Jul 05

Designing a Cool Theme for a Vacay Rental Property

When designing for a vacation rental property, the first order of business is to select things that are durable and easy to maintain. This means finishes to furnishings. I know this from practical life experiences and also working with commercial/hospitality interiors. To do so, one needs time to place and receive the orders with enough contingency for mishap. It is also dependent upon the housekeeping arrangements planned for on-going maintenance.

In this recent project, the work began 12 months out – plenty of time you think…but it was all about the physical remodel. We began with the drawings for floor plan re-configuration and specifications for new lighting, cabinets and finishes throughout. The decision to furnish was not made until nearly 10 months later with a deadline to complete in less than 7 weeks. The delay was partially due to an indecision over how many of the 4 units (all on one floor) were to be short-term or long-term rentals. Then a new city ordinance imposed a moratorium, of sorts, on short-term rentals and while that was tossed about over several weeks…more indecision ensued.

It’s a riot to see overnight design projects transform interiors in 24 hours. That’s due to a free-reign for design decisions, a team(s) and vehicles to pick-up/deliver, all trades on deck, a single director calling the shots and an organized chaos that results in a magical finished project – yes, like magic. Open your eyes, be stricken with awe, cry a little and exclaim repeatedly that you “just can’t believe it!!!!”

Real life is generally not like that. Real life has in-put by owners, limited schedule openings by the various trades, little spontaneous decision-making and fleeting time riddled with unwanted surprises and delays. Real life, in this case, was a theme provided by the owner, a preconceived “look” developed in the mind’s eye and scratch paper of the designer during the selection of finishes and floor plan modifications and vacillation for several reasons, of what units to furnish and when. Over the course of a year, leading up to less than the last 30 days, the project was to be fully furnished and finished – ready to rent!

The good news is that with controlled frenzy, changing availability of products, focused efforts and teamwork, we are pleased to present the Lobster! Completed all but hanging the TVs by the requested July 1st deadline, it is beautifully appointed and offers a colorful and a bit whimsical, spacious, clean and did I mention enviable location- 2 blocks from Pacific Beach in San Diego?

This entire project, except the move-in this last week, was done long-distance with the owner in Maine, her management company SHORE on-site in California and we the design team in New Mexico. This is not at all unusual, but Maine prompted the owner’s desire to name the unit Lobster. Not your spiny lobster from the local waters, but the New England version from the Atlantic with the classic recognizable form that accompanies the imagined crustacean – including the brilliant reds of the often appreciated steamed version!!

With fond memories of her childhood helping her elders maintain this property, the owner wanted to commemorate the building with an entry plaque visible from the street on the new redwood gate (soon to be completed). In addition, we suggested an individual name/theme for each of the 4 apartments which were all initially designated as fully-furnished short-term rentals – hence the bold identity for each! I designed the new name plaques and had them fabricated by Artistic Bronze in Florida. The backing was built by our talented Enrique Jimenez, in New Mexico, and all shipped to California. Bronze was selected for its timeless presentation, handsome durability and commanding respect. Parisienne was the font I selected which may now be used to identify the property as though a logo to tie-in with the on-site signage. Subliminal cues that are recognized even slightly are effective reminders and triggers for recognition. The idea was intended to offer a fun, but lasting, introduction and identification which was to be reflected in the interiors. The Lobster was the largest unit with 2 bedrooms. It was ultimately chosen to the be one fully-furnished unit and owner’s second home when visiting the area.

For budget and availability, we sacrificed certain durable features that would have been better long-term investments, resulting in some knock-down furniture that was never intended for much abuse. Fragile painted table surfaces – for example – better in laminate, wood or stone…but time will tell.

The look is clean and fun, colorful and beachy – with a slightly up-scaled twist. Cool aquas accent a few walls in the otherwise crisp white interior. Red punctuates effectively in lobster accent pillows, decorative accessories and the full-wall mosaic glass tile treatment in the kitchen. Yes, once again, we like to treat tile on the walls as not mere back-splashes, but wall-covering full height and width!

Weathered grey toned LVT (Luxury Vinyl Tile) in the way of interlocking planks were an easy to maintain and durable floor finish. The faux wood adds warmth and is softer underfoot than other hard surfaces. Perfectly matched with all trim pieces, this flooring is fabulous!!

Lighting is key and here we added recessed directional lights to spot the walls and related artwork. Switching was also an important detail to have options for the lighted areas and accents.

The owner found a novel lobster rug with a great textural, tufted, yarn system that brings fun and great color and warmth to the bunk-bed room! Busy, colorful bed dressings intentionally selected (over the hospitality white that is still trending) contrast against the bright white bed frames stacked for space optimization and a little kid fun!

A cool find in the way of the glass vessel lamp…where usually the stem with electrical cord feeds down through the center of the base and of the back, this one feeds from the socket stem with a cork top that removes allowing the vessel to be filled with treasures – in this case southern California beach shells and fragments! And for a little more animation, I found a carved wooden shark to insert cruising above the shells to make the lamp even more interesting!!!

A pair of vintage photographs of a lobster shack and fishing boat contributed by a friend in Albuquerque – taken by him in Maine in 1962 – were enhanced with bright red mats in their original polished silver metal frames along with a large painting on canvas of a Maine lobster/fishing boat sent by the owner in Maine provide interest to further perpetuate the lobster theme.

The master bedroom is a comfortable retreat with another lobster pillow for punch! To give the room the best approach and make it feel as large as it can be, placing the bed in front of the windows was the solution. Beds facing the entrance to the room are always preferable to arriving into the side of them – for visual space and a more inviting orientation.

The original bathroom layout was all one space with tiny appointments jammed together…so we removed the tall storage cabinets and sink vanity allowing more room for the commode beside the tub/shower and added a privacy door. Then the new cabinets and counter have their own space with another privacy door resulting in a two-compartment bathroom area for maximum use and enjoyment. Red mosaic glass tiles were repeated from the kitchen to further coordinate the theme.

The bold color scheme was thoroughly distributed throughout the unit which is an intentional design emphasis especially effective and novel in a short-term vacation rental – where such a thorough scheme might be too intense for one’s primary place of residence.

Effective design both functionally and visually should be a significant asset in the marketing of rental property. When used consistency in marketing material with logos and repeated features, this and other properties with attention to detail should attract the discriminating guests. Once there, repeated stays are the key to maintaining a strong guest population – of desired visitors.

Please watch for the entire slide show of before and afters of this dramatic transformation in the commercial projects section of our website, in coming weeks, entitled Emerald Green Beach Rentals – Lobster!

Apr 19

Designing with Your Story in Mind

By pattisays In Albuquerque, New Mexico, architecture, art and interior design, art assemblages, art custom commissions, artistic expression, bars and restaurants, branding in interior design, brew pubs, commercial interior design, commercial remodel, context of interior design, corporate branding, creative process, creativity, custom art in interior design, custom design interior design, design, design and marketing, design challenges, design details, design process, design solutions, design tips, design trends, designing with a purpose, dining and design, dining rooms, eclectic design, exterior - outdoor design, good design, Graphic art, graphic arts, graphic designs in interiors, hiring an interior designer, historic properties, inspiration, interior atmosphere, interior design, interior design trends, interior enhancements, logo development, marketing the story, mosaic, mosaic tile, murals, Nexus Brewery, nostalgia and design, patchwork, patterns, personal expression, photography, pieced work, practical design, quilts, restaurant design, Subscribers, textures, the story, tile, trends, urban art, value of good design, wall treatments, your story / 1

Is your story important? Does anyone care about your story? And what does this have to do with interior design?

Whether you are marketing yourself or your business, your story has merit. It is about identity, branding and connecting. It is about letting people in a bit. It is about sharing history, experiences and process. It is about your unique reason for doing what you do.

For the past several months, I have been working with a client on a combination of interior design, graphic design, exterior design…it is all intertwined. A successful design laces together all these design elements. And that brings me to “the story.”

Even Facebook features a section to tell “your story.” Yet, my client resisted presenting/using the story of this new business venture as a part of the design. He told me that was “so seventies.” That he had read that it was a dated concept that was no longer relevant. I begged to differ. For months I begged to differ! We agreed to disagree.

I believe that this is similar to many interpretations of design. What might be considered “dated” is often the manner in which it is used or done – not the thing itself. Whether a color, a font, a style of furniture, a wall tile or wallpaper, an architectural detail or form…so many design elements are considered dated due to their context. Often, this is fair to observe. But, mix it up a bit and use things differently or with other different elements than the original trend presented and – Voila! You have a perfectly valid, even fabulous design – think outside the box!

The idea of a “story” is not unlike the “mission statement” which became a standard feature decades ago in every company’s presentation on printed media, lobby plaques, conference room walls, break rooms… Some say it is passe, but when something is good and has meaning – re-consider. Like “the story”, “the mission statement” identifies goals and intent…when paired with the story, it provides an overview of the who, what, why that inquiring patrons want to know.

So back to the story…about “the story.” When a business or any concept is respected or liked, revered or praised, it is natural for people to wonder “How did they get started?” “How did they come up with this idea?” “What is their history in this business?” These are common questions that clever ideas or designs invite. So why not satisfy that interest, create a buzz…Let’s give them something to talk about!!!

In this world of disconnection, making connections seem all the more important. What used to be a natural exchange – of communication, ideas, sharing – is now something that has to be inserted with greater intention.

So this new business, for which I have been designing, is a barbeque establishment. There are a million. They have certain things in common. Without my enumerating them here – can you envision some common denominators that you might connect with barbeque joints? As is true with any venture, I asked: “What makes this one different? Better barbeque? Maybe. Cool interior? Hopefully. Are those the only unique traits? Is that the memorable take-away? It certainly isn’t a bad one – the idea is to have great food – and a fun environment, but what else might contribute to the experience of this barbecue being unforgettable? What might you have, to tell your friends, to spread the word?”

My opinion was a combination of an intriguing brand and “the story.” But before I go further, they coined a word to express their beer brewing prowess – exbeerience! This will enter into the story as we go along.

Now maybe my opinion about their story was so worthy of consideration because there was so much to this story. That certainly helps. It happens to be a great story with layers of interesting twists and turns – riddled with history and significance. Plus, it had a local interest angle that has the potential to create a buzz far beyond their actual location.

To begin to tell the story, I encouraged the development of a unique logo for this specific branch of the brand. Taking the lead to design it, and incorporating it into interior/exterior design was part of my vision for a complete design package and presentation. Extracting from the story to create the logo seemed natural. The private persona was becoming public.

As we developed the logo, featuring a wood-carved graphic of an original log cabin/smokehouse, the story was recorded and edited down to a summarized version.

It was available for printed material, social media, and as art to be presented on walls. Yes, it was intended to become a decorative element too.

The Story became a focal piece in the interior along with authentic, original photos of the log smokehouse and an interpretation of patchwork quilts entitled Urban Piecework made from leftover ceramic and porcelain tiles, glass and clay assembled in wall-mounted panels throughout the interior and exterior spaces.

Photos of the original smokehouse in North Carolina will soon be presented to further reiterate the story on the interior walls.

Urban Piecework commands the interior with bold mosaics reminiscent of patchwork quilts – an intriguing backdrop installed both inside and out.

Connecting with patrons, followers, clients, friends, family and acquaintances is valuable. As a business, it wraps who and those elements that are important to you in a familiar cocoon of context. It can instill a level of comfort and confidence in addition to sparking additional interest that might have taken longer to establish, without the introduction of your story.

The final multi-dimensional and multi-textural wall-piece featuring the story and mission is a striking 4’x6′ multi-textural panel. It offers patrons an opportunity to get a few questions answered as they enjoy their “exbeerience” at BLUE.

It was a privilege to promote, extract and produce this story and contribute such an important and valuable element to this business’s marketing and solidifying it’s new, exciting chapter of their brand.

Consider your story. Own it. Share it. Celebrate the uniqueness of your story. Design with your story in mind.

Mar 25

When Extraordinary is an Understatement.

By pattisays In art and food, art of cooking, artistic expression, artistic talent, artists, bars and restaurants, beauty behold it, branding in interior design, chefs in art, Chocolate, Color schemes, commercial interior design, concrete floors, context of interior design, contrasts for balance in design, cooking and design, creative process, creativity, custom lighting, design, design and marketing, design details, design process, design scenes, design solutions, design tips, design trends, desserts, element of surprise in design, fanciful design, floral designs, flowers in design, Food and art, food and interior design, good design, good taste, handmade, hiring an interior designer, how to select colors, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, joy, lifestyle, metal and wood furniture design, party themes, personal expression, personal taste, Subscribers, the art and design of food presentation, urban living, value of good design, white interiors /

A few years ago, awesome crept into our vernacular and took over. It stole our ability to select options for descriptive excess or exception. Everything from accolades for a job well done, positive reinforcement for anything, to a spectacular sunset, a great new outfit or a startling meteor shower – everything from a tad past the norm…to something truly fantastic – became awesome. Our language offers so many superlatives, yet we have gotten so lazy.

At the expense of sounding like an advertisement or otherwise paid spokesperson, I write today of a late-night confection experience that is truly like no other. An experience so artful that I could not take enough photos. Artistic delights at a bustling urban eatery where flowers and gold leaf adorn each piece of fanciful frosted awesomeness. Ha -there it is! Had to add more to the mere “awesome,” though!

Extra ordinary – extraordinary – beyond the norm – beyond ordinary, yes, that is an understatement for what I am about to reveal. Yet, that is the moniker of this extraordinary establishment – Extraordinary Desserts!

Several years ago we were treated to a late night surprise. Not knowing our intended destination, we were taken winding through the streets and came upon this little structure the read like an Asian garden. Twinkling lights peeking through wooden slats softened by lush tropical vegetation – the scene was magic. Once we realized the focus of this cozy pocket, we were enchanted. Patrons stood in line to pass along the “extraordinary” dessert cases displaying all manner of outrageously beautiful desserts. Once they decided and paid for their selection, they gathered in intimate twosomes or small groups to savor the delectable delights they had chosen.

Last night, we decided to rediscover this uniquely sweet spot and Googled our way into downtown San Diego. What we found, by happy accident, was a second location – an urban edifice presented on a crowded sidewalk packed with people waiting eagerly to be seated and begin their indulgences.

After leaving our name with the greeters at the podium, we squeezed through the throngs to get a peek at the cases full of magical wonders. Ok – you think I exaggerate…so now begins the photos…

When extraordinary is an UNDERSTATEMENT, you know you are in the presence of something quite special. Maybe that’s why people invent words like splendiferous or supercalifragilisticexpialidocious!

The rich velvety and textured frostings and layers of fabulous flavors awaited us as we scanned the displays.

Floribunda- yes, gilding the lilies (orchids as it were) – nothing was too over-the-top! The rich velvety and textured frostings and layers of fabulous flavors awaited us as we scanned the displays.

Seeing so many astonishingly spectacular desserts in one place all for the spontaneous taking is almost too much to bear. You mean I can HAVE that right now??? I can have a piece of many of them – RIGHT NOW?????

Emulating fine Cerelene Limoges, the would-be doilies of parchment paper rimmed with gold detailing and lettered with Extraordinary the details were dazzling! No stone left un-turned, they thought of everything to make this a tantalizing treat and patrician presentation!

The interior offers seating at the bar and tables organized throughout. Two tops or ganged together for a crowd, everyone was so focused on their prizes – beauty set before them – animated chatter wafted through the sugar-spun air! Some chose to sample several knowing that they would take a goodly portion home. Others savored a single serving of a beautifully flavorful masterpiece.

And yes, there’s a book about the cakes – Karen Krasne – appears to be the brain behind this bounty. I look forward to meeting her. She has an amazing machine with a well-oiled staff. Everyone was efficient and friendly and shared in the enthusiasm that was being expressed all around.

The shelves are filled with teas and other sweet temptations, interesting vessels and serving pieces.

The lighting is dim and the structure envelopes the interior with white-washed frosting of voluminous space punctuated with dark cylindrical pendant lights and pierced bubble-like panels back-lit for added interest, subtle luminosity and dimension.

Raw, polished concrete floors, steel tables and molded wood chairs give a nice balance of warm and cool, rigid and suave – while clean and almost hygge in feel.

Perhaps, in the world of custom confections and TV foodie competitions, these desserts might be within some semblance of a norm – but only from the finest of creatives, in circles of which we usually do not run.

But having cavorted last night through the cheerful melee of confection connoisseurs – albeit one doesn’t have to be clubbed over the head or knighted by the cooks of the kingdom to appreciate what we experienced – we are sufficiently spoiled both visually and flavor-wise to be tough to ever satisfy again. Good design. Great design. Extraordinary design is often still an understatement!

Feb 24

Focus on an Artist, Patricia Forbes and the Art of Custom Design.

By pattisays In Abstract Art, Albuquerque, New Mexico, ambiance, art and interior design, art as gift ideas, art assemblages, art custom commissions, artistic expression, artistic talent, artists, collage art, Color schemes, color trends, colors, commercial interior design, commissioning an artist, Contemporary Art, context of interior design, Contrasting colors, creative process, creativity, custom art in interior design, custom design interior design, design, design challenges, design details, design process, design scenes, design solutions, Design Team, design tips, design trends, Discovering Art, discovering artistic talent, drama of color, eclectic design, element of surprise in design, fanciful design, floral designs, Graphic art, graphic designs in interiors, handcraft, handmade, hiring an interior designer, home, inspiration, inspiration from nature, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, joy, lifestyle, lofts, Modern Art, multi-media design, patterns, personal expression, personal taste, planning a remodel, red, Subscribers, textures, trends, urban art, value of art /

Collecting art, investing in art, loving art, designing with art…one aspect or all of the above, art in interior design has many facets. I have written previously about and presented a workshop about “I want a piece of art to go with my red sofa,” a kind of raspberry in the face of curators, collectors, critics and appraisers who would never take or condone that approach. But the desire and need exists and as a interior designer it is wonderful to work with artists who can and want to respond to cues, take on commissions and create for specific parameters.

Contrary to opinions from the high-brows, this is not to say that these artists lack artistic integrity or meaningful self-expression. Their value is as any other – determined by what the market will bear. The basis for this writing is that we work with many artists who love their work. And creating it (even under direction) brings them and their patrons joy.

Featured here is the up-lifting, colorful and texturally abstract work of Patricia Forbes. We have enjoyed commissioning her for specific interiors over the years and are never disappointed in the quality and creativity of her pieces.

For scale, diminutive Forbes poses by her Vertical Stick series.

With so many mass-produced art offerings at the trendy home decor stores, it is refreshing to encounter new clients who are at the start of their nesting years, establishing their own domains, selecting things that bring them comfort and identity and who’s appreciation lies in acquiring original art.

Designing an interior is about comfort and personal identity. It is about surrounding oneself with things that work – both functionally and aesthetically. Individual’s requirements, in either of those departments, can vary greatly – but suffice it to say, each person or couple or family unit creates a home environment based upon their likes and needs (and budget).

Enter the interior designer. When calling on the assistance of someone outside the intimacy of the home, the client is hoping for and expecting a successful custom-tailoring of their requests based upon the experience of the professional.

When designing an interior, it is exciting to use existing pieces already owned by the client. It is gratifying to arrange and place those items in ways not yet imagined – thereby justifying the investment in design consultation. After an intense session of rearranging furniture, artwork and decorative accessories the “ta-da” moment is one of near instant gratification and satisfaction.

When an interior needs a little something to pull it together, fill a gap, create an accent or establish a focal point, it is great fun to engage the creativity of an artist to custom design a piece to fit the need. Approaching an artist for the express purpose of acquiring a piece of their work to enhance a space is an exciting venture. It is a personal connection between artist and patron that creates a communion, a bond.

Here I took inspiration from a single panel that Forbes had constructed and requested a series of 9 panels grouped in a grid to make a larger statement on the wall. The interest created from a grid of images adds movement and dimension to this series already complex with sculpted texture and applied layers.

Color, texture, size, style, subject (or not) all are aspects of art that are to be considered for the personal interests of both artist and patron. If the patron has selected an artist to approach about a commission it is as a result of experiencing their work and appreciating it. The artist, in response, is to accept the parameters of the request and enjoy the challenge and process of creating the intended/desired finished product.

The intensity of this rich red wall was decided early in the design process. As we built layers of existing elements and introduced new pieces, the desire for a custom installation became apparent. This Urban Elements series was a collaborative effort between Forbes and me to provide a bit of an edgy, industrial vibe to this eclectic urban loft. Note too that the end table and coffee table were locally crafted for the project by Kirt Kirkpatrick

Forbes’ creativity is rooted in pattern, color and texture. Primarily non-objective, her pieces are compositions of movement and dimension. Working with a layering technique, she builds her action with a collage of papers and fibers, paint and stain. Action is key when describing Forbes’ artwork.

She creates for herself, but when called upon to collaborate on a project, her eager curiosity for what might result is enthusiastic and ever-promising. About her style and self-expression she states “When I have created a joyfulness and vibrancy in the work, I know I ahve created an experience I wish to share.”

When asked…

1. How/when/why did you start your abstract technique of layering colors and textures?

Forbes has always been drawn to color as a means of her personal expression, once she “experimented with acrylic materials that would hold a texture and started playing with those using combs and rubber spatulas and sticks to mark in the materials” she was hooked. “Metallic and interference paints call to me — so I began to combine the over the textured backgrounds, and then discovered that with acrylic one could imbed paper. It was really experimentation and discovery of what these amazing materials could do…”

2. What is the most satisfying aspect of your art for you personally?

The element of surprise is what gets Forbes excited! “When something comes together almost unexpectedly and I wonder how I did that — it’s always a search for the right combination of elements, colors, textures, feelings.” When they all come together she experiences great satisfaction. “It’s like turning over pieces to see what fits. Sometimes I have to turn over a lot of pieces to get the right combination — sometimes wondering whether to continue. Seems like it is always worth continuing the work to a happy conclusion.”

3. Why do you enjoy commissions to create specific pieces for interiors/patrons?

Forbes expresses genuine gratitude for her patrons. “I feel honored and appreciated when someone likes and appreciates my work and invites me to do something special for their home or office space.”

4. What pleases/satisfies you about this custom commission process?

The process of working together with her patrons is positive creative challenge. “I enjoy the collaborative aspect and going through the process with a client or designer and receiving their feedback as the work progresses.”

The satisfaction for a designer in partnering with an artist is designing and realizing a vision to complete a space. Bringing visions to reality. I often say that my team provides tremendous support in making my dreams come true. From artists and craftspeople to seamstresses and all manner of contractors, it is truly a team effort to achieve great results!

Feb 05

Animating Interiors – for Fun!

By pattisays In ambiance, architect, architectural illustration, architecture, art and interior design, artistic expression, artistic talent, artists, bars and restaurants, commercial interior design, creative process, creativity, custom design interior design, design, design challenges, design process, design scenes, design tips, dining and design, dining rooms, discovering artistic talent, exterior - outdoor design, Federico Leon de la Vega, hiring an interior designer, Impressionist painters, interior atmosphere, interior design, interior design trends, Leon de la Vega, Mexico, patio, patio design, restaurant design, Subscribers, summer, table dressings, table top, tableware, travel and design / 1

The total sum of an interior…comprised of the shape and volume of a space, the colors and textures, architectural details…then layer the lighting, furnishings and decorative accessories and ta-da! But is that all there is?

The beauty and intrigue of interiors is what keeps us discovering and creating. Yes, finding intimate pockets or grand expanses that please and dazzle.

The romance of this setting caught my eye…the far table by the window – set for two seemed a likely scene for a tete e tete to take place!

While traveling in the tropics these last few weeks, I discovered many interesting places. Oddly, while experiencing all the sights and sounds flavors and colors of this paradise, I immersed myself in the unlikely and completely opposite world of early 20th century Russia with A Gentleman in Moscow.

Just for fun, I sat with Federico Leon de la Vega today as he did 4 – minute sketches of some of my photos…needless to say, proper illustrations would have proved more telling of my romanticizing the talents of artists conveying imaginary activities in interiors…but it was fun to play with this today!

The beautifully and artistically articulate writing style of Amor Towles held me captive. And what a dichotomy to play ping-pong with my brain as I digest the restricted realm of Count Alexander Ilyich Rostov while basking in the warm sunshine with fresh sea air and palms rustling overhead…It seems that the extremes of this pairing suited me well as it was a dual escape – a vacation getaway while taking me further into fantasy with another dimensional experience of this incredibly great read!

Although there were many fascinating observations made by the author, it was this passage regarding the Count encountering a young artist/architect that prompted this subject for this week’s blog. The architect, finding himself in Moscow in the post Czar age of socialistic experimentation and implementation, bemoans the lack of work “The way things stand, I’d be happy to design a birdhouse.”

“The way things stand, I would be happy to design a birdhouse!” Sketch by PH

The mayor of Moscow has made an observation espousing the birth of “the golden age of the prefabrication, cement-walled, five-story apartment building” – with the very practical “four-hundred-square-foot living spaces with ready access to communal bathrooms boasting four-foot tubs (after all. who has time to lie down in a bath when your neighbors are knocking at the door).” The mayor further emphasizes and rationalizes “So let us not get bogged down with elaborate designs or bow to aesthetic vanities. Let us apply ourselves instead to a universal ideal that is fitting for our times.” A horribly inhuman decree in my opinion, rather than a should-be, truly magnanimous spirit. Humans are designed to design!!

The sentiments of the new regime left the architect with having to find avenues to utilize his talents – specifically sketching as he set forth to illustrate a brochure of the city’s finest hotels as retained by the Intourist department. How sad to possess the talent and passion and be reduced to capturing the grandeur without having the opportunity to design??!!

So three things struck me about this situation…one – that the artist was practicing only a portion of his talents and not the true, complete creativity that beckoned him to pursue his career…two – that renderings not only offer the opportunity to preview the proposed design of a space, but they can use artistic license to animate the space for its intended function and three – that spaces are not truly realized until they are filled with the people that are intended to occupy them.

So much so is a room not really finished until it is occupied by the inhabitants for whom it was intended to function, but Towles observes through the renewed appreciation by his architect, “I suppose a room is the summation of all that has happened inside it.” And that is what I enjoyed being revealed as a result of this simple exchange in this one of many experiences in this remarkable storyline .

Humans are designed to design. Rooms are intended to perform a function. They cannot function until they are animated with whatever they were intended to serve. Sketches allow the preview. Sketches are more spontaneous and artfully creative than computer generated versions of the same. Celebrate beauty, creativity and artists!

Jan 28

WHITE by Design…

By pattisays In architecture, artistic expression, artistic talent, bars and restaurants, brick, cabanas, coastal, cocktails, color and temperature re: interior design, color forecasting, Color schemes, color trends, colors, commercial interior design, Concealed lighting, context of interior design, Contrasting colors, contrasts for balance in design, creative process, creativity, custom lighting, design, design challenges, design details, design process, design scenes, design solutions, design tips, design trends, designer fabrics, designing with a purpose, doorways and entrances, drama of color, Dunn-Edwards Paints, element of surprise in design, exterior - outdoor design, fabrics, Garden, good design, good taste, handcraft, handmade, hiring an interior designer, home, home improvements, houses, how to select colors, illusions of space, indirect lighting, inspiration, inspiration from nature, interior atmosphere, interior design, interior design preferences, interior design trends, landscape design, lifestyle, lighting, Mexico, mosaic, mosaic tile, natural designs, natural stone, organic design, paint colors, patio, patio design, personal expression, personal taste, pink, planning a remodel, Refresh, Regional design, remodeling, restaurant design, selecting colors, site furniture, site sculpture, smart surfaces, stone, Subscribers, summer, timeless colors, travel and design, trends, tropical, umbrellas, walkways, wall texture, wall treatments, white color schemes, white interiors /

With all the New Year buzz about the new color forecasts…I started taking notice of the seeming non-color, white. It is often considered the absence of color when in fact it is a very complex color of many shades and values. Just try to select a white and you will know what I mean.

When you look at white paint samples, you will notice the nuances. There are pink whites and blue white, grey whites and yellow whites. Each white is off-set and contrasting to another. You see the differences by comparison and by context. You think you have just the right white until you place it against another sample and see that it is grey or cream and then second guess yourself again…and again…How do you know which white is right?

Dunn Edwards groups their whites and pastels in a separate section of their fan deck as do other paint companies. What is interesting here is that the background is a sheet of white copy paper. Notice how is reads against the colors in the samples…it seems to be a purple blue color. This shot was taken under a full-spectrum LED lamp. The colors should be true. The range of “white” is amazing.

To intentionally design with white is bold. To have the confidence, to decide that white IS the color and that white IS the scheme, is challenging. To effectively design with white, you not only have to select the right white(s), but you have to know just how much of anything else might be effective yet not detract.

Le Leche in Puerto Vallarta is a fabulous example of designing exclusively with white. Only with minimal punctuation with black lettering on the wall of containers and also by allowing shadows is the white interrupted. But the blacks’ minor interruptions gives depth and fine detail.

White design can be cold or warm. Depending upon the desired effect, mood or function of the space, the whites need to be carefully selected. This is true with lighting as well. Warm whites or cool whites…what gives you the desired result?

Popular white string lights add festivity and a warm glow to an evening scene.

See how many lighting colors you can identify in this scene…Starting on the left, a cool pocket glows through the underbrush. The walkway has a warm pink-ish light. The very cool blues of the pool area give a dramatic read. A bold yellow accent peeks from the far left and also over on the right. The palm trees are wrapped in a warm white tube lights while the far right side illuminates the entry to the dining palapa with a cool white light source. The foam of the surf on the beach is captured with a cool white spotlight that maintains its naturally expected white color.

Knowing when to add color to a white scene to achieve an intentional POP is an art. The color itself, the amount and placement is all part of the success of a good design result. From the fine black detailing in the previous shot of La Leche to this still-life composition of a tropical cocktail that I propped the other day, the minimal punctuation of color is key.

White mosaic shards of tile in the background of this composition featuring a peeled coconut and the POP of a pretty pink party umbrella result in a white-on white scene. Yes, this shot says PARTY with a perky smile!

The bench which served as the backdrop for the coconut cocktail is a dramatic serpentine sculpture of site furniture that plays with the white-on-white of the tile and grout.

Contrasting against the organic wood decking, this white monolithic bench snakes around the periphery of this outdoor lounge area. The sunset is casting a soft pink wash over the all white glazed tile.

Beach settings using white materials compliment the white sand and greenery of the tropical plants. From wood frame platform cabanas to the sprinkling of umbrellas, white is a wonderful, fresh color for a crisp clean scene.

Whites on whites…creamy sand colors to crisp white terrycloth, the white-on-white scheme is soft, inviting and clean.

Greenery compliments the white umbrellas and sunning beds on the lawn by the beach.

Palm trunks and other fruit trees are often painted white to protect against insects and what insects insist on climbing the surface are easily spotted by birds who appreciate the help to capture a snack! In this case, they contribute to the white design theme.

The soft creamy off-white folds of fabric offer a soft, inviting scene.

Shadows in the creases and depths of the folds add the dimension to the luxurious feel of the cotton damask fabric.

White stucco is dappled by shadows and greenery while given a warm, strong base by the brick pavers. White as an architectural finish is only successful if the context compliments it. This is true in all design.

Architectural color and texture of surfaces is a moving target. A recent discussion about a white building with black detailing would not have proved right for this particular use of white. The hard, commercial read would have been too severe for the intended effect. Yet that same project, with a warm white and an ochre accent, will be just the right combination to achieve the desired result. Watch for this project to be featured in a few months.

Architectural surfaces incorporating tones and textures of white provide interesting opportunities

Block and crumbled edge accent bands on the facade of an exterior wall.

White in design is an exciting selection. Knowing how, when and why to use it is a test of your creativity. Picking the right white is the challenge.

The limitless colors of white found in a pile of gravel…..

So the next time you think white, think a lot about it. Study the context and what you are trying to accomplish. Feel freed by the fact that white is a color to express and enjoy.

Dec 14

Designing is like Cooking…

By pattisays In Albuquerque, New Mexico, architect, art of cooking, artistic expression, artistic talent, artists, commercial interior design, commercial remodel, composing, cooking and design, creative process, creativity, custom design interior design, custom furniture, design, design details, design process, design scenes, design solutions, design tips, design trends, fashion and design, fashion design, furniture finds, good design, Graphic art, hiring an interior designer, home, home improvements, interior design, interior design trends, interior enhancements, landscape design, lifestyle, oatmeal cookie recipes, painters, personal expression, personal taste, practical design, public design, re-upholstery, remodeling, sofas, Subscribers, up-cycle, upholstery, value of good design /

Designing is like cooking – I guess cooking is a form of design. Yes, it certainly is. Whether it is graphic design, fashion design, architecture, musical composition, poetry, landscape or interior design – artists of all media – the art of creating, designing, composing, it is all about the right ingredients in the right amount to balance the scene. Proportion.

Even though I will be focusing on interior design, the”scene” could be the sheet music, the canvas, the poet’s screen or paper…the “scene” is the window that frames/encompasses the finished product. To compare these artistic endeavors, to the art of cooking, is so obvious to me.

Everyone must cook something. Whether it is merely heating up beanie weenies, with a sliced dill pickle tossed in, chased with a gin on the rocks, it is a composition that must result in a tasty scene – for someone. Having said that, we must also note that “beauty is in the eye of the beholder.” The more successful compositions appeal to a greater number of aficionados.

To cook, one must combine the right ingredients, in the right proportions, to combine to result in the best finished product. When I design, as with cooking, it is often “create as you go”…it is important to add an element and taste…re-think…evaluate…

Assembling ingredients and considering the balance of them in the finished product.

At a glance, the significant distinctions between cooking and interior design is that in cooking, the finished product might be gorgeous, but taste terrible. Interior design is all visual – on the surface…or so you might think…until you evaluate function. A beautiful cake needs to taste as good as it looks. An interior must function as well as it looks. Both are dependent on the subliminal factors that result in a truly successful finish product.

Successful is also in the eye of the beholder…25+ years ago my mother and I went shopping for a leather sofa. She, at 5′ 3″, was a bit on the “vertically challenged” side of the ergonomic spectrum. Therefore, actually sitting in the contenders was important so that her feet comfortably rested on the floor and her back against the back – no propping up with throw pillows to make the fit. So we searched and sat and searched and sat until one day, like Goldilocks, we found one that was “just right.”

A few weeks later, having waited anxiously for this perfect sofa to arrive, Mom excitedly called me and said “they’re delivering my sofa today!” I told her I would be by after work to see it. But before I could finish my day and see this long-awaited focal piece, she called again exclaiming “It’s the wrong sofa!” To which I replied “hang on – I’ll be right there.”

Sure enough, I watched her as she sat on her beautiful new leather sofa and looked like Lily Tomlin doing Edith Ann! Her legs shot straight out and even with a scoot forward, her feet dangled in mid-air. We knew something was wrong. It looked like the right sofa, but we didn’t have the intended dimensions of what we ordered. So all we could do was go back to the showroom and hope the sofa that we thought we had ordered was still on the floor and go from there…

With great relief, we found the showroom model…Mom crossed the room and took a seat. A very comfortable seat. Everything fit just right. So what was with the sofa that was delivered earlier today? As it turned out, it was the right sofa, only hers was brand new. The one on the floor had been sat upon for months and by a thousand fannies…the answer was simple prompted by a simple question. Would they exchange the brand new cushion filling for the broken down stuffing that was in the floor model? And with that – voila! Her new sofa was modified to be the perfect fit – old, broken-down cushions and all!!!!! She still sits comfortably on that sofa today. Function. The outside looked great – the ingredients were a bit off. Ingredients make the difference.

I used this example with a client recently when she had a chair reupholstered. Per her request, the stuffing was not changed – but the upholsterer thought that the collapsed appearance was not good and would reflect a lack of attention on his part. So he plumped and made more firm the stuffing inside his new, tighter envelopes. She was not pleased and thought all was lost. I assured her that it was an easy fix and asked that it be redone. He is in the process of modifying the fill to accomplish the comfort she remembers. The chair looks great – but the ingredients/details are not creating the function that would make it a truly successful design.

As a designer, we often (especially in bidding environments) are faced with “or equal” substitutions to our design selections. The specifications have to be within a certain tolerance, but the results can radically change the complexion, success, look and effectiveness of the design. Imagine how this could affect a recipe? Well,sometimes great new recipes come from unintentional substitutions….take these cookies I baked last weekend.

Barbara Bush’s popular Cowboy Cookies – unplanned, I had a wild hair to bake cookies. I can count on one hand how often that has happened in the last 20 years!! So having had these fabulous cookies recently (thanks Feath), I rummaged through the pantry for the ingredients. Well, I had wholewheat flour, not all purpose, I had a few butterscotch morsels and a few more white chocolate chips. I had no chocolate chips nor coconut. I had steel cut oats not rolled oats. Too lazy to run to the store, I thought that the worst that could happen was that my cookies would be terrible and I would have wasted the ingredients and a couple hours of time…However, I am pleased to report that they are wonderful and resulted in a new oatmeal cookie worth sharing. Substitutions can work, but the harmony of ingredients is the key.

Another issue that can challenge a good design is when there are too many chefs in the kitchen. The ingredients can become imbalanced and substitutions can be made that alter if not spoil the intended results. In some projects, the”lead” shifts. The contractor, subs, and owner can all insert changes that alter the design. This usually occurs without regard for the design as a whole. Each person has their field of vision, their focus of expertise or special interest. Sweet, salty, acidic…each has its place – balance. A disregard for any of the ingredients, poor substitutions or imbalanced quantities – will alter the results.

Yin and Yang – the balance of our known universe – is all at the root of the balance of good design. Balance and the relationships of scale (which are also forms of balance). Rough/Smooth, Shiny/Dull, Dark/Light, Soft/Hard are all ingredients of good design. The balance of these are the equation of successful solutions. And this doesn’t even include the magic of color its balance and compliments.

Many people are good cooks. They have an innate sense of what works. Many people have an innate sense of good design. They often take it for granted. They might not be able to articulate it – but they can create it, they know it when they see it and they employ the rules of balance whether they realize it or not. In both of these cases, theses innately talented people often need reinforcement or encouragement – validation – affirmation.

From dinner guests to friends coming over to see the new furniture arrangement, talented cooks and decorators can get the job done – as with all professional chefs and designers – with the support and contribution of the talents around them.

Oct 07

Urban “Pieced Work” – an artistic narrative

By pattisays In Abstract Art, Albuquerque, New Mexico, art and food, art and interior design, artistic expression, artistic talent, artists, bars and restaurants, branding in interior design, brew pubs, breweries, commercial interior design, commercial remodel, context of interior design, creative process, creativity, custom design interior design, decorative arts, design, design and marketing, design process, design solutions, Design Team, design tips, dining and design, drama of color, eclectic design, element of surprise in design, fabrics, folkart, Food and art, food and interior design, glass art, good design, Graphic art, graphic arts, graphic designs in interiors, Greek mosaic, handcraft, handmade, Helen Atkins, hiring an interior designer, history, inspiration, interior atmosphere, interior design, interior design preferences, interior design trends, interior enhancements, Modern Art, mosaic, mosaic tile, murals, nostalgia and design, patchwork, pieced work, quilting, quilts, re-purpose, recycle, recycle design, Regional design, remodeling, restaurant design, Santa Fe, New Mexico, southwestern design, Subscribers, textiles, textures, tile, Uncategorized, United States history, urban art, urban design, value of good design, wall texture, wall treatments, wallcovering / 1

We are excited to have the opportunity to bring a design installation(s) into a new project that will serve to support the brand with a twist. A nearly completed new smokehouse is coming to Albuquerque. This home-grown eatery blends family history and southern roots with southwestern barbecue flavors including indigenous wood and iconic chile blends. But this is not about their cooking profile. It is about how we have arrived at a design theme that will define and further the identity in this new, specialized smokehouse department of this larger local brand.

To accomplish this task, we examined the concept the owner had to remodel an existing facility that had been a popular gathering post serving this community for decades. The fringe barrio location was of a demographic primarily comprised of Mexican/Americans. Decades past it was home to a heavily black community. The fabric of these cultural combinations suggested a mosaic of color and vibrant heritages.

The spark of cultural references lead to discussion of the popular artistic expression of urban mural painting.

When we began the dialogue, the decision to have a mural painted by local neighborhood kids, with a mentor to design and supervise the work, seemed to be the direction we were headed. After subject matter debate and development, I veered off on another tangent that might take a less subjective approach, be weather-proof and more durable for a patio location – mosaic.

This new more impervious and durable medium still offered the opportunity to engage the community, but with less focus on a specific subject and more about geometric color and texture. We discussed the details of installation so as to keep it simple for kids to participate using whole tiles – minimize cutting, if any, for starters.

Inspiration came from several other installations such as the Albuquerque Convention Center’s on-going mosaic mural project wrapping many sections of the buildings with intricate scenes of New Mexican lifestyle and cultural diversity. The colorful mosaic is an elegant and sophisticated contribution to our city’s cultural aesthetic.

Helen Atkins, manager of consignment art at PATRICIAN DESIGN’s downtown boutique gallery and the lead on their current restaurant mural project, has worked on several phases of the Convention Center’s mural project.

We have incorporated mosaic into several of our own design projects such as last week’s blog https://patriciandesign.com/trust-and-custom-designs/about a residential kitchen installation.

Here, in another installation, a fireplace surround of mosaic adds movement, color and textural interest to the room.

Ultimately, one of Helen Atkin’s personal photographs cemented the approach. It was decided that a geometry of different sizes and disparate glazes and designs of tiles pieced together in a colorful, textural panel would be our design theme.

Helen Atkins, a recognized artist in many media, captured this in passing while visiting New Zealand. It’s crisp, yet irregular composition was intriguing and pleasing. It became the springboard for the concept for a geometric mosaic panel to anchor the theme of this new New Mexico eating establishment.

The idea became more exciting as we began gathering material from local tile distributors and our own personal inventories of favorite treasures saved for a special project. Here it was. It seemed such a strong design element and therefore offered a new direction for the actual brand of this establishment. We embraced the idea and brought it into the interior and distributed murals throughout the space.

Still under construction, we will not divulge the identity or locations of this project just yet. But suffice it to say, the murals are an exciting part of this interior design scheme.

As we further discussed the plans to implement this project, school started and the ease of coordinating the assistance of neighborhood kids became more difficult. Helen lead the project as primary installer, coordinator and supervisor. She enlisted the assistance of a couple of people – one experienced and the other not at all.

We have named this series, Urban Pieced Work – an artistic narrative. Here we are interpreting generations old sewing patchwork using ceramic, glass and pottery pieces rather than the traditional fabric patches. The original folk art needlework has been in the American vernacular for ages. In these installations, this up-cycled use of discarded or discontinued tiles is similar to patchwork fabrics, re-purposed to make clothing, wall decor, window treatments and bed dressing when times were tough – often referred to as “pieced work.”

My paternal grandmother in New Mexico made this twin quilt for my bed when I was a child in Virginia.

My same grandmother made this and was given to me by my cousin, her only other granddaughter.

Mosaic is often, like fabric patchwork, a practical art form that puts scrap, shards and fragments to good use in an artistic fashion. Note though that more sophisticated mosaics have been designed more intentionally for centuries not merely as salvaged material. These masterpieces both in contemporary work and antiquities represent many periods in history and movements in artistic expression.

This mosaic version connects with the history of the restaurant’s roots and southern heritage. The panels’ mural nature speaks to the urban murals found throughout the community.

Located strategically throughout the interior, these murals have become a strong design element and anchor for this facet of the brand.

Another shot of the spectacular cultural story murals at the Albuquerque Convention Center.

We have woven a meaningful artistic statement throughout the interior and also on the exterior of the building. In addition, we will be inserting a graphic version into the signage and logo design.

Urban Pieced Work – an artistic narrative, of a New Mexican Smokehouse, will provide pleasing design visuals throughout this new interior, provoke conversation and interaction, weave an element of history and context with the southern roots of this exciting new eatery!

Join the conversation and watch for the first succulent flavors to come out of the smokers later this year.

Sep 24

Entrepreneurs! Getting Started with Design!

By pattisays In Albuquerque, New Mexico, aluminum, bathroom remodel, before and after, branding in interior design, ceiling lighting, Color schemes, color trends, colors, commercial interior design, commercial remodel, concrete finishes, concrete floors, construction, creative process, creativity, custom design interior design, design, design and marketing, design process, design solutions, Design Team, design tips, existing materials, flooring, good design, hiring an interior designer, interior atmosphere, interior design, interior enhancements, lighting, logos, metal finishes, paint colors, personal expression, planning a remodel, practical design, remodeling, retail remodeling, retail storefronts, selecting colors, Subscribers, tenant improvements, tile, value of good design, workplace design / 1

Starting out with your first brick and mortar business, the tasks are many. After homing in on your business specifics, selecting a name, designing a logo, deciding colors…you have your license and your business plan, you’ve found a place and then you need to present your business to the world!

A few weeks ago, we began a new project that is just what I have described…an exciting first-timer in the business world, having worked for others is now ready to do her own thing, be her own boss, make her own decisions and assume the risks necessary to take this leap into entrepreneurial adventure.

It’s exciting and scary, daunting at times and fun too. And it should be fun. Finding something that you enjoy, something you believe in and believe that you can do as well as, if not (hopefully) better than, anyone else in your market.

With inventory determined, name and logo designed the last task was to create the space to present her concept. We won’t divulge that today, the project is yet to be presented, but the framework is on what I want to comment.

We began compiling some finish options…paint, upholstery, privacy curtains, carpet and a little brushed aluminum bling!! We want to reinforce her brand with key colors and finishes.

Knowing the terms of the lease agreement – what is the landlord’s responsibility, what is grandfathered-in, what can be changed, any spending allowances amortized into the lease…these are all things that are necessary to determine how to go about designing the interior. It is necessary to establish costs within the over-all start-up budget. Having helpful, knowledgeable, creative people around you with whom to assemble your team is imperative.

We arrived at the site to find a very clean slate. Located in a retail strip center, it was a white box.

We instantly decided the flooring would be a combination of polished concrete and broadloom carpeting, some lights stay and some go, spots will be added, colors will reinforce her brand.

Toward the back, a break-room kitchen area needed demolition. This pocket would become fitting rooms.

There was existing ceramic tile on the floor that also needed to be removed. These were things that our client could attack herself – saving money and getting to know her space.

We learned that the restrooms were grandfathered in and did not require any additional improvements – other than cosmetic.

We learned that we could make changes and additions to the lights and only needed a permit for electrical portion of the work.

Many of these discoveries were of pleasant surprise to our client who had been miss-directed a bit and was in a state of frustration and near defeat. Gathering good information is imperative, in order to save time and money, make good decisions and know your options. Get out there and get busy!!!!!

Soon to bee completed, watch for this transformation in coming weeks.

Sep 14

Paper Airplanes – Happy Joy

By pattisays In airports, art and interior design, artistic talent, artists, calligraphy, commercial interior design, Contemporary Art, context of interior design, decorative arts, Denver International Airport Art, design, design competition, design solutions, DIY design, education, fanciful design, Gershwin, handcraft, handmade, handwriting, hiring an interior designer, inspiration, interior design, interior enhancements, Japanese design, joy, kids' art, Leon de la Vega, love, Modern Art, music scores, nostalgia and design, origami, paper airplanes, Patty Ortiz, public design, public spaces, sculpture, site sculpture, Subscribers, travel and design, urban art / 1

This week, upon arrival at the Denver airport, as I navigate this architecturally dramatic facility, I’m funneled with the masses making our way, from the gate area, to the trains, to the terminal. When suddenly, gracefully overhead as we ascend the escalator, large versions of paper airplanes hover above. Probably steel, but with the familiar fold and form of the simple paper origami originals, they were a whimsical attention divergence.

When I arrived at the top of the escalator, I realized that they were also above the escalator across the way so I walked over there (to the surprise of the masses with whom I had been funneling along). A couple in the crowd even called out “hey” or “ma’am” …I turned to see some were concerned that I had lost my way and expressed concern that I follow the pack. I waved to these helpful strangers indicating with my phone in hand that I was stopping to take a photo of these wonderful suspended planes.

This ignited a curiosity that led me to investigate a bit more. I have since learned that they are part of the Denver International Airport’s Arts & Venues Denver: Public Art Program 1994. There are 140 of these suspended would-be-paper (steel alloy) planes and they are the work of artist Patty Ortiz titled Experimental Aviation. A well-recognized artist and curator of contemporary art with decades of art management experience she “believes that art intrinsically is a social object and when placed as an action in relationship with the viewer ad participant that art carries a profound interconnectedness within real experience.” And there I was experiencing the simple loveliness and joy that these airplane sculptures conveyed, in context with the often monotonous air travel experience.

Kids who love paper airplanes never seem to grow up. I’ve written about this before, in the blog about Federico Leon de la Vega’s TEDx Talks a couple of years ago. Watch his Talk and see the final scene as the planes fly through the audience. https://www.youtube.com/watch?v=H9j_pLgCr1U

Paper airplanes are timeless tools of communication set flying from one person to another often with a secret note inside. Unfold and discover the message. Like passenger pigeons of days gone by…but unlike their obsolete and ultimately extinct message-delivering cousins, paper airplanes are timeless.

Would A Love Letter Be The Same Without Handwriting?

Never taking up the art, it has fascinated me forever. Origami seems to be originated from the Japanese word for folding – ori – and paper – kami = Orikami. Japanese art is so fine in all of its forms. And back to the paper airplanes, San Francisco hosted a competition Origami-Palooza complete with education and presentation of many facets of origami work including the Paper Airplane Challenge. Last month “The Paper Airplane Guy,” John Collins, the world record holder for paper airplane distance was there to assist in honing your paper airplane folding skills to insure greater success with your paper airplane flying! https://japancentersf.com/events/origami-palooza-great-paper-airplane-contest/

My happy observation of this past week and my advice with it – grab a piece of paper and try your hand at folding and flying a paper airplane!!!!!