flavors including indigenous wood and iconic chile blends. But this is not about their cooking profile. It is about how we have arrived at a design theme that will define and further the identity in this new, specialized smokehouse department of this larger local brand.

To accomplish this task, we examined the concept the owner had to remodel an existing facility that had been a popular gathering post serving this community for decades. The fringe barrio location was of a demographic primarily comprised of Mexican/Americans. Decades past it was home to a heavily black community. The fabric of these cultural combinations suggested a mosaic of color and vibrant heritages.

The spark of cultural references lead to discussion of the popular artistic expression of urban mural painting.

When we began the dialogue, the decision to have a mural painted by local neighborhood kids, with a mentor to design and supervise the work, seemed to be the direction we were headed. After subject matter debate and development, I veered off on another tangent that might take a less subjective approach, be weather-proof and more durable for a patio location – mosaic.

This new more impervious and durable medium still offered the opportunity to engage the community, but with less focus on a specific subject and more about geometric color and texture. We discussed the details of installation so as to keep it simple for kids to participate using whole tiles – minimize cutting, if any, for starters.

Inspiration came from several other installations such as the Albuquerque Convention Center’s on-going mosaic mural project wrapping many sections of the buildings with intricate scenes of New Mexican lifestyle and cultural diversity. The colorful mosaic is an elegant and sophisticated contribution to our city’s cultural aesthetic.

Helen Atkins, manager of consignment art at PATRICIAN DESIGN’s downtown boutique gallery and the lead on their current restaurant mural project, has worked on several phases of the Convention Center’s mural project.

We have incorporated mosaic into several of our own design projects such as last week’s blog https://patriciandesign.com/trust-and-custom-designs/about a residential kitchen installation.

Here, in another installation, a fireplace surround of mosaic adds movement, color and textural interest to the room.

Ultimately, one of Helen Atkin’s personal photographs cemented the approach. It was decided that a geometry of different sizes and disparate glazes and designs of tiles pieced together in a colorful, textural panel would be our design theme.

Helen Atkins, a recognized artist in many media, captured this in passing while visiting New Zealand. It’s crisp, yet irregular composition was intriguing and pleasing. It became the springboard for the concept for a geometric mosaic panel to anchor the theme of this new New Mexico eating establishment.

The idea became more exciting as we began gathering material from local tile distributors and our own personal inventories of favorite treasures saved for a special project. Here it was. It seemed such a strong design element and therefore offered a new direction for the actual brand of this establishment. We embraced the idea and brought it into the interior and distributed murals throughout the space.

Still under construction, we will not divulge the identity or locations of this project just yet. But suffice it to say, the murals are an exciting part of this interior design scheme.

As we further discussed the plans to implement this project, school started and the ease of coordinating the assistance of neighborhood kids became more difficult. Helen lead the project as primary installer, coordinator and supervisor. She enlisted the assistance of a couple of people – one experienced and the other not at all.

We have named this series, Urban Pieced Work – an artistic narrative. Here we are interpreting generations old sewing patchwork using ceramic, glass and pottery pieces rather than the traditional fabric patches. The original folk art needlework has been in the American vernacular for ages. In these installations, this up-cycled use of discarded or discontinued tiles is similar to patchwork fabrics, re-purposed to make clothing, wall decor, window treatments and bed dressing when times were tough – often referred to as “pieced work.”

My paternal grandmother in New Mexico made this twin quilt for my bed when I was a child in Virginia.

My same grandmother made this and was given to me by my cousin, her only other granddaughter.

Mosaic is often, like fabric patchwork, a practical art form that puts scrap, shards and fragments to good use in an artistic fashion. Note though that more sophisticated mosaics have been designed more intentionally for centuries not merely as salvaged material. These masterpieces both in contemporary work and antiquities represent many periods in history and movements in artistic expression.

This mosaic version connects with the history of the restaurant’s roots and southern heritage. The panels’ mural nature speaks to the urban murals found throughout the community.

Located strategically throughout the interior, these murals have become a strong design element and anchor for this facet of the brand.

Another shot of the spectacular cultural story murals at the Albuquerque Convention Center.

We have woven a meaningful artistic statement throughout the interior and also on the exterior of the building. In addition, we will be inserting a graphic version into the signage and logo design.

Urban Pieced Work – an artistic narrative, of a New Mexican Smokehouse, will provide pleasing design visuals throughout this new interior, provoke conversation and interaction, weave an element of history and context with the southern roots of this exciting new eatery!

Join the conversation and watch for the first succulent flavors to come out of the smokers later this year.

Posted On October 7, 2018 By pattisays In Abstract Art, Albuquerque, New Mexico, art and food, art and interior design, artistic expression, artistic talent, artists, bars and restaurants, branding in interior design, brew pubs, breweries, commercial interior design, commercial remodel, context of interior design, creative process, creativity, custom design interior design, decorative arts, design, design and marketing, design process, design solutions, Design Team, design tips, dining and design, drama of color, eclectic design, element of surprise in design, fabrics, folkart, Food and art, food and interior design, glass art, good design, Graphic art, graphic arts, graphic designs in interiors, Greek mosaic, handcraft, handmade, Helen Atkins, hiring an interior designer, history, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, Modern Art, mosaic, mosaic tile, murals, nostalgia and design, patchwork, pieced work, quilting, quilts, re-purpose, recycle, recycle design, Regional design, remodeling, restaurant design, Santa Fe, New Mexico, southwestern design, Subscribers, textiles, textures, tile, Uncategorized, United States history, urban art, urban design, value of good design, wall texture, wall treatments, wallcovering / 1

Trust and Custom Designs

Trust. When asking any kind of advice, you generally ask those you trust. That’s not to say that you might not question the advice. There is never only one way to accomplish something, therefore, advice can be as different as the number of advisers you ask!

From a design standpoint, to offer and create custom elements, it’s often the case that the client will say, “Can you show me an example of that?” If something is new and different, created specifically in context and for this project, there IS no example. There might be similar things, or close approximations of the design – or not – but not the actual design. Trusting your designer to extract your wishes, taste, preferences and applicability to the space is key to creating something very special.

So, I can show examples of mixed pattern Talavera on a wall. I first did this in Tucson about 13 years ago to create a wallpaper-like full wall installation.

As I referenced this casita installation for my clients, while planning their kitchen remodel, I also came upon a restaurant in St. Louis this last spring that used a similar approach in an Italian theme…Talavera? Mexican? Italian? Oh well…another example I brought to the conversation.

For this new kitchen remodel project, we were working with existing conditions, the layout and the mottled green, rust, aqua, charcoal slate floor. All else was up for grabs. However, because I really feel strongly about context, I mentally gathered elements from other parts of the home and intentionally embraced the floor.

This fireplace was given a face lift last year to add the stone hearth and mantle with the decorative Talavera tile detailing.

I believe to abandon existing design themes reads like a designer show home – each room done by a different designer, without any cohesive design continuity. Pair the idea to make an effort to lace the rooms together, with the effort to adopt certain fixed materials and you have compelling diagram of creative remodeling guidelines.

When it is either not practical to replace an existing design element or when the existence of the that design element makes for an un-self conscious part of the composition, it can be priceless. The slate floor was of smaller 12″ format tiles than might be more popular today, but it’s unusual color and very organic feel was worth the challenge. Turning a questionable design element into an asset is success!

Once the flooring was determined to be key in the new design, extracting features (specifically colors) from it became the next task. We had already discussed bringing the blue and white Talavera in from the living room, but my client was not feeling the joy of pairing it with this wildly mottled slate floor.

To meld the design elements together, I selected a concrete-like engineered countertop (which came in two colors both of which were seen in the mottled slate – and provides fodder for a future story). This provided a solid anchor for the design between the mottled floor and the multi-patterned Talavera.

But what might be the one more thing to make this design be even more unique and more cohesive? I set forth to find the impossible, an aqua, handmade tile that would complement the Talavera in the light irregularity and “hecho a mano” feel.

The perfect handmade aqua tile from Spain (photo reads more blue) from DAL tile was the perfect accent.

The absolutely ideal accent appeared unexpectedly as I thought I would be searching farther and wider for this perfect piece. By cutting it into 1″ pieces we would have the artistic accent woven through the patchwork of Talavera, thereby inserting the aqua and adding interest and unexpected detail.

By not planning a symmetrical grid of the accent mosaics, but by creating random lines the unexpected quality of the installation continues.

At this stage, the grout could be grey or white – specifically off white (of which there are many). Opting for the white, to allow the tile to read in its patchwork pattern, without added confusion with a grid of grout competing for attention. We then made a last minute switch on the white grout to a creamier one after seeing the many colors of off-white Talavera up on the wall – leaning more creamy than merely off-white. Could I have shown an example of this design scheme? No, this was created specifically for this project, this client and the space that deserves such attention to detail.

We’re not finished yet. Watch for this transformation to be unveiled in coming weeks complete with before and afters!

Posted On October 1, 2018 By pattisays In Albuquerque, New Mexico, artistic expression, before and after, blue and white, context of interior design, creative process, creativity, custom design interior design, design, design process, design solutions, design tips, discovering artistic talent, element of surprise in design, engineered concrete counter tops, fireplaces, good design, handcraft, handmade, hiring an interior designer, home improvements, inspiration, interior design, interior design preferences, interior enhancements, joy, kitchen, kitchen design, kitchen remodeling, Mexico, mosaic, mosaic tile, natural stone, personal expression, personal taste, planning a remodel, practical design, remodeling, Santa Fe, New Mexico, slate floors, southwestern design, Spanish Colonial, Subscribers, Talavera Tile, tile, value of good design, wall treatments, wallcovering, white kitchens / 1 Comment

Entrepreneurs! Getting Started with Design!

Starting out with your first brick and mortar business, the tasks are many. After homing in on your business specifics, selecting a name, designing a logo, deciding colors…you have your license and your business plan, you’ve found a place and then you need to present your business to the world!

A few weeks ago, we began a new project that is just what I have described…an exciting first-timer in the business world, having worked for others is now ready to do her own thing, be her own boss, make her own decisions and assume the risks necessary to take this leap into entrepreneurial adventure.

It’s exciting and scary, daunting at times and fun too. And it should be fun. Finding something that you enjoy, something you believe in and believe that you can do as well as, if not (hopefully) better than, anyone else in your market.

With inventory determined, name and logo designed the last task was to create the space to present her concept. We won’t divulge that today, the project is yet to be presented, but the framework is on what I want to comment.

We began compiling some finish options…paint, upholstery, privacy curtains, carpet and a little brushed aluminum bling!! We want to reinforce her brand with key colors and finishes.

Knowing the terms of the lease agreement – what is the landlord’s responsibility, what is grandfathered-in, what can be changed, any spending allowances amortized into the lease…these are all things that are necessary to determine how to go about designing the interior. It is necessary to establish costs within the over-all start-up budget. Having helpful, knowledgeable, creative people around you with whom to assemble your team is imperative.

We arrived at the site to find a very clean slate. Located in a retail strip center, it was a white box.

We instantly decided the flooring would be a combination of polished concrete and broadloom carpeting, some lights stay and some go, spots will be added, colors will reinforce her brand.

Toward the back, a break-room kitchen area needed demolition. This pocket would become fitting rooms.

There was existing ceramic tile on the floor that also needed to be removed. These were things that our client could attack herself – saving money and getting to know her space.

We learned that the restrooms were grandfathered in and did not require any additional improvements – other than cosmetic.

We learned that we could make changes and additions to the lights and only needed a permit for electrical portion of the work.

Many of these discoveries were of pleasant surprise to our client who had been miss-directed a bit and was in a state of frustration and near defeat. Gathering good information is imperative, in order to save time and money, make good decisions and know your options. Get out there and get busy!!!!!

Soon to bee completed, watch for this transformation in coming weeks.

Posted On September 24, 2018 By pattisays In Albuquerque, New Mexico, aluminum, bathroom remodel, before and after, branding in interior design, ceiling lighting, Color schemes, color trends, colors, commercial interior design, commercial remodel, concrete finishes, concrete floors, construction, creative process, creativity, custom design interior design, design, design and marketing, design process, design solutions, Design Team, design tips, existing materials, flooring, good design, hiring an interior designer, interior atmosphere, interior design, interior enhancements, lighting, logos, metal finishes, paint colors, personal expression, planning a remodel, practical design, remodeling, retail remodeling, retail storefronts, selecting colors, Subscribers, tenant improvements, tile, value of good design, workplace design / 1

Decorative Wallcovering – Fun with Tile

When you think about finishing a wall, you probably think about paint colors…you might think about a wallcovering – wallpaper, or even a mirror – I’ve previously noted how mirroring an entire wall can exponentially expand a room – a dimensional effect/illusion that suggests the room extends well beyond its actual size. But another wall treatment, with which I LOVE to play, is tile!

All over the world, the art of designing and creating decorative finishes with tile has been evolving for centuries. All cultures have utilized mud and clay, glazes and fire to bake beautiful patterns and colors onto geometric slabs. Shapes of rectangular, square, octagonal, dots or diamonds – the geometric shapes are many and the designs are limitless.

As is true with other wall treatments, I prefer not to stop on an outside corner. I believe that the color or material should suggest a built mass – part of the architecture. To stop on an outside corner suggests a veneer. It proves that the finish on the element is not a structural/integral part of a built mass. When you paint into an inside corner and stop, it allows the mass the read as though solid and not merely superficially treated. The same is true with tile. Don’t stop it until you get to an inside corner – if possible. There are situations that force a finished edge on the flat plain of a wall – but avoid outside corners at all cost!!

This entire shower is tiled floor to ceiling, around the pony wall, bench…no door…it reads like a built environment of stone tile.

Think of the surface as an architectural element. Tile from floor to ceiling, inside corner to inside corner – wrapping corners, if needed, along the way.

Take a backsplash…customarily used to do just that – catch splashes at the back wall of a wet area (sink) countertop…bathrooms and kitchens, behind sinks and between upper and lower cabinets – but why stop there?

The entire back wall of this kitchen is mosaic marble tiles in a herringbone pattern.

Think of it as a true wallcovering – wallpaper. Commit to the entire surface. Here are more effective examples…

The backsplash and entire adjacent wall were covered in glass mosaic tiles. It “reads” like wallpaper.

here again, the classic blue and white Talavera tile backsplash is continued along the entire wall from floor to ceiling.

We are currently working on a couple of kitchen projects that will soon be completed. They both use tile liberally. Each quite different from the other. Stay tuned for the finished products!

In bathrooms, the area around a mirror can be more than merely the backsplash. Embed the mirror into the tile surround or tile the entire wall and hang a mirror on top of the tile surface.

This mirror is flush with the surrounding tile, suggesting that it is embedded into a tile wall.

Planning this transformation, the mosaic vase was the inspiration. Then loose tiles were scattered on the countertop and the concept began. Note, the existing mirror was attached to wall with light fixture mounted above it and a medicine cabinet off to the side.

The transformation involved removing the medicine cabinet, taking the floor tile up the wall and wrapping it floor to ceiling. It was also cut into smaller squares to use behind the sink as a “full-wall backsplash.” Then punctuated with glass and glazed tiles to create an updated design. Relocating electrical to flanking the mirror for a pair of new sconces and a new countertop, faucet and sink with existing cabinets painted resulted in a cost-effective design.

Here a mirror is mounted on top of the fully tiled wall. Inside and outside of the shower enclosure the tile is a true wall treatment.

I recently received this advertisement in my email. It was such a spectacular collection that it caught my eye and I share here one of the patterns and context shots as the backdrop to a range.

Mosaic assemblages can be fun! Here is a fireplace surround.

The addition of three-dimensional pieces adds interest.

This exterior fireplace surround tolerates the elements – an all-season installation.

Here is a mosaic mural of a dynamic geometric abstraction discovered in New Zealand. We are using this inspiration to establish a theme in a current restaurant project. An interpretation of this in the form of geometric tiles of various sizes, colors and patterns will be used to create a cohesive repeated design element through various areas of the restaurant – both inside and out. Watch for this completed project in coming months.

Commercial restrooms can benefit from full-wall tile treatments too. Not only does it look complete, but it is an ease of maintenance consideration.

Three dimensional tiles add interest to this cactus motif!

Fun with color and texture, tile are also easy too keep clean – terrific for public restrooms.

Murals are also terrific ways to use tile as art in your interior/exterior designs!

This is embedded into the stucco for an integral installation.

When using outside though, remember to consider the range of temperature and moisture to which it will be exposed. Porcelain is the most durable in areas where the temperatures get to and below freezing. Freezing and thawing can destroy tile. Many murals are made from clay that is not suitable in cold climates!

Inset into the tile wall treatment is this stunning glass mosaic abstract mural.

Tile – it’s a nearly limitless medium. So consider the possibilities for your next project! As a piece of art, an accent wall or an entire installation – full-wall treatments make a statement! Have fun with tile!

Posted On August 19, 2018 By pattisays In Abstract Art, Albuquerque, New Mexico, architecture, art and interior design, artistic expression, artistic talent, artists, bathroom remodel, before and after, blue and white, breakfast rooms, commercial interior design, creative process, creativity, custom design interior design, decorative mirrors, design, design process, design solutions, design tips, design trends, DIY design, eclectic design, exterior - outdoor design, fireplaces, functional art, good design, graphic designs in interiors, handcraft, handmade, hiring an interior designer, home improvements, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, kitchen, kitchen design, kitchen remodeling, lifestyle, master bathrooms, mirrors, mosaic, mosaic tile, murals, natural stone, personal expression, personal taste, planning a remodel, powder rooms, public restrooms, recycle, recycle design, remodeling, residential restrooms, restaurant restrooms, stone, stone countertops, Subscribers, Talavera Tile, tile, update design, updating, urban art, wall texture, wall treatments, wallcovering / 2 Comments

Living Room Transformation

As an adjunct to last week’s story about the progressive young couple and their dramatic kitchen remodel, I thought I should finish the subject and tell about the adjacent living room transformation and comfortable family room on the lower level.

When the kitchen grew to become the focal point upon entering and the bar counter expanded into the living area, it reduced that space to now become a comfortable sitting room for guests to gather or the family to relax while activities are brewing in the kitchen.

Looking through to the dining room where a built-in storage bench was added along the window wall, offers additional seating. A new fabric-shade chandelier softens the light levels. All lighting in this remodel are on dimmers.

The former white brick wall had gently rubbed edges to suggest a distressed condition exposing the red brick beneath. The fireplace had an unrelated golden oak mantle and surround with insipid tile inset also used to cover the hearth. The tile was a glazed faux marble with a Victorian design accent feature.

By simply painting the oak white to match the rest of the wood trim throughout the home and also painting the brick a soft taupe/grey tone, the look was instantly transformed. But they still had that awful tile…so here’s a design tip: to buy time either while you decide or until you save-up for the next phase, paint the tile away!!! To accommodate a new TV that is to go over the mantle, the wood surround was shortened. Notice the extra piece of wood trim that was removed to lower the mantle.

The hearth was removed and rebuilt (without the cut-off corners) with brick and painted to match the wall. Lucky for them the hardwood floor went beneath the hearth – so when they modified the size, they didn’t have to patch the floor! Tile was removed and replaced with 2×2 mosaic Carrara marble to coordinate with the herringbone mosaic of the same marble in the new kitchen backsplash/wall (see last week’s blog).

A sofa found, for nearly free, was in good shape and reupholstered beautifully in this plush, durable navy solid.

The classic blue and white motif was punctuated with organic yellow.

The newly refinished original hardwood floors – taken from a golden oak finish to a rich espresso/walnut stain…

…with the blue and white wool hook rug creates a handsome contrast. The rug actually “reads” blue and white, but upon closer inspection has warm khaki tones, soft turquoise detailing and is quite complex.

This revitalized cozy ambiance of this new sitting area/living room is perfect for this growing young family!

And for a more expansive gathering space, the lower level family room received a new sectional sofa in a durable charcoal fabric and a low-pile small diamond patterned wall to wall carpeting to conceal what had been cold tile floors and make a comfortable room for all seasons!