Conquering the Fear of Color – A Q&A Interview with Patti

The serenity of neutral color schemes has a significant place in interior design. However, it is more about the fear of color that I approach this article today. Committing to color arrests most people – they want it and admire it but are fearful about selecting and committing to bold colors.

Beautiful neutrals are a color all to themselves. Layers of whites, creams, grays offer sophisticated schemes.

However, that is not all that causes clients to reach out for assistance. Even if they have made a decision about taking the leap, it is how much, where and with what or to what the color is applied or occurs.

A white kitchen receives a patchwork of blue and white Talavera tile as a backdrop adding depth and interest.
In addition, upon closer inspection, we have incorporated a fine detail of an aqua glazed Spanish tile running horizontally and vertically through the patterned tiles.

I remember when architect Antoine Predock’s project for United Blood Services in Albuquerque https://bit.ly/3LBQbDv made a splash – a really RED splash when he stuccoed the entire exterior brazenly brilliant, bold, blood red! It was astonishing – astonishingly effective!!! https://bit.ly/3NNQihd If a picture speaks a thousand words, color is right there in conveying remarkable communications.

From branding to personal style, color is key.

The addition of our tongue and groove walnut wall established the theme for the rest of the furniture in this interior.


My staff recently investigated information from projects. They posed questions and gathered observations regarding my use of color. Photos, at the end illustrate some specific color decisions and why. The resulting questions and answers are as follows:

Patti Hoech‘s design practice has been and continues to be an exploration and emphasis of the subtleties and strengths of color. It is an integral part of her work. We wanted to know why and when she discovered this specialization in her design sensitivity and how it relates to her approach to effective design decisions.  We are asking clients and colleagues to pose questions to get the answers.

Why is color so important?

Patti Says: Color is power and peace. Color is important on so many levels – personal joy (or aversion), perceived temperature, brand identification, seasonal interactions, emphasis, and contrast. Color is everywhere. Understanding and harnessing it for specific purposes is key.

This new backsplash had a specific purpose, which was to acknowledge the existing rust-colored porcelain sink and the intensely green marble stone countertops. By pulling those two colors into the tile selection so strongly and interspersing other colors that complemented the palette, the result was an effectively unifying design detail.

How do you determine the color specifics for your projects?

Patti Says: What color brings you joy? What color tells your story? Interviewing clients about their color preferences – being an important question begins the dialog regarding what colors to incorporate and why. This can be personal preferences or aversions or specific colors relating to branding whether it is new or existing. Also, existing fixed design/architectural elements might also play a significant part in developing an effective color scheme.

Do you believe color affects the lives of your clients in their homes and workplaces?

Patti Says: Absolutely!! Color can insert many subliminal effects that impose on people’s perception of a space or graphic. Color can evoke emotion, instill comfort or agitation, rekindle memories, spur appetite, affect perceived temperature. It can embed recall for commercial brands. Color can be a clever tool.

In this interior for Boba Tea, we played with the colors of the flavors and the multi-colored tiles to correlate to the fun experience of sucking the tapioca pearls.  

How do you navigate color trends?

Patti Says: Trends are necessary to keep our market moving. Capitalism is based on consumer activity, and nothing generates purchasing frenzies like stimulating new trends in the market. However, basing design decisions on trends must take into consideration the intended longevity of the design.  Much of color trends are based upon pairings and combinations of color.  It is those combinations that can “date” a color scheme – not so much a specific color. It is how, where and with what it is used that pegs it.

A classic, well-balanced color combination of blue, white, and yellow is a comfortable warm and cool with a neutral that transcends trends. Fabrics and finishes contribute to how one updates a classic color scheme.

Do you feel you are a forecaster or influencer?

Patti Says: I believe that I have imparted and am still providing thoughtful, challenging color consultation to my commercial and residential clients.  Having prospective clients request designs based upon others that we have produced is telling and flattering. It means they have confidence in the decisions regarding long-lasting color schemes – if not timeless, in some cases. However, it must be said that design elements that present the color often determine – in many ways – how well a selected color or color scheme “holds up” over time. Considerations regrading patterns, materials, and elements can and might be either improved or modified over time while maintaining the same color scheme. Forecasting anticipates color trends. I have successfully influenced clients to make selections based upon an anticipation of future color directions in the market or merely go with classic combinations that have been proven over time. . .

What has influenced your appreciation for and interpretation of color in design?

Patti Says: It started at an early age. Observing the world around me. Nature, architecture, decorative arts (china, textiles, artwork), fashion, logos/brands, trends, regional colors, seasonal colors, cycles of color…Pinks, turquoises, yellows of buildings in the West Indies, bold color statements of Mexico…Color is profoundly important and signature in its application. From fish to birds, flowers to leaves – color captivates me and urges me to find words to express it and continue to have it a primary part of my descriptive vocabulary.  As an omnipresent element in the design process, color is unavoidable, but to enjoy it so fully and embrace the limitless range of options is an exciting artist’s pallet of possibilities which stimulates me at every turn.

The magic of color on architectural exteriors can be amazing. Here in Burano, Italy my dear friend captured the colors! Similar to what we see in Guanajuato, Mexico and the sunny islands of the West Indies.

I attribute much of my color awareness to my mother. I remember being greatly influenced by her sense of color and design. Her sensitivity and talent were innate. She selected fabrics that had unusual color and pattern combinations. When orange, avocado, brown, and gold prevailed in the 60s and 70s, she selected the olives with chartreuse and gold for the less formal areas of our lives and leaned into Lily Pulitzer’s dynamic colors and patterns for her clothing and a pastel version of soft pinks and verdant greens for our more formal areas. The master suite was primarily yellow with beautiful bits of blues. Beach scenes always emphasized blues and greens. Nothing in our world was on common trend, but an artful interpretation of color combinations, eclecticism and comfort. Pairings of orange and brown were never her happy place nor was gold and brown.  But orange and PINK – YES! Pink and green especially! And browns were recognized in context with stone shades of greys and tans.  I believe that sense was greatly influenced by richly organic, textured stone walls of the West Indies – Danish architecture in the tropics where limitless colors of greens and blues punctuated with flowers were all around.

As a result of this of this early introduction to the value of color, my personal spaces reflected similar sensitivities. Beginning with pink in the early years I graduated into blues, turquoise and greens for my teen years. The final scheme, in my room in the home in which I grew up, was a dusty pink, clay, and mocha-rose. No one in my world had that color scheme in the late 70s and it was difficult to assemble. It helped that I worked part time in a design showroom in Georgetown where handling the amazing abundance of fabulous fabrics was a daily inspiration. Throughout my life experiences color has been a constant distraction. Not in a bad way, but rather a noticeable, unavoidable interruption that causes me to pause and take note. Ask anyone who knows me – I stop and remark about color at every turn.  For better or worse, I comment on color. It is a deep appreciation that I enjoy sharing. And the most rewarding is discovering color for clients who yearn for it but don’t quite know how to find and use that which would make them feel the joy of color!

A dear friend in Mexico recently took a leap in selecting an accent color for his seaside villa. Once an all white interior, which was lovely and fresh, he wanted a new look that provided contrast and strengthened his color theme. The yellow accents made me smile when he unveiled his new look!

Color plays a major role in discovering and expressing personal style.  Fear not – color is your friend. Find your style. Live your style. Love your Style.

Before & After – A Startling Transformation

Last August 11, 2019, I left you hanging with a radical bathroom remodel that was in the throws of being transformed. The title of the blog was Everyone Loves Before and Afters. https://patriciandesign.com/everyone-loves-before-and-afters/  Here today, I am excited to present the finished product and a little more to the story…

Everyone DOES Love “before and afters.”  The original blog identifies the material process of the project, but as important as the material applications are the emotional aspects of design and precede the material selections.

The home is a bungalow style home from the 1950s. Charming architectural elements and traditional details set the stage, sensitivity, and the emotions behind any design decisions we were to consider. See the first phase of this home’s updating design in the primary living space at this link:  https://patriciandesign.com/project/classic-blue-white/   The kitchen was also re-finished. Maintaining the same design layout and appliances, the new finishes resulted in a startling transformation. https://patriciandesign.com/project/kitchen-transformation/

The challenge in this project was to retain the character and traditional charm that the couple so enjoyed about their home, while introducing new, modern design features and trends melding with traditional design elements. New custom cabinets for the vanity and linen storage/display unit along with the re-design of the shower – eliminating the tub and making a “doorless” access and a pocket door connecting to the adjacent guest room were the three key construction components.

Dated finishes done in the 80s, by previous owners, were common and bland. The tub and shower were enclosed with by-passing glass doors in aluminum tracks and frames.
This bathroom was the dated and fussy room that we presented last August. The tired and dull finishes needed replacing and refreshing.  It was to be a complete make-over to compliment other recent improvements in the home.

Once the general concept for the remodel is determined, the “what if” stage begins. The stage where ideas are tossed about and decisions lead to other decisions. The options are massaged giving way to different combinations and considerations.

After all the options are discussed the plan is adopted – a combination of everyone’s input. Hopefully not design by committee, but in this case the couple, in whose house we were working, and the me, the designer. After the design is determined, the input of the general contractor and/or the sub-contractors can come into play. They are generally given the opportunity to evaluate existing conditions and voice opinions and procedures or details that their expertise can bring to the project. Everything is considered until a cohesive plan is developed.

New cabinets were locally fabricated to not only insure excellent craftsmanship, but to customize the fit (left to right) and provide specific drawer configurations for the desired new height of the cabinets with an additional sink.
The tub was removed, and the new shower enclosure was clear glass and given a wider footprint to allow for a jog which eliminated the need for a door. The shower valve was relocated from beneath the shower head to the opposite “pony” wall, making it easier to operate the temperature and flow without getting wet first!

Other than the shower reconfiguration, new cabinets, and pocket doorway into the guest room all else was superficial cosmetic design features. This is where the layers of embellishment come into play.

During the process, there were certainly hesitations about the combination of patterns and finishes being proposed…however, you know you’re on the right track when the happy homeowner has fun accessorizing and creates the perfect towel/robe hooks!
DIY – finding these blue, wooden, open-work plaques, our creative homeowner bought polished chrome and glass doorknobs and attached them securely to the plaques – Voila!

In keeping with the traditional design direction previously adopted in updating the interior, the flooring was selected for its natural stone mosaic authenticity. With a warm grey selected for the custom cabinets and white herringbone patterned subway tile on the rear wall of the shower enclosure made for a fresh modern look.

A mix of patterns – a balancing act – the art of design. Do not be afraid.

But wait! These traditional elements and modern trends were further embellished with a second layer of curvy turquoise mirrors installed over the full-wall mirror – suspended between is a polished chrome sphere of open bands providing ambient light and additional task light for the vanity area.

Layer upon layer until the composition is complete!

Classic blue and white screen-print on paper with an overall pattern of vines and leaves fills in the voids creating a not-too-busy backdrop – adding further dimensions to the design.

Natural stone slab of a white crystal-like granite – looks like a stone quartz crystal.

Drapery fabric in a traditional floral on linen with whimsical, modern “martini glass” sheers soften the window and diffuse the incoming light.

The resulting completed interior is a radical transformation from the dull beige and peach of the previous scheme. Fresh and crisp – with just enough busy to be playful – the new owners claim that they smile every time they enter or even walk by.

Remember the first photo? The BEFORE & AFTER transformation is extraordinary.

Lift Up Those Skirts and Check Out Those Fabulous Legs!

Woo Hoo – sound a tad risqué? Well, to get your attention, the title seemed apt. We continue to find hidden treasures and here are a couple examples that we have discovered and unveiled during this time of limited mobility. And a special feature piece that we had previously presented a while back – but warranted re-visiting for this blog.

Many sole-proprietor upholsterers and seamstresses work  alone – all the time. So limiting their activities now is unfortunate for everyone. YOU might want to utilize this time to spruce up around the house since you have had this extraordinary time to observe and critique the function and flavor of your interior (and exterior) spaces.

Walking through the spaces of your immediate world, in and out of sunshine penetrating the shadows of stationary units of furniture placed with purpose and function, if not a design aesthetic – pondering the possibility of why not both?  Can’t we have function and a great look? Does anything you see look as though it might need a re-make? Why not enhance the function of  your interior space by re-thinking how it works or at least enhance the flavor of your interior with texture, color and various values of those harmonious hues or even discordant contrasts of the same?  

Re-upholstery is a fabulous tool to salvage good frames and have a near instant-gratification for the results of changing the entire look of a favorite piece of furniture. Often the focal point of a room arrangement,  re-covering the piece can exponentially change the entire look – feel – flavor of the room.

Re-upholstery can change the personality of a piece. It can transform the attitude and express an entirely different mood. With feet already exposed and no discovery required,  some pieces benefit from minor modifications as well as new fabric.

This “find” in a consignment shop a couple of years ago sported loud chrome feet  that seemed to scream they wanted to  take flight – yet decked in a rather dull, dirty neutral velvet. Hmmm…
 The transformation with a classic blue and white cotton stripe from Scalamandre  made this piece stand up and be counted! New feet, in warm cinnamon-colored wood, maintained its original design with an entirely new, grounded style.

However, on the subject of great legs…it’s the discovery that there is something quite fine beneath the modesty panel that was intended originally to limit dust accumulation…the modesty of concealing that which should be celebrated, complimented and enjoyed – great legs!!!!!!

 Sometimes it is just a modification and not necessarily complete re-upholstery . Here is a perfect illustration of a classic design elevated with the removal of this traditional skirt.

The treat here is lifting the skirt on a sofa or chair and revealing fabulous feet – legs to showcase! Yes, featuring these great legs can give a lighter look to a tired piece, elevate a bit for a clearance off the floor or rug. And the bonus is great features worth exposing!!!

Still concealed behind the gusset of the skirt’s corner, the leg has yet to be revealed.
Perfectly lovely legs in need of a little “lotion” touch-up – to the finish is all.

Tired upholstery can so easily be replaced. The idea is to know that you have “good bones” with which to work. But even if the bones are less than stellar hardwood, lesser frames can be reinforced to create a good piece for years to come.

New foam,  Dacron, down and other fill and wrap all are fluff upon the frame to give the desired loft, density, give, luxury, stability, comfort and over-all look. Collapsed cushions, and worn fabric come to life with new fill and fabric.

This piece was new in 1978 covered in a neutral flaxen damask.  In 1997, an intentionally selected down-filled seat cushion, once a desired relaxed, shabby chic look, in a second covering of this classic piece in a luxurious mohair, now looks deflated and tired.

Deflated and tired…this piece covered in a fine, timeless mohair needed help…
The new look elevates the sofa, creates a cleaner style and refines the lines from the collapsed, relaxed look of the shabby chic!!!

The new seat cushion fill and removal of the skirt exposing the legs is a radical transformation without completely re-covering the sofa. The classic mohair fabric is timeless.

Here, another pair of loveseats had skirts that when raised revealed fabulous legs ready to show! The project is not yet finished – move-in, unpacking and re-upholstery on-going…while new furniture pieces and rugs continue to arrive.

A dramatic transformation of a tired piece into a lovely statement piece.

Another detail worth noting is that contours and lines read differently with different fabrics that will conceal or highlight the lines.

This once jewel-toned tapestry fabric (25+ years ago) was a popular chenille for both design and durability. But over the years it has broken down and faded – yet this pair of loveseats remained favorite pieces very worth salvage.
The graceful lines of these pieces were not nearly as evident with the heavy tapestry as they now are with the clean woven linen neutral.

By changing the fabric and exposing the legs, these two pieces are exquisite and remarkable in their amazing transformation.

Consider re-upholstery. It provides the opportunity to select any fabric on the planet that is suitable for the purpose – resulting in an exclusively custom piece. The cost to do so is off-set due to you owning the frame. You don’t have to buy a frame and can therefore put more into the selection of the fabric. The labor and fabric are often less than purchasing a new piece. However, the custom satisfaction is personal and priceless!

The expected wear on the piece and daily use will direct the selection process for wear-ability.  Color and abrasion tolerance will be key to selecting the right fabric for the piece.  Don’t pick white if you tend to enjoy red wine on a regular basis. But even that is not insurmountable. An extra piece of fabric used as a daily cover will protect the primary piece of upholstery and maintain the desired appearance. Remove for special occasions and Voila! This works too to protect from that prima donna cat who has free run of the house and finds the new upholstery to be the best place for a feline to recline. YOU know who I mean you hairy beast!

Gotta love this magnificent feline! Shown here, Disco  inspects the newly upholstered loveseats…wondering “what’s happened here?”

Pull Up a Seat and See What’s Trending

It’s always a good idea to have extra seating, but in small spaces, it’s not always easy to make a room arrangement work.  Apartments, lofts, condos…pulling up dining chairs isn’t necessarily the best solution. What is a great solution is something low that does not block the scene and can be easily moved to change the groupings.

Footstools, benches, poufs, ottomans…as an ensemble with a chair or a stand-alone piece, the options are endless. Trends are often spawned from necessity or convenience of not change for the sake of change.

Bedrooms can also offer footstool/ottomans when there is only room for one chair. For reclining to read or as a pull-up for a second seat.
Benches are a great seating option.
It’s not a wonder that we have sold numerous of these clever SURYA Cotton Poufs in myriad colors in our shop!

Often used for coffee tables – with a tray  for stability beneath drinks, benches or ottomans can double as a foot rest or table-like surface.

An upholstered bench can be pulled in front of the fireplace or used as a cocktail table with a sturdy tray.

Something as simple as a rattan stool can be easy to pull-up.

A pair of ottoman frame a seating area. An ottoman never has its back  to anyone or anything.

You can seat more than one person on a good-sized piece.

A round one can have guests facing different directions to join in different conversations around the room.

Low in front of a fireplace, tucked beneath a coffee table or a console table, they can easily be pulled out when needed.

Here a pair of square cubes are stowed beneath a console and pulled up to the group for extra seating.

They add a splash of color or pattern.

Or they can meld in with the color scheme.

These cats think they are hiding on these custom fabricated cow hide stools.
Cow hide camouflage makes the perfect perch for these cats…but they are intended to be handy for guests as pull-up seats around the coffee table in front of the fireplace.

Look at your room and see if it wouldn’t benefit from an extra low-profile seat or two.

Everyone Loves Before and Afters

Everyone loves before and after shots – they are so telling, dramatic and fun to compare. How about during? This week, we are nearing completion of a project that has been in the works for the past few months. Not quite finished, here is a little story about the stages of the design process…

Are YOU planning a remodel…a room an entire house?

Once a project is identified, the options are studied. Usually each party involve has their preconceived notions…images and ideas come to mind. The mind is that arena from which it is tough to articulate images and especially between people. The design process requires that ideas need to be expressed, defined and argued – pros and cons.

This room was dated and fussy. The finishes were tired and needed refreshing. The project was described as a complete makeover to compliment other recent updates in the home.

The scope of work was to remove the tub, replace the cabinets, add a second sink and create an opening into the guest room. At that point, the “what ifs” began.

Healthy arguing ensues – meaning sharing ideas back and forth, explaining the approach and concepts. More like presenting than arguing. It’s actually a fun, creative process – full of choices, ideas and seemingly limitless opportunities. It’s the “What if…” stage. Sketches are used, arm-waving and samples, photos and words all contribute to the compilation of the ultimate design.  Each person contributes to the process until a common plan is adopted.

Whether formal plans are needed depends upon the code requirements, if applicable (“cosmetic only” changes requiring no modifications to structure, electrical or HVAC – for example – might not need formal drawings). Therefore, the development of documents is dependent upon the requirements of the municipality and/or methods of the contractors. Regardless, sketches begin the process.

If code requirements necessitate permitting, the process must proceed through that stage prior to commencing the work. So after weeks of ideas being tossed about, a plan was conceived, client approved drawings were made and the process moved forward.

The scheme was set with the first materials selected – glossy glazed imperfect wall tiles for an interesting and textural herringbone pattern with a stone mosaic for the floor.

The demolition – always a shock – but “you have to break and egg to make an omelet!”  Unbeknownst to anyone, the floor was rotted beneath the toilet and required repair. Mirror, glass block, tile and much sheet-rock was removed.

Old cabinets were removed and after all the dust had settled, the bare bones exposed and a clean slate presented, the new work began.

The new cabinets were to accommodate a second sink and slightly longer counter-top. To make sure access between the shower and counter-top was not too restricted, I designed a radius to ease the squeeze. Enrique made a template of the radius that would be represent his end shelving and counter-top. When Rocky Mountain Stone arrived to shoot their lasers to measure for their templates, the radius template Enrique had made was very helpful.

The end of this cabinet will have radius shelves with counter-top following the radius. Until then, Enrique made a template of the shape so that the counter-top could be measured in advance of end piece being completed and installed.
The laser process to template the counter-top begins…with the help of the mock-up of the radius!

Decisions regarding lighting had not been finalized, with the completion of the plans. Having eliminated the desire to have recessed fixtures, whether to use a center sconce, two flanking sconces or a single pendant in the center between the sinks was still up in the air. Love the pun! Debating a full height panel of mirror versus two wall hung framed pieces, was also undecided.

But here’s an “oops” when we discovered the power for the light fixture off-center for a center-hung pendant.

Taking the risk to be disappointed, but with little investment to do so,  our client elected to buy the two curvy framed mirrors that almost promised to be too small. Upon arrival one of the two mirrors were broken. Bummer.

The inevitable, unexpected happens on every project…we had decided not too use these so rather than have the one of the pair replaced, we requested a refund. However, upon further study, we modified the design to accommodate both mirrors – we are re-ordering the second mirror.

But in an effort to determine if we wanted to have the broken mirror replaced or refunded. We held it up on the wall, as we feared, it was confirmed that they could not carry the space. We asked that the company not replace the broken mirror, but refund the cost.

 We really loved the whimsical quality of the curvy framed mirrors and their distressed turquoise finish was a great addition to the otherwise blue and white scheme. So, a week later, after pondering the dilemma of the mirrors…I offered what seemed to be a radical suggestion (but not really), and that was to install a full-panel wall mirror – backsplash to ceiling – and then mount (over it) the two mirrors. To do so, our very able and talented glass master, Robert,  would have to cut (prior to installing) holes in the mirror panel located behind where the framed mirrors were  prepared for hanging. The result would be the pair of mirrors hanging on top of the full panel creating a floating, multi dimensional effect. Watch for “afters” in a couple weeks, of this completed installation.

As the project  proceeds, the flooring is nearly completed and all but the finishing touches remain.

Pilasters were added at each end to stop the tile on an inside corner, rather than having it quit flush on the wall. The shower will not have a door, but nearly encapsulated with frame-less clear glass to give an illusion of a more spacious room.

Best to stop here and reserve the finale for the finished “after” shots as promised.

The Blue and Yellow Buzz…

What’s all the buzz about bees this week?? Seems it has been studied and determined that they can discern between blue and yellow in order to prove they can perform remarkable arithmetic.

Last fall while hiking in Boulder, I spied this little fellow on a cornflower.

Yes, it’s official – they can distinguish colors – blue and yellow – in order to prove their math skills! Want to know more? You can immerse yourself in the study here:

http://advances.sciencemag.org/content/5/2/eaav0961

In our source library at PATRICIAN DESIGN, we have hundreds of fabric samples from designers all over the world…these little iron bees were irresistible for our purposes today!!

Blue and yellow as a color palette is classic. I never tire of it. I find myself encountering it often. Blue and white…often punctuated with yellow. It transcends styles.  

Color schemes are the basis for so many design related exercises.  Finding your color preferences for your lifestyle from clothing fashions to interior appointments – it’s about personality, temperature, lighting…

Here’s a great link to get you thinking about color palettes or finding one that suits your personality.

https://colorpalettes.net/tag/blue-and-yellow/

Undecided? Change schemes from one room to the next – have a little fun!

Time to Remodel – Finding a Theme

Time to remodel the kitchen!! This charming little bungalow had already experienced its share of remodeling – well, not so much structural – although, many interior design transformations had occurred over the decades. In the mix, the well-used and enjoyed kitchen was feeling a quite tired and dated.

You might remember I have used this now completed project, in the last few months, during its transformation process to identify certain features and design practices. Here is the as-promised unveiling of the before and after photos for further discussion about the design process, intent and results.

We loved the mottled color and organic character of the existing slate floors and opposing green-grey beams with spanning boards of a caramel stain. These were the two elements that went well together as though intentionally planned. Yet in between, the pale, peachy pickled oak cabinets with their radius detailing and red-rose/black matrix of the tiled granite counter-tops, didn’t seem to speak at all well with the ceiling treatment and slate floor’s greens, rusts and charcoal tones. It was a dark, confused space.  

When observing and “listening to” the house, it was evident that the current kitchen, in addition to being poorly coordinated, had absolutely nothing to do with the original architectural intent. The new owners had brought a few very fine antique pieces into the home. The mid-century circa 1964 age of the house accepted them on its original hardwood floors also adorned with their fine antique rugs…but something was missing. There was no cohesive thread running through the house. Over the years finishes and decorative elements had been selected and installed without any consideration for original materials or an attempt to introduce compatible and harmonious materials for the good of the home’s overall theme.

In all fairness, had the entire interior been gutted and a contemporary interior been uniformly installed into the framework/shell of the structure, I might have considered it a success. However, this multiple decade decor was a mix of disparate trends and preferences that had no commonality.

To begin the process of bringing this home into a cohesive design last year, we had redesigned the living room. There we introduced a classic blue and white color scheme derived from the Persian rug in the adjacent dining room.

To the corner kiva fireplace, we added a sandstone hearth and mantle with just enough blue and white Talavera tile trim at the base of the hearth to subtly coordinate with the new scheme. The Talavera was an appropriate material for this New Mexican bungalow.

The original fireplace had a dark, broken brick quarry tile hearth and no cap on the mantle.
The face-lift replaced the hearth material with broken-edged sandstone slab and matching mantle cap with Talavera detailing at the bottom.

With this living room having been so successfully re-designed, the obvious thought came into the discussion to continue the vernacular of the blue and white Talavera into the kitchen. As a bit of a purist when it comes to application and termination of materials, I was not content for a mere back-splash.  No, if the tile were to be effective and commandeer the stage, it had to be used wall-to-wall as though an entire wall treatment.

Treating the Talavera tile as wall-covering, it continues from the kitchen, into the adjacent pocket-space housing a desk and laundry machines.

But wait! The addition of an earthy aqua handmade tile from Spain offered an appealing and unexpected accent woven intermittently through the Talavera. It created a coordinating thread from the colors found in the mottled slate floors and ceiling beams.  

Pre-grout shot shows the individually cut 1″ pieces inserted as mosaics into the random field of Talavera

The cabinets were in excellent condition, but the doors were sadly dated and in no way spoke to the home’s other cabinets, doors and finish carpentry.

The confused interior finishes we in need of a transformation!

With the white raised panel theme throughout the home’s original appointments, we elected to salvage the cabinet boxes and replace the doors and drawer fronts with a similar raised panel detail. The same red oak was used and, with a glossy white paint applied, the grain “read-through” with a very intentional yet subtle moiré-like pattern. The new raised panel white doors and drawers, with crowning top molding provided a crisp, timeless motif. The random patterned Talavera used as an entire wall-covering was very effective. The kitchen was quite gussied-up!!

The transformation was dramatically successful!

The existing slate floor was beautifully organic and I felt, from a design standpoint, was a must to salvage. Making it look like an intentional selection – part of the new scheme – was imperative. Therefore, selecting a counter-top that communed with the tones in the floor resulted in a selection of concrete-like engineered Italian quartz material – balancing the floor with the next horizontal plane and ultimately with the stained and green-grey boards of the existing ceiling treatment.

The new concrete-like Italian quartz counter-tops coordinate well with the other materials.

Another asset was the connection to the outdoors, however the existing window over the sink was high and small.

The window over the sink was high and small…

By bucking the warranty of the Pella people, we had a new double-hung window made to close down onto the new counter-top that passed through from inside to out. They would not fabricate the window to do what we intended, so we had the contractor remove the bottom of the new window frame, thus rendering the warranty null and void, in order to have a completely open, uninterrupted pass-through when raised.

Amusing and interesting…existing family pieces of blue and white ceramics are being discovered and used as decorative accessories in the new kitchen!

We also captured the opportunity to open the opposing wall into the hallway adding pass-through light and dimension to the space. This exponentially expanded the space and made the encapsulated kitchen feel much less confined.

Before, the kitchen felt small and dark…
Opening the wall into the hallway brought in additional light and dimension.

To add drama to the newly created dimension, we discussed having a painting commissioned to pop an accent of yellow into the blue and white scheme on the far hallway wall. Lemons, a perfect citrus for the kitchen, was decided for the theme.  

A miniature oil painting by Federico Leon de la Vega was used to Photoshop into the scene to inspire and convey the design intent.

The additional POP of yellow is a dramatically effective contribution to the overall composition. After consideration, the owners selected a local artist to paint the full-scale painting.

A local Albuquerque artist, Thomas Tomlinson rendered the lemons in acrylic with blue and white tile details.

In summary…keeping the original slate floor, existing cabinet boxes (replacing door and drawer-fronts only), with a bling of new chrome cabinet pulls, switching out the stained glass pendants, replacing the island’s surface with a handsome solid walnut top and a new coordinating concrete-like counter-tops on the periphery, with the decorative embellishment of the Talavera tile continued from the subtle introduction at the living room’s kiva fireplace, the transformation of the kitchen is stunning – not trendy – and was truly, uniquely designed for the architecture and forward, on-going contextual design conversation of the home.

Uniquely designed…

Look around and listen to the environment for and in which you are designing. What makes the best sense for the design direction considering the function and context of your project?

Refresh and Renew Designing Purposefully for the New Year

Designing with a purpose is always the way to begin a project. But it is particularly valuable as a tool to start the New Year off fresh! What I mean by purpose is that your interiors should reflect the purpose that they serve for you and your family. By establishing a purpose for your spaces, you will achieve happiness.

Sounds simple, but happiness is proved by what brings you joy, peace and a smile to your face. To achieve this, you will need to evaluate your lifestyle, routines and the rooms in which you perform certain functions.

Upon entering your home, do you feel satisfied? Does arriving home make you feel happy? Is it your safe and comfy retreat from the outside world? Do you like the smell? Yes it matters. Like a realtor telling a home seller to boil some cinnamon sticks on the stove to create the scent of spices in the chilly months or fragrant floral bouquets in the spring and summer…all of the senses come into play when you are staging an interior. And to enhance the design of your own home – you are staging for yourself! If your home smells musty or stale, consider the sources and do a little fabric refreshing, open windows, check for grease in the kitchen…purge the unpleasant odors.

So how do you start your day? Is your room light or dark and how adjustable is it to modify as needed? Is the floor upon which you first set your feet in the morning warm or cool, rough or soft?  How do these elements make you feel? How do you want to feel? Consider all of your senses. Consider the purpose of the space and what you want it to do for you. As you evaluate these small details, ask yourself “Do I want to make changes in any of these existing conditions? It’s usually fairly easy to do and if you just take one piece at a time, you will find that the improvements are very effective.

Is your bedroom restful? Are your feel happy when they hit the floor? Examine the sensory details to get started designing with a purpose.

If you  enjoy cooking, see how your kitchen functions and how it looks to you as a workplace. Do you have things handy? Is what you use most often easily accessible? Evaluate and rearrange if needed. Re-organize your kitchen.

Some cooks like everything concealed, while some like having certain of their equipment out and ready. Make it suit your purpose.

When you entertain, how do you like to do it? Is your style casual or more formal? Where do people gather and how many at a given time? You can “zone” your entertaining so that some are gathered in established seating areas while others might pull up a stool and watch you cook. Consider the flow of your gatherings.  Consider the purpose. I find that I am up and down a lot and therefore I opt for a little upholstered ottoman that I can scoot under the glass top coffee table when not in use. Benches, ottomans, even floor pillows can be great supplemental seating for overflow and these pieces are lower and visually less crowded than pulling chairs in from adjacent rooms.

With regard to seating, do you have pets, kids? Are you hard on your upholstery? This might determine what fabrics you select, if you are considering new pieces or re-upholstery of existing pieces, in your home.

I write often about color. There are so many paint choices that is impossible not to find the right color combinations for your spaces. Consider the purpose. Remember that different rooms can have different color schemes, if that serves your purpose. If you want a space to be restful, select soothing colors and if your want to express a more vibrant spirited feeling, choose colors that are more bright, bold and intense. Consider the purpose of the space and its color scheme regarding how you want it to make you feel.

It all boils down to observing your rooms and their details, letting go of things that no longer serve a purpose. If they do not function well or make you smile – let go. Rearrange your things. This is a neat trick to re-purposing your possessions and giving rooms a new look. Move things from one room to another or just within the same room. You will feel refreshed merely by making these simple changes.

As is true with all good New Year’s resolutions…don’t put off tomorrow, what you can do today! So get started and see how you can make your home the place where you gain strength and rejuvenation, achieve happiness and surround yourself with the things that bring you joy.

Kicking Off Glitz and Blitzen Merchandising

Some retailers put Christmas merchandise out with Halloween and squeeze Thanksgiving autumnal themes in between. But for sure, by Black Friday its all about Christmas merchandising and SHOPPING! The season is in full swing! After salivating over the finely “curated” collections at Sundance, peeking through the dazzling embroidery at Johnny Was, had a taste of Margaritaville at Tommy Bahama’s and elbowed through the throngs at Anthropolgie…among the myriad stores I visited – well, raced through – this weekend, Crate and Barrel is the one where I focused my camera and paused to ponder as they are one of the most prominent trend setters in world of home decor.

Upon arrival, front and center in the very first display, I was particularly drawn to this embroidered pillow announcing South for the Winter!

 

It caught my eye as it stated my very thoughts on the subject – although I prefer to stick around for a wintry Christmas and then head south as January sets in…it nevertheless spoke to me. But the combined selection of plaid fabric tree skirt and the cotton pillow had me puzzled. I picture the pillow being in that southerly destination expressing the sentiment but paired with the plaid, like a fish out of water. Plaid in a warm winter getaway didn’t seem to fit. Perhaps it is a pillow that you leave in your chilly, empty, abandoned house with your woolen plaid blankets and afghans as you snow-bird it south?  In which case the woolly plaid works, albeit nobody is there to get the drift – snow drift! Or a third scenario that I imagined is when you dream of going south, but are stuck in the northern climes and the pillow states your thoughts in a “wouldn’t it be nice” wishful thinking scenario??!! Three stories for this little pillow…which do you think is the best story?

There on the Christmas display is an intriguing statement of home decor. There it sits, this smart little pillow, all dressed up with the coordinating holiday plaid and exclaiming a statement that might have many connotations…

It’s nice to establish traditions for Christmas and other major holidays throughout the year. Yet like home decor in general, some people are more sentimental than others. While some treasure each year’s addition to a collection or contribution to the spirit of the season, others trade the look with each new trend.

This year an all gold tree…next year it might be jewel tones of amethyst purple, aquamarine teal and ruby accents…and of course the ever popular white on white on white!

Like personal interior design, some switch it out often, with changing fashions, while others nestle in and call it home for the duration. The compromise here is that there might be a family room tree that displays all the traditional ornaments while a more focal tree in an entry or living room makes the trending design statement.

As interior designers we wouldn’t be very busy if everyone nestled in without change for decades, however, even in this staid scenario there is the need for sprucing up the tired, updating certain elements, replacing damaged or broken items…Therefore, reupholstering, replacing of worn flooring, introducing fresh paint colors, improving lighting, opening spaces, face-lifting kitchens and bathrooms…there are many things that we as designers can do to update while not changing the essence of the place called home. Just in time for the holidays and the refresh-during-winter design blitz!!

Back to Crate and Barrel’s merchandising…

The bling that sparkles in the long dark nights of winter is a recurring and uplifting theme.

Red and green are inescapable for traditional Christmas color schemes.

Holly leaves and berries, evergreen needles, brilliant red bows and ribbony garlands.

Having previously stated my love of the traditional blue and white color schemes in so many applications and blogs I have written, Hanukah’s blue and white colors are perfect to crisply punctuate the doldrums of defoliated trees and dormant, bare bones deciduous landscapes of winter.  The cool yet refreshing theme is a perfect winter color scheme.

With their modern/retro style melding with a bit of industrial, Crate and Barrel’s stylized wing chairs with their updated lines sport a fresh take on a paisley motif cotton print.

Naughty or nice, reindeer, fir trees, twinkling lights, scented candles, silver and gold,  movies and music all stir the senses rejoicing in a healthy economy of vibrant shops, eager shoppers, anxious bargain-hunters, BOGOs and door busters, full of fresh new ideas, products, design trends, toys, gadgets and nearly anything you can imagine!

So get out there and strengthen the fiber of your community, support local artists and fabricators when you can,  shop where your neighbors work and where your local entrepreneurs invest their dollars and dreams. Try not to  overdose on all the glitz and blitzen of the merchandizing madness!!

 

 

 

Rejuvenate and Expand Your Interior Spaces by Opening Walls

In past blogs Patti Says a lot about selecting paint colors. Pondering paint colors and the elusive nature of selecting just the right color. https://patriciandesign.com/5677-2/

Walls surround your world. Walls encapsulate and enclose your personal spaces. They can also frame your world and dramatize a focal point. They add effective dimension when punctured.

A current study we have in front of us is about those specific things. Walls – opening them, their color and the context of the color decision. Months ago we examined a wall in a kitchen soon to be remodeled. Re-painting it was the most obvious and least complicated of the options. We also looked at creating a dimensional recess to house art or an accent color or something to take the curse off of its up-close, massive, solidness. It was like the 10,000 pound elephant in the room!

The wall encapsulated close quarters. It divided the space between the kitchen and the parallel hallway.

What we were looking to change was atmosphere. This involved improving the dated and worn cabinets and counter-tops, updating the lighting, enhancing the back-splash and  addressing the closed, isolated feeling of the room.

Smoke and mirrors might be the answer. Like a magician appearing and disappearing behind a veil/dimension of smoke –  or when the physical space is not negotiable, mirrors will give the illusion of added space. They are VERY effective tools, but neither was the right solution for this room’s current condition. Yet, we knew we needed dimension, depth and something to help expand the space.

Hmmm…the window over the sink offered an exciting option to open out to the patio. We did that – save that for another story. However, this large elephant of a wall was still so confining.

Sometimes small spaces can be  cozy. Some people prefer tight spaces while others find them to be claustrophobic. This was not exactly claustrophobia instilling, yet it certainly spoke to all of us as an imposing, confining factor that needed attention.

After discussing all the colors and recessed options someone has the brilliant idea to ask – “What about removing the wall?” That seemed a bit radical considering that it only opened to the hallway and it served a purpose of defining the access to the kitchen and opposite bedroom quarters. To open it entirely might have given an orientation to the kitchen that suggested that the island seats be positioned facing that point-of-arrival. Hence looking directly into the far hallway wall.  That was not the desire. Rather, we decided to cut a large opening in the wall exposing the far hallway wall while maintaining the orientation of the kitchen toward the outdoors and island seats facing into the kitchen not out into the hall. It worked!

The space was instantly enlarged. Opening the space onto the patio and this opposing generous puncture of the Great Wall of Kitchen changed everything! The light borrowed from the skylights in the hallway was significant and the sensation of enlarging the space was undeniable. Except the footprint had not changed.

The physical feeling of a space is what counts. It was proven here that it wasn’t about enlarging the space but feeling like it was enlarged.  Like mirrors, the illusion of space is so important. But, unlike mirrors this space was physically opened creating the sensation of enlarging the space by adding actual dimensional reality . The benefits were immediate. It actually conveyed a palpable feeling of relaxation. It was freeing and created an entirely new experience of enjoyment.

 

A passing idea for a stenciled surround was entertained…

Tight spaces give some people comfort. Contrarily, open spaces give comfort to others.  Personal reactions to space, color, texture, temperature all  enter into the equation of good design. What tasks are being performed also play a part in determining what solutions are best.

This dark, isolated kitchen benefited from changing the cabinets to a white traditional raised panel style detailed with crown molding which added a refreshingly light element.  The house was a decades old vintage bungalow and had been dealt a disservice to have had the kitchen remodeled years ago in a not-so-sensitive, style-of-the-day fashion. But, in addition to the more traditional timeless approach to the design, opening the space resulted in additional natural light borrowed from the hall’s skylight and an enlarged interior over-the-sink window brought more coming in from the patio. Now colors…

 

So we know that picking colors is contextual.. .what’s in and around the room are all part of the equation. Any walls that are seen beyond (through doorways, around corners) contribute to the layering of colors and therefore, participate as well. The floors are multi-colored mottled slate. The tile chosen to enhance the backsplash and also serve as wall-covering was a blue and white Talavera accented with a soft aqua mosaic. The ceiling mimicked the floor as the beams were a smoky grey with caramel-color stained knotty pine boards between – we embraced these existing design features as their unselfconscious non-trendy nature suggested a more grounded, permanent place – one with organic finishes that might have resulted from local availability sourcing and craft – and probably did all those decades ago.  See what Patti Says in another blog about this very project: https://patriciandesign.com/trust-and-custom-designs/

The fact that all of these elements contribute to the equation, for deciding a color, is key to our study today.  After discussing the options for treating this newly opened wall, we found ourselves doing the paint sample potpourri on the walls!

Taking cues from the aqua accent mosaic which was derived from those tones found in the slate floor, we directed the color choices toward smoky aquas and grey blue tones.

Sometimes white is actually a color, rather than the absence of color. The wall was currently frosted with smooth crisp drywall mud as an aftermath to the demolition and framing of the new opening. The stark white was clean and fresh. Like matting around a painting – this might just be the way to go.

And at this point, we must introduce the idea that was also in the works and that was to have a painting commissioned that would POP through the opening providing a spectacular backdrop to the kitchen and dress the dimensional contribution that the opening into the far wall of the hall presented.

We knew that yellow was a great color POP for this cool kitchen pallet. A recurring bowl of lemons kept proving that to be true. Lemons became the fresh, culinary subject that seemed to be the perfect fit. So we enlisted our master muralist Federico Leon de la Vega to meet the challenge. Armed with the blue and white scheme and the accents of aqua he created a miniature to test the concept.

Isolating the image and framing it is always an important component in the formatting of scene. Whether to spotlight a sculpture on a pedestal, or properly and effectively matting a painting in a frame, this aura is important to highlight art. The same became true as we considered the painting being “framed” by this opening. The wall itself became the mat.  So to get an idea of what this might look like, a quick digital manipulation did the trick.

The final decision seems to be that we will keep the wall with the opening white, as though a matting around a painting, while painting the perpendicular wall a smoky aqua. Another opportunity for layering these two colors occurs when the smoky aqua wall is layered over a receding laundry room wall soon to also be painted white.

Watch for the completion of this wonderfully unique little kitchen to be unveiled with all the dramatic before and afters!  Meanwhile, look around your interior and see if opening a wall might be an option to expanding your sense of space. The transformation can be rejuvenating!