Neighborhood covenants, zoning, physical practicality, budgetary constraints…all enter into whether it is realistic or desirable to save vegetation when clearing land for development. Carving around existing growth can be a tedious and costly addition to a project. But there are times when it is a design asset – an imperative even – to the over-all setting and effect of the scene.
Saving trees when designing a built environment is a challenge
that often pays off.
A spectacular backdrop to this seating area – the decades old tree is the focal point.At night – well lit – the same tree towers with dramatic illumination in the darkness as the rear “wall” of this seating area.
Raping acres of woods for barren subdivisions and adding back newly planted saplings the caliper of a quarter is unfortunate and takes years to satisfy. FHA requirements were the tell-tale token of bringing green back after a bulldozer’s brutal removal of all plant-life on a property. That lanky stick standing in the center of a dirt patch, that might get sod or seed…or rock, was a pitiful attempt to give back to the environment. However, in addition to broad-sweeping examples, individual decisions to saver rather than remove can prove valuable.
Years ago, when planning a patio expansion and exterior kitchen, friends brought the plans to me for a quick check before committing to the design from the design/build contractors that they had engaged. The new patio plan meandered along nearly the entire back facade of the house. With all the exciting kitchen layout and bar, seating areas and dining space, I instantly focused on the fact that their beautiful red-bud tree was gone – not in evidence on the pans! I exclaimed about it and was told that they were told it had to go. That was about 10 years ago – or more, yet it still stands today having modified the design to include a tree-well in the patio and opening in the proposed high-ceiling patio cover. The stunning multi-truck tree thrives, in the ground as it had for decades, and climbs skyward through the opening spreading widely toward the second story of the home. A wonderful, living, sculptural element, in the space. Good save!
Warmer climates invite the indoor/outdoor melding of living spaces. We all try to achieve them despite bitter cold transitions and near, if not complete shut-downs “off-season.” But in the tropics, outdoor living spaces become remarkable dimensions to expand living.
Sculptural trees are powerful elements viewed from inside and outside.
This past week, that situation came to mind as I enjoyed several examples of incorporating nature into the design scheme. Yes, landscape design is just that. Landscape architects do just that. They design exterior spaces with organic material. But what I was feeling recently was two complimentary things – one that designing in and around existing growth is so satisfying and in some cases, the living plant material becomes the architecture – not merely compliments it.
In addition to their sculptural beauty, they add balance, scale and a canopy over the exterior rooms.
This past couple of weeks, we have see the results of 2 years of preparation and construction which transformed of a piece of partially vacant land into a seaside resort. Several key palms and a couple other key trees were saved and hundreds more were brought to the site to complete the design. The towering new trees showed signs of shock with their dried frond tips – but will surely survive.
What has been a foreground of some landscaping and virgin jungle ,with houses beyond, was bladed and terraced last year in preparation for a new project. Buildings and pools appeared, jungle growth was removed and a few key organic elements retained. The recently finished scene is dramatically different – incorporating specimen trees throughout the property into the new plan.
When landscaping becomes architecture you know you have crossed an exciting line. What I mean by that is to have the growth become walls – to have the vegetation read as though structural framework.
This terraced dining patio is framed by massive bamboo and other large trees and plantings. They are substantial enough to read like screens, if not walls, framing the space. From a canopy of growth, strings of LED lights are suspended as though from the ceiling – a ceiling of branches over this enchanting outside dining venue.
A tree house is another example. The tree is the structure – the framework to begin the additional elements that create a suspended room.
This entertaining and imagination-spurring book by Philip Jodidio is worth investigation. Here. find extraordinary examples of trees as the structure of other amazingly fanciful spaces!
By observing examples in your world, you will see, when designing around and in concert with the natural landscaping, the effects can be dramatic and of great value to the scene. On your next project, consider the possibilities of saving rather than removing – incorporating and celebrating nature’s design elements!
Some fabrics are just so fabulous that they can carry a design scheme. You could wrap a rock with them and feel that they are accomplishing the design statement to set the theme, mood and encourage interest, if not confidence in comfort! Stimulating the senses is a major part of design.
Often, a throw pillow can make an effective accent. We joke often when we find exclusive fabrics in the hundreds of dollars a yard and say “Perhaps a throw pillow?” Knowing that the projects affording such luxury for miles of drapery panels are few and far between!
Duralee offers statement furniture pieces of unpretentious luxury and comfort with a collection of fine fabrics that will satisfy any budget. Birds take flight from this delightful Duralee pattern.
Sight Sound Smell Taste and Touch – you know. Colors and textures catch one’s attention. They set the mood.
Upon entering a space you take-in the colors and textures and if fabric is in play.With further tactile examination fabric contributes greatly to these two sensory perceptions – sight and touch.
This playful Donghia organic has fuzzy tactile balls sprouting from the linear twigs. From the “ground” to all the intertwining and overlaying weaves, the complexity of textiles is exciting. Come see these exceptional designer fabrics in our studio.Many fabrics have multiple colorways. If you see an intriguing fabric that’s not “your color”, its worth asking about the entire collection.
Juxtaposition can also be an effective technique. When placing a modern pattern on a vintage piece, you breathe new life into the forgotten history – refreshing and capturing the best of both worlds!
You might not have a lot of confidence in someone who wants to wrap a rock to make a design statement. However, my point is, when you love something you want it regardless of the delivery system! Find fabrics that you love and insert them into your rooms – home or office. It’s like your favorite flavor. Sweet or savory – slather it on a piece of cardboard and you’ll be significantly satisfied. You need not struggle with how to do it – just make it happen. So to get a little taste of an exciting textile, make a table runner, simple dining chair seats, select a backing and make a throw or an accent pillow. Bring the joy of exciting textiles into your interiors.
Here are a series of fun fabrics from our source library – tools of the trade. We LOVE fabrics and must touch the texture, feel the weight and evaluate the colors. Seeing images on-line do NOT do justice to the many incredibly creative textiles are available to enhance interiors.
Cute critters march across this sophisticated yet whimsically novel woven.
Other considerations not necessarily in evidence are the wear-ability/durability of a fabric and the resistance to ultraviolet rays, mildew and other elements. Wool is inherently flame retardant, for example. And exteriors have come alive as these amazing performance textiles will often fool you in disbelief that they have the properties to withstand the radiating ultra-violet rays of the sun and damp conditions which invite mold and mildew. These incredible fabrics are truly indoor-outdoor in appearance and extraordinary performance!
High-performance luxury weaves such as jacquards, piques, tapestries, matelassé, ottomans, damasks and sheers defy their extraordinary performance properties.
Roy Hamilton a recognized designer in many media, brings fresh patterns to Chella. Roy Hamilton, designer of exclusive ceramics, sculptural and textural interior elements and fabrics for over sixty years.
Call for an appointment to explore our source library for the most unique fabrics in the world!
Floor-to-ceiling shelves of samples await your exploration for commercial and residential application!! You can order most textiles by the yard!
When designing for a vacation rental property, the first order of business is to select things that are durable and easy to maintain. This means finishes to furnishings. I know this from practical life experiences and also working with commercial/hospitality interiors. To do so, one needs time to place and receive the orders with enough contingency for mishap. It is also dependent upon the housekeeping arrangements planned for on-going maintenance.
In this recent project, the work began 12 months out – plenty of time you think…but it was all about the physical remodel. We began with the drawings for floor plan re-configuration and specifications for new lighting, cabinets and finishes throughout. The decision to furnish was not made until nearly 10 months later with a deadline to complete in less than 7 weeks. The delay was partially due to an indecision over how many of the 4 units (all on one floor) were to be short-term or long-term rentals. Then a new city ordinance imposed a moratorium, of sorts, on short-term rentals and while that was tossed about over several weeks…more indecision ensued.
It’s a riot to see overnight design projects transform interiors in 24 hours. That’s due to a free-reign for design decisions, a team(s) and vehicles to pick-up/deliver, all trades on deck, a single director calling the shots and an organized chaos that results in a magical finished project – yes, like magic. Open your eyes, be stricken with awe, cry a little and exclaim repeatedly that you “just can’t believe it!!!!”
Real life is generally not like that. Real life has in-put by owners, limited schedule openings by the various trades, little spontaneous decision-making and fleeting time riddled with unwanted surprises and delays. Real life, in this case, was a theme provided by the owner, a preconceived “look” developed in the mind’s eye and scratch paper of the designer during the selection of finishes and floor plan modifications and vacillation for several reasons, of what units to furnish and when. Over the course of a year, leading up to less than the last 30 days, the project was to be fully furnished and finished – ready to rent!
The good news is that with controlled frenzy, changing
availability of products, focused efforts and teamwork, we are pleased to present
the Lobster! Completed all but hanging the TVs by the requested July 1st
deadline, it is beautifully appointed and offers a colorful and a bit
whimsical, spacious, clean and did I mention enviable location- 2 blocks from Pacific Beach
in San Diego?
This entire project, except the move-in this last week, was done long-distance with the owner in Maine, her management company SHORE on-site in California and we the design team in New Mexico. This is not at all unusual, but Maine prompted the owner’s desire to name the unit Lobster. Not your spiny lobster from the local waters, but the New England version from the Atlantic with the classic recognizable form that accompanies the imagined crustacean – including the brilliant reds of the often appreciated steamed version!!
With fond memories of her childhood helping her elders maintain this property, the owner wanted to commemorate the building with an entry plaque visible from the street on the new redwood gate (soon to be completed). In addition, we suggested an individual name/theme for each of the 4 apartments which were all initially designated as fully-furnished short-term rentals – hence the bold identity for each! I designed the new name plaques and had them fabricated by Artistic Bronze in Florida. The backing was built by our talented Enrique Jimenez, in New Mexico, and all shipped to California. Bronze was selected for its timeless presentation, handsome durability and commanding respect. Parisienne was the font I selected which may now be used to identify the property as though a logo to tie-in with the on-site signage. Subliminal cues that are recognized even slightly are effective reminders and triggers for recognition. The idea was intended to offer a fun, but lasting, introduction and identification which was to be reflected in the interiors. The Lobster was the largest unit with 2 bedrooms. It was ultimately chosen to the be one fully-furnished unit and owner’s second home when visiting the area.
For budget and availability, we sacrificed certain durable
features that would have been better long-term investments, resulting in some
knock-down furniture that was never intended for much abuse. Fragile painted
table surfaces – for example – better in laminate, wood or stone…but time
will tell.
The look is clean and fun, colorful and beachy – with a slightly up-scaled twist. Cool aquas accent a few walls in the otherwise crisp white interior. Red punctuates effectively in lobster accent pillows, decorative accessories and the full-wall mosaic glass tile treatment in the kitchen. Yes, once again, we like to treat tile on the walls as not mere back-splashes, but wall-covering full height and width!
Weathered grey toned LVT (Luxury Vinyl Tile) in the way of interlocking planks were an easy to maintain and durable floor finish. The faux wood adds warmth and is softer underfoot than other hard surfaces. Perfectly matched with all trim pieces, this flooring is fabulous!!
Lighting is key and here we added recessed directional lights to spot the walls and related artwork. Switching was also an important detail to have options for the lighted areas and accents.
The owner found a novel lobster rug with a great textural,
tufted, yarn system that brings fun and great color and warmth to the bunk-bed
room! Busy, colorful bed dressings intentionally selected (over the hospitality
white that is still trending) contrast against the bright white bed frames
stacked for space optimization and a little kid fun!
A cool find in the way of the glass vessel lamp…where
usually the stem with electrical cord feeds down through the center of the base
and of the back, this one feeds from the socket stem with a cork top that
removes allowing the vessel to be filled with treasures – in this case southern
California beach shells and fragments! And for a little more animation, I found
a carved wooden shark to insert cruising above the shells to make the lamp even
more interesting!!!
A pair of vintage photographs of a lobster shack and fishing
boat contributed by a friend in Albuquerque – taken by him in Maine in 1962 –
were enhanced with bright red mats in their original polished silver metal
frames along with a large painting on canvas of a Maine lobster/fishing boat sent
by the owner in Maine provide interest to further perpetuate the lobster theme.
The master bedroom is a comfortable retreat with another
lobster pillow for punch! To give the room the best approach and make it feel
as large as it can be, placing the bed in front of the windows was the
solution. Beds facing the entrance to the room are always preferable to
arriving into the side of them – for visual space and a more inviting
orientation.
The original bathroom layout was all one space with tiny
appointments jammed together…so we removed the tall storage cabinets and sink
vanity allowing more room for the commode beside the tub/shower and added a
privacy door. Then the new cabinets and counter have their own space with
another privacy door resulting in a two-compartment bathroom area for maximum
use and enjoyment. Red mosaic glass tiles were repeated from the kitchen to further
coordinate the theme.
The bold color scheme was thoroughly distributed throughout
the unit which is an intentional design emphasis especially effective and novel
in a short-term vacation rental – where such a thorough scheme might be too
intense for one’s primary place of residence.
Effective design both functionally and visually should be a significant asset in the marketing of rental property. When used consistency in marketing material with logos and repeated features, this and other properties with attention to detail should attract the discriminating guests. Once there, repeated stays are the key to maintaining a strong guest population – of desired visitors.
Please watch for the entire slide show of before and afters of this dramatic transformation in the commercial projects section of our website, in coming weeks, entitled Emerald Green Beach Rentals – Lobster!
Is your story important? Does anyone care about your story?
And what does this have to do with interior design?
Whether you are marketing yourself or your business, your story has merit. It is about identity, branding and connecting. It is about letting people in a bit. It is about sharing history, experiences and process. It is about your unique reason for doing what you do.
For the past several months, I have been working with a
client on a combination of interior design, graphic design, exterior
design…it is all intertwined. A successful design laces together all these
design elements. And that brings me to “the story.”
Even Facebook features a section to tell “your
story.” Yet, my client resisted
presenting/using the story of this new business venture as a part of the
design. He told me that was “so seventies.” That he had read that it
was a dated concept that was no longer relevant. I begged to differ. For months
I begged to differ! We agreed to disagree.
I believe that this is similar to many interpretations of design. What might be considered “dated” is often the manner in which it is used or done – not the thing itself. Whether a color, a font, a style of furniture, a wall tile or wallpaper, an architectural detail or form…so many design elements are considered dated due to their context. Often, this is fair to observe. But, mix it up a bit and use things differently or with other different elements than the original trend presented and – Voila! You have a perfectly valid, even fabulous design – think outside the box!
The idea of a “story” is not unlike the “mission statement” which became a standard feature decades ago in every company’s presentation on printed media, lobby plaques, conference room walls, break rooms… Some say it is passe, but when something is good and has meaning – re-consider. Like “the story”, “the mission statement” identifies goals and intent…when paired with the story, it provides an overview of the who, what, why that inquiring patrons want to know.
So back to the story…about “the story.” When a business or any concept is respected or
liked, revered or praised, it is natural for people to wonder “How did
they get started?” “How did they come up with this idea?”
“What is their history in this business?” These are common questions
that clever ideas or designs invite. So why not satisfy that interest, create a
buzz…Let’s give them something to talk about!!!
In this world of disconnection, making connections seem all
the more important. What used to be a natural exchange – of communication,
ideas, sharing – is now something that has to be inserted with greater
intention.
So this new business, for which I have been designing, is a barbeque establishment. There are a million. They have certain things in common. Without my enumerating them here – can you envision some common denominators that you might connect with barbeque joints? As is true with any venture, I asked: “What makes this one different? Better barbeque? Maybe. Cool interior? Hopefully. Are those the only unique traits? Is that the memorable take-away? It certainly isn’t a bad one – the idea is to have great food – and a fun environment, but what else might contribute to the experience of this barbecue being unforgettable? What might you have, to tell your friends, to spread the word?”
My opinion was a combination of an intriguing brand and “the story.” But before I go further, they coined a word to express their beer brewing prowess – exbeerience! This will enter into the story as we go along.
Now maybe my opinion about their story was so worthy of consideration because there was so much to this story. That certainly helps. It happens to be a great story with layers of interesting twists and turns – riddled with history and significance. Plus, it had a local interest angle that has the potential to create a buzz far beyond their actual location.
To begin to tell the story, I encouraged the development of
a unique logo for this specific branch of the brand. Taking the lead to design
it, and incorporating it into interior/exterior
design was part of my vision for a complete design package and presentation. Extracting
from the story to create the logo seemed natural. The private persona was
becoming public.
As we developed the logo, featuring a wood-carved graphic of an original log cabin/smokehouse, the story was recorded and edited down to a summarized version.
It was available for printed material, social media, and as art to be presented on walls. Yes, it was intended to become a decorative element too.
The Story became a focal piece in the interior along with authentic, original photos of the log smokehouse and an interpretation of patchwork quilts entitled Urban Piecework made from leftover ceramic and porcelain tiles, glass and clay assembled in wall-mounted panels throughout the interior and exterior spaces.
Photos of the original smokehouse in North Carolina will soon be presented to further reiterate the story on the interior walls.Urban Piecework commands the interior with bold mosaics reminiscent of patchwork quilts – an intriguing backdrop installed both inside and out.
Connecting with patrons, followers, clients, friends, family and acquaintances is valuable. As a business, it wraps who and those elements that are important to you in a familiar cocoon of context. It can instill a level of comfort and confidence in addition to sparking additional interest that might have taken longer to establish, without the introduction of your story.
The final multi-dimensional and multi-textural wall-piece featuring the story and mission is a striking 4’x6′ multi-textural panel. It offers patrons an opportunity to get a few questions answered as they enjoy their “exbeerience” at BLUE.
It was a privilege to promote, extract and produce this story and contribute such an important and valuable element to this business’s marketing and solidifying it’s new, exciting chapter of their brand.
Consider your story. Own it. Share it. Celebrate the uniqueness of your story. Design with your story in mind.
Time to remodel the kitchen!! This charming little bungalow had already experienced its share of remodeling – well, not so much structural – although, many interior design transformations had occurred over the decades. In the mix, the well-used and enjoyed kitchen was feeling a quite tired and dated.
You might remember I have used this now completed project, in the last few months, during its transformation process to identify certain features and design practices. Here is the as-promised unveiling of the before and after photos for further discussion about the design process, intent and results.
We loved the mottled color and organic character of the existing slate floors and opposing green-grey beams with spanning boards of a caramel stain. These were the two elements that went well together as though intentionally planned. Yet in between, the pale, peachy pickled oak cabinets with their radius detailing and red-rose/black matrix of the tiled granite counter-tops, didn’t seem to speak at all well with the ceiling treatment and slate floor’s greens, rusts and charcoal tones. It was a dark, confused space.
When observing and “listening to” the house, it was evident that the current kitchen, in addition to being poorly coordinated, had absolutely nothing to do with the original architectural intent. The new owners had brought a few very fine antique pieces into the home. The mid-century circa 1964 age of the house accepted them on its original hardwood floors also adorned with their fine antique rugs…but something was missing. There was no cohesive thread running through the house. Over the years finishes and decorative elements had been selected and installed without any consideration for original materials or an attempt to introduce compatible and harmonious materials for the good of the home’s overall theme.
In all fairness, had the entire interior been gutted and a
contemporary interior been uniformly installed into the framework/shell of the structure,
I might have considered it a success. However, this multiple decade decor was a
mix of disparate trends and preferences that had no commonality.
To begin the process of bringing this home into a cohesive
design last year, we had redesigned the living room. There we introduced a classic
blue and white color scheme derived from the Persian rug in the adjacent dining
room.
To the corner kiva fireplace, we added a sandstone hearth and
mantle with just enough blue and white Talavera tile trim at the base of the
hearth to subtly coordinate with the new scheme. The Talavera was an
appropriate material for this New Mexican bungalow.
The original fireplace had a dark, broken brick quarry tile hearth and no cap on the mantle.The face-lift replaced the hearth material with broken-edged sandstone slab and matching mantle cap with Talavera detailing at the bottom.
With this living room having been so successfully re-designed, the obvious thought came into the discussion to continue the vernacular of the blue and white Talavera into the kitchen. As a bit of a purist when it comes to application and termination of materials, I was not content for a mere back-splash. No, if the tile were to be effective and commandeer the stage, it had to be used wall-to-wall as though an entire wall treatment.
Treating the Talavera tile as wall-covering, it continues from the kitchen, into the adjacent pocket-space housing a desk and laundry machines.
But wait! The addition of an earthy aqua handmade tile from
Spain offered an appealing and unexpected accent woven intermittently through
the Talavera. It created a coordinating thread from the colors found in the mottled
slate floors and ceiling beams.
Pre-grout shot shows the individually cut 1″ pieces inserted as mosaics into the random field of Talavera
The cabinets were in excellent condition, but the doors were
sadly dated and in no way spoke to the home’s other cabinets, doors and finish
carpentry.
The confused interior finishes we in need of a transformation!
With the white raised panel theme throughout the home’s original appointments, we elected to salvage the cabinet boxes and replace the doors and drawer fronts with a similar raised panel detail. The same red oak was used and, with a glossy white paint applied, the grain “read-through” with a very intentional yet subtle moiré-like pattern. The new raised panel white doors and drawers, with crowning top molding provided a crisp, timeless motif. The random patterned Talavera used as an entire wall-covering was very effective. The kitchen was quite gussied-up!!
The transformation was dramatically successful!
The existing slate floor was beautifully organic and I felt, from a design standpoint, was a must to salvage. Making it look like an intentional selection – part of the new scheme – was imperative. Therefore, selecting a counter-top that communed with the tones in the floor resulted in a selection of concrete-like engineered Italian quartz material – balancing the floor with the next horizontal plane and ultimately with the stained and green-grey boards of the existing ceiling treatment.
The new concrete-like Italian quartz counter-tops coordinate well with the other materials.
Another asset was the connection to the outdoors, however the existing window over the sink was high and small.
The window over the sink was high and small…
By bucking the warranty of the Pella people, we had a new double-hung window made to close down onto the new counter-top that passed through from inside to out. They would not fabricate the window to do what we intended, so we had the contractor remove the bottom of the new window frame, thus rendering the warranty null and void, in order to have a completely open, uninterrupted pass-through when raised.
Amusing and interesting…existing family pieces of blue and white ceramics are being discovered and used as decorative accessories in the new kitchen!
We also captured the opportunity to open the opposing wall into the hallway adding pass-through light and dimension to the space. This exponentially expanded the space and made the encapsulated kitchen feel much less confined.
Before, the kitchen felt small and dark…Opening the wall into the hallway brought in additional light and dimension.
To add drama to the newly created dimension, we discussed having a painting commissioned to pop an accent of yellow into the blue and white scheme on the far hallway wall. Lemons, a perfect citrus for the kitchen, was decided for the theme.
A miniature oil painting by Federico Leon de la Vega was used to Photoshop into the scene to inspire and convey the design intent.
The additional POP of yellow is a dramatically effective contribution to the overall composition. After consideration, the owners selected a local artist to paint the full-scale painting.
A local Albuquerque artist, Thomas Tomlinson rendered the lemons in acrylic with blue and white tile details.
In summary…keeping the original slate floor, existing cabinet boxes (replacing door and drawer-fronts only), with a bling of new chrome cabinet pulls, switching out the stained glass pendants, replacing the island’s surface with a handsome solid walnut top and a new coordinating concrete-like counter-tops on the periphery, with the decorative embellishment of the Talavera tile continued from the subtle introduction at the living room’s kiva fireplace, the transformation of the kitchen is stunning – not trendy – and was truly, uniquely designed for the architecture and forward, on-going contextual design conversation of the home.
Uniquely designed…
Look around and listen to the environment for and in which
you are designing. What makes the best sense for the design direction
considering the function and context of your project?
The total sum of an interior…comprised of the shape and volume of a space, the colors and textures, architectural details…then layer the lighting, furnishings and decorative accessories and ta-da! But is that all there is?
The beauty and intrigue of interiors is what keeps us
discovering and creating. Yes, finding intimate pockets or grand expanses that
please and dazzle.
The romance of this setting caught my eye…the far table by the window – set for two seemed a likely scene for a tete e tete to take place!
While traveling in the tropics these last few weeks, I
discovered many interesting places. Oddly, while experiencing all the sights
and sounds flavors and colors of this paradise, I immersed myself in the
unlikely and completely opposite world of early 20th century Russia with A
Gentleman in Moscow.
Just for fun, I sat with Federico Leon de la Vega today as he did 4 – minute sketches of some of my photos…needless to say, proper illustrations would have proved more telling of my romanticizing the talents of artists conveying imaginary activities in interiors…but it was fun to play with this today!
The beautifully and artistically articulate writing style of
Amor Towles held me captive. And what a dichotomy to play ping-pong with my
brain as I digest the restricted realm of Count Alexander Ilyich Rostov while
basking in the warm sunshine with fresh sea air and palms rustling overhead…It
seems that the extremes of this pairing suited me well as it was a dual escape
– a vacation getaway while taking me further into fantasy with another dimensional
experience of this incredibly great read!
Although there were many fascinating observations made by
the author, it was this passage regarding the Count encountering a young
artist/architect that prompted this subject for this week’s blog. The
architect, finding himself in Moscow in the post Czar age of socialistic
experimentation and implementation, bemoans the lack of work “The way things
stand, I’d be happy to design a birdhouse.”
“The way things stand, I would be happy to design a birdhouse!” Sketch by PH
The mayor of Moscow has made an observation espousing the birth of “the golden age of the prefabrication, cement-walled, five-story apartment building” – with the very practical “four-hundred-square-foot living spaces with ready access to communal bathrooms boasting four-foot tubs (after all. who has time to lie down in a bath when your neighbors are knocking at the door).” The mayor further emphasizes and rationalizes “So let us not get bogged down with elaborate designs or bow to aesthetic vanities. Let us apply ourselves instead to a universal ideal that is fitting for our times.” A horribly inhuman decree in my opinion, rather than a should-be, truly magnanimous spirit. Humans are designed to design!!
The sentiments of the new regime left the architect with having to find avenues to utilize his talents – specifically sketching as he set forth to illustrate a brochure of the city’s finest hotels as retained by the Intourist department. How sad to possess the talent and passion and be reduced to capturing the grandeur without having the opportunity to design??!!
So three things struck me about this situation…one – that the artist was practicing only a portion of his talents and not the true, complete creativity that beckoned him to pursue his career…two – that renderings not only offer the opportunity to preview the proposed design of a space, but they can use artistic license to animate the space for its intended function and three – that spaces are not truly realized until they are filled with the people that are intended to occupy them.
So much so is a room not really finished until it is occupied by the inhabitants for whom it was intended to function, but Towles observes through the renewed appreciation by his architect, “I suppose a room is the summation of all that has happened inside it.” And that is what I enjoyed being revealed as a result of this simple exchange in this one of many experiences in this remarkable storyline .
Humans are designed to design. Rooms are intended to perform a function. They cannot function until they are animated with whatever they were intended to serve. Sketches allow the preview. Sketches are more spontaneous and artfully creative than computer generated versions of the same. Celebrate beauty, creativity and artists!
Color. Fashion and trends. Pantone’s annual pick and announcement – this year, based upon observation of the field of design scenes namely Airbnb and Apple, really? I find that amusing. Described by Pantone as “an animated life-affirming shade of orange, with golden undertones.” If orange had golden undertones, it would be more yellow-orange – a golden orange – NOT the pinky-orange suggested by their swatch of Living Coral and myriad examples that are being set forth. However, a few months ago I noticed and saved (because I liked the colors), a Smith’s Food Store envelope featuring peaches that illustrated the cozy combination of the rosy-orange coral tones with the golden yellows – a perfect pairing.
This pinky coral – a hot, but smooth, orange-ish color – has been one of my favorites for years! In 2004 I referenced it as “lipstick” that wonderful color between red, orange and pink! A hard-to-find lipstick shade sought by many!!! It melds fabulously with citrus colors and is cooled and contrasted by blues. A wall of colors depicts this perfectly.
We painted the wall, took a photo of it and emailed it to Federico Leon de la Vega in Mexico to commission him to do this grapefruit painting with its luscious, pink center and coral shades, wrapped in a yellow peel and surrounded by cool, bold, brushstrokes of whites and brilliant blues.
A few years later we devoted an entire project to the fresh, citrus, color tangerine – which because of my personal preference leaned toward the coral shade of orange rather than the pure, natural tangerine. But art is about taking liberties and when developing an orange accented color scheme, all versions are allowed. Right?
This project was punctuated with orange tones from tangerine (for which it was named), and deep warm coral-pink shades. The hue and its many vibrant values!
However, to photo these nuances of color is tough. I walked around the Tangerine project a couple of days ago. It has stood the test of time by beating trends by a few years and not adopting any particular design elements that would have given it away today.
Look at how much nature played a part in the staging of these coral infused scenes!
My advice is to pick the colors that you like – the colors that make you feel
good. Once determined, develop design based upon when to use that/those colors
and when to contrast them or perhaps neutralize them.
Coral is bold and warm. It can read hot and energized –
although is softer than red and less harsh than orange.
Nature is abundant with coral – not just the living sea
coral – but flowers and the rare fabulous accent fur of Vietnamese monkey the
red-shanked douc!
Vietnam’s red-shanked douc- brilliant coral accents in his coat!
The thought of warm saltwater and fresh sea air at this time
of year is tantalizing. Living coral
doesn’t just say – coral, (of which there are many colors) it evokes that shade that we snap to when
mentioned. Hot, soft pinky coral – a color of seduction. It is featured in
jewelry and art renderings, architecture and interiors.
My advice is to pick the colors that you like – the colors that make you feel good. Once determined, develop design based upon when, where and how to use that/those colors and when to contrast them or perhaps neutralize them.
A little whimsy to celebrate this bold exciting color of the year!!!
Have fun with color – any color- all colors! Welcome Pantone’s Living Coral, into the conversation and design elements, for this New Year!!!
Designing with a purpose is always the way to begin a
project. But it is particularly valuable as a tool to start the New Year off
fresh! What I mean by purpose is that your interiors should reflect the purpose
that they serve for you and your family. By establishing a purpose for your
spaces, you will achieve happiness.
Sounds simple, but happiness is proved by what brings you
joy, peace and a smile to your face. To achieve this, you will need to evaluate
your lifestyle, routines and the rooms in which you perform certain functions.
Upon entering your home, do you feel satisfied? Does arriving home make you feel happy? Is it your safe and comfy retreat from the outside world? Do you like the smell? Yes it matters. Like a realtor telling a home seller to boil some cinnamon sticks on the stove to create the scent of spices in the chilly months or fragrant floral bouquets in the spring and summer…all of the senses come into play when you are staging an interior. And to enhance the design of your own home – you are staging for yourself! If your home smells musty or stale, consider the sources and do a little fabric refreshing, open windows, check for grease in the kitchen…purge the unpleasant odors.
So how do you start your day? Is your room light or dark and how adjustable is it to modify as needed? Is the floor upon which you first set your feet in the morning warm or cool, rough or soft? How do these elements make you feel? How do you want to feel? Consider all of your senses. Consider the purpose of the space and what you want it to do for you. As you evaluate these small details, ask yourself “Do I want to make changes in any of these existing conditions? It’s usually fairly easy to do and if you just take one piece at a time, you will find that the improvements are very effective.
Is your bedroom restful? Are your feel happy when they hit the floor? Examine the sensory details to get started designing with a purpose.
If you enjoy cooking, see how your kitchen functions and how it looks to you as a workplace. Do you have things handy? Is what you use most often easily accessible? Evaluate and rearrange if needed. Re-organize your kitchen.
Some cooks like everything concealed, while some like having certain of their equipment out and ready. Make it suit your purpose.
When you entertain, how do you like to do it? Is your style casual or more formal? Where do people gather and how many at a given time? You can “zone” your entertaining so that some are gathered in established seating areas while others might pull up a stool and watch you cook. Consider the flow of your gatherings. Consider the purpose. I find that I am up and down a lot and therefore I opt for a little upholstered ottoman that I can scoot under the glass top coffee table when not in use. Benches, ottomans, even floor pillows can be great supplemental seating for overflow and these pieces are lower and visually less crowded than pulling chairs in from adjacent rooms.
With regard to seating, do you have pets, kids? Are you hard on your upholstery? This might determine what fabrics you select, if you are considering new pieces or re-upholstery of existing pieces, in your home.
I write often about color. There are so many paint choices that is impossible not to find the right color combinations for your spaces. Consider the purpose. Remember that different rooms can have different color schemes, if that serves your purpose. If you want a space to be restful, select soothing colors and if your want to express a more vibrant spirited feeling, choose colors that are more bright, bold and intense. Consider the purpose of the space and its color scheme regarding how you want it to make you feel.
It all boils down to observing your rooms and their details, letting go of things that no longer serve a purpose. If they do not function well or make you smile – let go. Rearrange your things. This is a neat trick to re-purposing your possessions and giving rooms a new look. Move things from one room to another or just within the same room. You will feel refreshed merely by making these simple changes.
As is true with all good New Year’s resolutions…don’t put
off tomorrow, what you can do today! So get started and see how you can make
your home the place where you gain strength and rejuvenation, achieve happiness
and surround yourself with the things that bring you joy.
The return of the pods with a twist! Those gorgeously twisted mahogany colored Locust pods that fall every autumn and beg to be re-purposed, if not for their procreating seeds, as table dressings!!! Yes, I have embraced their raw, organic beauty for quite some time. Look back to my introduction to these handsome hulls and the first fabulous table-scape that resulted. https://patriciandesign.com/resourceful-creative-festive-fun/
The original autumnal centerpiece using the Locust pods a couple of years ago…
There have been many bouquets since. Then yesterday, as I walked my 10,000 step trek around a nearby park, I pondered the theme for this Christmas blog and another pod piece came to mind. One lone Locust tree there in the park had produced a blanket of pods that have been weathering these last couple of months – fortunately, not weathered too badly. I gathered 2 dozen of them and marched home with a purpose! Fists full and looking a bit curious, I passed several strollers wondering about my two unusual bouquets.
My idea was to tweak them from their natural autumnal brown
to a gilded glory!
Spray painting on brown craft paper – both sides – instant transformation!
Yes, gilding the lily of lovely rich, natural pods to become wildly twisted golden spires flanking the traditional poinsettia of our Christmas table.
Building the scene as I go…
Last minute gold glass balls ringing the red poinsettia centerpiece,
Spruce sprigs from the yard.
a pair of silver reindeer, silver snowflake napkin rings, blue spruce cuttings from the backyard, scattered votive holders, crystal and china for the touch of formality and we’re ready for our silver and gold, red and green, festive feast!
Mexican pewter chargers, with fine gold trimmed Limoge china, Grand Baroque sterling and aluminum snowflake napkin rings – mixes metals to the max!
The world is full of detail. From the wonders of nature and the perfection of a flower, to the man-made creations that come from inspiration of all sorts. The combined influences that result, in interesting and good design, are limitless and we now have layers of platforms upon which ideas are presented. The access to creativity is staggering.
Take Etsy and Pinterest. There the ideas abound. Everyone has access to creative ideas unlike ever before in our world. In the past, a keen eye observed and discerned. The clever managed to find inspiration in the most obscure places, analyze observations and interpret them for their own purposes. Creativity was spawned from observation paired with original thought. Yet, that observation was generally first-hand. Therefore, those that got about more, saw more and had greater exposure to more (and there you have it) were creatively stimulated more!
We (perhaps I should say I since it is from my own vantage point and experiences, from whence I speak/write), often are so busy observing that we don’t take the time to dissect and catalog the information we discover. I am so very guilty of that as I am so captivated by design and creativity that I forget to remember!!! Ha – yes – forget to remember or record!!!!
I constantly find myself regretting to have taken a photo of something (some who know how many photos I take might want to take exception with this point), but it’s true. I regret not taking a photo or studying something which, retrospectively, I recognize as something quite special. In the rush to experience the entire scene, I fail to notice or retain the details. Have you ever felt that you were so caught-up in a new experience that afterward you feel you should have paid closer attention? I forget to remember to store the observations or I forget to take a photo – regretting it afterward.
The breakfast room aat Hillwood Mansion where Marjorie Post rarely entertained, but was always set to do so. Pink poinsettias are the seasonal choice.
This can be from a class lecture to a theatrical production. I wish I had focused more closely rather than getting distracted by my own imagination which often runs rampant with the encounter. However, the stimulation can be so great that the imagination kicks in and causes diversions, in the attention, resulting in a deficit of detail gathering. Hence a clear case of un-diagnosed ADD!!!
With all of this having been the prelude to my thoughts for the day, I have elected to pick out a few details from a recent tour of the Hillwood Estate and Gardens nestled on magnificent wooded grounds in the heart of northeast Washington, DC. And how wonderful to have had the opportunity this week to stroll through the mansion, now museum, of the late Marjorie Merriweather Post during the Christmas season.
As previously mentioned, I would have, could have, should have taken more photos, but was so enchanted at every turn by the beauty and gracious luxury that unfolded, I was too busy darting from one magnificent scene to the next to capture more than I share here. I apologize.
Her favorite color was pink and this tree greeting visitors upon arrival is a precious jewel among many beautiful Christmas trees and decorations displayed in the mansion.
From the reflection on the polished floors of the little white lights to the shimmering crystal punctuated with pink blossoms bedecking the tree was undeniably elegant.
The railings ascending the staircase at the reception desk were draped with garland and strung with simple gold painted discs which were repeated in the coordinating tree which also featured a collection of blue reproduction Faberge eggs.
Marjorie Post was a discerning collector of all manner of artistic beauty including exceptional Russian decorative art. The actual exhibit of Faberge currently available for view on the property is nearing its end. Many dazzlingly detailed pieces from her own collection and others on loan for the exhibit are being shown.
If you are in Washington this month, please treat yourself. This exhibit of Faberge pieces is outstanding.
The gold leaves on this magnificent tree in the dining room would be fun to replicate. Could have easily been dipped in gold leaf. Like lime leaves – or from your garden perhaps photinia or laurel even rhododendron – maybe go faux with silk from the craft store – spray ’em gold!!! Paint magic!
And if you have ever installed a dangle of mistletoe…check this out! This elegant bundle suspended, from the towering heights of the entry hall, puts all other sprigs to shame!!! In the opulent foyer, this grand ball of gilded ribbon-clad mistletoe invites those to tempt the fates of love and superstition, with but a kiss!
Whether it is a theme of gold or a snowy season of white, find details and enjoy the creative opportunities that present themselves to you in passing or from the depths of your imagination and create your own holiday magic!!!
Creating fantasy, festivity or seasonal celebration, gather the details every day from observing all the particulars around you. It is amazing from where you can collect ideas and be inspired to create your own festive fantasy!!!!!! Then be sure to take some photos!!!!!!!
